Podcast appearances and mentions of Robbie Robertson

A Spider-Man noir story where the mask feels heavier than the powers hits different, and Spider Noir leans into that weight. We dig into Ben Riley as an older, down-on-his-luck private investigator working a case that starts small and spirals into metahumans, mob politics, and a city controlled from the shadows. Along the way, we talk about why the dialogue is the secret weapon: it is sharp, catty, and confident, giving the series that classic crime noir snap without making the characters feel like cartoons.Tinara joins me to break down the characters who make the show click, especially Janet as the assistant who is really the partner, and Robbie Robertson as the friend who keeps pushing Ben back toward being Spider Noir. We also get into our hottest take: Kat Hardy, the femme fatale nightclub singer, might be the real villain because her choices and betrayals drive the chaos more than any one boss fight. If you love Spider-Man Noir, Black Cat energy, and morally messy noir romance, this conversation is for you.We also compare the black-and-white presentation against the full color version, including how monochrome can change your read of time, lighting, and even costume details. Add in the big bad energy of Silvermane, the body-horror edge of the origin story, the prohibition-era backdrop, and a surprisingly deep soundtrack with musical numbers, and it's no surprise we both land at a 9/10.Subscribe for more nerdy reviews, share this with a friend who loves noir superhero stories, and leave a rating and review. What would you score Spider Noir out of 10?Text us for feedback and recommendations for future episodes!Support the showWe thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal to access our website, our Discord server, our Patreon page, and other social media platforms!DISCLAIMER: The thoughts and opinions shared within are those of the speaker. We encourage everyone to do their own research and to experience the content mentioned at your own volition. We try not to reveal spoilers to those who are not up to speed, but in case some slips out, please be sure to check out the source material before you continue listening!Stay nerdy and stay faithful,- J.B.Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these episodes!

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

The first season of Spider-Noir comes to a dramatic conclusion, and we're breaking down every major moment from Episodes 7 & 8!Ben Reilly finally takes the fight directly to Silvermane as alliances shift, betrayals come full circle, and the fate of New York's metahumans hangs in the balance. We discuss the emotional fallout of Cat Hardy's choices, Robbie Robertson stepping up as an unlikely hero, the final showdown with Megawatt and Sandman, and Ben's selfless decision that changes his future forever.In this review, we dive into the biggest twists, character arcs, action sequences, comic book connections, and whether Spider-Noir delivered a satisfying finale. Did the series stick the landing? What could Season 2 look like? We cover it all!

In this weeks podcast we reflect on Keir Starmer, the Iran peace deal; Change in Colombia; Fauci lied about Covid; The UK grooming gangs report; Ayaan Hirsi Ali on why all cultures are not the same;  The World Cup - the nations of the world; Best fans of the world cup; Cape Verde; Country of the Week - Japan;  Ideologies that kill - Humanism; Pauline Hanson on abortion; Men in womens prisons in Australia;  California reserves government contracts for gay companies only; West Midlands police inspector spared jail; Indoctrination of children in Scottish Highlands schools;  Disclosure - the Church and Aliens ;  The Hawkstone Farmers Choir wins BGT;  James Burrows dies;  Bob Newhart; No. 3 guitarist - Robbie Robertson; Starbucks Korea have an AI disaster; Feedback;  The NSS report a Church for its preaching;  the Final Word - Reveleation 7:9with music from The Hawkstone Farmers Choir; Baccara;  Oasis; Nick Morgan; Neil Diamond; Deep Purple; Robbie Robertson and Eric Clapton; Maasaki Suzuki; and Roy Turner  

By 1971, The Band was one of the most influential forces in rock music, having steered the genre away from psychedelic excess toward a more rustic, roots-based sound. However, the recording of their fourth album, Cahoots, was a period of high tension within the group.  Despite these fractures, the album's opening track, "Life is a Carnival," stands out as a masterpiece of groove and atmosphere, drawing on Robertson's real-life experiences working in a traveling circus to paint a vivid picture of life as a relentless "hustle." Let's dive inside the track to examine the individual elements that make it work: the interplay between Levon Helm's "behind the beat" drumming, Rick Danko's fretless bass, Robbie Robertson's funky guitar work, and the "calliope" atmosphere created by Garth Hudson's Lowrey organ. And a major highlight is Allen Toussaint's contribution; the New Orleans legend's horn arrangements were written specifically to weave around Robertson's existing guitar solo, resulting in a rhythmic conversation that remains irresistible decades later. This episode is a tribute not just to a great song, but to the enduring legacy of five musicians who changed the landscape of American music. "Life Is A Carnival" Words & Music by Robbie Robertson, Levon Helm & Rick Danko copyright 1971 WC Music Corp and Canaan Music, Inc. All rights administered by WC Music Corp Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1971, The Band was one of the most influential forces in rock music, having steered the genre away from psychedelic excess toward a more rustic, roots-based sound. However, the recording of their fourth album, Cahoots, was a period of high tension within the group.  Despite these fractures, the album's opening track, "Life is a Carnival," stands out as a masterpiece of groove and atmosphere, drawing on Robertson's real-life experiences working in a traveling circus to paint a vivid picture of life as a relentless "hustle." Let's dive inside the track to examine the individual elements that make it work: the interplay between Levon Helm's "behind the beat" drumming, Rick Danko's fretless bass, Robbie Robertson's funky guitar work, and the "calliope" atmosphere created by Garth Hudson's Lowrey organ. And a major highlight is Allen Toussaint's contribution; the New Orleans legend's horn arrangements were written specifically to weave around Robertson's existing guitar solo, resulting in a rhythmic conversation that remains irresistible decades later. This episode is a tribute not just to a great song, but to the enduring legacy of five musicians who changed the landscape of American music. Words & Music by Robbie Robertson, Levon Helm and Rick Danko, Copyright 1971 WB Music Corp and Canaan Music, Inc. All Rights Administered by WB Music Corp. Learn more about your ad choices. Visit megaphone.fm/adchoices

