Podcasts about ubermorgen

Notice If you want to get in contact with us you can reach us via email at ⁠associatedpodcast@gmail.com⁠ as well as on Twitter (@associated_pod). We are trying to understand our listeners better so we can make better content. You can really help us out by filling out our listener survey which you can find here (https://airtable.com/shraJVvUNv6D7PkDP). Description: On the ninth episode of our “How to Raise a Venture Fund” series, we're joined by Adrian Bührer, co-founder and Managing Partner of Übermorgen Ventures, an early-stage Climate Focused fund. Adrian previously founded students.ch which he ultimately sold to Axel Springer. He was also a prolific angel investor before he decided to set up Übermorgen Ventures alongside 3 partners. Founded in 2019 Übermorgen Ventures, was one of the first Climate Focused venture funds in Europe and boasts a unique structure as an investment company rather than a traditional fund. During his conversation with Danielle and Francesca, Adrian discusses the challenges inherent in raising the fund. He covers why they chose to create an evergreen dividend-paying company instead of a typical venture fund as well as the difficulties they faced in attracting investors who were unfamiliar with their structure and investment thesis. Adrian also shares details about Ubermorgen's approach to raising capital, including building a CRM of over 1,000 potential limited partners. Whether you're an emerging fund manager or an LP interested in investing in a venture fund, this episode is a must-listen. Adrian's insights and experiences are invaluable for anyone looking to navigate the fundraising process successfully. Listen here to learn how to raise a venture fund from someone who's actually done it!

In this podcast, Claudia Terpstra explains The Real Time Money Markets Liquidity Platform Ubermorgen for Rabobank, and Martijn Siebrand elaborates on the tokenized assets for ABN AMRO. Claudia explains that what Rabobank is trying to achieve is real time settlement for commercial paper. Commercial paper is a short term debt instrument that is traded on the financial markets. In the podcast she explains how they have been working on this since 2018, when it was still too complicated to achieve. The solution was a hybrid concept where blockchain is used to distribute data, so settlement times can be increased for this particular financial instrument. In short this means that trade dates could be taken down from 2 days to approximately 30 minutes. Martijn goes into the shift from centralized finance to decentralized finance. Currently, ABN AMRO is focusing on tokenized securities. Tokenized assets are real world assets, tangible or intangible becoming digitized, converted into tokens and stored on the blockchain. Tokenized assets could have multiple benefits, such as instant settlement and better readability. Listen to the rest of the podcast for a more in-depth explanation about the concept of Ubermorgen and tokenized assets. Subscribe to our newsletter https://share.hsforms.com/1bf2NmSX1Tp6hFgNpN8_iWQ4tojo Read more on our blog https://www.2tokens.org/newsFollow us on LinkedIn https://www.linkedin.com/company/2tokensTwitter https://twitter.com/2tokens_org?s=20Website https://www.2tokens.org/ Do you want to join one of the use cases? Contact us via info@2tokens.org

Alexander Langguth is the Co-Founder and Managing Partner at Übermorgen Ventures, an early stage Zurich-based venture firm with early investments in climate innovators like Sunvigo, carbo culture and delicious data.Alex has always shown a high level of transparency and collaboration with other Climate Tech investors. In this episode, I take you behind closed doors and give you maximum insights.We discuss Ubermorgen's evergreen fund model and why it actually helps to raise 1st-time funds.We hear Alex share how difficult it was to raise a first fund and how they run investment decisionsAnd Alex and I rip on contrarian views, on what most people get wrong about being a fund manager and advice for job seekers and entrepreneursListen and LearnThe reasons why Ubermorgen picked an evergreen fund modelThe difficulty to sell this new model to LPs initiallyAlex's expected ratio of institutional funds, evergreen funds, solo GPs in Europe in 10 years Alex most painful moment raising their 1st fund Whether LPs cared more about impact of financial returns Why having contrarian views and avoiding confirmation bias is so important in VCThe area where Alex has completely changed his views over the last 2 yearsWhat most people have wrong about being a fund managerHow Übermorgen handles investment decisions internally and votes on deals (with 1 to 10 scoring) The best advice to share with entrepreneurs on HOW to engage with VCs to maximize success of their fundraisingHow to land your first job in Climate TechShow LinksUbermorgen Ventures' Website Alex's LinkedinThe Sequoia evergeen fund and more about Sequoia's open ended fund model Climate Tech Slack communities: Voyagers and My Climate JourneyThe runing list of all Climate Tech VC funds (in Europe and worldwide)The Huge heat wave hitting India and Pakistan with 42C The Wet build 35 phenomenon when it's too hot for humans to surviveUbermorgen NewsletterImpact assessment framework by Full Frame InitiativeClimate Fiction book recommendation: The Ministry for the FutureCarveoutsClimate Fiction book recommendation:

