Podcasts about Capriccio

Gepresenteerd door: Saskia Voorbach Het Zondagochtend Concert is een serie concerten met toegankelijke muziek. In de maanden juni, juli en augustus klinken op zondag tussen 11:02 en 12:15 uur mooie opnamen uit het rijke archief van Het Zondagochtend Concert. Het nieuwe seizoen begint op zondag 6 september a.s. Richard Strauss - Don Juan, op.20 Radio Filharmonisch Orkest o.l.v. Mark Elder (opname 7 februari 2010) Igor Stravinsky - L'histoire du soldat, 1919 - Suite (versie voor klarinet, viool en piano) - "Marche du soldat" + "Le violon du soldat" + "Petit concert" + "Trois dances (Tango-Valse-Ragtime)" + "Danse du diable" Michael Collins, klarinet & Benjamin Marquise Gilmore, viool & Michael McHale, piano (opname 12 januari 2025) Nikolaj Rimski-Korsakov - Capriccio voor orkest, op.34, "Capriccio espagnol" Het Gelders Orkest o.l.v. Nikolai Alexeev (opname 9 oktober 2011) Frank Martin - Pianotrio, "Trio sur des mélodies populaires irlandaises" - compleet Osiris Trio (opname 23 mei 1999)

Original Air Date: Mar 18, 2019 Today we take a trip to the swamp to find a monster, and then things really get messy when we explore the Great Mud Flood!   Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Dead Rabbit Radio Archive Episodes https://deadrabbitradio.blogspot.com/2025/07/ episode-archive.html https://archive.ph/UELip Dead Rabbit Radio Recommends Master List https://letterboxd.com/dead_rabbit/list/dead-rabbit-radio-recommends/ Links: Honey Island Swamp monster https://en.wikipedia.org/wiki/Honey_Island_Swamp_monster Honey Swamp http://play.monsterhigh.com/en-us/characters/honey-swamp Honey Island Swamp Legends http://www.pearlriverecotours.com/legends Tracking the Swamp Monsters https://www.csicop.org/si/show/tracking_the_swamp_monsters Letiche https://en.wikipedia.org/wiki/Letiche Mud Flood Beginners Guide https://www.youtube.com/watch?v=bEAeshd-IQE&t Mud flood, dirt rain, and the story of the buried buildings https://www.stolenhistory.org/threads/mud-flood-dirt-rain-and-the-story-of-the-buried-buildings.25/ Possible explanation for what caused the mud flood theory? https://www.reddit.com/r/AlternativeHistory/comments/a74wld/possible_explanation_for_what_caused_the_mud/ Raising Of Chicago https://www.youtube.com/watch?v=x96BncWmVig The Raising of Chicago 1856 https://www.stolenhistory.org/threads/the-raising-of-chicago-1856.566/ The Mystery of Why Chattanooga Raised Its Downtown by a Level https://www.atlasobscura.com/articles/the-mystery-of-why-chattanooga-raised-its-downtown-by-a-level Philipp Druzhinin https://www.youtube.com/channel/UCIZoTgebXiFVoyqnXyS7GoA/playlists Capriccio (art) https://en.wikipedia.org/wiki/Capriccio_(art) What was Giovanni Battista Piranesi trying to say. 17-18th century apocalypse? https://www.stolenhistory.org/threads/what-was-giovanni-battista-piranesi-trying-to-say-17-18th-century-apocalypse.6/ Was there a Global Flood, or a Disaster in 1860-1870? https://www.stolenhistory.org/threads/was-there-a-global-flood-or-a-disaster-in-1860-1870.49/ Tartary https://en.wikipedia.org/wiki/Tartary Tartary - an Empire hidden in history. It was bigger than Russia once... https://www.stolenhistory.org/threads/tartary-an-empire-hidden-in-history-it-was-bigger-than-russia-once.40/ Where was the Great Tartary? http://earth-chronicles.com/histori/where-was-the-great-tartary.html   ------------------------------------------------ Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Discord Mods: Mason, Rudie Jazz Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny the Cat http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2026  

Ieri al lago ho assistito a una scena che non riesco a togliermi dalla testa.Un bambino di circa tre anni piangeva disperato. Il padre cercava di fermare quella crisi con il controllo, la distanza e le urla. E più ci provava, più quel bambino sembrava sprofondare nelle sue emozioni.In questo episodio parliamo di finestra di tolleranza, sistema nervoso, capricci e co-regolazione. Ma soprattutto parliamo di una domanda: e se molti bambini che definiamo "maleducati", "viziati" o "manipolatori" fossero semplicemente bambini che non si sentono al sicuro?E se anche molti genitori non fossero cattivi, ma semplicemente soli, disregolati e senza strumenti?Un episodio che parla di bambini, ma anche di noi adulti e delle ferite educative che spesso continuiamo a ripetere senza rendercene conto.--