Grayskull, Gumshoes, and Global Spy Nonsense This week on the podcast, Brian and Darryl have the power… allegedly. The guys dig into Citadel Season 2 episodes 3 and 4, continue down the black-and-white rabbit hole with Spider-Noir episodes 3 and 4, and then head back to Eternia for the 2026 live-action Masters of the Universe movie. It's spies, spiders, swords, Skeletor, and probably way too much yelling about whether He-Man should ever be self-aware. Episode Index Intro: 0:07 The Citadel Season 2 (eps 3-4): 4:56 Spider-Noir (eps 3-4): 19:54 Masters of the Universe (2026): 32:02 The Citadel (Amazon Prime) Series: Citadel Season: 2 Network: Prime Video Season 2 Release Date: May 6, 2026 Season 2 Episode Count: 7 episodes Starring: Richard Madden, Priyanka Chopra Jonas, Stanley Tucci, Lesley Manville, Matt Berry, Michael Trucco, Rahul Kohli, Merle Dandridge, and Jack Reynor Citadel Season 2 released all seven episodes on Prime Video on May 6, 2026, with episode 3 titled “Chinos” and episode 4 titled “Unreasonable.” Prime Video describes the season as a globe-spanning spy thriller following Mason Kane, Nadia Sinh, and Bernard Orlick as Citadel operatives caught in a conspiracy where “anyone could be friend or foe.” Episode 3: “Chinos” Director: Joe Russo Writers: Gursimran Sandhu and David J. Rosen Original Air Date: May 6, 2026 Summary: As Paulo's plan escalates, Mason and Nadia are forced into an uneasy alliance. Bernard, Hutch, Celine, and Frank Sharpe join the mission as the team tries to uncover the identity of a mysterious hacker before the threat spins further out of control. Episode 4: “Unreasonable” Director: Joe Russo Writers: Tori Sampson, David Weil, and David J. Rosen Original Air Date: May 6, 2026 Summary: After pulling the truth about Edison's identity, the team shifts focus to a high-profile gala where their target is expected to appear. Mason and Nadia's tensions keep rising, enemies close in from every angle, and one dishonest move threatens to blow up the entire mission. Rating out of 10, What do the Italians Have Against Cereal Brian: 7/10 Darryl: 7.3/10 Spider-Noir (Amazon Prime) Series: Spider-Noir Season: 1 Network: MGM+ / Prime Video Season 1 Release: May 25, 2026 on MGM+ in the U.S.; May 27, 2026 on Prime Video Episode Count: 8 episodes Runtime: About 45 minutes per episode Starring: Nicolas Cage, Lamorne Morris, Li Jun Li, Karen Rodriguez, Abraham Popoola, Jack Huston, and Brendan Gleeson Spider-Noir follows a struggling private investigator in 1930s New York who is forced back into his past life as the city's lone superhero. The series stars Nicolas Cage as Ben “The Spider” Reilly, with Lamorne Morris as Robbie Robertson, Li Jun Li as Cat Hardy, Jack Huston as Flint Marko, and Brendan Gleeson as Silvermane. Episode 3: “Double Cross” Director: Nzingha Stewart Writers: Megan Liao and Steve Lightfoot Original Air Date: May 25, 2026 on MGM+ / May 27, 2026 on Prime Video Summary: Ben is hired by Silvermane to find who leaked his liquor transfer. At the hospital, he learns injured officers were tipped off by Morris. Robbie goes to a poor neighborhood to question Lincoln but witnesses a raid ordered by Morris, forcing Marko and Lincoln to use their powers against the cops. Janet discovers Addison, Lincoln, and Marko were former prisoners of war. Ben also finds out Carmedy lied about being Cat’s husband to gather evidence on Morris and that Cat arranged the meeting. He concludes Cat leaked the transfer and hired Addison to burn down Silvermane’s mansion. Ben breaks into Silvermane’s vault to pay Vera to leave town before she exposes Cat. Marko briefly considers escaping with Cat, but abandons the idea due to his symptoms worsening further. Ben later confronts Cat at Penn Station as she tries to flee, but Winston captures them. After tracing marked payments from Silvermane, Ben frames Winston by using his money to pay Vera. Silvermane shoots and kills Winston. Episode 4: “A Mistake I'll Never Make Again” Director: Nzingha Stewart Writer: Tori Sampson Original Air Date: May 25, 2026 on MGM+ / May 27, 2026 on Prime Video Summary: Cat reveals to Ben she hired Addison to kill Silvermane so she could settle down with Marko after Silvermane murdered her first fiancé. Marko eavesdrops on their discussion. Feeling betrayed, he decides to work for Silvermane again. Robbie and Janet interview Lincoln at the office. Silvermane uses Marko to intimidate Morris into backing off on his campaign ending Prohibition. Ben and Cat spend the night at his place, where he divulges on how Ruby died from a criminal he caught seeking revenge. They both leave after hearing a metahuman is attacking the Diamond District, presuming it to be Marko. The metahuman is a man named Dirk Leyden, a criminal with the ability to absorb and release electricity. The Spider defeats him by shutting off the power in the area to prevent Leyden from storing any more electricity, and Morris uses his victory to boost his campaign. Cat returns to Ben’s apartment and deduces that he is the Spider before kissing him. Rating out of 10, A Very Electric Spier-Noir Brian: 6.5/10 Darryl: 7.4/10 Masters of the Universe (2026) Release Date: June 5, 2026 Director: Travis Knight Screenplay: Chris Butler, Aaron Nee, Adam Nee, and Dave Callaham Distributor: Amazon MGM Studios in the U.S.; Sony Pictures International Releasing internationally Rating: PG-13 Runtime: 2 hours, 20 minutes Genre: Adventure, Action, Fantasy Starring: Nicholas Galitzine, Jared Leto, Idris Elba, Camila Mendes, Kristen Wiig, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, and Charlotte Riley In the 2026 live-action Masters of the Universe, Prince Adam returns to Eternia after being separated from his home for 15 years. With Skeletor ruling over a shattered world, Adam must reunite with Teela and Duncan/Man-At-Arms, accept his destiny, and become He-Man. The cast includes Nicholas Galitzine as Prince Adam/He-Man, Jared Leto as Skeletor, Idris Elba as Duncan/Man-At-Arms, Camila Mendes as Teela, Kristen Wiig as the voice of Roboto, Alison Brie as Evil-Lyn, James Purefoy as King Randor, Morena Baccarin as the Sorceress, Jóhannes Haukur Jóhannesson as Malcolm/Fisto, and Charlotte Riley as Queen Marlena. Summary: After losing Eternia to Skeletor as a child, Prince Adam is sent to Earth with the Sword of Power, only to lose it during his escape. Fifteen years later, Adam has built a normal life in Oklahoma City while obsessively searching for the sword and proof that Eternia was real. When he finally recovers it, Teela brings him back home to a ruined kingdom under Skeletor's control. Dismissed at first as unworthy, Adam reconnects with Teela, Duncan, Roboto, and Eternia's remaining warriors as they rally against Skeletor's forces. After discovering his parents are still alive, Adam leads a rescue mission to Snake Mountain, where King Randor is killed and Skeletor attempts to unlock the Sword of Power's magic through Castle Grayskull. In the final battle, Adam learns that the power of Grayskull was never truly in the sword, but within himself. He reclaims his destiny, defeats Skeletor, and helps restore Eternia. Six months later, Queen Marlena rules Eternos, Adam is celebrated as a hero, and he finally chooses his legendary name: He-Man. Rating Out of 10, Shinny Dangling… Participles (Clean up your dirty minds) Brian: 8.3/10 Darryl: 8.45/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

WHAT AN ABSOLUTELY INCREDIBLE, STYLIZED, AND JAW-DROPPING SEASON FINALE BLOCK! Spider-Noir Episodes 4-8 Ending Reaction & Breakdown with John Humphrey, Jon Maturan, and Andrew Gordon! Spider-Noir Full Series Uncut Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this video review and reaction, John, Jon, and Andrew break down the emotional depth and exceptional writing anchoring the back half of this series, highlighting the masterclass performances from our stellar main cast. We celebrate the legendary Nicolas Cage (Spider-Man: Into the Spider-Verse, Longlegs) delivering an incredibly layered performance as the world-weary private eye Ben Reilly, Lamorne Morris (New Girl, Fargo) bringing massive dramatic weight to the screen as the intrepid Daily Bugle reporter Robbie Robertson, and Brendan Gleeson (The Banshees of Inisherin, Braveheart) commanding the screen with pure mobster gravitas as the ruthless crime boss Silvermane. Our hosts react to major highlights like the stunningly creepy, horror-infused flashback detailing the traumatic wartime experiments that birthed the horrifying Man-Spider genetic mutation. We dissect the absolute chaos of the Diamond District battle against the electrifying new rogue Megawatt, the tragic fallout of Lonnie Lincoln transforming as a bulletproof enforcer, and the complex web of secrets surrounding Cat Hardy's personal vendetta against Silvermane. From the trippy, Mysterio-esque kaleidoscope nightmare sequences to the heartbreaking final showdown where electricity and sand clash in the Al Cove mirror maze, this finale block keeps us on edge up until the very last frame where Ben Reilly sits down at a wobbly desk to enjoy a well-deserved hot dog with a brand new lease on life, so drop your thoughts in the comments below! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Jon Maturan: https://www.instagram.com/jonmaturan/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

WHAT AN ABSOLUTELY INCREDIBLE, STYLIZED, AND CONVOLUTED COMIC BOOK DROP! Spider-Noir Episodes 1-3 Reaction & Breakdown with John Humphrey, Jon Maturan, and Andrew Gordon! Spider-Noir Full Series Uncut Watch Along:   / thereelrejects   Check out the DC Studios: Showcase Podcast HERE https://app.magellan.ai/listen_links/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this video premiere review and reaction, we break down the incredible performances of the main ensemble cast, featuring Nicolas Cage (Spider-Man: Into the Spider-Verse, Longlegs) delivering an incredibly layered performance as the weary, cynical private eye Ben Reilly, Lamorne Morris (New Girl, Fargo) bringing massive emotional weight as the intrepid Daily Bugle reporter Robbie Robertson, and Brendan Gleeson (The Banshees of Inisherin, Braveheart) commanding the screen with pure gravitas as the ruthless mob boss Silvermane. Our hosts react to major highlights like the stunning opening POV sequence that beautifully echoes classic wall-crawling cinema, the intense close call where a targeted gas explosion goes off for a three-dollar job, and the absolute comedy of Ben's internal struggles with his bad back. We also dissect the incredible suspense of the apartment sequence where Ben is forced to hide out in a tight closet while Flint Marko and Winston search the room, leading to a shocking trail of wet blood on the ceiling, before unpacking Silvermane's counterfeit web where he marks his bills to hunt down a rat, setting up a massive graveyard cliffhanger that leaves our hosts completely floored. We evaluate the incredible film-noir language, character arcs, and technical execution that make this series an absolute masterpiece, so drop your thoughts in the comments below! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Jon Maturan: https://www.instagram.com/jonmaturan/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

