Podcasts about violin society

When violin bow maker Matt Wehling offered to be a guest on Sweep the Floor, I couldn't resist. Violin bows look so simple - a long strip of wood, some horsehair, and something called a "frog" - yet they can command five or even six figures. How much work actually goes into them? How many parts do they actually have? Do they get better with age or retired? I had so many questions. Wehling - who practices his craft in Northfield, Minnesota - didn't disappoint. This five-time Gold Medal winner from the Violin Society of America walks us through the history of the modern bow, the actual woodworking he does, the importance of Francois Tourte, the varying styles players expect and outlines how a scarcity of bow-grade pernambuco challenges all newcomers to the craft. Wehling fielded all my questions and, after listening to this episode, I don't think I'll ever see a violin bow the same way again. http://mattwehling.com Sweep the Floor is a new podcast where we celebrate the stories behind the best makers in the world, including woodworkers, brewers, bootmakers, mechanics, designers and all points in-between. Listener suggestions or sponsorship inquiries welcomed at podcast@fretboardjournal.com. Host: Jason Verlinde Music: Paul Rigby A Fretboard Journal Podcast production.

Anya Burgess, owner of Sola Violins, a full-service violin shop in downtown Lafayette, Louisiana joined Jan Swift of Discover Lafayette to discuss her journey and career in music. Anya moved to Acadiana in 2000 as a Teach for America instructor. Growing up in Winchester, Massachusetts, she knew very little about our region. But her desire to "land somewhere different" led her to teach at Washington Elementary School in St. Landry Parish, and she has remained here ever since. Growing up playing classical music, she was exposed to more traditional Appalachian and Irish music when she studied folklore at Indiana University. She picked up the violin during her college days, after being trained in piano in her younger days. Anya settled in the Arnaudville area and still lives in the region on five acres on the Bayou Teche with her two boys and her husband, Richard Burgess. She loves the space they have which allows the kids to run around. She also maintains a shop behind her home where she originally repaired and built violins until she opened a full-service shop, Sola Violins, in downtown Lafayette. The moves allowed for the expansion of inventory and services and great accessibility for most of her clientele who travel from Baton Rouge, Lake Charles, Alexandria, and beyond. One of the only violin shops in the state, Sola Violins specializes in the restoration, rentals, and sales of violin family instruments. Their clientele includes everyone from students to professionals and Cajun to classical players.  Anya is also a violinmaker, having learned how to make violins in college. Surprisingly, our area has a great number of violin players, and as Anya says, "In this region, we may have one of the most per capita of violin players!" She is a board member of the Violin Society of America.  Anya Burgess' tools of the trade in violin making and repair. A great deal of Sola Violins' business involves the complete restoration of instruments. Symphony players, people who inherit instruments, and people bringing in instruments damaged by the elements are included in her clientele. She works on all instruments included in the violin family including the viola and cello, as well as the occasional member of the bass family of instruments. The store also offers accessories, books and other accouterments needed to play the instruments. Sola Violins offers guidance for teachers and you can reference the list of local string teachers here. Anya at her store, Sola Violins, in Lafayette, LA. Anya Burgess makes and plays violins. "I have an elegant presentation, but I want my store to be a welcoming place. I want it to have a living room vibe. My goal is that more people play music It's my number one goal." Photo by: Christina Clusiau Interestingly, COVID has affected the type of business Sola Violins attracts, but not the volume of business. Anya has found herself just as busy in 2020 as in years past, but this year has seen more rentals of instruments than sales, as people have picked up instruments to pass the time. Anya rents to people of all ages and notes it is very affordable to rent an instrument as you determine before purchasing if the choice was the right fit. A lifelong musician, Anya plays the fiddle with two Grammy-nominated Cajun bands, Bonsoir Catin and the Magnolia Sisters. She is the newest member of Magnolia Sisters, which she joined eighteen years ago. The band was first nominated for a Grammy in 2010 and again in 2015. Fellow band members include Anne Savoy, Jane Vidrine, and Lisa Trahan. She also plays alongside Bonsoir, Catin band members Kristi Guillory, Christine Balfa, Maegan Berard, Ashley Hayes Steele, and Danny DeVillier. Bonsoir, Catin was also nominated for a Grammy in 2015 and Anya recalled with delight the experience of traveling to the awards ceremony with both bands. Anya Burgess plays the fiddle with two Grammy-nominated Cajun bands, Bonsoir,

