Podcasts about Capriccio

Argentinian born, Italian raised. Guillermo Paolisso came to Chicago and realized there was a gap in the market: Roman style. He and his wife now make their crunchy slices each day at Capriccio in the Lincoln Square neighborhood.

Interpreten: Harriet Krijgh, Nikita Boriso-Glebsky, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor BühlLabel: CapriccioEAN: 845221055350Der Dirigent Gregor Bühl setzt bei Capriccio seine Reihe mit Konzertmusik von Miklós Rózsa fort. Für Michael Gmasz ein absolut spannendes Projekt, das sich unbedingt mehr Aufmerksamkeit verdient!  Es ist für mich immer wieder faszinierend, Komponisten, die man mit ganz bestimmten Werken oder einem bestimmten Genre verbindet, quasi neu zu entdecken. So wie Miklós Rózsa, der mit seinen Filmmusiken zu Ben Hur und El Cid unsterblich geworden ist, mit seiner Konzertmusik auf unserer CD der Woche. Wie seine „avantgardistischen“ Landsmänner Bartók und Kodály hat sich auch Miklós Rózsa mit traditioneller ungarischer Musik auseinandergesetzt und diese notiert. In vielen seiner, vor allem späteren, Werke findet sich das ungarische Kolorit wieder, das er in seinen Jugendjahren und Studientagen im kleinen schwarzen Notizbüchlein aufgeschrieben hat.Rózsa jedoch auf das ungarische Kolorit zu reduzieren wäre weit gefehlt. Gemäßigt modern, meist der Tonalität verpflichtet – so lässt sich der Kompositionsstil von Miklós Rózsa am besten beschreiben. Und so verhält es sich z.B. mit dem Hauptwerk dieser CD, der Sinfonia Concertante für Violine, Cello und Orchester Op. 29. Kurz nach der Musik zu Ben Hur fertiggestellt, ist dieses Werk von der Filmmusik überraschenderweise ziemlich abgekoppelt. Nikita Boriso-Glebsky an der Geige und Harriet Krijgh am Cello spielen sich virtuos durch die herausfordernden Soloparts, die ursprünglich von keinen Geringeren als Piatigorsky und Heifetz uraufgeführt wurden! Akzentuiert und energiegeladen der erste Satz, einer lyrischen ungarischen Melodie zu Grunde liegend der zweite Variationssatz, noch am ehesten der Filmmusik zuzuordnen, der aufregende Finalsatz. Eine kleine Verschnaufpause mit einem klingenden Ausflug auf die ungarische Puszta gönnen uns Gregor Bühl und die Deutsche Radiophilharmonie Rheinland-Pfalz mit dem Notturno ungharese Op.28. Absolute Entdeckung für mich auf dieser CD ist aber die Cello-Rhapsodie Op.3, in der Harriet Krijgh als Solistin in allen Belangen aus dem Vollen schöpfen kann. (mg)

Indagini - La pasticceria Capriccio di Torino

Raymond Bisha introduces the latest instalment in the Capriccio label's exploration of rarely performed or recorded symphonic works by Miklós Rózsa, outlining his maturation not only into one of the most successful film composers of all time, but also the creator of equally fine concert works. The album's programme comprises his Rhapsody for Cello, in which the young composer found his true style; the Notturno Ungherese (“a nostalgic night piece, harking back to the memories of my childhood in Hungary”); and the late Sinfonia concertante for violin and cello, a fiendishly difficult work that is among Rózsa's finest, least filmic concert works, and one of his most underrated.

Monumentalfilmklassiker wie Ben Hur und El Cid oder der Hitchcock-Thriller Spellbound sind ohne seinen Soundtrack undenkbar. Seine mehrfach Oscar-gekrönte Hollywood-Karriere im Dienst von Metro-Goldwyn-Mayer machte den ungarisch-amerikanischen Komponisten Miklós Rózsa berühmt. Dass er eigentlich viel lieber Werke für den Konzertsaal schrieb, blieb neben dem ganzen Filmrummel lange unbemerkt. Die Deutsche Staatsphilharmonie Rheinland-Pfalz unter Gregor Bühl legt bereits ihr zweites Rózsa-Album bei "Capriccio" vor. Alexandra Maria Dielitz hat es sich angehört.

Avui hem sentit: Dues peces per a viol

durée : 00:02:55 - Le Bach du matin du mardi 18 mars 2025 - Notre Bach du matin, est un Bach qui vient du froid, mais qui n'a pas froid aux yeux ! Depuis une quinzaine d'années le pianiste islandais, Víkingur Ólafsson, a enregistré plusieurs fois le compositeur. Ici, son 1er disque paru en 2011 et le Capriccio de la Partita N°2 pour clavier.

durée : 00:02:55 - Le Bach du matin du mardi 18 mars 2025 - Notre Bach du matin, est un Bach qui vient du froid, mais qui n'a pas froid aux yeux ! Depuis une quinzaine d'années le pianiste islandais, Víkingur Ólafsson, a enregistré plusieurs fois le compositeur. Ici, son 1er disque paru en 2011 et le Capriccio de la Partita N°2 pour clavier.

Anšlavs Eglītis ist 1944 aus Riga geflohen und in einer schwäbischen Kleinstadt gelandet. Darüber hat er eine vergnügte Satire geschrieben.

In this epsisode, we discuss recordings of “Music of the Angels: Cello Concertos, Sonatas & Quintets by Boccherini” (Hyperion) by Steven Isserlis & Orchestra of the Age of Enlightenment, “Merci” (Sony) by Yo-Yo Ma & Kathryn Stott, “Nikokai Kapustin: Piano Concertos Nos. 2 + 6” (Capriccio) by Frank Dupree, SWR Symphonieorchester & SWR Big Band / Dominik Beykirch, “Multiverse” (Hunnia Records) by The Gábor Horváth Trio, “Cookin' in the Couve” (Cellar Music) by Ben Patterson, and “I Hear Echoes” (HighNote Records) by George Cables.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 191 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Music of the Angels: Cello Concertos, Sonatas & Quintets by Boccherini” (Hyperion) Steven Isserlis, Orchestra of the Age of Enlightenment https://open.spotify.com/album/6V1CsavbL4yFwL8r7WTIDQ https://music.apple.com/us/album/boccherini-cello-concertos-sonatas-quintets/1766333659 https://music.amazon.com/albums/B0DFZNR1QD   “Merci” (Sony) Yo-Yo Ma, Kathryn Stott https://open.spotify.com/album/6elZDCjnrPGBvIVfdKYLDw https://music.apple.com/us/album/merci/1766801138 https://music.amazon.com/albums/B0DG6DTH8T   “Nikokai Kapustin: Piano Concertos Nos. 2 + 6” (Capriccio) Frank Dupree, SWR Symphonieorchester & SWR Big Band / Dominik Beykirch https://open.spotify.com/album/6j67tCYWFzKNsAAlszXNZH https://music.apple.com/us/album/kapustin-piano-concertos-nos-2-6-other-piano-works/1764068734 https://music.amazon.com/albums/B0DCDG7BN3   “Multiverse” (Hunnia Records) Gábor Horváth Trio https://open.spotify.com/album/1i96FWwak8wyzSNBpIzz03 https://music.apple.com/us/album/multiverse/1773750696 https://music.amazon.com/albums/B0DK1X2S16   “Cookin' in the Couve” (Cellar Music) Ben Patterson https://open.spotify.com/album/4UGLeoR6vG9Z70LRaSzgxH https://music.apple.com/us/album/cookin-in-the-couve/1763914129 https://music.amazon.com/albums/B0DDQXNM8N   “I Hear Echoes” (HighNote Records)  George Cables https://open.spotify.com/album/6yT650AYEbpduEWYHvpcEI https://music.apple.com/us/album/i-hear-echoes/1770353648 https://music.amazon.com/albums/B0DHWC2MY1          

Puccini (2/5): la influ

Jan Dismas Zelenka (1679-1745)Simphonie à 8 concertanti ZWV 189 1. Without tempo indication             [00:05]2. Andante                                         [08:49]3. Capriccio. Tempo di Gavotta         [11:43]4. Aria da Capriccio                           [14:05]5. Menuett 1 - Menuett 2                  [19:30] Main-Barockorchester FrankfurtMartin Jopp. Conductor ********** Miserere ZWV 57                              [22:15] Christina Landshamer, sopranoIngeborg Danz, altTilman Lichdi, tenorKonrad Jarnot, baritoneChor des Bayerischen RundfunksNeue Hofkapelle MünchenPeter Dijkstra, conductor

Böttiger, Helmut www.deutschlandfunk.de, Büchermarkt

Giuseppe Verdi - Capriccio for Bassoon and OrchestraPatrick de Ritis, bassoon Wurzburg Philharmonic Orchestra Enrico Calesso, conductorMore info about today's track: Naxos 8.573382Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Merriam-Webster's Word of the Day for August 5, 2024 is: capricious • kuh-PRISH-us • adjective Capricious is a formal word that describes someone or something governed or characterized by impulsivity or unpredictability. // The employees were at the mercy of a capricious manager who always seemed to impose deadlines at the last minute. See the entry > Examples: “Tornadoes are among the planet's most fearsome phenomena, with terrifying and capricious wind speeds measured as high as 300 mph. And the U.S. sees more than any other country.” — Doyle Rice, USA Today, 9 May 2024 Did you know? The adjective capricious and its close relation, the noun caprice (a synonym of whim), both come via French from the Italian word capriccio, which has disputed origins. Capriccio originally referred not to a sudden desire but to a sudden shiver of horror and likely comes from the Italian capo, meaning “head,” and riccio, the word for “hedgehog.” The implication was that someone who shuddered in fear or horror was said to have a “hedgehog head,” meaning that the person's hair stood on end like the spines of a hedgehog. The link between a whim and a shiver of horror is notably tenuous, though, and a possible link to Italian capra, meaning “goat,” has also been suggested, given the whimsy goats seem to employ in their gamboling. (A full treatment of the disputed etymology can be found here.) Whatever its origins, capriccio came to mean “whim, fancy,” which directly relates to its uses today. Something done in a capricious manner is done on a whim, as in “a capricious decision to join the circus.”

1942 kam die letzte Oper des „Rosenkavalier“-Meisters in München zur Uraufführung. Während Europa im Bombenhagel versankt, debattierte auf der Bühne eine adelige Gesellschaft in einem Rokoko-Schlösschen über die Frage, ob in der Oper Dichtung oder Musik wichtiger seien? Hatte man damals keine anderen Sorgen? Kann man „Capriccio“ jenseits solch zeithistorischer Betrachtungen ernst nehmen? Im Musiksalon versucht „Presse“-Musikkritiker Wilhelm Sinkovicz Antworten zu finden.

Amb "Capriccio", Richard Strauss s'acomiada dels escenaris. I ho fa amb una conversa musical en un acte, amb llibret de Clemens Krauss, a l'entorn de l'ess

Amb "Capriccio", Richard Strauss s'acomiada dels escenaris. I ho fa amb una conversa musical en un acte, amb llibret de Clemens Krauss, a l'entorn de l'ess

durée : 01:28:14 - En pistes ! du vendredi 31 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour terminer la semaine, Emilie et Rodolphe vous proposent Les sonates du Rosaire de Biber, un extrait de l'opéra Acis et Galatea de Haendel, le Divertissement à la Hongroise de Schubert, le ballet Appalachian Spring de Copland ainsi que le Capriccio à la Turque de Ferit Tüzün. En pistes !

Ne abbiamo parlato con Carmen de Grazia, la nostra psicoterapeuta di fiducia.

Expressionismus pur. Die Geschichte des schwulen, jüdischen und buckligen Kuno Kohn - Alter Ego des Dichters Alfred Lichtensteins – erzählt als Capriccio für Stimmen, Gesang und Musiker.

Avete mai conosciuto un principe capriccioso? Nessuno riesce a trovare il regalo giusto per il suo compleanno. Ma il Re ha pensato ad uno stratagemma…

Join Court and Rima for a another episode of music and MESS as they dive into the Grammy performance lineup and dissect the recent rap beef between Megan Thee Stallion and Nicki Minaj. This week was filled with entertaining chaos. Take a listen  [0:00 - 6:52]Intro/Week Recap    [6:58] Happy hour: Capriccio   [8:13]In the mix: Black Oscar noms, [9:16]fans are upset about the Grammy performance list so far, [13:34]The girlssss are fighting: Melyssa Ford shades Karrine Steffens during pod episode and [18:46]MTS drops new song HISS and Nicki Minaj seemingly responds.      Grammy's https://www.instagram.com/p/C2fjbYRpwtF/?igsh=MzRlODBiNWFlZA==   M. Ford/K. Steffens https://www.instagram.com/reel/C2gIhZipvxA/?igsh=MzRlODBiNWFlZA==   MTS/Nicki Minaj https://www.instagram.com/p/C2jat1uOvdz/?igsh=MzRlODBiNWFlZA==   https://www.instagram.com/p/C2k7vsDv4Ba/?igsh=MzRlODBiNWFlZA==   https://www.instagram.com/reel/C2ladOspoTN/?igsh=bXg5ZjVhejQxM2Vs    [31:01] Topic: let's play a game One Gotta Go Ho! Out of the three artist named one and all their musical contributions gotta go    [45:23] The soundtrack  -Sevyn Streeter ft. Dominic Scott- Fall Back -Tanner Adell- Bake It -Lyrical Lemonade ft. Latto, Swae Lee & Aminé- Special    Say HI to kidz on Social:   Rima IG| rimababyy_   Court IG| keepinitcourtt   Pod IG| rccpod   Rate, and Review on Apple Podcast    Website: https://www.redcuppod.com   Email: Redcuppod@gmail.com  

Der Kuss, Op. 128Rondo a Capriccio, Op. 129String Quartet No. 13, Op. 130 Performances byKriss Schmidt, baritoneJoana Filipe Martinez, pianoCMD Paris String Quartet Please purchase this album at: The Last Compositions of Beethoven - Part 2 (classicalmusicdiscoveries.store)

SynopsisOn today's date in 1755, Montezuma, an opera by German Baroque composer Carl Heinrich Graun, had its premiere performance at the Berlin Court Opera of Frederick II, King of Prussia. Frederick supervised the rehearsals, which isn't all that surprising, since he had drafted the opera's libretto.Despite his well-deserved reputation as a military leader, Frederick the Great also was a talented musician and composer. As a young prince, he had tried to run away from home to pursue a musical career. His royal father was not amused. Heads rolled — one of them belonging to Frederick's favorite music teacher — and thereafter Frederick focused on his military studies until he could ascend the throne. As king, Frederick built an opera house in Berlin and called some of Europe's finest composers to his court — but also transformed Prussia into the military superpower of Europe.Some speculate that Frederick's choice of Montezuma as an opera subject might be psychologically revealing. Perhaps Frederick saw the artistic, peace-loving, passive side of his nature in the tragic Mexican king and his aggressive, military side in Spanish invader Cortez.As Freud might have said a century or so later: “Very interesting.”Music Played in Today's ProgramCarl Heinrich Graun (1703-1759) Montezuma Overture; German Chamber Academy; Johannes Gortizki, cond. Capriccio 60032

Peter Tchaikovsky - Capriccio ItalienRoyal Philharmonic OrchestraAdrian Leaper, conductorMore info about today's track: Naxos 8.553242Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Boult had led the UK premiere of Berg's excoriating setting of Georg Büchner's play about a war-scarred veteran driven to madness and murder in 1934, although only Act II of that performance survives. This complete 1949 recording with the BBC Symphony Orchestra and Heinrich Nillius's Wozzeck and Suzanne Danco's Marie – only the second UK performance – adds to Boult's and the opera's stature on disc. Recorded live in London's Royal Albert Hall, it is a remarkable document of an exhilarating performance.Boult's pioneering championing of ‘new' music is also heard in his recording of Stravinsky's Capriccio, with the BBC SO and the prodigiously gifted Australian Noel Mewton-Wood taking the piano line.TracksCD1Alban Berg (1885-1935)Wozzeck, Op. 7, Act I Scene 1: The Captain's Room (8:25) Scene 2: An Open Field Outside the Town (6:33) Scene 3: Marie's Room (7:54) Scene 4: The Doctor's Study (7:20) Scene 5: Street Before Marie's Door (3:12) Act II Scene 1: Marie's Room (5:05) Scene 2: Street in Town (8:35) Scene 3: Street Before Marie's Door (3:14) Scene 4: Tavern Garden (10:16) Scene 5: Guardroom in the Barracks (4:48) CD2Act III Scene 1: Marie's Room (4:56) Scene 2: Forest Path by the Pool (4:26) Scene 3: A Low Tavern (2:42) Scene 4: Forest Path by a Pool (4:42) Orchestral Interlude – Adagio (3:22) Scene 5: Street Before Marie's Door (1:41) Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe (9:17) Igor StravinskyCapriccio (16:54) I. Presto (6:32) II. Andante rapsodico (5:22) III. Allegro capriccioso ma tempo giusto (5:00) Ralph Vaughan WilliamsSymphony No. 4 in F Minor (32:52) I. Allegro (8:11) II. Andante moderato (10:07) III. Scherzo: Allegro molto (5:34) IV. Finale con epilogo fugato: Allegro molto (9:00) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Mussorgsky was inspired by some pictures at an exhibition. Mendelssohn, Strauss, and Tchaikovsky, among others, were inspired by their sojourns in Italy. In this podcast, Jay leads an enjoyable and enriching tour. Mussorgsky, “Pictures at an Exhibition” Mendelssohn, Symphony No. 4, Saltarello Strauss, “Aus Italien,” “Neapolitan Folk Life” Tchaikovsky, “Capriccio italien” Verdi, “Va, pensiero,” from “Nabucco” Mozart, “Ave verum corpus” Sibelius, “The Swan of Tuonela” Mozart, “Alleluia” from “Exsultate, jubilate”

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

New York City Ballet's Music Director Andrew Litton returns to host this week's See The Music episode, devoted to Igor Stravinsky's Capriccio for Piano and Orchestra, the score for the Rubies section of George Balanchine's Jewels. Litton describes the captivating details of this composition from 1929, a prime example of the uniquely symbiotic relationship between Balanchine and Stravinsky, with a little help from Solo Pianist Stephen Gosling, who demonstrates some of the most challenging excerpts of the piece. (21:29) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Rubies: Capriccio for Piano and Orchestra (1929) Igor Stravinsky

Tot i que el segle XX

Nell'episodio di oggi partiamo da una domanda, o meglio, dalla risposta ad una domanda che ho ricevuto su Instagram dopo la mia recente vacanza con la famiglia. La domanda recitava "Le tue figlie hanno avuto crisi in questi giorni?" Beh, ho notato che la mia risposta ha stupito parecchia gente, e quindi... approfondiamo! Nell'episodio cito Daniel Siegel, in particolare vi consiglio questo suo testo: La sfida della disciplina. Governare il caos per favorire lo sviluppo del bambino Per il mio corso "L'iceberg del Capriccio", CLICCA QUI

Kate Molleson explores the life of György Ligeti with guest, Danny Driver Known to millions through the film director Stanley Kubrick's use of his music in 2001: A Space Odyssey, Ligeti's music reflects the seismic events taking place in central Europe in the mid-twentieth century - shifting borders, war, totalitarianism and for many, exile. These harrowing experiences all made a deep imprint on him and his music. He was born in 1923 into a Jewish Hungarian family in an area that had become part of Romanian Transylvania. After years of state repression, in 1956 at the onset of the Hungarian revolution, Ligeti made a dramatic escape on foot to the West. Freed from state intervention, he was to remain artistically and personally independent from any particular orthodoxies for the rest of his life. He died in 2006 at the age of 83. Ligeti regarded the whole world as the material for his music. He was fascinated by anything and everything: philosophy, science, the arts, literature - Alice in Wonderland was one of his favourite books. His music can be playful, at times wickedly macabre. He loved patterns, he loved rhythm, he dived into mathematical concepts of immense complexity but was equally curious about history, folklore, the cosmos and the natural world. From the piano, Danny Driver, a huge Ligeti enthusiast, opens up the magical universe Ligeti creates in his piano music, with a special focus on the three sets of piano studies. Music Featured: Musica ricercata (IV. Tempo de Valse (poco vivace - à l'orgue de Barbarie) Lux aeterna Three Wedding Dances for two pianos (Hàrom lakodalmi tánc) Romanian Concerto Piano Concerto (1st, 2nd & 3rd mvts) Musica ricercata (excerpt) Cello Sonata (2nd mvt, Capriccio. Presto con slancio) Apparitions (2n, mvt, Agitato) Musica ricercata (excerpt) Lontano Three Pieces for Two Pianos Études, Book 1 Chamber Concerto for 13 instruments Clocks and Clouds Three Fantasies after Friedrich Hölderlin Capriccio 1; Invention Capriccio 2 Études, Book 2 Trio for Violin, Horn and Piano (1st mvt, Andantino con tenerezza) Sonata for solo viola (1st mvt, Hora lungă) Trio for Violin, Horn and Piano (2nd mvt, Vivacissimo molto rítmico) Piano Concerto (4th mvt, Allegro risoluto - molto rítmico) Études Book 3 Melodien Presented by Kate Molleson Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for György Ligeti (1923-2006) https://www.bbc.co.uk/programmes/m001lzcn And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Synopsis Today's date marks the birthday of one of the most prolific 19th century women composers. Emilie Luise Friderica Mayer was born on May 14th in 1812 in the North German town of Friedland, the third of five children and the eldest daughter of a well-to-do pharmacist.  No one else in her family was musically inclined, but after the death of her father when she was 28 years old, a comfortable inheritance enabled Emilie to devote the rest of her life to music and composition.Despite the barriers to women as composers in her time, Emilie Mayer wrote and published orchestral and chamber works – including eight symphonies over a dozen concert overtures -- and starting in the 1840s through to the time of her death in 1883, got them performed in Berlin, Cologne, Munich, Lyon, Brussels and Vienna.Her early works are very much in the classical Viennese tradition of Beethoven, but as the decades passed, her style became much more in the high Romantic style. For most of the 20th century her works remained largely forgotten, but a 21st century reappraisal has resulted in new interest, recordings, and performances of the symphonies and overtures of Emilie Mayer. Music Played in Today's Program Emile Mayer (1812-1883) – Symphony No. 4 in b (New Brandenburg Philharmonie; Stefan Malzew, cond.) Capriccio 5339

Synopsis On today's date in 1837, the Princess Cristina Belgiojoso-Trivulzio, scored the social coup of the season at her Parisian salon.  Ostensibly, it was the culmination of a three-day fundraiser in aid of Italian political refugees, but it really was the artistic equivalent of a prize fight – the fists in question pummeling the piano keyboard, a digital confrontation of the two leading virtuoso pianists of the day, Sigismund Thalberg and Franz Liszt. Thalberg was up first, playing his own Fantasy on Themes from Rossini's opera, Moses.  Liszt followed with one of his fantasias based on operatic themes.  The music critic for the prestigious Journal des Debats was present, and he wrote, “Never was Liszt more controlled, more thoughtful, more energetic, more passionate. Never has Thalberg played with greater verve and tenderness.  Each used every one of his resources.  It was an admirable joust. The most profound silence fell over the noble crowd assembled, and, finally, Liszt and Thalberg were both proclaimed victors by this glittering and intelligent assembly. Thus: two victors and no vanquished.” When asked for her verdict who had “won” the contest, the hostess, Princess Cristina replied with consummate diplomacy: “Thalberg,” she said, “is the first pianist in the  world – Liszt is unique.” Music Played in Today's Program Sigismund Thalberg (1812 - 1871) Fantasy on Rossini's "The siege of Corinth" Francesco Nicolosi, piano Marco Polo 8.223367 Franz Liszt (1811 - 1886) Fantasia on Italian Operatic Melodies Andreas Pistorius, piano Capriccio 10076

The name and personality of Niels Wilhelm Gade are well known among music specialists, but unfortunately largely ignored by the mainstream concert repertoire and its audiences. And this is an unfair and regrettable situation, since Gade is an important figure under both the historical and the artistic viewpoint.Tracklist1)Aquarelle Op. 19 n. 1 “Elegie”2)Aquarelle Op. 19 n. 2 “Scherzo”3)Aquarelle Op. 19 n. 3 “Canzonette”4)Aquarelle Op. 19 n. 4 “Humoreske”5)Aquarelle Op. 19 n. 5 “Barcarole”6)Aquarelle Op. 19 n. 6 “Capriccio”7)Aquarelle Op. 19 n. 7 “Romanze”8)AquarelleOp. 19 n. 8 “Intermezzo”9)Aquarelle Op. 19 n. 9 “Novellette”10)Aquarelle Op. 19 n. 10 “Scherzo”11)Sonata in E minor Op. 28: I. Allegro con fuoco.12)Sonata in E minor Op. 28: II. Andante.13)Sonata in E minor Op. 28 III. Allegretto.14)Sonata in E minor Op. 28 IV. Molto Allegro e appassionato.15)Phantasiestücke Op. 31 n. 1: Moderato16)Phantasiestücke Op. 31 n. 2: Allegretto vivo17)Phantasiestücke Op. 31 n. 3: Molto vivace18)Phantasiestücke Op. 31 n. 4: Allegro non troppo19)Aquarelle Op. 57 n. 1 “Humoreske”20)Aquarelle Op. 57 n. 2 “Notturno”21)Aquarelle Op. 57 n. 3 “Scherzo”22)Aquarelle Op. 57 n. 4 “Romanze”23)Aquarelle Op. 57 n. 5 “Capriccio”Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

The soprano Rachel Willis-Sørensen has just released an album of Richard Strauss, two late works – the Four Last Songs and the Closing scene from the opera Capriccio. On this new Sony Classical release she's joined by the Gewandhausorchester and Andris Nelsons. James Jolly caught up with her by Zoom to talk repertoire and the allure of Strauss's vocal writing. Gramophone Podcasts are given in association with Wigmore Hall.

CMD listener favorite, Kathryn Cavanaugh, unites again with the CMD Grand Opera Company of Venice and performs:Khachaturian - Masquerade SuiteKabalevsky - The Comedians, Op. 26Tchaikovsky - Capriccio italien, Op. 45Rimsky-Korsakov - Capriccio espagnole, Op. 34Recorded by CMD RecordingsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

Happy Tuesday! Rima and Court are back with another episode joined by one of our favorite Drank Partnas Ms. D! It's always a great time when we link up giving a music/mess/rawtalk combo. Get into it! [3:05]Guest intro: Ms. D 

Join myself and Spartan for this episode of the Solcast. Spartan is a holistic health consultant who has been through an incredible personal journey to bring him to the heights of overall wellness and spiritual knowledge. We discuss: The Healing Power of Herbs Building your Own Life as Service Recognising Spiritual Signs Overcoming Crohn's Naturally Victimisation vs Personal Responsibility Holistic Hypertrophy and SO much more... Follow Spartan on Twitter and Instagram Join Sol Club ___________ Art is A Capriccio of the Exterior of an Elaborate Palace with Saint Peter Healing The Lame by Viviano Codazzi

The pianist Frank Dupree's new album for Capriccio is his third devoted to the music of Kapustin: his previous concerto album, which included the Fourth Piano Concerto, made it to the short list in the Concerto category for last year's Gramophone Classical Music Awards, and this new release, as well as containing the Fifth Piano Concerto, also includes the Concerto for two pianos and percussion, and the Sinfonietta for two pianos, both works find Frank joined by Adrian Brendle, and Dominik Beykirch conducts the Berlin RSO in the Fifth Piano Concerto. James Jolly caught up with Frank to talk about how he discovered Kapustin's music and how it perfectly plays to his strengths as both a classical and jazz pianist.

András Schiff is one of the greatest J.S. Bach interpreters of our time and his dedication to Bach's oeuvre has been extensively recorded on ECM's New Series, receiving wide acclaim with his interpretation of the Goldberg Variations (2001) and the Six Partitas (2007), before taking on both books of the Well-Tempered Clavier (2012). The New York Times: “Mr. Schiff is, in Bach, a phenomenon. He doesn't so much perform it as emit, breathe it.” Here Schiff returns to Bach, this time on the clavichord, and presents a special selection, spanning the Capriccio in B-flat major, Bach's Two- and Three-Part Inventions as well as the Chromatic Fantasia and Fugue, the Four Duets and Ricercar à 3 from Musikalisches Opfer.Track Listing:1 Capriccio sopra la lontananza de il fratro dilettissimo BWV 992 - I. Arioso2 II.3 III. Adagissimo4 IV.5 V. Aria di Postiglione. Adagio poco6 VI. Fugue all'imitatione della cornetta di postiglione.7 Inventions BWV 772-786 - No. 1 in C major8 No. 2 in c minor9 No. 3 in D major10 No. 4 in d minor11 No. 5 in E-flat major12 No. 6 in E major13 No. 7 in e minor14 No. 8 in F major15 No. 9 in f minor16 No. 10 in G major17 No. 11 in g minor18 No. 12 in A-flat major19 No. 13 in a minor20 No. 14 in B-flat major21 No. 15 in b minor22 No. 1 in e minor23 Four Duets BWV 802-805 - No. 2 in F major24 No. 3 in G major25 No. 4 in a minor26 Das Musikalische Opfer BWV 1079 - Ricercar a 327 Sinfonias BWV 787-801 - No. 1 in C major28 No. 2 in c minor29 No. 3 in D major30 No. 4 in d minor31 No. 5 in E-flat major32 No. 6 in E major33 No. 7 in e minor34 No. 8 in F major35 No. 9 in f minor36 No. 10 in G major37 No. 11 in g minor38 No. 12 in A major39 No. 13 in a minor40 No. 14 in B-flat major41 No. 15 in b minor42 Chromatic Fantasia and Fugue BWV 903 - I. Fantasia43 II. Fuguech, this time on the clavichord, and presents a special selection, spanning the Capriccio in B-flat major, Bach's Two- and Three-Part Inventions as well as the Chromatic Fantasia and Fugue, the Four Duets and Ricercar à 3 from Musikalisches Opfer.Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Utolsó rész, melyben minden megkurtul.