​The trench coat is back, the mask is on, and Ben Reilly is officially back in the web-slinging saddle—even if his superhero rust just accidentally saved a mob boss. This week, we are breaking down a massive double-header: Episode 2 ("Tread Lightly") and Episode 3 ("Double Cross") of Spider-Noir.​We dive deep into the expanding, gritty landscape of 1930s New York, tracking the clues from Flint Marko's ransacked apartment all the way to the Hooverville raids.​Inside This Week's Briefing:​The Relapsed Hero: Ben poses as a spectacled plumber to get his gear back, puts Silvermane on notice, and then... completely ruins a police stakeout. We break down that glorious, chaotic car-surfing action sequence and Nic Cage's peak Bogart voice.​Sympathy for the "Villains": Spider-Noir is flipping the script on classic Spidey rogues. We react to the live-action debuts of a deteriorating Flint Marko (Sandman) and Lonnie Lincoln (Tombstone) being portrayed as tragic, protective figures rather than outright monsters.​Robbie Robertson on the Beat: Robbie gets a firsthand look at the corruption plaguing the city, only for the Daily Bugle to twist the narrative into anti-powered propaganda. We discuss how deep Mayor Morris and Silvermane's ties really go.​Cat Hardy's Double Game: Is she a client, a victim, or the mastermind who leaked the liquor transfer in the first place? We map out the clues pointing directly back to The Alcove.​Listener Question of the Week: How do you feel about the show turning Sandman and Tombstone's comic book reputations into in-universe political propaganda? Hit us up in the comments or drop us a review with your theories!​Don't forget to rate, review, and subscribe to the feed. Tread lightly out there, listeners.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

WHAT A PHENOMENAL, DRAMATIC SEASON FINALE! Spider-Noir Episodes 7-8 Ending Reaction & Breakdown with Aaron Alexander, Greg Alba, and Coy Jandreau! We are heading back into the monochrome underbelly of 1930s New York to dissect how the intricate web of betrayals, wartime conspiracies, and mob blood feuds collide in a spectacular dramatic crescendo. Spider-Noir Full Series Uncut Watch Along:   / thereelrejects   -Check out the DC Studios Showcase Podcast here https://app.magellan.ai/listen_links/... SPIDER-NOIR EPISODE 1-3 (B&W) REACTION:    • SPIDER-NOIR EPISODE 1 - 3 REACTION – NICOL...   SPIDER-NOIR EPISODE 4-6 (B&W) REACTION:   • SPIDER-NOIR EPISODES 4-6 REACTION - The Ne...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this video, we break down the incredible performances of the main ensemble cast, featuring Nicolas Cage (Spider-Man: Into the Spider-Verse, Longlegs) delivering pure grit as the world-weary private eye Ben Reilly, Lamorne Morris (New Girl, Fargo) bringing massive emotional weight as Daily Bugle reporter Robbie Robertson, and Brendan Gleeson (The Banshees of Inisherin, Braveheart) commanding the screen as the ruthless mob boss Silvermane. Our hosts react to major highlights like the absolute genius of the "drunken spider monkey" bar fight sequence, Robbie's powerful confrontation calling out Ben for hiding in a hole since Ruby died, and the high-stakes interrogation sequence that plays out like a tense, single-room stage play. We also dissect Robbie's clutch precision jabbing Lonnie Lincoln in the eye with the antidote, the terrifying emergence of electrical rogue Megawatt, Flint Marko going full striped Sandman, and the classic comic book style half-torn mask finale battle leading up to that perfect final frame layout where the door sign aligns. We evaluate the incredible film-noir language, character arcs, and technical execution that make this series an absolute masterpiece, so drop your thoughts in the comments below! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

WHAT AN ABSOLUTELY GRIPPING, INTENSE, AND VISUALLY STUNNING DEEP DIVE! Spider-Noir Episodes 4-6 Reaction & Breakdown with Aaron Alexander, Greg Alba, and Coy Jandreau! As live-action comic book adaptations and gritty detective thrillers continue to dominate the global streaming charts, we are heading right back into the shadow-drenched streets of 1930s New York to dissect the mid-season evolution of Nicolas Cage's groundbreaking series: Spider-Noir. Spider-Noir Full Series Uncut Watch Along:   / thereelrejects   Limited Time Offer – You Need Fiber. Yes you! Boost your fiber with Huel today using my exclusive offer of 15% OFF online with my code REJECTS at https://www.huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! SPIDER-NOIR (B&W) 1-3 REACTION -    • SPIDER-NOIR EPISODE 1 -3 REACTION (B&W) – ...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this comprehensive television review and reaction, Aaron, Greg, and Coy break down this massive three-episode block as the complex web of mysteries and street-level conspiracies continues to expand. We dissect the heavy acting choices and phenomenal presence of the main ensemble cast, including Nicolas Cage (Spider-Man: Into the Spider-Verse, Longlegs) delivering an incredibly layered performance as the weary private eye Ben Reilly, Lamorne Morris (New Girl, Fargo) as the ambitious journalist Robbie Robertson, and Brendan Gleeson (The Banshees of Inisherin, Braveheart) as the intimidating mob boss Silvermane. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

FROM THE SPIDER-VERSE COMES SPIDER-NOIR! (ACT 1) -Check out the DC Studios Showcase Podcast here https://app.magellan.ai/listen_links/... Spider-Noir Episodes 1-3 Part 1 Premiere Reaction & Breakdown with Greg Alba, Coy Jandreau, and Aaron Alexander! With live-action comic book adaptations, Marvel multiverses, and hardboiled detective mysteries continuing to dominate global streaming, we are stepping into the monochrome, shadow-drenched streets of 1930s New York to dissect the first three episodes of Nicolas Cage's highly anticipated series: Spider-Noir. Spider-Noir Full Series Uncut Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this comprehensive television review and reaction, Greg, Coy, and Aaron break down the gritty Great Depression-era world of an aging, weary hero. We unpack the stellar performances of the incredible main cast, including Nicolas Cage (Spider-Man: Into the Spider-Verse, Longlegs) as the cynical, down-on-his-luck private investigator Ben Reilly, Lamorne Morris (New Girl, Fargo) as the sharp, ambitious Daily Bugle reporter Robbie Robertson, and Brendan Gleeson (The Banshees of Inisherin, Braveheart) as the intimidating Irish mob boss Silvermane. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Tragically Hip On Shuffle, we cracked open 'Coffee Girl' - the fourth track and second single off "We Are the Same" (2009), produced by Bob Rock. On the TTHTop40 Countdown, it clocks in at number 53. It's been played live 78 times, last appearing on the final tour on July 30, 2016.Joining me for this one were two members of west coast tribute act Gift Shop - Craig from Langley and Ian from Maple Ridge - plus returning guest Tim from Columbus, host of the Dig Me Out Podcast. Two-fifths of Gift Shop, for the record. You can't reduce that fraction without going to decimal points, and you just can't do that.What we got into:The pre-release Bathhouse recording - recorded April 6, 2009, the day before the album dropped - was our jumping-off point, and it unlocked a lot. Organ instead of trumpet. A looser, jammier feel. Multiple gaffes and weirdness. And somehow, the bones of the song were all already there.From there the conversation ranged wide. Tim came in with a clear-eyed critique - the drum loop feels mechanical, the melody doesn't shift from verse to chorus, and he wishes Robbie Robertson had gone slide guitar instead of brass. It's a good song for most bands, he said. For The Hip, it's below average. Gauntlet dropped.Craig pushed back from a different angle - the musicality. He broke down why 'Coffee Girl' is so easy to listen to: it's in C major, four chords (F, C, Am, G), and it never deviates once. The chorus just drops the C. The fade-out isn't laziness - it's because there's no satisfying harmonic resolution to this story, and Craig walked through why Gift Shop ends it on a G (a half cadence) while The Hip's Abbotsford version lands on an A minor (a deceptive cadence). Genuinely great music nerd territory.Ian brought the emotional case for the album as a whole - the deliberate smoothness of the production, the loss of grit that divided fans, and why he thinks people owe "We Are the Same" a deeper listen than most gave it. He also flagged Derry Byrne - the trumpet player on the track - as a Kitsilano local who plays with the Jill Townsend Jazz Orchestra. And he introduced a darker reading of the lyrics: is the coffee girl cautious for a reason? Is there something more unsettling running beneath the surface of an otherwise easy, sunny song?That lyric conversation went deep. We talked about Gord's love of people-watching - including jD's two separate sightings of Gord at a Timothy's on the Danforth with his MacBook, pecking away at the window. We talked about Craig's memory of seeing the album's theatre release the night before it came out, seven months after his first kid was born, and how that version of 'Coffee Girl' was the first time he ever heard the song. And we talked about whether the mixtape-with-classic-Beck line ages anyone else as hard as it aged us.The poll results this week showed about 25% of Hip fans in the Facebook group feeling negative or indifferent about 'Coffee Girl.' Not surprising - but Ian made the case for patience, and he made it well.Next week: 'Wheat Kings.' Top 10 on the countdown. If there was ever a song that screams Canadiana - and there never is a time to wave a flag at a Hip show, but if there were - it's that one.Guests this week:Gift Shop - West coast Tragically Hip tribute act featuring Craig and Ian. Catch them live on August 20, 2026 at the Hollywood Theatre in Kitsilano, BC - the ten-year anniversary of the final show. Deep cuts guaranteed. At least one song off "We Are the Same." Possibly with Derry Byrne sitting in on trumpet. Tickets on Eventbrite (search "Gift Shop") or at giftshiphipband.caDig Me Out Podcast (Tim) - Weekly album reviews of obscure and overlooked records from the 70s, 80s, 90s, and 2000s. Guest episodes, round tables, and a genuinely deep love of the format. Find them at digmeoutpodcast.comThe Tragically Hip On Shuffle streams live every Wednesday at 8PM.home.tthpods.com · jd@tthpods.com · @tthpodsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

FROM THE ARCHIVES - Original Airdate of 4.10.2021 New intro by Rob Today Jim (rob) and Mike (matt) talk about the 1976 film THE LAST WALTZ ABOUT THE LAST WALTZ The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance", and the concert saw The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was The Band's original record producer, John Simon. The event was filmed by director Martin Scorsese and made into a documentary of the same title, released in 1978. Jonathan Taplin, who was The Band's tour manager from 1969 to 1972 and later produced Scorsese's film Mean Streets, suggested that Scorsese would be the ideal director for the project and introduced Robbie Robertson and Scorsese. Taplin served as executive producer. The film features concert performances, intermittent song renditions shot on a studio soundstage, and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Simon and Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings. The Last Waltz is hailed as one of the greatest documentary concert films ever made,[3] although it has been criticized for its focus on Robertson.  In 2019, the film was selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant". ****** Rob (and co-hosts) will be back in June 2026 with some brand-new podcasts and interviews!  Stay Tuned ****** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content Email Rob at: knowgoodmusicpodcast@gmail.com Know Good Music T-Shirts, Drink Coasters and Embroidered dad hats and winter hats now available.  Email Rob for all the info.

Is that a road trip calling? As Carl Ruiz prepares for his epic trek to "Memphis in May"—aka the Superbowl of Swine—the studio turns into a masterclass on CB radio jargon, rock and roll myths, and the nerves behind a big comedy special.​From debunking the legendary Lonnie Mack guitar solo on Roadhouse Blues to the truth about why celebrity chefs "shill" for copper pans, this episode is a deep dive into the weird, wild world of late-night radio and life on the road.​Highlights from the Studio:​The Lonnie Mack Rumor: Vic Henley settles the score on whether Robbie Robertson actually played that solo.​CB Lingo 101: Why you should never call anyone a "good buddy" at a truck stop unless you're looking for a very specific type of companionship.​Mark Normand's Big Week: The internal panic of performing on Fallon while running on 11 melatonin and the "coat hanger" posture of his new special.​The Chef Reality Check: Carl explains why Food Network stars end up selling knives at 3:00 AM just to keep the lights on. 5/16*THESE EPISODES ARE NOW THEY'RE OWN PODCAST CALLEDOpie: Final Mic Drop https://www.spreaker.com/podcast/opie-final-mic-drop--6950078Follow along in chronological order of my last year of radio*

Rich Pagano is a terrific drummer, singer, songwriter and producer. He's a solo artist and a member of The Fab Faux, the world's best tribute band. He's worked with just about everyone including Robbie Robertson, Ray Davies, Elvis Costello, Peter Frampton, and he's even done the soundtrack album for The Marvelous Mrs. Maisel. And he also does a lot of benefit work, including in honor of his late son Nic. My featured song is my reimagined version of The Beatles' “I Wanna Be Your Girl” from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH RICH:www.richpagano.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Indigenous in Music with Larry K and Mike Paul in our Spotlight Interview (Indigenous Folk Rock) Your tuned into Indigenous in Music with Larry K, and this week we welcome back from Pointe-Bleue, Quebec Mike Paul. His latest release, Nutshimit, is a powerful reflection on culture, land, and identity. We're looking forward to diving into the music and the meaning behind it. He'll be stopping by into our spotlight at our Say Magazine Studios. Come read all about him at our place on the web at www.indigenousinmusicandarts.org/past-shows/mike-paul. Also enjoy music from Mike Paul, The City Lines, Alex Anest, Maten, Black Bear, Sinuupa, Chulius & the Filarmonicos, Nuuro, Dan Linitie, Gator Beaulieu, Curtis Clear Sky and the Constellationz, Murray Porter, Ozomatli, Robbie Robertson, Logan Staats, Siibii, Angel Baribeau, J.A.M, Andrew Clingan, Stevie Salas, Soda Stereo, Angus Vincent, Paul Star, Jota Quest, Dj Bitman, The North Sound, Carsen Gray, Robin Cisek, JD Crosstown, Melody McArthur, Janel Munoa and much more. Visit us at www.indigenousinmusicandarts.org to explore our programs, celebrate culture, and connect with powerful voices shaping our communities. Step inside Two Buffalo Studios, browse our SAY Magazine Library, and meet the incredible Artists and Entrepreneurs who are making an impact today.

This week on Record of the Week, we dig into one of the most overlooked and mysterious songs connected to The Band: "Out of This World," tucked away on The Last Waltz Suite. Robbie Robertson's lead vocal, the unusual arrangement, and the lack of clear information about who actually played on the track all make this song a real puzzle. We talk about why it feels so different from the rest of The Band's catalog, what it might reveal about the group's dynamic at the end, and why such a beautiful song has stayed so under the radar for so long.

The Band -Music From Big Pink (Capitol Records)Released- July 1-1968 Music from Big Pink by The Band is widely considered one of the most influential American albums of the late 1960s. Produced by John Simon, the record introduced a sound rooted in country, gospel, blues, and folk rather than the psychedelic style dominating the era. The group's classic lineup—Robbie Robertson, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson—created a uniquely collaborative identity built around shared vocals, understated musicianship, and rich keyboard textures.Songs such as “The Weight,” “Tears of Rage,” and “I Shall Be Released” blended spiritual imagery, storytelling, and roots traditions into a deeply human musical statement. Drawing inspiration from their time working with Bob Dylan and living together near Woodstock, the album helped establish the foundations of what would later be called Americana. Its earthy authenticity and ensemble approach influenced artists from Eric Clapton to George Harrison and remains a landmark in rock history.

Jericho was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s. In this episode, I take a look at how Jericho finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio. It's not a return to the past. It's a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going. Learn more about your ad choices. Visit megaphone.fm/adchoices

Your tuned into Indigenous in Music with Larry K, and this week we welcome back from Pointe-Bleue, Quebec Mike Paul. His latest release, Nutshimit, is a powerful reflection on culture, land, and identity. We're looking forward to diving into the music and the meaning behind it. He'll be stopping by into our spotlight at our Say Magazine Studios. Come read all about him at our place on the web at www.indigenousinmusicandarts.org/past-shows/mike-paul. Also enjoy music from Mike Paul, The City Lines, Alex Anest, Maten, Black Bear, Sinuupa, Chulius & the Filarmonicos, Nuuro, Dan Linitie, Gator Beaulieu, Curtis Clear Sky and the Constellationz, Murray Porter, Ozomatli, Robbie Robertson, Logan Staats, Siibii, Angel Baribeau, J.A.M, Andrew Clingan, Stevie Salas, Soda Stereo, Angus Vincent, Paul Star, Jota Quest, Dj Bitman, The North Sound, Carsen Gray, Robin Cisek, JD Crosstown, Melody McArthur, Janel Munoa and much more. Visit us at www.indigenousinmusicandarts.org to explore our programs, celebrate culture, and connect with powerful voices shaping our communities. Step inside Two Buffalo Studios, browse our SAY Magazine Library, and meet the incredible Artists and Entrepreneurs who are making an impact today.

Episode 10 opens in the long-running genre they've accidentally perfected — two grown men versus consumer electronics — as Michael explains how he revived his ageing Samsung “smart TV” (now “a bit of a nuff-nuff”) with a cheap HDMI streaming box bought from an Australian online retailer that “rhymes with Hogan”.  The thrill here isn't just 4K; it's the moral victory of upgrading the brain while keeping the body.  The upgraded TV then becomes a portal to two YouTube documentaries that send the pair (and us) into a warmly nostalgic British lane. One is an ARTE doc on Madness — “Princes of Ska” — which prompts Michael to re-fall in love with a band he rates as not just a ska novelty act, but an elite singles machine whose later pop craftsmanship deserves more credit than the pigeonhole allows. The other find is the real rabbit hole: John Peel's Record Box — an hour built around the late BBC DJ's stash of 142 singles kept separate from his famously vast collection (more than 100,000 records). The documentary hauls the box around to fellow travellers and famous fans — Jack White, Elton John, others — letting them rummage, remember and speculate on why those particular records were kept close.  Peel, it turns out, could contain multitudes: Sheena Easton's “9 to 5”, some Status Quo, a heavy White Stripes presence… and a special extra shrine for The Fall, who were apparently too important even for the box.  Then Brian takes the wheel for the episode's marquee music moment: Bob Dylan's Blonde on Blonde turns 60, marked with a concert at Tulsa's legendary Cain's Ballroom, presented by the Bob Dylan Center (sitting right next to the Woody Guthrie Center, because Tulsa is quietly running a curriculum).  Brian's spoken with the Center's director, Steve Jenkins, who teases an event titled Sooner or Later with a lineup that reads like an alternate-universe festival poster:  Naturally, they can't leave the album itself alone. They circle around what makes Blonde on Blonde such a gravitational object: the New York-to-Nashville recording shift, Al Kooper and Robbie Robertson in tow, and the snap-in brilliance of Nashville players like Charlie McCoy and Joe South.  Michael calls it the culmination of Dylan's ridiculous 18-month streak from Bringing It All Back Home through Highway 61 Revisited to Blonde on Blonde — productivity that makes modern “content schedules” look like a wellness day.  Song picks follow: Michael is unwavering on “Visions of Johanna”; Brian leans toward “Most Likely You Go Your Way (And I'll Go Mine)”, while also marvelling that Dylan had “Positively 4th Street” sitting on the bench, unused, like a spare masterpiece. There are lighter detours too: a surprisingly vivid discussion of a film built around stand-up comedy as therapy (Will Arnett, Laura Dern, John Bishop's life story, Bradley Cooper popping up in a minor role because he can), and then Brian's recommendation of Mackenzie Crook's Small Prophets — a title that briefly defeats Michael because he searches the wrong spelling and finds financial advice instead.  Once located, it lands hard: whimsy, sadness, small acts, and a specific episode-four moment that gets Brian teary without him wanting to spoil why. Michael flags the return of Gillian Welch & David Rawlings, apparently digging deep into the back catalogue (with a Guardian five-star review from Toowoomba), plus the pair's Grateful Dead-adjacent moves and upcoming US tribute tour. They also talk up Robert Finley, the 71-year-old, legally blind Louisiana singer with the late-blooming career arc (carpenter most of his life, first records in his 60s, produced by Dan Auerbach of The Black Keys), heading to Australia in May for intimate shows.  Finley's story lands like a parable for anyone who's ever thought they missed their chance. (Michael, who's finishing his own record — under the gloriously self-aware pseudonym Imposter Syndrome, album titled Oversharing with Strangers — certainly hears it that way.) Episode 10, then, is classic On The Record: a podcast held together by cable management, cultural memory, and the belief that the best stories are found when you stop pretending you have a plan. Important Links: Madness - Princes Of Ska (2025 Documentary) John Peels Record Box {Full show} The Fall Bremen Nacht (Vinyl Version) BOB DYLAN CENTER PRESENTS “SOONER OR LATER,” ALL-STAR CONCERT CELEBRATING SIXTIETH ANNIVERSARY OF DYLAN'S CLASSIC ALBUM “BLONDE ON BLONDE”  Emma Swift - "Visions of Johanna" (Live at Layman Drug Company) Bob Dylan - Most Likely You Go Your Way (And I'll Go Mine) (Official Audio) IS THIS THING ON? | Teaser Trailer | Searchlight Pictures Small Prophets | Official Trailer - BBC Gillian Welch & David Rawlings - Brokedown Palace (Grateful Dead) Capitol Theatre, Port Chester, NY Robert Finley - Helping Hand (Later... with Jools Holland) Robert Finley First Australian Tour Details and Tix   

Send me a text and please visit www.livefrommydrumroom.com My guest is world renown drummer and educator, Billy Ward! We do a deep dive into Billy's long and successful career, including his work with Robbie Robertson, the 1996 film “That Thing You Do” and much more. Billy has two award winning instructional DVDs, “Big Time” and “Voices In My Head” available through Hudson Music, and his book “Inside Out” is available through Modern Drummer Publishing. So come along for the ride for a fun and inspirational episode with Billy Ward! Please subscribe!  Contact Billy: https://www.billyward.com/Order "Big Time" and "Voices In My Head" https://hudsonmusic.com/Order "Inside Out" https://www.moderndrummer.com/store/inside-exploring-mental-aspects-drumming-print-book/Live From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Robbie Robertson's Insomnia isn't an easy or casual read, but it offers a raw look at the years immediately following The Last Waltz, when his world, and identity, were coming apart. In this episode, I break down the book's revelations about Robertson's bond with Martin Scorsese, the Band fallout, and why parts of this memoir still divide longtime fans. *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox? New editions come out on the last Friday of the month featuring all the book buzz and doc news, recently released titles, top 5 lists, and entry into ALL giveaways and more. Sign up for the FREE monthly BLAST!! newsletter- right here Support the showemail Big Rick at:info@rocktalkstudio.com

Otmaro Ruiz is a Venezuelan-born pianist and arranger in jazz and world music. He's collaborated with Arturo Sandoval, Robbie Robertson, John McLaughlin, and Steve Winwood among others. He received a Grammy nomination for his arrangement of “The Girl From Ipanema". He's recorded with Jimmy Haslip and Abe Laboreal, was in a band with Simon Phillips, and toured with Randy Brecker and Bill Evans.My featured song is “Miles Behind”, from my debut album of the same name. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH OTMARO:www.otmaroruiz.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Let's celebrate Thanksgiving 1970s-style, by watching Martin Scorsese's concert documentary of the last performance by The Band (or at least the Band with Robbie Robertson still part of it). It's not just a concert, of course--it's a meditation on the end of the 1960s counterculture, bookending Scorsese's earlier work in Woodstock. We also have an interview with Mary's mother about cinematography, editing, and keeping up with music when you age out of youth culture. Starring Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, Robbie Robertson, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Joni Mitchell, Van Morrison, The Staples, Dr. John, Muddy Waters, Paul Butterfield, Ronnie Hawkins, Ringo Starr, Ron Wood. Directed by Martin Scorsese. This is a reposting of a recent episode without any copyright issues, to get past YouTube's blocker.

Martin Scorsese's death wish. Bob Dylan's theft. Robbie Robertson's cocaine purchase. Four thousand pounds of turkey. Two thousand pounds of candied yams. Eight hundred pounds of pies and ninety gallons of gravy. What's it all mean? It means that Disgraceland has a Thanksgiving episode about the making of The Last Waltz that you'll be grateful you listened to. This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, help is available. Call or text the Suicide and Crisis Lifeline at 988. As we prepare for Turkey Day and reflect on The Band's farewell Thanksgiving concert, we want to know: What is the greatest concert film of all time? What are some of your favorites, and what makes them great? Let Jake know at 617-906-6638, ⁠disgracelandpod@gmail.com⁠, or on socials @disgracelandpod. This episode was originally published on November 26, 2024. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok⁠ Check out Kikoff: ⁠https://getkikoff.com/DISGRACELAND To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Let's celebrate Thanksgiving 1970s-style, by watching Martin Scorsese's concert documentary of the last performance by The Band (or at least the Band with Robbie Robertson still part of it). It's not just a concert, of course--it's a meditation on the end of the 1960s counterculture, bookending Scorsese's earlier work in Woodstock. We also have an interview with Mary's mother about cinematography, editing, and keeping up with music when you age out of youth culture. Starring Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, Robbie Robertson, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Joni Mitchell, Van Morrison, The Staples, Dr. John, Muddy Waters, Paul Butterfield, Ronnie Hawkins, Ringo Starr, Ron Wood. Directed by Martin Scorsese.

Lisa O'Neill - Ar an gCoigríochan - Insomnia by Robbie Robertson

According to a new book about Robbie Robertson and Martin Scorsese, the hardest part of making "The Last Waltz" was editing the rock of cocaine from Neil Young's nose!

Insomnia is the title of a new book about the friendship between Robbie Robertson and Martin Scorsese! Not only did they work together, but they also lived together and did A LOT of partying!

MUSICThree Days Grace have announced a three-leg North American tour with I Prevail, The Funeral Portrait and Sleep Theory rotating as opening acts in the U.S., and Finger Eleven opening the Canadian dates. Tickets go on sale Friday. https://www.1057thepoint.com/event/three-days-grace-2026/ Three Days Gracewith special guests I Prevail and The Funeral PortraitVenue: Enterprise Center Date: Saturday, November 7, 2026 Sublime announced they'll be doing full album shows for notable anniversaries at Red Rocks in Morrison, Colorado next year. Sublime is up first as they'll celebrate the 30th anniversary of their self-titled album by performing it in full on April 17th, with a show of their best known songs and tracks from their upcoming album Til the Sun Explodes with some "special guests" on the 18th. Tickets for all four shows go on sale Friday. https://www.instagram.com/p/DQ4jAWBkSZx Guitarist Frank Hannon has confirmed that Tesla is working on a new covers project, with the band recording songs like Supertramp's "Give A Little Bit" https://blabbermouth.net/news/teslas-upcoming-covers-project-to-include-versions-of-supertramp-the-temptations-climax-blues-band-classics While walking the red carpet before the Rock and Roll Hall of Fame induction ceremony, Heart's Nany Wilson advocated for radio icon Howard Stern's induction into the Rock Hall. https://ultimateclassicrock.com/howard-stern-rock-hall-nancy-wilson/ The cause of Ace Frehley's death has been announced by the Morris County, New Jersey Medical Examiner.A fall in September at his New Jersey home resulted in a fracture to the back of his skull, a subdural hematoma, and a stroke. While the ME is awaiting the results of a toxicology screening, his death was ruled an accident. Frehley fell in his home studio in New Jersey in September, forcing the cancellation of a show in California. He then fell again at home, striking his head and being knocked unconscious. He was airlifted to Morristown Medical Center in Morristown, New Jersey and was placed on a ventilator for two weeks before dying on October 16th from a brain bleed. He was 74.Couple of new books out for your music journalism collectionDolly Parton memoir Star of the Show: My Life on Stage publishes.Layne Staley journals collection This Angry Pen of Mine publishes.Robbie Robertson memoir Insomnia publishes. TVABC airs the Dancing With the Stars 20th anniversary special.ABC airs the special The Golden Girls: 40 Years of Laughter and Friendship. Trailer Park Boys actor Mike Smith has “stepped away” from his role in the comedic series in light of a sexual assault lawsuit against him, the team behind the Netflix show announced. https://www.thewrap.com/trailer-park-boys-star-mike-smith-steps-away-from-comedy-series-after-sexual-assault-lawsuit/ James Gunn is producing a "V for Vendetta" series for HBO. DC Studios heads James Gunn and Peter Safran will executive produce, with Pete Jackson (not the Lord of the Rings filmmaker) directing. https://consequence.net/2025/11/v-for-vendetta-hbo-series-james-gunn/ Monday night, First We Feast dropped the news that Glen Powell is the next guest on Hot Ones! https://www.instagram.com/reel/DQ4-BiQiLpV/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ%3D%3D TV chef Gordon Ramsay isn't tweaking his menu at any of his restaurants just to appease diners using weight loss medications who may require smaller meal portions. https://tvshowsace.com/2025/11/10/gordon-ramsay-goes-on-vulgar-tirade-over-ozempic-menu/#google_vignette St. Louis native Tarek Husseini and Kansas City native Erin Luttrell are set to appear on season 12 of Food Network's “Holiday Baking Championship.” https://fox2now.com/news/missouri/two-missouri-bakers-to-compete-on-food-networks-holiday-baking-show/ MOVING ON INTO MOVIE NEWS:Jackie Chan has become a trending topic online after another death hoax has gone viral. https://www.cinemaexpress.com/international/news/2025/Nov/11/is-jackie-chan-no-more-superstars-fake-death-news-worries-fans Jessica Rabbit is getting her own movie. But Disney will have nothing to do with this one. Gary Wolf is the creator of Roger Rabbit and Toontown. "Who Framed Roger Rabbit" is based on his 1981 book "Who Censored Roger Rabbit". And in a new interview, he revealed that he recently got the rights to the property back from Disney, and he's already got some new projects in the works. https://www.avclub.com/who-framed-roger-rabbit-creator-rights-reverted-disneyWith "Wicked: For Good" hitting theaters on the 21st, it must be good timing to auction off the ORIGINAL Wicked Witch's hat. The pointy black hat that Margaret Hamilton wore in 1939's "The Wizard of Oz" will be auctioned on December 3rd. (Here's the iconic Wicked Witch scene.) https://www.hollywoodreporter.com/movies/movie-news/wicked-witch-hat-wizard-oz-auction-margaret-hamilton-1236422816/?AND FINALLYModel Ignacia Fernández, the 27-year-old model who recently went viral for showing off her death metal vocals during a beauty pageant qualifier, was crowned Miss World Chile 2025 on Sunday night. https://blabbermouth.net/news/death-metal-singer-ignacia-fernandez-crowned-miss-world-chile-2025 AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this mini episode, we dive into Robbie Robertson's Insomnia — a vivid, late-life reflection from one of rock's most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess. The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, written by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Indigenous in Music with Larry K and Francis Baptiste in our Spotlight Interview (Country, Folk) Welcome to Indigenous in Music with Larry K, On today's show, we welcome Francis Baptiste, an Indigenous singer-songwriter from the Syilx Nation of British Columbia. Francis brings raw honesty to his music, exploring themes of family, resilience, and cultural survival. He joins us to talk about his upcoming album Lived Experience in East Vancouver and share his latest singles. Francis Baptiste is featured in our current issue of the SAY Magazine, read all about Francis Baptiste. at our homepage at www.indigenousinmusicandarts.org/past-shows/francis-baptiste. Enjoy music from Francis Baptiste, The City Lines, Mitchell Makoons, The Melawmen Collective, Irv Lyons Jr, Thea May, Matchitim, Saltwater Hank, Melody McArthur, Bryce Morin, Aysanabee, Robbie Robertson, Leah-Micks-Manning, Rhonda Head, Angel Baribeau, Siibii, Shylah Ray Sunshine, The Deed, Tracy Bone, Samantha Crain, Dustin Harder, Mike Bern, Ailaika, Elastic Bond, The Sober Junkie, QVLN, Morgan Toney and much more. Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org, check into our Two Buffalo Studios and our SAY Magazine Library to find out all about our Artists and Entrepreneurs.

Welcome to Indigenous in Music with Larry K, this week we welcome from the Treaty 5 Territory, Manitoba., Rhonda Head is in the house. Award winning singer, songwriter, and performer. Her new album is out, “Iskwaywuk,” honoring women, the land, and love. You can read all about Rhonda at our place at our homepage at www.indigenousinmusicandarts.org/past-shows/rhonda-head. Enjoy music from Rhonda Head, Robbie Robertson, Khu.eex, Theia, Bomba Estereo, Brandis Knudsen, Litefoot, Siibii, Asani, Alicia Kayley, Mimi O'Bonsawin, Boogat, Nathan Cunningham, Blackfoot, Campo, Clube da Bossa, Robin Cisek, Elisapie, Thea May, Julian Taylor, Logan Staats, TRIBZ, Stevie Salas, Pretendians, XIT, Tom Bee, Aysanabee and much much more. Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org, check into our Two Buffalo Studios and our SAY Magazine Library to find out all about our Artists and Entrepreneurs.

Welcome to Indigenous in Music with Larry K, On today's show, we welcome Francis Baptiste, an Indigenous singer-songwriter from the Syilx Nation of British Columbia. Francis brings raw honesty to his music, exploring themes of family, resilience, and cultural survival. He joins us to talk about his upcoming album Lived Experience in East Vancouver and share his latest singles. Francis Baptiste is featured in our current issue of the SAY Magazine, read all about Francis Baptiste. at our homepage at www.indigenousinmusicandarts.org/past-shows/francis-baptiste. Enjoy music from Francis Baptiste, The City Lines, Mitchell Makoons, The Melawmen Collective, Irv Lyons Jr, Thea May, Matchitim, Saltwater Hank, Melody McArthur, Bryce Morin, Aysanabee, Robbie Robertson, Leah-Micks-Manning, Rhonda Head, Angel Baribeau, Siibii, Shylah Ray Sunshine, The Deed, Tracy Bone, Samantha Crain, Dustin Harder, Mike Bern, Ailaika, Elastic Bond, The Sober Junkie, QVLN, Morgan Toney and much more. Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org, check into our Two Buffalo Studios and our SAY Magazine Library to find out all about our Artists and Entrepreneurs.

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and Classic tracks. Episode includes Laura Veirs, Tim McGraw, Robbie Robertson, Emmylou Harris and Ags Connolly.A SPECIAL ON "ONE OF A KIND" SONGS.

Today on part one the Rarified Heir Podcast, we speak to Sharyn Felder, daughter of one of the greatest songwriters of the 20th century, Doc Pomus. While you may not know the name Doc Pomus, you absolutely know his songs. Everyone from Elvis Presley, Dolly Parton, Bruce Springsteen, Ray Charles, Leonard Cohen, Dr. John, B.B. King have all recorded Doc Pomus songs…the list goes on and on. And we'll get to those songs he wrote shortly. On the day we spoke to Sharyn, it was release day of a new box set of her father's music, You Can't Hip a Square: The Doc Pomus Songwriting Demos on Omnivore Recordings, a six-CD set of lost, archival tracks that are a fascinating look into Doc's music and his voice. We also get to hear the back story of how the music survived, the family archive  as well as some famous people who also sang on the demos as well as the famous names whose sides didn't survive. Along the way we discuss more famous and infamous characters who were part of Doc's inner circle and those who sought out his help when the ships were down. And let us tell you, it's one hell of a list. Like who?  Robbie Robertson and Levon Helm when they were in Ronnie Hawkins band, Bob Dylan at a creative low point , Dr. John when he was struggling to quit heroin, Phil Spector, Bobby Darin, Otis Blackwell and many more. Somehow we concluded part one with a tale about the Runyon-esque existence her father lived to the fullest and the literal death of a clown. It's funny/not funny. Take a listen to this episode of the Rarified Heir Podcast.

Guests: Steven Lewis, author of Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band Richard Manuel was a fearless original. Sweetly soulful as a vocalist and endearingly creative as a songwriter and multi-instrumentalist, he was a vital part of some of rock 'n' roll's pivotal moments, including Bob Dylan's controversial move to electric music, Woodstock 1969, and the legendary Last Waltz. For the first time, Manuel's compositions and performances are critiqued with expert commentary in a new book by Steven Lewis—alongside new interviews with family, friends, and fellow musicians, including Eric Clapton and Van Morrison. The story traces Manuel's journey from Stratford, Ontario, to Woodstock, New York, and beyond, beginning with his first band, the Revols, then singing the blues with Robbie Robertson, Levon Helm, Rick Danko, and Garth Hudson in the Hawks. This group would later become the Band. Manuel's influence was profound, his distinctive vocals infusing songs with emotion and depth. His songwriting flourished in classics like “Tears of Rage,” co-written with Dylan, and “We Can Talk.” His keyboard work added a lovable funkiness to the Band's sound, blending elements of rock, folk, country, and blues into what would become the genesis of Americana. Despite the Band's successes, Manuel struggled with personal demons, battling addiction and inner turmoil. Looking beyond his human frailty, this book celebrates Richard Manuel's immeasurable contributions to music, ensuring that memories of his voice and artistry endure. For more info, check out my review of the book published by NYSMusic.com - https://nysmusic.com/2025/06/06/the-bands-talented-and-troubled-richard-manuel-profiled-in-new-biography/"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms.

If you want to watch this interview on YouTube you can do that here ! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more No news segment today but I do have a great convo with Fugelsang! Get John's new book ! He's been murdered on CSI, interviewed 2 Beatles on separate continents in the same week, and famously once got Mitt Romney's advisor to call Governor Romney an 'etch a sketch' on CNN. Actor, comedian & broadcaster John Fugelsang hosts 'Tell Me Everything" weekdays on SiriusXM Insight #121. He recently performed in 'The Bill of Rights Concert" alongside Lewis Black & Dick Gregory which aired on AXS.   He's also appeared at Montreal's ‘Just for Laughs' Festival, HBO's U.S Comedy Arts Festival in Aspen, hosted America's Funniest Home Videos for ABC and Bill Maher called him ‘one of my favorite comedians'. Film/TV credits include 'Price Check' opposite Parker Posey, "Becker," "Providence," "Coyote Ugly,"  the religious standup performance film "The Coexist Comedy Tour" (which won Best Documentary at the NYC Vision Fest film festival).  He appears in the upcoming features "The Girl On The Train," "Maggie Black," and he plays two roles in the romantic comedy ‘The Whole Truth' starring Elisabeth Rohm and Eric Roberts. He's interviewed Paul McCartney, Bruce Springsteen, Pete Townshend, Brian Wilson, Yoko Ono, Willie Nelson, Tony Bennett, Alan Rickman, Joey Ramone, Carlos Santana, James Taylor, Bo Diddley, Stevie Nicks, Robbie Robertson, Ravi Shankar, Beyonce Knowles, Olivia Harrison, Garth Brooks, William Hurt, Helen Hunt, Ashanti, John Fogerty, William Shatner, Sen. Trent Lott, Sen. Tom Daschle, Sen. Bernie Sanders, Ed Asner, Nile Rogers, Michael Moore, JK Simmons, Valerie Plame, Ethan Hawke, Brian Dennehy, Mavis Staples, Joel Grey, David Crosby, Graham Nash, Lily Tomlin,  Dave Matthews, Terrence McNally, Stanley Tucci, Michael Shannon, Noel Gallagher,  Jeff Daniels, Rita Moreno, & Carl Reiner.  His interview with George Harrison included JF persuading George to play several songs on acoustic guitar.  This proved to be George's final televised appearance and was broadcast as "The Last Performance." His new film "Dream On," a road trip in search of the American Dream, was named "Best Documentary" at the NY Independent Film Festival.   Directed by 2 time Oscar nominee Roger Weisberg, the film examines the current state of the American Dream while retracing the journey Alexis de Tocqueville made while writing 'Democracy in America.'   The film features 200 interviews in 55 cities in 17 states, including Mike Huckabee, Barney Frank & Paul Krugman and premieres on PBS Election Day Eve. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Martin Page, the acclaimed songwriter behind hits like "We Built This City" and "These Dreams," is back with a new CD "First And Last Freedom" (available now on Bandcamp) which showcases not only his gift for songwriting, but offers a familiar sound from his first hit ‘In The House of Stone and Light'. We talk about everything from his early days in the Los Angeles music scene, working with fellow acclaimed songwriter Bernie Taupin, writing songs for Heart, Jefferson Starship, Kim Carnes, Robbie Williams, Earth, Wind & Fire, Robbie Robertson and others. We also discuss his new music on the CD and how each tune explores themes of personal growth and self-reflection. Love songwriting and inspiration? Then c'mon and join us!About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Settle into my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! Listen to Donna every night starting at 9 on Houston Radio Platinum, along with a special program she hosts every Tuesday and Thursday night at 10 called 'Late Night Music Stories'. Love the conversations? Follow @donnareedvo @spotlightconversations @rockandrollhomemaker New episodes drop every Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBooth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird Studios...

Richard Manual's biography finally does justice to one of rock's most heartbreaking and beautiful voices. Author Stephen T. Lewis paints a vivid, deeply human portrait of Richard Manuel: gentle, complicated, and quietly unraveling. *Want to win a free copy of Queen & A Night At The Opera: 50 Years?  It's easy, just send me an email to sign up. You can find a link to my email address below. *Reminder this is for US citizens only**Want the latest in Rock N Roll Book and Documentaries news sent to your inbox? Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me over that Blast!!Support the showemail Big Rick at:info@rocktalkstudio.com

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! Born in the Great State of New Jersey, Dean Obeidallah's comedy comes in large part from his unique background of being the son of a Palestinian father and a Sicilian mother. Dean, an award winning comedian who was at one time a practicing attorney, co-starred on Comedy Central's “The Axis of Evil” Comedy TV special. He is the co-creator of Comedy Central.com's critically acclaimed Internet series “The Watch List” featuring a cast of all Middle Eastern-American comedians performing stand up and sketch comedy. Dean has appeared twice on ABC's “The View,” on the nationally syndicated TV series “Comics Unleashed with Byron Allen” and was one of five comedians profiled in the recent one hour TV Special entitled: “Stand Up: Muslim-American Comics Come of Age” which aired in the US on PBS and internationally on BBC World and Al Jazeera.   Dean co-directed and co-produced the award winning documentary “The Muslims Are Coming!” featuring a tour of American-Muslim comedians performing free comedy shows across the heartland of America in the hopes of using comedy to foster understanding and dispel misconceptions about Muslims. The film also features special guest interviews with various well known people including: “The Daily Show's” Jon Stewart and Assif Mandvi, Russell Simmons, Soledad O'Brien and Ali Velshi, MSNBC's Rachel Maddow, comedians Lewis Black, David Cross, Lizz Winstead and Colin Quinn as well as Congressman Keith Ellison, and many more. The film is now available on Netfilx, iTunes and Amazon.   Dean co-created the comedy show “Stand up for Peace” along with Jewish comic Scott Blakeman which they perform at colleges across the country in support of peace in the Middle East and as a way of fostering understanding between Arab, Muslim and Jewish-Americans.   He is writes for MSNBC, CNN and The Daily Beast as well as other publications.   Dean is also the co-creator and co-producer of the New York Arab-American Comedy Festival .He is also proud to serve as the Executive Director of The Amman Stand up Comedy Festival – the first stand up comedy festival ever held in the Middle East Dean is proud to have received the first annual “Bill Hicks Spirit Award” for “thought provoking comedy” (named after the late comedian Bill Hicks) from the NY Underground Comedy Festival and the Hicks' Family. See John on the Sexy Liberal show this Saturday https://sexyliberal.com/ He's been murdered on CSI, interviewed 2 Beatles on separate continents in the same week, and famously once got Mitt Romney's advisor to call Governor Romney an 'etch a sketch' on CNN. Actor, comedian & broadcaster John Fugelsang hosts 'Tell Me Everything" weekdays on SiriusXM Insight #121. He recently performed in 'The Bill of Rights Concert" alongside Lewis Black & Dick Gregory which aired on AXS.   He's also appeared at Montreal's ‘Just for Laughs' Festival, HBO's U.S Comedy Arts Festival in Aspen, hosted America's Funniest Home Videos for ABC and Bill Maher called him ‘one of my favorite comedians'.   Film/TV credits include 'Price Check' opposite Parker Posey, "Becker," "Providence," "Coyote Ugly,"  the religious standup performance film "The Coexist Comedy Tour" (which won Best Documentary at the NYC Vision Fest film festival).  He appears in the upcoming features "The Girl On The Train," "Maggie Black," and he plays two roles in the romantic comedy ‘The Whole Truth' starring Elisabeth Rohm and Eric Roberts.   He's interviewed Paul McCartney, Bruce Springsteen, Pete Townshend, Brian Wilson, Yoko Ono, Willie Nelson, Tony Bennett, Alan Rickman, Joey Ramone, Carlos Santana, James Taylor, Bo Diddley, Stevie Nicks, Robbie Robertson, Ravi Shankar, Beyonce Knowles, Olivia Harrison, Garth Brooks, William Hurt, Helen Hunt, Ashanti, John Fogerty, William Shatner, Sen. Trent Lott, Sen. Tom Daschle, Sen. Bernie Sanders, Ed Asner, Nile Rogers, Michael Moore, JK Simmons, Valerie Plame, Ethan Hawke, Brian Dennehy, Mavis Staples, Joel Grey, David Crosby, Graham Nash, Lily Tomlin,  Dave Matthews, Terrence McNally, Stanley Tucci, Michael Shannon, Noel Gallagher,  Jeff Daniels, Rita Moreno, & Carl Reiner.  His interview with George Harrison included JF persuading George to play several songs on acoustic guitar.  This proved to be George's final televised appearance and was broadcast as "The Last Performance."   His new film "Dream On," a road trip in search of the American Dream, was named "Best Documentary" at the NY Independent Film Festival.   Directed by 2 time Oscar nominee Roger Weisberg, the film examines the current state of the American Dream while retracing the journey Alexis de Tocqueville made while writing 'Democracy in America.'   The film features 200 interviews in 55 cities in 17 states, including Mike Huckabee, Barney Frank & Paul Krugman and premieres on PBS Election Day Eve. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Martin Scorsese's death wish. Bob Dylan's theft. Robbie Robertson's cocaine purchase. Four thousand pounds of turkey. Two thousand pounds of candied yams. Eight hundred pounds of pies and ninety gallons of gravy. What's it all mean? It means that Disgraceland has a Thanksgiving episode about the making of The Last Waltz that you'll be grateful you listened to. This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, help is available. Call or text the Suicide and Crisis Lifeline at 988. As we prepare for Turkey Day and reflect on The Band's farewell Thanksgiving concert, we want to know: What is the greatest concert film of all time? What are some of your favorites, and what makes them great? Let Jake know at 617-906-6638, ⁠disgracelandpod@gmail.com⁠, or on socials @disgracelandpod. This episode was originally published on November 26, 2024. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok⁠ Check out Kikoff: ⁠https://getkikoff.com/DISGRACELAND To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Martin Scorsese's death wish. Bob Dylan's theft. Robbie Robertson's cocaine purchase.  Four thousand pounds of turkey. Two thousand pounds of candied yams. Eight hundred pounds of pies and ninety gallons of gravy. What's it all mean? It means that Disgraceland has a Thanksgiving episode about the making of The Last Waltz that you'll be grateful you listened to. This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, help is available. Call or text the Suicide and Crisis Lifeline at 988. As we prepare for Turkey Day and reflect on The Band's farewell Thanksgiving concert, we want to know: What is the greatest concert film of all time? What are some of your favorites, and what makes them great? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Check out Kikoff: https://getkikoff.com/DISGRACELAND Learn more about your ad choices. Visit megaphone.fm/adchoices

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Born in the Great State of New Jersey, Dean Obeidallah's comedy comes in large part from his unique background of being the son of a Palestinian father and a Sicilian mother. Dean, an award winning comedian who was at one time a practicing attorney, co-starred on Comedy Central's “The Axis of Evil” Comedy TV special. He is the co-creator of Comedy Central.com's critically acclaimed Internet series “The Watch List” featuring a cast of all Middle Eastern-American comedians performing stand up and sketch comedy. Dean has appeared twice on ABC's “The View,” on the nationally syndicated TV series “Comics Unleashed with Byron Allen” and was one of five comedians profiled in the recent one hour TV Special entitled: “Stand Up: Muslim-American Comics Come of Age” which aired in the US on PBS and internationally on BBC World and Al Jazeera. Dean co-directed and co-produced the award winning documentary “The Muslims Are Coming!” featuring a tour of American-Muslim comedians performing free comedy shows across the heartland of America in the hopes of using comedy to foster understanding and dispel misconceptions about Muslims. The film also features special guest interviews with various well known people including: “The Daily Show's” Jon Stewart and Assif Mandvi, Russell Simmons, Soledad O'Brien and Ali Velshi, MSNBC's Rachel Maddow, comedians Lewis Black, David Cross, Lizz Winstead and Colin Quinn as well as Congressman Keith Ellison, and many more. The film is now available on Netfilx, iTunes and Amazon.   Dean co-created the comedy show “Stand up for Peace” along with Jewish comic Scott Blakeman which they perform at colleges across the country in support of peace in the Middle East and as a way of fostering understanding between Arab, Muslim and Jewish-Americans.   He is writes for MSNBC, CNN and The Daily Beast as well as other publications.   Dean is also the co-creator and co-producer of the New York Arab-American Comedy Festival .He is also proud to serve as the Executive Director of The Amman Stand up Comedy Festival – the first stand up comedy festival ever held in the Middle East Dean is proud to have received the first annual “Bill Hicks Spirit Award” for “thought provoking comedy” (named after the late comedian Bill Hicks) from the NY Underground Comedy Festival and the Hicks' Family.   Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more See John on the Sexy Liberal show this Saturday https://sexyliberal.com/ He's been murdered on CSI, interviewed 2 Beatles on separate continents in the same week, and famously once got Mitt Romney's advisor to call Governor Romney an 'etch a sketch' on CNN. Actor, comedian & broadcaster John Fugelsang hosts 'Tell Me Everything" weekdays on SiriusXM Insight #121. He recently performed in 'The Bill of Rights Concert" alongside Lewis Black & Dick Gregory which aired on AXS.   He's also appeared at Montreal's ‘Just for Laughs' Festival, HBO's U.S Comedy Arts Festival in Aspen, hosted America's Funniest Home Videos for ABC and Bill Maher called him ‘one of my favorite comedians'.   Film/TV credits include 'Price Check' opposite Parker Posey, "Becker," "Providence," "Coyote Ugly,"  the religious standup performance film "The Coexist Comedy Tour" (which won Best Documentary at the NYC Vision Fest film festival).  He appears in the upcoming features "The Girl On The Train," "Maggie Black," and he plays two roles in the romantic comedy ‘The Whole Truth' starring Elisabeth Rohm and Eric Roberts.   He's interviewed Paul McCartney, Bruce Springsteen, Pete Townshend, Brian Wilson, Yoko Ono, Willie Nelson, Tony Bennett, Alan Rickman, Joey Ramone, Carlos Santana, James Taylor, Bo Diddley, Stevie Nicks, Robbie Robertson, Ravi Shankar, Beyonce Knowles, Olivia Harrison, Garth Brooks, William Hurt, Helen Hunt, Ashanti, John Fogerty, William Shatner, Sen. Trent Lott, Sen. Tom Daschle, Sen. Bernie Sanders, Ed Asner, Nile Rogers, Michael Moore, JK Simmons, Valerie Plame, Ethan Hawke, Brian Dennehy, Mavis Staples, Joel Grey, David Crosby, Graham Nash, Lily Tomlin,  Dave Matthews, Terrence McNally, Stanley Tucci, Michael Shannon, Noel Gallagher,  Jeff Daniels, Rita Moreno, & Carl Reiner.  His interview with George Harrison included JF persuading George to play several songs on acoustic guitar.  This proved to be George's final televised appearance and was broadcast as "The Last Performance."   His new film "Dream On," a road trip in search of the American Dream, was named "Best Documentary" at the NY Independent Film Festival.   Directed by 2 time Oscar nominee Roger Weisberg, the film examines the current state of the American Dream while retracing the journey Alexis de Tocqueville made while writing 'Democracy in America.'   The film features 200 interviews in 55 cities in 17 states, including Mike Huckabee, Barney Frank & Paul Krugman and premieres on PBS Election Day Eve. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing