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In this Meaningful Money Q&A episode, Pete and Roger answer six listener questions on pensions, retirement planning and tax for a UK audience. We cover whether to put life insurance into trust, how to reduce the 60% marginal tax trap around £100k income, and whether taking a defined benefit pension early can make sense when health is a factor. Plus, we explain the Royal Mail Collective Defined Contribution (CDC) pension, share practical guidance on dealing with overseas pensions, and discuss when to take 25% tax-free cash for the best outcome. Shownotes: https://meaningfulmoney.tv/QA51    01:36  Question 1 Hi both, I have a question relating to discretionary trusts for life insurance policies. I'm from Scotland, 37, married with 2 young children and have a life assurance policy with Vitality which is currently not in trust. I was considering putting into a trust for the benefits associated to inheritance tax but was looking to get your opinion on whether it was necessary or not, and what the pros/cons are. Thanks, Marc 05:46  Question 2 Hi Pete and Roger I am a relatively latecomer to the podcast - its been a year or so now but your work makes the complications of planning for retirement so much more understandable so thank you for bringing clarity to a very difficult subject. I have two first world questions if I may.  Neither are time critical. I am in a fortunate position.  DB pensions will kick in over the next 2 years (I am 63) totalling circa £75K pa and with the state pension at 67 it won't be very long - if tax thresholds and rates don't change - before I will be hitting the 60% effective rate.  So to delay the inevitable, I am thinking I will need to contribute to a DC pension!  As I understand it, if I have a DC scheme for three tax years and presumably contribute to such a scheme each year (say £100?) in the year I hit the £100K income, I will be able to contribute gross £3600 x 4 (so £2160 pa or £8640 in total, less any annual contributions along the way) in the first year or with care spreading that amount over 2-3 years to ease the tax burden.  I realise when the money is withdrawn it will still be taxed at my marginal rate, but maybe the 60% marginal rate will have been removed by then - I can hope!  Is that right?  Have I missed anything or are there any other techniques generally available? I am also in a position that when my wife and I both die, unless carehome fees have eaten into the estate, there will be inheritance tax to pay as our combined wealth is well over £1m and we have already given away what we reasonably can to our children.  As I understand it, inheritance tax is payable 6 months after death but all being well probate will be granted well before that so our bank accounts can be used to pay the tax (our children have financial and health powers of attorney but they are irrelevant on death).  Apart from incredibly expensive life assurance or a lifetime gift of cash for this purpose, is there anything else we can do to facilitate payment (the nature of our affairs means there's not much more we can do to mitigate the liability itself, ie the vast majority of the value is in the family home!) Many thanks, David   11:46  Question 3 Hi Roger and Pete,   First of all thank you for all the content you provide, it has been incredibly useful as I start to really take the idea of early retirement seriously.   I am 49 and looking to retire as early as financially possible as I have medical issues that mean my life expectancy is somewhat curtailed - though I plan on defying the inevitable for as long as possible.   I have a DC pension which I plan to access as soon as I stop working in hopefully 10 years' time. I also have an index-linked deferred DB pension which provides a 50% widows pension as one of the benefits.   I am torn between accessing this 6 years early (with a 25% reduction) as I start drawing from my DC pension, or delaying so that my wife is better taken care of later in life. Whatever I choose, all the projections seem to stack up that my DC pension should last into my 90s, but I'm acutely aware that I will probably want to go a bit overboard when I first retire and try to maximise travel and experiences.   My question is, am I missing something in the DB trade off?  Assuming I live a while after retiring, accessing the pension early will take a decent amount of time before we're financially worse off than we would have been if we'd waited (~13 years). However the combined loss of my state pension and the smaller DB income could leave my wife short of funds.   I would really appreciate your perspective on this scenario and anything else you think I might want to consider, many thanks again for all of your words of wisdom, Dan Meaningful Academy Retirement Planning: https://meaningfulacademy.com/retirementplanning  19:40 Question 4 Hi Pete and Roger! My partner works for Royal Mail, she is under the new starters contract and started in 2022, at which point the pension scheme was a typical defined contribution scheme with very generous contribution levels from the employer of 10% with a 6% contribution from the employee. This was 'easy' to make assumptions on for compound calculations to plan for our very far away retirement as we are both currently 27 years of age. Now this brings me to today's pension scheme, which is known as a Collective Defined Contribution plan. I'm struggling to find any information on this type of scheme as it seems to be the first of its kind in the UK, and seems to have been used for a while in the Netherlands. Now the wording of the scheme seems to be worded as if it's a Defined Benefit scheme with a lump sum being paid at retirement age and a 'Guaranteed income for life' amount being paid each month, however it has the caveat that the payout per month may decrease if investments do not perform as expected for better or for worse, so this is not a guaranteed amount at all in reality. The issue I have with this is that with a standard DC scheme like my own, if I was to die either before or during retirement, the remaining money in the pot would be inherited by my surviving spouse or if she was to pass away before I do, it would go to the next nominated beneficiary. With the Collective DC scheme, it's worded that if my partner was to die before she claimed it then I would receive the 'income for life' portion at a reduced rate of 50% and lose out on the lump sum entirely or if she was to pass away after claiming it then she would clearly receive the lump sum and I would remain to collect 50% income for life for as long as I remain alive. This seems to be very unfavourable for anyone receiving the benefit of this scheme on the whole. Now with some calculations, not using exact figures but somewhere close, I've just done some comparisons as the new Collective DC plan was sold as far and away a better option than the old DC Plan, but I cannot find a way for it to make sense. It's hard to see how this new scheme is better in any way compared to the old scheme, even if the contributions from the employer look more generous on paper. Is there something I am completely missing or misunderstanding with this new type of pension scheme? I have not seen much content online about it at all and would love for this to be featured in a podcast episode or video or even just for a chat on this matter as I feel very underwater with this. I can't seem to find a good way to factor this pension into our plan as we do plan to retire before the age of 67, this is just the age stated on the CDC scheme for payout so this is the assumption I am working with. There is an option to opt out of the CDC plan and join a regular NEST DC plan instead but this only has 4% employer contributions on top of the 5% employee giving a yearly contribution of x per year. I suppose my main gripe would be how much you would lose out on if the worst was to happen as traditionally this would remain as a pot for next of kin to inherit, however if my partner and I both passed away at age 70 (I certainly hope not!) and didn't have kids under the age of 18, the entire amount of money would be lost. This is the part I'm struggling to wrestle and the NEST pot even looks appealing with this in mind. I know the future is uncertain and we could live to 100, but the chances are relatively low. Apologies this got a bit long and ranty, I would appreciate any feedback. Keep up the amazing work and I have learned loads from your content over the years. Many Thanks, Joe 29:56 Question 5 Hi Pete and Rodger, Like many people these days, I spent part of my career working overseas. I'm now 52 and have been thinking about how best to deal with personal pensions I accrued while working abroad, in my case, in Japan and the United States (both broadly equivalent to 401(k)-type schemes). While working overseas, I didn't accrue sufficient qualifying years to receive any state pension benefits, but I did build up some company personal pension entitlements. The amounts are relatively small (less than £100k in total), which makes me question whether it's worth the time and cost of seeking formal financial advice. My UK-based pensions and ISAs are relatively straightforward and well organised, but these overseas pots feel more cumbersome by comparison. I imagine there must be many people in a similar position, holding small overseas pension pots and unsure what the most sensible approach is. From an administrative perspective, it feels as though the simplest option may be to access these pensions as soon as I reach the relevant retirement ages, rather than continuing to manage them long term. That said, I'd welcome any general thoughts or guidance on typical approaches people take in this situation, and any obvious pitfalls to be aware of. Many thanks, Lawrence Perceptive Planning - https://www.perceptiveplanning.co.uk     34:20  Question 6 58 now and both thinking of retiring at 61 with no mortgage and kids self sufficient. At age 61 we will have around £300k in savings (inc stocks n shares ISAs, cash ISAs, Premium Bonds and Bank Accounts) and between us will have around £450k in Pensions at age 67 and the wife will get a £7k a year NHS DB pension. Our idea is to live off the cash first from age 61 till age 67 to let the pension pot grow to its absolute max and then draw down the 25% tax free to add to state pension at age 67 then live off the rest at about 4% per year BUT others say take the tax free 25% before 67 because if do it at 67 it will add to the state pension taking you over the personal allowance! We want to let the pot grow more for actual retirement age of 67 onwards and leave more for the kids inheritance long term if we don't use it all so unsure what to do. For clarity, it's our intention to lump sum some money in to our pensions and ISAs in April with some of our 'available cash' and may also lump sum in to my Stocks n Shares ISA to leave it growing for say between 8 to 15 years until we need it. Any advice welcome, Steven. James Shack video on Withdrawal Strategy  https://www.youtube.com/watch?v=d4MDvcEcHXI   

