Podcasts about Bow

How Morgan Shot a Bear with a Bow & Built Two Thriving Businesses In this episode of The Rich Outdoors, Cody Rich sits down with Morgan Keenan, a Bozeman-based entrepreneur and passionate hunter, to dive into his wild journey from business ventures to hunting feats. Morgan shares his crazy story of shooting his first bear […]

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In Part 4 of our Tears of the Kingdom Book Club, we wrapped up a second Regional Phenomena and brought another Sage into the squad. Kayla's sharpening her combat skills, and Jerica dives deeper into what makes this open world experience truly stand out from the rest.Timecodes:00:00 Start08:40 Easy Mode34:15 Normal Mode58:00 Expert ModeCheckpoint Completed:– Another Sage companion– 4+ more shrines– Another Dragon Tear memoryNext Checkpoint (Part 5):– A third Sage companion– 4+ additional shrines– One more Dragon Tear memory– Bonus: Try to buy a house and… Jerica is definitely going to catch the biggest horse in the game. Not kill. Definitely not kill.Join the club and play along with us:DiscordFollow and play with us! @JKGamesPodcast Discord Twitch Youtube Insta Bsky

The Government. Tax laws. Legislation. It can all be too much at times. Margie Grife with RiverBend Accounting simplifies "The One Big Beautiful Bill Act" and shares how it may or may not, affect us.  The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors Security Bank of Pulaski County, Nexthome Team Ellis, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.

In this episode, Ricky Brule and Jake Hollywood Iverson sit down with Ben Guttormson, an experienced bow hunter and representative in the outdoor space.  They discuss Ben's background in archery, his experiences hunting in Montana, and the technical aspects of the Xpedition line of bows.  The conversation delves into hunting stories, tips for success in bow hunting, and the importance of patience and calculated moves in the field. Ben shares insights on bow technology, materials, and the challenges of hunting in various conditions, emphasizing the need for adaptability and understanding animal behavior. Takeaways Ben Guttormson has extensive experience in bow hunting and the outdoor industry. The Expedition bows utilize advanced materials for better performance. Patience and calculated moves are crucial for successful hunting. Understanding animal behavior can lead to better hunting strategies. Wind direction plays a significant role in hunting success. It's important to wait for high probability opportunities rather than rushing in. Experience in the field helps in making better decisions during hunts. Hunting stories often involve unexpected challenges and learning moments. The importance of scouting and understanding terrain for hunting success. Bow technology continues to evolve, offering hunters better tools.  The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV.  Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel. The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ricky Brule and Jake Hollywood Iverson sit down with Ben Guttormson, an experienced bow hunter and representative in the outdoor space. They discuss Ben's background in archery, his experiences hunting in Montana, and the technical aspects of the Xpedition line of bows. The conversation delves into hunting stories, tips for success in bow hunting, and the importance of patience and calculated moves in the field. Ben shares insights on bow technology, materials, and the challenges of hunting in various conditions, emphasizing the need for adaptability and understanding animal behavior.TakeawaysBen Guttormson has extensive experience in bow hunting and the outdoor industry.The Expedition bows utilize advanced materials for better performance.Patience and calculated moves are crucial for successful hunting.Understanding animal behavior can lead to better hunting strategies.Wind direction plays a significant role in hunting success.It's important to wait for high probability opportunities rather than rushing in.Experience in the field helps in making better decisions during hunts.Hunting stories often involve unexpected challenges and learning moments.The importance of scouting and understanding terrain for hunting success.Bow technology continues to evolve, offering hunters better tools. The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.

In this episode, Ricky Brule and Jake Hollywood Iverson sit down with Ben Guttormson, an experienced bow hunter and representative in the outdoor space. They discuss Ben's background in archery, his experiences hunting in Montana, and the technical aspects of the Xpedition line of bows. The conversation delves into hunting stories, tips for success in bow hunting, and the importance of patience and calculated moves in the field. Ben shares insights on bow technology, materials, and the challenges of hunting in various conditions, emphasizing the need for adaptability and understanding animal behavior.TakeawaysBen Guttormson has extensive experience in bow hunting and the outdoor industry.The Expedition bows utilize advanced materials for better performance.Patience and calculated moves are crucial for successful hunting.Understanding animal behavior can lead to better hunting strategies.Wind direction plays a significant role in hunting success.It's important to wait for high probability opportunities rather than rushing in.Experience in the field helps in making better decisions during hunts.Hunting stories often involve unexpected challenges and learning moments.The importance of scouting and understanding terrain for hunting success.Bow technology continues to evolve, offering hunters better tools. The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.

This week… The prodigal son Seamus returns to The Stu! With a few Stu the good vibes were flying. They hit up Andy to talk all things WI sports. The Brewers are the hottest team in baseball and they talked about their season to this point. How's been the biggest surprise and who's been the biggest disappointment. Can this team win it all or do they need to add a bat?! The Packers training camp is underway and the fellas looked ahead to the Packers upcoming season. With seemingly so many weapons what are the expectations for the offense and who will step up on defense?! Max tried to spell a word but you'd of thought it was Kärel trying to spell. Finally they wrapped things up talking about their Stu Bar makeover challenge. Max and Kärel have been practicing flattening a slab and think they're ready for the big time! But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the attractability of the can. Find out if 3 Sheeps Brewing Company's Wisconsinitis Cream Ale passed the HUA test.Beer of the Week: 05:32 - 37:25WI Sports Talk w/ Andy O!: 40:22 - 02:10:30Max v.s. The Dictionary: 02:21:45 - 02:28:45Challenge Update: 02:28:50 - ENDBOW: 3 Sheeps Brewing Company, Wisconsinitis Cream AleHUA 194 Drinking game: whenever Seamus talks, drink! Good luck.Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!⁠https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featur⁠We're live on Twitch, check out our page!⁠https://www.twitch.tv/holdusaccountable⁠Find us on X:⁠https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDA⁠If you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable

annie wannie is sad because her family and boyfriend have forced her into therapy. But even a therapist as bad as that Sigmund Fraud Ian Herrin can't help but notice that something is up with annie's canine companion. Will this end badly for all parties, even those that are stuffed? Absolutely. Get out of there annie!!!Bow wow, you are a smart dog, because you've just found the best part of the episode description! The part where I get to tell you all about the wonderful improviser and performer Whitney Bae! Be sure you follow Whitney on Instagram @whitneybae

Week 4 of the Series Through It All. A Message by Max Lucado.

Week 4 of the Series Through It All. A Message by Max Lucado.

Send us a textOn this episode of The Get Ready Money Podcast, I spoke with Steven Zeiger, Managing Director at KB Financial Services and at Veralytic about changing the way we think about money and life insurance policy analysis.Key takeaways:How independent benchmarks can help.Why life insurance policies are complex. How advisors can get started analyzing a life insurance policy.Why this is a new fiduciary era for life insurance. The value of independent research. Connect with Steven Zeiger:KB Financial Website (here) LinkedIn (here)Resources mentioned:Ethical Edge (here)Morningstar (here)Value Line (here)VeralyticZinnia (here)A Shot Across the Bow by Barry Flagg and Steven Zeiger - read the article (here)Bio: Steven Zeiger serves as a Managing Director at KB Financial and has been asked to educate members dozens of  groups such as STEP, ACTEC, NAEPC, PLI,  THE ABA, and over 30 other organizations on the application of prudent investor guidelines to life insurance product selection and portfolio management.  These guidelines are based on established and proven asset management doctrine- benchmarking, analysis of cost, performance and risk, etc.. Steven helps fiduciaries guide their clients' insurance decisions based on the only patented prudent process for life insurance selection and retention. Steven is published in Trust & Estates  Magazine.Support the showThe Get Ready Money Podcast and its guests do not provide investment advice. All content is for educational purposes. Guest opinions do not necessarily reflect the opinions of The Get Ready Money Podcast and Tony Steuer.

In today's episode of The Work It series on The Bow podcast, we utilize our latest software to elucidate how Paid Time Offs (PTOs) can enhance productivity and foster sustainable development.

T-Mil's BEST BET$ for MLB Hump Day Action, & The Drive Puts a BOW on Day #1 of Texans Training Camp 2025!! full 658 Wed, 23 Jul 2025 23:08:34 +0000 ZM5ggFaP03HhntmT4RXiwQIOVWkAwUGQ nfl,cj stroud,houston texans,demeco ryans,nfl news,texans,stroud,betting baseball,mlb best bets,best bets,best bets mlb,betting mlb,mlb wagers,sports The Drive with Stoerner and Hughley nfl,cj stroud,houston texans,demeco ryans,nfl news,texans,stroud,betting baseball,mlb best bets,best bets,best bets mlb,betting mlb,mlb wagers,sports T-Mil's BEST BET$ for MLB Hump Day Action, & The Drive Puts a BOW on Day #1 of Texans Training Camp 2025!! 2-6PM M-F © 2025 Audacy, Inc. Sports False

In Part 3 of our Tears of the Kingdom Video Game Book Club, we reached our first Regional Phenomena, recruited a Sage companion, knocked out a handful of shrines, and uncovered our first Dragon Tear memory.This week we dig into what makes combat in TOTK actually feel good, the magic behind its environmental storytelling, and how the game keeps surprising us. Kayla got zapped by lightning. Jerica may or may not be preparing to slay a dragon. Spiritually. Maybe literally.Checkpoint Completed:– First Regional Phenomena– One Sage companion– 4–8 shrines– One Dragon Tear memoryNext Checkpoint (Part 4):– Another Sage companion– 4+ more shrines– Another Dragon Tear memoryFollow and play with us! @JKGamesPodcast Discord Twitch Youtube Insta Bsky

Unless you're a gamer, you may not realize that the business of gaming is booming in Pulaski County. It may be one of the area's best kept secrets that thousands of people from all over the U.S, travel to Pulaski County USA to visit one local business in search of fun and games.  The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show, call 417-650-6057. Thank you to show sponsors Nexthome Team Ellis, Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.

Another Shots Across the Bow episode of the Always Be Booked Cruise Podcast with your host Tommy Casabona.  In this episode we cover Celebration Key's inaugural call by Carnival Vista Royal Caribbean conquers Mexican territory Pre-order your coffee Is Titanic 2 really about to be built? The Big Easy gets bigger for Carnival Royal Caribbean ship plumbing gets tested much more

Chris Low on 3HL - Putting a Bow on SEC Media DaysSee omnystudio.com/listener for privacy information.

Chris Low on 3HL - Putting a Bow on SEC Media DaysSee omnystudio.com/listener for privacy information.

2 Samuel begins with David hearing of the death of Saul and his sons on Mount Gilboa. The news was brought to David in Ziklag by a dirt-covered Amalekite. This man sought to ingratiate himself to David and was hoping to be generously rewarded for his news. Instead the man is shocked and terrified by David's angry response. Before David responded he asked the Amalekite to tell him the circumstances of the death of Saul and his sons. The account is given and David is told by the Amalekite the information we heard in 1 Samuel 31. However he provides extra information believing that David will reward him. The Amalekite says that he came upon Saul who was nearing death and at the request of king Saul he slew Saul. As proof that he had done what he claimed the man brought Saul's crown and arm band. David mourned till the evening and then rose in rage and tells the Amalekite that his actions had sealed his own death having slain Yahweh's anointed. That wicked man was instantly executed by one of David's young warriors. The second half of the chapter outlines David's ode of lament for Saul and Jonathan. The lament is called the Song of the Bow, since the bow was Jonathan's weapon of choice. Jonathan had given David his bow earlier when the two friends made a covenant between them. The words of the song are in verses 19-27. At David's command they were recorded in the book of Jasher and were to be taught to Judah, David's own tribe. David speaks of Saul and Jonathan as "the glory of Israel" and they were slain on the Mount - high places - defending the people of the LORD against their enemies. David is distressed that the Philistines will gloat over their victory. David says "tell it not in Gath" - the Hebrew is a poem: "Tell it not in Telltown". David asks God to withhold moisture from falling on Mount Gilboa. Verses 22-23 describe the valiant and courageous and undivided warriors that Saul and Jonathan were. Verse 24 outlines Saul's generosity towards the Jewish maidens he favoured. Saul showed generosity to many during his life. In the last three verses David concludes his lament by saying that he is greatly distressed by Jonathan's untimely death. That demise was the end of an extraordinarily deep friendship. No doubt that this friendship will again flourish in Messiah's kingdom. David is exemplary in his speaking well of Saul who constantly had sought to destroy him. Let us learn to speak always graciously with measured words: Ephesians 4 verses 29-32.

In this episode of Becoming a Bowhunter, Matty catches up with two stickbow hunters and top blokes — Benny Fensom and Jack Spinks — for a laugh-filled and brutally honest yarn about traditional archery, wild meat processing, serious health scares, and why red deer still haunt their dreams. From hand-pumping 20 kilos of sausages to dodging disease from deer urine, this one covers all the messy, meaty, and memorable moments that come with hunting hard and living wild. Podcast Topics: Rutting Chaos – Benny & Jack give some detailed recaps of their fallow rut together plus some yarns from previous rut experiences they've shared. Red Deer Vs Fallow – Which deer is harder to hunt and why is it reds? Stickbow Only – No wheels here. The boys break down why they've gone all-in on trad bows and what it takes to consistently get kills inside 10 meters.Sausage Shenanigans – Making 100kg of snags with a cement mixer, exploding cheese sticks, and the absolute art of tying off links without losing your mind.Q Fever & Lepto – Benny's experience with leptospirosis, which had him bed-bound for a few weeks. The wild strain, not native to Australia that landed him in hospital for a week.Big Kev the Stag – The legendary red named Big Kev.  Stickbow Dropouts – Why many trad shooters burn out after 6 months, and how to stick with it when the compound itch creeps in. This one's got it all — equal parts funny, filthy, and full of hard-won bowhunting wisdom. Find Benny & Jack: Benny: @benny_fensom Jack: @jackspinks_ Jabstick Outdoors: @jabstickoutdoors https://jabstickoutdoors.au/ Find Becoming a Bowhunter: Instagram: @becomingabowhunter.podcastHosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. @dogandguncoffeeKayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. @kayuga_broadheadsVenture Hunting & Outdoors – Gear up for your next hunt. @venturehuntingJab Stick Outdoors – Precision-engineered carbon shafts. Use code BAB10 for $10 off. @jabstickoutdoors

In this installment of the NorthEastern Hunter Snapshots, Matt Buttermark shares his journey into the world of hunting, starting from a young age and evolving into a passionate hunter. He discusses the importance of learning from experienced mentors, the challenges of hunting in New Jersey, and the role of technology like trail cameras in modern hunting. Matt recounts his experiences with a notable buck, emphasizing the significance of scouting and understanding deer behavior. He also shares insights on baiting, hunting strategies, and the importance of building relationships with landowners for hunting permissions. In this conversation, Mattybutts_outdoors shares his experiences and insights on hunting, focusing on the importance of communication with landowners, the challenges of gaining hunting permissions, and the impact of social media on hunting culture. He discusses the balance between hunting and family life, especially as a new father, and reflects on the changing perceptions of hunting in society. The conversation emphasizes the need for understanding and respect in the hunting community, as well as the importance of fostering relationships with landowners to create a positive hunting experience. Takeaways Matt Buttermark shares his journey into hunting, starting at a young age. He emphasizes the importance of learning from experienced hunters. Scouting and understanding deer behavior are crucial for successful hunting. Baiting can increase chances of success, but it's still hunting. New Jersey presents unique challenges for hunters due to urbanization. Trail cameras provide valuable insights into deer activity and behavior. Matt recounts his experiences with a notable buck he tracked over the years. Hunting strategies should adapt to the environment and deer patterns. The hunting community is supportive and shares a passion for the outdoors.  Bow hunting is a personal choice and can be explained to landowners. Educating others about hunting can change perceptions. Building rapport with landowners is crucial for hunting permissions. Having a resume can help in gaining hunting access. Persistence pays off when seeking hunting spots. Insurance can alleviate landowner concerns about liability. Fatherhood changes the dynamics of hunting time. Social media influences hunting expectations and perceptions. New hunters should be encouraged regardless of the size of their harvest. The hunting community needs to support each other and foster new relationships. Show Our Supporters Some love! VitalizeSeed.Com RackGetterScents.Net Firenock.com WingAndTailOutdoors.Com https://nestedtreestands.com/WT10  Discount Code WT10 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week… Kärel and Max discuss and debate the most important issues facing our world; work beers, NFL conspiracies, The Miz Kid, used canoes, and bar top designs. Andy jumped on to discuss all the breaking news in the sports world. He broke down the Milwaukee Bucks ending Dame time and signing Myles Turner and the Brewers resurgence. The fellas dug into Jacob Misiorowski's background and found out how the Brewers acquired the young phenom. Then it was onto the NFL and its conspiracies. Max had quite the take on the Deshaun Watson downfall… I'll have whatever Max's smoking, he's out of his mind. The NFL is a fine upstanding organization and to question the shield is ludicrous! Max's views do not reflect the views of HUA or its sponsors. Shout out Heaven's Piss. Next Kärel battled the Dictionary and it's unanimous, he's getting smarter! Finally they ended things discussing their challenge. They've got a vision for the new bar top, now it comes down to execution and flattening some slabs! But before any of the nonsense, they saved the best for first, with the Beer of the Week! During the BOW the fellas rate and review a new beer. They discuss the history of the brewery and examine what's in the beer they're drinking. Then, they break down the beer by its drinkability, the probability they'd drink it again, its chugability, and the attractability of the can. Find out if Oskar Blues Brewery's Dale's Light Lager passed the HUA test.Beer of the Week: 05:45 - 59:20Sports World News: 01:03:20 - 02:38:00Kärel v.s. The Dictionary: 02:38:52 - 02:48:10Challenge Update: 02:48:15 - ENDBOW: Oskar Blues Brewery, Dale's Light Lager HUA 193 Drinking game: whenever they burp, drink! Good luck.Big shout out to the talented Adrian Pell! He created the intro and outro music for us. Check him out on IG: @AdrianPellMusicHold Us Accountable is on Patreon! Just search, ‘Hold Us Accountable.' We're just trying to earn us some beer money, nothing more nothing less! Join for just $1 a month! https://patreon.com/HoldUsAccountable920?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink If you're listening on Apple Podcasts or Spotify, rate and review the show, it helps us out a lot!Check out and subscribe to our YouTube Channel!⁠https://www.youtube.com/channel/UCRVYu7zopmxja1RsmVpOucQ/featur⁠We're live on Twitch, check out our page!⁠https://www.twitch.tv/holdusaccountable⁠Find us on X:⁠https://twitter.com/hua_pod?s=11&t=DqKX0s9j1XzF2xFF3dBlDA⁠If you want to let us know what you think of the show, or have an idea for the show, you can DM us on Facebook or Instagram @HoldUsAccountable

We've landed. In this episode of JK! Games! Book Club, we've officially completed our first checkpoint in Tears of the Kingdom — and Hyrule is opening it's butthole wide for us.We discuss reaching Lookout Landing, unlocking the Skyview Tower, getting the Paraglider, and choosing our first steps in the open world. We also share our reactions to returning characters like Purah and Robbie, how this sequel builds on Breath of the Wild, and what new mechanics and mysteries have already hooked us.This episode sets the stage for the real adventure ahead, and we announce next week's checkpoint — tackling our first Regional Phenomena (Rito, Zora, Goron, or Gerudo). Pick your path and play along with us!Checkpoint just completed:Finish the Great Sky IslandReach Lookout LandingUnlock the Skyview Tower + ParagliderTalk to Purah and RobbieNext week's checkpoints:1. Complete one of the four Regional Phenomena questlines2. Complete 8 Shrines3. Find a Dragon Tear memoryFollow and play with us! @JKGamesPodcast Discord Twitch Youtube Insta Bsky

Sam Keeton isn't letting the naysayers stop her (or even slow her down) as she serves up sweet treats on Route 66...and now in her brand new location. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voicemail for the show call 417-650-6057. Thank you to show sponsors Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.  

In this episode of the Range Podcast, host Ricky Brule and guest Brian Krebs discuss their shared passion for archery and hunting. They explore Brian's journey from a young hunter to a bow enthusiast, the evolution of bow technology, and the importance of social media in sharing hunting experiences.  The conversation also touches on the transition from the Western Rookie podcast to Brian's new venture, Drawn West, which focuses on practical tips for Western hunting. Additionally, they announce an exciting giveaway for a Matthews Lift X bow and discuss the significance of public lands advocacy. You can find more information about Brian's new adventure, Drawn West Podcast at www.getdrawmwest.com and enter to win a brand new Mathews Lift X of your choice.  Takeaways Brian's journey into hunting began with family traditions. Bow technology has significantly improved over the years. Social media can be a powerful tool for sharing experiences. The transition from Western Rookie to Drawn West reflects a new vision. Planning for Western hunts requires careful consideration and preparation. Community engagement is crucial for public lands advocacy. The podcast aims to provide practical tips for hunters. Live shooting segments add a unique element to the podcast. Giveaways can enhance listener engagement and excitement. The camaraderie in hunting creates a family-like atmosphere. The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV.  Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel. The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Another Always Be Booked, "Shots Across the Bow" cruise podcast episode with your host Tommy Casabona.  In this episode Tommy Covers: A new ship from Royal Caribbean A Central Park story we simply couldn't duck Multiple cruise ships losing power Celebration Key inaugural sailing launches Much more

In this episode of the Range Podcast, host Ricky Brule and guest Brian Krebs discuss their shared passion for archery and hunting. They explore Brian's journey from a young hunter to a bow enthusiast, the evolution of bow technology, and the importance of social media in sharing hunting experiences. The conversation also touches on the transition from the Western Rookie podcast to Brian's new venture, Drawn West, which focuses on practical tips for Western hunting. Additionally, they announce an exciting giveaway for a Matthews Lift X bow and discuss the significance of public lands advocacy.You can find more information about Brian's new adventure, Drawn West Podcast at www.getdrawmwest.com and enter to win a brand new Mathews Lift X of your choice. TakeawaysBrian's journey into hunting began with family traditions.Bow technology has significantly improved over the years.Social media can be a powerful tool for sharing experiences.The transition from Western Rookie to Drawn West reflects a new vision.Planning for Western hunts requires careful consideration and preparation.Community engagement is crucial for public lands advocacy.The podcast aims to provide practical tips for hunters.Live shooting segments add a unique element to the podcast.Giveaways can enhance listener engagement and excitement.The camaraderie in hunting creates a family-like atmosphere.The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.

In this episode of the Range Podcast, host Ricky Brule and guest Brian Krebs discuss their shared passion for archery and hunting. They explore Brian's journey from a young hunter to a bow enthusiast, the evolution of bow technology, and the importance of social media in sharing hunting experiences. The conversation also touches on the transition from the Western Rookie podcast to Brian's new venture, Drawn West, which focuses on practical tips for Western hunting. Additionally, they announce an exciting giveaway for a Matthews Lift X bow and discuss the significance of public lands advocacy.You can find more information about Brian's new adventure, Drawn West Podcast at www.getdrawmwest.com and enter to win a brand new Mathews Lift X of your choice. TakeawaysBrian's journey into hunting began with family traditions.Bow technology has significantly improved over the years.Social media can be a powerful tool for sharing experiences.The transition from Western Rookie to Drawn West reflects a new vision.Planning for Western hunts requires careful consideration and preparation.Community engagement is crucial for public lands advocacy.The podcast aims to provide practical tips for hunters.Live shooting segments add a unique element to the podcast.Giveaways can enhance listener engagement and excitement.The camaraderie in hunting creates a family-like atmosphere.The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network.

In today's episode, I'm sharing an exclusive sneak preview of How to Write a Novel, the debut audio course from my new company, DeepDive, which will be launching soon. How to Write a Novel is hosted by yours truly, and it features more than 50 hours of insight and instruction from dozens of today's leading contemporary authors, including Emily St. John Mandel, Melissa Broder, Stephen Graham Jones, V. V. Ganeshananthan, Ingrid Rojas Contreras, Porochista Khakpour, Claudia Dey, Gina Frangello, Tod Goldberg, Antoine Wilson, Vauhini Vara, Madelaine Lucas, Matt Bell, and many more. Today, you'll be hearing the first episode in the course. The episode is called "Why Write a Novel?" and it features a wonderful conversation with Steve Almond, New York Times bestselling author of several books, including the critically acclaimed debut novel All the Secrets of the World, and a superb craft book called Truth is the Arrow, Mercy is the Bow. *** ⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad Listi's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is an ⁠⁠⁠⁠⁠⁠⁠⁠⁠affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast features the songs "If You Knew Him"(The Powells) and "Bow the Knee"(The Powells) as well as part 2 of the message called "Our Weapons Against Spiritual Oppression" given by Pastor Stephen Pope from the pulpit of Calvary Baptist Church (Union Grove, NC)

While I'm out in the mountains scouting for an upcoming mountain goat hunt, I didn't want to leave you hanging. So in this episode, I'm sharing the audio from two recent YouTube gear reviews: the Argali Absaroka Tent and the Prime RVX 34 Bow. Jay Nichol jay@mindfulhunter.com https://www.mindful-reviews.com/ https://www.mindfulhunter.com/   Forged In The Backcountry https://forgedinthebackcountry.com/   Merch https://www.mindfulhunter.com/shop   Newsletter https://www.mindfulhunter.com/contact   IG https://www.instagram.com/mindful_hunter/   Podcast https://www.mindfulhunter.com/podcast   Free Backcountry Nutrition Guide https://www.mindfulhunter.com/tools  

Owner of Bow and Arrow Outdoors Camille Kent joins Blake to reflect on their 90s childhoods and explore what it looks like to raise kids in today's tech-heavy world while preserving imagination, outdoor play, and confidence. Camille shares how she and her husband created a children's outdoor apparel brand designed to encourage kids to embrace nature, regardless of the weather or terrain. The conversation dives into realistic strategies for managing extreme weather, including bringing the outdoors inside with imaginative play, shifting screen time boundaries, and making evening walks a family routine. They also open up about overcoming parental fears in the digital age, the value of letting kids take risks, and how outdoor play helps build resilience and emotional strength. At its core, this episode is a hopeful and practical reminder that even in 2025, a childhood filled with dirt, scraped knees, and fort-building is still within reach. In this episode, you'll be able to… Explore creative ideas for bringing the “outside in” when going outdoors isn't possible. Learn how small mindset shifts—like repurposing device time for conversation—can strengthen family connection. Understand how unstructured play and nature-based routines can help build your child's confidence, imagination, and emotional resilience. To connect with Camille…Website: bowandarrowoutdoors.comInstagram: @bowandarrowoutdoors | @camillekent523Facebook: @bowandarrowoutdoors Thanks to our sponsors! AquaTru - Get 20% off any aqua purifier when you use code BLAKE on AquaTru.com. AirDoctor - Visit airdoctorpro.com and get up to $300 off an air purifier when you using the code BLAKE and get a FREE 3-year warranty! Fatty15 - Take charge of your health by visiting fatty15.com/BLAKE and using the code HEALTHY to get an extra 15% off your 90-day subscription Starter Kit. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Jon shares a story about a hunt that resulted in two punched tags.  He looks at Philippians 3.14 makes some applications.  Trusting this gives you a little encouragement and that you are having an amazing week!

130 : Psalms 86 1. Bow down thine ear, O LORD, hear me: for I am poor and needy. 2. Preserve my soul; for I am holy: O thou my God, save thy servant that trusteth in thee. 3. Be merciful unto me, O Lord: for I cry unto thee daily. 4. Rejoice the soul of thy servant: for unto thee, O Lord, do I lift up my soul. 5. For thou, Lord, art good, and ready to forgive; and plenteous in mercy unto all them that call upon thee. ; AB church Lausanne

With 4 children, a teaching career, and a husband in the military, Emily Davis still found time to complete her PhD in Health and Human Performance and become a Core Rehabilitation Specialist. After 4 C-Sections, Dr. Emily, has learned a thing or two about how a strong core affects every area of a woman's life. She now dedicates her life to helping women become the best version of themselves. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show call 417-650-6057. Thank you to show sponsors: Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert.

Today's Lang Fairy Tale telling is The White Cat - a fairly twisted little story about a Prince falling in love with a feline, a Dad who doesn't want to give his sons their dues, and little tiny things of great value, hidden in other tiny things. Such as ring-sized dancing dogs that go, "Bow-wow." If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Just One Outdoors podcast, hosts Deegan and Austin sit down with Kevin from Kujo Outdoors to discuss a variety of topics related to hunting. They explore Kevin's background in hunting, his experiences with turkey and deer seasons, and the preparations he makes for each. The conversation also delves into equipment choices, including bows and trail cameras, as well as the challenges of hunting out of state. Kevin shares his thoughts on food plots, the importance of scouting, and the fun of hunting with friends. The episode wraps up with a discussion on future hunting plans and the camaraderie that comes with the sport.Takeaways​Kevin didn't grow up hunting and started later in life.​Turkey season can be challenging and requires patience.​Preparation for deer season is crucial, including scouting and equipment.​Bow choices can significantly impact hunting success.​Food plots can attract more deer and improve hunting opportunities.​Trail cameras help monitor deer activity but can take the fun out of hunting.​Out of state hunting can be daunting due to regulations and logistics.​Hunting with friends adds to the enjoyment of the experience.​Quality deer management is important for sustainable hunting.​The camaraderie among hunters is a key aspect of the sport.Chapters00:00 Introduction and Background06:14 Transition to Hunting Background10:04 Turkey Season Experiences14:06 Preparing for Deer Season18:13 Bow Selection and Preferences23:54 Food Plots and Trail Cameras26:21 The Impact of Food Plots on Deer Hunting29:13 Scouting and Discovering New Hunting Areas32:05 Trail Cameras: Insights and Challenges35:42 The Complexity of Out-of-State Hunting48:31 Connecting Over Shared Hunting ExperiencesKeywordshunting, bow hunting, turkey season, deer season, outdoor podcast, hunting equipment, trail cameras, food plots, out of state hunting, hunting experiences

In a season of Stillness, but I'm still here. ❤️‍

What's the secret to real boldness? Closeness to God. Ephesians 3:11-15 says we have boldness and access with confidence in Christ. The closer we are to God, the bolder we become—in prayer, speech, and action. Don't lose heart when culture pushes back. Instead, focus on what God is doing in you. Paul's answer? Pray. Bow before the Father with faith and humility. Where does your confidence truly lie? Let's get bold in Christ.

Hosts Jim DeRogatis and Greg Kot talk with Local H founder Scott Lucas about the band and their new documentary, Lifers. Plus, the hosts review new albums from Stereolab and Mclusky.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Local H, "Bound for the Floor," As Good as Dead, Island, 1996The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Stereolab, "Aerial Troubles," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Electrified Teenybop!," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Transmuted Matter," Instant Holograms on Metal Film, Warp, 2025Mclusky, "The Unpopular Parts of The Pig," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "The Digger You Deep," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "People Person," The World Is Still Here and So Are We, Ipecac, 2025Local H, "Chicago Fanphair '93," Ham Fisted, Island, 1995Local H, "Eddie Vedder," As Good as Dead, Island, 1996Local H, "High-Fiving MF," As Good as Dead, Island, 1996Local H, "All the Kids Are Right," Pack Up the Cats, Island, 1998Local H, "Everyone Alive," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "The Misanthrope," Hey, Killer, G&P, 2015Local H, "Turn the Bow," Lifers, AntiFragile Music, 2020Local H, "2112 Overture / The Temples of Syrinx" (Rush cover)," The Another February EP, Slimstyle, 2013Local H, "How's The Weather Down There," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "Nothing Special," As Good as Dead, Island, 1996Local H, "P.J. Soles," Whatever Happened to P.J. Soles?, Studio E, 2004The Roots, "You Got Me (feat. Erykah Badu & Eve)," Things Fall Apart, MCA, 1999See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Becoming a Bowhunter, Matty sits down with 21-year-old Logan Hawker — a young bowhunter who's quickly earning his stripes through persistence, hard-earned lessons, and a deep respect for the hunt. Logan first got into bowhunting thanks to a mad-keen neighbor, and even managed to pull his rifle-hunting dad over to the dark side (aka stick and string). These days, he's putting in 20–30 km days chasing boars in the mountains.  This one's full of laughs, insight, and the kind of grounded stories every hunter can relate to. Show topics: Big Buck Down: The play-by-play on Logan's big 2025 fallow buck — a calculated stalk and clean kill after years of chasing deer.Chasing Big Mountain Boars: Logan's approach to boar hunting during the rut, including the grind of long walks and thick country.Stick Bows: How a short stint with a Black Widow traditional bow sharpened his skills and made him a better all-round hunter.Surround Yourself with Good Hunting Buddies: Why learning from experienced hunters like Jas Ritchie has been a huge upgrade for Logan's hunting success.The Unlucky Barbed Wire Roll: That one time low light, determination, and a very pig-like silhouette led to the most unforgettibly, hilarious story.. Find Logan Hawker: @loganhawker Find Becoming a Bowhunter:  Instagram: @becomingabowhunter.podcast  Hosted by: @mattyafter Episode Sponsors: Dog and Gun Coffee – Fuel your hunt with premium coffee. Use code BOWHUNTER for $10 off. @dogandguncoffee Kayuga Broadheads – Precision and reliability for every shot. Use code BAB10 for 10% off. @kayuga_broadheads Venture Hunting & Outdoors – Gear up for your next hunt. @venturehunting Jab Stick Outdoors – Precision-engineered carbon shafts. Use code BAB10 for $10 off. @jabstickoutdoors

Julie Lide with The Pulaski County Board of Realtors provides an update on The Pulaski County Housing Market, as well as some recent Legislative "victories" in Washington DC that could affect you. The Fort NOT Lost in the Woods Podcast is a production of O'Quinn Marketing. For information on being a guest or sponsor, email tracy@oquinnmarketing.com. To leave a voice mail for the show call 417-650-6057. Thank you to show sponsors: Nexthome Team Ellis, Security Bank of Pulaski County, The Bow and Barrel Sportsmen Center and TK's Pizza of St. Robert. 

#777 Show Notes: https://wetflyswing.com/777     Presented by: Fish The Fly, Patagonia, Jackson Hole Fly Company, San Juan Rodworks  Sponsors: https://wetflyswing.com/sponsors       In this episode, we're joined by Josh Nugent from Out Fly Fishing to talk all about fly fishing the Bow River. Josh shares what makes this river so special, how to plan your trip, and even some surprising lessons from his time studying the world's best fly casters. When it comes to legendary trout rivers in North America, Alberta's Bow River is near the top of the list. Flowing from the Rockies just outside Banff National Park, the Bow is known for its big browns, healthy rainbows, and endless opportunities for anglers. If you're planning to go on a fishing trip in Alberta, this episode is for you. Show Notes: https://wetflyswing.com/777      

Strike a pose. Baconsale is ready to discuss the best-selling female recording artist of all time. Who's That Girl? Well, it's the Queen of Pop herself: Madonna. Everybody may not Cherish all the Music this Material Girl has produced, but it's no Secret that she's a Popular figure in pop culture. Joel, Kent, and Zack won't get Hung Up on Madonna's controversial past as we try to keep this episode on the family-friendly side of the Borderline. The (True Blue) truth is that it was no Holiday to listen to all of her studio albums, but we managed to get Into the Groove with some new tunes and we Live to Tell you five songs that do not deserve to Take a Bow as well as five songs we think are a Ray of Light.   Life is a mystery, but you can Express Yourself by pressing play.   Visit Baconsale.com to Open Your Heart by listening to the Spotify playlist we created for this episode.

Youth SundayPastor Reggie"Don't Bow"062925

In this sermon by Pastor Chris Romig, the focus is on Revelation 6 and the opening of the first of seven seals, introducing the rider on the white horse. Chris explains the significance of the sealed scroll and emphasizes that only Jesus, the Lamb of God, has the authority to begin this end-time unveiling. He explores different interpretations of the rider's identity: some suggest the spread of the gospel or even Jesus himself, but Chris argues these don't fit the context or details. Instead, he suggests the rider is best understood as the Antichrist, a figure who will appear to bring peace but ultimately unleashes chaos, war, and destruction as described by the following horsemen. Drawing from related prophecies in Daniel and 2 Thessalonians, Chris explains the Antichrist's deceptive rise and the importance of spiritual discernment. Chris cautions against guessing which current leader might be the Antichrist, reminding believers that their focus should be on Jesus, not on fear or speculation. He reassures the congregation that Christians, empowered by the Holy Spirit, play a restraining role against evil and many believe they will be taken to be with Christ before the worst comes. The sermon concludes by urging listeners to place their hope not in earthly leaders or “knights on white horses,” but in Jesus Christ the true and victorious rider who alone brings hope, justice, and peace.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

I spent way too much time trying to shoehorn a Warhammer 40K reference into this episode title, and it devolved into something that would make a Chaos Marine blush. So we're keeping it professional (kinda) and diving straight into the space weather for 2025's back 9. Watch along on YouTube here, if you like. This is what we cover. Space Baby Update & Good Enough Goals  Austin's 30-pound toddler is harder to carry than heavy deadlifts, and "good enough" is our 2025 achievement mindset Failed 40K References & First Half Lookback  From the eternal Mars season to the Carnival of Chaos that delivered perfect tariff confusion Iran & Playing for All the Marbles  Why this could mark the start of World War III and how it connects to the Jupiter-Saturn square Uranus Enters Gemini: The Pilot Episode  The seven-year transit that historically reshapes America, plus the flying wedge formation of outer planets The Bow and Arrow Configuration  Peak craziness in August with Mars-Saturn tension creating a cosmic weapon aimed at change The Pause That Does Not Refresh  September's retreat into swampy Pisces energy—like WWI trenches where your feet rot in gross water Pisces-Virgo Eclipse Season  The tail of the dragon's Buddhist letting go vs. the head's overwhelming hunger for the dream Neptune in Aries & Individual Glory  From woke-era uniformity to the pursuit of personalised excellence and looking combat-ready Jupiter in Cancer Magic  Learning what you really need and how to ask the divine for surgical beneficence Personal Updates & H2 Plans  Austin's book progress, Gordon's Peru trip for the Festival of the Sun, and preparing for a louder 2026  

Tipsy Tuesday #57 is Bear Defense with Justin Rasmussen owner of Razco Gear. Justin discusses firearms vs spray and where each shines in deterring an attack, along with the best practice techniques and insight on keying into a bear's body language. Next we jump into Rokslide's Cold Bore Challenge with Justin Crossley. Travis Hobbs covers drought and fire conditions and if they'll impact your hunting unit. All the details of G5 Outdoors newest release with Caleb Sorrells. Tyler Kath of T&K Hunting Gear outlines his company's mission and showcases some favorite products. Sam then shifts the talk toward the other Rokslide.com gear reviews and recaps the latest Western news. Razco Gear- https://www.razcogear.com/ Razco Bear Defense Basics video- https://www.youtube.com/watch?v=PHLM-pX3emA Bear Spray vs Bullets video- https://www.youtube.com/watch?v=rnfB4ZL9JTc Cold Bore Challenge-https://rokslide.com/forums/threads/2025-cold-bore-challenge.408693/ Prime FORM 30 Bow- https://www.g5prime.com/prime-archery-hunting-bows/form-30/ T&K Hunting Gear- https://tandkhunting.com/ T&K 3.1 Binocular Harness review- https://www.rokslide.com/tk-gen-3-1-bino-harness-review/ Cold Bore Challenge Q&A thread- https://rokslide.com/forums/threads/2025-cold-bore-challenge-q-a-thread.403820/ Howl for Wildlife- Take Action Check out Rokslide's 2024 Best Gear- https://www.rokslide.com/best-gear-of-2024-rokslide-edition/ Visit Rokslide's Rokcast Forum to submit questions, request a topic or give feedback. To be a guest on Tipsy Tuesday please send an email to Sam@Rokslide.com [ Rokcast is powered by onX Hunt. For 20% off, use Promo Code “Rokcast” at onX Hunt here https://www.onxmaps.com/hunt/app