The Band: A History

Levon Helm's move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm's gritty realism and uncompromising style. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, Music for Our Lady Queen of the Angels, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind. Learn more about your ad choices. Visit megaphone.fm/adchoices

I break down James Mangold's A Complete Unknown and Timothée Chalamet's take on Bob Dylan. From the film's beautiful portrayal of Greenwich Village to its underdeveloped characters and missed historical depth, I explore what works—and what doesn't—in this ambitious biopic. Learn more about your ad choices. Visit megaphone.fm/adchoices

This holiday season, we're diving into The Band's heartfelt Christmas track, Christmas Must Be Tonight. Written during their Northern Lights – Southern Cross sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it's a hidden gem that deserves a place on your Christmas playlist. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Song With... returns featuring my friend and one of Canada's best songwriters, Jerry Leger. Jerry selected "Tears of Rage" from The Band's first album, Music From Big Pink. We delve into the song's significance, the songwriting collaboration between Richard Manuel and Bob Dylan and the various track versions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson's strategic decisions, and partnerships with renowned musicians and producers. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're thrilled to welcome author Stephen Lewis to The Band: A History as we dive into his upcoming book, Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band, which will be released in May 2025. In this episode, Stephen shares his journey in writing the book, his deep connection to The Band, and some never-before-heard stories about Richard Manuel. This is an episode you won't want to miss! You can pre-order the book now through the publisher's website or major retailers like Amazon and Barnes & Noble. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn't sell well, and with management in flux, Arista dropped him. Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield. This era also saw Danko contributing to Joe Cocker's chaotic version of “I Heard It Through The Grapevine” and Larry Lee's album “Marooned.” This period of triumph and tribulation is a testament to Danko's enduring spirit and love for music. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Song With returns featuring my friend and Chest Fever bandleader, Daniel Cervantes. Dan selected "Just Another Whistle Stop" from The Band's third studio album, Stage Fright. We delve into the song's significance to him, Robbie Robertson's scorching lead guitar, Richard Manuel's captivating vocals, and the various interpretations of the lyrics and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music. In 1978, returned to the studio with old friend Happy Traum, contributing to Traum's debut solo album "Bright Morning Stars." He also collaborated with musicians Terry Danko and Marty Grebb and reconnected with Gerry Goffin for songwriting. Manuel's musical revival included working with Bonnie Raitt on her critically acclaimed album "Greenlight" and joining Willie Nelson and Webb Pierce for a spirited session on "In The Jailhouse Now." This period marked a creative resurgence for Manuel, blending his soulful voice and piano mastery across diverse projects while reflecting on his enduring connection to The Band. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new episode of "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be a passionate case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening. In this episode, Luke C. Bowden joins me. He is a music journalist, academic, and concert promoter. Luke's pick is "Ferdinand The Imposter," an outtake from the Music From Big Pink era. We delve into the various song versions, the musical and lyrical songwriting, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Levon's solo albums are pure, egalitarian magic and joy." - Matty Wishnow After a dedicated grind in the late '70s, Helm ventured to Nashville, inspired by his role in the lauded film Coal Miner's Daughter. There, with the city's top session players, he created his seminal album, American Son, in 1980. Helm, almost forty, forged a path to new creative horizons, trying to position himself for a new musical renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our series "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening. In this episode, I'm joined by Michael Koelher,, a dear friend and show editor. Michael's pick is "Twilight," a non-album single from 1975. We delve into the various versions of the song, the songwriting, both musical and lyrical and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another installment of Odds & Ends, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone." From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of Odds & Ends is a comprehensive exploration of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the premiere of our new series, "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply reveling in the joy of listening. In our debut episode, I'm joined by the wonderful Annie Burkhart, a dear friend of the show and the force behind Manuel Mindset on Twitter. Annie's pick is "Jawbone," featured in The Band's eponymous second studio album. We delve into the intricate musical layers and the collaborative songwriting prowess of Richard Manuel and Robbie Robertson and even ponder its modest streaming figures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I have the pleasure of sitting down with Breanna McCann and Teagan Lisson to dive deep into The Last Waltz at 45. This legendary film resonates with audiences, even after four and a half decades. As we gather to celebrate its forty-fifth birthday, we have a relaxed yet engaging conversation that encompasses various facets of this cinematic masterpiece. We delve into the intricacies of the film itself, exploring its enduring allure and the genius behind Martin Scorsese's direction. Beyond the camera, we explore the remarkable journey of The Band and the profound cultural and musical impact the film has. You can follow Teagan's podcast, Our Golden 20s, online and listen every Tuesday. You can also find Breanna McCann's work on Split Tooth Media, where she writes about music and film. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our inaugural episode delves into "Orange Juice Blues," a soul-stirring composition by Richard Manuel, crafted in 1967. This evocative song has a story over several decades, and in this episode, we shall examine its evolution and the profound resonance it holds. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this unique episode, I intertwine history with engaging conversation. The Band made their inaugural appearance at Massey Hall in 1970, a highly anticipated hometown performance that critics hailed as nothing short of a "religious experience." Massey Hall holds a revered place in Toronto's cultural heritage, akin to the Ryman Auditorium, situated north of the border, and it has hosted some of the greatest performers in its hallowed halls. On November 18, 2023, Chest Fever, who received the official seal of approval from Robbie Robertson before his passing, will bring their outstanding celebration of The Last Waltz to Massey Hall. Joining them will be an illustrious lineup of guest artists. I sit down with Chest Fever to explore their journey from the intimate confines of Toronto's Horseshoe Tavern to the grandeur of Massey Hall. We delve into their meticulous preparation, the mounting anticipation, and much more! If you're interesting in attending the event, you can visit http://chestfeverofficial.com/thelastwaltz and use my promo code "thebandpodcast" for five dollars off. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amidst the initial turbulence of his inaugural solo release and subsequent tour, Levon Helm and his ensemble found themselves grappling with an unfortunate dearth of problems. Plagued by undisclosed health adversities and the intricate orchestration of conflicting timetables, Helm sought solace within the confines of the studio, setting in motion the creation of yet another album. Mirroring the approach of his maiden endeavour, he enlisted the renowned Muscle Shoals Rhythm Section. In 1978, the fruits of his labour materialized in the form of his latest record, bearing the succinct name "Levon Helm. Determined, Helm tried to rekindle his solo career and finally garner the recognition he deserved. If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

I try and put a few words together to honour Robbie Robertson, a legendary guitarist and songwriter. In lieu of gifts, Robbie's family has asked for donations to the Woodland Cultural Centre here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Following the triumphant launch of "The Last Waltz," Robbie Robertson redirected his ambitions toward carving a prominent niche in Hollywood. With a fervent desire to attain recognition as a distinguished producer and a rising star in the film industry, he set his sights on a captivating script known as "Carny." This enthralling tale delved into the dark and enigmatic world of travelling carnivals, promising numerous hurdles for the aspiring filmmaker – drug-induced debauchery, the inherent challenges of a novice filmmaker, and the lurking spectres of vanity. Undeterred by the daunting odds, Robertson embraced this opportunity as his pivotal moment to make an enduring mark on the cinematic landscape. If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

2023 marks the fiftieth anniversary of The Band's fifth studio album Moondog Matinee. A cover album with a mixed critical and audience appraisal, now fifty years later, The Band: A History is joined in a roundtable discussion by Michael Koehler and Annie Burkhart to dig into the album's merit. If you're interested in following today's guests, you can follow Annie here and Micahel here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Band had moved bases in 1974 from the East Coast and the cozy colony of Woodstock to the West Coast colony shores of Malibu. Richard Manuel, struggling already with balancing the demands of his band, his family life was falling deeper into manic depression, which led to excessive alcohol and drug consumption. With his family fractured and his habits excessive, the reeling Manuel continued to tour with The Band and Bob Dylan, rent expensive beach houses and cycle through a series of girlfriends. In reflection, Manuel called this time his "Beige Period." The drug use, recording and touring life, and some exciting times spent with Joe Cocker and Eric Clapton ultimately led to Manuel finding himself without a place to go after The Last Waltz. Would he continue to let his mental health and addiction enthrall him, or would he manage to gain control? This episode was produced, written and hosted by Tyrell William Lisson and edited and engineered by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

He is genuinely the most original, brilliant and moving keyboard players that has ever operated within rock 'n' roll.” Author Barney Hoskyns noted in 1993 in his book Across The Great Divide. Following The Last Waltz, Garth Hudson didn't have much issue continuing to do what he loved doing – playing music. The industry and musicians were intrigued by Hudson, the quiet figure hunched behind a mountain of keys was always deemed the magic touch, the member that helped push The Band into a territory of its own, and everyone wanted a little of that magic on their records.  The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Sitting around my house in Malibu and walking around the beach. I've been doing that for a long time, and frankly, I'm tired of it.”  Rick Danko's quote in 1978 could accurately reflect the temperate of a few members of The Band as the end of the decade neared. A purgatory of sorts had settled over The Band. Following The Last Waltz in 1976, The Band lay dormant. Was it over? Well, not officially. Danko, Helm and Robertson all talked publicly about recording again, downplaying that they hadn't been seen in the studio since The Last Waltz. Levon and Rick had already set motion to their solo careers, Helm with the RCO All-Stars and Danko with his first album on Arista Records. Robbie hadn't technically left the world of The Band, he kept steady with post-production on The Last Waltz with the film and album, and Garth Hudson was busy building his new life and session work. Manuel took things slower, struggling with his demons; he sought to fight them.  1997 through 1978, continued the perplexing situation surrounding The Band was still lurking in the background. Robertson and Danko continued with heavy schedules throughout the year. Still, The Band members did overlap at various points throughout the year. The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album Stage Fright, which is part of a larger scholarly study of The Band entitled Rags and Bones: An Exploration of The Band published by the University Press of Mississippi.You can find Rags and Bones: An Exploration of The Band here and visit Jude's website here.

The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album Stage Fright, which is part of a larger scholarly study of The Band entitled Rags and Bones: An Exploration of The Band published by the University Press of Mississippi. You can find Rags and Bones: An Exploration of The Band here and visit Jude's website here.

“I was looking for a simpler, fresher routing... I really like this new group. I can go out and perform the record now.”Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. He told Harvey Kubernick in 1978, “I'm the focal point on stage this time, and it doesn't bother me. I put this new group together, I telephoned them all. I sought out personalities who could bus and fly together and continue to put up with each other. What I do is collect performances from everyone. I make quicker decisions in this position than when I am a member of the Band.”Outro song by Ian James Bain, stream his music everywhere.   

“I was looking for a simpler, fresher routing... I really like this new group. I can go out and perform the record now.” Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. He told Harvey Kubernick in 1978, “I'm the focal point on stage this time, and it doesn't bother me. I put this new group together, I telephoned them all. I sought out personalities who could bus and fly together and continue to put up with each other. What I do is collect performances from everyone. I make quicker decisions in this position than when I am a member of the Band.” Outro song by Ian James Bain, stream his music everywhere.   

With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they'd keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.”  The Band: A History is produced, written and hosted by Tyrell William Lisson  and post-production sound and editing by Michael Koehler.

With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they'd keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.”  The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.

The Band: A History sits down with Chest Fever, the official revival of The Band.  If you remember my interview a few months ago with Mrs. Henry, a great band from California. In that case, they are back with a new project, Chest Fever, a band that has been given the stamp of approval to carry on the musical legacy of The Band. They are taking their show on the road for the fiftieth anniversary of The Band's live album Rock of Ages, touring across the United States and Canada. I chat with them about how Chest Fever was created, the preparation for the tour and the balance of replicating The Band's sound and making the music their own.  Find out more about Chest Fever and their tour dates on their official website: http://www.chestfeverofficial.com. 

The Band: A History sits down with Chest Fever, the official revival of The Band. If you remember my interview a few months ago with Mrs. Henry, a great band from California. In that case, they are back with a new project, Chest Fever, a band that has been given the stamp of approval to carry on the musical legacy of The Band. They are taking their show on the road for the fiftieth anniversary of The Band's live album Rock of Ages, touring across the United States and Canada. I chat with them about how Chest Fever was created, the preparation for the tour and the balance of replicating The Band's sound and making the music their own. Find out more about Chest Fever and their tour dates on their official website: http://www.chestfeverofficial.com. 

The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson's first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018. Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 

The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson's first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018.  Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 

Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for Islands. It was described later by Robbie as being similar to The Who's Odds & Sods album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol.Regardless of all of the exterior distractions, The Band were still professionals. They were incapable of putting out terrible music and they assembled ten tracks that while uneven still pack a serious punch. And with that, the original incarnation of The Band was done. It wasn't executed perfectly but nothing ever truly is. As many fans, critics and peers have mentioned, The Band was one of the finest groups of musicians that ever played and while they may have not gone out exactly as planned, their influence was never diminished. The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.

Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for Islands. It was described later by Robbie as being similar to The Who's Odds & Sods album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol. Regardless of all of the exterior distractions, The Band were still professionals. They were incapable of putting out terrible music and they assembled ten tracks that while uneven still pack a serious punch. And with that, the original incarnation of The Band was done. It wasn't executed perfectly but nothing ever truly is. As many fans, critics and peers have mentioned, The Band was one of the finest groups of musicians that ever played and while they may have not gone out exactly as planned, their influence was never diminished.  The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.

Full-on post-production of The Last Waltz took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians.Ultimately, the release of the film and soundtrack in April 1978 led Martin Scorsese and Robbie Robertson across the globe to promote their film. The Last Waltz, the imperfect masterpiece was a defining moment of their careers whether or not they knew it or wanted it to be. Forever on celluloid, one of the most important acts of the 1960s and 1970s was immortalized surrounded by their peers.The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.

Full-on post-production of The Last Waltz took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians. Ultimately, the release of the film and soundtrack in April 1978 led Martin Scorsese and Robbie Robertson across the globe to promote their film. The Last Waltz, the imperfect masterpiece was a defining moment of their careers whether or not they knew it or wanted it to be. Forever on celluloid, one of the most important acts of the 1960s and 1970s was immortalized surrounded by their peers. The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

At first, the viewer sees nothing but a blank screen and hears only the voices of Rick Danko, Martin Scorsese and another member of the film crew as they run through a first take, Danko manages to only utter one word "cutthroat" The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed.Filming took place at The Band's clubhouse Shangri-La and most evenings didn't start until well after midnight. The goal was to reminisce about the “good old days” and play some instruments. It becomes quite evident through the various interviews littered between the concert footage, that much was being left unsaid. It's no surprise at this point The Band minus Robertson was uneasy with the whole proposition. In exchange, we get a series of uneven interviews but enough to glean new information and explore the everchanging dynamics of The Band, their relationships with each other and the music.Part of Panteon PodcastsThe Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.

At first, the viewer sees nothing but a blank screen and hears only the voices of Rick Danko, Martin Scorsese and another member of the film crew as they run through a first take, Danko manages to only utter one word "cutthroat" The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed. Filming took place at The Band's clubhouse Shangri-La and most evenings didn't start until well after midnight. The goal was to reminisce about the “good old days” and play some instruments. It becomes quite evident through the various interviews littered between the concert footage, that much was being left unsaid. It's no surprise at this point The Band minus Robertson was uneasy with the whole proposition. In exchange, we get a series of uneven interviews but enough to glean new information and explore the everchanging dynamics of The Band, their relationships with each other and the music. The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Band: A History sits down with former guitarist of The Band Jim Weider. Jim joined The Band in 1985 and remained their lead guitarist until the group dissolved in 2000 after Rick Danko's death. Known as one of the premiere Fender Telecaster players in the world, outside of The Band, Weider has played with Robbie Dupree, Dr. John, Graham Parker, Keith Richards, Scotty Moore and Bob Weir. Weider was also a member of the Levon Helm Band from 2009 until Levon's death in 2012 and has since created The Weight Band, which originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante (former members of The Band), were performing "Songs of The Band" with Garth Hudson, Jimmy Vivino and Byron Isaacs. The Weight Band is getting ready to release their second album "Shines Like Gold" on April 1, 2022. You can find out more about the band, their music and their tour dates here: https://www.theweightband.com/ Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

The Band: A History sits down with former guitarist of The Band Jim Weider. Jim joined The Band in 1985 and remained their lead guitarist until the group dissolved in 2000 after Rick Danko's death. Known as one of the premiere Fender Telecaster players in the world, outside of The Band, Weider has played with Robbie Dupree, Dr. John, Graham Parker, Keith Richards, Scotty Moore and Bob Weir. Weider was also a member of the Levon Helm Band from 2009 until Levon's death in 2012 and has since created The Weight Band, which originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante (former members of The Band), were performing "Songs of The Band" with Garth Hudson, Jimmy Vivino and Byron Isaacs. The Weight Band is getting ready to release their second album "Shines Like Gold" on April 1, 2022. You can find out more about the band, their music and their tour dates here: https://www.theweightband.com/

The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. Mrs. Henry first tackled The Band with their extensive rendition of The Last Waltz that later was pressed on vinyl. Since then, the group has continued to craft their own music and tour. Now, there are back with their Music From The Band Tour, featuring songs from The Band's entire career. During the interview, we talk about the band's inception, how COVID-19 struck them, their new tour plans and more.If you want to learn more about Mrs. Henry's tour you can find information here: http://www.mrshenry.com/

The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. Mrs. Henry first tackled The Band with their extensive rendition of The Last Waltz that later was pressed on vinyl. Since then, the group has continued to craft their own music and tour. Now, there are back with their Music From The Band Tour, featuring songs from The Band's entire career. During the interview, we talk about the band's inception, how COVID-19 struck them, their new tour plans and more. If you want to learn more about Mrs. Henry's tour you can find information here: http://www.mrshenry.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

“It hadn't really hit me that when the song was over, so was The Band.” Levon Helm later remembered as The Band stumbled from the Winterland stage at 3:00 AM following one of the biggest shows of their lives. However, it wasn't over. After combining through footage it was determined they needed to film additional content. Thus, The Last Waltz Suite was born. A combination of live recordings on the MGM soundstage featuring The Staple Singers and Emmylou Harris and studio recordings including all-new material.  It was a confusing time, a group that had at the very least said they were publically finished, kept working away on material but they were drifting apart. Each member began to work on various projects as if the band they had put over a decade into didn't exist anymore. They rather neglect the elephant in the room rather than fully deal with band politics. The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler. Learn more about your ad choices. Visit megaphone.fm/adchoices

“It hadn't really hit me that when the song was over, so was The Band.” Levon Helm later remembered as The Band stumbled from the Winterland stage at 3:00 AM following one of the biggest shows of their lives.However, it wasn't over. After combining through footage it was determined they needed to film additional content. Thus, The Last Waltz Suite was born. A combination of live recordings on the MGM soundstage featuring The Staple Singers and Emmylou Harris and studio recordings including all-new material. It was a confusing time, a group that had at the very least said they were publically finished, kept working away on material but they were drifting apart. Each member began to work on various projects as if the band they had put over a decade into didn't exist anymore. They rather neglect the elephant in the room rather than fully deal with band politics.The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.

The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features.

With the show underway and a plethora of performances next up included Neil Young, who had the unfortunate experience of sporting a massive cocaine booger in his nostril as he floated through his set of numbers before more performances took place including Joni Mitchell, a controversial Neil Diamond, the electrifying performance of Van Morrison, who almost got to scared to go on stage, a collection of performances from beatniks, Hells Angles and poets, and their old friend Bob Dylan who was being difficult the night of the Waltz and almost didn't appear. At the close of the concert, the sudden rush of triumph and sadness washed over the exhausted group as they left the stage. Drenched in sweat, blood and tears, they had just completed the ultimate marathon, not only had they played over forty songs with their peers and friends, they had just completed the marathon that was their humble beginnings in Southern Ontario in 1957 when Robbie Robertson met Ronnie Hawkins and Levon Helm that eventually led to Levon Helm, Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson change the face of rock music. The Band that left the stage wouldn't perform live in the same iteration again, it was the end of an era, The Band, was the behemoth behind the curtain, never showy, never boastful, but always impactful. As the evening faded into the morning, the concert that was The Last Waltz was complete, but it was just the beginning of what it would become and what audiences today remember of the legendary moment of history. Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley. Learn more about your ad choices. Visit megaphone.fm/adchoices