Today we’re featuring Sam Morel, a French double bass luthier who has recently taken a job at David Gage String Instruments.  Sam won a Silver Medal for Tone at the 2019 International Society of Bassists Convention and a Certificate of Merit at the 2018 Violin Society of America Competition. We talk about the various basses he has built, how life has been for him during the pandemic, working with Patrick Charton, and much more. Enjoy, and be sure to follow Sam on Facebook and Instagram! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging theme music by Eric Hochberg Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

W tym odcinku podcastu Muzykalności posłuchasz rozmowy z Piotrem Pielaszkiem.Instrumenty smyczkowe autorstwa Piotra są doceniane przez jurorów na konkursach oraz klientów z różnych zakątków świata. Klienci nierzadko czekają ponad rok, by dostać zamówiony w pracowni Piotra instrument, co, jak się okazuje, jest raczej normą, kiedy chcesz zamówić dla siebie instrument „szyty na miarę”. Z tego odcinka dowiesz się m.in.: - Kim dziś są lutnicy i w czym się specjalizują? - Co wpływa na brzmienie i co jest kluczowym momentem w procesie budowania instrumentu? - Co trzeba zrobić by zostać lutnikiem? - Jak wygląda proces zamawiania i odbioru instrumentu? - Co to jest lutnictwo artystyczne? - Jakie instrumenty lutnicy wykonują niechętnie i dlaczego? - Dlaczego instrumenty lutnicze, ku niezadowoleniu muzyków, rozklejają się? Pełny odcinek wraz z transkrypcją i notatkami znajdziesz na:https://www.muzykalnosci.pl/18 Linki do stron i osób wymienionych w tym odcinku: - Profil Piotra Pielaszka na Facebooku https://www.facebook.com/piotrpielaszekviolins - Strona internetowa Marka Pielaszka http://pielaszek.com.pl - Zespół Państwowych Szkół Muzycznych nr 1 w Warszawie http://www.miodowa.edu.pl - Poznańska Ogólnokształcąca Szkoła Muzyczna im. M. Karłowicza http://www.posm2st.poznan.pl - Akademia Muzyczna im. Ignacego Jana Paderewskiego https://amuz.edu.pl - Zespół Szkół Plastycznych im. Antoniego Kenara w Zakopanem https://zsp-kenar.pl - Międzynarodowy Konkurs Lutniczy im. Henryka Wieniawskiego https://www.wieniawski-competition.com - Violin Society of America https://www.vsaweb.org - Związek Polskich Artystów Lutników http://www.zpal.pl - Marcus Klimke http://www.klimkeviolin.com - Andrea Frandsen http://www.andreafrandsen.com Chcesz się ze mną skontaktować? Pisz na info@muzykalnosci.pl #polskipodcast #podcastmuzyczny #muzykalnosci #muzykalności #podcastomuzyce

Chris, Jerry, and Rozie report on the Violin Society of American Convention in Dallas, luthiers confess to St. Omobono

Marilyn Wallin joins us for a guided tour of the Violin Society of America - sharing her early years submitting some of her very first instruments for judging, to later becoming the president. Also - what makes a healthy master/apprentice relationship? Chris, Jerry, & Rozie share some thoughts and look forward to hearing from you. Come see us at the VSA Conference, November 8 & 9, in Dallas TX. Special Guest: Marilyn Wallin.

Fan Tao is head of research and development for the D'Addario Musical Strings Company based in Farmingdale, New York. He is also past president of the Violin Society of America. I interviewed Fan at the D'Addario factory in June, 2015, to learn as much as I could about the history and technology of strings for the violin family of instruments. Here is part one of that interview.

