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Owner of Bow and Arrow Outdoors Camille Kent joins Blake to reflect on their 90s childhoods and explore what it looks like to raise kids in today's tech-heavy world while preserving imagination, outdoor play, and confidence. Camille shares how she and her husband created a children's outdoor apparel brand designed to encourage kids to embrace nature, regardless of the weather or terrain. The conversation dives into realistic strategies for managing extreme weather, including bringing the outdoors inside with imaginative play, shifting screen time boundaries, and making evening walks a family routine. They also open up about overcoming parental fears in the digital age, the value of letting kids take risks, and how outdoor play helps build resilience and emotional strength. At its core, this episode is a hopeful and practical reminder that even in 2025, a childhood filled with dirt, scraped knees, and fort-building is still within reach. In this episode, you'll be able to… Explore creative ideas for bringing the “outside in” when going outdoors isn't possible. Learn how small mindset shifts—like repurposing device time for conversation—can strengthen family connection. Understand how unstructured play and nature-based routines can help build your child's confidence, imagination, and emotional resilience. To connect with Camille…Website: bowandarrowoutdoors.comInstagram: @bowandarrowoutdoors | @camillekent523Facebook: @bowandarrowoutdoors Thanks to our sponsors! AquaTru - Get 20% off any aqua purifier when you use code BLAKE on AquaTru.com. AirDoctor - Visit airdoctorpro.com and get up to $300 off an air purifier when you using the code BLAKE and get a FREE 3-year warranty! Fatty15 - Take charge of your health by visiting fatty15.com/BLAKE and using the code HEALTHY to get an extra 15% off your 90-day subscription Starter Kit. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Jon shares a story about a hunt that resulted in two punched tags. He looks at Philippians 3.14 makes some applications. Trusting this gives you a little encouragement and that you are having an amazing week!
With 4 children, a teaching career, and a husband in the military, Emily Davis still found time to complete her PhD in Health and Human Performance and become a Core Rehabilitation Specialist. After 4 C-Sections, Dr. Emily, has learned a thing or two about how a strong core affects every area of a woman's life. She now dedicates her life to helping women become the best version of themselves. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.
Today's Lang Fairy Tale telling is The White Cat - a fairly twisted little story about a Prince falling in love with a feline, a Dad who doesn't want to give his sons their dues, and little tiny things of great value, hidden in other tiny things. Such as ring-sized dancing dogs that go, "Bow-wow." If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.
In this episode of the Just One Outdoors podcast, hosts Deegan and Austin sit down with Kevin from Kujo Outdoors to discuss a variety of topics related to hunting. They explore Kevin's background in hunting, his experiences with turkey and deer seasons, and the preparations he makes for each. The conversation also delves into equipment choices, including bows and trail cameras, as well as the challenges of hunting out of state. Kevin shares his thoughts on food plots, the importance of scouting, and the fun of hunting with friends. The episode wraps up with a discussion on future hunting plans and the camaraderie that comes with the sport.TakeawaysKevin didn't grow up hunting and started later in life.Turkey season can be challenging and requires patience.Preparation for deer season is crucial, including scouting and equipment.Bow choices can significantly impact hunting success.Food plots can attract more deer and improve hunting opportunities.Trail cameras help monitor deer activity but can take the fun out of hunting.Out of state hunting can be daunting due to regulations and logistics.Hunting with friends adds to the enjoyment of the experience.Quality deer management is important for sustainable hunting.The camaraderie among hunters is a key aspect of the sport.Chapters00:00 Introduction and Background06:14 Transition to Hunting Background10:04 Turkey Season Experiences14:06 Preparing for Deer Season18:13 Bow Selection and Preferences23:54 Food Plots and Trail Cameras26:21 The Impact of Food Plots on Deer Hunting29:13 Scouting and Discovering New Hunting Areas32:05 Trail Cameras: Insights and Challenges35:42 The Complexity of Out-of-State Hunting48:31 Connecting Over Shared Hunting ExperiencesKeywordshunting, bow hunting, turkey season, deer season, outdoor podcast, hunting equipment, trail cameras, food plots, out of state hunting, hunting experiences
In a season of Stillness, but I'm still here. ❤️
What's the secret to real boldness? Closeness to God. Ephesians 3:11-15 says we have boldness and access with confidence in Christ. The closer we are to God, the bolder we become—in prayer, speech, and action. Don't lose heart when culture pushes back. Instead, focus on what God is doing in you. Paul's answer? Pray. Bow before the Father with faith and humility. Where does your confidence truly lie? Let's get bold in Christ.
Hosts Jim DeRogatis and Greg Kot talk with Local H founder Scott Lucas about the band and their new documentary, Lifers. Plus, the hosts review new albums from Stereolab and Mclusky.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Local H, "Bound for the Floor," As Good as Dead, Island, 1996The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Stereolab, "Aerial Troubles," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Electrified Teenybop!," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Transmuted Matter," Instant Holograms on Metal Film, Warp, 2025Mclusky, "The Unpopular Parts of The Pig," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "The Digger You Deep," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "People Person," The World Is Still Here and So Are We, Ipecac, 2025Local H, "Chicago Fanphair '93," Ham Fisted, Island, 1995Local H, "Eddie Vedder," As Good as Dead, Island, 1996Local H, "High-Fiving MF," As Good as Dead, Island, 1996Local H, "All the Kids Are Right," Pack Up the Cats, Island, 1998Local H, "Everyone Alive," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "The Misanthrope," Hey, Killer, G&P, 2015Local H, "Turn the Bow," Lifers, AntiFragile Music, 2020Local H, "2112 Overture / The Temples of Syrinx" (Rush cover)," The Another February EP, Slimstyle, 2013Local H, "How's The Weather Down There," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "Nothing Special," As Good as Dead, Island, 1996Local H, "P.J. Soles," Whatever Happened to P.J. Soles?, Studio E, 2004The Roots, "You Got Me (feat. Erykah Badu & Eve)," Things Fall Apart, MCA, 1999See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of Becoming a Bowhunter, Matty sits down with 21-year-old Logan Hawker — a young bowhunter who's quickly earning his stripes through persistence, hard-earned lessons, and a deep respect for the hunt. Logan first got into bowhunting thanks to a mad-keen neighbor, and even managed to pull his rifle-hunting dad over to the dark side (aka stick and string). These days, he's putting in 20–30 km days chasing boars in the mountains. This one's full of laughs, insight, and the kind of grounded stories every hunter can relate to. Show topics: Big Buck Down: The play-by-play on Logan's big 2025 fallow buck — a calculated stalk and clean kill after years of chasing deer.Chasing Big Mountain Boars: Logan's approach to boar hunting during the rut, including the grind of long walks and thick country.Stick Bows: How a short stint with a Black Widow traditional bow sharpened his skills and made him a better all-round hunter.Surround Yourself with Good Hunting Buddies: Why learning from experienced hunters like Jas Ritchie has been a huge upgrade for Logan's hunting success.The Unlucky Barbed Wire Roll: That one time low light, determination, and a very pig-like silhouette led to the most unforgettibly, hilarious story.. Find Logan Hawker: @loganhawker Find Becoming a Bowhunter: Instagram: @becomingabowhunter.podcast Hosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. @dogandguncoffee Kayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. @kayuga_broadheads Venture Hunting & Outdoors – Gear up for your next hunt. @venturehunting Jab Stick Outdoors – Precision-engineered carbon shafts. Use code BAB10 for $10 off. @jabstickoutdoors
This week we had the privilege of hearing from Anna Mathew, it was her final sermon at Bow and she shared about being children of God, clothing ourselves in Christ and that we are all ONE in Christ.Music by Jonathan Ogdenhttps://www.jonathanogden.co.uk/
Julie Lide with The Pulaski County Board of Realtors provides an update on The Pulaski County Housing Market, as well as some recent Legislative "victories" in Washington DC that could affect you. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show call 417-650-6057. Thank you to show sponsors: Nexthome Team Ellis, Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.
