Podcast appearances and mentions of Bob Clearmountain

Tom and John take a break from the sophistication — or DO they?! — to do an album focus episode on Huey Lewis and the News' Sports album. A Bob Clearmountain joint, there just might be more to this album than you've given it credit for. Only one way to find out! Check out: A deep dive into the collaborative networks of Yacht Rock, the nerdy abstract Tom references in Found at Sea. Listen and Subscribe: ⁠Find the podcast platform of your choice here⁠. Referenced and Related: ⁠⁠Playlist of songs featured on Out of the Main⁠⁠ ⁠John's Spotify Yacht Rock Playlist⁠⁠ ⁠⁠Tom's Spotify Yacht Rock Playlist⁠⁠⁠⁠ Intro/outro: Stock Music “We're Here” composed by John H. Nixon (BMI) Find and Follow: The Mainland: ⁠OutoftheMain.com⁠ Facebook: ⁠https://www.facebook.com/yachtrockpodcast⁠ Twitter: ⁠https://twitter.com/outofthemain⁠ YouTube: ⁠https://www.youtube.com/@outofthemain⁠ Support the Podcast: https://www.patreon.com/c/OutoftheMain “Born at Sea. Raised on Radio.” --- Support this podcast: https://podcasters.spotify.com/pod/show/outofthemain/support

Bob Clearmountain and Rhett Davies, legends in the world of music recording, production, and engineering, join guest host Ben Givarz to delve into the process of transforming Roxy Music's iconic album "Avalon" and Bryan Ferry's platinum record "Boys and Girls" into Dolby Atmos®. They dive deep into the background of the recording and engineering processes they used on these and other legendary Roxy Music records in the 70s and 80s, as well as how they used the original multi-tracks to go from 5.1 mixes in the early 2000s, onto these incredible new Dolby Atmos mixes.This interview is part of our new series, "Reimagining the Classics."“It was a lot more complicated than what either of us had remembered from the original mixes. But still, it's always an adventure and I love a challenge. Especially when the music is great. This music, I still listen to it all the time. It's such a pleasure to listen to and to work with. I mean, we were in heaven.”—Bob Clearmountain, Record Producer and Mix EngineerYou can listen to these and many other classic and contemporary albums in Dolby Atmos, on enabled streaming services.Interested in creating content in Dolby Atmos? Check out our free resources to give you a jump start!Dolby Atmos Music Accelerator: https://www.dolby.com/institute/music-accelerator/Dolby Atmos Essentials Course: https://learning.dolby.com/Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/You can learn more about Bob Clearmountain and his incredible mix studio here. And be on the lookout for his next collaboration with Bryan Ferry, the recently announced: Bryan Ferry "Retrospective: Selected Recordings 1973-2023."Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on our YouTube channel.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Sami Ruokangas ja Pauli Kauppila ruotivat kolmea vuoden 1984 albumia: Little Stevenin ”Voice Of America”, Big Countryn ”Steeltown” ja Metallican ”Ride the Lightning”. Kaikki ovat omalla tavallaan hienoa albumeita ja ajankohtaisia sikäli, että kaikki kolme aktia esiintyvät tänä vuonna Suomessa. Ajankuvaa, poliittista taustaa ja rockin hienoa historiaa! Kuuntele, viihdy ja sivisty. Jakson soittolista: https://open.spotify.com/playlist/09ROcdRyxkrc6SKYM2nhrX?si=b7de1b94f1e64a99 Menossa ovat mukana Bruce Springsteen, Bob Clearmountain, Ronald Reagan, Southside Johnny, Gary U.S. Bonds, Jean Beauvoir, Wendy O. Williams, The Plasmatics, Miami Vice, Sopranos, The E Street Band, Michael Monroe, Kari Pyrhönen, Rolling Stones, Huey Lewis and the News, Van Halen, Lech Wałęsa, Jackson Browne, Taylor Swift, Demolition 23, Arc Angels, Doyle Bramhall II, Eric Clapton, Roger Waters, Duke Ellington, Ennio Morricone, Dick Dale, Puistoblues, Local Band, Alexi Laiho, Olli Herman, Santa Cruz, Archie, Samy Elbanna, Stuart Adamson, U2, Tony Butler, John Lennon, Kirsten Adamson, Mark Brzezicki, Pete Townshend, Procol Harum, Gary Brooker, Simon Townshend, Casbah Club, The Who, The Cult, Bruce Watson, Simon Hough, Testament, Gojira, Motörhead, Venom, Megadeth, Dave Mustaine, Kirk Hammett, Flemming Rasmussen, Lars Ulrich, ABBA, Rainbow, James Hetfield, Donald Trump, Anthony Scaramucci, Brian Tatler, Diamond Head, Iron Maiden, Cliff Burton, Kate Bush, Lynyrd Skynyrd, Dio, Stephen King, H. P. Lovecraft, Alistair MacLean, Lou Reed ja Slade.

How well do you know the name, talents and discography of Bob Clearmountain? You certainly know the music he's mixed. Perhaps the first “official mix master,” Clearmountain has his fingerprints on some of the best-sounding music in pop/rock history.  This week John and Tom dive into his career to uncover and examine what makes Clearmountain one of the most sought-after mixers in music...even to this day! Come along as we continue on our journey in the pursuit of music perfection. Listen and Subscribe: Find the podcast platform of your choice here. Lightning Round: Found at Sea: Our Bob Clearmountain Spotify Playlist Buried Treasures Final Thoughts References and Related: ⁠Playlist of songs featured on Out of the Main⁠ John's Spotify Yacht Rock Playlist⁠ ⁠Tom's Spotify Yacht Rock Playlist⁠⁠⁠ Intro/outro: Stock Music “We're Here” composed by John H. Nixon (BMI) Find and Follow: The Mainland: OutoftheMain.com Facebook: https://www.facebook.com/yachtrockpodcast Twitter: https://twitter.com/outofthemain YouTube: https://www.youtube.com/@outofthemain Support the Podcast: https://podcasters.spotify.com/pod/show/outofthemain --- Support this podcast: https://podcasters.spotify.com/pod/show/outofthemain/support