I am back after a long hiatus getting banned from snapchat, rioting, and recording a pegging song. Arya Everclear, Fireball Felicia, and Sean the high audience member dive into Capriccio Catie's astrological birth chart. Discussion topics include: anal hooks, threesomes, pooping on yourself, and unsuspectingly entering a trap house. This one was some fuckery, you do not want to miss out. Make sure you listen on your headphones or airpods. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Today we take a trip to the swamp to find a monster, and then things really get messy when we explore the Great Mud Flood!   MERCH STORE!!! https://www.redbubble.com/people/deadrabbitradio/works/35749420-dead-rabbit-radio?asc=u   Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer  https://i.imgur.com/yobMtUp.jpg   Honey Island Swamp monster https://en.wikipedia.org/wiki/Honey_Island_Swamp_monster   Honey Swamp http://play.monsterhigh.com/en-us/characters/honey-swamp   Honey Island Swamp Legends http://www.pearlriverecotours.com/legends   Tracking the Swamp Monsters https://www.csicop.org/si/show/tracking_the_swamp_monsters   Letiche https://en.wikipedia.org/wiki/Letiche   Mud Flood Beginners Guide https://www.youtube.com/watch?v=bEAeshd-IQE&t   Mud flood, dirt rain, and the story of the buried buildings https://www.stolenhistory.org/threads/mud-flood-dirt-rain-and-the-story-of-the-buried-buildings.25/ Possible explanation for what caused the mud flood theory? https://www.reddit.com/r/AlternativeHistory/comments/a74wld/possible_explanation_for_what_caused_the_mud/   Raising Of Chicago https://www.youtube.com/watch?v=x96BncWmVig   The Raising of Chicago 1856 https://www.stolenhistory.org/threads/the-raising-of-chicago-1856.566/   The Mystery of Why Chattanooga Raised Its Downtown by a Level https://www.atlasobscura.com/articles/the-mystery-of-why-chattanooga-raised-its-downtown-by-a-level   Philipp Druzhinin https://www.youtube.com/channel/UCIZoTgebXiFVoyqnXyS7GoA/playlists   Capriccio (art) https://en.wikipedia.org/wiki/Capriccio_(art)   What was Giovanni Battista Piranesi trying to say. 17-18th century apocalypse? https://www.stolenhistory.org/threads/what-was-giovanni-battista-piranesi-trying-to-say-17-18th-century-apocalypse.6/   Was there a Global Flood, or a Disaster in 1860-1870? https://www.stolenhistory.org/threads/was-there-a-global-flood-or-a-disaster-in-1860-1870.49/   Tartary https://en.wikipedia.org/wiki/Tartary   Tartary - an Empire hidden in history. It was bigger than Russia once... https://www.stolenhistory.org/threads/tartary-an-empire-hidden-in-history-it-was-bigger-than-russia-once.40/   Where was the Great Tartary? http://earth-chronicles.com/histori/where-was-the-great-tartary.html   Listen to the daily podcast anywhere you listen to podcasts!   ------------------------------------------------   Logo Art By Ash Black   "As Above" Art By Grant Scott   Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Dr. Huxxxtable Rabbitron 3000 created by Eerbud   http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: @JasonOCarpenter Facebook: www.Facebook.com/DeadRabbitRadio   Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today.   All Contents Of This Podcast Copyright Jason Carpenter 2018

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org