Podcast appearances and mentions of Gary Busey

Join Nick Lamagna as he sits down with guest Detective Jim McSorely Aka "Knocko Nolan!"  Knocko has been featured on the hit Netflix documentary, "Crime Scene: The Vanishing at The Cecil Hotel" that was the inspiration for a season of the show American Horror Story.  He has been part of two of the largest and most prestigious police forces in the country NYPD and LAPD and has made his way to special assignments and crime units and the FBI's Joint Terrorism Task Force.  He is the co-host of The Armbar Podcast, as well as a music enthusiast and Brazilian Jiu Jitsu practitioner under Rener Gracie, Ryron Gracie and Alex Stuart at the well respected Gracie Jiu Jitsu HQ in Torrance, CA.  He is a well respected and liked figure in many circles and you can find him brushing shoulders with such icons as Jocko Willink, Dropkick Murphys and even Gary Busey! Topics for this episode include: ✅ Training Yourself To Find The Positive In The Negative ✅ How To Strengthen Your Relationships with Active Listening ✅ Keys To Better Communication To Help In Life & Business ✅ The Importance Of Law Enforcement Training Jiu Jitsu ✅ The Vanishing At The Cecil Hotel ✅ Changes in New York City Over the Years ➡️ More! Text Nick today to do some real estate deals together whether you are new or experienced at (516)540-5733 and see the show notes to connect with Knocko! --- Connect with Knocko: Knocko Nolan on Instagram Knocko Nolan on Facebook Knocko Nolan on Twitter https://linktr.ee/KnockoNolan Armbar Podcast on Instagram Listen To The Armbar Podcast Here Crime Scene: The Vanishing At The Cecil Hotel --- Connect with Nick Lamagna www.nicknicknick.com Text Nick (516)540-5733 Connect on ALL Social Media and Podcast Platforms Here    

New guest alert! Good Friend Matt stops by the studio to talk about some 1990's Point Break cash-ins that ask and answer the question what if you replaced the surfing with more sky diving. Drop Zone(1994) Directed by John Badham. Starring Wesley Snipes, Gary Busey and Yancy Butler. Trailer: https://www.youtube.com/watch?v=FrR6QwWMxr8&ab_channel=ParamountMoviesDigital Terminal Velocity(1994) Directed by Deran Sarafian. Starring Charlie Sheen, Nastassja Kinski and James Gandolfini. Trailer: https://www.youtube.com/watch?v=cMzjb5OeYng&ab_channel=red-evidz Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message

“I'm too old for this sh*t.” An iconic line. A suicidal hero. A villain who literally rubs salt in the good guy's wounds. Yes, 1987's Lethal Weapon was nuts. Back in the eighties,Richard Donner's action hit gave audiences Mel Gibson's bare bum, a friendship to love, and Gary Busey with devious dimples. The film went on to spawn 3 sequels and a TV show. But now, decades later, are we still crazy for it? Do Gibson's real-life screw-ups impede our re-watch enjoyment? And, did Danny Glover look better with a beard?The Old Roommates handcuff themselves to this non-stop 80's blockbuster. Listen to this.Become a Patron of Old Roommates at patreon.com/oldroommates! Follow Old Roommates on social media @OldRoommates. Email us at oldroommatespod@gmail.com and please give us a rating or review! Thanks for listening!#LethalWeapon #RichardDonner #JoelSilver #ShaneBlack #MelGibson #DannyGlover #GaryBusey #DarleneLove

Heather is still recovering from the horrordays so Mike is joined by Rich to cover a demand by Eric. The last time we had a Gary Busey we had pleasant things to say about it. Those were good times. We now have a website! Visit us at www.strangebiscuits.com/graveyard to send us movie suggestions and comment on episodes!You can follow us on Facebook at https://www.facebook.com/Thegraveyardshiftpod/On Twitter at https://twitter.com/GS_horrorpodAnd on Instagram at www.instagram.com/thegraveyardshiftpod/If you would like to make a donation to help keep the show going and get access to bonus content, you can do so by checking us out at https://www.patreon.com/Graveyardemail us at graveyardshiftpod@gmail.com for movie suggestions or Patreon ideas.Thanks for listening.

HAPPY NEW YEAR, we are back with the first in our heist movie month and we've decided to revisit our very first movie we did back 130 episodes ago and it's one we still love POINT BREAK. See why we wanted to revisit this movie again.

2021 is getting left in the dust this week as we explore metatextual commentary and what makes Gary Busey such a great rowing coach.  First up Gary Busey sows his oats all over the damn place in Breaking Point and Lana Wachowski digs deep into the shitty sunglasses drawer for The Matrix Resurrections! Feedback: cultofmuscle@gmail.com Facebook: facebook.com/groups/cultofmuscle Merch: redbubble.com/people/cultofmuscle/shop Lifting: 0:00:00 - 0:17:30 Breaking Point: 0:17:30 - 51:10  The Matrix Resurrections: 0:52:40 - END

It's the last week of Die Hard December, so we're talking about the greatest DIE HARD ripoff of all time (DIE HARD on a boat), UNDER SIEGE, starring our patron saint Steven Seagal. That's not all this one has to offer though, it's also got Gary Busey and Tommy Lee Jones totally wilding out as the bad guys. Also, as a holiday bonus, Tom Rock calls in and gives us an update about life in COVID-riddled Chicago.

The guys are wrapping up HOWLING THROUGH THE HOLIDAYS by discussing kick ass Gary Busey movie called SILVER BULLETT. Based on a Stephen King novella, this 1985 werewolf movie has a killer cast, and some damn fine tension. Thanks for the amazing love this year, and be safe this holiday season! All episodes & platforms, Patreon, Merch store, and Socials: https://linktr.ee/deadinscpodcast Contact us via email at: deadinsc@gmail.com Part of the Slash 'n Cast Podcast Network: https://www.slashncast.network/ Slash 'n Cast Twitter: https://twitter.com/sncnetwork Logo designed by Lunchbauks: https://twitter.com/thelunchbauks Intro created by David Rice featuring Roger L. Jackson Intro music courtesy of RED LINE CHEMISTRY, used with their consent. Find their music on Spotify, iTunes, and Amazon!

It's a supersize Christmas episode of Short and Spooky! The Spooky Crew has back on "The Chicago Handshake" Walter as a guest. But that's not all, Santa Claus stops by! But wait there's more... How about a gift exchange... AND talking about Gary Busey in an episode of Fallen Angels called "Since I Don't Have You" So grab some eggnog flavored hard seltzer and sit back and enjoy. Please Rate, Review, Subscribe, and Tell your friends! --- Send in a voice message: https://anchor.fm/shortandspooky/message Support this podcast: https://anchor.fm/shortandspooky/support

On our latest episode, Jamie confuses Kevin Kline for Kevin Costner, Kevin Costner for Kevin Bacon, Kevin Bacon for Kevin Spacey...you get it. Also, Doug's both confused and a little turned on by all the performances in this film, and we both try and figure out if this month gave us any better idea about just what Jamie Lee Curtis was up to during the 80s. Eat some fish straight out of the aquarium, pull out your Rosetta Stone tapes to brush up on your Italian, and join us as we close out Jamie Lee-cember by discussing a film that made such a huge splash in 1988 but has faded from the public consciousness, A Fish Called Wanda!Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey ShinesTerror Train& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook

On this festive bonus episode of the Cabbages hip-hop podcast, chef and food media personality Ham El-Waylly joins hosts Gary Suarez and Jeffery Laughlin to chat about the unconventional Gary Busey slasher flick The Gingerdead Man (2005).Subscribe to the Cabbages hip-hop newsletter for free at cabbageshiphop.com Theme music produced and provided by Steel Tipped Dove.Buy Ham El-Waylly's PIZZA PARTY! seasoning blend at https://www.burlapandbarrel.comBuy the British Soccer EP at https://invisiblemotorcycleclub.bandcamp.com/★ Support this podcast ★

We always do a holiday movie around this time of year and what better holiday movie than Lethal Weapon (1987) Directed by Richard Donner and written by Shane Black, who has a knack for writing action packed films around the holiday season. Lethal Weapon is as Christmas as Christmas movies come and we love it! Starring Mel Gibson, Danny Glover, and Gary Busey! Don't be too old for this shit and listen to our 105th episode!

Milk and cookies have no place at the Law Offices of Quibble, Squabble and Bicker at the consultation of this week's client, I Saw Mommy Pegging Santa Claus, when two well-educated guest fake lawyers arrive to provide appropriate counseling. From the podcast B4USwipe, Dr. Kris Gowen and Dr. Lauren Lichty provide their unique perspectives on numerous important matters including catfish dancing, Gary Busey, Spuds McKenzie, peach seeds, wild crazy anarchists, love theme from Commie land, UB40, bus wipe, Guided by Tight Pants, played bagpipes, red pill person, Boxcar Willie, lizard curious, mammalian, Alice In Wonderland, wizard cat, world of modern dating, unsolicited dick pics, Hinge queue, Harold and Claude, Bumble, Paul Newman, eating paint, dirty Sanchez, Tinder, soulful telepathy, Christmas hamster, confused about the holes, cribbage, Steely Dan, William Burroughs, crazy flipping fingers, nihilism, Frosty the Snowman, femdom, TikTok, Santa Claus 1959, Etsy and chicken nog. For other episodes, go to www.qsblaw.org. They are also internettable on: Instagram - @lawofficesofquibble; Twitter - @qsblaw; TikTok - @qsblaw; Uhive - https://www.uhive.com/web/shares/z/QTTCLFU; Facebook: https://www.facebook.com/quiblle.bicker.3; Tumblr - quibblesquabblebicker; Reddit - https://www.reddit.com/user/QuibbleSquabble or watch them on YouTube - https://www.youtube.com/c/LawOfficesofQuibbleSquabbleBicker --- Send in a voice message: https://anchor.fm/qsb/message Support this podcast: https://anchor.fm/qsb/support

The Gingerdead Man is just one of Charles Band's 69 directed films and 342 produced films. You'd be hard pressed to call The Gingerdead Man a good movie, but that doesn't mean it isn't a real fun time. You get to enjoy Gary Busey's unhinged performance and a hilarious gingerbread man puppet commit homicide. What's not to love? We also have the special treat to interview the legend himself, Charles Band, about his new memoire and about what it was like to work with Gary Busey (not great). (1:53) - Intro(7:02) - Trailer(11:40) - Synopsis(13:31) - Review(25:14) - Score(32:35) - Interview with Charles Band(1:07:19) - Spoilers(1:39:06) - Stuff David's Dad Says Synopsis I think the best person to explain the Gingerdead Man is the director himself, Charles Band. [The Gingerdead Man is a] tale of a deranged murderer who gets executed and is brought back to life when his witchymother mails enchanted dough to a bakery where——oh, you get it. A psychotic cookie comes to life and rampages. Okay?Charles Band - Confessions of a Puppetmaster Well I guess that's close enough. In the spoilers section we'll talk about how wrong that actually is. https://youtu.be/mLFVY41RmtA Review of The Gingerdead Man The Gingerdead Man is representative of the highs and lows of exploitation horror films. If you've seen any Full Moon Feature, your expectations should be tempered, but if you are new to super low budget, straight to video horror films like this one, you might feel surprised at how shitty it is. If you are comparing it to anything that touches the theater, this movie is not going to compete on quality of writing, production quality, acting, directing, special effects, or anything related to the making of movies. However, what this movie and other Full Moon Features have is, every once in a while, there are some truly entertaining absurd, and even charming moments. The Bad Ok, so lets discuss the bad first. The writing and direction is borderline incomprehensible. Some of the very important plot points that seem like table stakes to show on camera, are just not there. It's never quite explained that the killer's mother exists other than being mentioned and seeing a witchy figure running away. We know that the mysterious figure dropped off gingerbread seasoning, and then we see them pouring in some gingerbread seasoning into a large container marked gingerbread seasoning and in the process bleed into it. By the ominous music, we are to understand that this is bad.  Now first of all, this displays a fundamental misunderstanding of how gingerbread dough is made, but also begs the question… what if the guy didn't accidentally, and recklessness bleed into the dough? The answer is, shut up, do you want to see a Gingerdead Man or not? The acting quality varies wildly among the cast, which makes sense when you are only paying scale. There are some standouts, like Ryan Locke as Amos, which had some genuinely good delivery and timing on his lines, Larry Cedar as the nemesis restaurateur, and of course Gary Busey hamming it up. Unfortunately the film mostly dwells on the lead actress Robin Sydney, whos only direction was probably, “Be mopey”. The Good Now the good.  Gary Busey is great as the unhinged killer and as the voice of Gingerdead Man. Any time the Gingerdead Man is on screen is gold. Like genuinely enjoyably absurd. There is something about an evil, gross, super fake looking, foam latex puppet delivering menacing dialogue that is really entertaining. Just imagine if Triumph the insult comic dog starred in a slasher. That's what we're working with here. Overall, if you are looking for a low budget film to watch with friends to make fun of, this movie can be really enjoyable to experience.   Score 2/10 Confessions of a PuppetmasterRead Charles Band's amazing, inspirational, and hilarious memoirClick here to buy

What better way to get into the Christmas spirit than everyone's favorite Gary Busey-voiced cookie? That's right, this week we review The Gingerdead Man and dig deep into the movie that launched an entire franchise of baking puns. Segments: News You Can Use (5:30) Movie Review (16:00): Gingerdead Man (2005) Final Cut (50:00): Movie review scores from hosts and guests Texas Podcast Massacre is a labor of love for us longtime horror fans. Leave us a voicemail by calling 346-246-3143! You can connect with us at texaspodcastmassacre.com, tweet us @TXPodMassacre, like us on Facebook, and email us texaspodcastmassacre@gmail.com, see our photos on Instagram, watch our music videos on YouTube. Please rate and review us on all of your favorite podcast platforms like iTunes, Stitcher, iHeartRadio, Google Play, Spotify, and TuneIn Radio. If you like the show tell your friends, and if you don't, then tell your enemies!