Un bambino si sdraia a terra al supermercato, urla perché vuole un gioco o si oppone allo spegnimento del tablet. Scene quotidiane che gli adulti tendono a liquidare come “semplici capricci”. Ma è davvero così? Ne parliamo con la dottoressa Roberta Tessaro, psicologa dell'età evolutiva e scrittrice.

The soprano Dame Felicity Lott talks to John Wilson about her distinguished career and cultural influences. One of Britain's best-loved sopranos, her breakthrough role was as a last minute stand-in for Pamina in The Magic Flute in 1975. Over the next four decades, she built an international career, performing at opera houses and concert halls around the world, singing works by composers including Richard Strauss, Schubert and Mozart. At home, she was seen frequently on television, sang regularly at the BBC Proms and was made a Dame in 1996. She was also the recipient of the Légion d'Honneur, France's highest cultural award. Dame Felicity sadly died on 15 May 2026, shortly after this programme was first broadcast.Producer: Edwina PitmanMusic and archive used:Ruhe sanft from Zaide, W A Mozart, sung by Felicity Lott Rudolf the Red-nosed Reindeer, courtesy of Felicity Lott The Last Night of the Proms, 1996, Ah! que j'aime les militaires from La grande-duchesse de Gérolstein, J Offenbach, sung by Felicity Lott Overture to The Magic Flute, W A Mozart An Die Musik, F Schubert, piano: Graham Johnston, sung by Felicity Lott Licht und Liebe, F Schubert, piano: Graham Johnson, sung by Anthony Rolfe Johnson and Felicity Lott Vier letzte Lieder: Im Abendrot, R Strauss, sung by Elisabeth Schwarzkopf Closing scene from Capriccio, R Strauss Act 1 from Der Rosenkavalier, sung by Anne Sofie von Otter and Felicity Lott Act III from Der Rosenkavalier, sung by Anne Sofie von Otter, Barbara Bonney and Felicity Lott Vier letzte Lieder: Beim Schlafengehen, R Strauss, sung by Felicity Lott

Jan Dismas Zelenka - Capriccio in sol maggiore ZWV 1831.      Allegro2.      Canarie, Alternativement avec l'Air - 3:18​3.      Aria - 4:20​4.      Canarie da capo - 5:56​5.      Gavotte - 6:30​6.      Rondeau - 7:24​7.      Minuetto - 8:37​8.      Trio - 9:46​9.      Minuetto da capo - 10:59​ Virtuosi SaxoniaeLudwig Güttler, conductor

Damos un breve repaso a algunas de las mejores partes de bajo tratadas por el compositor bávaro. Se lleva la palma, claro, el Barón Ochs, primo de la Mariscala de El caballero de la rosa. Escuchamos el final del segundo acto en los instrumentos de dos bajos imponentes. El primero Emanuel List, que nos obsequia con dos Mi 1 de impresión. Aunque no le va demasiado a la zaga Ludwig Weber. Están acompañados respectivamente por las mezzos Elsie Shürkoff y Hilde Rössel-Majdan en el papel de la intrigante Annina. Y en la segunda la batuta es empuñada por Erich Kleiber. De la misma obra seguimos la entrada en escena del personaje, en el que enseguida se advierte su ordinariez, sus maneras zafias, su altisonancia. Pasaje parlato cantado por Karl Ridderbusch (aparece en la foto que ilustra este podcast) con la intervención de la Mariscala de Claire Watson. Carlos Kleiber, hijo de Erich, en el foso muniqués. Saltamos a otra ópera straussiana que requiere también un bajo de verdad: La mujer silenciosa. Su final está protagonizado por el protagonista, Sir Morosus., que emplea un canto tranquilo, sinuoso y adormecedor. Seguimos las interpretaciones de Kurt Boehme y Hans Hotter. Cerramos con el último fruto lírico del compositor: Capriccio. Y escuchamos a otro bajo imponente, Georg Hann bajo la batuta del libretista, el gran director Clemens Krauss. Se trata de una grabación realizada a raíz del estreno mundial de la ópera en Munich en 1942. Hann se iba muy bien tanto abajo como arriba (hasta el Fa 3).Escuchar audio

3:25 minute piano improv 6.27 MB

Callie has a unique craving. Frigus gets ceremonial. Yoseph problem solves. Ronan heats up a burrito. Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com. Sound effects used: wolves.wav by Paresh -- https://freesound.org/s/158780/ -- License: Creative Commons 0

Un bambino di 3 anni che ha sempre amato il nuoto, all'improvviso non vuole più andarci. Piange, si oppone, ha paura. Anche a scuola qualcosa cambia: uno sconosciuto entra in classe e la reazione è fortissima, mai vista prima.Non sa spiegare perché. Eppure un perché c'è.In questo episodio parto da una storia reale (raccontata con il consenso della mamma) per mostrarti cosa c'è davvero dietro a tanti comportamenti che chiamiamo “capricci”, “fasi” o “esagerazioni”.Parliamo di paura, di come i bambini costruiscono il significato del mondo e di quanto le nostre parole (anche quelle dette per scherzo) possano avere un impatto enorme.Ma soprattutto vediamo cosa possiamo fare concretamente: come comunicare con i nostri figli quando non stanno bene, come aiutarli davvero e perché capire non è sempre facile… ma è l'unico modo per non lasciare le cose ferme dove sono.

durée : 00:03:37 - Le Bach du matin du vendredi 27 février 2026 - Ce matin, nous écoutons le Capriccio de la Partita n°2 en ut mineur interprétée par la pianiste Hélène Fouquart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:37 - Le Bach du matin du vendredi 27 février 2026 - Ce matin, nous écoutons le Capriccio de la Partita n°2 en ut mineur interprétée par la pianiste Hélène Fouquart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

durée : 00:03:48 - Le Bach du matin du samedi 24 janvier 2026 - Nous écoutons : Partita n°2 en ut min BWV 826 : Capriccio , de Jean-Sébastien Bach, interprété par Igor Levit. Igor Levit interprète les partitas de Bach (SONY CLASSICAL, 2014) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:48 - Le Bach du matin du samedi 24 janvier 2026 - Nous écoutons : Partita n°2 en ut min BWV 826 : Capriccio , de Jean-Sébastien Bach, interprété par Igor Levit. Igor Levit interprète les partitas de Bach (SONY CLASSICAL, 2014) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to the Pod-Pod Fruit: One Piece Through New Eyes! Join our host, Michael, as he reads through the saga of One Piece with our One Piece Rookies, Dylan and Vee. In this episode the crew discusses the second half of volume 30, "Capriccio” Thanks for listening!Check out our Discord! ⁠⁠⁠⁠⁠⁠https://discord.gg/P2fXtzT52k⁠⁠⁠⁠⁠⁠Chapter Breakdown- Ch. 281 (00:00:23)- Ch. 282 (00:18:15)- Ch. 283 (00:38:35)- Ch. 284 (00:55:38)- Ch. 285 (01:13:10)- Final Thoughts (01:39:14)Music: Bon Voyage by Ren Avel(https://www.instagram.com/ren_avel/)

durée : 00:23:18 - Disques de légende du mardi 09 décembre 2025 - En juin 1959, Antal Dorati grave, avec le London Symphony Orchestra, l'un des Capriccio espagnol les plus flamboyants de l'histoire du disque. Capté par les ingénieurs Mercury en « Living Presence », cet enregistrement conjugue la science de l'orchestre du chef hongrois et l'audace sonore du label. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:23:18 - Disques de légende du mardi 09 décembre 2025 - En juin 1959, Antal Dorati grave, avec le London Symphony Orchestra, l'un des Capriccio espagnol les plus flamboyants de l'histoire du disque. Capté par les ingénieurs Mercury en « Living Presence », cet enregistrement conjugue la science de l'orchestre du chef hongrois et l'audace sonore du label. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to the Pod-Pod Fruit: One Piece Through New Eyes! Join our host, Michael, as he reads through the saga of One Piece with our One Piece Rookies, Dylan and Vee. In this episode the crew discusses the first half of volume 29, "Oratorio” Thanks for listening!Check out our Discord! ⁠⁠⁠⁠⁠⁠https://discord.gg/P2fXtzT52k⁠⁠⁠⁠⁠⁠ Chapter Breakdown- Ch. 276 (00:03:48)- Ch. 277 (00:27:09)- Ch. 278 (00:47:23)- Ch. 279 (01:11:34)- Ch. 280 (01:32:00) Music: Bon Voyage by Ren Avel (https://www.instagram.com/ren_avel/)

El violinista Tomás Cotik nos habla acerca de la salida de su nueva grabación en donde interpreta los caprichos de Paganini.

All Classical Radio host John Pitman recently spoke with Portland violinist and Portland State University Professor of Violin, Tomás Cotik, about his unique approach to performing some of the most challenging works for solo violin around: the Caprices of Nicolo Paganini. Learn more on the All Classical Arts Blog: https://www.allclassical.org/pitman-reviews-cotiks-paganini-capriccio/

*Nuova guida sui capricci: https://corsi.mammasuperhero.com/gestire-i-capricciQuando tuo figlio urla, si oppone o si butta a terra, cosa pensi?Che è viziato? Che vuole comandare? Che ti sta sfidando?O magari sai già che dietro ogni crisi c'è una difficoltà emotiva… ma nella stanchezza quotidiana fai fatica a ricordartelo.In entrambi i casi, questo episodio è per te.Parliamo di cosa sono davvero i capricci, di cosa ci raccontano sul mondo interiore dei nostri figli e di come leggerli non come problemi da risolvere, ma come messaggi da decifrare.Ti accompagno in un cambio di sguardo, condividendo anche difficoltà vissute in prima persona e strumenti pratici per rispondere con più calma, connessione e consapevolezza.Che tu abbia bisogno di un'introduzione o di un ripasso, qui troverai chiarezza, empatia e un primo passo concreto per affrontare i capricci con sicurezza.Scarica la guida gratuita qui: https://corsi.mammasuperhero.com/gestire-i-capricciLascia una recensione e condividiSe il podcast Mamma Superhero ti aiuta, ti fa sentire meno sola e ti fa compagnia nella relazione con tuo figlio, ti chiedo di lasciare una recensione e condividerlo con altri genitori. Questo aiuta il podcast a crescere e mi motiva a continuare a offrire questo servizio gratuito che diffonde il respectful parenting e supporta la genitorialità.*** Seguimi sui socialInstagram: ⁠https://www.instagram.com/mammasuperhero/⁠Facebook: ⁠https://www.facebook.com/mammasuperhero

Peter Tchaikovsky - Capriccio ItalienNational Symphony Orchestra of Ukraine Theodore Kuchar, conductorMore info about today's track: Naxos 8.555923Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Argentinian born, Italian raised. Guillermo Paolisso came to Chicago and realized there was a gap in the market: Roman style. He and his wife now make their crunchy slices each day at Capriccio in the Lincoln Square neighborhood.

Interpreten: Harriet Krijgh, Nikita Boriso-Glebsky, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor BühlLabel: CapriccioEAN: 845221055350Der Dirigent Gregor Bühl setzt bei Capriccio seine Reihe mit Konzertmusik von Miklós Rózsa fort. Für Michael Gmasz ein absolut spannendes Projekt, das sich unbedingt mehr Aufmerksamkeit verdient!  Es ist für mich immer wieder faszinierend, Komponisten, die man mit ganz bestimmten Werken oder einem bestimmten Genre verbindet, quasi neu zu entdecken. So wie Miklós Rózsa, der mit seinen Filmmusiken zu Ben Hur und El Cid unsterblich geworden ist, mit seiner Konzertmusik auf unserer CD der Woche. Wie seine „avantgardistischen“ Landsmänner Bartók und Kodály hat sich auch Miklós Rózsa mit traditioneller ungarischer Musik auseinandergesetzt und diese notiert. In vielen seiner, vor allem späteren, Werke findet sich das ungarische Kolorit wieder, das er in seinen Jugendjahren und Studientagen im kleinen schwarzen Notizbüchlein aufgeschrieben hat.Rózsa jedoch auf das ungarische Kolorit zu reduzieren wäre weit gefehlt. Gemäßigt modern, meist der Tonalität verpflichtet – so lässt sich der Kompositionsstil von Miklós Rózsa am besten beschreiben. Und so verhält es sich z.B. mit dem Hauptwerk dieser CD, der Sinfonia Concertante für Violine, Cello und Orchester Op. 29. Kurz nach der Musik zu Ben Hur fertiggestellt, ist dieses Werk von der Filmmusik überraschenderweise ziemlich abgekoppelt. Nikita Boriso-Glebsky an der Geige und Harriet Krijgh am Cello spielen sich virtuos durch die herausfordernden Soloparts, die ursprünglich von keinen Geringeren als Piatigorsky und Heifetz uraufgeführt wurden! Akzentuiert und energiegeladen der erste Satz, einer lyrischen ungarischen Melodie zu Grunde liegend der zweite Variationssatz, noch am ehesten der Filmmusik zuzuordnen, der aufregende Finalsatz. Eine kleine Verschnaufpause mit einem klingenden Ausflug auf die ungarische Puszta gönnen uns Gregor Bühl und die Deutsche Radiophilharmonie Rheinland-Pfalz mit dem Notturno ungharese Op.28. Absolute Entdeckung für mich auf dieser CD ist aber die Cello-Rhapsodie Op.3, in der Harriet Krijgh als Solistin in allen Belangen aus dem Vollen schöpfen kann. (mg)

