Podcasts about Cleveland Orchestra

The next "Sound of Ideas Community Tour" is being held in conjunction with the Cleveland Orchestra's Mandel Opera and Humanities Festival and focuses on people reentering society post-incarceration.

As the lasting impact of colonialism and slavery is felt throughout Native American tribes and Black communities today, museums across the nation are grappling with issues of patrimony and provenance regarding art, artifacts, relics, and remains. These items were often taken without consent, long before ethical protocols for procurement were established.rnrnNow, museums are working to find solutions in collaboration with community and comply with federal laws, such as the Native American Graves and Repatriation Act (NAGPRA). Enacted in the 1990s, the Biden Administration recently issued updated policies that ultimately led to some museums covering up or removing some displays until the appropriate determinations could be made. This act reignited a conversation on museums' role in reconciliation, addressing historical injustices, and cross-cultural understanding.rnrnThe City Club is once again proud to partner with The Cleveland Orchestra as part of the third annual Jack, Joseph and Morton Mandel Opera and Humanities Festival. Join us as we hear from museum leadership from Washington, D.C., New York City, and here in Ohio on how American cultural institutions are charting a new path forward on reconciliation and repatriation.

Auf dem Weg zu seinem letzten großen Orchesterwerk, dem „Doppelkonzert“, schrieb Johannes Brahms auf Sommerfrische im schweizerischen Thun 1886 und 1887 ungewöhnlich frohgemute Kammermusik und Lieder für eine junge Sängerin. Wie das klingt, wenn ein Griesgram sein Herz öffnet, demonstrieren Solisten wie Henryk Szeryng und Artur Rubinstein (RCA), Pierre Fournier und Wilhelm Backhaus (Decca), das Beaux Arts Trio (Philips), Juliane Banse und Bernarda Fink (harmonia Mund), sowie David Oistrach und Mstislav Rostropowitsch mit dem Cleveland Orchestra unter George Szell (EMI).

Avner Dorman is an Israeli born classical composer. His fans include Pinchas Zuckerman, Zubin Mehta and Andris Nelson. His music has been performed by the Cleveland Orchestra and by the Boston, Los Angeles and San Francisco Symphonies. He won Israel's Prime Minister Award. He earned a doctorate from Juilliard, and he's currently a Professor of Music.My featured song is “Out Of Tahini” from the album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Avner:www.avnerdormanmusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

fWotD Episode 2882: Pierre Boulez Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 26 March 2025 is Pierre Boulez.Pierre Louis Joseph Boulez (French: [pjɛʁ lwi ʒozεf bulɛz]; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music.Born in Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His uncompromising commitment to modernism and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist.Boulez was also one of the most prominent conductors of his generation. In a career lasting more than sixty years, he was music director of the New York Philharmonic, chief conductor of the BBC Symphony Orchestra and principal guest conductor of the Chicago Symphony Orchestra and the Cleveland Orchestra. He made frequent appearances with many other orchestras, including the Vienna Philharmonic and the Berlin Philharmonic. He was known for his performances of the music of the first half of the twentieth century—including Debussy and Ravel, Stravinsky and Bartók, and the Second Viennese School—as well as that of his contemporaries, such as Ligeti, Berio and Carter. His work in the opera house included the production of Wagner's Ring cycle for the centenary of the Bayreuth Festival, and the world premiere of the three-act version of Berg's opera Lulu. His recorded legacy is extensive. He also founded several musical institutions. In Paris he set up the Domaine musical in the 1950s to promote new music; in the 1970s he established the Institut de Recherche et Coordination Acoustique / Musique (IRCAM), to foster research and innovation in music, and the Ensemble intercontemporain, a chamber orchestra specialising in contemporary music. Later he co-founded the Cité de la musique, a concert hall, museum and library dedicated to music in the Parc de la Villette in Paris and, in Switzerland, the Lucerne Festival Academy, an international orchestra of young musicians, with which he gave first performances of many new works.This recording reflects the Wikipedia text as of 00:21 UTC on Wednesday, 26 March 2025.For the full current version of the article, see Pierre Boulez on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Olivia.

Tom Morris is the author of Always the Music, a book I consider a must-read for anyone looking to understand the ins and outs of the classical music business—how it operates, its challenges, and the fascinating personalities involved. Tom has had an extraordinary journey in the world of music, having experienced it all from multiple perspectives. He started as a percussionist, performing with the Boston Symphony Orchestra, and eventually became the General Manager of the same institution. Later, he served as the Executive Director of the Cleveland Orchestra for 17 years, where he made a lasting impact. Most recently, he was the Artistic Director of the renowned Ojai Music Festival, a position he held from 2004 to 2019. In our conversation, we delve into many aspects of his book and his life, a life filled with passion, dedication, and invaluable insights into the classical music world.In Part 1, we explore Tom's early musical journey, beginning as a percussion student and the significant influence of Vic Firth, the legendary timpanist of the Boston Symphony. From there, Tom moved into a pivotal role as the General Manager of the BSO. Along the way, he formed lasting friendships with some of the most influential figures in classical music, including composer Oliver Knussen, conductor John Williams—who joined the Boston Pops in 1980—and the visionary Pierre Boulez. We also discuss Tom's time at the Cleveland Orchestra, where he made a lasting impact, especially through successful European tours and innovative programming that helped elevate the orchestra's profile.In Part 2 [Subscriber Content], we turn to an influential figure who shaped Tom's approach to leadership and problem-solving: author Jim Collins, best known for his book Good to Great. Tom shares how he brought Collins in to help refine the Cleveland Orchestra's strategy, offering a fascinating insight into his thinking on organizational development. We also discuss a significant shift in how conductors approach programming, with many now focusing on the concert as a whole rather than simply selecting individual pieces. Finally, we wrap up with Tom reflecting on his time as Artistic Director of the Ojai Music Festival, where his leadership left a lasting legacy.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Whilst not technically a St Patrick's Day Special, this week's episode was recorded in Dublin, at the Royal Irish Academy of Music, on St Paddy's Weekend, with Irish flute royalty.Professor William Dowdall, former principal flute of the National Symphony Orhcestra of Ireland, joins me to chat about vibrato, flutter tongue, The Cleveland Orchestra, blending, orchestral excerpts and Guinness. Sláinte lads, Éirinn go Brách xInline G Merch

Marvel's 2018 film Black Panther not only broke box office records, it also changed perceptions of Black superheroes and African culture. As the first film to feature a Black superhero, the film's director and writers wasted zero time taking up space in an industry that traditionally lacks BIPOC representation. Joining the team was Ruth E. Carter, whose skill in blending African-American history and contemporary culture through fashion, combined with her determination to showcase Black excellence, won an Academy Award in 2019.rnrnrnNow through April 6th, Clevelanders will have the opportunity to be up close to the outfits created by Carter, in conjunction with the Cleveland Orchestra's performance of Ludwig G?ransson's Oscar-winning score from Black Panther on March 28-29. It is a rare opportunity to see what it looks like when communities can tell their own stories through their creativity, and shift narratives for lasting change.