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Play in the System The Art of Parasitical Resistance Anna Watkins Fisher Published by Duke University Press, 2021 ISBN 9781478009702 What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System, Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite – artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne – by which it appropriates the logic of their hosts – Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor. The Play in the System is available as an open-source download.

In the second episode of ‘Octopus’, lizvlx aka Liz Haas, Sam Hopkins and Hans Bernhard talk broadly and widely about the art market. With a focus on new technologies and potential new distribution strategies they discuss how the murky and opaque world of art dealing negotiates visions and techniques of transparency such as Blockchain? On a further level, they reflect and report on how artists like UBERMORGEN experiment with the surveillance capitalist tools of the Internet and how do they explore new models of producing and thinking about art. Links: https://cutt.ly/ge5UcO5

RADIO SHOW CONSONNI Propiedad intelectual y prácticas artísticas El pasado 22 de junio del 2017, la productora de arte y editorial consonni, organiza junto con Azkuna Zentroa, un programa de radio en torno a la propiedad intelectual y las prácticas artísticas, conducido por la locutora Alicia San Juan y con Alberto de la Hoz en la parte técnica. Además, Leire Palacios es la encargada de poner voz a las preguntas y reflexiones del público. Es una actividad con público en directo y retransmisión online, donde se conversa con diferentes especialistas en la materia desde la música, las artes visuales, el análisis de las leyes, la gestión de derechos, el activismo, etc. BLOQUE 3 Jaime de los Ríos, artista de nuevos medios, fundador del laboratorio Abierto de Arte y Ciencia Arteklab y comisario del proyecto transmedia Plastic Planet y de la exposición del mismo nombre que Azkuna Zentroa presenta en colaboración Ars Electronica y el Foro Cultural de Austria en Madrid. Jaime de los Ríos conversa con dos artistas que participan en la exposición. Por un lado, Hans Bernhard artista, parte del colectivo Ubermorgen junto a Lizvlx pioneros del net.art que convierten el “código y lenguaje“ y el “concepto y estética“ en objetos digitales, arte software, instalaciones, videos e incluso en acciones. Por otro, con Chang Yen Tzu que es una artista digital taiwanesa que desde el 2011 trabaja en varios campos del arte interdisciplinar y performances experimentales de instalaciones-sonoras.

This week marks the first occasion we have both been in the same city at the same time. To celebrate we recorded this very special episode of Good Point in front of a live audience at Kickstarter’s offices in Greenpoint during their annual PWL Camp. The topic, Reproduction, was suggested by the audience. China ends one child policy after 35 years https://www.theguardian.com/world/2015/oct/29/china-abandons-one-child-policy Having children is one of the most destructive things you can do to the environment http://www.independent.co.uk/environment/children-carbon-footprint-climate-change-damage-having-kids-research-a7837961.html Preterna, Jeremy and Kristen’s VR pregnancy startup https://creators.vice.com/en_au/article/3d53kk/you-can-be-pregnant-in-virtual-reality-finally JODI https://en.wikipedia.org/wiki/Jodi_(art_collective) Eva and Franco Mattes https://0100101110101101.org/ Exonemo http://www.exonemo.com/ Ubermorgen http://ubermorgen.com/UM/index.html New Parents more sleep-deprived than we thought – “nearly half of all parents with children six months or younger get just one to three hours of uninterrupted sleep a night.” https://www.fitpregnancy.com/baby/baby-care/new-parents-more-sleep-deprived-than-we-thought Audience commenter 1, Spike Trotman - founder of Iron Circus Comics https://ironcircus.com/ Bringing your kids to Comic-con https://www.wired.com/2010/07/comic-con-report-bringing-the-kids/ Audience commenter 2, Stephanie Pereira - Director of Creator Engagement at Kickstarter https://twitter.com/happeness?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor iGen http://www.simonandschuster.com/books/iGen/Jean-M-Twenge/9781501151989 Audience commenter 3, Lori Adelman, runs the website http://feministing.com/ Mother! https://www.youtube.com/watch?v=XpICoc65uh0 Gerhard Richter https://www.youtube.com/watch?v=yF6EluMNR14 Audience commenter 4, Sophi Kravitz, Art-engineer, works at Hackaday, attempting to be on sabbatical The Devastator http://devastatorpress.com/

This episode we're talking about Carroll/Fletcher's fantastic 'United We Stand', Part Three of 'Looking at one thing and thinking of something else'. As well as 'Room' at Sadie Coles, also featuring audio work by Rory Tangney and Dillon Lemon. Rory Tangney: www.rorytangney.com Dillon Lemon: www.vimeo.com/115831985 Dillon Lemon Soundcloud: www.soundcloud.com/dillonlemon UBERMORGEN's essay/exhibition at Carroll/Fletcher Onscreen: www.carrollfletcheronscreen.com

Global Control and Censorship | Vortrag ZKM_Lecture Hall 01/14/2016 Are there strategies to confront digital surveillance? Zach Blas and Hans Bernhard from Ubermorgen.com pursued this question in their talks. Zach Blas is currently presenting one possible approach in the »GLOBAL CONTROL AND CENSORSHIP« exhibition: Masks Protect against »Facial Recognition«. With »Masks«, Blas places himself in the tradition of masked resistance, such as with the Pussy Riot and Anonymous, who refuse to be identified and punished by wearing masks. /// ZKM_Vortragssaal 14-01-2016 Wie können wir der digitalen Überwachung und der allgegenwärtigen Lesbarkeit persönlicher Daten entgehen? Masken schützen uns vor Gesichtserkennung und Identifizierung. Der maskierte Widerstand wie etwa bei Pussy Riot oder Anonymous macht sich diese Strategie zunutze. In dieser Tradition entwickelt Zach Blas amorphe »Masks«, die aus den Gesichtsdaten mehrerer Personen zusammengesetzt sind. Seine Arbeit »Facial Weaponization Suite« wird in der Ausstellung »GLOBAL CONTROL AND CENSORSHIP« gezeigt. Er diskutiert mit Hans Bernhard von UBERMORGEN.COM Möglichkeiten, sich den dominanten Formen der politischen Repräsentation zu widersetzen: durch Maskieren und Verstecken.

Global Control and Censorship | Vortrag ZKM_Lecture Hall 01/14/2016 Are there strategies to confront digital surveillance? Zach Blas and Hans Bernhard from Ubermorgen.com pursued this question in their talks. Zach Blas is currently presenting one possible approach in the »GLOBAL CONTROL AND CENSORSHIP« exhibition: Masks Protect against »Facial Recognition«. With »Masks«, Blas places himself in the tradition of masked resistance, such as with the Pussy Riot and Anonymous, who refuse to be identified and punished by wearing masks. /// ZKM_Vortragssaal 14-01-2016 Wie können wir der digitalen Überwachung und der allgegenwärtigen Lesbarkeit persönlicher Daten entgehen? Masken schützen uns vor Gesichtserkennung und Identifizierung. Der maskierte Widerstand wie etwa bei Pussy Riot oder Anonymous macht sich diese Strategie zunutze. In dieser Tradition entwickelt Zach Blas amorphe »Masks«, die aus den Gesichtsdaten mehrerer Personen zusammengesetzt sind. Seine Arbeit »Facial Weaponization Suite« wird in der Ausstellung »GLOBAL CONTROL AND CENSORSHIP« gezeigt. Er diskutiert mit Hans Bernhard von UBERMORGEN.COM Möglichkeiten, sich den dominanten Formen der politischen Repräsentation zu widersetzen: durch Maskieren und Verstecken.