Roads, where we're going, we NEED roads! And all roads lead to 1983 D.C. The guys review D.C. Cab starring the one and only Mr. T, Gary Busey, Adam Baldwin, and Charlie Barnett. It's the story of a rag group of taxi cab drivers who, through a missing violin and a kidnapping plot, realize everything they were looking for was always right in front of them.

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * JP * John B * https://twitter.com/YouOldSoAndSo * https://twitter.com/vs_everyone Topics: * Showing "Akira" to someone who has never seen any anime before and telling them, "this is what all anime is like" * https://twitter.com/kbonds420/status/1378850398665125892 * Bizarro, Dan Hibiki, Homsar, and other not-quite-doppelgangers/parodies who exist in the same world as their progenitors * https://twitter.com/TheDemoScout/status/1457602338013728769 * The Tonkachi Editor * https://glitchcat7.com/the-complete-history-of-kaizo-mario/ * "There was an Old Man of St. Bees, by W.S. Gilbert * https://edwardleartrail.wordpress.com/2016/04/16/there-was-an-old-man-of-st-bees/ Microtopics: * Capcom vs. Everyone. * Corpus maintenance. * Death from Seventh Seal vs. Death from Castlevania. * Moms teaming up based on both being tagged "mom." * The philosophy of tagging tools. * Alt-Universe Prompts Bot. * Coming up with a list of every character in pop culture. * The Ryu Number. * Gary Busey playing himself in Hitman 2. * Shattered Shield At Shattered Shield. * Saturday Night Anime on the Sci-Fi channel. * Roger Ebert's favorite early 90s anime. * Anime that is just Cyberpunk C-Span. * Mario's Macross for the SNES. * Evolutionary bottlenecks in video game design. * The Akira Bike Slide Tribute. * A completely ridiculous context in which to invoke the Akira Bike Slide. * Serious war movie guy plummeting to his death. * A generic karate guy with similar moves. * Spoilers for all of Mr. Karate's sons. * Inventing a new protagonist based on a typo. * Meeting a savvy and helpful hologram that is a projection of an AI run by the World Trade Organization, and later meeting the pop star the AI is based on and she's a total asshole. * Meeting the Evil Scooby Doo Gang in the Evil Mystery Mobile. * A story about the mirror people escaping from behind the mirror and it turns out you were one of them the whole time!! * Wholesome Comedy Doppelgangers. * Batzarro, the world's worst detective, who killed his own parents and is trying to solve the murder. * Planning out your Mario mod on graph paper and then typing it into the hex editor with the Famicom controller. * Conlon Nancarrow manually cutting strips of paper out of a piano roll. * Making tiny ROM hacks using the Game Genie. * The Awakening of Tinkerers. * A landmark case in IP law. * Trying out randomly generated Game Genie codes because it's the 90s and you have nothing better to do. * Hacking Game Genie codes to give you even more lives. * Parts of the logic which are scrutable. * Talking about garbage and finding out if it makes it into the show. * Scrupulously avoiding burning cast. * Burning Cast Xtreme Fishing. * A chair with only three legs. * Playing a glitchy video game and reality starts breaking down in front of you. * Dumping computational work directly into the framebuffer. * The episode of That 70s Show that was about circuit-bending Pong. * When things look like they should rhyme but don't. * Robot Carnival. * Rainy weather in San Francisco on this cursed episode of Topic Lords. * Overthinking the poem. * The Uncarrot Tarot. * The clashing colors of slant rhymes. * Metamagical Themas. * Jokes you can play musically. * A disaster episode of Topic Lords. * The Mote In His Eye. * Being here for history.

Joe's turn to pick and this time around he wanted to prove to all of us that he is not only a Horror movie guy - so he picked a buddy cop/action/drama from the eighties that might not live up to its reputation; 1987's Lethal Weapon. Directed by Richard Donner, produced by Joel Silver, and written by Shane Black. Starring Mel Gibson and Danny Glover - with Gary Busey, Tom Atkins, Darlene Love, and Mitchell Ryan. We also talked about recasting Spider-Man: No Way Home (along with the Sam Raimi and Marc Webb entries), movies you change your mind on (for better or worst), perfect castings in movies, and duos we want to see on film Topics and Timestamps: @17min mark: Movies we changed your mind on @34min mark: Perfect casting @51min mark: Movie duos we want to see on film @1hr 7min mark: Lethal Weapon MATURE CONTENT... "Flyover State Of Film Theme"-Composed by Barry J. Neely @BarryJNeely-Twitter Barry J Neely, composer-Youtube. Where to find us: https://linktr.ee/flyovestateoffilm?s=09 Keywords: Spiderman,Tom Holland,MCU,Marvel,Spiderman Homecoming,Spiderman Far From Home,Spiderman No Way Home,Sam Raimi,Andrew Garfield,Mel Gibson,Donald Glover,Action,Eighties,Gary Busey,Richard Donner,Comedy,Podcast,Commentary,Movie,Movie Review,Comicbook,Superhero

On our latest episode, Doug wished to have spent more time with Ice Cream Witches, Jamie tries to keep the show together when her cohost flies into a fit of laughter when Travolta's creeping in the shadows of the strip club and we both struggle to wrap our brains around the B-plot of this movie...or maybe it's the A-plot. Have a drink or twenty with Michael Douglas, try and scare up a gang bang, and join us as we continue to explore the increasingly bizarre filmography of Jamie Lee Curtis this December by discussing Perfect!Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey ShinesTerror Train& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook

In about 35 years, Keanu Reeves has gone from Stoner Dude to Indie Darling to Action Hero to Shakespearean Punchline to the entire internet's boyfriend. Alex, Matt, and Rocco guide you on this wild ride through Keanu's career as he enters another Resurrection, playing Neo a fourth time in the new Matrix movie. We begin with this white-knuckle skydive from a favorite director that proves, "Go Big(elow) or go home!" We're talking about how much Patrick Swayze there is in Bodhi, if Gary Busey's '90s surf shirt was the height of fashion, and what a Johnny Utah sequel would look like... the little hand says, it's time to rock n' roll with Kathryn Bigelow's POINT BREAK (1991).The NeverEnding Movie Marathon is a weekly podcastic celebration of cinema. Dive deep into fan-favorite films (#NoStinkers!), thematically curated to enhance your movie viewing by hosts Matt Detisch, Alex Logan, and Michael Rocco.Find us on Twitter, Instagram, Facebook or at neverendingmoviemarathon.com

This week,  we torture your ears right at the beginning,  Scooby-Doo and the gang go metal, we squeeze the Grapes until relationship advice comes out, and hang on because we are about to spin off!Come join the Backyard Bonanza in our Discord!https://discord.gg/QND8pNasHAWe have merch now?! Come get some!https://best-friends-tiny-inc.creator-spring.com/Malcolm's Cream (Guest Podcast Promo):Malcolm was on vacation this week, but he sure does love Homicide Worldwide, Pick Me!, Haunt Her? I Barely Know Her!, NightmareTown, and Anime Talk!Theme Music:Jeremy Blake - Powerup!Technical Difficulty Music: Kevin MacLeod - Local Forecast - SlowerNerd stuff and farts from this episode:Cotton Eye Joe    Beyonce    Guantanamo    Island Boy    Hungry    Backstreet Boys    Puppies are Forever    Metal    Green Lantern    Black Lantern    Heroes    DC Comics    Supergirl    Scooby-Doo    Death Metal    Zombies    Viking    Bardcore    Hurdy Gurdy    Bagpipes    Medieval    Dune    Throat Singing    Dungeons and Dragons    D&D    Jimmy Buffett    The Rock    Tech N9ne    Face Off    Dating Advice    Luigi    Mario    Donkey Kong    King of the Hill    King of the Hell    Star Trek    Red Shirts    Gary Busey    Rookie of the Year    Baseball    Varsity Blues    Bacon    Remember the TitansSupport the show (https://www.patreon.com/bestfriendstinyinc)

Special thanks to Gary Busey for his amazing introduction, to Pamela Muldoon for her sultry voice, and to JK Kalinowski for his design chops. Welcome to a very special 300th episode of This Old Marketing. Big shout out to the sponsor of this episode, Parse.ly, who stepped up and supported this show when no one else would. How does this show work? Joe and Robert are going to take your questions - and we've assembled 10 of the finest and best questions -  yeah, pretty much the ones we felt like answering.  Some of them came through audio...and some of them came through our hashtag on Twitter...but all of them we assume came with love and affection.  For those ten people who submitted questions: we'll be reaching out after the show to find out how to get you your prizes. As we mentioned, we're giving away a copy of Killing Marketing (either in print or in Kindle version) AND $50 in $TILT Coin. We've separated the questions into two basic categories: industry trends and questions about us and the show. INDUSTRY QUESTIONS SEGMENT QUESTION #1 Our first question comes in two parts... The first part is via the Twitter Hashtag and it's from Dennis Shiao. On this show for the last 300 episodes, you've advised us forever to not build our content house on rented land.  With Web 3.0 now facing us - is it possible that the entire concept of rented land goes away? The second part comes from email - and is from José Delameilleure. I am a free lance content writer from Belgium. I work in the niche of B2B IT, and usually in even deeper niches like Identity and Access Management, IoT, Artificial Intelligence,... In these niches, we are usually forced to use 'rented land' like LinkedIn to get our messages out. What can we do to claim our own piece of land and attract visitors to it?  QUESTION #2 Our next question also comes via the Twitter Hashtag and is from Jared Opfer. What business had the biggest miss in the last 12 months?  Who has the biggest opportunity in the next 12 months? QUESTION #3 Our next question is from our friend Bernie Borges through the Contact Form on our Website. I'm looking for examples of blockchain solutions for B2B and I don't see them. All the talk about brands planning their NFTs are B2C brands like Disney and Starbucks. What can B2B brands like HubSpot, Oracle and CMI do on the blockchain? Should they mint social tokens? Etc. What's your take? QUESTION 4 The next question comes from Eddie Naranjo via the contact form on the site. The question is given the current transition from Web 2 to Web 3 - which business model and tilt would you use to bootstrap a new business for a person who loves Wordpress design, content marketing, affiliate marketing and is really curious about crypto, NFTs and a way to tokenize products or services. QUESTION 5 Our next question is the last in our industry space from Yen Yee  who asked this question via the hashtag on Twitter. What is the current content marketing technology stack at CMI Content, The Content Advisory and The Tilt? ------------ This week's sponsor: Parse.ly Is your content team still split between creative types and numbers people?   How many people on your team actually use Google Analytics every day?   Parse.ly is a content analytics platform built to make it easy for your writers, creators, and marketers to become data driven.   Make it easy for your team to understand what content drives conversions. Make it easy for them to see what's working—and do more of that. Make it easy to prove the impact content has on your business, every day.   In one study, a forty person content team only had eight people using Google Analytics frequently. In other words, they weren't data driven.   Then they switched to Parse.ly. Now, 33 out of 40 people are using Parse.ly to drive results for their business. It's just that much easier. They're no longer split between creative types and numbers people—they're both.   If you're ready to start understanding the true value of your content and get out in front of your competition. Get a free content analysis from a Parse.ly product specialist by visiting: parse.ly/joe. ------------ QUESTION 6 Our question number six comes from Annie Schiffmann and it's our first audio question. How has the show evolved over 300 episodes.  If I looked at episode 99, 199 and 299 how would you say the show has evolved? QUESTION 7 The Next question is from Esben Johansen and comes via the Twitter Hashtag. If you could add one thing to your fantastic book Killing Marketing what would it be? QUESTION 8 The next question is from John Morgan and comes via the Email Contact Form. Of all the trends that you've covered over the last 8 years, which has been the most surprising, and what has lasted that you didn't think would last? QUESTION 9 Is another audio question - and it comes from our friend Ian Truscott. What is your favorite cocktail? QUESTION 10 Our last question comes from Rebecca and is through the Email Contact Us Form. As you look out to the future of Content Marketing and Content Creators - what do you guys think you'll be talking about on your 400th episode? Thanks to all our wonderful listeners for making this possible. We love you. --------- Liked this show? SUBSCRIBE to this podcast on Spotify, Apple, Google and more. Catch past episodes and show notes at ThisOldMarketing.site.