Today, we’re featuring Ralph Alcala, who has recently moved into building basses full-time.  Ralph is a super-talented luthier.  Check out past podcast guest Aaron Olguin playing Ralph’s fourth double bass to hear these beautiful bass cannons that Ralph’s building. Ralph has actually been on the podcast before as a part of our Luthier Roundtable at this summer’s Oberlin Bass Workshop for the Violin Society of America.  Ralph’s a great guy and is making beautiful basses, and I’m sure that the wait list for one of his basses will be growing as more people hear how great they sound and how easily they play. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor.   Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!

A funny thing happened to me in Cleveland this November during the Violin Society of America Convention.  I had been chatting with bass luthier legend Arnold Schnitzer about the presentation that he was going to be doing on new double bass developments.  Arnold mentioned that he was going to be meeting Bradley Lovelace, who was in Cleveland that week playing Les Miserables. As I was leaving the hotel to go grab some food, I ran smack dab into Bradley, who was wheeling his Arnold Schnitzer Ergonomic Bass into the hotel.  He, Arnold, and I ended up getting lunch together and spending the better part of the day geeking out on bass stuff. Brad and I sat down the next day to chat about his career, how he made his way from Arizona to New York City, the sequence of events that led to him playing musicals, life on the road, staying in musical and physical shape, keeping inspired, and much more.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor.   Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!

Matthew Tucker of Bresque Basses has been innovating in a number of fascinating ways in the world of bass luthiery.  A regular attendee of the Violin Society of America / Oberlin Bass Workshop, Matthew has designed an innovative system of flatback double bass bracing that he calls Responsive Flatback Bracing. We dig into this bracing system, his path into the luthier world, his approach to repair (think doctor/patient relationship), the luthier and client relationship, and much more! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!

Today’s special episode is a round table discussion with over two dozen of the world’s top double bass luthiers. This discussion took place at the 2018 Violin Society of America Double Bass Workshop at Oberlin College and features the following luthiers: Jay VandeKopple Greg Smith Brian Gencarelli Joey Naeger Thomas Helton Robbie McIntosh Vince Jesse Andrew Stolfa Arnold Schnitzer Elinore Morris Andrew Hassel Sony Negreros Ray Ramirez Jacob Bradford Randy Hunt Mitch Moehring Ralph Alcala Jack Hill Jeff Mueller Gabriel Golden David Gage Mark Leue Alejandro Zapata Dustin Woodward   A big thanks to all of these folks for taking the time to chat, and thank you to Steve Rodby, Kristin Zoernig, Lloyd Goldstein, Grace Lewis, Sara Nelson, and all the others that contributed great questions for this discussion!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, cataloging and archiving Subscribe to the podcast to get these interviews delivered to you automatically!

James Ham is a legend in the double bass luthier world.  After a multifaceted background that landed him in Victoria, British Columbia, James Ham created a series of revolutionary designs for the double bass.    His first instrument was commissioned by Gary Karr after a deep analysis of the various positive and not-so-positive traits of the Karr-Koussevitzky bass, Jim created a marvelous instrument on which Gary Karr still plays.  In fact, Gary will only perform somewhere these days if there’s a Jim Ham bass waiting for him!  Here’s a photo of me with Gary and his lovely Jim Ham bass.   We dig into Jim’s adjustable and removable neck system, which eliminates the need for bridge adjusters.  We also talk about Jim’s founding of the Violin Society of America Double Bass Workshop at Oberlin.  We even dig into our shared South Dakota roots!   This is a great chat with a luthier that has had a big impact on the lives of many bass players.  Enjoy!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!