Global Control and Censorship | Vortrag ZKM_Lecture Hall 01/14/2016 Are there strategies to confront digital surveillance? Zach Blas and Hans Bernhard from Ubermorgen.com pursued this question in their talks. Zach Blas is currently presenting one possible approach in the »GLOBAL CONTROL AND CENSORSHIP« exhibition: Masks Protect against »Facial Recognition«. With »Masks«, Blas places himself in the tradition of masked resistance, such as with the Pussy Riot and Anonymous, who refuse to be identified and punished by wearing masks. /// ZKM_Vortragssaal 14-01-2016 Wie können wir der digitalen Überwachung und der allgegenwärtigen Lesbarkeit persönlicher Daten entgehen? Masken schützen uns vor Gesichtserkennung und Identifizierung. Der maskierte Widerstand wie etwa bei Pussy Riot oder Anonymous macht sich diese Strategie zunutze. In dieser Tradition entwickelt Zach Blas amorphe »Masks«, die aus den Gesichtsdaten mehrerer Personen zusammengesetzt sind. Seine Arbeit »Facial Weaponization Suite« wird in der Ausstellung »GLOBAL CONTROL AND CENSORSHIP« gezeigt. Er diskutiert mit Hans Bernhard von UBERMORGEN.COM Möglichkeiten, sich den dominanten Formen der politischen Repräsentation zu widersetzen: durch Maskieren und Verstecken.

TRUTH-TELLERS: The Impact of Speaking Out. The 10th event of the Disruption Network Lab. Panel: Beyond Evidence. Finding Sources, Questioning Truth with Jack Werner (investigative journalist, SE), Hans Bernhard / UBERMORGEN (artist, CH/USA/AT) Carmen Weisskopf and Domagoj Smoljo / !Mediengruppe Bitnik (artists, CH/DE). Moderated by Tatiana Bazzichelli (Director of the Disruption Network Lab, IT/DE). If we consider truth-telling as the act of providing clear facts and evidence, which is a keen discourse within whistleblowing, what happens if we question the concept of truth itself, by analysing how Internet culture works? The challenge becomes to investigate those obscure parts of the Internet that are fed by "fakelore" (as a combination of fake, and folklore), as well as artistic projects that question a single perspective of understanding and bring along multiple truths. Hans Bernhard, co-founder of the artist project UBERMORGEN together with lizvlx, will tell us about the (true or false?) stories of discovering whistle-blower Edward Snowden at the Vienna International Airport escaping from Hong Kong, as well as Facts, Truth, Fake, and consensual hallucinations; Carmen Weisskopf and Domagoj Smoljo /!Mediengruppe Bitnik will present, among others, their project “Delivery for Mr. Assange” as a SYSTEM_TEST and a Live Mail Art Piece broadcasted in the Internet through a camera, as well as other projects about the hidden side of the Internet. Finally, investigative journalist Jack Werner, author of the book Creepypasta: Ghost stories from the Internet (2014), will open up the discourse to “fakelore”, by discussing the impact of viral storytelling and source trust in online journalism and culture. www.disruptionlab.org/truth-tellers (http://www.disruptionlab.org/truth-tellers) Photo: Maria Silvano Produced by Voice Republic For more podcasts visit http://voicerepublic.com

Wie Internetkünstler Trolling taktisch einsetzen, am Beispiel von Tobias Leingruber, Jodi, UBERMORGEN, und meiner Wenigkeit. http://frab.trollcon.de/trollcon2012/public/events/19 http://www.trollcon.de Die Trollcon ist eine jährliche Konferenz über das Kulturgut "Trollen" und wird ausgerichtet vom Mannheimer Hackerspace RaumZeitLabor (http://www.raumzeitlabor.de)

In dieser Ausgabe von Chaosradio Express spricht Tim Pritlove mit Hans Bernhard und Lizvlx, die beide unter dem Namen UBERMORGEN.COM als Künstlerprojekt unterwegs sind und als solche schon mit einigen Aktionen große Aufmerksamkeit erzielt haben. Im Gespräch stellen sie einige ihrer Projekte und die dahinterliegende Motivation vor und erklären, warum gerade die Aufmerksamkeit eine besondere Rolle in ihrem Schaffen spielt. Themen sind u.a.: die Geburt der Netzkunst; Techno, Drogen und Internet; Mailbombentests bei der Ars Electronica; über den Handel mit Wählerstimmen und das Jonglieren mit Domains; Aufmerksamkeitserzeugung als virtuelle Währung; der kommunikative Wahn und die Massenhysterie; wie man als Künstler aus Wählern Geld macht; wie man sich Nazi-Aussteiger sucht; Formulargeneratoren zur Entfernung von Internetinhalten.