This week Dom & JD give you their TOP 5 CHARACTERS WE ARE **NOT** THANKFUL FOR. In addition, there is horror news and the good movie and bad movie. Thanks for listening! Can't get enough Dom & JD? Check out our Patreon at http://www.patreon.com/postmortemshow for hundreds of bonus features as well as early access to ad-free episodes.Part of the TCHS Network. For more shows like the one you just listened to check out http://www.truecrimehorrorstory.comhttp://www.postmortemshow.com

This week, we're stanning Gary Busey. Join our PATREON! Buy some MERCH! Follow us on INSTAGRAM!

On our latest episode, Jamie blows Doug's mind by mentioning that she knows what Mortal Kombat is, and more surprisingly, that she's played it. Also, Doug knows exactly where Rambo fans hide their weed, and we try (and fail) not to get political when we talk about the cops in this movie. Dig through your wallet for all the proof that you actually have friends, take a bath/shower you dirty slob, and join us as we celebrate yet another Slysgiving by discussion First Blood!Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey ShinesTerror Train& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook

This is Blacklisted Cinema, where you are encouraged to talk during the movie. The movie this episode Silver Bullet is a 1985 American horror film based on the 1983 Stephen King novella Cycle of the Werewolf. It stars Corey Haim, Gary Busey, Everett McGill, Megan Follows, Terry O'Quinn, Lawrence Tierney, Bill Smitrovich, Kent Broadhurst, David Hart, & James Gammon.In a small town, brutal killings start to plague the close knit community. Marty Coslaw, a paraplegic boy, is convinced the murders are the doings of a werewolf.Subscribe to us on itunes rate 5* @ https://itunes.apple.com/us/podcast/blacklisted-podcast/id1058504075?mt=2PodOmatic http://blacklisted.podomatic.com/Stitcher http://www.stitcher.com/podcast/blacklisted?refid=stprGoogle Play https://podcasts.google.com/feed/aHR0cHM6Ly9ibGFja2xpc3RlZC5wb2RvbWF0aWMuY29tL3JzczIueG1s IHeartRadio https://www.iheart.com/podcast/256-blacklisted-podcast-30972563/Spotify https://open.spotify.com/show/01L8OZCsaKQZrN2Lm2vb22Amazon Music https://music.amazon.com/podcasts/56990534-aeAudible https://www.audible.com/pd/Blacklisted-Podcast-Podcast/B08K57VXZCOr wherever you steal your free podcast.

Welcome back to another installment of the Forever Bogus Podcast, “Where we've got nostalgia on tap.” In this episode of the Bogus Cast, the Bogus Boys celebrate Thanksgiving. In doing so, B Boy Bogus Bryce and J-Dawg cover all the important things to get you in that turkey day mood. A rad Redman BET special, an odd Gary Busey cameo, and terrifying Macy's Thanksgiving Day mishaps to name a few. The Bogus boys wrap up the show with not one but two movie pitches including an intense Nic Cage disaster musical and a special Christmas Hallmark movie starring B-Boy Bryce. Grab a second helping of your Thanksgiving favorites and press play on this Bogus Cast Turkey Day Special!

Welcome back to another installment of the Forever Bogus Podcast, “Where we've got nostalgia on tap.” In this episode of the Bogus Cast, the Bogus Boys celebrate Thanksgiving. In doing so, B Boy Bogus Bryce and J-Dawg cover all the important things to get you in that turkey day mood. A rad Redman BET special, an odd Gary Busey cameo, and terrifying Macy's Thanksgiving Day mishaps to name a few. The Bogus boys wrap up the show with not one but two movie pitches including an intense Nic Cage disaster musical and a special Christmas Hallmark movie starring B-Boy Bryce. Grab a second helping of your Thanksgiving favorites and press play on this Bogus Cast Turkey Day Special!

Another week of Thankful For Action November and another action icon. This episode we discuss the man with the great ponytail and the weird waddle run, Steven Seagal. Seagal plays Casey Ryback, a Navy seal turned chef who is forced to save a ship in Under Siege and then a train in Under Siege 2: Dark Territory. We try to figure out how Steven Seagal made so many good movies with absolutely no charisma and seemingly below average martial arts skills. We discuss knife fights between Seagal and Tommy Lee Jones and debate on who wore it better between Gary Busey and Willem Dafoe. We also reveal the winner of our Arnold vs Stallone vote, and we announce what movie we will be watching while the losing host eats the hottest one chip challenge we could find!Most importantly we give you the answer to our weekly question...Are Under Siege and Under Siege 2: Dark Territory bloody good films?We encourage everyone to watch along while you listen and make sure to comment and let us know what you think. If you haven't already please follow us on Facebook and Instagram @bloodygoodfilmpodcast and remember...Keep it bloody buddies!!!...#BloodyGoodFilm #BloodyGoodFilmPodcast #Podcast #FilmPodcast #MoviePodcast #Film #Movie #Movies #Action #Horror #ActionFilm #ActionMovie #ActionMovies #HorrorFilm #HorrorFilms #HorrorMovie #HorrorMovies #ActionPodcast #HorrorPodcast #MartialArts #StevenSeagal #UnderSiege #TommyLeeJones #GaryBusey #KatherineHeigl #Navy #NavySeals #Thanksgiving #ThankfulForActionNovember #Stallone #ArnoldSchwarzenegger

Welcome to Rock Springs, Wyoming!  Although it meets our criteria for a small town, it is the fifth most populated city in Wyoming.  The town is steeped in wild west history and in coal mining.  Robert Leroy Parker, better known as Butch Cassidy, once lived in the town and worked as a butcher's apprentice.  Rock Springs was also a pass through point and destination for Outlaw gangs.  The town is also known as the Home of 56 Nationalities because of the influx of immigrants to work in the coal mines.  Anti-Chinese sentiment among White miners led to the Rock Springs Massacre, one of the worst incidents of anti-immigrant violence in US history.  The mining, quarrying, and gas and oil extraction  industries remain the backbone of the town.  The area also has a number of natural attractions.  The nearby Killpecker Sand Dunes are the largest sand dunes in North America and the second largest in the world.  We hope you enjoy our trip through Rock Springs!

Today's episode is the sequel to John McTiernan's classic Predator. This time around the Predator is in a different kind of jungle: Los Angeles, California! Danny Glover is a hardened cop who doesn't play by the rules and has a fear of heights that plays no part in the story whatsoever, who's trying to take down local gangs but someone (or some THING) is killing gang members one by one. An interesting follow up to the original, check out what the guys think and let us know what you think of Predator 2! Check this episode out on YouTube! Cinema Heroes Instagram Facebook Twitter

The Good Morning Football and Frogger host explains why the endlessly quotable action flick is 100% pure adrenaline and yuppie insects shouldn't bother with it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

All eyes were on the President this week as he had a streamed conversation with Chinese President Xi Jinping. As the conversation carried they spoke through translators and one member of the Morning Show took it upon himself to translate what the Chinese President was speaking. Listen to Lamont and Tonelli Monday through Friday, 5-10am, on 107.7 The Bone in the San Francisco Bay Area. Follow Lamont and Tonelli: Website: http://www.landtradio.com/ Facebook: http://www.facebook.com/lamontandtonelli Twitter: http://www.twitter.com/landtshow Instagram: http://www.instagram.com/landtshow See omnystudio.com/listener for privacy information.

Mark and Jon slide into the high stinky cheese of a movie that is 1993's Rookie of the Year. Mark reminisces  over the magic of Wrigley Field while Jon gets jealous of Gary Busey's glorious mustache.

On our latest episode, Doug begs listeners to find a Gary Busey sex scene, Jamie thinks 'wipe their ass' is a common though guy phrase, and we both lament that this movie teased out a better film in the opening segment. Dig through that bargain bin till you find something close to a Sam Elliott, make up your own goofy catch phrase (sorry, Butthorn's taken), and join us as we watch Gary Busey restrain himself more and more as the movie unfolds. Here's Bulletproof!Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey Shines& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook

If you enjoy this podcast, please rate this show and leave a review! Even a few words can help. Just go to ratethispodcast.com/openloopsTo catch Open Loops LIVE, make sure you follow our Facebook page: https://www.facebook.com/OpenLoopsPodLike Open Loops? Buy Greg a cup of coffee here to show your supportGabby Petito, 9/11, Hurricane Katrina, Covid....Dr. Turi claims he predicted them all.  And if Ivana Trump, Peter Fonda, Gary Busey, Denis Haysbert, John Gray and David Icke trust his counsel....well?  Sound like the best season of VH1's The Surreal Life ever? Or Greg's dream bachelor party guest list?  Either way, he wanted to be included in that group and Dr. Turi more than delivers the goods!  Listen in as Dr. Turi predicts world events for the months of November and December, as well as next year, the next five years, and even the events of the next 50!  Like the great prophet Nostradamus, Dr. Turi was born and raised in Provence, France. He is a world-famous UFO contactee, cancer survivor and Clinical Hypnotherapist, as well as a captivating speaker, author of many books and his profound Cosmic Wisdom continues to astonish skeptics and believers alike.How accurate is the prophecy of the Draco? Listen in to find out....Dr. Turi's Links:www.drturi.comwww.cosmiccodedrturi.ning.comThe new 2022 Nostradamus Dragon Forecast For All Signs: https://www.drturi.com/product-category/ebooks/nupdf20Dr. Turi's Other Books:  https://www.drturi.com/product-category/ebooks/Watch Dr. Turi's highly-supported UFOs movie on Amazon Prime: https://www.amazon.com/dp/B088Q3YQ81/r 

It’s time for a brand-new season of Pick Six Movies, and we’re kicking off season 18 with a real bang! This season, we’re calling it “Christmastime Is Here, “is all about movies that are more Christmas-adjacent than actual Christmas movies. And nothing says not quite Christmas like Gary Busey in a low-budget horror movie where he voices a possessed baked good called The Gingerdead Man. The characters are one-note, the plot makes no sense, and there’s a secret alcoholic in the mix. Everything you’ve come to expect from Pick Six! So, enough prep, let’s get cooking! Thanks for listening and be sure to subscribe on Apple Podcasts, Spotify, Stitcher, Pandora, iHeartRadio, Podchaser, Google Podcasts, and on Android here. Catch up with all the old episodes right here! The post S18: E1: The Gingerdead Man first appeared on Legion.

It's time for a brand-new season of Pick Six Movies, and we're kicking off season 18 with a real bang! This season, we're calling it “Christmastime Is Here, “is all about movies that are more Christmas-adjacent than actual Christmas movies. And nothing says not quite Christmas like Gary Busey in a low-budget horror movie where he voices a possessed baked good called The Gingerdead Man. The characters are one-note, the plot makes no sense, and there's a secret alcoholic in the mix. Everything you've come to expect from Pick Six! So, enough prep, let's get cooking! Thanks for listening and be sure to subscribe on Apple Podcasts, Spotify, Stitcher, Pandora, iHeartRadio, Podchaser, Google Podcasts, and on Android here. Catch up with all the old episodes right here! The post S18: E1: The Gingerdead Man first appeared on Legion.

It's time for a brand-new season of Pick Six Movies, and we're kicking off season 18 with a real bang! This season, we're calling it “Christmastime Is Here, “is all about movies that are more Christmas-adjacent than actual Christmas movies. And nothing says not quite Christmas like Gary Busey in a low-budget horror movie where he voices a possessed baked good called The Gingerdead Man. The characters are one-note, the plot makes no sense, and there's a secret alcoholic in the mix. Everything you've come to expect from Pick Six! So, enough prep, let's get cooking! Thanks for listening and be sure to subscribe on Apple Podcasts, Spotify, Stitcher, Pandora, iHeartRadio, Podchaser, Google Podcasts, and on Android here. Catch up with all the old episodes right here! The post S18: E1: The Gingerdead Man first appeared on Legion.

It's time for a brand-new season of Pick Six Movies, and we're kicking off season 18 with a real bang! This season, we're calling it “Christmastime Is Here, “is all about movies that are more Christmas-adjacent than actual Christmas movies. And nothing says not quite Christmas like Gary Busey in a low-budget horror movie where he voices a possessed baked good called The Gingerdead Man. The characters are one-note, the plot makes no sense, and there's a secret alcoholic in the mix. Everything you've come to expect from Pick Six! So, enough prep, let's get cooking! Thanks for listening and be sure to subscribe on Apple Podcasts, Spotify, Stitcher, Pandora, iHeartRadio, Podchaser, Google Podcasts, and on Android here. Catch up with all the old episodes right here! The post Pick Six Movies: S18: E1: The Gingerdead Man first appeared on Legion.

It's time for a brand-new season of Pick Six Movies, and we're kicking off season 18 with a real bang! This season, we're calling it “Christmastime Is Here, “is all about movies that are more Christmas-adjacent than actual Christmas movies. And nothing says not quite Christmas like Gary Busey in a low-budget horror movie where he voices a possessed baked good called The Gingerdead Man. The characters are one-note, the plot makes no sense, and there's a secret alcoholic in the mix. Everything you've come to expect from Pick Six! So, enough prep, let's get cooking! Thanks for listening and be sure to subscribe on Apple Podcasts, Spotify, Stitcher, Pandora, iHeartRadio, Podchaser, Google Podcasts, and on Android here. Catch up with all the old episodes right here! The post Pick Six Movies: S18: E1: The Gingerdead Man first appeared on Legion.

I love a good science fiction anthology and The Outer Limits was the perfect show to scratch that itch. Mike and Adam talk about the seriously underrated show that was on ABC, Showtime, and the Scifi Channel. We also mention Gary Busey, Neil Patrick Harris appearing in the year 1963, and William Shatner telling the world about aliens. Come join us as we take control of your television. Want to check out the other podcasts on the Campus One80 network. Go here: https://www.campusone80.com/one80-online/one80-online-podcasts/ Come hang out with us on our Discord: https://discord.gg/pnZT5fV3S7