Richard Linklater's Dazed & Confused (70s Soundtrack) This week Mr. Chavez & I return to Richard Linklater's 1993 "Hang-Out" Masterpiece, Dazed & Confused, focusing on the importance and use of its soundtrack. Featuring Aerosmith, KISS, Alice Cooper, Ted Nugent, WAR, ZZ Top, Edgar Winter Group, and Deep Purple, among others, Linklater's "Cinematic Soundtrack" would establish nostalgia, youth, freedom, aimless wandering, and a musical foundation inspired by previous films and inspiring others to come. Take a listen as we retrun to a great film and unwrap the music that would ground it in its time and establish a mood rarely equaled. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Listen to learn the emotional impact of revealing secrets vs discovering them. In this episode Stu, Chas and Mel apply the Landmark–Hidden–Secret framework (from DZ-126) across two very different genres: the thriller SIDE EFFECTS (2013) and the tragicomic pilot of SHRINKING. SIDE EFFECTS is a film of two genres. The first half plays as a drama about depression and over-medication; the second half is a 90s thriller. We talk about how every time Dr Jonathan Banks uncovers a new piece of information, it puts him in danger — and that danger motivates him to uncover more. In SHRINKING, we see a different use of the framework. "What are psychologists but detectives of the mind?" Rather than the cost of finding secrets, it's about the cost of sharing them. Chas also comes out of this with a paradigm he's been building toward (but we're keeping what that is secret until you listen!) And inevitably we go on some tangents: whether SIDE EFFECTS should even have been an erotic thriller! As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. LIKE THIS EPISODE? Discuss with our Patrons on Patreon. Join the discussion on Reddit. Watch and comment on YouTube. Send us feedback. Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily. → Read the transcript for this episode. ——— "Every time Dr Jonathan Banks uncovers a new piece of information, it puts him in danger -- and that danger motivates him to uncover more." — Chas Fisher @ 00:26:04 ——— CHAPTERS 00:00:00 – Cold Open 00:00:16 – Intro: Secrets and Clues 2 - the Cost of Revelation 00:01:03 – Previously on Secrets and Clues (Recap of Part 1) 00:04:24 – Flashforward Insights 00:09:29 – SIDE EFFECTS 00:20:18 – › The First Half: Push and Misdirection 00:28:41 – › Genre Shift: Banks Becomes the Detective 00:48:06 – SHRINKING 01:00:02 – › The Inverted Paradigm: When Everyone Knows 01:07:47 – › The Cost of Sharing 01:22:02 – › Power Through Honest Acknowledgement 01:35:37 – The Key Tool Chas Learned 01:39:28 – Key Learnings & Wrap Up 01:50:48 – Many Thanks to our Patrons! FILMS SIDE EFFECTS (2013) — (w) Scott Z Burns (d) Steven Soderbergh SHOWS SHRINKING 1x1 "Coin Flip" — James Ponsoldt (d), Brett Goldstein, Jason Segel, Bill Lawrence (w) SCRIPTS Study the script: SIDE EFFECTS (2013) — Scott Z Burns LINKS Website: DIY & dragons: Landmark, Hidden, Secret Website: The Alexandrian » Advanced Node-Based Design Website: Ascii Dreams: The Quest for Quests Website: Ascii Dreams: The Quest for Quests EPISODES IN THE SECRETS AND CLUES SERIES DZ-126: Secrets and Clues DZ-127: Secrets and Clues 2 - The Cost of Revelation RELATED EPISODES DZ-90: Setups & Payoffs in EVERYTHING EVERYWHERE ALL AT ONCE ——— More Draft Zero is brought to you by our awesome Patreons. If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. Full show notes at: https://draft-zero.com/2026/dz-127/ Download episode: DZ-127.mp3

Send us Fan MailIn this episode of Evolving Humans, we move from theory to practice. If intuition is real—and you've probably had enough experiences to suspect that it is—how do you actually access it on purpose?We explore the primary channels for your intuition: your body, your emotions, your inner vision/imagination, and your quiet inner voice. You'll learn how each of these channels speaks, what to look for, and how to begin building a day-to-day relationship with your own intuitive language.This conversation is less about mystical portals and more about tuning into signals that are already present in you—often just beneath the noise of everyday life.In This Episode, You'll Learn:Why intuition doesn't always show up as a clear “voice” and how it actually communicates The four main intuitive channels:Body Awareness / Somatic Sensation – understanding “gut feelings,” expansion vs. contraction, and physical nudges Emotional Resonance – reading the deeper emotional tone of “rightness,” “wrongness,” flow, and resistanceImagery & Symbolism – working with inner pictures, symbols, and dreams as intuitive guidance Quiet Knowing / Inner Voice – recognizing the calm, clear whisper beneath mental chatterHow to tell the difference between a genuine intuitive nudge and mental overthinking Key principles that apply to all intuitive channels: trusting first impressions, not over-analyzing in the moment, and practicing self-compassion as you learn. The episode is jam-packed with exercises and Self-reflection questions:1. The Two-Choice Body TestUse your body to sense into simple decisions:2. The Emotional CompassBefore a decision or activity, ask:3. Symbolic InquiryFor visual/imagery intuition:4. The Intuitive DialogueFor inner voice and clear knowing:5. Daily Intuition LogKeep a running record of intuitive moments—gut feelings, images, emotional tones, inner whispers. Note what happened, what you sensed, and whether you followed it. Over time, this becomes your personal “field guide” to your own intuition.6. Intuitive Art or Movement7. Oracle/Tarot as a Mirror (Optional)Use cards not to predict the future, but to spark your own intuitive insight. Self-Reflection Questions can be used as prompts to deepen your understanding of how your intuition works.Suggested Use of This EpisodeListen once just to absorb the concepts and stories. Then, replay and pause to actually do one or two exercises in real time. Over the next week, pick one intuitive channel(body, emotion, imagery, or inner voice) as your “experiment,” and track what you notice.Connect & Continue the JourneyIf this episode helped you recognize your own intuitive language, you might want to:Journal about moments when you did or didn't follow your intuition and what unfolded Share your favorite intuitive channel or an intuitive experience with your community or on social media Revisit earlier episodes in this series for deeper context on what intuition is and how it relates to instinct and insightAs always, this is a practice, not a performance. Your intuition doesn't need to be perfect; it just needs your attention.MANY Thanks to Pixabay's Piotr Witowski and his new age music-162655 for the music bed for this episode.Support the showThank you for listening to Evolving Humans! For consultations or classes, please visit my website: www.JuliaMarie.usEvolving Humans with Julia Marie is now on YouTube, and will offer more than the podcast episodes there, so give us a "SUBSCRIBE"!https://www.youtube.com/@EvolvingHumans731You can find my book, Signals from My Soul: A Spiritual Memoir of Awakening here: https://tinyurl.com/Book-Signals-from-My-Soul