This week on The Sound Kitchen you'll hear the answer to the question about the “Mission 300” plan. You'll hear about the island Yap, and hear your fellow listener's thoughts on “The Listener's Corner” with Paul Myers. There's Ollia Horton's “Happy Moment”, and Erwan Rome's “Music from Erwan”, too – all that, as well as the new quiz and bonus questions, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.The RFI English team is pleased to announce that Saleem Akhtar Chadhar, the president of the RFI Seven Stars Listening Club in District Chiniot, Pakistan, won the RFI / Planète Radio ePOP video contest, in the RFI Clubs category. Bravo Saleem! Mubarak ho!Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 1 February, I asked you a question about our article “African nations set to light up the homes of 300 million people by 2030”.Nearly 600 million Africans live without access to electricity, which is higher than any other continent. The World Bank and the African Development Bank have a plan: Dubbed "Mission 300”, it's meant to connect half of those homes to power by 2030.You were to send in the names of four African countries that have committed to reform their electricity utility companies, push renewable energy integration, and raise targets to improve access to national electricity. The World Bank grant will only be available to countries once these reforms have been carried out.The answer is, to quote our article: “In Nigeria, an estimated 90 million people, 40 percent of the population, don't have access to electricity. The country, along with Senegal, Zambia and Tanzania is one of a dozen that committed as part of the Mission 300 Plan.”The other countries are Chad, Côte d'Ivoire, Mauritania, DRC, Niger, Liberia, Madagascar, and Malawi. In addition to the quiz question, there was the bonus question: “What item have you held on to as a remembrance of something?”Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Radhakrishna Pillai from Kerala State, India. Radhakrishna is also this week's bonus question winner. Congratulations, Radhakrishna, on your double win !Also on the list of lucky winners this week are Ahsan Ejaz, a member of the RFI Fans Club in Sheikhupura, Pakistan, and Sharmin Sultana, a member of the Shetu RFI Listeners Club in Naogaon, Bangladesh. Rounding out the list are two RFI English listeners: Subhas Paul, a member of the RFI Students Radio Club in West Bengal, India, and Christian Ghibaudo from Tende, France.Congratulations, winners!Here's the music you heard on this week's programme: The “Vivace” from Serenade for Small Orchestra by Jean Françaix, performed by the Cleveland Orchestra conducted by Louis Lane; “Djourou”, performed by Ballaké Sissoko and Sona Jobarteh; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and “Baul Song” by Lalan, performed by Torap Ali Shah.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “French president Macron set to brief EU leaders over details of Trump talks”, which will help you with the answer.You have until 24 March to enter this week's quiz; the winners will be announced on the 29 March podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Today we released part two of our interview with Michael Sachs. He has a portfolio career at the highest levels of classical music: he's in his 37th year as the principal trumpet of The Cleveland Orchestra, he's the Music Director of the Strings Music Festival, an active soloist, author, instrument designer, and he's on the faculty at the Curtis Institute of Music.   Though our interview mainly focuses on his entrepreneurial activities as a music director and musician outside of The Cleveland Orchestra, Michael offers a wealth of information to anyone aspiring to become a professional musician! https://michaelsachs.com/

Today we released part one of our interview with Michael Sachs. He has a portfolio career at the highest levels of classical music: he's in his 37th year as the principal trumpet of The Cleveland Orchestra, he's the Music Director of the Strings Music Festival, an active soloist, author, instrument designer, and he's on the faculty at the Curtis Institute of Music.   Though our interview mainly focuses on his entrepreneurial activities as a music director and musician outside of The Cleveland Orchestra, Michael offers a wealth of information to anyone aspiring to become a professional musician! https://michaelsachs.com/

In this interview with Tom Morris, a veteran of orchestra management whose career included leadership roles with the Boston Symphony and the Cleveland Orchestra, conductor Devin Patrick Hughes provides a comprehensive look at the inner workings of orchestral institutions, the evolution of their management, and the crucial role of music in their success. Morris's journey from a percussionist to a top-level administrator offers a unique perspective, and his reflections provide valuable lessons for anyone interested in the performing arts. One of the most compelling aspects of the interview is Morris's discussion of how his musical background shaped his management philosophy. He emphasizes his deep understanding of musicians' lives, having experienced firsthand the challenges and demands of performing in an orchestra. This empathy enabled him to build trust with musicians and approach labor negotiations with a unique perspective. Morris's belief that "ultimately these institutions are about the music" underscores the importance of passion and artistic integrity in organizational leadership. The episode also explores the historical evolution of orchestra management, particularly the Boston Symphony Orchestra. Morris recounts how, before the 1970s, the orchestra relied on simple postcards for subscription renewals. He explains that over the seventies and eighties, the percentage of the budget earned from ticket sales gradually fell. This shift necessitated the development of marketing and fundraising departments, leading to a significant increase in administrative staff.  Morris shares fascinating insights about the Boston Pops, emphasizing that it was founded in 1885, before Arthur Fiedler became its 17th conductor in 1929. The Boston Symphony created the Pops to provide more employment for musicians and to perform lighter music for a broader audience. He discusses how the Boston Symphony transformed Symphony Hall into a "beer hall" to accommodate a more informal setting for the Pops concerts. He explains that in the early days the Pops sold blocks of tickets to community groups and did not have to focus on individual ticket sales. He also recounts how the popularity of Arthur Fiedler was enhanced even further by the "Evening at Pops" television series. Morris details the process of selecting John Williams as Fiedler's successor, explaining that Williams was chosen for his musical integrity and knowledge of the symphony orchestra. Furthermore, the interview addresses the crucial dynamic between management, the music director, and the board of directors, which Morris refers to as the "Bermuda Triangle.” Morris suggests that this structure can function perfectly if the right people are in those roles and are bound by a common vision. He also emphasizes that having a collaborative culture is essential, but that collaborative decision-making should be avoided. Morris stresses the importance of clear lines of authority and not settling for "good enough" when hiring. He also shares that when hiring he uses Jim Collins' three C's: competence, character, and chemistry. These points underscore the need for strong leadership and a shared vision in any successful organization. Morris also touches on the importance of thoughtful programming. He humorously mentions his collection of "dumb programs" and emphasizes the importance of carefully considering the combination of pieces in a concert. He contrasts examples of bad programming with one of his favorites, a concert he organized with Christoph von Dohnányi, which combined pieces by Ligeti, Wagner, and Bruckner. This conversation highlights that thoughtful artistic direction is an essential element in the success of an orchestra. Thank you for joining us on One Symphony. Special thanks to Thomas Morris for sharing his life and leadership. You can pick up a copy of Always the Music: How a Lifelong Passion Framed a Future for Orchestras wherever you get your books. For a list of recordings played on today's episode, please check out our show notes. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music. https://www.alwaysthemusic.com Featured Music All music selections for this episode feature the Boston Pops.  Tchaikovsky's Serenade for Strings in C Major, Op. 48: Waltz. Conducted by Arthur Fiedler, from the album Fiedler: Greatest Hits.  L'Arlésienne Suite No. 2: Farandole. Composed by Georges Bizet. Conducted by Arthur Fielder, from the album Fiedler: Greatest Hits. “Manhattan Skyline.” From the album Disco Inferno / Manhattan Skyline. Conducted by Arthur Fiedler.  “I Got Rhythm, Embraceable You.” From the album Boston Pops Salutes Astaire, Kelly, Garland. Composed by George and Ira Gershwin. Conducted by John Williams.  “Flying Theme” from E. T. Composed by John Williams. Performed live by John Williams conducting the Boston Pops in 2002.  “America Medley: America.” From the album Salute to America. Composed by Leonard Bernstein. Lyrics by Stephen Sondheim. Conducted by John Williams.  “None But The Lonely Heart.” From the album Pops a la Russe. Composed by Pyotr Ilyich Tchaikovsky. Conducted by John Williams.  The Snow Maiden - Suite - Danse des Bouffons. Composed by Nikolai Rimsky-Korsakov. From the album Pops a la Russe. Conducted by John Williams.  Holst: The Planets, op.32: 3. Mercury, The Winged Messenger. From the album Boston Pops Orchestra: John Williams. Conducted by John Williams. Overture from The Merry Wives of Windsor. From the album Fiedler: Greatest Hits. Conducted by Arthur Fiedler.  “Pizzicato Polka.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  “Funeral March of a Marionette.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  