Indagini - La pasticceria Capriccio di Torino

Raymond Bisha introduces the latest instalment in the Capriccio label's exploration of rarely performed or recorded symphonic works by Miklós Rózsa, outlining his maturation not only into one of the most successful film composers of all time, but also the creator of equally fine concert works. The album's programme comprises his Rhapsody for Cello, in which the young composer found his true style; the Notturno Ungherese (“a nostalgic night piece, harking back to the memories of my childhood in Hungary”); and the late Sinfonia concertante for violin and cello, a fiendishly difficult work that is among Rózsa's finest, least filmic concert works, and one of his most underrated.

Monumentalfilmklassiker wie Ben Hur und El Cid oder der Hitchcock-Thriller Spellbound sind ohne seinen Soundtrack undenkbar. Seine mehrfach Oscar-gekrönte Hollywood-Karriere im Dienst von Metro-Goldwyn-Mayer machte den ungarisch-amerikanischen Komponisten Miklós Rózsa berühmt. Dass er eigentlich viel lieber Werke für den Konzertsaal schrieb, blieb neben dem ganzen Filmrummel lange unbemerkt. Die Deutsche Staatsphilharmonie Rheinland-Pfalz unter Gregor Bühl legt bereits ihr zweites Rózsa-Album bei "Capriccio" vor. Alexandra Maria Dielitz hat es sich angehört.

durée : 00:02:55 - Le Bach du matin du mardi 18 mars 2025 - Notre Bach du matin, est un Bach qui vient du froid, mais qui n'a pas froid aux yeux ! Depuis une quinzaine d'années le pianiste islandais, Víkingur Ólafsson, a enregistré plusieurs fois le compositeur. Ici, son 1er disque paru en 2011 et le Capriccio de la Partita N°2 pour clavier.

In this epsisode, we discuss recordings of “Music of the Angels: Cello Concertos, Sonatas & Quintets by Boccherini” (Hyperion) by Steven Isserlis & Orchestra of the Age of Enlightenment, “Merci” (Sony) by Yo-Yo Ma & Kathryn Stott, “Nikokai Kapustin: Piano Concertos Nos. 2 + 6” (Capriccio) by Frank Dupree, SWR Symphonieorchester & SWR Big Band / Dominik Beykirch, “Multiverse” (Hunnia Records) by The Gábor Horváth Trio, “Cookin' in the Couve” (Cellar Music) by Ben Patterson, and “I Hear Echoes” (HighNote Records) by George Cables.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 191 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Music of the Angels: Cello Concertos, Sonatas & Quintets by Boccherini” (Hyperion) Steven Isserlis, Orchestra of the Age of Enlightenment https://open.spotify.com/album/6V1CsavbL4yFwL8r7WTIDQ https://music.apple.com/us/album/boccherini-cello-concertos-sonatas-quintets/1766333659 https://music.amazon.com/albums/B0DFZNR1QD   “Merci” (Sony) Yo-Yo Ma, Kathryn Stott https://open.spotify.com/album/6elZDCjnrPGBvIVfdKYLDw https://music.apple.com/us/album/merci/1766801138 https://music.amazon.com/albums/B0DG6DTH8T   “Nikokai Kapustin: Piano Concertos Nos. 2 + 6” (Capriccio) Frank Dupree, SWR Symphonieorchester & SWR Big Band / Dominik Beykirch https://open.spotify.com/album/6j67tCYWFzKNsAAlszXNZH https://music.apple.com/us/album/kapustin-piano-concertos-nos-2-6-other-piano-works/1764068734 https://music.amazon.com/albums/B0DCDG7BN3   “Multiverse” (Hunnia Records) Gábor Horváth Trio https://open.spotify.com/album/1i96FWwak8wyzSNBpIzz03 https://music.apple.com/us/album/multiverse/1773750696 https://music.amazon.com/albums/B0DK1X2S16   “Cookin' in the Couve” (Cellar Music) Ben Patterson https://open.spotify.com/album/4UGLeoR6vG9Z70LRaSzgxH https://music.apple.com/us/album/cookin-in-the-couve/1763914129 https://music.amazon.com/albums/B0DDQXNM8N   “I Hear Echoes” (HighNote Records)  George Cables https://open.spotify.com/album/6yT650AYEbpduEWYHvpcEI https://music.apple.com/us/album/i-hear-echoes/1770353648 https://music.amazon.com/albums/B0DHWC2MY1          

Böttiger, Helmut www.deutschlandfunk.de, Büchermarkt

Giuseppe Verdi - Capriccio for Bassoon and OrchestraPatrick de Ritis, bassoon Wurzburg Philharmonic Orchestra Enrico Calesso, conductorMore info about today's track: Naxos 8.573382Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Merriam-Webster's Word of the Day for August 5, 2024 is: capricious • kuh-PRISH-us • adjective Capricious is a formal word that describes someone or something governed or characterized by impulsivity or unpredictability. // The employees were at the mercy of a capricious manager who always seemed to impose deadlines at the last minute. See the entry > Examples: “Tornadoes are among the planet's most fearsome phenomena, with terrifying and capricious wind speeds measured as high as 300 mph. And the U.S. sees more than any other country.” — Doyle Rice, USA Today, 9 May 2024 Did you know? The adjective capricious and its close relation, the noun caprice (a synonym of whim), both come via French from the Italian word capriccio, which has disputed origins. Capriccio originally referred not to a sudden desire but to a sudden shiver of horror and likely comes from the Italian capo, meaning “head,” and riccio, the word for “hedgehog.” The implication was that someone who shuddered in fear or horror was said to have a “hedgehog head,” meaning that the person's hair stood on end like the spines of a hedgehog. The link between a whim and a shiver of horror is notably tenuous, though, and a possible link to Italian capra, meaning “goat,” has also been suggested, given the whimsy goats seem to employ in their gamboling. (A full treatment of the disputed etymology can be found here.) Whatever its origins, capriccio came to mean “whim, fancy,” which directly relates to its uses today. Something done in a capricious manner is done on a whim, as in “a capricious decision to join the circus.”

Amb "Capriccio", Richard Strauss s'acomiada dels escenaris. I ho fa amb una conversa musical en un acte, amb llibret de Clemens Krauss, a l'entorn de l'ess

Amb "Capriccio", Richard Strauss s'acomiada dels escenaris. I ho fa amb una conversa musical en un acte, amb llibret de Clemens Krauss, a l'entorn de l'ess

durée : 01:28:14 - En pistes ! du vendredi 31 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour terminer la semaine, Emilie et Rodolphe vous proposent Les sonates du Rosaire de Biber, un extrait de l'opéra Acis et Galatea de Haendel, le Divertissement à la Hongroise de Schubert, le ballet Appalachian Spring de Copland ainsi que le Capriccio à la Turque de Ferit Tüzün. En pistes !

Ne abbiamo parlato con Carmen de Grazia, la nostra psicoterapeuta di fiducia.

Join Court and Rima for a another episode of music and MESS as they dive into the Grammy performance lineup and dissect the recent rap beef between Megan Thee Stallion and Nicki Minaj. This week was filled with entertaining chaos. Take a listen  [0:00 - 6:52]Intro/Week Recap    [6:58] Happy hour: Capriccio   [8:13]In the mix: Black Oscar noms, [9:16]fans are upset about the Grammy performance list so far, [13:34]The girlssss are fighting: Melyssa Ford shades Karrine Steffens during pod episode and [18:46]MTS drops new song HISS and Nicki Minaj seemingly responds.      Grammy's https://www.instagram.com/p/C2fjbYRpwtF/?igsh=MzRlODBiNWFlZA==   M. Ford/K. Steffens https://www.instagram.com/reel/C2gIhZipvxA/?igsh=MzRlODBiNWFlZA==   MTS/Nicki Minaj https://www.instagram.com/p/C2jat1uOvdz/?igsh=MzRlODBiNWFlZA==   https://www.instagram.com/p/C2k7vsDv4Ba/?igsh=MzRlODBiNWFlZA==   https://www.instagram.com/reel/C2ladOspoTN/?igsh=bXg5ZjVhejQxM2Vs    [31:01] Topic: let's play a game One Gotta Go Ho! Out of the three artist named one and all their musical contributions gotta go    [45:23] The soundtrack  -Sevyn Streeter ft. Dominic Scott- Fall Back -Tanner Adell- Bake It -Lyrical Lemonade ft. Latto, Swae Lee & Aminé- Special    Say HI to kidz on Social:   Rima IG| rimababyy_   Court IG| keepinitcourtt   Pod IG| rccpod   Rate, and Review on Apple Podcast    Website: https://www.redcuppod.com   Email: Redcuppod@gmail.com  

Der Kuss, Op. 128Rondo a Capriccio, Op. 129String Quartet No. 13, Op. 130 Performances byKriss Schmidt, baritoneJoana Filipe Martinez, pianoCMD Paris String Quartet Please purchase this album at: The Last Compositions of Beethoven - Part 2 (classicalmusicdiscoveries.store)

SynopsisOn today's date in 1755, Montezuma, an opera by German Baroque composer Carl Heinrich Graun, had its premiere performance at the Berlin Court Opera of Frederick II, King of Prussia. Frederick supervised the rehearsals, which isn't all that surprising, since he had drafted the opera's libretto.Despite his well-deserved reputation as a military leader, Frederick the Great also was a talented musician and composer. As a young prince, he had tried to run away from home to pursue a musical career. His royal father was not amused. Heads rolled — one of them belonging to Frederick's favorite music teacher — and thereafter Frederick focused on his military studies until he could ascend the throne. As king, Frederick built an opera house in Berlin and called some of Europe's finest composers to his court — but also transformed Prussia into the military superpower of Europe.Some speculate that Frederick's choice of Montezuma as an opera subject might be psychologically revealing. Perhaps Frederick saw the artistic, peace-loving, passive side of his nature in the tragic Mexican king and his aggressive, military side in Spanish invader Cortez.As Freud might have said a century or so later: “Very interesting.”Music Played in Today's ProgramCarl Heinrich Graun (1703-1759) Montezuma Overture; German Chamber Academy; Johannes Gortizki, cond. Capriccio 60032

Peter Tchaikovsky - Capriccio ItalienRoyal Philharmonic OrchestraAdrian Leaper, conductorMore info about today's track: Naxos 8.553242Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Boult had led the UK premiere of Berg's excoriating setting of Georg Büchner's play about a war-scarred veteran driven to madness and murder in 1934, although only Act II of that performance survives. This complete 1949 recording with the BBC Symphony Orchestra and Heinrich Nillius's Wozzeck and Suzanne Danco's Marie – only the second UK performance – adds to Boult's and the opera's stature on disc. Recorded live in London's Royal Albert Hall, it is a remarkable document of an exhilarating performance.Boult's pioneering championing of ‘new' music is also heard in his recording of Stravinsky's Capriccio, with the BBC SO and the prodigiously gifted Australian Noel Mewton-Wood taking the piano line.TracksCD1Alban Berg (1885-1935)Wozzeck, Op. 7, Act I Scene 1: The Captain's Room (8:25) Scene 2: An Open Field Outside the Town (6:33) Scene 3: Marie's Room (7:54) Scene 4: The Doctor's Study (7:20) Scene 5: Street Before Marie's Door (3:12) Act II Scene 1: Marie's Room (5:05) Scene 2: Street in Town (8:35) Scene 3: Street Before Marie's Door (3:14) Scene 4: Tavern Garden (10:16) Scene 5: Guardroom in the Barracks (4:48) CD2Act III Scene 1: Marie's Room (4:56) Scene 2: Forest Path by the Pool (4:26) Scene 3: A Low Tavern (2:42) Scene 4: Forest Path by a Pool (4:42) Orchestral Interlude – Adagio (3:22) Scene 5: Street Before Marie's Door (1:41) Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe (9:17) Igor StravinskyCapriccio (16:54) I. Presto (6:32) II. Andante rapsodico (5:22) III. Allegro capriccioso ma tempo giusto (5:00) Ralph Vaughan WilliamsSymphony No. 4 in F Minor (32:52) I. Allegro (8:11) II. Andante moderato (10:07) III. Scherzo: Allegro molto (5:34) IV. Finale con epilogo fugato: Allegro molto (9:00) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Mussorgsky was inspired by some pictures at an exhibition. Mendelssohn, Strauss, and Tchaikovsky, among others, were inspired by their sojourns in Italy. In this podcast, Jay leads an enjoyable and enriching tour. Mussorgsky, “Pictures at an Exhibition” Mendelssohn, Symphony No. 4, Saltarello Strauss, “Aus Italien,” “Neapolitan Folk Life” Tchaikovsky, “Capriccio italien” Verdi, “Va, pensiero,” from “Nabucco” Mozart, “Ave verum corpus” Sibelius, “The Swan of Tuonela” Mozart, “Alleluia” from “Exsultate, jubilate”

New York City Ballet's Music Director Andrew Litton returns to host this week's See The Music episode, devoted to Igor Stravinsky's Capriccio for Piano and Orchestra, the score for the Rubies section of George Balanchine's Jewels. Litton describes the captivating details of this composition from 1929, a prime example of the uniquely symbiotic relationship between Balanchine and Stravinsky, with a little help from Solo Pianist Stephen Gosling, who demonstrates some of the most challenging excerpts of the piece. (21:29) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Rubies: Capriccio for Piano and Orchestra (1929) Igor Stravinsky

Synopsis Today's date marks the birthday of one of the most prolific 19th century women composers. Emilie Luise Friderica Mayer was born on May 14th in 1812 in the North German town of Friedland, the third of five children and the eldest daughter of a well-to-do pharmacist.  No one else in her family was musically inclined, but after the death of her father when she was 28 years old, a comfortable inheritance enabled Emilie to devote the rest of her life to music and composition.Despite the barriers to women as composers in her time, Emilie Mayer wrote and published orchestral and chamber works – including eight symphonies over a dozen concert overtures -- and starting in the 1840s through to the time of her death in 1883, got them performed in Berlin, Cologne, Munich, Lyon, Brussels and Vienna.Her early works are very much in the classical Viennese tradition of Beethoven, but as the decades passed, her style became much more in the high Romantic style. For most of the 20th century her works remained largely forgotten, but a 21st century reappraisal has resulted in new interest, recordings, and performances of the symphonies and overtures of Emilie Mayer. Music Played in Today's Program Emile Mayer (1812-1883) – Symphony No. 4 in b (New Brandenburg Philharmonie; Stefan Malzew, cond.) Capriccio 5339

Synopsis On today's date in 1837, the Princess Cristina Belgiojoso-Trivulzio, scored the social coup of the season at her Parisian salon.  Ostensibly, it was the culmination of a three-day fundraiser in aid of Italian political refugees, but it really was the artistic equivalent of a prize fight – the fists in question pummeling the piano keyboard, a digital confrontation of the two leading virtuoso pianists of the day, Sigismund Thalberg and Franz Liszt. Thalberg was up first, playing his own Fantasy on Themes from Rossini's opera, Moses.  Liszt followed with one of his fantasias based on operatic themes.  The music critic for the prestigious Journal des Debats was present, and he wrote, “Never was Liszt more controlled, more thoughtful, more energetic, more passionate. Never has Thalberg played with greater verve and tenderness.  Each used every one of his resources.  It was an admirable joust. The most profound silence fell over the noble crowd assembled, and, finally, Liszt and Thalberg were both proclaimed victors by this glittering and intelligent assembly. Thus: two victors and no vanquished.” When asked for her verdict who had “won” the contest, the hostess, Princess Cristina replied with consummate diplomacy: “Thalberg,” she said, “is the first pianist in the  world – Liszt is unique.” Music Played in Today's Program Sigismund Thalberg (1812 - 1871) Fantasy on Rossini's "The siege of Corinth" Francesco Nicolosi, piano Marco Polo 8.223367 Franz Liszt (1811 - 1886) Fantasia on Italian Operatic Melodies Andreas Pistorius, piano Capriccio 10076

Happy Tuesday! Rima and Court are back with another episode joined by one of our favorite Drank Partnas Ms. D! It's always a great time when we link up giving a music/mess/rawtalk combo. Get into it! [3:05]Guest intro: Ms. D 

Join myself and Spartan for this episode of the Solcast. Spartan is a holistic health consultant who has been through an incredible personal journey to bring him to the heights of overall wellness and spiritual knowledge. We discuss: The Healing Power of Herbs Building your Own Life as Service Recognising Spiritual Signs Overcoming Crohn's Naturally Victimisation vs Personal Responsibility Holistic Hypertrophy and SO much more... Follow Spartan on Twitter and Instagram Join Sol Club ___________ Art is A Capriccio of the Exterior of an Elaborate Palace with Saint Peter Healing The Lame by Viviano Codazzi