Andrew Dominik's Killing Them Softly It's becoming increasingly difficult to find straight-forward, honest, and personal stories at the movie theater. The low to medium budget films that populated the 1970s have cast a shadow that continues to excite and inspire modern audiences. In the wasteland of re-vamps, sequels, action and comic book dreg, a handful of pictures crawl out of the monotony. In 2012, one of these films was released and quickly disappeared from theaters. With the star power of Ray Liotta and James Gandolfini, supporting players Richard Jenkins, Scoot McNairy, and Ben Mendelsohn, and executive producer and star, Bradd Pitt, Andrew Dominik's Killing Them Softly should have been a box office hit and a critical darling. However, a film as bleak as this one - profiling the economic problems leading to the 2008 financial crisis, a difficult and racially contested presidential election, and a bleak social atmosphere focusing on blue collar criminals and hitmen versus corporate criminal bosses - Dominik's third film would be dismissed and buried by a public and studio system that would prefer leaving the pasat as it was. This week we look back at it with a decades perspective. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Send us Fan MailErick and Mitch celebrate being ranked 2ND in the TOP 30 Filipino American Podcasts!  Maraming Salamats and Many Thanks to all our fellow Canna-Kuyas and Marijuana-Ates for listening sharing and growing with us! Listen for the srping buddha lounge reset and don't forget to follow us @cannakuyas on instagram.Support the showFor secret grow story updates and plant footage follow the Canna Kuyas on Instagram @cannakuyas

Kevin Smith's Clerks The 1990s were a strange, wondrous, and hopeful decade for Cinema. Three decades later we look back on those mid 90s attitudes, trends, screams, and shouts. With the emergence of Sundance, The Weinsteins, and voices such as Tarantino, Fincher, Rodriguez, and others, Independent Cinema was flexing in a way that threatened the studios in much the same way the 70s thrilled, excited, and - most importantly - challenged that audience. This week we look at one of the loudest and unlikliest voices to emerge from this decade; A Coming of Age, Adulthood focused story following the lives of convenience store workers, Kevin Smith's 1994 classic Clerks. Thirty-two years later the anger, frustration, and hopelessness of our collective futures remain. Smith (working as a convenience store clerk while supporting his passion for writing and filmmaking) would give purpose to that anger with a foul-mouthed, pessimistic, and hopeless look at blue-collar jobs and the people who are swallowed by them. Through the lives of two best friends, Dante & Randall (with a couple of pot-dealing morons names Jay & Silent Bob singing the chorus), Smith gave voice to the fears, inhibitions, and cynicism of the 90s and the working mans' struggle. Most importantly, how does all of this relate to us? Well, we are all mired in the aimlessness and calcification of the 40 hour work week. Clerks spoke volumes to a generation unsure of itself. Thirty-two years later that volume has not dimmed. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Richard Linklater's Dazed & Confused  On this week's episode we explore 1976 through the eyes of 1993, with Richard Linklater's slacker/high-school masterpiece, Dazed & Confused. Linklater's love letter to high school coming-of-age films is one of the stand-out productions of early 90s independent cinema; a film that blends aimless storytelling with a pounding and nostalgic 70s soundtrack, to reminisce on the good, bad, boring, and character forming experiences of growing up. Juniors becoming Seniors, Middle-Schoolers transitioning to High School, Dazed & Confused is much more than a re-creation of Texas in 1976. Linklater's film is a funny, touching, and - surprisingly - heart-warming story of finding ones' way, selling out, peaking in high school, and imagining the future and ones' place in it. It's about the friendships we make and how so much of that plays a part in building our individual characters. Dazed & Confused is a cult classic which began the careers of Jason London, Adam Goldberg, Joey Lauren Adams, Cole Hauser, Nicky Katt, Parker Posey, and Matthew McConaughey. It's a thrill for Mr. Chavez & I to return to this classic and examine how so much of it mirrors our own lives. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards. 

Michael Mann's Heat  On this week's episode we celebrate our 600th episode with a look at one of the most important films of our generation, Michael Mann's Crime-Thriller, Heist Film, Masterpiece . . . the coming together of two of the greatest and most important actors of their generation, Al Pacino as Lieutenant Vincent Hannah and Robert DeNiro as Professional Criminal Neil McCauley in 1995s Heat. This week we talk the film, but as always the film is simply a jumping off point for a greater undestanding, in the case an understanding of 1990s culture, the crime genre, brilliant acting and direction, and our own personal growth and attachment to the ideas, warnings, and lessons of this exceptional film. A modern day criminal tragedy which re-invents a story that has been told thousands of times and somehow manages to make all things fresh and unique. With a brilliant cast including the aforementioned DeNiro and Pacino, but also Wes Studi, Ted Levine, Mykelti Williamson, Diane Verona, Tom Sizemore, Danny Trejo, Amy Brenneman, William Fichtner, Ashley Judd, Hank Azaria, Natalie Portman, Henry Rollins, John Voight, Kevin Gage, Bud Cort, a heartbreaking Dennis Haysbert, and a brilliant Val Kilmer, Michael Mann's Heat is a beautifully rendered, heartbreaking crime tragedy that feels real, lived in, and timeless.  And yeah . . . we spend a good amount of time on that scene - one of the greatest ever filmed. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

More Longmont buzz coming your way. Topics include a heavy discussion about typeface and updates on Brady's trash bins. Promise there is some other good stuff in there too.MANY THANKS for our Sponsor --- yes, SPONSOR -- The Sunshine Club of Longmont. (*Not Sunshine Tea Club*). Be sure to attend their annual fundraiser tea on May 13 at 3015 Mt. View Ave from 10 am-3 pm. Longmont's oldest continuously functioning philanthropic organization. Wow!Thanks for Andy Eppler and David Cutter Music for our intro and outro music. SideDishLongmont@gmail.com

Doug Liman's Go (1999) This week, we revisit an underseen/little-discussed comedy from 1999, Doug Liman's Go. In the 1990s cinema was overwhelmed by the influence, financial, and critical success of Quentin Tarantino's Pulp Fiction; any number of copycats and knock-offs would flood theaters. Probably, the very best, would be Liman's three-story, intersecting narrative of young adults, struggling with financial problems, bad choices, casual drug use and sales, and (comid) violence. As always, your WatchThis hosts springboard from Liman's film into a dialogue regarding our memories of the 1990s, the evolution of narrative style, the power and influence of pop-art, and the slow move into the 2000s. It's a fun talk regarding a film that deserves more attention. Take a listen as we reflect on this exciting, inventive, and fun postcard from 1999. With an early 90s "who's who" cast, including: Katie Holmes, Timothy Olyphant, Scott Wolf, Jay Mohr, William Fichtner, Melissa McCarthy (very early), Desmond Askew, Taye Diggs, and (a wonderful ) Sarah Polley. Take a listen and let us know what you think - gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Greg Araki's The Doom Generation  This week Mr. Chavez & I explore the 1990s with a cult film that is remembered as an early classic of New Queer Cinema. Greg Araki's The Doom Generation is remembered as a violent and trashy exploration of 1990s alternative cinmea.  A Gen X Bisexual Bonnie & Clyde/Badlands profile of alienation and stylized camp, Araki's film is the second edition of his "Teen Apocalypse Trilogy". For Mr. Chavez the episode is a nostalgic look at a film that left an impression; for me, the film is an attempt to understand a genre that was somehow missed. We both dive into a discussion sliding through our memories of the decade and our attitudes on what the genre and respective films would mean to a voice that had only been hinted at and often censored.  Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Eddie Martin's We Were Once Kids In a continuation of last week's episode on Larry Clark and Harmony Korine's 1995 Kids, Mr. Chavez & I discovered a documentary peeling back the layers of that problematic and controversial film. Although we continue to believe that the earlier film is - in many ways - exceptional, Eddie Martin's 2021 expose (produced with Kids actor, Hamilton Harris), titled We Were Once Kids, reveals much of the troubling nature behind the making of the 1995 film. Alleged exploitation, real-life drug use, alcoholism, manipulation, and the age-old story of Hollywood's predatory nature are all explored in a film that focuses on the misunderstandings, naiveté, and sadness of a group of teenage non-actors that many would argue were taken advantage of in the creation of Kids. Questionable casting methods, alleged real-life drug use in the film, financial exploitation, betrayal and abandonment, and - finally - the death of two of the stars of the film - Justin Pierce (Casper) and Harold Hunter (Harold). A sad story, but also (another) cautionary tale on the dangers of Hollywood and the exploitation of children. The conversation includes our opinions on the events in front of and behind the camera, as well as our own impressions based on our own experiences in LA over twenty + years. An interesting conversation that we hope you find compelling. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Robert DeNiro's The Good Shepherd  This week we springboard off of Robert DeNiro's 2006 spy film, The Good Shepherd, profiling the birth of the Central Intelligence Agency and its role throughout the second half of the 20th Century. From its origins during the end of World War II thru The Cold War, The Bay of Pigs, and the early days of the Kennedy administration, DeNiro's passion project is a thought-provoking, detailed, and troubling  examination of U.S. Foreign Policy. Mr. Chavez & I - as is our habit and purpose - use this film to examine our own impressions of the C.I.A., American National & Foreign policy, and the Class System that allows all of it to exist and prosper. From the secretive Yale society, Skull & Bones, that has given us at least two presidents, numerous senators and congressman, and untold CEOs, thru secret and illegal actions designed to topple governments, The Good Shepherd is forcing questions that we are eager to answer. Featuring an all-star cast including: Matt Damon, Angelina Jolie, William Hurt, Michael Gambon, Eddie Redmayne, Keir Dullea, John Turturro, Timothy Hutton, Alec Baldwin, and a briliant Joe Pesci. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com - Many, Many Thanks for Your Continued Support.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Ben Affleck's Argo (2012) In 2012 Ben Affleck would co-write and direct Argo, winning the Best Picture of the Year at at that year's Academy Awards celebration. Although a skillful and professional job it's - quite simply and obviously - a hack job, typical of the US's need to paint itself in the proper light while also giving Hollywood the opportunity to congratulate itself yet again (as well as short-changing the Canadian Government). An obvious and simplistic piece of political propaganda, Affleck's film continues the pattern of white-washing a serious topic while also reinforcing the idea that the US is the guardian, victim, and champion of the free world (whatever the hell that means). Democracy is safe because of the US's continued struggle against dissident elements throughout the world (in this case the Iranian Revolution). This week Mr. Chavez & I discuss the propaganda of this film, the role of the C.I.A. as saviour, dishonesty in storytelling and the note by note moments that make up a rescue mission movie. Take a listen, it's an interesting and relevant talk. Questions, Comments, Complaints & Suggestions: gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Barry Levinson's Wag the Dog  Nothing's Changed/Nothing's New and we learned that in 1996 with Barry Levinson's Wag the Dog. As important 30 years later as when it was released, this week Mr. Chavez & I sit down to understand a film that predicted its own time (being released a few weeks before The Bill Clinton/Monica Lewinsky White House Scandal would break), but is also a simpler and almost quaint version of Epstein, Donald Trump, and Ol' Billy Jeff returning to relevance. A Sex Scandal covered up by a Manufactured War, revealing the spin doctoring and propaganda that fuels every election, Wag the Dog is the rare film that grows bolder and more prescient as years pass and facts fight to be discovered. Featuring great performances from Robert DeNiro, Dustin Hoffman (hilarious, exaggerated, and on point), and a supporting cast including Anne Heche, Willie Nelson, Denis Leary, William H. Macy, and a ridiculously unhinged Woody Harrelson, Wag the Dog has volumes to say about our government, The White House, political parties, and the lying, cheating bastards that run the machine. Take a listen for a fun and enlightening conversation. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Denis Villeneuve's Arrival  Since the beginning of this new century Popular Cinema has become increasingly obvious and simplistic. It is rare that a major studio will take a chance with "challenging, thought-provoking" material. In 2016 Denis Villeneuve would adapt Tony Chiang's 1998 novella "Story of Your Life" with a beautifully executed non-linear narrative. A sci-fi drama incorporating alien contact, geopolitics, diplomacy, and the perception of time, Villeneuve's film is a powerful and optimistic take on a genre that is often driven by pessimism and hopelessness. What could have easily been an overly formulaic bore is instead an intellectually demanding and cinematically rewarding experience that was recognized as one of the best pictures of 2016. Featuring Amy Adams, Jeremy Renner, and - the always reliable - Forrest Whitaker, Arrival is a gift to the starved cineaste. As always, you can reach us at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Yasujiro Ozu's Tokyo Story Recognized as "The Greatest Film of All Time" in the 2012 Sight and Sound Magazine poll, Yasujiro Ozu's 1953 masterpiece is a quiet, contemplative examination of generational conflict, modernization, and aging in Post-War Japan. Masterfully directed and beautifully acted by Ozu's stock company, including Chishū Ryū and Setsuko Hara, Tokyo Story is arguably the greatest film in Ozu's ouvreau and one of the most powerful examples of slow cinema.  A minimalist masterpiece that few directors have attempted to emulate, Ozu is a director that all cineastes eventually arrive at and - often. - find themselves unable to forget. This is a beautiful film that we are thrilled to bring to you. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Pier Paolo Pasolini's Saló, or the 120 Days of Sodom (1975) For most serious cineastes, Pier Paolo Pasolini's Saló, or the 120 Days of Sodom is a bridge that we all arive at and struggle with crossing; a cinematic rite of passage that challenges each of our ideas of art. Is Pasolini's final film - an interpretation of the Marquis de Sade's The 120 Days of Sodom - A Political Critique exploring Fascism and Fascist Abuse or simply an opportunistic and transgressive exploitation piece designed to simply shock without artistic merit? Fifty-one years later, audiences continue to be disgusted, angered, confused, excited, and polarized by a film that many consider a masterpiece of Italian Cinema. This week Mr. Chavez & I struggle with these same reactions as we watch this film in the long shadow of a 2026 rife with controversy: ICE, The Epstein Files, Murder, Political Lies & Propaganda and - of course - the heavy and hateful hand of the Trump Administration and its Leader. Take a listen and ask yourself how you truly feel about these issues. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Charlie Chaplin's Modern Times In 1936 Charlie Chaplin (arguably the most iconic figure of Silent Films) would produce his final (mostly) silent masterpiece, Modern Times. This week Mr. Chavez & I continue our look at Cinema that challenges the status quo, with a film that examines the de-humanizing drive of capitalism to push profit over people and the subsequent endurance of the individual to survive all of it . Modern Times is a beautifully realized film that was born out of the imagination of a filmmaker whose own background ensures the honesty of the narrative. Modern Times is both funny and heartbreaking, honest and thought-provoking. Chaplin's final masterpiece (in this reviewer's opinion) is as relevant today as it has ever been. It's time we take a look at a brutal statement delivered to us in a manner that slowly works its way into our psyche and forces us to see that today's struggles are anything but new. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Fritz Lang's Metropolis In 1927 Cinema was still in its relative infancy. Nearly eleven years earlier D.W. Griffith had established the "grammar of cinema" with his epic masterpiece, The Birth of a Nation. The subsequent decade would showcase spectacles (Ben-Hur, Intolerance), comedies (The Gold Rush, The General), and dramatic classics (Sunrise: A Song of Two Humans, The Last Laugh). Cinematic Science Fiction would be attempted as early as 1902 with Melie's A Voyage to the Moon, however it would take nearly a quarter of a century for Sci-Fi to reveal its technical brilliance and possibilities with 1927s Fritz Lang masterpiece Metropolis. While an incredibly innovative, beautiful, and groundbreaking film, Lang's narrative (from a treatment and screenplay by his wife and artistic partner, Thea von Harbou), continues - or is the beginning - of the lazy and apologetic "White Savior" cinematic trope that has continued from Lawrence of Arabia thru Dances with Wolves, and most recently, Avatar and Dune. This week Mr. Chavez & I go back to the argument that we have made before and will continue to make regarding this insulting and problemtic cinematic trope. Each generation seems to want to tell its own version of this story without recognizing the inherent hypocrisy of a society and culture victimized by the elite while simultaneously needing to be saved by a blonde-haired, blue-eyed messiah (in this case a billionaire suddenly aware of his "mediator destiny" and responsibility to his "brothers"). Yes, we recognize the technical and production brilliance of this film, while at the same time being unable to ignore (or excuse) the obvious and insulting simplicity of its narrative. It is possible to simultaneoulsy admire and take issue with a work of art. Take a listen and ask yourself if you agree. Let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Remakes, Re-Imaginings, Expansions. In 2004 Director Jonathan Demme would explore the world of Politics, Espionage, and Cold War Brainwashing with a new and novel take on John Frankenheimer's 1962 Cold War Classic The Manchurian Candidate. Demme would expand and manipulate Richard Condon's source material (a best-selling novel from 1959),  replacing the Korean Conflict with an updated Persian Gulf - and a replacement of Soviet and Chinese Communist manipulation with International Global Corporations holding the strings. Demme's update would be both more timely, relevant, frightening, and - somehow - reveal the problems with both films (at least in the mind of one of your hosts). This week Mr. Chavez & I discuss this very important film, its predecessor and its relevance in the current global environment. We discuss great performances from Denzel Washington, Liev Schreiber, and - a criminally underused - Meryl Streep. Take a listen and decide for yourself if we are correct, misguided, missing the point, or if we don't go far enough with our assessments. We'd love to hear from you - gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Shinya Tsukamoto's Tetsuo: The Iron Man 2026 finds us digging into the Beautiful, Strange, and Challenging filmography of auteurs unafraid of being misunderstood or the offensive nature of the stories and images they deliver. It would be difficult to find a film that challenges it audience more than Shinya Tsukamoto's 1989 Cyber-Punk Classic Tetsuo: The Iron Man. There is no simple way to describe this film, except that it is an over-powering assault on the mind. What Tsukamoto achieves is unlike anything else you will find in popular cinema, but also cult cinema, midnight movies, or experimental films. A commentary on capitalism, workforce, the poor, middle, and upper classes, and - finally - the human spirit. This is an incredible film that magnifies the struggles of the human experience, doing so with a production design that leans into the limited budget available to its director. A Powerful Film, unlike anything else on celluloid, Tetsuo: The Iron Man is an incredible achievement that rewards its audience in the most beautifully realized way. Take a listen and let us know what you think - gondoramos@yahoo.com - Many, Many Thanks.    For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Scott Sanders's Black Dynamite  We're finishing out the month of December - two more weeks left in 2025 - and having a great time exploring the world of Cult Cinema and Midnight Movies. This week we take a look at one of the best comedies of the 21st Century . . . a film that should have been exactly the definition of Midnight/Cult Movie. In 2009 Director Scott Sanders and Writer/Star Michael Jai White would unlease Black Dynamite on the moviegoing public. A Spoof/Parody/Love Letter to the "Blaxploitation" films of the 1970s, Black Dynamite was sadly ignored by the majority of moviegoers, however would find an eager and dedicated audience remembering the power of Fred "The Hammer" Williamson, Jim Kelly, Isaac Hayes, and the brilliance of Richard Roundtree and Jim Brown. Willie Dynamite, Three the Hard Way, Black Caesar, Truck Turner, Shaft, Foxy Brown, and Slaughter -  all cited and paid tribute to. Take a listen and let us know what you think of this trip through the History of Blaxploitation, the actors, directors, stories, and racism of the time. It's a fun talk . . . We hope you enjoy it. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Alejandro Jodorowsky's The Holy Mountain This week we continue our love for Midnight and Cult Movies. For this episode we return to the great Chilean-French filmmaker, Alejandro Jodorowsky. A Visionary Artist and Poet of the Cinema, Jodorowsky has created some of the most beautiful and challenging images and concepts ever conceived. Problematic, Polarizing, Poetic, and Personal, Jodorowsky's films exist as islands of beauty in a world of Cinema too often overwhelmed by commerce - established, continuinuing, and obvious proven projects, as well as "safe" childrens' fair. Jodorowsky digs deep into the humanity, history, and struggles of the species. The Holy Mountain is a powerful film that is not easily digested or - even - understood, but the poetry of the images in this film continue to haunt audiences since its release over a half century ago. Take a listen and make the decision if you wanto to make the dive into this beautiful and rewarding film. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Mike Judge's Office Space  Recorded some time ago, we've been holding onto this episode until the right time. As we move into our second month of Midnight & Cult Movies it is clear that Director Mike Judge (creator of Beavis & Butthead, Idiocracy, and King of the Hill) is a director whose filmography is almost entirely cult films and television shows. In 1999 he was approached by 20th Century Fox to adapt his short films (based on the Milton character first seen on Saturday Night Live and Mtv's Liquid Televison) into a theatrical film. There is no real undestanding of what 20th Century Fox expected. Judge's film would dive deep into the soul-sucking, emotionally paralyzing world of daily office work. A film that was never backed by its studio, Office Space would go onto find popularity on cable television and the dvd market. This is a wonderful film that plays to the pain and suffering of the 40 hour work week, idiot bosses, crazed and delusional co-workers, and ultimately fulfillment. Take a listen as we celebrate Mike Judge and this studio-trashed film that - somehow - found an audience and rose Phoenix-like. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Robert Aldrich's Whatever Happened to Baby Jane? Not a "Midnight Movie" but certainly one of the great Cult Classics, 1962s Whatever Happened to Baby Jane? was an audience's dream pairing. The coming together of Oscar winners Bette Davis and Joan Crawford - two of the greatest stars the medium has known - created a film that has captivated film lovers for decades. The story of two sisters - volatile, abusive, and mutually destructive - has become a love/hate letter to the entertainment industry as well as continuing fuel to the bitterness surrounding its two stars. On this episode, Mr. Chavez & I dig through the film's creative history, the relationship between Davis and Crawford, and our own interpretations of the movie and its lasting impact in the culture. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Russ Meyer's Faster, Pussycat! Kill! Kill!  If you allow it to do so, Cinema will take you to strange, hypnotic, and brilliant places. For close to forty years I have known about Russ Meyer's Faster, Pussycat! Kill! Kill! (1965) and have assiduously avoided it. Cinematic Snobbery stopped this podcaster from one of the strangest and - seemingly - sexist and self-indulgent exercises in moviemaking. I could not have been more mistaken. The verdict on Russ Meyer as a filmmaker is stil to be determined by this podcast, however we can be sure that this film contains one of the greatest performances ever captured on celluloid. Tura Satana is simply incredible. The leader of a three girl gang of violent, porsche-racing, hedonistic go-go dancers on a desert adventure of murder, kidnapping, seduction, and robbery, Satana is a force of nature that is unlike anything else ever captured in the movies. This week we discuss this classic film, our opinions and theories regarding Russ Meyer, sexploitation, and the brilliance of Tura Satana. This is a fun talk. We hope you enjoy it. We can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

David Lynch's Eraserhead This week we continue our look into Midnight/Cult Movies. One of the earliest films to find an audience (and build its directors career) was 1977s Eraserhead. A film that baffles description, this weeks episode takes the angle of describing the "feelings" and memories that have followed our initial viewings of this brilliant debut film. Brilliant Black & White cinematography by Frederick Elmes and Herbert Caldwell, hypnotic performances from Jack Nance, Charlotte Stewart, Judith Anna Roberts, as well as a disturbing supporting cast that simply feels right. Take a listen to see if Lynch's debut film has affected you in a way that it has affected us. We'd love to hear from you. As always, we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Jim Sharman's The Rocky Horror Picture Show Cinema is art, Viewing Cinema is an artistic experience. We sit in the theater and drift into the beauty of a story that either entertains, explains, or enlightens. Sometimes all of these and even more. In 1975 20th Century Fox would distribute a film that would fail miserably with mainstream audiences, but would survive box office death and be reborn on the Midnight Movie Circuit. The Rocky Horror Picture Show has played non-stop since it began midnight screenings in 1976. With a rabid fanbase that acts out scenes, musical numbers, and improvised attacks on the action, the film has become a cinematic cultural experience . . . But, what is it, and is it actually a good movie? This week Mr. Chavez & I return to our shared experience with a NuArt screening, his return to the theatre, and my home viewing, alone in a dark room without any of the supporting distractions. This week we discuss  Susan Sarandon, Barry Bostwick, and - a legendary - Tim Curry as Dr. Frank-N-Furter. Take a listen as we dive into a month of Cult Films & Midnight Movies. It's going to be a good time. Reach Out: gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

The year end goal is 65,000 downloads of the podcast. At last look, we are at 63,018 downloads! MANY THANKS! At the end of the day today 5,295 hour long episodes. The Music Authority Podcast...download, listen, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio Monday, Tuesday, Thursday, Friday 7 pm ET & Wednesday 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 3, 2025, Monday, “The Singles Release Show!” act two…@Dysmusia - Another Night @Echomatica - Month Of Sundays@Frank Joshua - Turn To Your Soul [Fertile Mind]@Whimsical - Quicksand [Melt]@Icicle - One Good Reason@Josaleigh Pollett - Radio Player@The Kite Collectors - Where D'You Go From Here? [Switch The World Back On] (@Paisley Records)@Nighthymn - Inside The Silence@Nita Nielsen - One World Together@Noisemakers' Guild - The Story@Gyasi - She Don't Care [Pronounced Jah-See]@Some One's Sons - The Chance to Feel Alive@Space Traffic - A Deeper Dream@Surf katz – Thruster@The Hellflowers – Riot Squad [Teenage Radio] (@Rum Bar Records)

Kathryn Bigelow's Near Dark  This year Halloween fell on a weekend . . .  We've come to the end of the Halloween season. Two months of Vampire movies finds us ending on a cult favorite from the 1980s. In 1987 Kathryn Bigelow would direct her first solo-outing by re-imagining the Vampire film as a Neo-Western centered around a young couple and the family of vampires that haunt and terrorize a modern Southwest. Featuring Adrian Pasdar as Caleb Colton, a young man bitten and "turned" by the seductive Mae and his "adoption" into a troubling imagining on the traveling "nuclear family" including Bill Paxton, Jenette Goldstein, and Lance Henriksen. The film certainly has its problems however it is an assured and impressive debut directorial feature for Bigelow and captivating performances from her Vampire Family. Take a listen and let us know what you think - Questions, Comments, Complaints, & Suggesetions can be directed to gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards. 

E. Elias Merhige's Shadow of the Vampire Sometimes it's simply a thrill to watch one your favorite actors let loose and have a great time. F.W. Murnau's 1922 Nosferatu: A Symphony of Horror is widely - and deservedly - considered one of the greatest films of all time. A mythology has formed around the making of the film including the idea that its star, Max Shreck, was an actual vampire. With this springboard, writer Steven Katz and director E. Elias Merhige's fashion an exciting, inventive, and thrilling historical re-telling of the making of Murnau's film. With a great supporting cast including Cary Elwes, Eddie Izzard, Udo Kier, and Catherine McCormack as actors and crew of Nosferatu. However the film belongs solely to a pair of unhinged and clearly fun performances from John Malkovich as Murnau, and (in an Academy Award nominated performance) Willem Dafoe as Schreck. For fans of Murnau's classic, silent films, and vampire stories, Shadow of the Vampire is a real treasure. Take a listen to see if you agree. As always we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Carl Theodore Dreyer's Vampyr If you dig deep enough, Cinema will unleash great treasures. The Silent Era ended in 1927 with the release of The Jazz Singer . . .  Movies would never be the same. A number of filmmakers would utilize the new technology in innovative, imaginitive, and groundbreaking ways. Fritz Lang's M comes to mind. Musicals became a reality and would astonish audiences. Storytellng became an entirely new artform. However the power of Silent Films would continue to be felt. Chaplin stubbornly held onto silence, while Karl Dane, Douglas Fairbanks Sr., and Emil Jannings would witness their star power dim sound emerged. Danish filmmaker, Carl Theodore Dreyer, would struggle throughout his career with complex material, however he would - years later - be recognized as one of the greatest filmmakers of all time. With Vampyr the struggle with the new technology is evident in its use in the film, however the brilliance in Dreyer's vision is in the visual. The images are haunting, disturbing, and - in many cases - unforgettable. Take a look at this Classic of World Cinema and enjoy one of the great works of the 20th Century. Take a listen as we bring you this powerful film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Adrien Beau's The Vourdalak If you dive into the depths of World Cinema you will often discover magic. You may not know that you're viewing something exceptional while you're watching it, but you will find yourself realizing the power of the image, the power of ideas from different corners of the world. This week Mr. Chavez & I find Adrien Beau's 2023 French "Folk" Tale The Vourdalak, a film of nuance and beautifully imagined historical horror. Chronicling the story of a French aristocrat, robbed and left lost in Eastern Europe, Beau's story takes on a familiar story re-imagined as the Marquis Jacques Saturnin du Antoine is directed to a villager's home and the terror of a new vampire story. Better seen than read about, we encourage you to take the chance, start the movie, and trust that it will captivate you. Take a listen, watch the movie, and let us know if you agree. As always we can be reached at gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Tobe Hooper's Salem's Lot From time to time movies slip through the cracks. Although Tobe Hooper's Salem's Lot is considered a television classic, it is a film that your movie podcaset host has somehow missed these 46 years. Adapted from Stephen King's 1975 best-seller, this 1979 adaptation features David Soul from TVs Starsky & Hutch, as well as future Mrs. Holly McClane, Bonnie Bedelia. What could have easily been a throw-away television mini-series, is instead a ground-breaking take on Vampires, Lust, and Small-Town Paranoia. Guided through the directorial lens of Mr. Hooper, shortly after the landmark Horror spectacle, The Texas Chainsaw Massacre (1974) and before Poltergeist (1982), Hooper elevates the material to a truly frightening and exciting experience. If you haven't seen this classic you owe it to yourself to make the time. Take a listen and let us know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Park Chan-wook's Thirst One of the great thrills of the past ten-plus years is the discovery of new, exciting, and challenging films. On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I dive into the cinema of South Korea's Park Chan-wook for 2009s Thirst. It's fascinating to watch stories we believe we understand and are sure we have witnessed every variation. Park Chan-wook's Vampire story centers around a priest (Kang-ho Song) as he struggles with his beliefs and his slow transformation into the Undead. With an equally exceptional performance from Kim Ok-vin (as Tae-ju, the woman who fall in love with the priest with all of its complications), Chan-wook's film is a beautifully realized exploration of love, religion, death, and sin. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

John Landis's Innocent Blood  There are times when you have to take what you can get from a project. This week Mr. Chavez & I look at John Landis's 1992 Horror/Mob/Vampire/Comedy, Innocent Blood. With a talent such as Landis, the strokes are broad and without nuance. Innocent Blood is no exception. There are definitely the seeds for an exceptional Horror/Comedy hybrid, however this film is serving far too many masters. Some of the Horror works. Some of the Comedy works. The problem is there's simply not enough dedication to either. You can't serve two masters. The Pros . . . Robert Loggia - The man is having a great time spoofing himself, the Mob genre, and Horror movies. With an exceptional supporting cast including the great Don Rickles and a "who's who" of 90s Mob faces, Innocent Blood  is a miss but a curious, interesting, and - somewhat - charming film. Take a listen and let us know what you think - gondoramos@yahoo.com - Many, Many Thanks.   For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Samurai Dhampir - Yoshiaki Kawajiri's Vampire Hunter D: Bloodlust What an incredible find! This week Mr. Chavez & I return to the world of Japanese Anime with this discussion of Yoshiaki Kawajiri's 2000 Dark Vampire Fantasy, Vampire Hunter D: Bloodlust. Coming fifteen years after Toyoo Ashida's Vampire Hunter D, what Kawajiri creates is breathtaking. Simply put, Japanese Anime expands the boundaries and expectations of "Traditional" American Animation. Nowhere is this more apparent than in Kawajiri's tale of a half human/half vampire hired to track and rescue a wealthy man's kidnapped daughter. In a story that mirrors - to a degree - Richard Brooks's The Professionals, Vampire Hunter D: Bloodlust takes a simple, and rather familiar, story and emboldens it with some of the most beautiful animation ever committed to film. There is a great deal to admire here. Take a listen as Ibrahim & I are overwhelmed and excited to talk. We hope you enjoy this episode. As always, we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Someone To Die For: Ariane Louis-Seize's Humanist Vampire Seeking Consenting Suicidal Person The title alone may put off some audiences, however to do pass on this film would be a mistake. The rare film that explores genre with an intent to experiment, open up, and entertain, Louis-Seize's French-Canadian co-production is an exciting and beautifully realized look at a coming-of-age story wedged into the Horror genre. The story of a young female vampire who refuses to kill, Louis-Seize's story is a moving and intellectually stimulating examination of genre story-telling. Take a watch . . . we dont' think you'll be disappointed. As always, we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Pilot Going Down: Robert Zemeckis's Flight This week we close out our Denzel Washington Love Fest with - arguably - one of his best performances. In 2012 Mr. Washington would team with Director Robert Zemeckis for Flight, a film that is rarely discussed, but that has powerfully affected this film watcher. For this episode, Mr. Chavez & I sit down to watch, examine, and discuss this incredible performance that touches on the fraility of humanity and the dangers of addiction. Denzel Washington with supporting performances from Don Cheadle, Bruce Greenwood, John Goodman, Melissa Leo, an early star-making turn from Yellowstone's, Kelly Reilly, and Director Robert Zemeckis, the elements for brilliance are obvious. Take a listen and decide for yourself if the praise is deserved. As always we can be reached at gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Battle for the Conn: Tony Scott's Crimson Tide You can never get enough Denzel Washington. This week Mr. Chavez & I sit down to talk the first of five collaborations with director Tony Scott, 1995s Crimson Tide. This first collaboration of Washington and Scott would fall almost directly in the middle of Scott's career and would be the fourth collaboration between Scott and the Don Simpson/Jerry Bruckheimer producing behemoth. This episode of WatchThis W/RickRamos takes a look at the relationship between Scott and his producing partners; the creation of the look and style that would come to define a great deal of 80s and 90s action films, as well as the relationship betwen Scott's style and what would later be adopted and expanded on by Michael Bay. We also take a look at the tremendous star power in pitting Denzel Washington and Gene Hackman against one another in a film that makes palpable argument for both of their characters. Two of the greatest actors of the last quarter of the 20th Century elevating everything about a film that Mr. Chavez & I are divided on. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions are always welcomed at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos   Anything and Everything is appreciated, You Cheap Bastards.

Denzel Wandering the Wasteland: The Hughes Brothers' The Book of Eli There are few great actors who can also be considered movie stars. Denzel Washington is certainly on that short list. A few weeks back we discussed his crowning achievement, Malcolm X. In 2010 he would produce and star in the Hughes Bros. directed, The Book of Eli. The rare instance of an action film with a purpose beyond mere entertainment, The Hughes Bros. brought to the screen one of the great "neglected" films of the 21st Century. In a post-apocalyptic world, Washington plays Eli, a man wandering the desolate remanants of America on a mission. For those who have seen the movie there is very little to say in this blurb, except that the film is far greater than the attention it has received. For those who have not seen it, you're in for a treat. Take a listen as we look at this neglected film and the performances of Washington, Gary Oldman, Mila Kunis, Malcolm McDowell, and Jennifer Beals. Truly an Underrated Film. Take a listen and let us know if you agree. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Neo-Nazi Family Drama: Tony Kaye's American History X Some films simply don't age well. With the passing years the problems of a narrative can become glaring. Such is the case with Tony Kaye's American History X (1998). A difficult subject that would have been better served with a revised script and a stronger director, American History X  suffers from a forced and simplistic narrative. Good performances and interesting cinematography (by director Kaye) are simply not enough to overcome a story that my partner dismsses as "after-school special". Although this film is widely admired in some circles, your favorite movie podcasters are less than impressed. Take a listen as we break down the problems this film carries. It's an interesting conversation; continuing our look at a collapsing and disintegrating America. As always we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

A Time for Martyrs: Spike Lee's Malcolm X  Last Week Spike Lee, Ernest Dickerson, and Denzel Washington started Mr. Chavez & Myself on an artistic, political, and introspective journey. We originally intended to discuss this masterpiece in one episode, however art, life, and the conversation often dictate a different outcome. Last week was the "making" of Malcolm X, this week WatchThis W/RickRamos dives into the beauty, power, and ground-breaking nature of this labor of love/passion project/grand cinematic statement. It is rare when so many of the cinematic elements come together to make a powerful and important statement of this type. In 1992 Malcolm X did just that. This week we sit down to remember and praise a truly great film. Take a listen and let us know what you think - gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

By Any Means Necessary: Spike Lee & The Making of Malcolm X  Cinema can change attitudes, englighten ignorance, strengthen understanding and faith. In 1992 director Spike Lee would partner with star Denzel Washington and long-time cinematographer (and NYU schoolmate) Ernest Dickerson to bring to the big screen the life of one of the most important firgures of the 20th Century, Malcolm Little to become "Red" to become Malcolm X, to become el-Hajj Malik el-Shabazz. In an expansive narrative that covers over four decades and - could be argued - encapsulates the experience of Black life in the history of the United States, Spike Lee's Academy Award ignored film (save Denzel Washington's Best Actor Nomination that was lost to Al Pacino for Scent of a Woman) is certainly one of the great artistic, social, and political achievements of the 20th Century. What started out as a reflection on this thirty-three year old film quickly revealed itself as a subject that would demand two episodes to truly understand Lee, Washington, and Dickerson's masterpiece. This week Mr. Chavez & I dive into the history of the films production (a 27 year odyssey that would see a change of directors, misunderstanding, financial complications, and controversy within the Black Community). This discussion took us to some emotional and thought-provoking places. We are honored to share this with you. As always we can be reached at gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Total Massacre - Takashi Miike's 13 Assassins  Not a whole lot is better this week, so Mr. Chavez & I find ourselves digging deeper into an examination, coping, and understanding of Fascism, Cruelty, and Troubling Political Rule with this week's film, Takashi Miike's 2010 13 Assassins. Miike's vision is typically brutal, violent, and magnificent. 13 Assassins exceeds the critical constraints of your "Typical Action Film" with a look at Samurai Culture during the Edo Period (1603-1868 - in this case, 1844). With a strong debt to Akira Kurosawa and Seven Samurai, Miike's film is an action-packed drama that holds a mirror to society and the abuses of power seen throughout history. A fifteen year old film, set nearly 200 years in the past, 13 Assassins has a great deal to teach, if we are willing to learn. Take a listen and let us know what you think - gondoramos@yahoo.com - This is a damn good talk - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Operation Wetback: Richard "Cheech" Marin's Born in East L.A.  Somethings refuse to change and what was true three and a half decades ago continues to be true today. With a nation struggling under the hand of an adminstration refusing to look at human beings as anything more than numbers, "Cheech" Marin's Born in East L.A. seems even more relevant today than it did when it premiered in the summer of 1987. Marin's film (the first of his projects after the end of his partnership as the ground-breaking comedy troupe, Cheech & Chong) is a - at points a silly and slapdash - look at immigration, deportation, and the struggle for the American Dream. I would argue that it's the "Most Chicano" film ever made; the one that most accurately depicts the experience of being Mexican-American, working and living in the United States. Marin's film is silly and - at times - sloppy, but it has true heart and a point of view rarely seen in cinema before and since. As always, the film is a stepping stone to the conversation that revolves around the real world. It is with great pleasure that we look at this film with old and new eyes. Take a listen and let us know what you think. We can always. be reached at gondoramos@yahoo.com - Many Thanks! For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Mutual Doomsday: Stanley Kubrick's Dr. Strangelove/Sidney Lumet's Fail Safe  Recording a mere two days before Donald Trump fired on Iran, Mr. Chavez & I sit down to discuss nuclear war and the incredible self-destructiveness of humankind. In 1963 Stanley Kubrick would direct one of his earliest masterpieces. With a ridiculous and hilarious George C. Scott, frighteningly honest Sterling Hayden, and a briliant Peter Sellars in a trio of roles that stands as one of the (three) greatest comic performances in cinema. There is a great deal going on in this film, however much of it's power has been dismissed as mere comedy. Surprisingly, a second film from 63 would provide an even more powerful statement of the danger of nuclear war. Sidney Lumet's film would die in the shadow of Kubrick's great comedy. On this episode Mr. Chavez & I are thrilled to do our part to bring light to this criminally neglected film. Take a lesson and let us know what you think - gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Today's episode is the Unracked: Mastering the Conjugate Method webinar Tom did with BridgeAthletic   "UNRACKED is a live event series from BridgeAthletic where top coaches break down the training systems, methods, and philosophies that drive elite performance. In this session, Tom Barry, CEO of Westside Barbell and one of Louie Simmons' handpicked successors, offers a focused walkthrough of the Conjugate Method in practice: how he programs, what he prioritizes, and why it works for his athletes. Free to attend and packed with practical insight."   Many Thanks to BridgeAthletic for having Tom on.   Organize Your Visit to Westside Barbell Here!   Follow Westside Barbell: Website: Westside Barbell Instagram: @westsidebarbellofficial Facebook: @westsidebarbellofficial Twitter: @westsidebarbell Please support this podcast by checking out our sponsors: Studio Sponsor: Dollamur Sport Surfaces CLMS Conjugate Tactical The Conjugate Club