John Waite was in The Babys, out front of two pop hits that both peaked at No. 13 on the Billboard Hot 100, ("Isn't It Time" and "Everytime I Think of You") His solo career started with a really good but forgotten 1982 debut album Ignition, which produced the single "Change". It didn't chart on Billboard's Hot 100 during its initial release (June 1982) but was #16 rock track on AOR radio stations and was produced by the great Bob Clearmountain.  And Patty Smyth sings background vocals on "Change" But it was the album No Brakes that gave him his career a real path to moving forward. "Missing You" went to No. 1 on the US Billboard Hot 100 singles chart and the album was a top 10 record. We spend our time digging into his often-overlooked career. A guy with a distinctive voice that rocks. “Perched perfectly between anthemic mainstream rock and sleek post-new wave pop, it was a minor miracle -- a flawlessly written, classicist pop song, delivered with a stylish, MTV-ready flair. It deservedly became not just a number one hit, but one of those records that everybody knows”  -- Stephen Thomas Erlwine  / allmusic.com Waite had two more singles from No Brakes, including "Tears" which was a #8 hit on the Billboard Mainstream Rock chart and #37 top 40. His next album had a single, "Every Step of the Way" that got radio play (#4 rock charts and  #25 top 40 and would be his last top 40 hit. He did join former Babys bandmates Jonathan Cain and Ricky Phillips, along with Neal Schon and drummer Deen Castronovo from Journey, to form Bad English and the 1989 ballad "When I See You Smile" went to No. 1 on Billboard's Hot 100 and the album sold nearly two million copies.  I didn't love that band, but I've always had a spot for John Waite in my rocker heart. He kept going after the band broke up. But he keeps going. Waite is not always the first thought as a terrific rock band frontman - but he was - and is. He is still on the road.  A singer who fronts a band like someone who wants to be there.  Who has been there.  He's 72 years old.  He's on tour as I recorded this, with dates booked well into 2024.  One who is worth mentioning if you talk about great rock and roll frontmen of the past, for like 50 years. He's a rock and roll lifer still working.  There is honor in that.   *** Read Rob's current and archived writing at rockforwardmusic.com WEBSITE: rockpopandroll.com EMAIL: rockpoprollpodcast@gmail.com SUBSCRIBE: Apple Podcasts Spotify Google Podcasts

Simon Phillips Interview: One of my favorites! Simon opens up about his London session career (which started at age 16!), what he learned, how it shaped his career as a musician & as a drummer… losing his home in the California fires... working with Mike Oldfield, Bob Clearmountain, John Paul Jones, Jeff Beck, Tony Hymas, Roger Glover, Gary Moore, David Gilmour, Phil Manzanera, Bob Dylan, Jack Bruce, The Who, Chrissy Hynde… dealing with dark times, moving here from England, being an optimist, Tony Roma's, bangers & mash, and LOADS more VERY exciting things. What a guy! Discover How to Get Your Music Licensed & Placed in TV, Movies, Video Games & Streaming Services: https://MusicReboot.com Support this show: https://www.everyonelovesguitar.com/support Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Cool Guitar & Music T-Shirts, ELG Merch!: https://www.GuitarMerch.com Simon Phillips' career began at age 12, playing with his dad's band. By 16, he was on his way to becoming THE first-call session drummer in London and since then, besides being a member of Toto for 22 years, he's played with top artists like: Jeff Beck, Mick Jagger, The Who, Peter Gabriel, Joe Satriani, Steve Vai, Judas Priest, Michael Shenker, Al DiMeola, Pete Townshend, Stanley Clarke, Gary Moore, Frank Zappa, Bernie Marsden, Phil Manzanera, Mike Rutherford, Carlos Santana and many more Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show: https://www.everyonelovesguitar.com/support

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Jessamyn Violet has worn countless different hats and hairstyles. She is or has been, at one time, sometimes, or all the time, the following: A writer, a heavy dreamer, a drummer, a poet, a producer, an actor, a director, an editor, a pianist, a photographer, a journalist, a stand-up comedian, a front woman, a hiker, a biker, a rockstar, a rebel, a really nice girl you can take home to the parents, a feminist, a DJ, a teenager with an “attitude problem,” a singer/songwriter, a bartender, a humorist. Music: Originally from Boston, MA, Jessamyn began to study classical piano and music theory at the age of 8 and went on to perform Chopin at Steinway in New York City at the age of 18. A few years later, while writing a book about musicians, she was inspired to start drumming. Now she's worked with legendary musicians in all types of settings—studios, shows, tours and festivals. Some of the significantly awesome people she's worked with include Tony Berg, Bob Clearmountain, Rami Jaffee, Jessy Green, Eva Gardner, Tim Lefebvre, Jesus Coomes, and Kii Arens. Writing: Jessamyn Violet is a writer and drummer living in Venice Beach, CA. Originally from Massachusetts, she graduated with a BFA in Writing, Literature and Publishing from Emerson College. She went on to earn an MFA in Creative Writing from California College of the Arts. Her poetry book “Organ Thieves” was published by Gauss PDF. She's placed short fiction in 805 Art + Lit, Adelaide, Little Break and Three Elements. Her debut novel Secret Rules to Being a Rockstar is out now.. Acting/Production: Jessamyn studied acting with Joe Palese (The Actor's Space) in Los Angeles for years, going on to be cast in all different types of projects. She's been in short films, commercials and music videos as well as worked behind the scenes as part of the crew, with a passion for producing, directing and editing music videos. You can view her IMDB page here. Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts:https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @podhealing OR take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan and Movie Club

Simple Minds, Jim Kerr, Charlie Burchill, Mick MacNeil, Bob Clearmountain, Jimmy Iovine, and me.

Reckless del cuarto álbum de estudio del cantautor canadiense Bryan Adams, publicado el 5 de noviembre de 1984 por la compañía discográfica A&M Records. Fue producido por el propio artista, co-producido por Bob Clearmountain.1​ Todo el disco fue grabado en el Little Mountain Sound Studios, Vancouver, Canadá. 

Clive Anderson and Andrew O'Neill are joined by Bob Clearmountain, Jack Whitehall, Stephen Mangan and Anita Mangan and Shazia Mirza for an eclectic mix of conversation, music and comedy. With music from Caitlin Rose and Nick Waterhouse.

Jim Carroll, Earl McGrath, Bob Clearmountain, and me.

Mixer Jesse Ray Ernster who mixes without a console (or even a desk!) recently sat down with legendary mix engineer Bob Clearmountain, whose work has been omnipresent on hit radio for decades, for an informal chat about their workflows, Dolby Atmos and more! Check out our feature in Tape Op and look for video of this chat as well on our website and YouTube channel. Enjoy! Sponsored by Rupert Neve Designs https://rupertneve.com