John Grillo and I recorded this interview with Barrie Kolstein back in 2008, and it has proven to be a very popular episode in the catalog. Barrie runs the Kolstein shop Long Island, and his instruments have been utilized by Jeff Turner of the Pittsburgh Symphony, James Van Demark of the Eastman School of Music, Scott Haigh of the Cleveland Orchestra, and many others. John Grillo has been frequenting the Kolstein shop for years, and it was great to have John in on the conversation.  This was a great chat about all sorts of bass-related topics. About Barrie Kolstein: 1967-1971 Kolstein basses State University of New York at Albany Obtained a Bachelors of Science Degree in Business Administration and Marketing. 1967-1973 Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin O’Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. 1971-1974 Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. 1974-1978 Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. 1979 Promoted to head violin master in the shop of Samuel Kolstein. 1981 Assumed full business responsibilities for operating all aspects of Samuel Kolstein & Son, Ltd. and Kolstein Music, Inc. 1981 to present Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision. Published numerous technical articles on restoration and appraisals in the International Society of Bassists with feature article published in the Strad, February 1991; presently editor of the “Luthier Corner” in the International Society of Bassists magazine restoration and repair forum; published regularly in the Double Bassist magazine and the Strad magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehman’s documentary, Young Peoples Guide to the Orchestra; contacted to appear in the upcoming educational video on “Careers in Music”. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert. Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of: Appraisers Association of America, 1994 to present International Society of Bassists, 1979 – present Violin Society of America, 1980 – present Viola Congress, 1983 – present Cello Congress, 1982 – present Listed in The Violin Makers of the United States, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986.

We’re wrapping up our chat with Barrie Kolstein this week on the Contrabass Conversations show. We began this interview on episode 70 of the program, and in it we discussed Barrie’s father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today. Barrie discusses Kolstein rosin, challenges facing modern double bass retailers and luthiers, advice on buying a double bass, and how the business has changed in the past few decades. Visit the Kolstein shop online at www.kolstein.com, and check out our co-host John online atwww.classicalmusicnews.tv. Enjoy!   About Barrie Kolstein: 1967-1971 State University of New York at Albany Obtained a Bachelors of Science Degree in Business Administration and Marketing. 1967-1973 Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin O’Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. 1971-1974 Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. 1974-1978 Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. 1979 Promoted to head violin master in the shop of Samuel Kolstein. 1981 Assumed full business responsibilities for operating all aspects of Samuel Kolstein & Son, Ltd. and Kolstein Music, Inc. 1981 to present Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision. Published numerous technical articles on restoration and appraisals in the International Society of Bassists with feature article published in the Strad, February 1991; presently editor of the “Luthier Corner” in the International Society of Bassistsmagazine restoration and repair forum; published regularly in the Double Bassist magazine and the Strad magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehman’s documentary, Young Peoples Guide to the Orchestra; contacted to appear in the upcoming educational video on “Careers in Music”. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert. Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of: Appraisers Association of America, 1994 to present International Society of Bassists, 1979 – present Violin Society of America, 1980 – present Viola Congress, 1983 – present Cello Congress, 1982 – present Listed in The Violin Makers of the United States, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986. Learn more about the Kolstein shop at www.kolstein.com

This week, we’re featuring Barrie Kolstein on the Contrabass Conversations show. Barrie discusses his father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today. Barrie is a perceptive and extremely knowledgeable figure in the double bass community, and it was a real pleasure to do this interview. John, Barrie, and I actually chatted for a couple of hours, and it is all excellent content, so I’ll be breaking this interview into two hour-long segments, and you’ll be hearing the first half today. Visit the Kolstein shop online at www.kolstein.com. Enjoy!   About Barrie Kolstein: 1967-1971 State University of New York at Albany Obtained a Bachelors of Science Degree in Business Administration and Marketing. 1967-1973 Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin O’Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. 1971-1974 Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. 1974-1978 Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. 1979 Promoted to head violin master in the shop of Samuel Kolstein. 1981 Assumed full business responsibilities for operating all aspects of Samuel Kolstein & Son, Ltd. and Kolstein Music, Inc. 1981 to present Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision. Published numerous technical articles on restoration and appraisals in the International Society of Bassists with feature article published in the Strad, February 1991; presently editor of the “Luthier Corner” in the International Society of Bassistsmagazine restoration and repair forum; published regularly in the Double Bassist magazine and the Strad magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehman’s documentary, Young Peoples Guide to the Orchestra; contacted to appear in the upcoming educational video on “Careers in Music”. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert. Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of: Appraisers Association of America, 1994 to present International Society of Bassists, 1979 – present Violin Society of America, 1980 – present Viola Congress, 1983 – present Cello Congress, 1982 – present Listed in The Violin Makers of the United States, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986. Learn more about the Kolstein shop at www.kolstein.com