Stephen McHale — a long-time Cleveland serial entrepreneur with a 40-year career founding, investing in, and building companies.Most notably, Steve served as Chairman of the Board and Chief Executive Officer of Explorys, which he formed in 2009 in partnership with The Cleveland Clinic. He co-founded and funded Explorys with Charlie Lougheed, one of my former co-founders from Axuall, where Steve is also a board member.In six years, Explorys became the leader in leveraging electronic medical records, healthcare big data, and value-based-care analytics, spanning 26 healthcare networks, 60 hospitals, and 60 million patients across the US — ultimately leading to its acquisition by IBM in April 2015.Prior to Explorys, Steve served as the Chairman of the Board and CEO of Everstream, the company he founded in 1999 which was sold to Concurrent [NASDAQ: CCUR] in 2005 as a market leader in broadband and content analytics.Beyond his roles serving on Boards of The Cleveland Clinic, Cleveland Orchestra, Cleveland Museum of Natural History, JumpStart, and others, today he serves as the co-founder and director of Unify Labs — a 501c3 he formed in 2017 to power inclusive prosperity — and CEO of Graici, a universal personal AI-powered assistant inspired by the work and research conducted at Unify Labs.-----LINKS:https://graici.com/about-graicihttps://www.unifylabs.org/https://www.linkedin.com/in/stmchale/-----SPONSORS: John Carroll University Boler College of Business || Impact Architects & NinetyJohn Carroll University Boler College of Business: https://business.jcu.edu/ As we've heard time and time again from entrepreneurs on Lay of The Land — many of whom are proud alumni of John Carroll University —  success in this ever-changing world of business requires a dynamic and innovative mindset, deep understanding of emerging technology and systems, strong ethics, leadership prowess, acute business acumen… all qualities nurtured through the Boler College of Business!With 4 different MBA programs of study — spanning Professional, Online, Hybrid, and 1-Year-Flexible — The Boler College of Business provides flexible timelines and various class structures for each MBA Track — including online, in-person, hybrid and asynchronous — to offer the most effective options for you, in addition to the ability to participate in an elective International Study Tour, providing unparalleled opportunities to expand your global business knowledge by networking with local companies overseas and experiencing a new culture.The career impact of a Boler MBA is formative and will help prepare you for this future of business and get more out of your career. To learn more about John Carroll University's Boler MBA programs, please go to business.jcu.eduThe Boler College of Business is fully accredited by AACSB International, the highest accreditation a College of Business can have.Impact Architects & NinetyLay of The Land is brought to you by Ninety. As a Lay of The Land listener, you can leverage a free trial with Ninety, the platform that helps teams build great companies and the only officially licensed software for EOS® — used by over 7,000 companies and 100,000 users!This episode is brought to you by Impact Architects. As we share the stories of entrepreneurs building incredible organizations throughout NEO, Impact Architects helps those leaders — many of whom we've heard from as guests on Lay of The Land — realize their visions and build great organizations. I believe in Impact Architects and the people behind it so much, that I have actually joined them personally in their mission to help leaders gain focus, align together, and thrive by doing what they love! As a listener, you can sit down for a free consultation with Impact Architects by visiting ia.layoftheland.fm!-----Stay up to date by signing up for Lay of The Land's weekly newsletter — sign up here.Past guests include Justin Bibb (Mayor of Cleveland), Pat Conway (Great Lakes Brewing), Steve Potash (OverDrive), Umberto P. Fedeli (The Fedeli Group), Lila Mills (Signal Cleveland), Stewart Kohl (The Riverside Company), Mitch Kroll (Findaway — Acquired by Spotify), and over 200 other Cleveland Entrepreneurs.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Jeffrey Stern on X @sternJefe — https://twitter.com/sternjefeFollow Lay of The Land on X @podlayofthelandhttps://www.jeffreys.page/

Over the course of 34 years, Thomas W. Morris worked at the top levels of the symphony orchestra world, running two of the biggest and most famous, the Boston Symphony and The Cleveland Orchestra.Throughout, though, he developed a sense of institutional malaise, on how classical music is presented these days.He capped his career becoming artistic director of California's Ojai Music Festival. There, Thomas reimagined music experiences by challenging all aspects of making music and producing concerts.Thomas's book, Always The Music is the story of his growth through the highest levels of the world of classical music, his learning and insights into how storied musical institutions function, how great artists create, and how audiences engage. The book's final chapter offers a thoughtful prescription for the American orchestra. Mostly, though, this is the story of one man's lifelong love affair with great music and the people who make it.Like the book, this is an instructive and entertaining episode!

This week on The Sound Kitchen you'll hear the answer to the question about Senegal's legislative elections. There's “On This Day”, “The Listener's Corner” with Paul Myers, and Erwan Rome's “Music from Erwan”– all that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.WORLD RADIO DAY is coming up - it's on 13 February. As we do every year, we'll have a feast in The Sound Kitchen, filled with your voices.Send your SHORT recorded WRD greetings to thesoundkitchen@rfi.fr by 1 February. This year's theme is "Radio and Climate Change", but you don't have to talk about the theme - if you just want to say "hello!", that's fine, too.Be sure you include your name and where you live in your message.Most importantly, get under a blanket to record. This will make your recording broadcast quality.Bombard me with your greetings!!!!The RFI English team is pleased to announce that Saleem Akhtar Chadhar, the president of the RFI Seven Stars Listening Club in District Chiniot, Pakistan, won the RFI / Planète Radio ePOP video contest, in the RFI Clubs category. Bravo Saleem! Mubarak ho!Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On the 23rd of November, I asked you a question about the legislative elections in Senegal, which were won by a comfortable margin by Pastef, the ruling party.The win came just a few months after President Bassirou Diomaye Faye secured the presidency, pledging economic transformation, social justice, and a fight against corruption, so now the way is cleared for Faye and Pastef to carry out ambitious reforms. May they succeed!You were to re-read our article “Senegal's ruling Pastef party on track to get large majority in elections”, and send in the answer to these questions: How many registered voters are there in Senegal, how many members are there in the Parliament, and for how long do those MPs serve?The answer is, to quote our article: “Senegal's roughly 7.3 million registered voters were called to elect 165 MPs for five-year terms.”In addition to the quiz question, there was the bonus question: “What is the best thing to wake up to?”Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Kashif Khalil from Faisalabad, Pakistan, who is also this week's bonus question winner.Congratulations on your double win, Kashif!Also on the list of lucky winners this week are Nafisa Khatun, the president of the RFI Mahila Shrota Sangha Club in West Bengal, India, and Nahid Hossen, a member of the Shetu RFI Listeners Club in Naogaon, Bangladesh. There's RFI Listeners Club member Sunil Dhungana from Braga, Portugal, and last but not least, RFI English listener Renu Sharma from Rajasthan, India.Congratulations, winners!Here's the music you heard on this week's programme: Slavonic Dance op. 46 No. 6 by Antonin Dvorak, performed by the Cleveland Orchestra conducted by George Szell; “Jarabi”, written and performed by Toumani Diabaté and Sidiki Diabaté; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “La Musette” by Léojac and René Flouron, performed by Berthe Sylva with the Orchestre des Concerts Parisiens conducted by André Cadou.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Melissa Chemam's article “France's ex-president Sarkozy on trial over alleged Gaddafi pact”, which will help you with the answer.You have until 3 February to enter this week's quiz; the winners will be announced on the 8 February podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Ojai Talk of the Town welcomes Tom Morris, a titan of the classical music world, for a deep dive into his extraordinary memoir, Always the Music: How a Lifelong Passion Framed a Future for Orchestras." With decades of leadership at the Boston Symphony Orchestra and the Cleveland Orchestra, Tom shaped the future of two of America's most revered symphonies. As artistic director of the Ojai Music Festival for 16 years, he brought bold programming and visionary collaborations to the forefront of contemporary music. In Always the Music, Tom shares behind-the-scenes stories of his friendships with legends like Pierre Boulez, Arthur Fiedler, and John Williams and Michael Tilson Thomas on iconic tours, his memoir brims with insights into the artistry, genius, and grit behind world-class symphonies and public arts organizations. Much more than a memoir, Tom's book contains insights and action plans for orchestras and arts organizations to refocus on providing transcendent experiences, to build audiences and connect communities through the transformative power of art. Join us as Tom reflects on his transformative career, the enduring power of live performance, and the lessons he's learned about music's role in connecting us all. Don't miss this candid and inspiring conversation with a master of his craft! We did not talk about John McPhee's meditation on shad runs in the Delaware River, Josh Allen's chances of winning an MVP or the opening of the El Roblar Hotel. Check out more about Tom at https://www.ojaifestival.org/about/leadership/thomas-w-morris-artistic-director/

George Szell took over the Cleveland Orchestra in 1946, and, once he had created the instrument he needed, he started an extensive series of recordings for CBS (American Columbia, now Sony Classical). The focus was on the great works of the Austro-German repertoire and, needless to say, the nine Beethoven symphonies and a selection of overtures were among them (recorded between 1957 and 1967). Sony Classical have just gathered together the symphonies and overtures from the large 'George Szell Complete Columbia Collection' set from 2018, and are releasing them on seven CDs on December 13 and also digitally (already available). James Jolly went to talk to Gramophone's long-serving contributor Rob Cowan about the recordings, and also about George Szell as a conductor in general.

Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She has enjoyed close collaborations with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence for two seasons. Facetune_10-01-2024-19-09-31_edited_edited.jpg Her operatic roles have included Brigitta in Korngold's Die Tote Stadt (Petrenko/Bayerische Staatstoper, Gramophone's Recording of the Year), Mrs Sedley in Britten's Peter Grimes (Gardiner/Bayerische Staatsoper), Hedwige in Rossini's Guillaume Tell (Ettinger/Bayerische Staatsoper), Second Norn in Wagner's Götterdämmerung (Petrenko/Bayerische Staatsoper), Mrs Grose in Britten's The Turn of the Screw (Eschenbach/La Scala), Juno in Handel's Semele (Luks/Glyndebourne Festival), Lady de Hautdesert in Birtwistle's Gawain (Metzmacher/Salzburg Festival), Jocasta in Stravinsky's Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras and on disc), Judith in Bartok's Bluebeard's Castle (Yankovskaya/English National Opera, Mäkelä/Oslo Filharmonien), Dido in Purcell's Dido & Aeneas (Weiss/Festival d'Aix-en-Provence), Waltraute in Wagner's Die Walküre (Rattle/Bayerische Rundfunks Symphony Orchestra on disc), and Pasqualita in Adams' Doctor Atomic (Adams/BBC Symphony Orchestra and on disc). The works of Mahler lie at the heart of her repertoire, particularly his Second Symphony (Rouvali/Philharmonia Orchestra on disc, Zinman/Vienna Symphony Orchestra), Third Symphony (Vänskä/Minnesota Orchestra, Mäkelä/Royal Concertgebouw Orchestra, Welser-Möst/Cleveland Orchestra), Eighth Symphony (Bychkov/NDR Elbphilharmonie Orchestra, Welser-Möst/Vienna Philharmonic Orchestra, Petrenko/Bayerisches Staatsorchester), Rückert Lieder (Zinman/Vienna Symphony Orchestra), Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), and Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), In huge demand on the concert platform, she has collaborated with many of the world's leading orchestras and conductors, particularly Beethoven's Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven's Ninth Symphony (Welser-Möst/Cleveland & Royal Concertgebouw Orchestras), Wagner's Wesendonck Lieder (Madaras/Halle Orchestra), Elgar's Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar's The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi's Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann's Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann's Faustszenen (Harding/Gewandhausorchester), Ravel's Schéhérezade (Oramo / BBC Symphony Orchestra), Adès's Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), and Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra).

In partnership with The Cleveland Orchestra, there are FREELY available 40+ weeks of daily mindfulness exercises. The exercises are available as YouTube videos, about 5 minutes long each, and designed to facilitate brain development with music and mindfulness instruction. The exercises were developed for ages preschool through 12th grade, but Read More Shared by United Resource Connection November 21, 2024

Send us a textThis episode of The Anxious Rambler podcast focuses on the host's recent concert experiences seeing The War on Drugs for two nights in Ohio and Kentucky and a solo trip to see My Morning Jacket in Savannah, Georgia.The hosts begin by talking about their road trip to Columbus, Ohio, the first stop on their concert adventure. They discuss the enjoyment of driving into a city at night and listening to music and their excitement about the upcoming shows. The host shares that, other than a previous two-night stint with The War on Drugs in Louisville and Indianapolis, this is her first experience attending back-to-back shows by the same band. They also talk about their positive impressions of Columbus and Cleveland.The first concert took place at Blossom Music Center in Cuyahoga Falls, Ohio. The host recounts the beauty of the venue, located in a national park, and its history as the summer home of the Cleveland Orchestra. They go on to describe The War on Drugs' setlist, noting standout songs and moments. The setlist included “Oceans of Darkness,” “Pain,” “Ocean in Between the Waves,” “I Don't Want to Wait,” “Harmonious Dreams,” “Strangest Thing,” “Come to the City,” and “In Reverse.”.The host shares a story about reconnecting with a former coworker, Lane, during the show. She describes how she thought she recognized the woman sitting in front of her but couldn't believe it was actually her. They hadn't seen each other in 16 years. Lane later turned around and told the host she had been talking about her on the way to the show, specifically mentioning how much the host loves The War on Drugs and wishing she had more friends with similar taste in music.Next, the hosts talk about the second concert, which was at the Bourbon and Beyond festival in Louisville, Kentucky. The host compliments the festival's side-by-side stage set-up and voices her distaste for VIP sections at shows. The setlist for this performance was similar to the previous night's but with the addition of "Red Eyes," which was played instead of "Strangest Thing," and the covers "Play It All Night Long" and "Under the Pressure." It started to rain during the last two songs of the set, a phenomenon that the host believes is a regular occurrence at outdoor War on Drugs shows. Due to her enthusiastic dancing and energy, the host is dubbed the "fan MVP" by other concert attendees and even manages to score a copy of the setlist.The final part of the episode focuses on the host's recent trip to Savannah, Georgia, where she saw My Morning Jacket with her best friend from home, Shaie. The host describes becoming emotional upon hearing that baseball legend Pete Rose had died just before My Morning Jacket took the stage. Rose, a Cincinnati Reds player and an important figure in the host's family, had even recorded a Cameo video message for the host's father four years prior. The host shares that she and her friend were then escorted to the front of the stage by an usher just as the lights went down.The host goes on to highlight standout moments from the 20-song setlist, which included “Gideon,” a Chris Kristofferson cover, a Nina Simone cover, and an encore consisting of “Golden,” “Off the Record,” and “Dance Floors”. The episode concludes with the host reflecting on the Support the showSupport the Pod or Binge the Entire Season Now! https://www.buzzsprout.com/1269236/support https://youtube.com/@IconicSeasons Connect on Social https://www.instagram.com/ncaaiconicseasons/

Join Rick and Ron as they continue their discussion with legendary music educator Duane Davis. Duane is well known in vocal jazz, musical theater and opera communities as a master educator, director, and conductor. The family moved to Cleveland when Davis was a toddler, where his earliest recollections were of music in the home. Although they could not afford instruments, the children were exposed to multiple musical genres. Davis honed his appreciation for all styles, singing in school choirs and as a high school student also sang with the Cleveland Orchestra. Inspired by a highly motivating music teacher, Davis pursued a career in music education and has been teaching for more than 50 years.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some genuinely remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works, along with a few surprises along the way. Stay tuned, because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this second episode of Broadway Drumming 101, I had the pleasure of talking with Damien Bassman. Damien is currently the drummer for Death Becomes Her on Broadway. Originally from Fairfax, Virginia, Damien holds a BM from the Cleveland Institute of Music, an MM and Performer's Residency Certificate from Carnegie Mellon University, and an Advanced Performer's Certificate from The Juilliard School.Damien's résumé is nothing short of impressive. Currently the drummer for the musical Death Becomes Her, he was a featured drum set soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with them on Leonard Bernstein's Mass. He's performed as a soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, and the Columbus Symphony. Damien also created, arranged, and performed the hybrid percussion/drum set book for the hit musical Next to Normal. He designed the drum/percussion book for Hi-Fidelity and brought African and multi-percussion elements to The Color Purple. He's also worked on Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Fiddler on the Roof, and Caroline or Change, to name a few.Damien also collaborated with Green Day on the Broadway adaptation of American Idiot and worked with Andrew Lippa, Nathan Lane, and Bebe Neuwirth on The Addams Family. More recently, he's been the drummer for How to Dance in Ohio, Jagged Little Pill, Almost Famous, and SpongeBob SquarePants: The Broadway Musical.Damien's versatility extends beyond Broadway. He's served as the drummer for some of Broadway's biggest stars, including Adam Pascal (Rent, School of Rock), Kristin Chenoweth (My Love Letter to Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys).This episode is packed with great stories and insights, and I can't wait for you to hear it!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Duane Davis is well known in vocal jazz, musical theater and opera communities as a master educator, director, conductor and more. The family moved to Cleveland when Davis was a toddler, where his earliest recollections were of music in the home. Although they could not afford instruments, the children were exposed to multiple musical genres. Davis honed his appreciation for all styles, singing in school choirs and as a high school student also sang with the Cleveland Orchestra. Inspired by a highly motivating music teacher, Davis pursued a career in music education and has been teaching for more than 50 years.

As the Quad City Symphony Orchestra (QCSO) prepares to kick off its monumental 110th season, Brian shares insights into the significance of this beloved institution, one of the oldest continuously running orchestras in the United States—outpacing even the famous Cleveland Orchestra!

Die Wiener Konzertsaison startet mit einem Gastspiel des Cleveland Orchestra, das unter Franz Welser-Möst unter anderem Tschaikowskys Fünfte Symphonie im Reisegepäck mitführt. Aus diesem Anlaß führt „Presse“-Musikkritiker Wilhelm Sinkovicz in die romantisch-subjektive, hoch dramatische Welt des Symphonikers Peter Iljitsch Tschaikowsky und deckt Querverbindungen zur österreichischen Symphonik der Ära "Wien um 1900“ auf.

This week on the podcast is part two of our interview with renowned lyric tenor, Matthew Polenzani. He performs regularly with the Metropolitan Opera and appears in opera houses around the world such as the Vienna State Opera, Paris Opera, and Teatro Real in Madrid. Matthew is continuously in demand for concert engagements with the world's most influential conductors, and with premiere ensembles such as the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and the Munich Philharmonic.​Join us for this mini-master class in career development for any aspiring musician! https://matthewpolenzani.com/

Today we release part one of our interview with renowned lyric tenor, Matthew Polenzani. He performs regularly with the Metropolitan Opera and appears in opera houses around the world such as the Vienna State Opera, Paris Opera, and Teatro Real in Madrid.  Matthew is continuously in demand for concert engagements with the world's most influential conductors, and with premiere ensembles such as the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and the Munich Philharmonic.Join us for this mini-master class in career development for any aspiring musician!  https://matthewpolenzani.com/

A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, arrives to find a Russia struggling to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big hit in Russia, complicating an already harrowing adoption journey. Then there are the two handsome princes, one Russian, one American, and all the other fairytale characters who help or hinder My Russian Clementine. My Russian Clementine was produced, written, directed and edited by Chris Côté and Dayle Kerry.      Starring Dayle Kerry, Nikita Korshunov,  Anastasiya Rul, Maria Spassoff, Sean Cully, Chris Côté, Robin Abcarian, Ali Badalov, Viktoriia Bondarenko, Anastasiia Bratchenko, Christopher Callen, Edie Côté, Jean Dalton, Marcel Geloen, Andy Goldberg, Helaine Lembeck, Hanna Maksimachkina, Luca Manganaro, Cece McClennan, Don McClennan, Josh McClenney, Ego Mikitas, Annie Semenova, Anton Shuster, Claire Simba, Evgeniia Tikhonova, Roy Vongtama, William Woff and Les Zaev.                Music by Igor Stravinsky from his ballet, Petroushka, performed by the Cleveland Orchestra, Pierre Boulez conducting.   Special thanks to Katya and Anton Roslov, Gennady Lakshin, Kent Ertugrul, Nick Holmes, Kelsey Gielen and Jack Côté.   Titles read by Matylda Kerry, the real Clementine.  The producers are grateful financial contributors to Freesound.org and the Cleveland Orchestra.  

Few musicians tower like Terence Blanchard. The eight-time Grammy winner has been recording for more than four decades, and though his early work recalls the legacy of midcentury greats, for years now, Blanchard has been remaking and reshaping the genre, turning it into a force to give voice to social change. A trumpeter, pianist, composer, Blanchard has pushed the genre and his own artistry beyond jazz to opera and film scores.rnrnBlanchard began playing in his teenage years with the Lionel Hampton Orchestra. By the 1980s, he was playing with Art Blakley's Jazz Messengers. In the 90s, he began performing solo and working with filmmaker Spike Lee, a collaboration that would include films from Do the Right Thing to BlacKKKlansman. During the same period of time, he began to work in opera, turning Charles Blow's 2014 memoir Fire Shut Up in My Bones into an opera for the Metropolitan Opera's 2021-2022 season, marking the first time a project from an African-American composer was presented from the Met's world-renowned stage.rnrnBlanchard is in Cleveland for an appearance with The Cleveland Orchestra's Mandel Opera and Humanities Festival, where he will perform the music of Wayne Shorter. Before he does, he'll join moderator Jeff Johnson on our stage for a conversation about power and his own artistry and what it means to use music to address social challenges.

Tom Morris has had an illustrious career in classical music. He was the longtime former Senior Executive of The Boston Symphony Orchestra and then The Cleveland Orchestra. He went on to become the Artistic Director of the Ojai Music Festival. He currently serves on the Board of the Interlochen Arts Center. And he has a forthcoming autobiography coming out which discusses several of the key people from his career including John Williams and Arthur Fiedler.My featured song is “Stockbridge Fanfare” from the album East Side Sessions by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Miguel Harth Bedoya has been the Music Director of the Fort Worth Symphony Orchestra for 20 years and is now their Music Director Laureate. In addition to other Music Director positions he has held, he has also guest conducted major orchestras around the world such as the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony - to name only a few. He is currently the Mary Franks Thompson Director of Orchestral Studies at Baylor University. We begin by asking Miguel about the differences in conducting various levels of orchestras, ranging from student orchestras to the top orchestras in the world... and his main thought is, "The love of music is very important." I also ask him about score study, to which he explains why a piece sounds different to him each time he reads and studies its score. (He also mentions how reading Cervantes' Don Quixote three times over the years gave him a different understanding of the book each time he read it.) Miguel was the conductor for the premiere and recording of Jennifer Higdon's Cold Mountain, and he talks about the process of bringing a new opera to life. We end with an explanation of why an orchestra is like a research laboratory.[Subscriber content] In Part 2, we begin by talking about Miguel's background. He was born in Peru, and we trace his journey as a student from Peru to Chile to the Curtis Institute and finally to Juilliard. He was an assistant conductor for the New York Philharmonic when Leonard Slatkin was delayed in getting to a concert, and he talks about jumping in at the last moment. He also talks about a later experience conducting Copland's Appalachian Spring with that great orchestra. We finally turn to his career as a teacher, and his belief that building a foundation is critical to becoming a conductor. We end on a non-musical note... his helping with the disposal of garbage in Fort Worth... known as the "Cowboy Compost"... while he was Music Director of the Fort Worth Symphony.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

It is a privilege to welcome Emmy, Grammy, and Tony-nominated recording artist and actress N'Kenge to The Jake's Take with Jacob Elyachar Podcast.  The New York Times praised her as “a classically trained diva that can stretch from Broadway to Pop, Soul and Opera.” N'Kenge trained at the Julliard School and the Manhattan School of Music, has five octave vocal range and can sing in 11 different languages. She made her Broadway debut in Sondheim on Sondheim. She slayed the game on Broadway, originating the role of Mary Wells in Motown: The Musical, which garnered a Grammy nomination for Best Musical Theater Album. Motown founder Berry Gordy described N'Kenge as “the most versatile artist I know.” The New York Post called her performance of Mary Wells “Electrifying.” N'Kenge was also a cast member on Broadway in the revival of the Tony Award-nominated and Olivier Award-winning musical Caroline, Or Change. She portrayed “The Moon,” her first aerial role. The show ran from October 27, 2021, to January 9, 2022, at the legendary Studio 54.As a vocal soloist, N'Kenge performed at world-renowned venues, including Carnegie Hall, the Lincoln Center's Alice Tully Hall, and Madison Square Garden. She headlined pop and opera concerts with the Cincinnati Symphony, the Cleveland Orchestra, and the Seattle Symphony. She also sang for many Presidents and foreign dignitaries, including former US Presidents Bill Clinton and Barack Obama.Currently, N'Kenge is immersed in a variety of projects. She is spearheading the Broadway-bound DANDRIDGE, a production that pays tribute to the life and legacy of Dorothy Dandridge. Additionally, she has created and written Forever Summer – a Tribute to Donna Summer. On top of that, she is in the process of developing a new TV musical series called BLACK BUTTERFLY, a project she co-wrote with award-winning writer Mary McCallum and TV producer Gina Goff.  In this edition of The Jake's Take with Jacob Elyachar Podcast, N'Kenge spoke about being mentored by Berry Gordy and receiving high praise from the late Aretha Franklin. She also talked about bringing DANDRIDGE to life.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

The tenth of fifteen children, Leona Mitchell began her musical journey by singing in her father's church choir. She received a scholarship from Oklahoma City University in 1971, earning a bachelor's degree in music.Leona debuted with the San Francisco Spring Opera Theater in 1972, and on December 15th, 1975, she made her Metropolitan Opera debut as Micaela in Bizet's Carmen, the same role she had sung at her San Francisco debut. This marked the beginning of her many performances in opera houses all over the world, including Geneva, Paris, Madrid, and Sydney.Mitchell performed for eighteen consecutive seasons at the Metropolitan.Well-known for her performances in operas by Puccini and Verdi, she also sang Bess with the Cleveland Orchestra in the London Records recording of the George Gershwin classic Porgy and Bess.Mitchell has received numerous awards, including induction into the Oklahoma Music Hall of Fame in 2001 and the Oklahoma Hall of Fame in 2004.In Leona's oral history interview, you will hear her talk about a special teacher in her life, and about singing with Placido Domingo and Luciano Pavarotti on the oral history website and podcast VoicesOfOklahoma.com.

Some people find their perfect path early and truly excel in their profession. That perfectly describes my guest today, the Artistic & Executive Director of OPAS, Doug LaBrecque. Before being “lured to the lake”, Doug has thrilled audiences with performances in The Phantom, The Phantom of the Opera, Les Miserables, Chorus Line, Man of LaMancha, West Side Story, and so many more. Additionally, he has performed concerts with The National Symphony, The Israeli Philharmonic Orchestra, The Cleveland Orchestra, The San Francisco Symphony, as well as a tribute to Leonard Berstein in Italy and he has numerous recordings with orchestras all over the world! You will hear about his early years, when he discovered his passion, and talent, for performing, and some of the highlights of his career. And you will hear his dedication to performing arts and providing opportunities to the next generations to follow. We'll talk about OPAS, the Oconee Performing Arts Society, where it came from and most importantly about where it's going! Guest - Doug LaBrecque https://www.opas.org/ 706-467-6000 info@opas.org Sponsors - Lake Oconee Bistro; Tim Broyles State Farm; Farmers & Merchants Bank; Simplify AI Academy https://www.lakeoconeebistro.com/ https://mydowntownagency.com/ https://ibankfmb.com/ http://simplifyAI.academy

Klaus Mäkelä has been named Riccardo Muti's successor at the helm of the Chicago Symphony Orchestra, a role he assumes in 2027 alongside the post of Chief Conductor of Amsterdam's Royal Concertgebouw Orchestra. Meanwhile, he remains committed to his two European orchestras, the Orchestre de Paris and the Oslo Philharmonic.  Following his Decca debut recording, of the complete Sibelius symphonies in Oslo, Mäkelä has made two much-admired recordings of music commissioned by Serge Diaghilev. The first of these, made with the Orchestre de Paris, was released early last year – Igor Stravinsky's The Rite of Spring and the complete Firebird ballet – and James Jolly spoke to the conductor by Zoom back in February 2023 as Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall

How do we create extraordinary places for our customers, clients, patients, staff that support the growth of our small business? Show Notes page: https://www.thehowofbusiness.com/514-kevin-kelley-extraordinary-places/ Kevin Kelley is with us today to share his thoughts and insights on how to create extraordinary places that help us connect with people. The questions he will help us answer include: Do we still need physical places like grocery stores, restaurants, and office buildings? Or will the "Replacement Economy" led by the tech titans and retail giants wipe out these venues? What about museums, universities, and performing arts venues? Is there still a place for these thousand-year-old institutions in our lives? Or are we holding onto them out of habit, guilt, or nostalgia? Kevin Ervin Kelley, AIA, is an award-winning architect, experience designer, and co-founder of the bi-coastal strategic design firm Shook Kelley. As a lifelong advocate of bringing people together in prosocial settings, Kevin's expertise is in studying how the environment of a place affects our behavior, perception, and decision-making. Since starting the strategic design firm in 1992, he has worked with executive leadership teams for some of the world's most well-known brands, such as Harley-Davidson, Whole Foods, Kraft, JM Smucker, The Cleveland Orchestra, professional sports teams, universities, urban districts, and hundreds of local and regional businesses to stay relevant and profitable in our rapidly changing modern landscape. In addition to being a frequent speaker at retail, food, and other consumer conferences in the U.S. and abroad, Kevin taught courses at Harvard University and his alma mater, the University of N.C. at Charlotte. As technological replacements increasingly decimate the physical world and human interaction, Kevin gives away everything he's learned in the field and the boardroom in his debut book, “Irreplaceable: How to Create Extraordinary Places that Bring People Together”. Henry Lopez is the host of The How of Business podcast – helping you start, run and grow your small business. The How of Business is a top-rated podcast for small business and entrepreneurs. Find the best podcast, small business coaching, resources and trusted service partners for small business owners and entrepreneurs at our website https://TheHowOfBusiness.com

Elaine Martone was a longtime Classical and Jazz producer for Telarc Records, including recordings by the Atlanta Symphony, Cleveland Orchestra, Geri Allen, Oscar Peterson and McCoy Tyner. She's a 5x Grammy winner. Elaine also ran the production department at Telarc where she managed more than 1,500 projects. And for seven years she produced the Ojai Music Festival. Now with her own company she has produced Grammy nominated recordings by singer Tierney Sutton. My featured song is my cover of Miles Davis's “All Blues” from my “lost” album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest) Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Elaine:www.elainemartone.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Today Laura chats with architect Kevin Ervin Kelley, co-founder of the strategic design firm Shook Kelley, who is all about creating places and experiences that have the power to convene people. Doesn't that sound cool? Making the audience the star of the place allows both Creators and Capitalists to get clear on what kind of payoff they need to provide to consumers in exchange for their time, energy, and expense. Successful architects and designers are also master communicators and today is our chance to learn from a high AQ A-Lister! (AQ = Aesthetic Intelligence.) The competitive edge has shifted already and that matters whether you lead a company or want to stand out as a thought leader. But a little less Alan Turing and a bit more William Shakespeare would change everything. While Kevin works a lot with retail and other public-facing industries, expectations are now radically different no matter where you work! Mercado is an excellent example of the future successful grocery store. You'll learn in this fascinating conversation how to think about place in the modern context. Top-notch takeaways include:

Conversation with David Radzynski, concertmaster of The Cleveland Orchestra, covering topics such his practice habits, violin technique, managing repertoire efficiently, overcoming doubts, and the importance of self-awareness and kindness in our musical journey. Tune in for inspiration for your practice! Sign up now for the brand-new FREE workshop – Mastering the Stage Download the transcript from this episode HERE     MORE ABOUT DAVID RADZYNSKI Website: https://www.davidradzynski.com/   YouTube channel: https://www.youtube.com/@sababa123     Instagram: https://www.instagram.com/dradzyns/   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Trumpeter Dave Bilger has had a stellar career as both a performer and also as an educator. He was principal trumpet with the Dallas Symphony, and following that, principal trumpet with the Philadelphia Orchestra for many years. In addition to the 27 years he's taught at the Curtis Institute of Music, he's also Professor of Trumpet at the Northwestern University Bienen School of Music and has given master classes around the world.As an example of how music can have a profound influence on a person's, and even a family's, life, we begin our conversation with my asking Dave about how he was able raise funds in order to bring Baset Azizi from Afghanistan to the United States and how that impacted not only Baset, but his family as well. Dave continues by talking about his two main teachers and their different approaches to teaching, David Hickman and Mark Gould... in addition to his week of study with Tom Stevens. As a student, Dave was a member of the summer student orchestra, the Colorado Philharmonic, and talks about what it was like to have Michael Sachs (principal trumpet, Cleveland Orchestra) and Doug Prosser (principal trumpet, Rochester Philharmonic) as room-mates during his second year. We end part one with an extended discussion of auditions, including musical preparation, mental approaches, and some current issues with the orchestral audition process.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

The Cello Sherpa Podcast Host, Joel Dallow, interviews Mark Kosower, principal cellist of the Cleveland Orchestra. Mark compares his career approach to "fishing with many poles" and following what ever you catch. They talk about the journey to his position in Cleveland, building an  extremely versatile career, and he shares his teaching philosophy.  For more information on Mark, visit: https://www.clevelandorchestra.com/discover/meet-the-musicians/cellos/kosower-mark/You can also find Mark on Facebook and Instagram: @markkosowerFor more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram and Threads @theCelloSherpa

SynopsisToday's date marks the birthday of American composer and educator Gardner Read, who was born in Evanston, Illinois, in 1913.Read studied music at Northwestern University, then at the Eastman School, where his teachers included Howard Hanson and Bernard Rogers. He also studied with Aaron Copland and Italian modernist composer Ildebrando Pizzetti. Read became a noted teacher himself and held posts in St. Louis, Kansas City, Cleveland and Boston. His Symphony No. 1 was premiered by John Barbirolli and won first prize at the New York Philharmonic Society's American Composers' Contest. He wrote four symphonies in all, as well as other orchestral, choral and chamber works and a significant body of works for or with pipe organ.In 1978, musicologist Nicolas Slonimsky wrote: “In American music, the name of Gardner Read is synonymous with the best traditions of modern classicism and inspired romanticism. ... To the musical analyst, it presents a technical interest as well, for in his use of the multicolored palette of modern instrumentation, Gardner Read offers fascinating examples of organized sonorities. The substance of his compositions is infinitely varied; he is a true Renaissance man, working in many different genres without prejudice and achieving his objectives with impeccable taste.”Music Played in Today's ProgramGardner Read (1913-2005): Allegro scherzando, from Symphony No. 4 (Cleveland Orchestra; Lorin Maazel, cond.) New World 742

It's day 2 of the “Best of 2023” coverage on America's Work Force Union Podcast. Today's highlighted interview featured then-vice president, now president, of the Writers Guild of America East, Lisa Takeuchi Cullen. She spoke about the WGA strike, which was then in its third month. Takeuchi Cullen explained her journey into the industry and how she found herself as a scriptwriter by accident. Finally, she discussed what a fair, modern contract win involving artificial intelligence would look like and the impact it could have on the entertainment industry. The Executive Secretary of the North Shore AFL-CIO and president of the American Federation of Musicians Local 4 in Cleveland, Len DiCosimo, joined the America's Work Force Union Podcast to recap the year for Local 4, the new standard set by the contract with the Cleveland Orchestra and Ohio AFL-CIO's regional labor federations efforts to get a new redistricting proposal on the ballot in 2024.

In honor of the beginning of National Apprenticeship Week, newly appointed Assistant National Administrator for the Insulators Union Insulation Industry International Apprentice and Training Fund, Sam Tafolla, joined the America's Work Force Union Podcast. Tafolla talked about his journey with the Insulators and how he got involved with training. He also discussed new changes that will help modernize the union's training programs across U.S. and Canada. The Executive Secretary of the North Shore AFL-CIO and president of the American Federation of Musicians Local 4 in Cleveland, Len DiCosimo, joined the America's Work Force Union Podcast to discuss the Cleveland Orchestra's new contract and how AFM Local 4 is helping with the Unsung Heroes of the Labor Movement Dinner this week.

Wild Lights At the Zoo ReturnWild Lights, the annual holiday event at Akron Zoo, will return for the 2023 holiday season from Nov. 24 to Dec. 29. The event features a lighting display with over one million lights, including the "Rockin' Lighted Spectacular" animated wall set to holiday music. Dates for the event are Nov. 24-26, Dec. 1-3, Dec. 8-10, Dec. 15-23, and Dec. 26-29, running from 5 to 9 p.m. Visitors can meet the Grinch, have visits with Santa until Dec. 23, and enjoy treats from Mrs. C's Sweets, including hot chocolate and coffee. Tickets can be purchased online or on the day of the event, with different pricing for members and non-members. Special "Zoothing Wild Lights" event on Dec. 7 caters to guests with different abilities, offering a quieter experience with limited tickets available.Blossom Music Center Banning Lawn ChairsBlossom Music Center announced on X (formerly Twitter) that concertgoers attending Live Nation shows can no longer bring personal lawn chairs. Instead, they must reserve lawn chairs through the venue in advance and pick them up on the day of the show. The policy, aimed at improving venue entry and security, does not apply to Cleveland Orchestra performances. While the venue's website still allows personal lawn chairs and mentions a rental option for non-compliant chairs, it has not yet been updated to reflect the new reservation policy, and any associated costs remain unclear.McRib is BackBeginning Nov. 11, the McRib will return to Ohio McDonald's restaurants for a limited time, according to a press release. If you don't know, a McRib is a seasoned boneless pork patty slathered in barbeque sauce and topped with slivered onions and dill pickles on a homestyle bun.The McRib debuted in the United States in 1981 as a limited-time item in the Kansas City area. It quickly became a fan favorite, according to McDonald's, and has since become a classic sandwich for restaurant fans due to its limited availability and seasonal returns.Love Akron Networking BreakfastLoveAkron connect is this month on Wednesday, November 29th. You don't want to miss this breakfast, where speakers will expound on leadership faithfulness over leadership effectiveness. Register today because seating is limited: https://secure.lglforms.com/form_engine/s/tdiXwmZbVfmK291SIbmskAPolice Probe Hit Yet Another SnagAkron's Citizens' Police Oversight Board has tabled a proposal to forego launching investigations into Akron police's internal affairs until 2025 or when a new agreement between Akron and the Fraternal Order of Police is ratified.Member Bob Gippin said the plan was tabled during the board's retreat Saturday because there's still debate about whether the board can conduct parallel investigations while the police department or the Ohio Bureau of Criminal Investigation is conducting an inquiry and, if so, whether it's a good idea.The Fraternal Order of Police's threats of litigation over the board's powers played a role in the tabling as well.LeBron James Museum Coming To AkronThe LeBron James Family Foundation has announced the opening of LeBron James' Home Court at House Three Thirty on...

Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

We're revisiting our interview with MacArthur Genius Grant Fellow and American classical cellist Alisa Weilerstein. The internationally celebrated artist discusses her first instruments (made by her grandmother!), her solo debut at age thirteen with the Cleveland Orchestra, and why she chose not to go directly to conservatory after high school. Alisa reminisces about performing at the White House and chuckles about receiving an apology from the President of the United States, as well as discusses her groundbreaking new solo concert series Fragments.Check out Alisa Weilerstein on Instagram, Facebook, Twitter, YouTube, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Thanks to our good friends at Ravinia for helping to make this interview possible.Photograph of Alisa by Evelyn Freja.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Sarah Sedwick was born and raised in Cleveland, OH where her father was a member of the Cleveland Orchestra. She graduated with a BFA from The Maryland Institute, College of Art. After school, Sarah worked as a waitress and watered plants to make ends meet and took a break from art. In 2007, she moved to Oregon where she has her studio and runs an Online Art Mentorship Program and now divides her time with traveling to teach workshops on still life painting in oils. Sarah describes her style of oil painting still life and portraiture as Loose Realism—her paintings explore the undercurrents of meaning we impart to the objects around us. She sells between 50-100 paintings a year and her paintings are now signed with just her last name but as Sarah explains there was a time she would use only her initials so as to hide her gender. Sarah is the author of Dynamic Still Life for Artists, published in November 2022.Host: Chris StaffordProduced by Hollowell StudiosInstagram: @theaartpodcast @sarahsedwickstudioThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

MacArthur Genius Grant Fellow and American classical cellist Alisa Weilerstein is a musical prodigy. The internationally celebrated artist discusses her first instruments (made by her grandmother!), her solo debut at age thirteen with the Cleveland Orchestra, and why she chose not to go directly to conservatory after high school. Alisa reminisces about performing at the White House and chuckles about receiving an apology from the President of the United States, as well as discusses her groundbreaking new solo concert series Fragments.Thanks to our good friends at Ravinia for helping to make this interview possible. Get your tickets here to see Alisa Weilerstein perform live at Ravinia on August 17th.Check out Alisa Weilerstein on Instagram, Facebook, Twitter, YouTube, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

EPISODE 89: Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin”. Joe is the new violinist/guitarist in the band “Kansas”. He has worked with Sheryl Crow, Bruce Springsteen, The Who, Renaissance, 50 Cent, Peter Criss from Kiss, Ritchie Blackmore, NY City Ballet, and Jazz at Lincoln Center. Joe is also the lead singer and violinist for the prog band, Stratospheerius, and member of the Sweet Plantain String Quartet. A renowned composer and educator, he has published a book for Mel Bay, “Plugging In,” and is on the faculty at NJCU's Multistyles Strings Program. Joe holds two bachelor's degrees from Indiana University Jacobs School of Music and a master's from Manhattan School of Music. joedviolin.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Twitter: @JannKloseBandJoin our Facebook GroupPlease support the show with a donation, thank you for listening!