Podcasts about detroit symphony

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Greg Roosa, 2nd horn of the Los Angeles Philharmonic. About Greg: Gregory Roosa was appointed Second Horn of the Los Angeles Philharmonic by Gustavo Dudamel in September 2012. Prior to that he held the Fourth Horn position in the St. Louis Symphony Orchestra beginning in 2003. His previous positions include Fourth Horn with the Kennedy Center Opera and Ballet Orchestra, and Fourth Horn with the Colorado Symphony in Denver. A native of Troy, Michigan, Roosa attended the University of Illinois and studied with Ralph Froelich at the University of South Florida. In 1992, he moved to Chicago to study with Dale Clevenger, Principal Horn of the Chicago Symphony. He was a member of the Civic Orchestra of Chicago for three seasons. Active as a freelance musician in the Chicago area for eight years, Roosa played in the Broadway shows Ragtime, Phantom of the Opera, and Miss Saigon. He also played with the Chicago Symphony Orchestra, including a European tour and two recordings. Roosa has appeared as soloist and clinician at numerous universities and horn workshops around the world. Roosa has performed with the Melbourne Symphony Orchestra and Queensland Orchestra in Australia, as well as with the Florida Orchestra and Detroit Symphony in the U.S. He was a member of the Colorado Music Festival Orchestra from 1999 to 2012, where he met his wife, Amy Jo Rhine, the Third Horn of LA Phil. Together they have two young boys, Norton and Sutton.

I always enjoy the opportunity to talk to very seasoned career bass players.Hank Horton is a heavy-hitter vocalist, producer, and bassist who fits into that category. Hank has a diverse skillset where he can play electric for Jeff “Skunk” Baxter (and a ton of other renowned musicians), play upright in the Detroit Symphony, or be excellent in a Broadway pit. I also understand that Hank has been using the Katana-210 Bass Amplifier, typically designed for electric bass, for his upright bass—a unique technique that he says has helped him to elevate his sound in recent years.Join me as we get the low down from Hank Horton himself!This interview first appeared in Bass Musician Magazine in September 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

This week, we are honored to welcome renowned classical music announcer, Rich Capparela to The Hamilton Review! If you listen to classical music radio stations (he joined KUSC-FM in 1980!), or attend classical music concerts, then you definitely know Rich's famous voice. Friends, you are in for a real treat as Rich and Dr. Bob sit down in person together as Rich shares the story of how he earned one of the best jobs in the world. Funny, dynamic and inspiring, this is a conversation you'll want to put at the top of your queue. Enjoy and share with your friends!   In 1972 an employment counselor asked Rich Capparela, "If you could be anything in the world, what would you be?" Without hesitation he replied, "A classical music radio announcer!" Today Rich is one of the best-known classical music radio personalities in the United States. He joined Los Angeles classical radio station KUSC-FM in 1980 as the morning host. He's also known for his airwork at Southern California classical radio stations KMZT-FM and KFAC-FM. Nowadays he can be heard once again on KUSC-FM. His recording company, Cardiff Studios, produces commercials and programming for U.S. arts organizations, including the Chicago Symphony Orchestra and the Detroit Symphony. He's appeared as narrator at Carnegie Hall in music by Benjamin Britten and has performed in Southern California with the Boston Pops and conductor Keith Lockhart, narrating The Night Before Christmas. In 2009 he began an association with the Metropolitan Opera when he started hosting the Met's prestigious Western Region Finals competition. Since 1995 Capparela has hosted live radio broadcast concerts by the Pacific Symphony. In December of 2001 as part of Los Angeles Music Week, Capparela was honored in chamber by the Los Angeles City Council for his contributions to the city's music community. In 2002 Capparela provided program notes for the Los Angeles Guitar Quartet's Grammy nominated album LAGQ: Latin. Rich continued his association with the Grammys in February of 2004 when he presented the year's classical Grammys in Los Angeles. In January 2010 Capparela hosted the Grammy Salute to Classical Music honoring Placido Domingo. He is active as a lead singer and guitarist with a three-piece cover rock band, Otherwise Normal. Rich and his wife Marcia, a retired private school administrator, live in Santa Monica, California. How to contact Rich Capparela: Cardiff Studios   How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/  

Michael and David speak of many things ... part of the reason they always seem to have so much fun. Among other things Michael speaks of how he manages to invite "the muses" and keeps his art both open and discreet at the same time.  He also speaks of his work as musical composer for the brand new Disney series, Star Wars: The Acolyte.  I always have speaking with Michael: our times always feel rich and multi-dimensional.2023 Pulitzer Prize-winning and Emmy- and Grammy-nominated composer Michael Abels is best known for his genre-defying scores for the Jordan Peele films GET OUT, US and NOPE.  The score for US won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, multiple critics awards, and was named “Score of the Decade” by The Wrap.  Both US and NOPE were shortlisted for the Oscar for Best Original Score.  In 2022, Abels' music was honored by the Vancouver International Film Festival, the Middleburg Film Festival, and the Museum of the Moving Image.  NOPE was awarded Best Score for a Studio Film by the Society of Composers & Lyricists.  Other recent projects include the films BAD EDUCATION, NIGHTBOOKS, and the docu-series ALLEN v. FARROW.  Current releases include CHEVALIER (Toronto Intl Film Festival) and LANDSCAPE WITH INVISIBLE HAND (Sundance 2022), his second collaboration with director Cory Finley.  Upcoming projects include THE BURIAL (Amazon), and a series for Disney Plus.Abels' creative output also includes many concert works, including the choral song cycle AT WAR WITH OURSELVES for the Kronos Quartet, the Grammy-nominated ISOLATION VARIATION for Hilary Hahn, and OMAR, an opera co-composed with Grammy-winning recording artist Rhiannon Giddens.  The New York Times named OMAR one of the 10 Best Classical Performances of 2022 and said, “What Giddens and Abels created is an ideal of American sound, an inheritor of the Gershwins' “Porgy and Bess” but more honest to its subject matter, conjuring folk music, spirituals, Islamic prayer and more, woven together with a compelling true story that transcends documentary.”Abels other concert works have been performed by the New York Philharmonic, the Chicago Symphony, the Los Angeles Master Chorale and many others.  Some of these pieces are available on the Cedille label, including DELIGHTS & DANCES, GLOBAL WARMING and WINGED CREATURES.  Recent commissions include EMERGE for the National Symphony and Detroit Symphony, and a guitar concerto BORDERS for Grammy-nominated artist Mak Grgic.Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.https://michaelabels.com/

Today on The Rough Draft, we're joined by Mark Watters, a six-time Emmy Award-winning composer and conductor renowned for his work in film, television, video games, global tours such as Star Wars in Concert, and major events like the Olympics. Mark's career spans iconic Disney classics and collaborations with artists like John Legend, Mary Jo Blige, and Beyoncé. In addition, Mark serves as the Associate Professor of Contemporary Media & Film Composition and Director of the Beal Institute for Film Music and Contemporary Media at the prestigious Eastman University in New York. Join us today as we discuss his creative process, how to embrace technology while guarding authenticity, and the deeply emotional resonance of music across all content mediums. Guest BioMark Watters is a six-time Emmy Award winning composer and conductor whose diverse career spans over 400 television episodes, feature films, DVDs, video games, concert works and music for the theater. He holds the distinct honor of having served as music director and featured composer for two Olympics. First, in 1996 for the Centennial Olympic Games in Atlanta and again in 2002 for the Salt Lake City Winter Olympics. For the '96 games, Mark composed the Emmy nominated song, "Faster, Higher, Stronger." Performed by opera legend, Jessye Norman and featuring lyrics by Grammy-nominated lyricist, Lorraine Feather, the song was the triumphant finale to the Opening Ceremonies. He has served as guest conductor for such orchestras as The Los Angeles Philharmonic, The Tokyo Philharmonic, The London Symphony, The Los Angeles Chamber Orchestra, The Detroit Symphony, The New York City Pops, The Baltimore Symphony and The Atlanta Symphony. In 2002, film score legend John Williams asked Mark to co-conduct the 74th Academy Awards. He has worked with such artists as Beyonce, Sting, Carrie Underwood, John Legend, Mary J. Blige, Trisha Yearwood, Yo Yo Ma and Broadway star, Brian Stokes Mitchell.In addition to his composing and conducting career, Mark is an associate professor at the famed Eastman School of Music where he heads the Media Composition curriculum and is the director of the Beal Institute for Film Music and Contemporary Media.Additional Resourcesmarkwatters.comesm.rochester.edu/directory/watters-mark/Rate & SubscribeBe sure to subscribe to Rev's YouTube Channel in order to stay up to date with the latest episodes and to watch our video production of The Rough Draft.Follow Rev and The Rough Draft on Instagram, LinkedIn, and XThe Rough Draft is produced by Rev, and releases a new episode every two weeks on Thursday. Subscribe now to stay up to date with the newest episodes, and be sure to check out rev.com/podcast for more content.

This week I'm highlighting an episode from the archive, with the engaging and talented Leslie DeShazor  who is a multi-style violist,  violinist and composer based in Detroit. She teaches students both through the Sphinx Organization and the Detroit Symphony as well as privately. She was named one of thirty Professional Movers and Shakers in the Performing Arts by Musical America in 2019 and in 2022 she released her jazz and R&B album “Journey With Me” which features herself as soloist, bandleader, and composer, and "Simply Complicated" from that album is part of this podcast episode. This conversation was full of stories and insights from Leslie's life. She shared valuable perspectives that educators, parents and anyone who mentors children and young adults will find inspiring and thought-provoking. We talked a lot about why kids quit playing music, why so many young adults today have trouble figuring out the direction of their life, and how the educational system can take away people's innate creativity and confidence. Link to video and transcript on my website: https://www.leahroseman.com/episodes/leslie-deshazor Link to Leslie DeShazor's website: https://lesliedeshazor.com/ Can you buy this independent podcaster a cup of coffee through Paypal? https://ko-fi.com/leahroseman Thanks! Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Follow me on social media: https://linktr.ee/leahroseman Timestamps: (00:00) Cold open quote plus Intro (02:00) album Journey With Me, accepting help (06:16) differences playing acoustic and electric instruments (07:30) intro to tune “Simply Complicated” (13:25) Leslie's childhood musical pranks, growing up in Inkster and Canton (16:10) the importance of Detroit in many different musical genres (18:36) the influence and importantce of church music (22:47) Interlochen, perspectives on exposing kids to a competitive atmosphere (32:43) Leslie's approach to coaching student ensembles (36:14) Leslie's history going to Orchestra Hall, continuity and history of Detroit (40:52) parenting, guiding children in music (42:37) University of Michigan and Wayne State college experiences, James Dapogny, how to guide students, the importance of helping music students with options (51:00) dealing with injury (53:06) different cultures through dance, learning Spanish, teaching with Sphinx (56:14) Sphinx organization (01:03:10) Musique Noire, Eunoia Society, JoVia Armstrong (01:04:45) problem with labels in music, colonial attitudes (01:10:44) teaching music using different strategies (01:16:35) challenges in guiding students (01:19:53) students who are over-scheduled, the benefits of allowing time for creativity and play (01:25:42) Cole Randolph taking time off and motivation (01:26:42) dealing with stress through exercise, jumping rope, keeping balance (01:30:00) freelance life stress (01:31:18) teaching body percussion, benefits of community music making, learning from other educators (01:35:35) Leslie's advice about bravery --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

SynopsisIn 1881, the posthumous premiere of Jacques Offenbach's final work, The Tales of Hoffmann, had been announced for Feb. 1 at the Opera Comique in Paris — and in fact was performed on that date, but as a closed dress rehearsal attended only by theater staff and Offenbach's family.Offenbach knew he was dying as he wrote this opera and had completed a full piano score and extensive sketches for its orchestration. For its premiere, Ernest Guiraud faithfully orchestrated Hoffmann, but, at the request of the Opera Comique's director, he replaced the original, quick-paced spoken dialogue between its musical numbers with slower, sung recitatives in the style of a grand opera.At a private premiere, the opera ran much too long. In something of a panic, drastic cuts and a wholesale rearrangement of Offenbach's score were made before the public premiere nine days later. In its drastically altered form, Hoffmann proved to be a great success and remained so for decades. For the opera's centenary in 1981, however, musicologists painstakingly prepared new performing versions of Hoffmann, restoring Offenbach's original plan for the work.Consequently, opera companies today are faced with a dilemma: Do they stage the familiar or the faithful version of Offenbach's masterpiece?Music Played in Today's ProgramJacques Offenbach (1819-1880): Tales of Hoffmann Suite; Detroit Symphony; Paul Paray, cond. Mercury 434 332

Poetry has long served as a point of inspiration for classical composers. Just think of Beethoven's magnificent setting of Schiller's "Ode to Joy," Schubert's cinematic take on Goethe's "Gretchen at the Spinning Wheel," or Ned Rorem's soulful songs based on the words of Frank O'Hara. And now there's a new work to add to this storied tradition from composer Brian Raphael Nabors. In Upon Daybreak, premiered by the Berkeley Symphony in late 2022, Nabors turns to a poignant poem by the late Maya Angelou, "A Brave, Startling Truth." Rather than set the poem's text to music, however, Nabors distills Angelou's visionary call for a great "day of peacemaking" into a powerful orchestral work that imagines a utopian world without hatred or malice. "In the poem, [Angelou] talks about all the chaos, war, and dystopia that come about from us being humans and destructive," Nabors says on the latest episode of the Classical Post podcast. "But also all the beauty that comes from humanity and what we're able to offer. It talks about this day when all this war mongering ends finally and we realize that the true wonders of the world are ourselves and life itself." Commissioned by New Music USA as part of its Amplifying Voices program, Upon Daybreak has been performed by the Detroit Symphony, River Oaks Chamber Orchestra, and the Boston Landmarks Orchestra since its Berkeley premiere, and the work will make its way to the Seattle Symphony in 2024.  In this episode, Nabors and I talk more about composing Upon Daybreak and what it was like working with the Berkeley Symphony's music director, Joseph Young, on a host of community engagement projects leading up to the premiere. Plus, he shares the important part his spiritual life plays in maintaining the energy to compose, how video games help him overcome creative blocks, and why skin care is always a top priority in his wellness routine. — ⁠⁠⁠⁠⁠Classical Post® is created and produced by Gold Sound Media® LLC, a New York-based marketing agency for the performing arts industry. Explore how we can grow your audience to make a lasting impact in your community.

SynopsisIf you're a baby boomer, you probably remember exactly where you were and what you were doing on Nov. 22, 1963, the day President John F. Kennedy was assassinated in Dallas.On that day, American composer Warren Benson was just beginning to work on a commission he had received for a new work for wind band. Maybe the trauma of that day unleashed some creative power in Benson, but whatever the reason, the resulting music is both intense and moving. He titled his piece The Leaves Are Falling, a line from Rainer Maria Rilke's “Autumn,” a poem that evokes a sense of a passing season and a passing life. The Leaves Are Falling became Benson's best-known work and a landmark score in the wind band repertory.Born in 1924, Benson grew up in Detroit, studied at the University of Michigan and landed a job playing timpani in the Detroit Symphony. He served as a professor of percussion and composition at Ithaca College, and from 1967 until 1993, he taught composition at the Eastman School in Rochester, New York. He died in 2005.Music Played in Today's ProgramWarren Benson (1924-2005): The Leaves Are Falling; Eastman Wind Ensemble; Donald Hunsberger, cond. Centaur 2014

Exciting episode today, as we have an international guest on the podcast today, interviewing Ilan Morgenstern! Ilan has experienced such a spectacular orchestral and solo playing career. He has subbed with numerous top orchestras across the United States and even overseas in Israel such as Israel Philharmonic, Philadelphia Orchestra, Atlanta Symphony, Detroit Symphony, and many more. He has won many awards from internationally renowned competitions including the Jeju International Brass and Percussion Competition, Zellmer-Minnesota Orchestra Competition, and the National Repertory Orchestra's Concerto Competition. His official positions in the past include San Antonio Symphony, Houston Grand Opera Orchestra, Jacksonville Symphony, and Kansas City Symphony. Originally from Rehovot, Israel, Ilan has unique stories about his time growing up in Israel, how he eventually moved to the United States for his bachelor's and master's degrees, and continue through his progression as one of the top bass trombonists in North America up until his present day position in the Vancouver Symphony. -- Transition Music #1: Ballade for Bass Trombone Strings and Harp, Eric Ewazen, featuring Ilan Morgenstern, Rachel Ferris and the San Antonio Symphony Instagram: @8thposition @dbaldwin903 @_mehurst_

We review new ways to warm yourself up with two wonderful flutists! Discover Modal Flute Warmups from Laura Lentz in Rochester, NY and Daily exercises and Rubank duets online with Detroit Symphony's Amanda Blaikie. PLUS exciting news about a new method on the horizon from a very respected pedagogue. Listen in!

SynopsisFor decades many of the 20th century's greatest composers routinely visited Venice's famous canals and churches during a biennial music festival that showcased brand-new works by the likes of Stravinsky, Prokofiev, Britten, and others.The French composer Darius Milhaud describes sharing space with several of his composer-colleagues in a cramped Festival “green room.” “It was a normal sight to see Stravinsky's rain-coat and Constant Lambert's tweed overcoat hanging near my two walking sticks,” writes Milhaud. “Meanwhile, the Italian composer Hildebrando Pizetti would be putting up a mirror, opening a silver toilet-case, and arranging flowers, his wife's photograph and a sheaf of telegrams.”On today's date in 1937, Milhaud conducted the first performance of his Suite Provencale at the Venice Festival. This jaunty score proved to be one of his most popular orchestral works. In 1954, it was Leonard Bernstein's turn. On today's date that year, he conducted in Venice the premiere performance of his Serenade for violin and orchestra, with Isaac Stern the featured soloist.Despite its admirable track record for picking winners, the Venice Festival shut down operations in 1973, although its impact lives on in the number of modern masterworks it helped launch in its day.Music Played in Today's ProgramDarius Milhaud (1892 - 1974) Suite provençale, Op. 152b Detroit Symphony; Neeme Järvi, cond. Chandos 7031Leonard Bernstein (1918 - 1990) Serenade (after Plato's "Symposium") Zino Francescatti, violin; NY Philharmonic; Leonard Bernstein, cond. Sony 60559

Synopsis It was Mozart who wrote the first great piano concertos, with Beethoven, Brahms and others following suit in the 19th century. Closer to our own time, the tradition continues, with new contributions appearing each year. On today's date in 1986, it was the turn of American composer, Ellen Taaffe Zwilich, when her new piano concerto received its premiere by the Detroit Symphony with Marc-Andre Hamelin the soloist. “My piano concerto does not cast the pianist as the prototypical 19th-century hero battling the orchestral forces and triumphing through overwhelming virtuosity,” said Zwilich at the time. “My concerto calls for a blending of forces – a joint exploration of the piano soloist and orchestra. The pianist is even asked to merge with various sections of the rather large orchestra at times.” “To me,” continued Zwilich, “a part of the nobility of the piano is that it can change its color, chameleon-like without losing its special identity … One composer treats the piano as a percussion instrument, another as a singer… Certainly the vast and wonderful piano repertoire explores this remarkable range. And the world of composer-pianists is large enough to embrace Serge Rachmaninoff and Art Tatum.” Music Played in Today's Program Ellen Taaffe Zwilich (b. 1939) Piano Concerto Joseph Kalichstein, piano; Florida State Orchestra; Michael Stern, Koch 7537 On This Day Births 1747 - Bohemian composer Leopold Kozeluh, (Kotzeluch) in Welwearn; He was the cousin of Johann (Jan) Antonín Kozeluh, who was also a composer; 1928 - American composer Jacob Druckman, in Philadelphia; Premieres 1870 - Wagner: opera "Die Walküre" (The Valkyrie), in Munich at the Hoftheater, with Franz Wüllner conducting; The opera was performed at the Bavarian King Ludwig II's request, but against the composer's wishes; 1912 - Mahler: Symphony No. 9, by Vienna Philharmonic, Bruno Walter conducting; 1986 - Zwilich: Piano Concerto, by the Detroit Symphony with Günther Herbig conducting and soloist Marc-André Hamelin; 2000 - Robert Kapilow: "DC Monuments," by the National Symphony; Others 1788 - Mozart finishes his Symphony No. 39 in E-flat, K.543 in Vienna. Links and Resources More on Zwilich

Greatness expresses itself in different ways. Sometimes in indisputable artistic talents, and other times in profound displays of humanity. And sometimes, as in the case of today's subject, Sarah Reese, it's both. The soprano, who just this week celebrated a landmark birthday, is a singer of rare gifts whose career encompassed some of the world's greatest stages and concert halls who later in life returned to the region where she grew up (in Sarah's case, South Carolina), to give back to the community as a music teacher and choir director, in which capacity she has positively impacted the lives of countless students who came into contact with her warmth, skill, and generosity of spirit. Earlier on in her personal saga, Sarah made history when in the late 1960s she was the first female Black student at Furman University in Greenville. Through her persistence, courage, and determination, she rose above the ostracism and abuse she experienced there to become enshrined as a legend, with the school's theater recently permanently renamed in her honor. Though her voice and artistry were acknowledged worldwide, her recorded legacy is small, with only one commercial recording (Samuel Barber's Prayers of Kierkegaard) which nevertheless won a Grammy award in 1993. It is our great good fortune that in recent years a number of precious live recordings have emerged that show quite clearly the range and extent of her gifts. I present all of them here on this episode: from a concert recording of Verdi's rare 1848 opera Il corsaro co-starring legendary Italian tenor Carlo Bergonzi, to a broadcast concert with the Detroit Symphony led by Isaiah Jackson in which she sings Mozart and Verdi arias, as well as Barber's Knoxville: Summer of 1915. The episode concludes with a recently resurfaced 1988 performance of Brahms's Ein deutsches Requiem led by Herbert von Karajan the year before his death, one in which Sarah Reese's heavenly soprano bestows a comforting benediction upon us all. Blessings upon this living legend, and gratitude galore! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

You will love this conversation with Robyn Bollinger, Concertmaster of the Detroit Symphony She shares incredible tools, strategies and tips, including: Her audition preparation process How she handles her role as concertmaster How she keeps track of her practicing Her favorite tool in the practice room And so much more!   Where to find Robyn: Website: https://www.robynbollingerviolin.com/ YouTube channel: https://www.youtube.com/channel/UC6oMF1E1OWyEf_UcBh2qWlA Facebook: https://www.facebook.com/RobynBollinger Instagram: https://www.instagram.com/robynkbviolin/   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Don't wait and sign up for my brand new workshop – THE PERFORMANCE ANXIETY SOLUTION! Find all the info at www.performanceanxietysolution.com        Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!     Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

When British saxophonist Jess Gillam refers to her Carnegie Hall debut as "a real dream come true," she's being literal. Since the age of 12, she's dreamt of taking to New York City's fabled stage and sharing her passion for the saxophone with the audience. Gillam's dream became reality in October, when she and pianist Thomas Weaver performed a wide-ranging program of music — from Telemann and John Dowland to Meredith Monk and Barbara Thompson — at Carnegie's Weill Recital Hall. For Gillam, it was important that her program not only reflected the capabilities of her instrument, but also allowed her to forge meaningful connections with the audience. "It's important for me to play music that I really resonate with, music that really speaks to me so that I can tell the story well and share that story with the audience," Gillam says on the latest episode of the Classical Post podcast. "That was my main aim last night — to create an atmosphere and a place for the audience to exist." That insatiable drive to share her excitement about classical music has led to a bevy of remarkable opportunities and honors. At just 24 years old, Gillam remains the youngest presenter to host a BBC Radio 3 program — the wildly popular This Classical Life — and in 2018 she was a soloist at the Last Night of the Proms, perhaps the biggest and most prestigious event in British classical music. She was named a Member of the Order of the British Empire for her service to British music and was the first saxophonist to be signed to Decca Classics. And her debut album, Rise, hit the top spot on the UK Classical chart in 2019. In this episode, Gillam and I talk more about her Carnegie debut and the projects she has lined up for 2023 — including the premiere of a new concerto written for her by Anna Clyne, which she'll perform with the Detroit Symphony. Plus, she shares how film, fashion, and nature fuel her creativity, her fanatical love of Nairn's oatcakes, and why there's nothing more important to her than "being as kind as possible." — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Hosts John Devlin and Enrico Lopez-Yañez are joined by Ankush Bahl in the 4/4 to discuss crafting the perfect audition video. Then, UpBeat welcomes Erik Rönmark, President and CEO of the Detroit Symphony. The discussion centers around community-focused programming, how to stand out as a young conductor, and a discussion of the search process for the DSO's new Music Director, Jader Bignamini. 

Leslie DeShazor is a multi-style violist,  violinist and composer based in Detroit. She teaches students both through the Sphinx Organization and the Detroit Symphony as well as privately. She was named one of thirty Professional Movers and Shakers in the Performing Arts by Musical America in 2019 and in 2022 she released her jazz and R&B album “Journey With Me” which features herself as soloist, bandleader, and composer. Towards the beginning of this episode you'll hear her composition “Simply Complicated” from “Journey With Me”. This conversation was full of stories and insights from Leslie's life. She shared valuable perspectives that educators, parents and anyone who mentors children and young adults will find inspiring and thought-provoking. We talked a lot about why kids quit playing music, why so many young adults today have trouble figuring out the direction of their life, and how the educational system can take away people's innate creativity and confidence. Leslie is such an articulate and engaging speaker; I'm sure listeners everywhere will enjoy this episode! The musicians on Simply Complicated are: Nate Winn -  drums, Brendon Davis  - piano Brandon Rose -  bass Photo: Bruce Turner Please support this series! https://ko-fi.com/leahroseman Video and Transcript: https://www.leahroseman.com/episodes/leslie-deshazor https://lesliedeshazor.com/ Timestamps: (00:00) Cold open quote plus Intro (02:00) album Journey With Me, accepting help (06:16) differences playing acoustic and electric instruments (07:30) intro to tune “Simply Complicated” (13:25) Leslie's childhood musical pranks, growing up in Inkster and Canton (16:10) the importance of Detroit in many different musical genres (18:36) the influence and importantce of church music (22:47) Interlochen, perspectives on exposing kids to a competitive atmosphere (32:43) Leslie's approach to coaching student ensembles (36:14) Leslie's history going to Orchestra Hall, continuity and history of Detroit (40:52) parenting, guiding children in music (42:37) University of Michigan and Wayne State college experiences, James Dapogny, how to guide students, the importance of helping music students with options (51:00) dealing with injury (53:06) different cultures through dance, learning Spanish, teaching with Sphinx (56:14) Sphinx organization (01:03:10) Musique Noire, Eunoia Society, JoVia Armstrong (01:04:45) problem with labels in music, colonial attitudes (01:10:44) teaching music using different strategies (01:16:35) challenges in guiding students (01:19:53) students who are over-scheduled, the benefits of allowing time for creativity and play (01:25:42) Cole Randolph taking time off and motivation (01:26:42) dealing with stress through exercise, jumping rope, keeping balance (01:30:00) freelance life stress (01:31:18) teaching body percussion, benefits of community music making, learning from other educators (01:35:35) Leslie's advice about bravery --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Synopsis On today's date in 1938, two works by the American composer Samuel Barber received their very high-profile premiere performances on a live, coast-to-coast broadcast by the NBC Symphony conducted by Arturo Toscanini. Toscanini was impressed by Barber's First Symphony, which was performed at the 1937 Salzburg Festival, so Toscanini asked the 25-year old composer for a short orchestral piece, which Toscanini might perform with the newly-formed NBC Symphony. Barber offered Toscanini his pick of two short pieces, and must have been surprised when Toscanini agreed to perform BOTH of them: a newly-composed Essay for Orchestra and Barber's arrangement for full string orchestra of a movement from a String Quartet he had written in 1936. Re-titled Adagio for Strings, it was destined to become Barber's best-known work. Barber's “Adagio” acquired a special resonance during World War Two, as a threnody for America's war dead. It was also performed at the funeral of wartime President Franklin D. Roosevelt. More recently, Barber's Adagio has been used to great effect in several successful films, including “The Elephant Man” and “Platoon.” In a memorial tribute to Barber, American composer Ned Rorem wrote, “If Barber [25 years old when the ‘Adagio' was completed] later aimed higher, he never reached deeper into the heart.” Music Played in Today's Program Samuel Barber (1910-1981) First Essay for Orchestra, Op. 12 Detroit Symphony; Neeme Järvi, cond. Chandos 9053 Samuel Barber (1910-1981) Adagio for Strings, Op. 11 Berlin Philharmonic; Semyon Bychkov, cond. Philips 434 108

Stephen James Taylor - Musician & Explorer : Trans-tonal Music - Transcendent ThinkingStephen James Taylor has a unique musical identity. His style has often been called “Afro-futuristic) as it represents a blend of classical, rock, blues, gospel, world music, homemade instruments, and avante garde. His past projects include scoring Richard Tanne's 2020 Amazon film Chemical Hearts, music for the Star Wars Cantina at Disneyland's Galaxy's Edge (2019) {the first microtonal music ever in rotation at Disneyland), the PBS documentary by Charles Burnett entitled Power To Heal (2018), Maya Angelou-And Still I Rise (2016), Richard Tanne's theatrical release, Southside With You (2016), Tom Bradley: Bridging the Divide (2015), People Are The Sky, (2015), Marvel's TV Series The Black Panther, music for theme parks such as Disney World and The Red Sea Astrarium, Universal's The Adventures of Brer Rabbit, Disney's Mickey's Twice Upon a Christmas (for which he won Best Original Score at the 2004 DVDX Awards), Teachers Pet, a Disney animated feature with wide theatrical release in 2003, and most of the films directed by Academy Award winner, Charles Burnett including To Sleep With Anger and the blues documentary, Warming By the Devil's Fire produced by Martin Scorsese. He has composed scores for many of Robert Townsend's films such as The Making of the Five Heartbeats (2017) Of Boys and Men (2008), Carmen, A HipHopera (2004) and Holiday Heart (2000). In 2001 he wrote underscore and produced some of the songs for Clark Johnson's Boycott (HBO films) as well as his 2018 Netflix film, Juanita (2017). In 1996 he was commissioned to write an orchestral suite for the Opening Ceremonies of the Olympics and was one of the conductors of the Atlanta Symphony for that occasion. In 1993, Stephen received an Emmy nomination for an R&B song he wrote for I'll Fly Away as well as a Daytime Emmy nomination for his classical orchestral score for an episode of the animated series, The Lion King's Timon and Pumbaa. Other Emmy nominations have been for the PBS movie Brother Future (1991), and Raw Toonage an animated series for Disney. In 1999 and 2000 he has received Annie nominations for his work on Disney's Mickey Mouseworks. He has also done string arrangements for James Taylor and for Crosby, Stills, and Nash. He is currently working on a cartoon series for Netflix. After graduating from Stanford University in 1976 with a B.A. in music, he studied composition for four years with Henri Lazarof, professor of music at UCLA. He studied microtonality with Erv Wilson for 20 years with whom he helped develop a new 810 key microtonal keyboard used in many of the above scores. Taylor's second chamber symphony was commissioned and premiered by the Pasadena Chamber Orchestra in 1983. The Detroit Symphony later performed it in 1990. His various chamber works have been performed throughout the country. He has done a great deal of composing in surround sound. His 2001 “COME ALIVE” premiered at the El Paso Microhoot and has been presented many times since. More recently his 55 minute surround suite, “MUSIC FROM THE OTHER WAKANDA”, was selected by the composition faculty at Virgina Tech to be presented as part of its 2022 Afrofuturist themed “Cubefest”. Other projects include a trans-tonal pop album entitled Embrace It All (now available on itunes). A filmmaker as well, he has also completed some short films of his own: the award winning documentary, SURFING THE SONIC SKY, the science fiction short, I AM HERE. as well a research documentary about the micro- geometry of subatomic matter with co-director Jesus Trevino called “Gurule Shells, A Quantum Metaphor”. A few samples: "Red Sun Blue Highway" (fretless acoustic blues guitar} https://www.youtube.com/watch?v=WgBIf... “The Bradley Variations” (31 tone guitar solo)

Eloquence has just issued two box sets, 'Paul Paray: The Mercury Masters', 45 CDs in all, which gather together the recordings made for Mercury between 1953 and 1962. The French conductor (1886-1979) created a magnificent ensemble during his ten years as the Detroit Symphony Orchestra's Music Director, and their partnership became one of the cornerstones of the Mercury Living Presence catalogue. Rob Cowan, Gramophone's expert on archive recordings, spoke to James Jolly for this podcast about the recordings and Paray's very special art.

Synopsis The American composer Jerod Impichchaachaaha' Tate is a citizen of the Chickasaw Nation and its Composer-in-Residence. He was born in Norman, Oklahoma, and his chamber and orchestra works, all infused with themes and musical elements from his Native heritage, have been performed by major orchestras like the Detroit Symphony, the Minnesota Orchestra, the Colorado Ballet, and the Santa Fe Chamber Music Festival. But during the fall of 2011, Tate began working with a non-professional ensemble closer to home—at Dickson Middle School in Dickson, Oklahoma. Tate had been commissioned by the American Composers Forum to write a new work for their ChoralQuest series for middle-school choirs. The resulting work, entitled Taloowa' Chipota, which in the Chickasaw language means “Children's Songs,” was premiered on May 15, 2012, by the children at the Dickson School. “The songs,” explained Tate, “are reminiscent of traditional stomp dancing and are based on old Chickasaw melodies. Stomp dances begin at dusk and end at dawn. The first movement depicts the beginning sunlight of the morning. The second is full of abstracted textures emulating the shell shaking in stomp dances.” For his part, Tate says he's pleased how it all turned out: “I was able to introduce a Chickasaw experience to a diverse group of students… I strengthened my own relationship with my Chickasaw community and demonstrated to the Chickasaws in the chorus how our culture can positively impact classical music.” Music Played in Today's Program Jerod Tate (b. 1968) — Taloowa' Chipota (Children's Songs) (Minnesota Boy Choir) Hal Leonard 00119300 (sheet music)

Synopsis On today's date in 1891, a small group of music patrons gathered at one of New York's docks to greet the Russian composer Peter Ilyich Tchaikovsky, who had been invited to America to take part in the grand opening of a new music hall. Back then, it was just called “The Music Hall,” but over time it took on the name of the wealthy steel magnate Andrew Carnegie, who funded its construction. “Carnegie is an amazing eccentric,” wrote Tchaikovsky to his friends back in Russia. “He rose from being a telegraph boy, transformed with the passing of years into one of America's richest men, but one who has remained a simple, modest man who does not at all turn up his nose at anyone.” And, despite his legendary melancholic funks and chronic bouts of homesickness, the composer admitted he found the rest of New York rather impressive: “American customs, American hospitality, the very appearance of the town, the remarkable comfort of my accommodations – this is all very much to my taste and if I were younger I would probably be greatly enjoying my stay in an interesting new country.” On the down side, Tchaikovsky reported you couldn't buy cigarettes on a Sunday, and it was sometimes hard to find a public bathroom when you needed one – a common complaint of New York tourists even today! “All told,” Tchaikovsky concluded, “I am a much bigger fish here than in Europe. Incidentally, Central Park is magnificent.” Music Played in Today's Program Peter Ilyitch Tchaikovsky (1840–1893) — Orchestral Suite No. 3 (Detroit Symphony; Neeme Järvi, cond.) Chandos 9419

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

Have you been looking for some inspiration for incorporating exercise into your life? Look no further than this incredibly inspiring interview with Dr. David Carter! He shares with us the many hats he wears from dad, husband, musicians to an endurance athlete, and how his participation in athletics has informed his career as a musician and music teacher.  Dr. David Carter Bio: David Carter is Principal Clarinetist of the Tulsa Symphony Orchestra and the Tulsa Opera Orchestra and he teaches clarinet, saxophone, and music history at the University of Tulsa. He performs and records as a founding member of Duo Avanzando with percussionist Ricardo Coelho de Souza and serves each summer on the artist faculty of the Red Lodge Music Festival in Red Lodge, Montana. David has performed in the clarinet sections of several notable orchestras including the Oklahoma City Philharmonic, Belém Festival Orchestra (Brazil), Orquesta Sinfónica de la UANL (Mexico), and Detroit Symphony. He has appeared in recital and presented master classes in Brazil, China, Puerto Rico, and across the United States. Dr. Carter is a Selmer Paris and Conn-Selmer Artist and performs on Privilege clarinets. In addition to his musical pursuits, David is an active endurance runner and triathlete. He is a DoubleShot Elite athlete and will compete in his first Ironman World Championship race in Kona, Hawaii in October of 2022. He lives in Tulsa, Oklahoma with his wife, clarinetist Dr. Angela Carter, their two children Adella and Simon, and a black Labrador retriever named Gus. Show Notes: University of Tulsa  Tulsa Symphony  Woody Herman  Books: 80/20 Running by Mat Fitzgerald   Peak Performance by Brad Stulbeerg and Steve Magness Mark Epstein  10% Happier by Dan Harris 

The 10×10 Upstreet Arts Festival is an annual Pittsfield, Massachusetts event, spanning 10 days and featuring events with a theme of “10.”As part of this year's festivities, Berkshires Jazz will present a special edition of the Ted Rosenthal Trio on Feb. 26 at the Berkshire Museum with a repertoire that focuses on music about New York. The title of the 7:30pm concert, "Ten by Tin Pan Alley.” In addition to the repertoire, the performers, Ted Rosenthal, Martin Jaffe, and Connor Meehan, all have roots in both New York and the Berkshires.Ted Rosenthal is one of the leading jazz pianist/composers of his generation. He actively tours worldwide with his trio, as a soloist, and has performed with many jazz greats. Winner of the Thelonious Monk International Jazz Piano Competition, Rosenthal has released numerous CDs as a leader. He's been a featured soloist with major orchestras including the Detroit Symphony and Phoenix Symphony. An active composer and the recipient of three NEA grants, Rosenthal has been commissioned by New York City Opera, Alvin Ailey American Dance Theater, The Park Avenue Chamber Symphony, and Dallas Black Dance Theatre. He is on the faculties of The Juilliard School and Manhattan School of Music.

Master Sergeant Brian Sacawa/US Army Field Band is on The Rise & Thrive OSJ Radio Hour Saturday 2/19/22 at 9:05 am on The NEW Eagle

Itzhak Perlman, (born August 31, 1945, Tel Aviv, Palestine [now Tel Aviv–Yafo, Israel]), Israeli-American violinist known for his brilliant virtuoso technique. His refinement of detail led many to regard him as one of the finest performers of the major violin repertoire of his time. Perlman was drawn to the violin after hearing it on the radio when he was three. His musical education was interrupted, however, when he contracted polio a year later (which left his legs with a permanent disability). After recovering, he showed great skill on the violin and later entered the Tel Aviv Academy of Music. His first public concert was in Tel Aviv when he was 10. In 1958 he went to the United States to study at the Juilliard School in New York City with the renowned teachers Ivan Galamian and Dorothy DeLay; in that same year he performed before a national television audience on the Ed Sullivan Show. He made his Carnegie Hall (New York City) debut in 1963 and won the prestigious Leventritt Prize a year later, which brought him immediate engagements with major American orchestras. (The Leventritt Foundation awarded its violin and piano prizes only sporadically; the rarity of the prize and the value of the guaranteed engagements that came with it separated the Leventritt from other competitions.) As well as performing virtually the entire classical concert repertoire, he occasionally played with klezmer (traditional Jewish dance music) and jazz groups. He also played the solo violin passages in John Williams's Oscar-winning score for the movie Schindler's List (1993). As a conductor, he worked with many of the great orchestras. He held the position of principal guest conductor with the Detroit Symphony from 2001 to 2005 and was music adviser of the St. Louis Symphony, Missouri, from 2002 to 2004. Perlman was also a teacher, regularly giving violin master classes and cofounding in 1998 (with his wife, Toby) the Perlman Music Program to encourage gifted string players aged 12 to 18. He received 15 Grammy Awards between 1977 and 1995, and in 2008 he was given a Grammy for lifetime achievement. Perlman was also a recipient of the U.S. Medal of Freedom (1986), the National Medal of Arts (2000), a Kennedy Center Honor (2003), and the Presidential Medal of Freedom (2015). Itzhak (2017) is a documentary about his life and career. SOURCE: The Editors of Encyclopaedia Britannica. Learn more at britannica.com

MICHAEL SCHELLE (b. 1950, Philadelphia) Michael Schelle's music has been commissioned and/or performed by over 350 orchestras and professional chamber ensembles across the US and abroad. Including the Chicago Symphony, Minnesota Orchestra, Detroit Symphony, He is a Composer-in-Residence at Butler University in Indianapolis and holds degrees from Villanova University, the Hartt School (CT), Trinity College of Music (London), the University of Minnesota, and has studied with Arnold Franchetti, Dominick Argento and Aaron Copland. ·        JOSEPH KINGMA (joseph@josephkingma.com) ·        Joseph Kingma wowed audiences with his performance of Beethoven's “Emperor” Concerto in the 2020-2021 season with the Chamber Orchestra. Kingma enjoys a prolific national and international career as a soloist, chamber musician, and teacher. He won first prize in the Franz Liszt International Piano Competition, sponsored by the American Liszt Society, and has won awards in the Cincinnati World Competition and Sorantin Young Artist International Competition. He is on the faculty at Palm Beach Atlantic University.

Joining Michael, Sky, and Sui-Lin on the podcast today is the Principal percussionist of the Kansas City Symphony, published author, teacher, performer, arranger? (more on that later in the episode) and overall great guy Josh Jones! A native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric Opera member Douglas Waddell. He earned his Bachelor's in Music from DePaul School of music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. In 2020, Josh joined the Kansas City Symphony as Principal Percussionist. Josh has been featured at Carnegie Hall, on radio and television, and has had two short documentaries made about his musical development and experience. He also authored a percussion method book series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring young musicians and traveling. In this episode of the show, we talk about Josh's time in the Percussion Scholarship Program, a program for young percussionists in Chicago that our very own Sui-Lin was a member of. We also discuss his career in other symphonies such as an apprentice in the Detroit Symphony, the principal percussionist in the Calgary Symphony, and the principal in the Kansas City Symphony. Also mentioned are some ideas about auditioning including how to overcome anxiety and what to bring, the documentary Josh was featured on in 2016, the books that Josh has been writing "Spatial Studies for Hitting Things", and many more interesting and engaging topics. Still not sold on watching this episode? Here are a few wonderful quotes from our guest on the topic of auditioning: "Don't play it accurately, play it musically." "How do you play this to make YOU go... yeah" Thank you to our supporters on Patreon: Ellie You :) Thank you for your continued support! If you want to join them, you can click the link in our Instagram bio @tamspercpodcast to find all of our resources, including different ways to watch the show and ways to donate to us. Thank you for reading this, and enjoy the episode!

DTR Modern GalleriesHalim FlowersAutodidact, Halim A. Flowers (b. 1980, Washington, DC) visual artist, spoken word performer, businessman, and author of eleven published non-fiction works, is married to L. Patrice McKinney, raising a family in Washington, DC. A Member of the Board of Directors of The Frederick Douglass Project for Justice and Cultural DC, he is an ardent advocate for human rights and is best known for his quote, “Love is the Antibody”. In the short time since the Incarceration Reduction Amendment Act of 2016 effectuated his 2019 release from prison, he has created a stunning spectrum of paintings and spoken word comprised of a benevolent mission forged and galvanized over decades in a pressure cooker.In 1997, as a minor, Halim A. Flowers was arrested and wrongfully sentenced to two life sentences in Washington, DC. His experiences aired on HBO in the Emmy award-winning documentary “Thug Life in DC”. Released under a new juvenile lifer resentencing law, Flowers' 2019 freedom was documented by Kim Kardashian-West's “The Justice Project” film. Upon release, he was awarded the Halcyon Arts Lab and Echoing Green fellowship awards. In 2020, Flowers' TEDx Talk, “Criminal Justice Reform”, and his prolific production and exhibition of his visual art, e.g., The Museum of Modern Art's “Marking Time: Art in the Age of Mass Incarceration” exhibit, continue to advance his mission to promote love among all humans. A beneficiary of Georgetown University's Prison and Justice Initiative, Flowers studied Government, Philosophy, Reparations: African-American Literature, and English 101 in a mentorship with academic advisor, Professor Marc Morjé Howard (2018-2019). More recently, as a grant recipient from the Art for Justice Fund, Flowers was featured as a “Justice Ambassador” in the film “Halim's Hope” (2020).Elizabeth Howard is the host and producer of the Short Fuse Podcast.  Elizabeth has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.   As the host and producer of the Short Fuse Podcast, she engages individuals in lively and provocative conversations around how the arts can affect social change.Music for the Short Fuse PodcastJeannine Otis recorded the music for this episode of the Short Fuse Podcast. Music has always been a part of Jeannine's life.  Her mother was a musical director and her family  includes the Jones Brothers, Hank, Thad, and Elvin who formed the basis of exposure to music that began a career that started with Jeannine's debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN' at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production's version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts. Alex Waters is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

Composer Kevin Day is currently earning his doctorate at the University of Miami Frost School of Music. But even at this early stage in his development, he has over 200 works to his credit, and his music has been performed by such eminent groups as the Boston Symphony, the Detroit Symphony, and the Houston Symphony. He is a composer to watch in the future!In Part 1 of our conversation, I ask Kevin to talk about his early development as a musician and composer, how he has been able to be so prolific at such a young age, and the process he uses to write his music.(Photo Credit: Sara Bill Photography/Karen Cubides Agency)

Synopsis On today's date in 1959, the Detroit Symphony under the eminent French conductor Paul Paray gave the first performance of some brand-new music by the eminent American composer Walter Piston.  Piston had studied in Paris with the famous French composition teacher Nadia Boulanger and the great French composer Paul Dukas, so perhaps this was a very astute paring of composer and conductor. In any case, to help celebrate the 100th Worcester Festival, Paray and the Detroit orchestra were on hand in Massachusetts for the premiere of Piston's "Three New England Sketches," an orchestral suite whose movements were entitled: "Seaside," "Summer Evening," and "Mountains." Piston didn't intend these titles to be taken literally: "[They] serve in a broad sense to tell the source of the inspirations, reminiscences, even dreams that pervaded the otherwise musical thoughts of one New England composer," he noted. Piston certainly qualified as a bonafide "New England" composer. He was born in Rockland, Maine, in 1894, taught at Harvard, had a vacation home in Vermont, and died in Belmont, Massachusetts in 1976. Even so, the most striking hallmark of Piston's music remains its quite cosmopolitan style and neo-classical form – the lasting influence, perhaps, of his two famous French teachers. Music Played in Today's Program Walter Piston (1894 – 1976) — Three New England Sketches (Seattle Symphony; Gerard Schwarz, cond.) Delos 3106

Regina Harris Baiocchi is an author, poet and educator. Her music has been performed by Detroit Symphony, Chicago Symphony, US Army Band, Seattle Philharmonic, Southeast Symphony orchestras and other internationally-acclaimed artists. Regina has written orchestral music, libretto and one-act opera, hand drum concerto, marimba concerto, ballet, chamber music, liturgical and secular music, vocal and instrumental music. Her poetry and prose appear in Chicago Tribune Magazine, AIM Magazine, ESI Anthology, Technology News and Gwendolyn Brooks and Working Writers. James Morehead's debut book canvas is on sale now: https://tinyurl.com/canvasamazon. Follow James Morehead on Twitter (@dublinranch) and Instagram (@viewlesswings), and on the website viewlesswings.com. Follow Regina Harris Baiocchi on Twitter (@HaikuFest) and on the website reginaharrisbaiocchi.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/viewlesswings/support

Promise, Witness, Remembrance  (on view from April 6 to June 11, 2021) at the Speed Art Museum in Louisville, Kentucky, was curated by Allison Glenn and reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between curator Allison Glenn and Tamika Palmer, mother of Breonna Taylor, during the exhibition's planning.In "Promise," artists explore ideologies of the United States  through the symbols that uphold it, reflecting on the nation's founding, history, and the promises and realities, both implicit and explicit, contained within them. In "Witness," they address the contemporary moment, building upon the gap between what a nation promises and what it provides through artworks that explore ideas of resistance across time, form, and context. In "Remembrance," they address gun violence and police brutality, their victims, and their legacies.The death of Breonna Taylor, a Black medical worker who was shot and killed by Louisville police officers in March 2020 during a botched raid on her apartment, has been one of the main drivers of wide-scale demonstrations that erupted in the spring and summer over policing and racial injustice in the United States.A grand jury in September indicted  a former Louisville detective involved in the raid, Brett Hankison, for wanton endangerment of neighbors whose apartment was hit when he fired without a clear line of sight into the sliding glass patio door and window of Ms. Taylor's apartment. He pleaded not guilty. No charges were announced against the other two officers who fired shots, and no one was charged for causing Ms. Taylor's deathStephen Reily served as the Director of the Speed Art Museum from April 2017 to June 2021. He is a successful entrepreneur, civic leader, lawyer, and supporter of the arts in building a stronger community. A longtime supporter of the Speed, he served on its Board for 10 years, including several years as Chair of both the Museum's Long-Range Planning Committee and its Curatorial Committee. For four years, Stephen served as Chair and Co-Chair of the Board of Directors of the Creative Capital Foundation, a national grant maker in the arts. He has served as the Chair of the Greater Louisville Project and is a member of the Boards of the Louisville Urban League and the J. Graham Brown Foundation. He also founded Seed Capital Kentucky, a non-profit focused on building a more sustainable future for Kentucky's farmers.As an entrepreneur Reily foundeD IMC, a global leader in brand licensing that has generated over $3 billion in consumer product sales for the Fortune 500 brands it represents. He is also the co-founder of ClickHer, a mobile app publisher, and SUM180,  a digital financial planning service purchased by FlexWage. a national provider of financial wellness solutions. After graduating from Stanford Law School, Stephen clerked for Justice John Paul Stevens on the U.S. Supreme Court.  A native of New Orleans, he is married to historian Emily Bingham and they have 3 children.Promise, Witness, Remembrance contributing artists:Terry AdkinsNoel W AndersonErik BranchXavier BurrellMaría Magdalena Campos-PonsNick CaveJon P. CherryBethany CollinsTheaster GatesTyler GerthSam GilliamJon-Sesrie GoffEd HamiltonKerry James MarshallRashid JohnsonKahlil JosephGlenn LigonAmy SheraldLorna SimpsonNari WardHank Willis ThomasAlisha WormsleyT.A. Yero CuratorAllison M. Glenn is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn works across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Since joining Crystal Bridges in 2018, she has worked with artists at all stages of their careers around themes of history, temporality, language, site, and identity. Community Engagement Strategist and Chair of the National Steering Committee for Promise, Witness, RemembranceToya Northington graduated with a Fine Art degree from Georgia State University and also holds a MSc in Social Work from the University of Louisville. She has exhibited in group and solo exhibitions in Georgia and Kentucky, and has recently been involved in a number of public art projects in Louisville. Working in mixed media and across disciplines, Toya speaks of her work as pushing back at societal expectations, as an act of resistance. As a feminist and social activist she states, “my work is an acknowledgment of traumas too often experienced by women and a means to foster healing and resilience from them.” Toya is the recipient of Art Meets Activism, Artist Enrichment, and The Special grants from the Kentucky Foundation for Women. In 2012 she founded artThrust a youth, art-based, mental health and social justice organization that empowers youth through art. She is currently the Community Engagement Strategist at the Speed Art Museum. Music for the Short Fuse PodcastJeannine Otis recorded the music for this episode of the Short Fuse Podcast. Music has been a part of Jeannine's life since she was born. Having a mother who was a Musical Director and a family that includes the Jones Brothers Hank, Thad, and Elvin formed the basis of exposure to music that began a career that started with Jeannine's debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN' at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production's version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts. Behind the scenes of the Short Fuse PodcastKyle Lee is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as The Daily Arrow, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at @kyleburtonlee on Instagram and Twitter.Gilda Geist is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, The Justice, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts.  What to listen to nextIf you liked this episode, you'll like our host Elizabeth Howard's conversation with Gioni Massimiliano, Artistic Director of the New Museum. They spoke about the New Museum's exhibit "Grief and Grievance, Art and Mourning in America", which  features the works of 37 Black artists and was conceived of by the late curator Okwui Enwezor. Listen here.

On this 2-part special edition of Life in The Grooves, I talk with GRAMMY Award-winning conductor, composer, arranger and trumpeter, Jeff Tyzik. As one of America's most innovative and sought-after pops orchestra conductors, Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages.  Jeff has led the Rochester Philharmonic Orchestra as its principal pops conductor for more than 27 years. He is also the principal pops conductor for the Dallas Symphony, the Detroit Symphony, and the Oregon Symphony. Tyzik studied both classical and jazz at the prestigious Eastman School of Music where he earned both his bachelor's and master's degrees. He has also produced and composed theme music for many of the major television networks and released six of his own albums on Capitol, Polygram, and Amherst Records. In Part 1 of my conversation, Jeff talks about how he had to adapt and create new programming for orchestras during the Covid- 19 pandemic. Tyzik also looks back on some of his earliest musical experiences and the impact they had on his career. You'll also learn about the years Jeff spent touring, recording, and producing with GRAMMY Award-winning jazz trumpeter and flugelhornist, Chuck Mangione.  Committed to performing music of all genres, Jeff Tyzik has collaborated with such diverse artists as Megan Hilty, Chris Botti, Matthew Morrison, Wynonna Judd, Tony Bennett, Art Garfunkel, Marilyn Horne, and the great Doc Severinsen.

Having recently performed at the Hollywood Bowl with the LA Phil and Gustavo Dudamel, pianist David Fung joins us on the Classical Post Podcast for an intriguing conversation highlighting his design and style aesthetics. He speaks on the wabi-sabi approach to minimalism and a dream house of raw material. Plus, hear if he prefers to spend a day in Biden or Rhianna's shoes. Listen and subscribe on Apple Podcasts, Spotify, Google Podcasts, or other platforms. HIGHLIGHTS FROM OUR DISCUSSION Favorite cocktail: Manhattan with Luxardo cherries Style icons/movements: Marie Kondo, minimalism, wabi-sabi (finding beauty in imperfection) Architecture preference: Mid-century modern, Frank Lloyd Wright Dream aesthetic: Raw material, austerity, massive space Fashion: Issey Miyake, Cartier, Dior, Uniqlo Recommended products: Aesop Whose shoes would you walk in for a day? Toss up between Biden or Rhianna What does success mean to you? Success is being able to do what you love on a day-to-day basis and being able to share this. What's one important trait in the workplace? A simpatico professional environment is very valuable. Learn more: davidfung.com, Instagram, Facebook Praised for his “ravishing and simply gorgeous” performances in The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive. Declared a Rising Star in BBC Music Magazine, Mr. Fung regularly appears with the world's premier ensembles including the Cleveland Orchestra, the Detroit Symphony, the Israel Philharmonic, the Los Angeles Philharmonic, the National Orchestra of Belgium, the San Diego Symphony, and the San Francisco Symphony, as well as the major orchestras in his native country of Australia, including the Melbourne Symphony, the Queensland Symphony, and the Sydney Symphony. Mr. Fung garnered international attention as laureate of the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv. In Tel Aviv, he was further distinguished by the Chamber Music and Mozart Prizes, awarded in areas in which Mr. Fung has a passionate interest. Mr. Fung is the first piano graduate of the Colburn Conservatory in Los Angeles and is a Steinway Artist. -- Classical Post explores the intersection of classical music, style, and wellness, diving into meaningful conversations with leading artists from an array of different backgrounds. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive articles or subscribe to our monthly newsletter to be notified of new content.

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. GRAMMY-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra, Music Director Laureate of the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser of the Hawaii Symphony Orchestra and the Cleveland Institute of Music Orchestra. Hailed for having ‘Toscanini's tight control over ensemble, Walter's affectionate balancing of inner voices, Stokowski's gutsy showmanship, and a controlled frenzy worthy of Bernstein', she is a leading force for the music of our time. JoAnn with composer Ken Fuchs at the GRAMMY Awards in 2019Her recent and upcoming North American guest conducting includes the National Symphony, Detroit Symphony, Nashville Symphony, Indianapolis Symphony, and Milwaukee Symphony; and further north, the Toronto Symphony and Orchestre metropolitain. Internationally, she has conducted many of the most prominent orchestras in Europe, Asia, and South America. Pending further national and international guidance on the current COVID-19 pandemic, she is looking forward to guest conducting appearances in Canada, Poland, Sweden, and Spain in 2021. The pieces included: Penderecki Adagio: Symphony No 3 - Buffalo Philharmonic Orchestra; Penderecki - Concerto Doppio - Buffalo Philharmonic Orchestra; Penderecki Horn Concerto - Buffalo Philharmonic Orchestra.

Today we talk with conductor Damien Crutcher, Co-Founder and CEO of Crescendo Detroit, about how he adapted the best parts of El Sistema to make a difference in his community and how you can engage your students in a deeper way through collaborations between educators and performers. Today we Discuss:00:51 Damien’s work with the Detroit Symphony, and how he’s building a program to get an instrument in the hands of any kid who wants one12:49 How Damien adapted the best parts of El Sistema to make a difference in his community through Crescendo Detroit24:50 How to enhance the impact of music education by incorporating performance-focused guest teachers and showing young musicians what is possible40:05 And Introduction to H. Robert Reynolds, the Dean of Wind Band Conductors, and how he brought Damien to the next level as a conductor and musician52:55 Detroit Style Pizza, and all the best places to eat in the city57:42Hidden Gems and Final AdviceHidden Gems:Kevin DayAdolphus HailstorkValerie ColemanOmar ThomasOf Our New Day BegunCome SundayFind this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. If you’re in the market for a new baton, use our promo code “PodiumTime” at Pagubatons.com for 20% off your first order. Support the show (https://patreon.com/podiumtimepod)

This week, we welcome Kendra Whitlock Ingram, President and CEO of the Marcus Performing Arts Center, one of the premiere performing arts centers in the state. Previously, she has held senior leadership positions with several major performing arts institutions including Newman Center for the Performing Arts at the University of Denver, Omaha Performing Arts, Shenandoah Performances at Shenandoah University, the Baltimore Symphony Orchestra, and The Detroit Symphony.   Intro: we jump right into getting excited about the Oscars (though we recorded it pre-Oscars). We highlight Milwaukee ties to the Oscars over the years, including Mark Rylance, Orson Welles, John Ridley, Justin Hurwitz, and Willem Dafoe.  Kendra joins the pod at 11:44 and starts off by sharing about how her love of the arts was sparked by attending performances in her hometown of Scranton with her mom at a young age. Kendra shares about the beginning of her career in arts administration (19:26), perspective on Milwaukee's experience of arts and culture in comparison to other cities (26:33), race and equity in the arts industry at large and Marcus Center's focus (30:10), learnings from a year running a performing arts center during a pandemic (44:00), Kendra's turn as the Czar of Arts and Culture includes building more public funding for the arts (51:45).   New segment easter egg: Mac and David explain Gen-X stuff to Lindsay (1:02:41)  LINKS  https://marcuscenter.org/ (Marcus Center for the Performing Arts)  Facebook: @MarcusCenter.org  Twitter: @MarcusCenter  Instagram: @Marcus.Center  Audio Transitions: https://open.spotify.com/album/3iYPzHqffEu948YaXFUDb6?highlight=spotify:track:4WXlZBxOzQaWTku7QDXxqk (“Caroline's” by Amanda Huff)  EPHEMERA  https://stories.vassar.edu/2021/filmmaker-shaka-king-01s-acclaimed-story-of-a-black-panther-leader.html (Shaka King (for the Vassar lolz))  https://www.usmk12.org/list-detail?pk=101517 (Mark Rylance)   https://www.atlasobscura.com/places/orson-welles-birthplace (Orson Welles)  https://www.milwaukeemag.com/director-john-ridley-parlayed-2012-oscar-win-no-studios/ (John Ridley)  https://www.fox6now.com/news/nicolet-high-school-alum-justin-hurwitz-wins-2-academy-awards-for-work-on-la-la-land (Justin Hurwitz)  https://www.hollywoodreporter.com/features/they-got-wrong-envelope-oral-history-oscars-epic-best-picture-fiasco-1087829 (How they Got the Wrong Envelope)  https://www.youtube.com/watch?v=cpwCDR1a6M0 (Willem Dafoe)  https://www.youtube.com/watch?v=uejh-bHa4To (“Voices Carry” Til Tuesday)  https://www.youtube.com/watch?v=IxkJHX7ukKE (“No Myth” Michael Penn)  Support this podcast

This week, we welcome Kendra Whitlock Ingram, President and CEO of the Marcus Performing Arts Center, one of the premiere performing arts centers in the state. Previously, she has held senior leadership positions with several major performing arts institutions including Newman Center for the Performing Arts at the University of Denver, Omaha Performing Arts, Shenandoah Performances at Shenandoah University, the Baltimore Symphony Orchestra, and The Detroit Symphony.   Intro: we jump right into getting excited about the Oscars (though we recorded it pre-Oscars). We highlight Milwaukee ties to the Oscars over the years, including Mark Rylance, Orson Welles, John Ridley, Justin Hurwitz, and Willem Dafoe.  Kendra joins the pod at 11:44 and starts off by sharing about how her love of the arts was sparked by attending performances in her hometown of Scranton with her mom at a young age. Kendra shares about the beginning of her career in arts administration (19:26), perspective on Milwaukee’s experience of arts and culture in comparison to other cities (26:33), race and equity in the arts industry at large and Marcus Center’s focus (30:10), learnings from a year running a performing arts center during a pandemic (44:00), Kendra’s turn as the Czar of Arts and Culture includes building more public funding for the arts (51:45).   New segment easter egg: Mac and David explain Gen-X stuff to Lindsay (1:02:41)  LINKS  https://marcuscenter.org/ (Marcus Center for the Performing Arts)  Facebook: @MarcusCenter.org  Twitter: @MarcusCenter  Instagram: @Marcus.Center  Audio Transitions: https://open.spotify.com/album/3iYPzHqffEu948YaXFUDb6?highlight=spotify:track:4WXlZBxOzQaWTku7QDXxqk (“Caroline’s” by Amanda Huff)  EPHEMERA  https://stories.vassar.edu/2021/filmmaker-shaka-king-01s-acclaimed-story-of-a-black-panther-leader.html (Shaka King (for the Vassar lolz))  https://www.usmk12.org/list-detail?pk=101517 (Mark Rylance)   https://www.atlasobscura.com/places/orson-welles-birthplace (Orson Welles)  https://www.milwaukeemag.com/director-john-ridley-parlayed-2012-oscar-win-no-studios/ (John Ridley)  https://www.fox6now.com/news/nicolet-high-school-alum-justin-hurwitz-wins-2-academy-awards-for-work-on-la-la-land (Justin Hurwitz)  https://www.hollywoodreporter.com/features/they-got-wrong-envelope-oral-history-oscars-epic-best-picture-fiasco-1087829 (How they Got the Wrong Envelope)  https://www.youtube.com/watch?v=cpwCDR1a6M0 (Willem Dafoe)  https://www.youtube.com/watch?v=uejh-bHa4To (“Voices Carry” Til Tuesday)  https://www.youtube.com/watch?v=IxkJHX7ukKE (“No Myth” Michael Penn)  Support this podcast

This week’s episode brings you the color and flair of Latin-America’s 19th and 20th century music. From the Caribbean all the way to La Patagonia, you will be enchanted by the melancholic atmosphere of Cuban contradanzas, the ebullience of Brazilian maxixe, and the dramatic passion of Argentinian tango.   BAHIA BLANCA BY CARLOS DI SARLI | ARRANGED BY PEGGY BRADY AND ALLAN BRIGHTON  PEGGY BRADY, VIOLINS | ALLAN BRIGHTON, PIANO, BASS, AND ACCORDION DANZAS CUBANAS BY IGNACIO CERVANTES | ARRANGED BY PATRICIA RUDISILL LOS TRES GOLPES | NO ME TOQUES | SIEMPRE SÍ| NO BAILES MAS PAT STRANGE AND JUSTINE JEANOTTE, VIOLINS | TOM MONK, VIOLA | ARLAYNE ESEMAN, CELLO CLASSIC BRAZILIAN DANCES BY ERNESTO NAZARETH | ARRANGED BY PATRICIA RUDISILL  BREJEIRO | ODEON PAT STRANGE AND JUSTINE JEANOTTE, VIOLINS | TOM MONK, VIOLA | ARLAYNE ESEMAN, CELLO LA BELLA CUBANA BY JOSE WHITE  PAT STRANGE AND JUSTINE JEANOTTE, VIOLINS | TOM MONK, VIOLA | ARLAYNE ESEMAN, CELLO   PEGGY BRADY – VIOLIN 'Peggy Brady, violinist, studied at the Universität für Musik and darstellende Kunst in Vienna and Arizona State University in the 70’s. She has been a member of the first violin section of the Phoenix Symphony, the violin section of the Göttinger Symphonie Orchester, the Braunschweig Staatsoper Orchestra, Principal Second Violin and Assistant Concertmaster of the Napa Valley Symphony and Principal Second Violin of the Marin Symphony. In 2004 she founded the Eloquence String Quartet and Trio of Napa Valley. The group is now in high demand for weddings and vineyard events throughout Napa and Sonoma. Soon to become a full time resident of Bainbridge Island, Peggy is enjoying a new musical project called “Olympic Serenade” – playing chamber music with other members of the Bainbridge Island Symphony.   ALLAN BRIGHTON – PIANO, BASS, AND ACCORDION “I'm not a professional musician like my sister, but I was always interested in many different kinds of music. Site-reading piano notes is something I do nearly every day, but it is not my strongest point, so I prefer to play by ear when possible. That is one reason I started learning figured bass and playing harpsichord (and sometimes organ) in a small early music group. The idea was that I would only have to read the bass notes and could improvise the chords, similar to playing Jazz piano with a lead sheet. I had accordion lessons as a kid and later picked up piano on my own, learning jazz chords and figured bass from books and from listening to music. Lately I've been listening to some great tango nuevo music, and although that style of playing is new for me, I wanted to give it a try. “My day job (which I do from home, mostly at night) is working as a freelance software developer on a large telescope project. When I'm not working or playing music, I like to take long bike rides around the Bavarian countryside and in the foothills of the Alps. I moved here after meeting a German girl in Ireland when I was in my early twenties. One set of twins and three grandchildren later I'm still here. “Even when there is no global pandemic, Peggy and I live far apart and don't often get to play music together, so I'm glad we found a way to do it remotely. For me, in a way, it is easier than playing live, since I can practice the piece first and record small pieces of it at a time, at a slower speed if needed. Using a MIDI keyboard, computer and sequencer makes it easier for me, as an amateur musician, to get a good sound, without having to have the piano in perfect tune and have the best microphones. You can even edit out small mistakes afterwards, which seems a little like cheating, but gets the desired end result.”   PATRICIA STRANGE – VIOLIN Pat is a performer of traditional and contemporary violin literature and has performed throughout the US and Europe. She received a Bachelor of Music degree from Calif. State University Fullerton and a Master of Arts degree from the University of Calif. San Diego. Before moving to Bainbridge Island in 2001 she held the position of Principal Second violin with the San Jose Symphony. She is currently the Concertmaster of the Bainbridge Symphony Orchestra, founder and director of Bridges; A String Orchestra and has frequently performed with Ovation! Performing Arts Northwest and BPA’s musical theatre productions.   JUSTINE JEANOTTE – VIOLIN Justine was born in The Netherlands, where she began her violin studies at the age of eight. Since receiving her degree in Violin Performance from Pacific Lutheran University, she has played with the Tacoma Symphony, Kitsap Opera, Peninsula Ballet Orchestra, and Bainbridge Symphony Orchestra. Currently she teaches the strings classes at Madrona School as well as privately. She has also played, recorded, and toured both nationally and internationally with the bands "Paundy" and "Before Cars". TOM MONK – VIOLA Tom Monk started playing the violin at age eight while a 3rd grader in the California public schools. By the time he had graduated from Issaquah High School he had been a violinist in the Seattle Youth Symphony for three years, had been the concert master of the Washington All State Orchestra, and had won a Poncho Scholarship to study with Maybeth Pressley of the Seattle Symphony. While attending Harvard College he played the Boston premiere of Mendelssohn's First Violin Concerto in d minor (written when the composer was 13 years old and only rediscovered by Yehudi Menuhin in 1951) with the Harvard/Radcliffe orchestra and also played first violin in the MIT symphony for four years. Upon entering Medical School at the University of Washington in Seattle, he put his violin away, but when he joined the staff of the old Winslow Clinic as a pediatrician in 1986, he began playing once again in the Bainbridge Symphony Orchestra as well as several local chamber music ensembles.   ARLAYNE ESEMAN – CELLO Arlayne took her first cello lessons from Marcia Treend in 9th grade. A year later, she began studying with Thaddeus Markiewicz, assistant principal cellist with the Detroit Symphony, and continued with him until earning her Masters in Cello Performance. While in college, she performed in some Motown recordings and played in the pickup orchestras for Paul Anka and Sammy Davis (what an entertainer). In 2013, Arlayne retired as a “computer geek” and moved to Bainbridge Island, where she auditioned for the symphony and made many wonderful friends. In 2015, she started playing in local ensembles as well as musicals performed on the island.

Our sponsor: Houghton Hornswww.houghtonhorns.comJosh's websitewww.joshrzepka.comChicago based trumpeter and composer Josh Rzepka has been featured on NPR, PBS, and has been heard on jazz radio across the country and world. His album Into the Night reached the #9 position on the JazzWeek radio chart and the #5 position on the CMJ Jazz chart. He has been heralded not only for his jazz playing and composing, but also for his classical performances.In 2019 Josh released his first book with co-author Roger Ingram, titled The Versatile Trumpeter: Duets Vol. 1, a collection of 16 original duets with supporting text and a play along recording. This groundbreaking book has received rave reviews from professionals and students all over the world.Originally from Akron, OH, Josh has released four albums. His jazz albums include, Trumpet Genesis (2013), Into the Night (2011), and his debut album Midwest Coast (2009). His debut classical album was Josh Rzepka: Baroque Music for Trumpet (2010).An active educator, Josh teaches trumpet in the Chicago metro area as well as lessons nationally and internationally to students of all ages over Skype. Josh’s methodology involves utilizing a students strengths to tackle the areas of playing that are deficient – always building from what the student already has success with.  This allows the student to use already established habits to establish new positive habits while unlearning old undesirable habits.He previously was the Jazz trumpet instructor at Chicago’s Merit School of Music. He has presented masterclasses and clinics at the high school and college level, and has been a written contributor to The Instrumentalist magazine.Josh earned his BM from the Oberlin Conservatory with a double major in classical and jazz trumpet performance. He earned his MM in performance from Boston University’s College of Fine Arts.Since the fall of 2015 Josh has toured nationally with classic rock sensation Under the Streetlamp performing to sold out crowds across the country. Josh has performed at famed venues including Cleveland’s Severance Hall, Boston’s Symphony Hall, Strathmore Hall, Cleveland’s NightTown, the Rock and Roll Hall of Fame, the Knitting Factory, as well as the Green Mill, Andy’s Jazz Club, and the Jazz Showcase in Chicago. Josh has appeared on stage with the Detroit Symphony and Oklahoma City Philharmonic. As a soloist Josh has presented recitals and concerts ranging from the baroque, to modern, to original jazz.Additional appearances include performing with the Cleveland Jazz Orchestra led by internationally renowned trumpeter Sean Jones, the Chicago Jazz Orchestra, as well as many other ensembles and groups. He also has recorded with the likes of Detroit and Motown legend Marcus Belgrave, trombone extraordinaire Andy Hunter, and does session work writing charts and recording for indie, rock, and blues artists.In 2011 Josh was recognized by the Akron Area Arts Alliance with their 2011 Arts Alive! Rising Young Star award. This biennial award was a big honor for Josh and he was thrilled to receive this great honor from his hometown of Akron.Josh is a Denis Wick Artist.Support the show (https://thatsnotspit.com/support/)

In this episode Comedian AaronaTheVirgo breaks down the history of Negro Spirituals and their evolution into today's music. She created an #AaronaRemake of two spirituals she loved growing up. The #AaronaRemake features music by Legendary Bass Player, James Jamerson, The Detroit Symphony and Motown's Legendary Funk Brothers. Check it out! New Episodes Every Saurday!

After playing with the Chicago Symphony Orchestra, David moved to the Detroit Symphony where he was principal horn. During his time in Detroit, he was a founding member of the rock group, “Symphonic Metamorphosis”, had an interesting recording experience with Marvin Gay, and continued his interesting relationship with Arthur Fielder. He then won his dream job with the San Fransisco Symphony and worked with music directors Seiji Ozawa, Edo de Waart, Herbert Blomstedt, and Michael Tilson Thomas.

Dr. Dan Burdick "retired" to Lakewood Ranch about a month ago. He is a world-class tuba player and teacher, was on the faculty of Edinboro University in Pennsylvania, has two degrees from Boston University and his doctorate in tuba performance from the University of Michigan. He has performed with the Canadian Brass, the Detroit Symphony, the John Philip Sousa Band, and has soloed on tuba all around the world, including Austria, Italy, Germany, Scotland, and Canada. He is now the new tuba euphonium teacher at the State College of Florida and can't wait to immerse himself in the cultural arts scene on our Florida Suncoast.Hear his story and find out how much the tuba actually weighs!Come along and join the club!• Dr. Dan Burdick website & Facebook & Twitter• International Women's Brass Conference Website & Facebook & Instagram• The Harry T. Burleigh Society Website• The Stiletto Brass Quintet Website & Facebook • The Pops Orchestra of Bradenton and Sarasota Website and Facebook and Instagram• Asolo Repertory Theatre Website & Facebook & Instagram & YouTube• West Coast Black Theatre Troupe Website & Facebook & Instagram & YouTube• Florida Studio Theatre Website & Facebook & Instagram & YouTube• Perlman Music Program Website• Sarasota Orchestra Website & Facebook & Instagram & Twitter & YouTube• State College of Florida Music Program Website & Facebook & Instagram• State College of Florida Foundation Website & Facebook & InstagramSupport the show (https://scf-foundation.org/suncoastcultureclub/)

The celebrated Maestro Roger Nierenberg joins us to share about what it’s like to conduct appearances for the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, and many other great American orchestras.

David Krehbiel has had an extraordinary career and life as one of the great horn players of his time. Joining the Chicago Symphony as associate first horn and sitting next to his teacher Phillip Farkas, he later became principal horn of the Detroit Symphony and ended his career as principal of the San Francisco Symphony. His autobiography, Through the Door: A Horn Player’s Journey, was recently released, and in our conversation David recounts many of the interesting (and funny) stories from the book. In addition to all of his experiences as an orchestral and chamber player, David was also Chair of the Brass Department at the San Francisco Conservatory of Music.

In this episode, host Adam Wolf chats with the legend Dave Krehbiel to discuss his new book, his time with the Chicago Symphony, Detroit Symphony, and San Francisco Symphony. As well as his teaching, studying with Phil Farkas, and retirement. This episode is sponsored by Lukas Horns, Houghton Horns, and Hampson Horns.