#777 Show Notes: https://wetflyswing.com/777 Presented by: Fish The Fly, Patagonia, Jackson Hole Fly Company, San Juan Rodworks Sponsors: https://wetflyswing.com/sponsors In this episode, we're joined by Josh Nugent from Out Fly Fishing to talk all about fly fishing the Bow River. Josh shares what makes this river so special, how to plan your trip, and even some surprising lessons from his time studying the world's best fly casters. When it comes to legendary trout rivers in North America, Alberta's Bow River is near the top of the list. Flowing from the Rockies just outside Banff National Park, the Bow is known for its big browns, healthy rainbows, and endless opportunities for anglers. If you're planning to go on a fishing trip in Alberta, this episode is for you. Show Notes: https://wetflyswing.com/777
Strike a pose. Baconsale is ready to discuss the best-selling female recording artist of all time. Who's That Girl? Well, it's the Queen of Pop herself: Madonna. Everybody may not Cherish all the Music this Material Girl has produced, but it's no Secret that she's a Popular figure in pop culture. Joel, Kent, and Zack won't get Hung Up on Madonna's controversial past as we try to keep this episode on the family-friendly side of the Borderline. The (True Blue) truth is that it was no Holiday to listen to all of her studio albums, but we managed to get Into the Groove with some new tunes and we Live to Tell you five songs that do not deserve to Take a Bow as well as five songs we think are a Ray of Light. Life is a mystery, but you can Express Yourself by pressing play. Visit Baconsale.com to Open Your Heart by listening to the Spotify playlist we created for this episode.
Youth SundayPastor Reggie"Don't Bow"062925
Calgary, Alberta Canada. Known for its western spirit, stunning natural surroundings, and growing metropolitan culture, Calgary is a place where tradition and innovation meet on the prairies. Whether you're a nature lover, a history buff, or someone looking to learn more about the true Canadian West, Calgary offers something for everyone.Located in the province of Alberta, Calgary sits at the foothills of the Canadian Rockies, providing a gateway to some of the most breathtaking landscapes in the country. The city is situated where the Bow and Elbow Rivers meet, and its elevated geography offers clear skies and beautiful vistas. Calgary is also famous for its sunny weather—boasting more days of sunshine than any other major Canadian city—which makes it a great place to enjoy both urban and outdoor activities.One of Calgary's most iconic events is the Calgary Stampede, often referred to as “The Greatest Outdoor Show on Earth.” Held every July, this 10-day rodeo and exhibition brings the cowboy culture to life, drawing visitors from around the world. With chuckwagon races, music performances, and a grand parade, the Stampede showcases Calgary's strong agricultural roots and western heritage while blending it with modern entertainment and family-friendly fun.Beyond the rodeo, Calgary has evolved into a bustling economic hub, especially known for its leadership in the energy sector, technology, and finance. The skyline is marked by architectural landmarks like the Calgary Tower and the Bow Building, while neighborhoods like Inglewood, Kensington, and the East Village offer vibrant arts, food, and cultural scenes. The city is also home to several universities and research centers, adding to its reputation as a center for innovation and learning.Calgary is a true representation of Canadian spirit—hardworking, welcoming, and proud of its natural beauty and cultural diversity. From scenic trails in Fish Creek Park to world-class skiing just a short drive away in Banff and Lake Louise, Calgary is a city that invites you to explore, discover, and appreciate. Thank you for joining me, Daniel Lucas, here on Geography 101. Stay curious, and I'll see you next time as we journey to another remarkable place on the map. Hosted on Acast. See acast.com/privacy for more information.
In this sermon by Pastor Chris Romig, the focus is on Revelation 6 and the opening of the first of seven seals, introducing the rider on the white horse. Chris explains the significance of the sealed scroll and emphasizes that only Jesus, the Lamb of God, has the authority to begin this end-time unveiling. He explores different interpretations of the rider's identity: some suggest the spread of the gospel or even Jesus himself, but Chris argues these don't fit the context or details. Instead, he suggests the rider is best understood as the Antichrist, a figure who will appear to bring peace but ultimately unleashes chaos, war, and destruction as described by the following horsemen. Drawing from related prophecies in Daniel and 2 Thessalonians, Chris explains the Antichrist's deceptive rise and the importance of spiritual discernment. Chris cautions against guessing which current leader might be the Antichrist, reminding believers that their focus should be on Jesus, not on fear or speculation. He reassures the congregation that Christians, empowered by the Holy Spirit, play a restraining role against evil and many believe they will be taken to be with Christ before the worst comes. The sermon concludes by urging listeners to place their hope not in earthly leaders or “knights on white horses,” but in Jesus Christ the true and victorious rider who alone brings hope, justice, and peace.
Maria chats with Certified Clinical Pet Nutritionist & Bow Wow Lab's Chief Nutrition Officer Johnna Devereaux about preventing your pet from choking! Did you know there are CPR classes for animals?Listen and learn what to do and how to prevent your pet from choking.
Running a horse rescue isn't for the faint of heart, but Heather Berthiaume and her husband Jesse make it look easy. Freedom Valley Quarter Horse Rescue saves equine lives, and many times along the way, improves human lives as well. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors: Nexthome Team Ellis, Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.
For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing. Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander. And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha
This conversation dives into the humorous and adventurous experiences of a group of friends on their hunting trips. They share stories of mishaps, challenges, and the camaraderie that comes with outdoor adventures. From unexpected weather changes to vehicle breakdowns, the discussion highlights the unpredictability of hunting trips and the bonds formed through shared experiences. The conversation also touches on the journey from being a novice hunter to gaining experience and confidence in the field, as well as the choices made in hunting gear, particularly bows. In this engaging conversation, the host and guest delve into various hunting experiences, focusing on bowhunting and turkey hunting. They share humorous anecdotes about equipment choices, the challenges of self-filming hunts, and the unexpected trials faced during turkey hunting trips. The discussion highlights the camaraderie of hunting, the importance of learning from mistakes, and the thrill of the hunt, all while appreciating the dedication and service of those in law enforcement.TakeawaysHunting trips can be unpredictable and full of surprises.Camaraderie is a key part of hunting experiences.Preparation can make a big difference in the field.It's important to have fun, even when things go wrong.Learning from mistakes is part of the hunting journey.The right gear can enhance the hunting experience.Hunting is as much about the journey as it is about the destination.Building friendships through shared outdoor experiences is invaluable.Every hunting trip teaches something new. Mistakes in hunting can lead to valuable lessons.Self-filming adds complexity to the hunting experience.Turkey hunting requires quick decision-making and adaptability.Timing is crucial in both hunting and filming.Learning from past mistakes is essential for improvement.Chapters00:00 The Wild Adventures of Hunting Trips12:25 From Novice to Experienced Hunter20:40 The Bow and the Colorful Choice21:24 The Lime Green Bow Experience22:42 Hunting Adventures in Kansas23:12 The Thrill of the Hunt25:06 Learning from Mistakes27:31 The Challenges of Self-Filming30:30 Turkey Hunting Trials32:42 Crossing Rivers and Overcoming Obstacles36:08 The Importance of Timing in Hunting39:41 Appreciating Service and SacrificeKeywordshunting, outdoor adventures, elk hunting, bow hunting, hunting trips, hunting stories, camaraderie, hunting experiences, hunting gear, hunting tips, hunting, bowhunting, turkey hunting, outdoor adventures, self-filming, hunting tips, hunting stories, outdoor experiences, hunting equipment, wildlife
This week… The fellas put the lime in the Busch Light can, they drank 'em all up! They put the lime in the Busch Light can, they drank 'em all up. They put the lime in the Busch Light can, they drank ‘em all up! Andy jumped on and broke down all the major stories from around the sports world. Like, how dominant Bo Melton will be at corner back. Jaire must've really not wanted to be a Packer. The ups and downs of the NBA Finals. How's the Brew Crew doing and the Badgers have a new quarterback… I guess. Then the fellas took on the ‘T' words of the Urban Dictionary. They learned what a “two mooser” is, yikes… Finally they ended things talking about their collaborative challenge, building the HUA Bar. Then they discussed their individual challenges and things they want to accomplish in the coming weeks. But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the can's attractability. Find out if Busch Light Lime passed the HUA test.Beer of the Week: 05:15 - 34:15Sports World News: 38:38 - 01:51:30HUA v.s. The Urban Dictionary: 01:52:25 - 01:59:30Challenge Update: 02:00:00 - ENDBOW: Busch Light LimeHUA 191 Drinking game: any time they say “lime” drink! Good luck.Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featurWe're live on Twitch, check out our page!https://www.twitch.tv/holdusaccountableFind us on X:https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDAIf you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable
I spent way too much time trying to shoehorn a Warhammer 40K reference into this episode title, and it devolved into something that would make a Chaos Marine blush. So we're keeping it professional (kinda) and diving straight into the space weather for 2025's back 9. Watch along on YouTube here, if you like. This is what we cover. Space Baby Update & Good Enough Goals Austin's 30-pound toddler is harder to carry than heavy deadlifts, and "good enough" is our 2025 achievement mindset Failed 40K References & First Half Lookback From the eternal Mars season to the Carnival of Chaos that delivered perfect tariff confusion Iran & Playing for All the Marbles Why this could mark the start of World War III and how it connects to the Jupiter-Saturn square Uranus Enters Gemini: The Pilot Episode The seven-year transit that historically reshapes America, plus the flying wedge formation of outer planets The Bow and Arrow Configuration Peak craziness in August with Mars-Saturn tension creating a cosmic weapon aimed at change The Pause That Does Not Refresh September's retreat into swampy Pisces energy—like WWI trenches where your feet rot in gross water Pisces-Virgo Eclipse Season The tail of the dragon's Buddhist letting go vs. the head's overwhelming hunger for the dream Neptune in Aries & Individual Glory From woke-era uniformity to the pursuit of personalised excellence and looking combat-ready Jupiter in Cancer Magic Learning what you really need and how to ask the divine for surgical beneficence Personal Updates & H2 Plans Austin's book progress, Gordon's Peru trip for the Festival of the Sun, and preparing for a louder 2026
In this episode of Becoming a Bowhunter, Matty sits down with Josh Forster, hunter, avid fisherman, YouTuber, and creator of the new outdoor connection platform Hooked Up. From DIY arrows and NT buffalo chases to nearly getting cleaned up by a croc on the boat, Josh's stories are wild. But this chat goes deeper — into what inspired him to build an app for Aussie hunters, fishos, and outdoor lovers who want real-world connection, not just another scroll hole. Podcast Topics: Josh's Origin Story: Bare-fingered bowhunting, pig stalks, and bush-raised beginningsCroc Close Calls: The 4-meter saltie that missed his mate's neck by inchesNorthern Territory Buffalo Hunts: Long-range treks, frontal shot breakdowns, and hot-season gear lessonsThe Pig Rut & Moon Phase Theory: Tracking behavior and sow cycle times. Is there rhyme to this reason? Water Filtration Fails in The Heat: When it's hot, you need to be aware of your water needs. Josh shares what didn't work for them in the NT.Why Josh Built the Hooked Up App: The rise of an outdoor-only community platform for hunters, fishos, campers & doers (note* nothing to do with dating - everything to do with finding new mates in the outdoor world)Hooked On Life: Josh's philosophy on getting off your phone and into the wild Whether you're in it for the pig stalks, the gear, or the mission behind Hooked Up, this one's full of stories, insights, and inspiration for every modern-day bushman and woman. Find Josh Forster: Instagram: @hookedonlife__YouTube: @hookedonlife__Hooked Up App: @hookedupapp Find Becoming a Bowhunter: Instagram: @becomingabowhunter.podcast Hosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. [@dogandguncoffee]Kayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. [@kayuga_broadheads]Venture Hunting & Outdoors – Gear up for your next hunt. [@venturehunting]Jab Stick Outdoors – Precision-engineered carbon shafts. Use code BAB10 for $10 off. [@jabstickoutdoors]
Tipsy Tuesday #57 is Bear Defense with Justin Rasmussen owner of Razco Gear. Justin discusses firearms vs spray and where each shines in deterring an attack, along with the best practice techniques and insight on keying into a bear's body language. Next we jump into Rokslide's Cold Bore Challenge with Justin Crossley. Travis Hobbs covers drought and fire conditions and if they'll impact your hunting unit. All the details of G5 Outdoors newest release with Caleb Sorrells. Tyler Kath of T&K Hunting Gear outlines his company's mission and showcases some favorite products. Sam then shifts the talk toward the other Rokslide.com gear reviews and recaps the latest Western news. Razco Gear- https://www.razcogear.com/ Razco Bear Defense Basics video- https://www.youtube.com/watch?v=PHLM-pX3emA Bear Spray vs Bullets video- https://www.youtube.com/watch?v=rnfB4ZL9JTc Cold Bore Challenge-https://rokslide.com/forums/threads/2025-cold-bore-challenge.408693/ Prime FORM 30 Bow- https://www.g5prime.com/prime-archery-hunting-bows/form-30/ T&K Hunting Gear- https://tandkhunting.com/ T&K 3.1 Binocular Harness review- https://www.rokslide.com/tk-gen-3-1-bino-harness-review/ Cold Bore Challenge Q&A thread- https://rokslide.com/forums/threads/2025-cold-bore-challenge-q-a-thread.403820/ Howl for Wildlife- Take Action Check out Rokslide's 2024 Best Gear- https://www.rokslide.com/best-gear-of-2024-rokslide-edition/ Visit Rokslide's Rokcast Forum to submit questions, request a topic or give feedback. To be a guest on Tipsy Tuesday please send an email to Sam@Rokslide.com [ Rokcast is powered by onX Hunt. For 20% off, use Promo Code “Rokcast” at onX Hunt here https://www.onxmaps.com/hunt/app
You've heard of camping, hiking and trail riding...but what do you know about the world of Overlanding? In this episode Podcaster, Business Owner, and Overlander Benji Ward shows us the ropes when it comes to Overlanding! The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center, Nexthome Team Ellis, and TK's Pizza of St. Robert Mo.
This week… Max and Kärel sat down at the dinner table and discussed all the hot button issues of the world. Kärel introduced Max to his new book of knowledge. They called Andy to talk sports. Brewers, Packers, NBA Finals, NHL Final, steroids, sports betting and so much more! Max talked about his trip in the woods. Kärel needed a talisman to take on the dictionary. Finally they ended things with a Reddit confession. But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the can's attractability. Find out if Fox River Brewing Company's Always 920 Hazy IPA passed the HUA test.Beer of the Week: 14:07 - 01:15:15Sports World News: 01:19:45 - 03:03:50Kärel v.s. The Dictionary: 03:18:23 - 03:25:55Confession: 03:26:05 - ENDBOW: Fox River Brewing Company, Always 920 Hazy IPAHUA 190 Drinking game: every time they say “sediment”, drink! Good luck.Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featurWe're live on Twitch, check out our page!https://www.twitch.tv/holdusaccountableFind us on X:https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDAIf you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable
1. A Father Stepped In2. A Father Who Didn't Bow3. A Father's Words of Wisdom
From new development to huge events expected to bring thousands of people to town, City of Waynesville's Economic Developer Doug Potts fills us in on exciting things happening in the city of Waynesville. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center, Nexthome Team Ellis, and TK's Pizza of St. Robert.
In this episode of the Range Podcast, Ricky Brule speaks with Dan Gates, Head Coach for the Alexandria College Legends Archery Team. They explore the world of archery and bow hunting. They discuss personal experiences, the evolution of hunting regulations, and the importance of mentorship in archery. The conversation delves into the challenges of drawing hunting tags, the significance of coaching youth in archery, and the ethical considerations of hunting. Listeners will gain insights into the journey of becoming a skilled archer and the joy of sharing this passion with the next generation. This conversation delves into the intricacies of archery, focusing on efficiency in shooting, the evolution of collegiate archery programs, and the importance of community and experience in the sport. The speakers discuss the challenges and opportunities in building future archers, innovations in archery equipment, and the significance of hands-on experience over theoretical knowledge. They also touch on the dynamics of competition and collaboration within the archery community. Takeaways The podcast focuses on archery stories and technical tactics. Bow hunting is a family tradition passed down through generations. The difficulty of drawing hunting tags has increased over the years. Archery coaching can instill ethical hunting practices in youth. 3D archery offers a different experience than traditional hunting. Mentorship in archery is crucial for developing skills. Teaching kids about hunting involves discussing life and death. The importance of adapting to new archery technologies. Coaching youth in archery can lead to personal growth for both coach and student. Engaging with kids in outdoor activities fosters a love for nature. Efficiency is crucial for success in archery. Understanding your equipment can significantly improve performance. Collegiate archery programs are evolving to provide more opportunities. Experience in the field is invaluable compared to theoretical knowledge. Building a strong community is essential for the growth of archery. Youth programs are vital for nurturing future archers. Innovations in equipment can enhance shooting accuracy and performance. Trusting but verifying information is key in archery training. Participation in competitions helps develop skills and confidence. Collaboration among archery brands can drive innovation and improve products. The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel. The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the Range Podcast, Ricky Brule speaks with Dan Gates, Head Coach for the Alexandria College Legends Archery Team. They explore the world of archery and bow hunting. They discuss personal experiences, the evolution of hunting regulations, and the importance of mentorship in archery. The conversation delves into the challenges of drawing hunting tags, the significance of coaching youth in archery, and the ethical considerations of hunting. Listeners will gain insights into the journey of becoming a skilled archer and the joy of sharing this passion with the next generation. This conversation delves into the intricacies of archery, focusing on efficiency in shooting, the evolution of collegiate archery programs, and the importance of community and experience in the sport. The speakers discuss the challenges and opportunities in building future archers, innovations in archery equipment, and the significance of hands-on experience over theoretical knowledge. They also touch on the dynamics of competition and collaboration within the archery community.TakeawaysThe podcast focuses on archery stories and technical tactics.Bow hunting is a family tradition passed down through generations.The difficulty of drawing hunting tags has increased over the years.Archery coaching can instill ethical hunting practices in youth.3D archery offers a different experience than traditional hunting.Mentorship in archery is crucial for developing skills.Teaching kids about hunting involves discussing life and death.The importance of adapting to new archery technologies.Coaching youth in archery can lead to personal growth for both coach and student.Engaging with kids in outdoor activities fosters a love for nature. Efficiency is crucial for success in archery.Understanding your equipment can significantly improve performance.Collegiate archery programs are evolving to provide more opportunities.Experience in the field is invaluable compared to theoretical knowledge.Building a strong community is essential for the growth of archery.Youth programs are vital for nurturing future archers.Innovations in equipment can enhance shooting accuracy and performance.Trusting but verifying information is key in archery training.Participation in competitions helps develop skills and confidence.Collaboration among archery brands can drive innovation and improve products.The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.
In this episode of the Range Podcast, Ricky Brule speaks with Dan Gates, Head Coach for the Alexandria College Legends Archery Team. They explore the world of archery and bow hunting. They discuss personal experiences, the evolution of hunting regulations, and the importance of mentorship in archery. The conversation delves into the challenges of drawing hunting tags, the significance of coaching youth in archery, and the ethical considerations of hunting. Listeners will gain insights into the journey of becoming a skilled archer and the joy of sharing this passion with the next generation. This conversation delves into the intricacies of archery, focusing on efficiency in shooting, the evolution of collegiate archery programs, and the importance of community and experience in the sport. The speakers discuss the challenges and opportunities in building future archers, innovations in archery equipment, and the significance of hands-on experience over theoretical knowledge. They also touch on the dynamics of competition and collaboration within the archery community.TakeawaysThe podcast focuses on archery stories and technical tactics.Bow hunting is a family tradition passed down through generations.The difficulty of drawing hunting tags has increased over the years.Archery coaching can instill ethical hunting practices in youth.3D archery offers a different experience than traditional hunting.Mentorship in archery is crucial for developing skills.Teaching kids about hunting involves discussing life and death.The importance of adapting to new archery technologies.Coaching youth in archery can lead to personal growth for both coach and student.Engaging with kids in outdoor activities fosters a love for nature. Efficiency is crucial for success in archery.Understanding your equipment can significantly improve performance.Collegiate archery programs are evolving to provide more opportunities.Experience in the field is invaluable compared to theoretical knowledge.Building a strong community is essential for the growth of archery.Youth programs are vital for nurturing future archers.Innovations in equipment can enhance shooting accuracy and performance.Trusting but verifying information is key in archery training.Participation in competitions helps develop skills and confidence.Collaboration among archery brands can drive innovation and improve products.The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.
In this episode of Becoming a Bowhunter, Matty sits down with Steve Dimitrakellis—chairman of Trophy Takers Australia—for a yarn that dives deep into traditional gear, bowhunting history, and why community is everything in this game. Steve shares how he got started with a bow as a workaround for not being allowed a rifle, and how that decision sparked a lifelong obsession with bowhunting. From building wood arrows and tuning longbows to keeping the culture alive through Trophy Takers, this is a rich conversation full of wisdom, laughs, and bowhunting tradition. What You'll Hear About: Growing up with a strong bowhunting culture in Albury and Twin City BowmanHow traditional gear shaped Steve's hunting style and preferencesTips for tuning arrows, brace height, and reducing bow noiseThe appeal (and obsession) of longbows over compoundsThe story and mission behind Trophy Takers AustraliaThe importance of community, mentorship, and passing on the passionScoring systems: Douglas vs Pope & Young vs Boone & CrockettThe evolution of bowhunting gear from plastic rests to precision carbonsWhy the Trophy Takers annual awards are more than just a trophy night Whether you're a trad bow shooter, new to bowhunting, or someone who's been around long enough to remember wood arrows and score sheets by post, this episode is a celebration of everything that makes bowhunting special. Find Steve Dimitrakellis Instagram: @memosity48 Find Becoming a Bowhunter: Instagram: @becomingabowhunter.podcast Hosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. @dogandguncoffeeKayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. @kayuga_broadheadsVenture Hunting & Outdoors – Gear up for your next hunt. @venturehuntingJab Stick Outdoors – Precision-engineered carbon shafts. @jabstickoutdoors
Seventh Sunday of Easter The First Lesson Acts 16:16-34 With Paul and Silas, we came to Philippi in Macedonia, a Roman colony, and, as we were going to the place of prayer, we met a slave girl who had a spirit of divination and brought her owners a great deal of money by fortune-telling. While she followed Paul and us, she would cry out, "These men are slaves of the Most High God, who proclaim to you a way of salvation." She kept doing this for many days. But Paul, very much annoyed, turned and said to the spirit, "I order you in the name of Jesus Christ to come out of her." And it came out that very hour. But when her owners saw that their hope of making money was gone, they seized Paul and Silas and dragged them into the marketplace before the authorities. When they had brought them before the magistrates, they said, "These men are disturbing our city; they are Jews and are advocating customs that are not lawful for us as Romans to adopt or observe." The crowd joined in attacking them, and the magistrates had them stripped of their clothing and ordered them to be beaten with rods. After they had given them a severe flogging, they threw them into prison and ordered the jailer to keep them securely. Following these instructions, he put them in the innermost cell and fastened their feet in the stocks. About midnight Paul and Silas were praying and singing hymns to God, and the prisoners were listening to them. Suddenly there was an earthquake, so violent that the foundations of the prison were shaken; and immediately all the doors were opened and everyone's chains were unfastened. When the jailer woke up and saw the prison doors wide open, he drew his sword and was about to kill himself, since he supposed that the prisoners had escaped. But Paul shouted in a loud voice, "Do not harm yourself, for we are all here." The jailer called for lights, and rushing in, he fell down trembling before Paul and Silas. Then he brought them outside and said, "Sirs, what must I do to be saved?" They answered, "Believe on the Lord Jesus, and you will be saved, you and your household." They spoke the word of the Lord to him and to all who were in his house. At the same hour of the night he took them and washed their wounds; then he and his entire family were baptized without delay. He brought them up into the house and set food before them; and he and his entire household rejoiced that he had become a believer in God. The Psalm Psalm 97 Dominus regnavit 1 The Lord is King; let the earth rejoice; * let the multitude of the isles be glad. 2 Clouds and darkness are round about him, * righteousness and justice are the foundations of his throne. 3 A fire goes before him * and burns up his enemies on every side. 4 His lightnings light up the world; * the earth sees it and is afraid. 5 The mountains melt like wax at the presence of the Lord, * at the presence of the Lord of the whole earth. 6 The heavens declare his righteousness, * and all the peoples see his glory. 7 Confounded be all who worship carved images and delight in false gods! * Bow down before him, all you gods. 8 Zion hears and is glad, and the cities of Judah rejoice, * because of your judgments, O Lord. 9 For you are the Lord, most high over all the earth; * you are exalted far above all gods. 10 The Lord loves those who hate evil; * he preserves the lives of his saints and delivers them from the hand of the wicked. 11 Light has sprung up for the righteous, * and joyful gladness for those who are truehearted. 12 Rejoice in the Lord, you righteous, * and give thanks to his holy Name. The Epistle Revelation 22:12-14,16-17,20-21 At the end of the visions I, John, heard these words: "See, I am coming soon; my reward is with me, to repay according to everyone's work. I am the Alpha and the Omega, the first and the last, the beginning and the end." Blessed are those who wash their robes, so that they will have the right to the tree of life and may enter the city by the gates. "It is I, Jesus, who sent my angel to you with this testimony for the churches. I am the root and the descendant of David, the bright morning star." The Spirit and the bride say, "Come." And let everyone who hears say, "Come." And let everyone who is thirsty come. Let anyone who wishes take the water of life as a gift. The one who testifies to these things says, "Surely I am coming soon." Amen. Come, Lord Jesus! The grace of the Lord Jesus be with all the saints. Amen. The Gospel John 17:20-26 Jesus prayed for his disciples, and then he said. "I ask not only on behalf of these, but also on behalf of those who will believe in me through their word, that they may all be one. As you, Father, are in me and I am in you, may they also be in us, so that the world may believe that you have sent me. The glory that you have given me I have given them, so that they may be one, as we are one, I in them and you in me, that they may become completely one, so that the world may know that you have sent me and have loved them even as you have loved me. Father, I desire that those also, whom you have given me, may be with me where I am, to see my glory, which you have given me because you loved me before the foundation of the world. "Righteous Father, the world does not know you, but I know you; and these know that you have sent me. I made your name known to them, and I will make it known, so that the love with which you have loved me may be in them, and I in them."
Tim's First Bear Hunt in Canada Took a Wild Turn! | 100% Wild Podcast Ep. 429 Join hosts Matt and Tim on this episode of the 100% Wild Podcast, powered by DeerCast and First Phorm Energy, as Tim recounts his first-ever bear hunt deep in the Canadian wilderness. From losing his bow at customs to going off-grid at a remote fishing lodge, Tim shares the full story of his wild adventure chasing black bears with a bow. The guys talk about baiting strategies, bear behavior, the tense shot moment, and what it was like to face an apex predator just 23 yards away. They also dive into the unexpected challenges of traveling with meat and bear parts, what it takes to butcher and render bear fat, and why the infamous “bear bone” became the biggest mystery of the trip. You'll laugh, cringe, and learn a ton in this raw, real episode about hunting in one of the most unforgiving environments on the continent. Topics Covered: Tim's journey into Ontario for his first-ever black bear hunt What it's like going fully off-grid in remote Canada How bear baiting and trail cam strategies differ from whitetail tactics Spot-and-stalk hunting challenges in thick timber The adrenaline rush of a 23-yard shot on an apex predator Butchering and rendering bear fat for meat and gear use The awkward airport drama with transporting meat and gear The unexpected disappearance of the infamous bear baculum Reflections on death moans, predator behavior, and ethical kills Funny camp moments involving Starburst, jawbreakers, and loons Timestamps: 0:00 - Welcome and Canadian energy drink tangent 2:13 - Tim's kid's first concert... Ludacris 3:56 - Travel to remote Ontario for a bear hunt 7:21 - Bow case lost at customs and airport chaos 10:12 - Bear hunting logistics and bait site setup 14:20 - First up-close bear encounter and camera strategy 17:10 - Spot-and-stalk attempt and stand success 19:15 - The arrow shot and intense aftermath 21:40 - Ethical hunting discussion and bear death moans 26:00 - Butchering, bear fat rendering, and field dressing 30:10 - Airport drama and the disappearing bear bone 34:00 - Life in the Northwoods: mosquitoes, loons, and Timberwolves 38:23 - Wrap-up and behind-the-scenes filming stories Join the Rack Pack Facebook Group : https://www.facebook.com/share/g/n73gskJT7BfB2Ngc/ Get ahead of your Game with DeerCast available on iOS and Android devices App Store: https://itunes.apple.com/us/app/deercast/id1425879996 Play Store: https://play.google.com/store/apps/details?id=com.druryoutdoors.deercast.app Don't forget to stock up for your next hunt! 1st Phorm has you covered! Protein Sticks: https://1stphorm.com/products/protein-sticks-15ct?a_aid=DruryOutdoors Level-1 Bars: https://1stphorm.com/products/level-1-bar-15ct?a_aid=DruryOutdoors Energy Drinks: https://1stphorm.com/products/1st-phorm-energy?a_aid=DruryOutdoors Hydration Sticks: https://1stphorm.com/products/hydration-sticks?a_aid=DruryOutdoors Send us a voice message on Speakpipe! https://www.speakpipe.com/100PercentWild?fbclid=IwY2xjawHG5cpleHRuA2FlbQIxMAABHS-OqetdhlMV6LGrV5KfUBO7fjYcduyut_LzgxrQnEgBbe_vPXGCMgF1Sw_aem_ZmFrZWR1bW15MTZieXRlcw For exciting updates on what's happening on the field and off, follow us on social Facebook: http://www.facebook.com/OfficialDruryOutdoors Instagram: @DruryOutdoors Twitter: @DruryOutdoors Be sure to check out http://www.druryoutdoors.com for more information, hunts, and more! Music provided by Epidemic Sound http://player.epidemicsound.com/
Daniel 3Fiery Trial1. The Image of Man – Daniel 3:1-72. Bow or Burn – Daniel 3:8-183. Four in the Fire – Daniel 3:19-254. Witness in the Furnace – Daniel 3:26-30Teaching by Pastor Christian Slye at The Garden Fellowship on 6.4.25.More teachings and information online at thegardenfellowship.com.
Morning lessons: Psalm 86, 87; Joshua 3; Luke 19:28-48. Bow down your ear, O Lord, and hear me, for I am poor and in misery.
This week… The fellas were stood up again and it had Max feeling feisty. They were all set to be joined by Slaycation, a podcast from New York the big apple, but they never showed up. There could only be one of two reasons for that, either the host was murdered in a twist of true crime fate, or they listened to a few of our past episodes and thought better of making an appearance. It definitely couldn't be the ladder so thoughts and prayers go out to the murdered host of slaycation, it was probably the husband. Max and Kärel went around the world of sports and hit on all the major stories. Breaking everything down from the Brewers to Shilo Sanders.They battled the Urban Dictionary and took on the “S” words. It was a skibidi swamp donkey of a time! Finally they ended things discussing their bar top challenge and taking a few shots at some former buddies of the show, sorry bout it! But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the can's attractability. Find out if Busch Light Apple passed the HUA test.Beer of the Week: 05:05 - 01:00:55Sports World News: 01:01:10 - 02:13:40HUA v.s. The Urban Dictionary: 02:14:25 - 02:34:00Challenge Update: 02:34:10 - ENDBOW: Busch Light AppleHUA 189 Drinking game: any time they swear or burp, drink! Good luck.Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featurWe're live on Twitch, check out our page!https://www.twitch.tv/holdusaccountableFind us on X:https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDAIf you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable
Bow wow wow yippy yo yippy yay bow wow yippy yo yippy yay
It's Summer Time! The Fort NOT Lost in the Woods Podcst is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center, and TK's Pizza of St. Robert.
Join Ruth, Harry and James for our June podcast as we discuss the controversial case of the amateur photographers issued with official warnings, and debate if authorship really matters when it comes to world-changing photographs. James and reigning champion, Harry, go head-to-head in our POP Quiz and we check out a superb new budget-priced prime lens and decide of the world really needs the latest iteration of the DJI Mavic series of drones. LINKS
Send us a textThere was once a law many years ago in Montana that basically said women were not allowed to fish alone! Well, move over guys because women in Montana are becoming Outdoors Women. This week on the Montana Outdoor Podcast your host Downrigger Dale talks with Kylie Kembel, Coordinator of the BOW or Becoming an Outdoors Women program at Montana Fish, Wildlife and Parks. Kylie talks about all the different skills that women can learn in the different BOW events that she and her staff put on throughout the year. Ladies can learn how to icefish, flyfish, backpack, snowshoe, gain backcountry survival skills and list goes on and on, even how to make soap out of parts of the wild game that they learn how to harvest! How do they do that? Click the play button above and listen and find out. In fact, one of Rigger's daughters attended one of the programs and she loved it! There is just a tremendous number of things that women can learn that will put them on the way to discovering Montana's Outdoors in a way that they may have never thought possible. And for all you guys out there this podcast is for you as well! Do you possess an outdoor skill that you would like to share with others? BOW is always looking for those that can teach outdoor skills to the BOW participants. Listen to find how you can get involved. So, ladies what are you waiting for? Listen to this podcast and learn how to get involved! Don't forget, the Montana Outdoor Podcast is now on video! You can watch any time on YouTube by clicking here! This is the second video podcast but most all of them will be on video from now on. You of course can still listen to the audio version from any podcast site or by returning to this site every week.Links:Click here to learn more about BOW and find out when the next program is starting! You can attend whichever classes interest you! You can click here to sign up to get emails or texts with updates on upcoming BOW events and classes.Questions for Kylie? Simply click here to send her and email and ask her whatever you want.Rigger would love to hear from you as well. Click here to email him and let him know your thoughts about this episode of the Montana Outdoor Podcast and give him your ideas for topics for future Podcasts.Remember to tune in to The Montana Outdoor Radio Show, live every Saturday from 6:00AM to 8:00AM MT. The show airs on 30 radio stations across the State of Montana. You can get a list of our affiliated radio stations on our website. You can also listen to recordings of past shows, get fishing and and hunting information and much more at that website or on our Facebook page. You can also watch our radio show there as well.
This week… Is a glorious week, Seamo made his return to The Stu! Andy joined the fellas virtually again and they dove deep into Brewers, Bucks, Packers, Olympic Flag Football, the Fall of Favre documentary, and some long term NFL bets were made! Kärel and Andy both tried to spell a word but the Dictionary didn't bat an eye. 188 was filled with laughs, burps, jokes and swearing! Tune in to tune out the world with HUA! But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the can's attractability. Find out if Josephsbrau Summer Brew passed the HUA test.Beer of the Week: 05:50 - 48:15Sports World News: 48:20 - 02:47:15Kärel v.s. The Dictionary: 02:49:25 - 02:58:00BOW: Josephsbrau, Summer BrewHUA 188 Drinking game: everytime Seamus talks, drink! Good luck ;)Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featurWe're live on Twitch, check out our page!https://www.twitch.tv/holdusaccountableFind us on X:https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDAIf you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable
This conversation with Ann (Lynch) Jarrett explores how the building of Fort Leonard Wood coupled with hard work and ingenuity, gave one local family their start in business which continues to this day. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voicemail for the show, call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center, and TK's Pizza of St. Robert.
In this episode of Becoming a Bowhunter, we sit down with Roy Sloan—General Manager of the Fiordland Wapiti Foundation—for a deep dive into one of New Zealand's most iconic herds and the conservation challenges they face. Roy shares his decades of experience managing the only free-range wapiti (elk) herd outside of North America. From helicopter culling operations and habitat regeneration to the myth of the Fiordland moose, this episode is packed with insight, stories, and surprising facts about what it takes to protect a world-class hunting environment. Topics Covered: The Origins of Fiordland Wapiti: How elk came to New Zealand—and why their survival is a miracle.Managing a Wild Herd: The 30-year evolution of the Wapiti Foundation's work in conservation and herd control.Balancing Act: Why reducing red deer and maintaining ideal bull-to-cow ratios matters for both ecology and trophy quality.Moose in the Mist? The ongoing mystery of New Zealand's lost moose population.Trophy Growth & Genetics: What Roy and his team have learned from collaring programs, bull management, and nutrition.Conservation = Better Hunting: Why lower deer numbers lead to bigger bulls and healthier landscapes.The Wapiti Ballot System: How you can apply for a chance to hunt one of the world's most unique elk herds.Gear Tips & Tough Country: Packing, fitness, and the brutal beauty of the Fiordland terrain.Protein, Plants & the Perfect Bull: How environment and nutrition shape the wapiti more than anything else. Whether you're a bowhunter planning a ballot hunt or just love hearing about what goes into managing wild herds, this episode is a rare look behind the curtain of one of New Zealand's most respected conservation efforts. Find the Fiordland Wapiti Foundation: Instagram: @fiordland_wapiti_foundation Find Becoming a Bowhunter: Instagram: @becomingabowhunter.podcast Hosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. @dogandguncoffee Kayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. @kayuga_broadheads Venture Hunting & Outdoors – Gear up for your next hunt. @venturehunting Jab Stick Outdoors – Precision-engineered carbon shafts. @jabstickoutdoors
Calling all Blayniacs! Join host Blayne Alexander for a case that asks the question, “How far would you go for your family”? When a young woman goes missing during Thanksgiving, her family goes FAR to figure out what happened to her and to get justice. They're hacking and tracing and breaking down doors, and Kimberly and Katie are ready to help! There's no time to put a pin in it for later, a major BOW is on the loose and we are all focused on THE PIN AT APARTMENT 210! Description from NBCU: A young Tennessee woman mysteriously vanishes and misses her family's Thanksgiving dinner; determined to track her down, her family takes matters into their own hands, pursuing every digital clue she left behind. Blayne Alexander reports. Join us at CrimeCon in September! Use code DATE to get a discount on your ticket! Come alone and make some friends! Shopping with our sponsors is an easy way to support ADWD and snag some great spring deals! Put some spring in your step with delicious meals delivered to your door! Go to HelloFresh.com/dateline10fm now to get 10 free meals with a free item for life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. Give the dads in your life a unique heartfelt gift you'll all cherish for years, Storyworth! Right now save $10 during their Father's Day sale when you go to storyworth.com/datedateline! Upgrade your allergy relief with Allermi. For 60% off your order, head to allermi.com and use code DATEDATELINE at checkout. Get spicy! Right now, you can get a 30-day free trial PLUS 25% off your annual subscription when you go to DipseaStories.com/DATEDATELINE. Pretty Litter helps keep Katie's house smelling so fresh and so clean! Go to PrettyLitter.com/DATEDATELINE to save twenty percent on your first order and get a free cat toy! Terms and conditions apply. See site for details. To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/ADatewithDateline Learn more about your ad choices. Visit podcastchoices.com/adchoices
In a season of Stillness—but I'm still here. ❤️
On of my oldest friends, and fellow broadcaster Jamie Turner, joined me in studio to talk about his recent health scare, an update on how he is doing now, and a nostalgic walk down radio memory lane. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center, and TK's Pizza of St. Robert.
Sunday May 18, 2025 Intro: Deception is the leader and self-deception is the follower, and both fall into a pit. Mat 15:1-6 for full notes: https://www.cgtruth.org/index.php?proc=msg&sf=vw&tid=3153
TheHide.TV Everyday Sniper Podcast, Monday Morning Coffee Just got back from Traveling and I wanted to do a simulcast of the Everyday Sniper Podcast on the Hide so you can watch this or listen to it. In this episode I talk Ward Burton Wildlife Foundation, Laura and I attended this event in Virginia and really enjoyed it. The Round Robin events they had were super fun. It was Fishing, Skeet Shooting, Pistol Shooting and then to Bow. Then I went to Spear Mountain to Visit the Major Land Sniper Cup location. I helped with the course of fire. The goal of this visit was to make the Major Land event more efficient. I simplified the course of fire to not only hopefully fix the flow, but to fix the way you ID targets and maybe the way we use the Range Officers. I really think people will like the changes I made to it. Super straight forward. Lastly My barrels for the 6 ARC are here ! I can not move forward with my 6mm ARC bolt gun project and pair it alongside the 6ARC Gas Guns. But don't forget the live streams are available. Thanks for listening, thanks for sharing, thanks for being a part of the everyday sniper podcast.
He aimed at an elk — and ended up aboard a cube-shaped spaceship with paralyzed animals and a toothy alien named Ausso One.Darkness Syndicate members get the ad-free version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: In October 1974, Carl Higdon ventured into Wyoming's wilderness for a routine elk hunt, only to encounter something beyond belief: a humanoid figure and an otherworldly craft. His shocking encounter, complete with mysterious pills, a transparent cube, and a journey to an alien planet, defies explanation and continues to baffle experts to this day. (Ausso One, The Non-Human Humanoid) *** In a remote Mexican village, a young boy stumbles upon a gruesome ritual led by a self-proclaimed goddess, Magdalena Solis. As the cult's depravity spirals out of control, the authorities descend upon the village, uncovering a tale of human sacrifice, orgies, and drug-fueled madness. (High Priestess of Blood) *** In the early morning hours of August 26, 1986, the lifeless body of 18-year-old Jennifer Levin was discovered in Central Park, sparking a media frenzy that would dub her murderer, the "Preppy Killer." (Robert Chambers: The Preppy Killer) *** Small mistakes can have big consequences, especially when they happen at critical moments in history. From an unlocked gate that led to the fall of Constantinople to a forgotten login that halted background checks for gun permits, we'll look at a few “brain farts” that changed the course of history in ways no one could have predicted (Small Mistakes, Big Consequences)CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Lead-In00:01:00.175 = Show Open00:03:24.124 = Ausso One: The Non-Human Humanoid00:21:12.207 = Robert Chambers: The Preppy Killer00:34:03.260 = The Elusive Holy Grail00:41:35.491 = The High Priestess of Blood00:52:29.335 = Small Mistakes, Big Consequences00:58:58.658 = Show Close, Verse, and Final ThoughtSOURCES AND RESOURCES FROM THE EPISODE…“The High Priestess of Blood” by Troy Taylor (used with permission): https://weirddarkness.tiny.us/2w4b35w5“Small Mistakes, Big Consequences” source: Jordan Breeding, Weird History: https://weirddarkness.tiny.us/2p99tmau“Ausso One, The Non-Human Humanoid” source: Marcus Lowth, UFOInsight.com: https://weirddarkness.tiny.us/4acyve4n“The Elusive Holy Grail” source: Austin Harvey, All That's Interesting: https://weirddarkness.tiny.us/yckj9sj5“Robert Chambers; The Preppy Killer' source: Cat McAuliffe, Unspeakable Crimes: https://weirddarkness.tiny.us/2p8pp9kj=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June 03, 2024EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/MedicineBowIncidentTAGS: UFO encounter, Carl Higdon, alien abduction, Medicine Bow National Forest, Wyoming UFO, 1974 UFO sighting, extraterrestrial encounter, Ausso One, real alien stories, unexplained phenomena, elk abduction, cube-shaped UFO, physical evidence UFO, strange disappearances, alien contact, polygraph alien abduction, Leo Sprinkle, alien breeding program, sci-fi mystery, unexplainable true stories, supernatural encounters, close encounters, weird alien stories, true alien abduction, UFO witness testimony, bizarre abductions, alien implants, paranormal podcast, UFO podcast, Weird Darkness, unexplained true stories
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