Chapters00:00 - Introduction00:26 - Mixing In 5:104:16 - Setting Up Studio Monitoring06:24 - Upgrading For Atmos 08:24 - How To Approach Atmos11:14 - Placing Sounds 15:25 - Beds And Objects19:11 - Working From An Analogue Console23:11 - Using The Centre Speaker27:23 - Incorporating Plug-in Effects 28:40 - Adding Compression In Surround34:29 - Checking The Mix37:21 - Frustrations With Atmos41:34 - Recommended ListeningBob Clearmountain BiogBob Clearmountain is an American recording engineer, mixer and record producer. He has worked with many prominent names in music including Bruce Springsteen (mixing Springsteen's Born in the U.S.A. and 25 other projects), The Rolling Stones (re-mixes of the singles "Miss You" and "Out of Tears" ) as well as their Tattoo You album amongst  over 20 album, movie and concert video projects, Bryan Adams (producing and/or mixing nearly all of his albums since 1983), Robbie Williams, Huey Lewis & The News, Toto, Bon Jovi (These Days, Crush, Bounce), Simple Minds, The Pretenders, David Bowie, Roxy Music, Bryan Ferry, INXS and 235 other artists. Bob has released some signature plug-ins with audio hardware and software manufacturer Apogee Electronics. https://www.mixthis.com/Apogee Electronics BiogApogee originally made their name with special anti-aliasing filters that solved many of the early problems associated with digital audio. Later, Apogee's complete conversion systems pushed the envelope of digital audio quality and established Apogee as a key innovator in the field of professional digital audio. Today, Apogee converters and audio interfaces are regarded as the reference standard in the audio industry.Products such as Symphony I/O, Big Ben, Ensemble and Duet all set the benchmark by which digital audio recording hardware is judged. Now with their latest products JAM and MiC, designed especially for Apple's iPad, iPhone and GarageBand software, Apogee continues to be at the forefront of recording technology. Apogee's mission is to build products that offer ultimate sound quality and innovative design to all music creators from the aspiring artist to the discerning audio professional.https://apogeedigital.com/Sam Inglis BiogEditor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).https://www.soundonsound.com

In this episode we speak with Grammy and Emmy award winning record engineer, Mixer and record producer Bob Clearmountain.We discuss his groundbreaking talent for mixing and focus in on his time spent working on ‘Forgiven, Not forgotten' beginning with how David Foster first led him to meeting the band in his studio in Malibu to a conversation that led to finding DAT tapes for songs which didn't eventually make the final album lineup. Join me as we talk with this legend of the music industry and hear of how impressed he was of their talents from the moment he first heard them.An image of the ‘I don't know' DAT tape mentioned in this episode can be found HEREThis episode has special thanks to Marlene Passaro.The CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing Hosted on Acast. See acast.com/privacy for more information.

The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson's first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018.  Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 

The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson's first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018. Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 

The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson's first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018.  Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 

Mi invitado del día de hoy es Renato Vazquez. Renato vive en la ciudad de México y tiene más de 12 años de experiencia profesional como compositor, productor musical, ingeniero de grabación, mezcla, mastering y diseñador de audio. Ha trabajado con músicos y empresas de todo el mundo para diversos medios, como lo son la música, la televisión, los videojuegos y el teatro. Se especializa (más no se limita) en los géneros de Rock y Metal. Renato ha sido invitado a dar pláticas sobre sus técnicas de mastering en eventos de la talla de Soundcheck XPO y en transmisiones con Waves Latinoamérica. Renato también es parte del consejo académico internacional de AudioMidiLab y es uno de los creadores de “Guitarras y viejitos.“ Pueden contactarme en ImagoProAudio.com por correo en contacto@imagoproaudio.com FB @ImagoProAudio @RenatoVazqueJimenez Youtube @Guitarrazyviejitos @videojuegosyviejitos Tiktok @renvazquezj Links de Spotify de cosas que he hecho que me hacen muy feliz: https://open.spotify.com/artist/0J1HViHDkZ1IPsvbt26ZgU?si=WdG6tm_GQIq5dghO-qBZWg **Yamaha MSP7 en el estudio de Bob Clearmountain https://www.mixthis.com/studio Si te gustó el podcast, por favor deja una reseña y calificación: Aquí Instagram @MaestrosdelAudio @ericlee.audio Facebook @MaestrosdelAudio @ericleess88

My guest today is Bob Clearmountain, an American recording engineer, mixer and record producer. He has worked with many prominent names in music including Bruce Springsteen (mixing Springsteen's Born in the U.S.A. and 25 other projects), The Rolling Stones including Tattoo You and Voodoo Lounge amongst over 20 album, movie & concert video projects, Bryan Adams (producing and/or mixing nearly all of his albums since 1983), Robbie Williams, Huey Lewis & The News, Toto, Bon Jovi (These Days, Crush, Bounce), Simple Minds, The Pretenders, The Who, David Bowie, Roxy Music, Bryan Ferry, INXS and hundreds of other artists. He is also married to Apogee Electronics CEO, Betty Bennett and has created a plugin for mixing called Spaces. With multiple Platinum LPs, Grammy Awards, Emmy's and even a Les Paul Award, Bob continues to be one of the world's premier mixers working from his studio in Los Angeles Mix This! sharing his knowledge in places like Mix With The Masters and right here on Recording Studio Rockstars. I'm excited to have Bob joining us on the show today, and have gathered a bunch of great questions for Bob from you Rockstars in our Facebook group. If you want to join the group follow the link in the show notes. You will also find a great discography playlist of Bob's work. Thanks so much to Brian Murphree for connecting us and Kelle Musgrave at Linear Management for your help. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/272gpSmRMNj6DXVhFnk5pN?si=4e739730e2564216 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/334

'Out of Touch' de Hall & Oates es una canción que, por supuesto, a muchas personas les gusta el sonido, pero descifrar la letra que contiene puede ser un poco desafiante. Sin embargo, aquí va un intento de interpretar las complejidades de la narrativa en la que se basa esta pista. El destinatario sería un interés romántico de la cantante. Y parece que su romance se ha basado en gran medida en la intimidad. Sin embargo, su relación ha llegado ahora al punto en que dicha actividad ya no puede sostenerla. O dicho de otra manera, se han enfrentado a desafíos que ahora amenazan con la perpetuación de su unión. Sin embargo, esto puede no deberse a ningún problema entre ellos en particular, sino más bien a su necesidad individual de desarrollo personal e interno. Esta idea parece estar apuntalada en el segundo verso. Y de nuevo, las metáforas utilizadas en todo momento son bastante exquisitas. Sin embargo, la idea general que parece presentarse es que a través del examen de conciencia respectivo de la pareja, se han distanciado. Pero esto no significa que el cantante crea que debería abandonar la búsqueda. De hecho, afirma explícitamente que 'el alma realmente le importa'. Sin embargo, establecido, dicha aspiración aparentemente ha llevado a que su pareja ahora esté 'fuera de contacto'. En otras palabras, su búsqueda personal para comprender el significado de la vida la ha llevado por un camino en el que no solo está más confundida que antes, sino que también, como se mencionó anteriormente, no pasa tanto tiempo con la cantante. Y este último aspecto realmente parece ser lo que lo está enojando. De hecho, él se enfrenta a sus propios problemas mentales similares cuando ella 'no está cerca'. Conclusión Entonces esa es una teoría detrás del significado de esta canción. Tanto el cantante como su interés romántico buscan un significado más profundo a la vida y tal vez incluso a su relación. Al hacerlo, su pareja en particular se ha enajenado. Así que ahora, además de los problemas que lo obligaron a buscar el alma en primer lugar, también tiene que lidiar con la ausencia de la mujer que ama. Datos sobre 'Fuera de contacto' Hall & Oates fueron mega-populares a principios de la década de 1980, y esta canción resultó ser la última de las seis primeras listas de Billboard Hot 100 de su apogeo. Además, también fue el 14thsencillo consecutivo lanzado por el dúo que rompió el top 40 del Hot 100. 'Out of Touch' también se trazó en otros 8 países, incluida la lista de singles del Reino Unido. RCA Records lanzó 'Out of Touch' el 4 de octubre de 1984. El sello lo lanzó como el sencillo principal del álbum del dúo 'Big Bang Boom'. Esta canción fue escrita por el dúo musical de Darryl Hall y John Oates, quienes también produjeron la melodía junto con Bob Clearmountain. El video musical de esta canción tenía a Jeff Stein como director. Esta canción fue incluida en el tracklist de la entrega “Vice City” (2002) del popular videojuego “Grand Theft Auto”. --- Send in a voice message: https://anchor.fm/radioflowok/message

The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features.

The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features. Learn more about your ad choices. Visit megaphone.fm/adchoices

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es, 00'00- 02,00h) "The Legendary 1979 No Nukes Concerts," una película de Bruce Springsteen y The E Street Band que incluye diez interpretaciones inéditas de los conciertos benéficos MUSE en el Madison Square Garden, con secuencias enteras en vídeo del set completo de la banda por primera vez. Editado por el colaborador habitual de Springsteen Thom Zimny a partir de la película original en 16mm junto al audio remezclado de Bob Clearmountain. No solo se lanza esta semana el álbum Thank You de Diana Ross, también el nuevo single ‘I Still Believe', una canción sobre el amor, la esperanza y la positividad .Alicia Keys publicará el 10 de diciembre un nuevo disco titulado Keys (RCA Records). El álbum presentas las canciones en dos versiones: “Originals” y “Unlocked”, en las que Keys ha sampleado sus nuevos originales con la ayuda del productor Mike Will. Como adelanto se ha lanzado el vídeo de “Best of me”. Spiritualized anuncian un nuevo disco, Everything was beautiful, que Bella Union publicará el 25 de febrero. Los Planetas tienen nuevo disco. Su décima referencia de estudio llega con el título de Las canciones del agua que será publicado el próximo 21 de enero. ‘Hasta el Fin' es el segundo single de adelanto de ‘Años Luz II', el decimotercer álbum de La Habitación Roja. Producida por Paco Loco y mezclada por Luis Martínez, la canción es un canto a la resistencia de la gente que nunca se rinde ante la adversidad.Placebo ha anunciado esta semana que su nuevo disco llevará el nombre de Surrounded By Spies y que será publicado el próximo 9 de noviembre. Black Country, New Road, más tiernos que nunca en ‘Bread Song'. Los Inocentes lanzan nuevo single con sabor a Battiato. Los tinerfeños THE VINYLOS lanzan su tercer álbum, denominado Club Virginia. Un nuevo paso en una carrera trufada de pequeños pero indiscutibles logros, en la que tras un exquisito repertorio repleto de ensoñadoras composiciones de pop n' soul blanco -con certeros arrebatos de garage beat que dan siempre en la diana- se han ido afianzando firmemente entre los gustos de los más influyentes gurús de la escena sixties. KAMIKAZE HELMETS presentan este jueves en Madrid su recién estrenado disco homónimo. Una formación de rock... ¡sin guitarras!. Simple Minds estarán en julio en Murcia celebrando su 40 aniversario. El FIB lleva ya días anunciando nombres para la edición del próximo año. Entre los últimos destacan La M.O.D.A., Love Of Lesbian, Ginebras, Cariño, The Kooks, Carolina Durante y más. Se recupera el Estrenarte de San Javier cancelado por las lluvias (Lo Cursed). Pedro Q estrena "Si las plantas hablaran", y nos lo presenta esta noche. Atientas vuelven con “Único Testigo” junto a Maryan Frutos (Kuve). Crudos publican para Raca Records,“Entre ola y ola”

It's more Bob Clearmountain!!! That's really all you need to know.

In this episode we talk with five-time Grammy winner Ryan Freeland who was assistant to Bob Clearmountain on mixing The Corrs' first album 'Forgiven, Not Forgotten'.I'm continually indebted to those who help inspire and encourage me in this project. Thank you for your support and kindness shown. The CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebook#CorrsCast on social media.Please subscribe, rate and review CorrsCast on iTunes or a platform of your choosing. Hosted on Acast. See acast.com/privacy for more information.

Do I really need to write a blurb about Bob Clearmountain? No, I didn't think so. Enjoy!

This week, on the pod, Mark and Brendan has some sizzling new tunes for your playlists, and of course a tribute to the late Charlie Watts, of the Rolling Stones! To preview the content of the podcast episode, let's note Brendan began with a Metallica cover from none other than Chris Stapleton. Mark followed with a new single from Angus & Julia Stone. Up next, B. features a new, non-album single from Baltimore's Future Islands, while Mark previews a new song from New Zealand guitarist Roy Montgomery, with Brooklyn's Katie Von Schmeichler on vocals. The archive track this week is a 30-second snippet "Street Fighting Man," recorded in Brussels, Belgium, in 1973, perhaps featuring the Rolling Stones at the peak of their powers. If you don't know of The Brussels Affair bootleg, well, it has been remixed by Bob Clearmountain for a deluxe edition of Goat's Head Soup that is easily found on Spotify. (It came out last year. Scroll down and look for the word "Live.") There are bonus tracks, as usual, but you will have to sign up for our email newsletter to get those gems. If you want to do that now, please take a second to sign up for our newsletter right here. Have a great week! ---Mark and Brendan

In this first episode we speak with Simon Philips (Drums) and Michael Thompson (Guitars) regarding their time working with the band and the producer David Foster on the recording of The Corrs' first album Forgiven, not Forgotten. This episode also includes a bonus comment from Neil Stubenhaus (Bass).I'm incredibly indebted to those who helped inspire and encourage me in this project. This episode has very special thanks to Laurent Biehly, Julien Treguer and Miguel Castillo.The CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).At the beginning of this episode I mention JC'sMusicology. John Cameron's amazing work can be listened to here: #JCsMusicologyAt 00:07:16 you can hear a clip of Simon Phillips recording the drum fill for 'Toss the Feathers' as recorded in the Record Plant L.A. studio using handy-cam by David Reitzas. At 00:08:58 you can hear Simon Phillips recording his drum part for the unreleased track 'I Don't Know'. This was also recorded the same day in the same session at Record Plant.At 00:13:02 you can hear Simon Philips testing the drum mics and getting ready for takes.At 00:23:03 you can hear more from the 'I Don't Know' recording session. At 00:36:59 you can hear an early mix of 'Someday' before Michael Thompson recorded guitar for the track (This is followed by the album version for comparison). At 00:40:08 'Closer' can be heard sung live at Lansdowne Road on 17th July 1999. At 00:43:56 a clip of the B-Side 'Rainy Day' can be heard.Simon Philips mentions 'Bob' being asked to come in and record his drum sessions. 'Bob' is none other than Grammy award winning recording engineer and mixer Bob Clearmountain.This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography shot by and copyright to Guzman.Connect with CorrsCastInstagramTwitterFacebook#CorrsCast on social media.Please subscribe, rate and review CorrsCast on iTunes or a platform of your choosing. Hosted on Acast. See acast.com/privacy for more information.

Born in 1956 in New Haven, Connecticut, Mickey took up drums when he was 11 and played with local bands.     *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen   The Rich Redmond Show is sponsored by: Big Dot Lighting - Commercial LED Lighting Specialists   -and-   Bruce Cline Home Loans & Mortgage Refinance | Movement Mortgage www.musiciansmortgage.com     His early inspirations ranged from Ringo Starr and John Bonham through to Chicago's Danny Seraphine and - under the influence of his older brothers - the classic R'n'B of Marvin Gaye, Otis Redding and James Brown.   Mickey got serious about drums from the age of 13 when he and two of his brothers formed a school band called The Rack. Later, Mickey went to a state school for music, but the academic route was not for him and he left early to play in bands.   When he was 17 he joined the Scratch Band in Connecticut where he first gained recording experience. Next Mickey started to make the two hour train journey into Manhattan and eventually joined a band called Tom Dicky and the Desires. They were managed by music mogul Tommy Mottola who also managed Hall and Oates - big news in the early 1980s.   Impressed by Mickey, Mottola asked him to record Hall and Oates' new album ‘Private Eyes'. Around the same time Mickey met top producer Bob Clearmountain who'd just found a new singer called Bryan Adams. Within months Mickey had recorded Adams' second album ‘You Want It You Got It'.   Next thing Mickey's out on tour with Hall and Oates. All this was in 1981 when Mickey was 25. This was his big-break year and he's never really looked back. The calls started to come in thick and fast - Tom Waits, Cher, Tina Turner, Los Lobos.   Mickey worked with Hall and Oates through till 1986, since then he's been Bryan Adams' regular drummer. He says “I get to sound more like me on Bryan's records than on anyone else's”.       He's also had considerable success recording and touring with The Cult. He played on their 1989 album ‘Sonic Temple' which sold three million.   During the period he was playing with Hall & Oates, Curry met producer Bob Clearmountain, who had recently begun working with a young Bryan Adams, and appeared on Adams' second album, You Want It You Got It. His appearance on nearly all of Adams' subsequent albums coincided with his rise to prominence. Following his stint with Hall & Oates, Curry began touring full time with Adams, a collaboration that continues to this day.   Other notable sessions have been with Alice Cooper, Stevie Winwood, David Bowie, Elvis Costello, Carly Simon, T-Bone Burnett and Richard Thompson.   Some Things That Came Up:   -Started playing at 11   -Recording with Hall and Oates and touring with Bryan Adams at age 25   -Meeting Ringo   -Working with Mutt and Bob   -More cowbell   -One handed 16ths   -Playing Yamaha since 1982   -Piccolo snares   -Working with Joe Pesci   -Robert DeNiro story   -Mickey would love to just play in the studio everyday       The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!       Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:       https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1       One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!       Buy Rich's exact gear at www.lessonsquad.com/rich-redmond       Follow Rich:   @richredmond   www.richredmond.com       Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.       Follow Jim:   @jimmccarthy   www.jimmccarthyvoiceovers.com

My guest today is Michael Brauer a multiple Grammy-winning New York mix engineer. His many credits include "Best Pop Vocal Album" for John Mayer's Continuum, "Best Alternative Album" for Coldplay's Parachutes, and also "Best Rock Album" for Coldplay's "Viva la Vida or Death and All His Friends". Other credits include The Rolling Stones, Aerosmith, Jeff Buckley, David Byrne, Paul McCartney, Ben Folds, Willie Nelson, KT Tunstall, Martha Wainwright, and more recent projects include Zac Brown Band, Hootie & the Blowfish, Michael Kiwanuka, Slash, and The Courteeners.   Beginning at MediaSound Studios in New York City in 1976, Michael worked his way up from the Shipping Department to staff engineer assisting the hottest guys in town including; Bob Clearmountain, Mike Barbiero, Ron St. Germain, Michael DeLugg, Ed Stasium, Godfrey Diamond, Tony Bongiovi and Harvey Goldberg. He became Luther Vandross’’s engineer recording all his music for four years including two Aretha Franklin albums and spent half of the eighties making records in London’s exploding music scene returning home to focus on the American scene after 1990. In 2018 Michael opened BrauerSound Studios, in New York City's Chelsea area. At the new studio, he began utilizing a hybrid mixing setup for the first time in his career, making the mixing process more powerful and efficient. He also created the technique known as 'Brauerizing', in which mixes are routed through multiple compressors and busses to create a blended sound. And he is a co-founder of Mix With The Masters which has been running for over a decade.  Thanks to Randy Fuchs at Artist Relations and OWC for making our introduction. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://www.SoundPorter.com Get your free mastering demo. https://JZmic.com Use coupon ROCKSTARS to get 20% off The Pop Filter https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://www.Adam-Audio.com/Education https://www.APIaudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/01JiSbrOjLxJeeRDlhtnPL?si=4fe1f0dbf6574e1a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/300

Riff Raiders,Standing On My OwnDanielle Bloomer,Meet Me In The Middle  Guitar Tom And The High Cats,Favourite SongPhil Campbell And The Bastard Sons ,Born To RoamMidnite City,Crawlin’In The DirtOrden Ogan, Inferno  Metalite,A Virtual World  Motorjesus,Dead Rising  Lugosi,They Came From Outer SpacePaul Joseph Blues Project,Hard WinterBloodbound,When Fate Is Calling  Hookers And Blow ,Time Of The Season  Stonedeaf,The Velvet HammerThe Jailbirds,I Will Move OnDave Thomas ,One More MileTrevor B.Power,World Gone Mad  Veronica Lewis,Clarksdale SunCash McCaul,Blues Coming DownSkylar Rodgers,Hard Headed Woman  The Riff Raiders,Loaded GunDanielle Bloomer,BlackwhiteFontaines D.C. A Heroes DeathJoanna Connor,I Feel So GoodWedge,Across The Water  The Circle (Sammy Hagar),Right NowThe Dead Daisies,Chosen And JustifiedThe Band , Bob Clearmountain,Time To KillThunder,Going To Sin City  Phil Campbell And The Bastard Sons ,Bite My Tongue  The Cult,Wild Flower  Metal Church,Reset  The Darkness,Easter Is Canceled  Gotthard, Hush  Ricky Warwick ,You Don’t Love MeNashville Pussy ,Come On Come OnKing Zebra,FirewalkerTin Machine,Heavens In Here  Billy Idol,LA Woman  The Outlaw Orchestra,It Happened Again  Bruce Dickinson,All The Young DudesPaul Joseph Blues Project,My Hands Are Tired.Cold Blues,Old ManCold Blues ,Bells Of Freedom 

Larry Aberman is presently the drummer in the acclaimed show Zumanity by Cirque du Soleil in Las Vegas.    ****Listen to this episode and subscribe! www.richredmond.com/listen   The Rich Redmond Show is sponsored by The School of Rock Nashville and Franklin! https://locations.schoolofrock.com/nashville https://locations.schoolofrock.com/franklin   He has performed and/or recorded with Stevie Ray and Jimmie Vaughan (the double Grammy winning album “Family Style”); Nile Rodgers, Bernard Edwards, Wynton Marsalis, Lionel Hampton, Joe Sample, Lalah Hathaway, Kelly Willis, Travis Tritt, Aaron Neville, Adam Ant, Jeff Beal, The New York Philharmonic (as featured soloist), Jonatha Brooke, Foreigner, David Lee Roth, Ric Ocasek, Ben Harper, Pete Yorn, Lionel Richie, Daniel Lanois, Bob Clearmountain, and many others. Aberman continues to record for album, movie and TV projects in his home studio via the internet. His compositions can be heard on numerous TV shows and other media. Articles written by Aberman have appeared in Modern Drummer magazine, Zildjian’s “Score” magazine, and Drum Workshop’s “Edge” magazine. He has been a featured visiting artist for the University of Utah; as well as clinician for the Percussive Arts Society, The Field Percussion Workshop, The Las Vegas Drum Camp, and the Las Vegas Academy’s Jazz Invitational. In addition to his adjunct professorship at UNLV, he is also professor of jazz studies at the Nevada School of the Arts in Las Vegas. He also shares a performing and educational partnership with fellow UNLV faculty member, drummer/percussionist José “Pepe” Jimenez called DRUMMERS TECH. Aberman is a proud longtime endorser of Drum Workshop drums and hardware, Zildjian cymbals and sticks, and Remo drum heads and percussion. A few things that came up: -Having a steady gig in Vegas with Zumanity by Cirque du Soleil -Early adopter of DW -NYC gigs -Blues shuffle is the basis for so many beats -Playing with Foreigner at 26 -Status of Cirque shows with COVID -Vegas musicianship -Auditioning for The Blue Man Group -Playing for DLR -Learning licks from Daru -Thomas Lang and practicing for 14 hours a day -The future of music   Follow Larry: larryaberman.com @larryaberdrum _____________________________ The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:  @jimmccarthy www.jimmccarthyvoiceovers.com

My guest today is Ryan Freeland. Ryan is a producer, songwriter, engineer, and mixer based in Los Angeles. He's also a five time Grammy award winner, and he's best known for his work with Bonnie Raitt, Ray LaMontagne, Amy Mann, Grant Lee Phillips, one of my favorites, Rodney Crowell, as well as Loudon Wainwright III. He talks to us from his Stampede Origin studio located in Culver City, California, and we have a fantastic conversation. And I'm really looking forward to having him on. Ryan Freeland coming up here on The Working Class audio podcast. In this episode, we discuss: Studio Building Recording at Age 12 Working For Bob Clearmountain Lessons Learned From Bob Working with Mixing Clients Leaving The Nest Handling Slowdowns Beepers At The Beach Budgets The Artistry Of Engineering Useful Gear Designs Tape Is Not Your Savior Making Things Better In The World The Importance Of The Engineer Matt's Monologue: Perspective Links and Show Notes Ryan's Site: http://www.ryanfreeland.com/ WCA Instagram: https://www.instagram.com/working_class_audio Go Ad-Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: Ryan Freeland Host: Matt Boudreau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab

On this episode, Ted and Dan are once again joined by Mix Magazine’s content director, Tom Kenny. During this second part of their three part conversation, they discuss Tom’s passion for the Mix Sound for Film & TV event, A star-studded surprise show at the Bluebird Café in Bloomington Indiana, Paul Rothchild inviting Tom to Hollywood to write a feature on The Doors movie, and a whole lot more!

On this episode, Ted and Dan are joined by Mix Magazine’s content director, Tom Kenny. They discuss Tom’s 31-years with Mix Magazine, the TEC Awards, buying new clothes to meet with Peter Gabriel, and a whole lot more! 

My guest today is Howard Willing a Nashville based engineer/producer/mixer previously from LA where he made records for 22 years. He was also A&R at Capitol Records and has worked with an amazing list of artists including Sara Bareilles, Linda Ronstadt, Ok Go, Sheryl Crow, Dean Martin and Scarlett Johansen, Glen Cambell, Counting Crows, American Idol, Liz Phair, Smashing Pumpkins, Mute Math, Van Hunt, 2 Pac, and Snoop Dog among many others. Thanks so much to Brad Wood for making our introduction. Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars. JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/245

Bob Clearmountain is a legendary engineer, mixer, and producer who has worked with iconic artists such as David Bowie, Paul McCartney, Bruce Springsteen, The Rolling Stones, Guns N Roses, and many more. It’s a rare opportunity to sit down with someone of his stature (because, well, hardly anyone on the planet has the resume that Bob does)- someone who can ... Read More The post EP 271 | Bob Clearmountain appeared first on Unstoppable Recording Machine.

This episode features Bob Clearmountain. He’s been mixing albums in the studio since 1972, beginning with Duke Ellington and continuing on with the likes of David Bowie, the Rolling Stones, Bruce Springsteen, Bryan Adams and many more.We sat down together at Apogee’s booth on the show floor at AES to discuss his incredible career along with advice for aspiring studio engineers and his venture into digital plugins with Clearmountain’s Domain. I’d like to thank ProSoundWeb, Apogee and iZotope’s RX software for helping make this episode possible. Now let’s hear from Bob Clearmountain at the Javits Center in New York for the 2019 AES Convention. Support the show (http://paypal.me/erikmatlock)

On the premier episode of “Clearmountain’s Domain” Grammy award-winning mixer/producer (punk rock bass player) Bob Clearmountain takes us all the way back to the beginning of his legendary career. Hear how Bob went from studio gopher to making and mixing records with the likes of Duke Ellington, Kool and the Gang, The Rolling Stones, Chic, Bruce Springsteen, Bryan Adams, Bon Jovi and many other iconic artists.

Simon Phillips Interview: One of my favorites! Simon opens up about his London session career (which started at age 16!), what he learned, how it shaped his career as a musician & as a drummer… losing his home in the California fires... working with Mike Oldfield, Bob Clearmountain, John Paul Jones, Jeff Beck, Tony Hymas, Roger Glover, Gary Moore, David Gilmour, Phil Manzanera, Bob Dylan, Jack Bruce, The Who, Chrissy Hynde… dealing with some personal dark times, moving here from England, being an optimist, Tony Roma’s, bangers & mash, and LOADS more VERY exciting things. What a guy! Simon Phillips’ career began at age 12, playing with his dad’s band. By 16, he was on his way to becoming THE first-call session drummer in London and since then, besides being a member of Toto for 12 years, he’s played with top artists like: Jeff Beck, Mick Jagger, The Who, Peter Gabriel, Joe Satriani, Steve Vai, Judas Priest, Michael Shenker, Al DiMeola, Pete Townshend, Stanley Clarke, Gary Moore, Frank Zappa, Bernie Marsden, Phil Manzanera, Mike Rutherford, Carlos Santana and many more Support this Show: http://www.everyonelovesguitar.com/support Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Mitch Marathon Month Madness continues... On this episode, we chat with Bob Clearmountain (producer, mixer & engineer) who has worked with the likes of Bryan Adams, Bruce Springsteen, The Rolling Stones and more. During our conversation, we discuss the Mutt Lange/Bob Clearmountain 'team', adapting his production style to fit the artist, producing music for a film, his method, the advancement of recording technologies, TOTO, Richie Sambora, Bon Jovi and what makes a good mix. We also look back at a few classic albums he's had a hand in including: Bryan Adams' Reckless and Van Halen's Tokyo Dome - Live In Concert.  Get your MITCH MERCH here: https://loudtrax.com/Mitch  Twitter: @mitchlafon Instagram: @mitch_lafon The only way to get all my interviews and content is to subscribe to Rock Talk With Mitch Lafon!  Help support the show. Please consider a donation: https://www.paypal.me/MitchLafon See omnystudio.com/listener for privacy information.

**Woodface** (1991) es el tercer álbum de estudio de la banda Crowded House. El álbum, producido por Mitchell Froom y Neil Finn, y mezclado por Bob Clearmountain, fue lanzado por Capitol en julio de 1991, y de él se extrajeron cinco singles: Chocolate cake, Fall at your feet, Weather with you, Four seasons in one day e It's only natural. Woodface fue un éxito importante en Australia y Nueva Zelanda, y proporcionó a la banda su primer disco Top 10 en Reino Unido. El álbum fue incluido en el puesto número 3 en el libro Los 100 mejores álbumes australianos en octubre de 2010. Crowded House fueron uno de los grupos más aclamados de los años 80 y los 90. Formado a partir de las cenizas de Split Enz, publicaron dos acertados álbumes acertados antes de Woodface. Es irónico que Crowded House surgieron porque Neil Finn quiso salir de debajo de la sombra de su hermano Tim, y, sin embargo, el álbum de Crowded House que se cita más a menudo como el mejor de su obra es en el que Tim se unió brevemente a la banda.

In this solo episode, Mark shares an article that he'd had published in the summer of 2009 when he was asked to make a prediction about something that likely wouldn't exist in publishing ten years later. WARNING: This episode contains a short clip of Mark singing a parody version of "Summer of '69" by Bryan Adams. (He couldn't help it. Song lyrics haunt his brain. The minute he mentioned the summer of 2009, the classic Adams song came to mind.) Prior to the interview, Mark shares a word from the episode's sponsor, Findaway Voices . . .He talks about the sources of his latest payment from Findaway Voices, which don't include the big players, like Audible or Apple, or Google, or Kobo. You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway. As an introduction to the article, Mark shares the back-story of how he wrote article for an online magazine called The Mark News (no relation) on the topic of publishing and bookselling. This had been back when he was on the Board of Directors for the Canadian Booksellers Association, an active member of a couple of Campus Bookstore associations as well, and heavily involved in using the print-on-demand technology of The Espresso Book Machine in a bookstore in Hamilton, Ontario. The reason Mark started thinking about the article in question was because of a sale he noticed on Kindle for the book that the article was republished in. A 2011 volume called Living at the Tip: Navigating the Digital Tipping Point of the Book World. This book is something Mark published in the space of a few hours when Kindle first announced KDP Select, their exclusivity program. He collected the articles together, used Amazon's cover generation tool and published it, just to have a title in the program at all times. In the article being shared, Mark explains the basic workings of territorial rights and how it has historically operated with publishers in various countries, agents, and authors. He also shares his own frustration with the fake virtual borders in a digital world that don't seem necessary because the old ones were based on warehousing books inside the borders of a country after they were shipped there, or the rights were acquired for that territory. In a digital world, the shipping of dead trees from continent to continent is not an issue, and, therefore, is something that Mark speculated SHOULD begin to disappear ten years from when he wrote it in 2009. He goes on to explain how self-published and indie authors and smaller publishers have embraced the new digital world in ways that the major or larger publishers haven't. This is most likely due to the fact that big publishers are heavily invested in printing, stocking and shipping physical books, which represents the majority of their revenue.   Links of Interest Living at the Tip (Amazon link) Reflections on Digital Publishing (Video clips from an interview with Mark in 2012) Mark's Super-Brief History of Publishing (a breif excerpt from a talk about the Future of Publishing from a 2014 Writers of the Future Awards ceremony - HINT: Mark's predication was that it would involve more collaboration than ever before) Findaway Voices Bryan Adams Website Music video for "Summer of '69" Patreon for Stark Reflections Stark Reflections Survey   The song "Summer of '69" was performed by Bryan Adams. It was written by Bryan Adams and Jim Vallance, a long-time writing partner of Adams. It was produced by Bryan Adams and Bob Clearmountain and released in June 1985 by A&M Records as the fourth-single from the album Reckless. The music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

The acclaimed author is back to conclude our discussion about his book “Classic Tracks”.

GWAR producer and King Crimson mixer Ronan Chris Murphy on surviving almost 30 years in the music business, working on the MAFIA III soundtrack in Nashville, collaborating with Robert Fripp, conflict and Bob Clearmountain, reconciling art and success, and how a producer is a hall monitor for musicians.

Pat and Kyle welcome Alexi Lalas back to the Co-Host chair to discuss the recording career of Bryan Adams AKA "The Groover From Vancouver."

In this special live episode, John and Stewart talk with Bob Clearmountain. An award-winning music engineer, mixer and producer, Bob has worked with many prominent names including Bruce Springsteen, The Rolling Stones, Bryan Adams, Toto, Bon Jovi, and many more. Watch the full episode at bit.ly/GCBClearmountain

When we prep for Tape Op interviews it is typical to print out discographies, but in the case of our next guest, it was 48 pages long! Bob Clearmountain needs no introduction. He has worked with a who's who of music's biggest artists including Bruce Springsteen, The Rolling Stones, The Who, Morrissey, Sheryl Crow, Tina Turner, Bryan Adams, Crowded House, Bon Jovi, Hall & Oats, Travis Tritt, Elton John, David Bowie and 47 more pages of music's makers and shakers. He is still considered the mixer's mixer and works closely with Apogee Electronics on the development of recording studio essentials. Tape Op publisher John Baccigaluppi sat down recently to chat with Bob at his Los Angeles studio. Enjoy! Sponsored by Apogee https://www.apogeedigital.com

EP 12: Jordan West Jordan West is a drummer, vocalist, and songwriter from Indiana currently based in Los Angeles, CA. Her move to LA was largely inspired by studio legend Bob Clearmountain, who randomly stumbled upon her singing and drumming at a rock club in Indiana. He told her she should make the move out to Los Angeles and that if she did, he would love to work with her. She took his advice and they recorded their first single together, "Blueberry Smoke", featuring Andy Summers on guitar and mastered by Bob Ludwig. She is also in the process of finishing an EP with producer/engineer Mark Hornsby. The project was sponsored by Roland, Ludwig, Avid, and DPA mics, and an accompanying documentary about the process was filmed by Nigel Dick (set for release fall 2018). Jordan also works as a freelance studio and touring drummer/singer. She has recently performed and recorded with Judith Hill and Kailee Morgue. She also has her own ongoing series of Reverb.com lesson videos for drums and writes/records for television. Jordan is endorsed by Ludwig drums and Zildjian cymbals and is a clinician for Roland and BOSS. Links: Webiste: ​www.jordanwestdrums.com Instagram: ​www.instagram.com/jordanwest Facebook: ​www.facebook.com/jordan.k.west Paul Jennings (Host) Instagram: ​www.instagram.com/playcajon

THE MINDFUL MUSICIAN PODCAST HOMEPAGE: http://www.mattoestreicher.com/themindfulmusician/   TODAYS GUEST:  Jeffrey Lee Campbell LINKS: www.jeffreyleecampbell.com BUY HIS BOOK HERE: https://www.amazon.com/Stand-Close-Improbable-Adventure-Guitarist/dp/1947309331 BIO:      Originally from North Carolina, Jeffrey Lee Campbell was raised on a steady diet of rock 'n' roll, soul, and Top 40 music. Playing his first PAYING gig at age 13, Jeffrey is a lifer.    Jeffrey picked up the guitar at the tender age of 8, spending his formative years gigging in bands “anywhere and everywhere” (school dances, frat parties, night clubs, etc). After graduating high school, Jeffrey was accepted into the prestigious "Studio Music and Jazz" program at the University of Miami.     Ultimately chasing his dream North, Jeffrey Lee relocated to New York City and quickly established himself as one of the city's top musicians. His performance experiences range from iconic intimate venues such as CBGB, The Bottom Line, The Bitter End, MTV and NBC's Saturday Night Live . . . to huge concert stages including NYC's Madison Square Garden, London's Wembley Stadium, and Japan's Tokyo Dome.     Jeffrey Lee strummed his way around the world on Sting's "Nothing Like the Sun" World Tour ("blazing guitar work" - Rolling Stone, "soaring guitar" - USA Today), proudly sharing the stage with musical heavyweights Branford Marsalis, Mino Cinelu, and Kenny Kirkland in twenty-five countriesacross six different continents.     In addition to Sting's World Tour, Jeffrey Lee was also a part of Amnesty International's "Human Rights Now!" World Tour (featuring Sting, Peter Gabriel, Bruce Springsteen, Tracy Chapman, and Youssou N'Dour). Playing 20 concerts worldwide (including extraordinary shows in Africa and India), the Amnesty tour was truly a once in a lifetime experience. One of Jeffrey's top Amnesty highlights was sitting in with Bruce Springsteen and the E Street Bandat the tour's concert in Buenos Aires, Argentina.     Back at home in NYC, Jeffrey Lee had the extreme pleasure of playing guitar with Aretha Franklin (for "VH-1 Divas Live" - an all-star tribute to the Queen of Soul at Radio City Music Hall). The "Divas" concert climaxed with a finale that found Jeffrey jamming with Ms. Franklin, Mary J Blige, Nelly Furtado and surprise special guest Mr. Stevie Wonder. Other performance credits include Jon Bon Jovi, Michael Bublé, Bob James, and singer/songwriter Sam Phillips.      As a studio musician, Jeffrey has worked with some of the industry's top producers such as T Bone Burnett, Phil Ramone, Rob Cavallo, and David Foster —as well as legendary engineers Bob Clearmountain and Elliot Scheiner. Jeffrey has recorded at The Record Plant, Hit Factory, Avatar (aka The Power Station), Quad, Unique, Sear . . . and many more.        Jeffrey's extensive Broadway credits include Saturday Night Fever, Seussical, Mamma Mia, and School of Rock - the Musical.       Most recently, Jeffrey has added "published author" to his list of accomplishments, releasing his "insightful and engaging," coming-of-age memoir "Do Stand So Close: my improbable adventure as Sting's guitarist" (from Deeds Publishing).

Mike Hartwell is back as always on the 10s, and it's a real zoo of an episode: Sean and Matt get into the new Bruce vinyl reissue, Mike lays down the hottest freestyles in the game, and special guests Tom Brady, Neil Young, and Bob Clearmountain stop by Bah Shteve Studios.

Ryan is the first engineer I've had on the show, and what an honour it is! This Grammy Award-winning engineer has worked on recordings for Joe Henry, Bonnie Raitt, Aimee Mann, Ray Lamontagne, Allen Toussaint, Aaron Neville, Ramblin' Jack Elliot, The Milk Carton Kids, and countless others. Ryan has engineered many of my favorite albums from the past 15 years and I've always admired his sense of fidelity and space that comes through on his albums.  I spoke with Ryan from his Stampede Origin Studio in LA, and we discussed how he went from being a classical pianist to a recording engineer, getting his first job with Bob Clearmountain on a Springsteen recording, working with long-term collaborators like Joe Henry, how he's approaching mixing the final Allen Toussaint record, and his philosophy on the recording process and his role in it. It's a very illuminating discussion for anyone interested in art and music, not just recording nerds!

Bob Clearmountain es un ingeniero y productor que ha trabajado en algunos de los discos m

Sweet “Air On ‘A’ Tape Loop” (Capitol) Electric Light Orchestra “Drum Dreams” (MCA) The Steve Miller Band “Macho City” Part 1 (Capitol) The Who “Eminence Front” (Warner) The Rolling Stones “Dance” Instrumental (Rolling Stones) Cat Mother & The All Night Newsboys “Track In ‘A’ (Nebraska Nights)” (Polydor) The Grateful Dead “Shakedown Street” (Arista) The Clash “The Magnificent Dance” (Epic) The Rolling Stones “Miss You” Bob Clearmountain Remix (Rolling Stones) Wings “Goodnight Tonight” (Columbia) The Beach Boys “Here Comes The Night” Instrumental (Caribou) The Alan Parsons Project “(The System Of) Dr. Tarr & Professor Fether” (20th Century)

Felipe y Diego nos hablan de Bob Clearmountain: primero de los productores musicales que abordan, cuyos principales trabajos escucharemos mientras repasamos su carrera.

Bob stopped by.. Recorded by Jules Standen