Happy Halloween! We're joined by comics scribe Daniel "D.G." Chichester to talk about the history of horror comics, Marvel's return to the genre in the early 1990s, and the macabre anti-hero Terror (whom Chichester co-created).  ----more---- Issue 18 Transcript   Mike: [00:00:00] It's small, but feisty, Mike: Welcome to Tencent Takes, the podcast where we dig up comic book characters' graves and misappropriate the bodies, one issue at a time. My name is Mike Thompson, and I am joined by my cohost, the Titan of terror herself, Jessika Frazer. Jessika: It is I. Mike: Today, we are extremely fortunate to have comics writer, Daniel, DG Chichester. Dan: Nice to see you both. Mike: Thank you so much for taking the time. You're actually our first official guest on the podcast. Dan: Wow. Okay. I'm going to take that as a good thing. That's great. Mike: Yeah. Well, if you're new to the show, the purpose of our [00:01:00] podcast as always is to look at the weirdest, silliest, coolest moments of comic books, and talk about them in ways that are fun and informative. In this case, we looking at also the spookiest moments, and how they're woven into the larger fabric of pop culture and history. Today, we're going to be talking about horror comics. We're looking at their overall history as well as their resurrection at Marvel in the early 1990s, and how it helped give birth to one of my favorite comic characters, an undead anti-hero who went by the name of Terror. Dan, before we started going down this road, could you tell us a little bit about your history in the comic book industry, and also where people can find you if they want to learn more about you and your work? Dan: Absolutely. At this point, people may not even know I had a history in comic books, but that's not true. Uh, I began at Marvel as an assistant in the mid-eighties while I was still going to film school and, semi quickly kind of graduated up, to a more official, [00:02:00] assistant editor position. Worked my way up through editorial, and then, segued into freelance writing primarily for, but also for DC and Dark Horse and worked on a lot of, semi-permanent titles, Daredevil's probably the best known of them. But I think I was right in the thick of a lot of what you're going to be talking about today in terms of horror comics, especially at Marvel, where I was fiercely interested in kind of getting that going. And I think pushed for certain things, and certainly pushed to be involved in those such as the Hellraiser and Nightbreed Clive Barker projects and Night Stalkers and, uh, and Terror Incorporated, which we're going to talk about. And wherever else I could get some spooky stuff going. And I continued on in that, heavily until about 96 / 97, when the big crash kind of happened, continued on through about 99 and then have not really been that actively involved since then. But folks can find out what I'm doing now, if they go to story maze.substack.com, where I have a weekly newsletter, which features [00:03:00] new fiction and some things that I think are pretty cool that are going on in storytelling, and also a bit of a retrospective of looking back at a lot of the work that I did. Mike: Awesome. Before we actually get started talking about horror comics, normally we talk about one cool thing that we have read or watched recently, but because this episode is going to be dropping right before Halloween, what is your favorite Halloween movie or comic book? Dan: I mean, movies are just terrific. And there's so many when I saw that question, especially in terms of horror and a lot of things immediately jumped to mind. The movie It Follows, the recent It movie, The Mist, Reanimator, are all big favorites. I like horror movies that really kind of get under your skin and horrify you, not just rack up a body count. But what I finally settled on as a favorite is probably John Carpenter's the Thing, which I just think is one of the gruesomest what is going to happen next? What the fuck is going to happen next?[00:04:00] And just utter dread. I mean, there's just so many things that combined for me on that one. And I think in terms of comics, I've recently become just a huge fan of, and I'm probably going to slaughter the name, but Junji Ito's work, the Japanese manga artist. And, Uzumaki, which is this manga, which is about just the bizarreness of this town, overwhelmed with spirals of all things. And if you have not read that, it is, it is the trippiest most unsettling thing I've read in, in a great long time. So happy Halloween with that one. Mike: So that would be mango, right? Dan: Yeah. Yeah. So you'd make sure you read it in the right order, or otherwise it's very confusing, so. Mike: Yeah, we actually, haven't talked a lot about manga on this. We probably should do a deep dive on it at some point. But, Jessika, how about you? Jessika: Well, I'm going to bring it down a little bit more silly because I've always been a fan of horror and the macabre and supernatural. So always grew up seeking creepy media as [00:05:00] a rule, but I also loves me some silliness. So the last three or so years, I've had a tradition of watching Hocus Pocus with my friend, Rob around Halloween time. And it's silly and it's not very heavy on the actual horror aspect, but it's fun. And it holds up surprisingly well. Mike: Yeah, we have all the Funkos of the Sanderson sisters in our house. Jessika: It's amazing watching it in HD, their costumes are so intricate and that really doesn't come across on, you know, old VHS or watching it on television back in the day. And it's just, it's so fun. How much, just time and effort it looks like they put into it, even though some of those details really weren't going to translate. Dan: How very cool. Mike: Yeah. Jessika: Yeah. So, but I also really like actual horror, so I'm also in the next couple of days is going to be a visiting the 1963 Haunting of Hill House because that's one of my favorites. Yeah. It's so good. And used to own the book that the movie was based on also. And seen all the [00:06:00] iterations and it's the same storyline the recent Haunting of Hill house is based on, which is great. That plot line has been reworked so many times, but it's such a great story, I'm just not shocked in the least that it would run through so many iterations and still be accepted by the public in each of its forms. Mike: Yeah. I really liked that Netflix interpretation of it, it was really good. Dan: They really creeped everything out. Mike: Yeah. There's a YouTuber called Lady Night, The Brave, and she does a really great summary breakdown explaining a lot of the themes and it's like almost two hours I think, of YouTube video, but she does these really lovely retrospectives. So, highly recommend you check that out. If you want to just think about that the Haunting of Hill House more. Jessika: Oh, I do. Yes. Mike: I'm going to split the difference between you two. When I was growing up, I was this very timid kid and the idea of horror just creeped me out. And so I avoided it like the plague. And then when I was in high [00:07:00] school, I had some friends show me some movies and I was like, these are great, why was I afraid of this stuff? And so I kind of dove all the way in. But my preferred genre is horror comedy. That is the one that you can always get me in on. And, I really love this movie from the mid-nineties called the Frighteners, which is a horror comedy starring Michael J. Fox, and it's directed by Peter Jackson. And it was written by Peter Jackson and his partner, Fran Walsh. And it was a few years before they, you know, went on to make a couple of movies based on this little known franchise called Lord of the Rings. But it's really wild. It's weird, and it's funny, and it has some genuine jump scare moments. And there's this really great ghost story at the core of it. And the special effects at the time were considered amazing and groundbreaking, but now they're kind of, you look at, and you're like, oh, that's, high-end CG, high-end in the mid-nineties. Okay. But [00:08:00] yeah, like I said, or comedies are my absolute favorite things to watch. That's why Cabin in the Woods always shows up in our horror rotation as well. Same with Tucker and Dale vs Evil. That's my bread and butter. With comic books, I go a little bit creepier. I think I talked about the Nice House on the Lake, that's the current series that I'm reading from DC that's genuinely creepy and really thoughtful and fun. And it's by James Tynion who also wrote Something That's Killing the Children. So those are excellent things to read if you're in the mood for a good horror comic. Dan: Great choice on the Frighteners. That's I think an unsung classic, that I'm going to think probably came out 10 years too early. Mike: Yeah. Dan: It's such a mashup of different, weird vibes, that it would probably do really, really well today. But at that point in time, it was just, what is this? You know? Cause it's, it's just cause the horrifying thing in it are really horrifying. And, uh, Gary Busey's son, right, plays the evil ghost and he is just trippy, off the wall, you know, horrifying. [00:09:00] Mike: Yeah. And it starts so silly, and then it kind of just continues to go creepier and creepier, and by the time that they do some of the twists revealing his, you know, his agent in the real world, it's a genuine twist. Like, I was really surprised the first time I saw it and I - Dan: Yeah. Mike: was so creeped out, but yeah. Dan: Plus it's got R. Lee Ermey as the army ghost, which is just incredible. So, Mike: Yeah. And, Chi McBride is in it, and, Jeffrey Combs. Dan: Oh, oh that's right, right. right. Mike: Yeah. So yeah, it's a lot of fun. Mike: All right. So, I suppose we should saunter into the graveyard, as it were, and start talking about the history of horror comics. So, Dan, obviously I know that you're familiar with horror comics, Dan: A little bit. Mike: Yeah. What about you, Jess? You familiar with horror comics other than what we've talked about in the show? Jessika: I started getting into it once you and I started, you know, talking more on the [00:10:00] show. And so I grabbed a few things. I haven't looked through all of them yet, but I picked up some older ones. I did just recently pick up, it'll be more of a, kind of a funny horror one, but they did a recent Elvira and Vincent Price. So, yeah, so I picked that up, but issue one of that. So it's sitting on my counter ready for me to read right now. Mike: Well, and that's funny, cause Elvira actually has a really long, storied history in comic books. Like she first appeared in kind of like the revival of House of Mystery that DC did. And then she had an eighties series that had over a hundred issues that had a bunch of now major names involved. And she's continued to have series like, you can go to our website and get autographed copies of her recent series from, I think Dynamite. Jessika: That's cool. Mike: Yeah. Jessika: Nice. Mike: Speaking of horror comedy Elvira is great. Jessika: Yes. Mike: I recently showed Sarah the Elvira Mistress of the Dark movie and she was, I think really sad that I hadn't showed it to her sooner. Jessika: [00:11:00] That's another one I need to go watch this week. Wow. Don't- nobody call me. I'm just watching movies all week. Dan: Exactly. Mike: It's on a bunch of different streaming services, I think right now. Well it turns out that horror comics, have pretty much been a part of the industry since it really became a proven medium. You know, it wasn't long after comics became a legit medium in their own, right that horror elements started showing up in superhero books, which like, I mean, it isn't too surprising. Like the 1930's was when we got the Universal classic movie monsters, so it makes a lot of sense that those kinds of characters would start crossing over into comic books, just to take advantage of that popularity. Jerry Siegel and Joel Schuster, the guys who created Superman, actually created the supernatural investigator called Dr. Occult in New Fun Comics three years before they brought Superman to life. And Dr. Occult still shows up in DC books. Like, he was a major character in the Books of Magic with Neil Gaiman. I think he may show up in Sandman later on. I can't remember. Jessika: Oh, okay. Dan: I wouldn't be surprised. Neil would find ways to mine that. [00:12:00] Mike: Yeah. I mean, that was a lot of what the Sandman was about, was taking advantage of kind of long forgotten characters that DC had had and weaving them into his narratives. And, if you're interested in that, we talk about that in our book club episodes, which we're currently going through every other episode. So the next episode after this is going to be the third episode of our book club, where we cover volumes five and six. So, horror comics though really started to pick up in the 1940s. There's multiple comic historians who say that the first ongoing horror series was Prized Comics, New Adventures of Frankenstein, which featured this updated take on the original story by Mary Shelley. It took place in America. The monster was named Frankenstein. He was immediately a terror. It's not great, but it's acknowledged as being really kind of the first ongoing horror story. And it's really not even that much of a horror story other than it featured Frankenstein's monster. But after that, a number of publishers started to put out adaptations of classic horror stories for awhile. So you had [00:13:00] Avon Publications making it official in 1946 with the comic Erie, which is based on the first real dedicated horror comic. Yeah. This is the original cover to Erie Comics. Number one, if you could paint us a word picture. Dan: Wow. This is high end stuff as it's coming through. Well it looks a lot like a Zine or something, you know it's got a very, Mac paint logo from 1990, you know, it's, it's your, your typical sort of like, ooh, I'm shaky kind of logo. That's Eerie Comics. There's a Nosferatu looking character. Who's coming down some stairs with the pale moon behind him. It, he's got a knife in his hand, so, you know, he's up to no good. And there is a femme fatale at the base of the stairs. She may have moved off of some train tracks to get here. And, uh, she's got a, uh, a low, cut dress, a lot of leg and the arms and the wrists are bound, but all this for only 10. cents. So, I think there's a, there's a bargain there.[00:14:00] Mike: That is an excellent description. Thank you. So, what's funny is that Erie at the time was the first, you know, official horror comic, really, but it only had one issue that came out and then it sort of vanished from sight. It came back with a new series that started with a new number one in the 1950s, but this was the proverbial, the shot that started the war. You know, we started seeing a ton of anthology series focusing on horror, like Adventures into the Unknown, which ran into the 1960s and then Amazing Mysteries and Marvel Tales were repurposed series for Marvel that they basically changed the name of existing series into these. And they started doing kind of macabre, weird stories. And then, we hit the 1950s. And the early part of the 1950s was when horror comics really seemed to take off and experienced this insane success. We've talked about how in the post-WWII America, superhero comics were kind of declining in [00:15:00] popularity. By the mid 1950s, only three heroes actually had their own books and that was Superman, Batman, and Wonder Woman. Which, I didn't realize that until I was doing research. I didn't, I just assumed that there were other superhero comics at the time. But we started seeing comics about horror and crime and romance really starting to get larger shares of the market. And then EC Comics was one of those doing gangbuster business during this whole era. Like, this was when we saw those iconic series, the Haunt of Fear, the Vault of Horror, the Crypt of Terror, which was eventually rebranded to Tales from the Crypt. Those all launched and they found major success. And then the bigger publishers were also getting in on this boom. During the first half of the 1950s Atlas, which eventually became Marvel, released almost 400 issues across 18 horror titles. And then American Comics Group released almost 125 issues between five different horror titles. Ace comics did almost a hundred issues between five titles. I'm curious. I'm gonna ask both of you, what [00:16:00] do you think the market share of horror comics was at the time? Dan: In terms of comics or in terms of just like newsstand, magazine, distribution. Mike: I'm going to say in terms of distribution. Dan: I mean, I know they were phenomenally successful. I would, be surprised if it was over 60%. Mike: Okay. How about. Jessika: Oh, goodness. Let's throw a number out. I'm going to say 65 just because I want to get close enough, but maybe bump it up just a little bit. This is a contest now. Dan: The precision now, like the 65. Jessika: Yes. Mike: Okay. Well, obviously we don't have like a hard definite number, but there was a 2009 article from reason magazine saying that horror books made up a quarter of all comics by 1953. So, so you guys were overestimating it, but it was still pretty substantial. At the same time, we were also seeing a surge in horror films. Like, the 1950s are known as the atomic age and media reflected [00:17:00] societal anxiety, at the possibility of nuclear war and to a lesser extent, white anxiety about societal changes. So this was the decade that gave us Invasion of the Body Snatchers The Thing from Another World, which led to John Carpenter's The Thing eventually. Um, and the Creature from the Black Lagoon. Hammer horror films also started to get really huge during this time. So we saw the beginning of stuff like Christopher Lee's, Dracula series of films. So the fifties were like a really good decade for horror, I feel. But at the same time, violent crime in America started to pick up around this period. And people really started focusing on juvenile criminals and what was driving them. So, there were a lot of theories about why this was going on and no one's ever really come up with a definite answer, but there was the psychiatrist named Frederick Wortham who Dan, I yeah. Dan: Oh yeah, psychiatrist in big air quotes, yeah. Mike: In quotes. Yeah. [00:18:00] Yeah. And he was convinced that the rise in crime was due to comics, and he spent years writing and speaking against them. He almost turned it into a cottage industry for himself. And this culminated in 1954, when he published a book called Seduction of the Innocent, that blamed comic books for the rise in juvenile delinquency, and his arguments are laughable. Like, I mean, there's just no way around it. Like you read this stuff and you can't help, but roll your eyes and chuckle. But, at the time comics were a relatively new medium, you know, and people really only associated them with kids. And his arguments were saying, oh, well, Wonder Woman was a lesbian because of her strength and independence, which these days, I feel like that actually has a little bit of credibility, but, like, I don't know. But I don't really feel like that's contributing to the delinquency of the youth. You know, and then he also said that Batman and Robin were in a homosexual relationship. And then my favorite was that Superman comics were [00:19:00] un-American and fascist. Dan: Well. Mike: All right. Dan: There's people who would argue that today. Mike: I mean, but yeah, and then he actually, he got attention because there were televised hearings with the Senate subcommittee on juvenile delinquency. I mean, honestly, every time I think about Seduction of the Innocent and how it led to the Comics Code Authority. I see the parallels with Tipper Gore's Parent Music Resource Center, and how they got the Parental Advisory sticker on certain music albums, or Joe Lieberman's hearings on video games in the 1990's and how that led to the Electronic Systems Reading Board system, you know, where you provide almost like movie ratings to video games. And Wortham also reminds me a lot of this guy named Jack Thompson, who was a lawyer in the nineties and aughts. And he was hell bent on proving a link between violent video games and school shootings. And he got a lot of media attention at the time until he was finally disbarred for his antics. But there was this [00:20:00] definite period where people were trying to link video games and violence. And, even though the statistics didn't back that up. And, I mean, I think about this a lot because I used to work in video games. I spent almost a decade working in the industry, but you know, it's that parallel of anytime there is a new form of media that is aimed at kids, it feels like there is a moral panic. Dan: Well, I think it goes back to what you were saying before about, you know, even as, as things change in society, you know, when people in society get at-risk, you know, you went to Invasion of the Body Snatchers, Right. Which is classically thought to be a response to communism, you know, and the feelings of communist oppression and you know, the different, you know, the other, and it's the same thing. I think every single one of these is just a proof point of if you want to become, suddenly well-known like Lieberman or Wortham or anything, you know, pick the other that the older generation doesn't really understand, right? Maybe now there are more adults playing video games, but it's probably still perceived as a more juvenile [00:21:00] thing or comics or juvenile thing, or certain types of movies are a juvenile thing, you know, pick the other pick on it, hold it up as the weaponized, you know, piece, and suddenly you're popular. And you've got a great flashpoint that other people can rally around and blame, as if one single thing is almost ever the cause of everything. And I always think it's interesting, you know, the EC Comics, you know, issues in terms of, um, Wortham's witch hunt, you know, the interesting thing about those is yet they were gruesome and they are gruesome in there, but they're also by and large, I don't know the other ones as well, but I know the EC Comics by and large are basically morality plays, you know, they're straight up morality plays in the sense that the bad guys get it in the end, almost every time, like they do something, they do some horrific thing, but then the corpse comes back to life and gets them, you know, so there's, there's always a comeuppance where the scales balance. But that was of course never going to be [00:22:00] an argument when somebody can hold up a picture of, you know, a skull, you know, lurching around, you know, chewing on the end trails of something. And then that became all that was talked about. Mike: Yeah, exactly. Well, I mean, spring boarding off of that, you know, worth them and the subcommittee hearings and all that, they led to the comics magazine association of America creating the Comics Code Authority. And this was basically in order to avoid government regulation. They said, no, no, no, we'll police ourselves so that you don't have to worry about this stuff. Which, I mean, again, that's what we did with the SRB. It was a response to that. We could avoid government censorship. So the code had a ton of requirements that each book had to meet in order to receive the Comics Code Seal of Approval on the cover. And one of the things you couldn't do was have quote, scenes dealing with, or instruments associated with walking dead or torture, which I mean,[00:23:00] okay. So the latter half of the 1950's saw a lot of these dedicated horror series, you know, basically being shut down or they drastically changed. This is, you know, the major publishers really freaked out. So Marvel and DC rebranded their major horror titles. They were more focused on suspense or mystery or Sci-Fi or superheroes in a couple of cases, independent publishers, didn't really have to worry about the seal for different reasons. Like, some of them were able to rely on the rep for publishing wholesome stuff like Dell or Gold Key. I think Gold Key at the time was doing a lot of the Disney books. So they just, they were like, whatever. Dan: Right, then EC, but, but EC had to shut down the whole line and then just became mad. Right? I mean, that's that was the transition at which William, you know, Gains - Mike: Yeah. Dan: basically couldn't contest what was going on. Couldn't survive the spotlight. You know, he testified famously at that hearing. But had to give up all of [00:24:00] that work that was phenomenally profitable for them. And then had to fall back to Mad Magazine, which of course worked out pretty well. Mike: Yeah, exactly. By the end of the 1960s, though, publishers started to kind of gently push back a little bit like, Warren publishing, and Erie publications, like really, they didn't give a shit. Like Warren launched a number of horror titles in the sixties, including Vampirilla, which is like, kind of, I feel it's sort of extreme in terms of both sex and horror, because I mean, we, we all know what Vampirilla his costume is. It hasn't changed in the 50, approximately 50 years that it's been out like. Dan: It's like, what can you do with dental floss, Right. When you were a vampire? I mean, that's basically like, she doesn't wear much. Mike: No, I mean, she never has. And then by the end of the sixties, Marvel and DC started to like kind of steer some of their books back towards the horror genre. Like how some Mystery was one of them where it, I think with issue 1 75, that was when they [00:25:00] took away, took it away from John Jones and dial H for Hero. And they were like, no, no, no, no. We're going to, we're going to bring, Cain back as the host and start telling horror morality plays again, which is what they were always doing. And this meant that the Comics Code Authority needed to update their code. So in 1971, they revised it to be a little bit more horror friendly. Jessika: Scenes dealing with, or instruments associated with, walking dead or torture shall not be used. Vampires, ghouls and werewolves shall be permitted to be used when handled in the classic traditions, such as Frankenstein, Dracula, and other high caliber literary works written by Edgar Allen Poe, Saki, Conan Doyle, and other respected authors whose works are read in schools around the world. Mike: But at this point, Marvel and DC really jumped back into the horror genre. This was when we started getting books, like the tomb of Dracula, Ghost Rider, where will finite and son of Satan, and then DC had a [00:26:00] bunch of their series like they had, what was it? So it was originally The Dark Mansion of Forbidden Love, and then it eventually got retitled to Forbidden Tales of the Dark Mansion. Like, just chef's kiss on that title. Dan: You can take that old Erie comic and throw, you know, the Dark Mansion of Forbidden Love as the title on that. And it would work, you know. Mike: I know. Right. So Dan, I'm curious, what is your favorite horror comic or comic character from this era? Dan: I would say, it was son of Satan, because it felt so trippy and forbidden, and I think comics have always, especially mainstream comics you know, I've always responded also to what's out there. Right. I don't think it's just a loosening the restrictions at that point, but in that error, what's going on, you're getting a lot of, I think the films of Race with the Devil and you're getting the Exorcist and you're getting, uh, the Omen, you know, Rosemary's baby. right. Satanism, [00:27:00] the devil, right. It's, it's high in pop culture. So true to form. You know, I think Son of Satan is in some ways, like a response of Marvel, you know, to that saying, let's glom onto this. And for a kid brought up in the Catholic church, there was a certain eeriness to this, ooh, we're reading about this. It's like, is it really going to be Satanism? And cause I was very nervous that we were not allowed even watch the Exorcist in our home, ever. You know, I didn't see the Exorcist until I was like out of high school. And I think also the character as he looks is just this really trippy look, right. At that point, if you're not familiar with the character, he's this buff dude, his hair flares up into horns, he just wears a Cape and he carries a giant trident, he's got a massive pentacle, I think a flaming pentacle, you know, etched in his chest. Um, he's ready to do business, ya know, in some strange form there. So for me, he was the one I glommed on to the most. [00:28:00] Mike: Yeah. Well, I mean, it was that whole era, it was just, it was Gothic horror brought back and Satanism and witchcraft is definitely a part of that genre. Dan: Sure. Mike: So, that said, kind of like any trend horror comics, you know, they have their rise and then they started to kind of fall out of popularity by the end of the seventies or the early eighties. I feel like it was a definite end of the era when both House of Mystery and Ghost Writer ended in 1983. But you know, there were still some individual books that were having success, but it just, it doesn't feel like Marvel did a lot with horror comics during the eighties. DC definitely had some luck with Alan Moore's run of the Swamp Thing. And then there was stuff like Hellblazer and Sandman. Which, as I mentioned, we're doing our book club episodes for, but also gave rise to Vertigo Comics, you know, in the early nineties. Not to say that horror comics still weren't a thing during this time, but it seems like the majority of them were coming from indie publishers. Off the top of my head, one example I think of still is Dead World, which basically created a zombie apocalypse [00:29:00] universe. And it started with Aero comics. It was created in the late eighties, and it's still going today. I think it's coming out from IDW now. But at the same time, it's not like American stopped enjoying horror stuff. Like this was the decade where we got Friday the 13th, Nightmare on Elm street, Evil Dead, Hellraiser, Poltergeist, Child's Play, just to name a few of the franchises that we were introduced to. And, I mentioned Hellraiser. I love Hellraiser, and Dan, I know that you have a pretty special connection to that brand. Dan: I do. I put pins in my face every night just to kind of keep my complexion, you know? Mike: So, let's transition over to the nineties and Marvel and let's start that off with Epic Comics. Epic started in the eighties, and it was basically a label that would print, create our own comics. And they eventually started to use label to produce, you know, in quotes, mature comics. So Wikipedia says that this was your first editorial job at Marvel was with the [00:30:00] Epic Line. Is that correct? Dan: Well, I'll go back and maybe do just a little correction on Epic's mission if you don't mind. Mike: Yeah, yeah. Dan: You know, first, which is it was always creator owned, and it did start as crude. And, but I don't think that ever then transitioned into more mature comics, sometimes that just was what creator-owned comics were. Right. That was just part of the mission. And so as a creator-owned imprint, it could be anything, it could be the silliest thing, it could be the most mature thing. So it was always, you know, part of what it was doing, and part of the mission of doing creator-owned comics, and Archie Goodwin was the editor in chief of that line, was really to give creators and in to Marvel. If we gave them a nice place to play with their properties, maybe they would want to go play in the mainstream Marvel. So you might get a creator who would never want to work for Marvel, for whatever reason, they would have a great Epic experience doing a range of things, and then they would go into this. So there was always levels of maturity and we always looked at it as very eclectic and challenging, you know, sometimes in a good [00:31:00] way. So I'll have to go back to Wikipedia and maybe correct them. My first job was actually, I was on the Marvel side and it was as the assistant to the assistant, to the editor in chief. So I would do all of the grunt work and the running around that the assistant to the editor in chief didn't want to do. And she would turn to me and say, Dan, you're going to go run around the city and find this thing for Jim Shooter. Now, then I did that for about five or six months, I was still in film school, and then left, which everyone was aghast, you don't leave Marvel comics, by choice. And, but I had, I was still in school. I had a summer job already sort of set up, and I left to go take that exciting summer job. And then I was called over the summer because there was an opening in the Epic line. And they want to know if I'd be interested in taking on this assistant editor's job. And I said, it would have to be part-time cause I still had a semester to finish in school, but they were intrigued and I was figuring, oh, well this is just kind of guaranteed job. [00:32:00] Never knowing it was going to become career-like, and so that was then sort of my second job. Mike: Awesome. So this is going to bring us to the character of Terror. So he was introduced as a character in the Shadow Line Saga, which was one of those mature comics, it was like a mature superhero universe. That took place in a few different series under the Epic imprint. There was Dr. Zero, there was St. George, and then there was Power Line. Right. Dan: That's correct, yep. Mike: And so the Shadow Line Saga took his name from the idea that there were these beings called Shadows, they were basically super powered immortal beings. And then Terror himself first appeared as Shrek. He's this weird looking enforcer for a crime family in St. George. And he becomes kind of a recurring nemesis for the main character. He's kind of like the street-level boss while it's hinting that there's going to be a eventual confrontation between the main character of St. George and Dr. Zero, who is kind of [00:33:00] a Superman character, but it turns out he has been manipulating humanity for, you know, millennia at this point. Dan: I think you've encapsulated it quite well. Mike: Well, thank you. So the Shadow Line Saga, that only lasted for about what a year or two? Dan: Probably a couple of years, maybe a little over. There was about, I believe, eight to nine issues of each of the, the main comics, the ones you just cited. And then we segued those over to, sort of, uh, an omni series we call Critical Mass, which brought together all three characters or storylines. And then try to tell this, excuse the pun, epic, you know story, which will advance them all. And so wrapped up a lot of loose ends and, um, you know, became quite involved now. Mike: Okay. Dan: It ran about seven or eight issues. Mike: Okay. Now a couple of years after Terror was introduced under the Epic label, Marvel introduced a new Ghost Rider series in 1990 that hit that sweet spot of like nineties extreme with a capital X and, and, you know, [00:34:00] it also gave us a spooky anti heroes like that Venn diagram, where it was like spooky and extreme and rides a motorcycle and right in the middle, you had Ghost Rider, but from what I understand the series did really well, commercially for Marvel. Comichron, which is the, the comic sales tracking site, notes that early issues were often in the top 10 books sold each month for 91. Like there are eight issues of Ghost Rider, books that are in the top 100 books for that year. So it's not really surprising that Marvel decided to go in really hard with supernatural characters. And in 1992, we had this whole batch of horror hero books launch. We had Spirits of Vengeance, which was a spinoff from Ghost Rider, which saw a Ghost Rider teaming up with Johnny Blaze, and it was the original Ghost Writer. And he didn't have a hellfire motorcycle this time, but he had a shotgun that would fire hell fire, you know, and he had a ponytail, it was magnificent. And then there was also the Night Stalkers, [00:35:00] which was a trio of supernatural investigators. There was Hannibal King and Blade and oh, I'm blanking on the third one. Dan: Frank Drake. Mike: Yeah. And Frank Drake was a vampire, right? Dan: And he was a descendant of Dracula, but also was a vampire who had sort of been cured. Um, he didn't have a hunger for human blood, but he still had a necessity for some type of blood and possessed all the attributes, you know, of a vampire, you know, you could do all the powers, couldn't go out in the daylight, that sort of thing. So, the best and worst of both worlds. Mike: Right. And then on top of that, we had the Dark Hold, which it's kind of like the Marvel equivalent of the Necronomicon is the best way I can describe it. Dan: Absolutely. Yup. Mike: And that's showed up in Agents of Shield since then. And they just recently brought it into the MCU. That was a thing that showed up in Wanda Vision towards the end. So that's gonna clearly reappear. And then we also got Morbius who is the living vampire from [00:36:00] Spider-Man and it's great. He shows up in this series and he's got this very goth rock outfit, is just it's great. Dan: Which looked a lot like how Len Kaminsky dressed in those days in all honesty. Mike: Yeah, okay. Dan: So Len will now kill me for that, but. Mike: Oh, well, but yeah, so these guys were all introduced via a crossover event called Rise of the Midnight Sons, which saw all of these heroes, you know, getting their own books. And then they also teamed up with Dr. Strange to fight against Lilith the mother of demons. And she was basically trying to unleash her monstrous spawn across the world. And this was at the same time the Terror wound up invading the Marvel Universe. So if you were going to give an elevator pitch for Terror in the Marvel Universe, how would you describe him? Dan: I actually wrote one down, I'll read it to you, cause you, you know, you put that there and was like, oh gosh, I got to like now pitch this. A mythic manifestation of fear exists in our times, a top dollar mercenary for hire using a supernatural [00:37:00] ability to attach stolen body parts to himself in order to activate the inherit ability of the original owner. A locksmith's hand or a marksman, his eye or a kickboxer his legs, his gruesome talent gives him the edge to take on the jobs no one else can, he accomplishes with Savage, restyle, scorn, snark, and impeccable business acumen. So. Mike: That's so good. It's so good. I just, I have to tell you the twelve-year-old Mike is like giddy to be able to talk to you about this. Dan: I was pretty giddy when I was writing this stuff. So that's good. Mike: So how did Terror wind up crossing into the Marvel Universe? Like, because he just showed shows up in a couple of cameos in some Daredevil issues that you also wrote. I believe. Dan: Yeah, I don't know if he'd showed up before the book itself launched that might've, I mean, the timing was all around the same time. But everybody who was involved with Terror, love that Terror and Terror Incorporated, which was really actual title. Love the hell out of [00:38:00] the book, right. And myself, the editors, Carl Potts, who was the editor in chief, we all knew it was weird and unique. And, at one point when I, you know, said to Carl afterwards, well I'm just gonna take this whole concept and go somewhere else with it, he said, you can't, you made up something that, you know, can't really be replicated without people knowing exactly what you're doing. It's not just another guy with claws or a big muscle guy. How many people grab other people's body parts? So I said, you know, fie on me, but we all loved it. So when, the Shadowline stuff kind of went away, uh, and he was sort of kicking out there is still, uh, Carl came to me one day and, and said, listen, we love this character. We're thinking of doing something with horror in Marvel. This was before the Rise of the Midnight Sons. So it kind of came a little bit ahead of that. I think this eventually would become exactly the Rise of the Midnight Sons, but we want to bring together a lot of these unused horror characters, like Werewolf by Night, Man Thing, or whatever, but we want a central kind of [00:39:00] character who, navigates them or maybe introduces them. Wasn't quite clear what, and they thought Terror, or Shrek as he still was at that point, could be that character. He could almost be a Crypt Keeper, maybe, it wasn't quite fully baked. And, so we started to bounce this around a little bit, and then I got a call from Carl and said, yeah, that's off. We're going to do something else with these horror characters, which again would eventually become probably the Midnight Sons stuff. But he said, but we still want to do something with it. You know? So my disappointment went to, oh, what do you mean? How could we do anything? He said, what if you just bring him into the Marvel Universe? We won't say anything about what he did before, and just use him as a character and start over with him operating as this high-end mercenary, you know, what's he going to do? What is Terror Incorporated, and how does he do business within the Marvel world? And so I said, yes, of course, I'm not going to say that, you know, any quicker and just jumped into [00:40:00] it. And I didn't really worry about the transition, you know, I wasn't thinking too much about, okay. How does he get from Shadow Line world, to earth 616 or whatever, Marcus McLaurin, who was the editor. God bless him, for years would resist any discussion or no, no, it's not the same character. Marcus, it's the same character I'm using the same lines. I'm having him referenced the same fact that he's had different versions of the word terrors, his name at one point, he makes a joke about the Saint George complex. I mean, it's the same character. Mike: Yeah. Dan: But , you know, Marcus was a very good soldier to the Marvel hierarchy. So we just really brought him over and we just went all in on him in terms of, okay, what could a character like this play in the Marvel world? And he played really well in certain instances, but he certainly was very different than probably anything else that was going on at the time. Mike: Yeah. I mean, there certainly wasn't a character like him before. So all the Wikias, like [00:41:00] Wikipedia, all the Marvel fan sites, they all list Daredevil 305 as Terror's first official appearance in. Dan: Could be. Mike: Yeah, but I want to talk about that for a second, because that is, I think the greatest villain that I've ever seen in a Marvel comic, which was the Surgeon General, who is this woman who is commanding an army of like, I mean, basically it's like a full-scale operation of that urban myth of - Dan: Yeah. Mike: -the dude goes home with an attractive woman that he meets at the club. And then he wakes up in a bathtub full of ice and he's missing organs. Dan: Yeah. You know, sometimes, you know, that was certainly urban myth territory, and I was a big student of urban myths and that was the sort of thing that I think would show up in the headlines every three to six months, but always one of those probably friend of a friend stories that. Mike: Oh yeah. Dan: Like a razor an apple or something like that, that never actually sort of tracks back. Mike: Well, I mean, the thing now is it's all edibles in candy and they're like, all the news outlets are showing officially [00:42:00] branded edibles. Which, what daddy Warbucks mother fucker. Jessika: Mike knows my stand on this. Like, no, no, nobody is buying expensive edibles. And then putting them in your child's candy. Like, No, no, that's stupid. Dan: No, it's the, it's the, easier version of putting the LSD tab or wasting your pins on children in Snickers bars. Jessika: Right. Dan: Um, but but I think, that, that storyline is interesting, Mike, cause it's the, it's one of the few times I had a plotline utterly just completely rejected by an editor because I think I was doing so much horror stuff at the time. Cause I was also concurrently doing the Hellraiser work, the Night Breed work. It would have been the beginning of the Night Stalkers work, cause I was heavily involved with the whole Midnight Sons work. And I went so far on the first plot and it was so grizzly and so gruesome that, Ralph Macchio who was the editor, called me up and said, yeah, this title is Daredevil. It's not Hellraiser. So I had to kind of back off [00:43:00] and realize, uh, yeah, I put a little too much emphasis on the grisliness there. So. Mike: That's amazing. Dan: She was an interesting, exploration of a character type. Mike: I'm really sad that she hasn't showed back up, especially cause it feels like it'd be kind of relevant these days with, you know, how broken the medical system is here in America. Dan: Yeah. It's, it's funny. And I never played with her again, which is, I think one of my many Achilles heels, you know, as I would sometimes introduce characters and then I would just not go back to them for some reason, I was always trying to kind of go forward onto something new. Mike: Yeah. Jessika: Is there anything about Terror's character that you related to at the time, or now even. Dan: Um, probably being very imperious, very complicated, having a thing for long coats. Uh, I think all of those probably, you know, work then and now, I've kind of become convinced weirdly enough over time, that Terror was a character who [00:44:00] and I, you know, I co-created him with Margaret Clark and, and Klaus Janson, but I probably did the most work with him over the years, you know? So I feel maybe a little bit more ownership, but I've sort of become convinced that he was just his own thing, and he just existed out there in the ether, and all I was ultimately was a conduit that I was, I was just channeling this thing into our existence because he came so fully formed and whenever I would write him, he would just kind of take over the page and take over the instance. That's always how I've viewed him, which is different than many of the other things that I've written. Mike: He's certainly a larger than life personality, and in every sense of that expression. Jessika: Yes. Mike: I'm sorry for the terrible pun. Okay. So we've actually talked a bit about Terror, but I [00:45:00] feel like we need to have Jessika provide us with an overall summary of his brief series. Jessika: So the series is based on the titular character, of course, Terror, who is unable to die and has the ability to replace body parts and gains the skill and memory of that limb. So he might use the eye of a sharpshooter to improve his aim or the arm of an artist for a correct rendering. And because of the inability for his body to die, the dude looks gnarly. His face is a sick green color. He has spike whiskers coming out of the sides of his face, and he mostly lacks lips, sometimes he has lips, but he mostly lacks lips. So we always has this grim smile to his face. And he also has a metal arm, which is awesome. I love that. And he interchanges all of the rest of his body parts constantly. So in one scene he'll have a female arm and in another one it'll sport, an other worldly tentacle. [00:46:00] He states that his business is fear, but he is basically a paid mercenary, very much a dirty deeds, although not dirt cheap; Terror charges, quite a hefty sum for his services, but he is willing to do almost anything to get the job done. His first job is ending someone who has likewise immortal, air quotes, which involves finding an activating a half demon in order to open a portal and then trick a demon daddy to hand over the contract of immortality, you know, casual. He also has run-ins with Wolverine, Dr. Strange Punisher, Silver Sable, and Luke Cage. It's action packed, and you legitimately have no idea what new body part he is going to lose or gain in the moment, or what memory is going to pop up for him from the donor. And it keeps the reader guessing because Terror has no limitations. Mike: Yeah. Dan: was, I was so looking forward to hearing what your recap was going to be. I love that, so I just [00:47:00] want to say that. Jessika: Thank you. I had a lot of fun reading this. Not only was the plot and just the narrative itself, just rolling, but the art was fantastic. I mean, the things you can do with a character like that, there truly aren't any limits. And so it was really interesting to see how everything fell together and what he was doing each moment to kind of get out of whatever wacky situation he was in at the time.So. And his, and his quips, I just, the quips were just, they give me life. Mike: They're so good. Like there was one moment where he was sitting there and playing with the Lament Configuration, and the first issue, which I, I never noticed that before, as long as we ready this time and I was like, oh, that's great. And then he also made a St. George reference towards the end of the series where he was talking about, oh, I knew another guy who had a St. George complex. Dan: Right, right. Right, Mike: Like I love those little Easter eggs. Speaking of Easter eggs, there are a lot of Clive Barker Easter eggs throughout that whole series. Dan: [00:48:00] Well, That's it. That was so parallel at the time, you know. Mike: So around that time was when you were editing and then writing for the HellRaiser series and the Night Breed series, right? Dan: Yes. Certainly writing for them. Yeah. I mean, I did some consulting editing on the HellRaiser and other Barker books, after our lift staff, but, primarily writing at that point. Mike: Okay. Cause I have Hellraiser number one, and I think you're listed as an editor on it. Dan: I was, I started the whole Hellraiser anthology with other folks, you know, but I was the main driver, and I think that was one of the early instigators of kind of the rebirth of horror at that time. And, you know, going back to something you said earlier, you know, for many years, I was always, pressing Archie Goodwin, who worked at Warren, and worked on Erie, and worked on all those titles. You know, why can't we do a new horror anthology and he was quite sage like and saying, yeah. It'd be great to do it, but it's not going to sell there's no hook, right? There's no connection, you know, just horror for her sake. And it was when Clive Barker [00:49:00] came into our offices, and so I want to do something with Archie Goodwin. And then the two of them said, Hellraiser can be the hook. Right. Hellraiser can be the way in to sort of create an anthology series, have an identifiable icon, and then we developed out from there with Clive, with a couple of other folks Erik Saltzgaber, Phil Nutman, myself, Archie Goodwin, like what would be the world? And then the Bible that would actually give you enough, breadth and width to play with these characters that wouldn't just always be puzzle box, pinhead, puzzle box, pinhead, you know? And so we developed a fairly large set of rules and mythologies allowed for that. Mike: That's so cool. I mean, there really wasn't anything at all, like Hellraiser when it came out. Like, and there's still not a lot like it, but I - Jessika: Yeah, I was going to say, wait, what else? Mike: I mean, I feel like I've read other books since then, where there's that blending of sexuality and [00:50:00] horror and morality, because at the, at the core of it, Hellraiser often feels like a larger morality play. Dan: Now, you know, I'm going to disagree with you on that one. I mean, I think sometimes we let it slip in a morality and we played that out. But I think Hellraiser is sort of find what you want out of it. Right. You go back to the first film and it's, you know, what's your pleasure, sir? You know, it was when the guy hands up the book and the Centobites, you know, or angels to some demons, to others. So I think the book was at its best and the movies are at their best when it's not so much about the comeuppance as it is about find your place in here. Right? And that can be that sort of weird exploration of many different things. Mike: That's cool. So going back to Terror. Because we've talked about like how much we enjoyed the character and everything, I want to take a moment to talk about each of our favorite Terror moments. Dan: Okay. Mike: So Dan, why don't you start? What was your favorite moment for Terror [00:51:00] to write or going back to read? Dan: It's a great question, one of the toughest, because again, I had such delight in the character and felt such a connection, you know, in sort of channeling him in a way I could probably find you five, ten moments per issue, but, I actually think it was the it's in the first issue. And was probably the first line that sort of came to me. And then I wrote backwards from it, which was this, got your nose bit. And you know, it's the old gag of like when a parent's playing with a child and, you know, grabs at the nose and uses the thumb to represent the nose and says, got your nose. And there's a moment in that issue where I think he's just plummeted out of a skyscraper. He's, you know, fallen down into a police car. He's basically shattered. And this cop or security guard is kind of coming over to him and, and he just reaches out and grabs the guy's nose, you know, rips his arm off or something or legs to start to replace himself and, and just says, got your nose, but it's, but it's all a [00:52:00] build from this inner monologue that he's been doing. And so he's not responding to anything. He's not doing a quip to anything. He's just basically telling us a story and ending it with this, you know, delivery that basically says the guy has a complete condescending attitude and just signals that we're in his space. Like he doesn't need to kind of like do an Arnold response to something it's just, he's in his own little world moments I always just kind of go back to that got your nose moment, which is just creepy and crazy and strange. Mike: As soon as you mentioned that I was thinking of the panel that that was from, because it was such a great moment. I think it was the mob enforcers that had shot him up and he had jumped out of the skyscraper four and then they came down to finish him off and he wound up just ripping them apart so that he could rebuild himself. All right, Jessika, how about you? Jessika: I really enjoyed the part where Terror fights with sharks in order to free Silver Sable and Luke Cage. [00:53:00] It was so cool. There was just absolutely no fear as he went at the first shark head-on and, and then there were like five huge bloodthirsty sharks in the small tank. And Terror's just like, what an inconvenience. Oh, well. Mike: Yeah. Jessika: Like followed by a quippy remark, like in his head, of course. And I feel like he's such a solitary character that it makes sense that he would have such an active internal monologue. I find myself doing that. Like, you know, I mean, I have a dog, so he usually gets the brunt of it, but he, you know, it's, it is that you start to form like, sort of an internal conversation if you don't have that outside interaction. Dan: Right. Jessika: And I think a lot of us probably relate to that though this pandemic. Mike: Yeah. Jessika: But the one-liner thoughts, like, again, they make those scenes in my opinion, and it gave pause for levity. We don't have to be serious about this because really isn't life or death for Terror. We know that, and he just reminds us that constantly by just he's always so damn nonchalant. [00:54:00] Dan: Yeah. He does have a very, I'm not going to say suave, but it's, uh, you know, that sort of very, I've got this, you know, sort of attitude to it. Mike: I would, say that he's suave when he wants to be, I mean, like the last issue he's got his whiskers tied back and kind of a ponytail. Dan: Oh yeah. Jessika: Oh yeah. Dan: Richard Pace did a great job with that. Mike: Where he's dancing with his assistant in the restaurant and it's that final scene where he's got that really elegant tuxedo. Like. Dan: Yeah. It's very beautiful. Mike: I say that he can be suave and he wants to be. So I got to say like my favorite one, it was a visual gag that you guys did, and it's in issue six when he's fighting with the Punisher and he's got this, long guns sniper. And he shoots the Punisher point blank, and Terror's, like at this point he's lost his legs for like the sixth time. Like he seems to lose his legs, like once an issue where he's just a torso waddling around on his hands. And so he shoots him the force skids him back. [00:55:00] And I legit could not stop laughing for a good minute. Like I was just cackling when I read that. So I think all of us agree that it's those moments of weird levity that really made the series feel like something special. Dan: I'm not quite sure we're going to see that moment reenacted at the Disney Pavilion, you know, anytime soon. But, that would be pretty awesome if they ever went that route. Mike: Well, yeah, so, I mean, like, let's talk about that for a minute, because one of the main ways that I consume Marvel comics these days is through Marvel unlimited, and Terror is a pretty limited presence there. There's a few issues of various Deadpool series. There's the Marvel team up that I think Robert Kirkman did, where Terror shows up and he has some pretty cool moments in there. And then there's a couple of random issues of the 1990s Luke Cage series Cage, but like the core series, the Marvel max stuff, his appearance in books like Daredevil and Wolverine, they just don't seem to be available for consumption via the. App Like I had to go through my personal [00:56:00] collection to find all this stuff. And like, are the rights just more complicated because it was published under the Epic imprint and that was create her own stuff, like do you know? Dan: No, I mean, it wouldn't be it's choice, right. He's probably perceived as a, if people within the editorial group even know about him, right. I was reading something recently where some of the current editorial staff had to be schooled on who Jack Kirby was. So, I'm not sure how much exposure or, you know, interest there would be, you know, to that. I mean, I don't know why everything would be on Marvin unlimited. It doesn't seem like it requires anything except scanning the stuff and putting it up there. But there wouldn't be any rights issues. Marvel owned the Shadow Line, Marvel owns the Terror Incorporated title, it would have been there. So I'm not really sure why it wouldn't be. And maybe at some point it will, but, that's just an odd emission. I mean, for years, which I always felt like, well, what did I do wrong? I [00:57:00] mean, you can find very little of the Daredevil work I did, which was probably very well known and very well received in, in reprints. It would be like, there'd be reprints of almost every other storyline and then there'd be a gap around some of those things. And now they started to reappear as they've done these omnibus editions. Mike: Well, yeah, I mean, you know, and going back the awareness of the character, anytime I talk about Terror to people, it's probably a three out of four chance that they won't have heard of them before. I don't know if you're a part of the comic book historians group on Facebook? Dan: I'm not. No. Mike: So there's a lot of people who are really passionate about comic book history, and they talk about various things. And so when I was doing research for this episode originally, I was asking about kind of the revamp of supernatural heroes. And I said, you know, this was around the same time as Terror. And several people sat there and said, we haven't heard of Terror before. And I was like, he's great. He's amazing. You have to look them up. But yeah, it seems like, you know, to echo what you stated, it seems like there's just a lack of awareness about the character, which I feel is a genuine shame. And that's part of the [00:58:00] reason that I wanted to talk about him in this episode. Dan: Well, thank you. I mean, I love the spotlight and I think anytime I've talked to somebody about it who knew it, I've never heard somebody who read the book said, yeah, that sucks. Right. I've heard that about other things, but not about this one, invariably, if they read it, they loved it. And they were twisted and kind of got into it. But did have a limited run, right? It was only 13 issues. It didn't get the spotlight, it was sort of promised it kind of, it came out with a grouping of other mercenary titles at the time. There was a new Punisher title. There was a Silver Sable. There was a few other titles in this grouping. Everyone was promised a certain amount of additional PR, which they got; when it got to Terror. It didn't get that it like, they pulled the boost at the last minute that might not have made a difference. And I also think maybe it was a little bit ahead of its time in certain attitudes crossing the line between horror and [00:59:00] humor and overtness of certain things, at least for Marvel, like where do you fit this? I think the readers are fine. Readers are great about picking up on stuff and embracing things. For Marvel, it was kind of probably, and I'm not dissing them. I never got like any negative, you know, we're gonna launch this title, what we're going to dismiss it. But I just also think, unless it's somebody like me driving it or the editor driving it, or Carl Potts, who was the editor in chief of that division at that point, you know, unless they're pushing it, there's plenty of other characters Right. For, things to get behind. But I think again, anytime it kind of comes up, it is definitely the one that I hear about probably the most and the most passionately so that's cool in its own way. Mike: Yeah, I think I remember reading an interview that you did, where you were talking about how there was originally going to be like a gimmick cover or a trading card or something like that. Dan: Yeah. Mike: So what was the, what was the gimmick going to be for Terror number one? Dan: What was the gimmick going to be? I don't know, actually, I if I knew I [01:00:00] can't remember anymore. But it was going to be totally gimmicky, as all those titles and covers were at the time. So I hope not scratch and sniff like a, uh, rotting bodies odor, although that would have been kind of in-character and cool. Mike: I mean, this was the era of the gimmick cover. Dan: Oh, absolutely. Mike: Like,that was when that was when we had Bloodstrike come out and it was like the thermographic printing, so you could rub the blood and it would disappear. Force Works is my favorite one, you literally unfold the cover and it's like a pop-up book. Dan: Somebody actually keyed me in. There actually was like a Terror trading card at one point. Mike: Yeah. Dan: Like after the fact, which I was like, shocked. Mike: I have that, that's from Marvel Universe series four. Dan: Yeah. we did a pretty good job with it actually. And then even as we got to the end of the run, you know, we, and you can sort of see us where we're trying to shift certain aspects of the book, you know, more into the mainstream Marvel, because they said, well, we'll give you another seven issues or something, you know, to kind of get the numbers up. Mike: Right. Dan: And they pulled the plug, you know, even before that. So, uh, that's why [01:01:00] the end kind of comes a bit abruptly and we get that final coda scene, you know, that Richard Pace did such a nice job with. Mike: Yeah. I mean, it felt like it wrapped it up, you know, and they gave you that opportunity, which I was really kind of grateful for, to be honest. Dan: Yeah. and subsequently, I don't know what's going on. I know there was that David Lapham, you know, series, you did a couple of those, which I glanced at, I know I kind of got in the way of it a little bit too, not in the way, but I just said, remember to give us a little created by credits in that, but I didn't read those. And then, I know he was in the League of Losers at one point, which just didn't sound right to me. And, uh. Mike: It's actually. Okay. So I'm going to, I'm going to say this cause, it's basically a bunch of, kind of like the B to C listers for the most part. And. So they're called the Legal Losers. I think it's a really good story, and I actually really like what they do with Terror. He gets, she's now Spider Woman, I think it's, Anya Corazon, but it was her original incarnation of, Arana. And she's got that spider armor that like comes out of her arm. And so she [01:02:00] dies really on and he gets her arm. And then, Dan: That's cool. Mike: What happens is he makes a point of using the armor that she has. And so he becomes this weird amalgamation of Terror and Arana's armored form, which is great. Dan: Was that the Kirkman series? Is that the one that he did or. Mike: yeah. That was part of Marvel Team-Up. Dan: Okay. Mike: it was written by Robert Kirkman. Dan: Well, then I will, I will look it up. Mike: Yeah. And that one's on Marvel unlimited and genuinely a really fun story as I remembered. It's been a couple of years since I read it, but yeah. Dan: Very cool. Mike: So we've talked about this a little bit, but, so

In part three of our Halloween 2021 series the guys watch a listener recommended movie and a classic horror comedy. The Void a 2016 horror indie film was recommended to them and they break it all down for you. They also watch the 1996 classic The Frighteners starring Michael J. Fox and directed by Peter Jackson. They also have a short section working with SP's unresolved trauma with small furry puppets that live underground. Listen in and be amazed by the knowledge and critiquing skills they possess! Patreon : https://www.patreon.com/wdtp Instagram : https://www.instagram.com/wdtppodcast/ Twitter : https://twitter.com/wdtppodcast Anchor: anchor.fm/wdtppodcast Facebook: https://www.facebook.com/wdtppodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wdtp/support

It's another Halloween season and another Deucecast Movie Show Halloween Themed episode!  Mikey, Dave, and #TwitterlessDrEarl welcome in the Spawn of Scott Ryfun, aka Lil G, aka the Pride of Villa Rica, Garrison! First, a quick overview of the recent box office release "DUNE", with discussions on the film itself, performances, the vision that is Rebecca Ferguson, it's box office staying power, Jason Mamoa, comparisons to the book, and much more. Then, a chat about favorite Murder Mystery films -- Agatha Christie characters to Daniel Craig to classic flicks to Korean gems to the best movie made from a board game since Battleship. And finally, Mikey gives the results of 2021's MikeTober, with a bonus MikeTober for the Listeners Movies Discussed, and where to find them at time of recording   Blood Simple (1984) - HBO Max Clue (1985) - Paramount+  Cure (1997) - Criterion Channel Dune (1984) - HBO Max Dune (2021) - HBO Max; in theaters The Fugitive (1993) - HBO Max Gosford Park (2001) - for rental Insomnia (1997) - Criterion Channel Insomnia (2002) - HBO Max The Kid Detective (2020) - STARZ Knives Out (2019) - Amazon Prime The Long Goodbye - Hoopla The Maltese Falcon (1941) - HBO Max Memento (2000) - TubiTV; for rental Memories of Murder (2003) - Hulu Murder by Death - for rental Old Boy (2003) - unavailable Sea of Love (1989) - for rental A Shot in the Dark (1964) - HBO Max Sleuth (1972) - unavailable    MikeTober Films & bonus MikeTobery too! The Babysitter: Killer Queen (2020) - Netflix The Ghost & Mr Chicken (1966) - for rental The Howling (1981) - AMC+ / for rental  Near Dark (1987) - unavailable One Cut of the Dead (2017) - AMC+ / for rental Scout's Guide to the Zombie Apocalypse - for rental Stephen King's Silver Bullet (1985) - AMC+ / for rental

Breakout your cheesecloth. Chill your rolling pins. Break out your stock and get the wooden spoon out of the bathroom. We've got a cook's tale with Under Siege(1992). Plus we have Gary Busey wearing a dress and screaming at people. Steven Segal is a ships cook aboard the USS Missouri. It's on its final trip before being decommissioned. For some reason, it still has functional Tomahawk missiles aboard. Tommy Lee Jones plays some vague terrorist who's conspiring with Busey to takeover the ship, kill the resistance, and sell the nukes for fun and profit. Unfortunately for them, Segal is some sort of special forces who's working as a cook because. This allows … Continue reading "Popcorn Pulse 161: Under Siege"

Crawl into our blanket fort, and don't forget your flashlight--because tonight, Jen + Lillian are telling you some truly mortifying tales from all across New York! From questionable theatre in the village to a city slicker dude ranch in New Paltz, we share some particularly cringe-worthy diary entries (before the lights go out and we tell you ghost stories!). But the scariest one of all? Why, a house full of Gary Busey, of course. --- Send in a voice message: https://anchor.fm/allthefucks/message

On our latest episode, Doug mimics the movie with some super goofy kissy noises and contemplates Gary Busey living next door (or possibly his attic), Jamie accidentally condones the killing on high class prostitutes, and we both agree that without Evil Ed, this film would never have been labeled a comedy. Ambush your favorite tv personalities on their way home from work, clip in your vampire extensions, and join us as we discuss a film that features a 'cool' mom, and a vampire helper that we're still confused by, Fright Night!Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey Shines& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook

Movie Meltdown - Episode 563 (For our Patreon "Horror Club") Join us as we kick off our Halloween festivities with a discussion of The Houses October Built directed by Bobby Roe. And as we test our candy endurance, we also mention… Hider in the House, Only Murders in the Building, Abbott and Costello Meet Frankenstein, House, Zack Andrews, awesome spooky songs, green-colored creme, Fruit Brute, zombie strip clubs, all these clowns in an RV, The Forest, Roald Dahl witches, Brandy Schaefer, camera placement, The Blair Witch Project, roadside attractions, Mikey Roe, unintentionally so funny, pre-head injury, a working walkman, fancy coffins, a fun centerpiece, Elvira, weirdos taking a nap, The Game, two yutes tuna, one long post-credits scene, Gary Busey, The Monster Mash, riding around in a truck, screaming candy, Jeff Larson, confrontations with strange people, occasional sounds and then them being scared and the unenthusiasm of children. Spoiler Alert: Full spoilers for 2014's "The Houses October Built"… you have been warned!! “I'm being way too practical as I get into this?!”

It's time again for the spookiest month of the year and Doug's happy as anything. On this episode, Jamie doesn't want to hear a damn thing about Caroline in the City, Doug tries so hard to get that Zelda Rubenstein voice but it just comes out sounding like Dolly Parton, and we both kinda want to live in this Spielbergian/Hooper mashup suburbia. Take your kid's bike out to get some beer, stack your kitchen chairs on the table, and join us as we discuss a film that we can only imagine had parents at the time wondering just exactly what a movie needed to do to earn an 'R' rating, Poltergeist!We begin the episode with an introduction from Felissa Rose and end with a Sleepaway Camp tune from Poltergeist OD! Check out his music and videos on YouTube.Consider supporting the show on Patreon Full episodes are available on: Blame it on Rio The House on Sorority Row A He-Man and She-Ra Christmas The Hollywood Knights The Great Outdoors Silver Bullet One Magic Christmas The Cabbage Patch Kids First Christmas Under the Cherry Moon Haunted Honeymoon CommandoBeverly Hills Madam Happy Birthday to Me A Christmas Dream A Garfield Christmas SupergirlGarlic is as Good as Ten Mothers Who's Harry Crumb Missing in Action 2: The Beginning Revenge of the Stepford Wives Evil Dead II DuneA Claymation Christmas CelebrationHoward the DuckHow to Beat the High Cost of LivingThey LiveThis House PossessedMonkey Shines& more.. Including our 80's Handshake 5, 90's Handshake 5, Questions and Answers, Interviews & covering/ranking all movies in the Friday the 13th Franchise! Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook