Podcasts about Karen Dalton

Esta semana, en Islas de Robinson, cantautores norteamericanos, entre 1967 y 1968. Suenan: PHIL OCHS - "CROSS MY HEART" ("PLEASURES OF THE HARBOR", 1967) / GENE CLARK - "ONLY COLOMBE" (1967) / ERIC ANDERSEN - "JUST A LITTLE SOMETHING" ("MORE HITS FROM TIN CAN ALLEY", 1968) / P.F. SLOAN - "NEW DESIGN" ("MEASURE OF PLEASURE", 1968) / DAVID BLUE - "YOU WILL COME BACK AGAIN" ("THESE 23 DAYS IN SEPTEMBER", 1968) / GORDON LIGHTFOOT - "THE WAY I FEEL" ("THE WAY I FEEL", 1967) / TIM BUCKLEY - "ONCE I WAS" ("GOODBYE AND HELLO", 1967) / DIANE HILDEBRAND - "THERE'S A COMING TOGETHER" ("EARLY MORNING BLUES AND GREENS", 1968) / FRED NEIL - "FARETHEEWELL (FRED'S TUNE)" ("FRED NEIL", 1967) / KAREN DALTON - "RIGHT, WRONG OR READY" ("IT'S SO HARD TO TELL WHO'S GOING TO LOVE YOU THE BEST", 1969) / TIM HARDIN - "RED BALLOON" ("TIM HARDIN 2", 1967) / JERRY JEFF WALKER - "BROKEN TOYS" ("MR. BOJANGLES", 1968) / JONI MITCHELL - "THE PIRATE OF PENANCE" ("SONG TO A SEAGULL", 1968) / PENNY NICHOLS - "SUMMER RAIN" ("PENNY'S ARCADE", 1968)Escuchar audio

Johnny's got a cold but with the help of James, his brother in arms, the boys continue their important work curating the perfect playlist of lost gems and resurrected classics. Artists mentioned include: Karen Dalton, Nick Drake, Bobby Charles, Big Star, Lee Hazelwood, Shuggie Otis, Judee Sill, Dwight Twilley, Marlena Shaw, Link Wray, Scott Walker. 

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.40 BEST SINGER SONGWRITER ALBUMS. (PART 2 0F 3)Episode includes Mickey Newbury, Karen Dalton, Bert Jansch and Bill Fay.(Part 1 is Ep. 227)

Extrait : « … Elle est allongée sur le trottoir d'un quartier de Bearsville, dans l'État de New York, comme ces mendiants que l'on n'ose regarder. Sale, édentée, le visage ravagé par la rue et l'alcool, personne ne la reconnait, elle est à peine un lointain souvenir. Pourtant en cette froide journée de décembre, quelqu'un s'arrête auprès d'elle, comme hésitant, puis se penche sur ce corps décharné par le sida. Peter Walker, guitariste et figure incontournable de la scène folk de Greenwich Village au milieu des années 60, reconnait sa vieille amie. Alors il l'emmène chez lui et l'installe du mieux qu'il peut, elle mourra quelques mois plus tard, dignement, au chaud, peut-être en paix avec elle-même … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You've made it to the end of the year! However you are feeling about the current Advent season and the coming of Christmas, you are welcome to join Petra and producer Sam to reflect on and wrap up Sunday Sanctuary for 2024. Petra and Sam create a mixtape of interview clips that have stuck with them this year, as well as music for your Christmas and summer. There is some space for reflecting on this year and Petra and Sam hear what episodes stuck with listeners this year. Haere mai (come along)! Music: Unforgettable Memories by Mei Dai (first song of the sacred text)  House of the Rising Sun by The Animals (second song of the sacred text) Something on Your Mind by Karen Dalton (played to end Belle's clip) Cruisin' to the Park by Durand Jones & The Indications (played to end Jenny's clip) Christmas Time is Here by Khruangbin (played to end Malcolm's clip) Muramura by Aro (played just after the ad break) Christmas Time is Here by The Vince Guaraldi Trio (played during the time for contemplation) Love Will Work it Out by Durand Jones & The Indications (played to end Glenn's clip) Take Your Time (Do It Right) by The S.O.S Band (played to end James' clip) Marilyn by Mount Kimbie (played to end Te Karere's clip) Follow My Voice by Julie Byrne (played to end Peter's clip) Magic Spell by This is The Kit (played to end Spanky's clip) The Light by Group Listening and Cate Le Bon (played to end Ann's clip) O Come O Come Emmanuel by Sufjan Stevens (played during the benediction) Petra and Sam's recommendations: Books - The Mermaid Chronicles by Megan Dunn and Braiding Sweetgrass by Robin Wall Kimmerer Albums - Blue Dreams by Holly Arrowsmith and Midday Prayers by The Fuzzy Robes Films - Never Look Away by Lucy Lawless and Calypte: A Sailing and Surfing Voyage by Torren Martin and Ishka Folkwell Places to explore - the North Island town of Waipu and Dublin Bay outside of Wānaka

Episode 724: December 1, 2024 (World AIDS Day) playlist: Dinosaur, "Kiss Me Again (Version) (remixed by Dinosaur)" (Kiss Me Again) 1978 Sire / 2024 Week-End Karen Dalton, "Katie Cruel" (In My Own Time) 1971 Paramount / 2017 Light in the Attic Minty, "Useless Man" (Open Wide) 1997 Candy Ofra Haza, "Ode Le'Eli" (Yemenite Songs) 1984 Hed-Arzi John Grant, "It's A Bitch" (The Art Of The Lie) 2024 Bella Union Teiji Furuhashi + Toru Yamanaka + Dumb Type, "Organ-Automatik" (Teiji Furuhashi / Dumb Type 1985-1994) 2024 Foil Kozmonaut, "The Man (English Version)" (Flieg) 1986 Vier Productions / 2017 Mental Experience Gil Scott-Heron, "New York Is Killing Me" (I'm New Here) 2010 XL John Sex, "Bump And Grind It" (Bump And Grind It / Hustle With My Muscle) 1986 Varla Roy Garrett and Man Parrish, "Hot Rod to Hell (excerpt)" (Hot Rod to Hell) 1982 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Els programes que més fàcilment s'enregistren? Aquells en què els convidats porten la seva pròpia playlist i tu només has de gaudir de la música i aplaudir ben fort. Però si, a més, la persona convidada té un gust excel·lent i et fa viure una de les millors estones de la setmana, el resultat és un dels capítols més memorables de la temporada. Feu-me cas: premeu el play i gaudiu de la selecció del profe Izan! Han sonat: Coque Malla, John Mayer, Doble Pletina, Pau Vallvé, Karen Dalton, Anaïs Vila, Alosa i El Kuelgue

Jay shares the fascinating history of the traditional American country folk song, “Cotton-Eyed Joe.” Sparked by the recent meme “Gegagedigedagedago (Cotton Eye Joe)” and a video by Polyphonic, Jay traces the song back to its 19th century roots and works his way to today. We listen to versions by the Rednex, Gid Tanner & His Skillet Lickers, Bob Wills, Burl Ives, Karen Dalton, Nina Simone (and a few others).Song: John Zorn Resource - “With Blinding Sight”Get ready for it, it's News with Nick! Finale's rough finale, Martin Shkreli loses his Wu Tang Clan album, and the Boss is here to stay.Song: Tune-yards - “Water Fountain”“Heard It Through the GREGvine” that Oasis is reuniting for a U.K. tour! Plus, what should we make of Linkin Park's countdown timer? Finally, the plot thickens in the Foo Fighters “My Hero” licensing disputes with Trump.Song: Nirvana - “Smells Like Teen Spirit (first live performance, from Hype!)”

Canciones de ayer y hoy conectadas por sus melodías evocadoras, ritmos pausados y atmósferas envolventes.Playlist;(sintonía) ALLAH-LAS “Catamaran”AUTOMATIC CITY “Get carter”LAIKA and THE COSMONAUTS “Endless summer”THE HANGING STARS “Happiness is a bird”EELS “I can’t believe it’s true”BUFFALO SPRINGFIELD “Everydays”THE EVERYWHERE’S “Concede”BIG STAR “For you”THE ARBORS “The letter”ARTHUR LEE and LOVE “Somebody’s watching you”JOHNNY THUNDERS and PATTI PALLADIN “Can’t seem to make you mine”RODRIGUEZ “Forget it”TED HAWKINS “Just my imagination”CHAD and JEREMY “Dirty old town”KAREN DALTON “Something on your mind”LINK WRAY “Falling rain”Escuchar audio

Aphra's music is like a cozy blanket on a chilly night, blending contemporary folk with echoes of 60s and 70s classics like Judee Sill and Karen Dalton. Their songs, driven by folk melodies and rich harmonies, dive deep into personal introspection and vulnerability. With each tune, they create an intimate space where listeners can find comfort and catharsis. Joining Aphra on their musical journey feels like sharing stories with old friends, wrapped in the familiar warmth of timeless melodies and heartfelt lyrics. Some YouTube links here .. Aphra - Tide In/Tide Out Music Video - YouTubeAPHRA – ANGLIA SOUND SESSION [2022] (youtube.com)Pop over to the website A Fine City Podcast (onthehuh.org) it has lots of links to other bands stuff and venues as well as a link to an ever evolving Spotify playlist of Norwich bands material compiled by pod producer Reuben Andrews called La musique de Norwich.chin chin

Con Robe, los Deltonos, Grasias, Vicky Gastelo, Sen Senra, Los Enanitos Verdes, Fernando Barrientos, Tim Hardin, Karen Dalton, Judee Sill, Jackson Browne, Amy Whinehouse, The Smiths.

Justis Brokenrope has collected vinyl by Native musicians for the past decade. Now he shares that music with the digital world. “You can listen to music nowadays without ever touching a CD, a record, or a tape,” said Brokenrope, who is Sicangu Lakota. “It's just so digital and ubiquitous all the time. But to hold the physical thing and then to see yourself represented in that, and to see your community, your people, your family represented in that, I think that's just so important for us.” A self-described shaggy-haired kid, Justis Brokenrope started collecting vinyl records near his hometown in rural Nebraska. As a young musician, he played in punk and metal bands touring the U.S. and Europe. He was in a record store in Providence, R.I., about ten years ago where he found a compilation record consisting of Indigenous North American music, and inspiration struck. “I've heard a lot of powwow music and ceremonial music. But then to know that there were these artists back then, pre-social media, internet, everything, obviously, just in their really, sometimes small and very isolated communities,” explained Brokenrope.“They got a guitar somewhere or traded something for a guitar, and then their music was documented by something like the [Canadian Broadcast Corporation]. And so those records exist. And then that was just like, mind blowing to me,” said Brokenrope. Now, an entire wall of Brokenrope's Minneapolis apartment is dedicated to his record collection. Some of that music is being heard again for the first time. And he says he's collecting for more than the sake of collecting. He wants to re-introduce the music he's found back to Indigenous communities. “A lot of people obviously don't have the time to go dig through a bunch of thrift stores in the Southwest,” said Brokenrope. When he finds those rare records, he posts them to social media. Curated music sets go to YouTube, and photos of album covers are posted to his Instagram page, Wathéča Records. For him, accessibility is a way to build community around music.  He estimates he has a collection of about 300 records by Indigenous artists from various genres— mostly country, folk, rock from the 1960s through the late 80s. “These records can have life again and reach the people that maybe forgot about them or lost their copy. Or those folks who made them have journeyed on, but their kids are still around and remember their dad or mom playing guitar and singing.” Brokenrope says for him artists like Buddy Red Bow, a Lakota country singer who was recording in the 1970s, is one example of the kind connection a person can make through listening. “As someone who works a lot with language to hear him speak or sing a song in Lakota and English and then to hear his dad on the recording as well singing in Lakota or speaking ... it's just so moving and just a beautiful thing to experience.” Translating Analog to Digital Collecting vinyl brings Brokenrope into conversation with a lot of fellow record collectors. It's an opportunity to build a network of people who share his passion. On a January evening, Brokenrope met with a fellow Indigenous collector, David McCloud, who is Anishinaabe from Minegoziibe First Nation in northern Manitoba. “When somebody asks me, ‘How do you collect Indigenous records?'” said McCloud to Brokenrope. “That's years and years of building relationships.” The two compared notes during their virtual meeting about their shared passion. The conversation included their mutual appreciation for music and much more. Both described years spent digging for vinyl and multiple acts of converting analog music to digital as a method of translation between generations. They also talk about the ways Indigenous musicians have busted through the myths of Indigenous people as the vanishing American and the ways artists have subverted stereotypes and found self-expression. “Our people were supposed to disappear,” said McCloud. “If you look at the history of it, since the possibility of recording began, Indigenous people were there, right up until now.” McCloud motioned to his own collection of recordings and shared a piece of wisdom. “You never finish. You never know it all. You're never gonna have it all,” McCloud said. Click here.https://youtube.com/shorts/pzhye1ZzsnM?si=Qx9suBpTUfoKRCfZDJing in the Dakota language On a Friday evening in early March, Brokenrope plays a set of deep cuts inside a St. Paul record store. DJing has become another way Brokenrope shares his love for vinyl.  Music lovers will recognize Link Wray and His Ray Men covering Dylan's “Girl from The North Country.” Fellow collectors may know Karen Dalton's bluesy “Something On Your Mind.” Lots of people will hum along to popular Redbone refrains. The powwow crowd will sing every single word of Keith Secola's “NDN Kars.” And it's the dollar bin gems — the stuff lots of people may have heard years ago or may have never heard before — where his collection shines. Brokenrope's collection reflects years of digging for rare vinyl recordings. In his set, A. Paul Ortega's powerful singing on “Chicago,” Arliene Nofchissey Williams & Carnes Burson performing the bridge on “Go My Son,” and Morris Belknap's “On That Dusty Road To San Carlos,” give listeners a sense of the themes important to Native musicians over decades.  While connecting the tunes during his DJ sets, Brokenrope adds another act of translation. As an educator, Brokenrope has been a part of a growing language movement to revitalize the Dakota language.  He often DJs his sets in the Dakota language. Sharing music of from his collection in Dakota is an invitation to Indigenous people to be in conversation with one another in a digital world. “To be able to use my tribe's language and be able to create more content in it,” he said. “And have that represented more, just felt really in line with the kind of music we're playing.” 

"Robot Dreams", "As Bestas", "Mediterrani"... Darrere aquestes pel

On this week’s episode of [edit] radio our hosts: Tom Crook, Ben Smith and Paul Whitty bring their own unique brand of chat and new music for you to enjoy. Artist – Track [Album] [edit] radio podcast 714 – Right Click and Save As to Download The post Podcast 714 | Featuring English Teacher, The Decemberists & Karen Dalton appeared first on .

Welcome to another installment of Odds & Ends, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone." From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of Odds & Ends is a comprehensive exploration of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices

LADIES OF THE COUNTRY MUSIC HALL OF FAME LACY J DALTON Lacy J. Dalton (born Jill Lynne Byrem; October 13, 1946)[1] is an American country music singer and songwriter. She is known for her gritty, powerful vocals, which People Magazine likened to a country equivalent of Bonnie Raitt.[2] Dalton had a number of hits in the 1980s, including "Takin' It Easy", "Crazy Blue Eyes", and "16th Avenue". Though absent from the U.S. country charts since 1990, she still continues to record and perform, having most recently released three independently recorded albums: Wild Horse Crossing on Shop Records in 1999; The Last Wild Place on Song Dog Records in 2004; and her 2010 self-released Here's To Hank.[3] When asked about her musical influences, she replied: "Bob Dylan, Joan Baez, Kris Kristofferson, Guy Clark, Waylon Jennings, Willie Nelson, Dolly Parton, Janis Joplin, Robert Johnson, Karen Dalton, Fred Koller, Big Mama Thornton, Billie Holiday, Hank Williams, Tammy Wynette and J. J. Cale."[4] SYLVIA Sylvia Jane Hutton (née Kirby, born December 9, 1956[1]), also known mononymously as Sylvia, is an American country music and country pop singer and songwriter.[2] Her biggest hit (a crossover chart topper), was her single "Nobody" in 1982.[3] It reached number 15 on the Billboard Hot 100, number 5 on the Billboard Adult Contemporary chart, number 9 on the Cashbox Top 100, and number 1 on the Billboard Country Singles chart. The song earned her a gold record certification and a Grammy Award nomination for Best Female Country Vocal Performance. Her other country chart hits include "Drifter" (number one in 1981), "Fallin' in Love", "Tumbleweed" and "Snapshot". She was named Female Vocalist of the Year by the Academy of Country Music for 1982. She is also credited with making the first "concept" music video clip to air on Country Music Television (CMT), with "The Matador".

"Entelechy" The work of the Ohio-born Sandy Bell is pure magic. I guess by now, you're getting the feeling I'm a big admirer of what she does. But the work that we're talking about which is so effortless and beautiful, was hard-fought and the journey to get where we are today with Sandy's songs, was fraught with some pretty heavy stuff. We'll let her tell you all about that, but along the way, she went West as many do, and along the way found herself writing songs with Jeff Buckley, which many....don't. She also fronted a band that was on the cusp of some potential '90s glory before she ghosted them, and as she dug her heels into L.A. life, she was also battling deeply serious addiction issues and for a while slipped way off the grid and was living off Hollywood Blvd and grappling with demons that were in a full-time flex of trying to destroy her. But they didn't. Moving to New York with her partner and producer Jeff Lipstein, Bell was revived, rejuvenated and ready to be the artist she was meant to. Her first album When I Leave Ohio is a stone cold stunner--it has the stillness of a Hopper painting and all the raw loneliness of Nick Drake. The follow up, Entelechy, which is a phrase borrowed from Aristotle, which refers to ‘'That which realizes or makes actual what is otherwise merely potential," is, quite simply, one of the best records you'll ever hear. Atmospheric, mesmeric and emotive, Entelechy is a textured song cycle that explores devastation and darkness with the probing eye of a philosopher and the atmospheric lens of a filmmaker. In other words, think David Lynch collaborating with Plato on music that sounds like Karen Dalton fronting the Bad Seeds. It's regenerative, restorative, terrifying, comforting and powered by an enormous heart that beats with hope. Sandy has collaborated with everyone from Rachel Yamagata to Bat For Lashes and now, she's collaborating with us. www.sandybell.com (http://www.sandybell.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.embersarts.com (http://www.embersarts.com) Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

This week, the whirlwind of creativity that is Warren Ellis gently ushers your host Andrew Male and MOJO Editor John Mulvey into the church of Alice Coltrane. Plus Nina Simone, John Coltrane, Jerry Lee Lewis, Karen Dalton, Bob Dylan, Bitchin Bajas, Ralph Stanley and a stunning Lou Reed revelation! Tracklisting: 1.Alice Coltrane - My Favourite Things, from Alice Coltrane With Strings – World Galaxy (Impulse Records, 1972) 2.Alice Coltrane - A Love Supreme from Alice Coltrane With Strings – World Galaxy (Impulse Records, 1972) 3.Alice Coltrane talking about her harp from Alice Coltrane documentary (dir. St. Clair Bourne, 1970) 4.Lou Reed - Heroin (May 1965 Demo) from Lou Reed - Words And Music May 1965 (Light In The Attic, 2022) 5.Bitchin Bajas - Amorpha from Bajascillators (Drag City, 2022)

Originally from Redondo Beach and now currently located in LA, Shannon Lay is one of the most unique singer-songwriters of our time. Manifesting energy and vibrations from the likes of Karen Dalton and Eliott Smith, Lay brings to the table her own unique and devestatingly original sound to the horizon. In this episode of the podcast we explore topics such as love, death, locating your heart and soul as it guides you through this wonderfully abstract thing we call life and so much more. This has been one of the most enjoyable and moving episodes to date and I couldn't be more excited to share this today on what happens to be Lay's birthday. Enjoy!

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Howard Fishman's To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse (Dutton, 2023) is a fascinating hybrid biography that weaves together Fishman's own odyssey of research with the surprising life story he uncovers. Connie Converse was a gifted songwriter whose music came to public notice more than fifty years after it was recorded. Her album How Sad, How Lovely has taken its place alongside albums by rediscovered artists like Karen Dalton, Kath Bloom, and Sibylle Baier. In Converse's case, though, it was not only her music that disappeared. Following a series of personal and professional crises, Converse drove away from her home in Ann Arbor, never to be heard from again. When Fishman visited Ann Arbor to meet Converse's brother, he was shown an archive of several filing cabinets that revealed Converse as much more than a singer and guitarist. She composed art songs, song cycles, and operas. She was also managing editor at the Journal for Conflict Studies and authored a pioneering analysis of structural racism. To Anyone Who Ever Asks gives us a fuller portrait of Converse than has ever before been available, even as it reveals the many gaps that remain in her story. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Quiet validation, feeding an inner flame, and lacing an inner logic. Marina Allen "Los Angeles-based singer/songwriter Marina Allen's sound is difficult to categorize. Her music is intricate, fierce, soulful, mesmerizing, warm and bold. Drawing from influences as varied as Joanna Newsom, the Beach Boys, loft jazz, Meredith Monk and the New York avant-garde, Joni Mitchell, Karen Carpenter, Karen Dalton and Fiona Apple." Excerpt from https://www.firerecords.com/artists/marina-allen/ Marina Allen: Bandcamp: https://marinagallen.bandcamp.com/album/centrifics Instagram: @hello_marina_allen Website: https://tix.to/MarinaAllen2023?fbclid=PAAaYU1M8UdVmyvGDpv0taCc2sWX0tTJjcNH6Vspd-RZA4dSNlS-ziGIfHEvA Merch: https://www.firerecords.com/product/marina-allen-centrifics/ Andy Shauf Tour tickets: https://andyshauf.com/tour The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Episode 27 of Campfire Songs with special guest Michael Hall, lead vocalist and guitarist of the Wild Seeds, a member of The Setters, as well as a long solo career.  Featuring  songs by The Wild Seeds,  and along, The Holy Modal Rounders, Judee Sill, Bottlecap Mountain, Chicano Batman, Karen Dalton, Tee Vee Repairman, and Michael Hall.

Hoe streden verschillende generaties vrouwen tegen armoede, uitbuiting en oorlogsgeweld? Floortje Smit spreekt met schrijver en anti-apartheidsactivist Connie Braam over haar nieuwe boek De revolutie van Pelle.  Verder aandacht voor de Japanse schrijver en Nobelprijswinnaar Kenzaburo Oë, hoogspringer Dick Fosbury, schrijver Edith Velmans, en muzikant Karen Dalton. --- Redactie: Nina Ramkisoen, Noah van Diepen, Geerte Verduijn, Maartje Willems, Jessica Zoghary Eindredactie: Bram Vollaers

"הזמרת האהובה עליי היתה קארן דלטוֹן... לקארן היה קול כמו של בּילי הולידיי והיא ניגנה בגיטרה כמו ג'ימי רִיד והיא הלכה עם זה עד הסוף". במילים אלו סיכם בּובּ דילן את רושמו מדמותה של קארן דלטוֹן. אשת מיסתורין, מוזיקאית יוצאת דופן, בעלת ייסורים ותהומות חיים אך כזו שנותרה נאמנה לדרכה בכל מחיר. המחיר, הסתבר לימים, היה רב מנשוא.דלטון נולדה ב1937 באוקלהומה ובראשית שנות ה20 לחייה קבעה מקום מושבהּ בשכונת גריניץ' ווילג' שבניו יורק. מרכז העניינים התרבּותי והמוזיקלי של סוף שנות 50 וראשית הסיקסטיז בארה"ב. שם נולדה תנועת תחיית הפוֹלק והבּלוז באמריקה. כל מי שרצה להיות מישהו או משהו הגיע לשם. דלטון לא רצתה מכל אלה, אך בעל כורחה היתה לחלק בלתי נפרד וחשוב מאוד בהתרחשות התרבותית הגדולה של העשור ההוא. חצי אירית וחצי צ'ירוקי. עובדה שתרמה למיסתורין סביב דמותהּ ולעומק שורשיה האומנותיים. גם חוסר רצונה המופגן להקליט, להוציא לאור תקליטים, להופיע מול קהל או להיות נתונה למרוּת חוקי תעשיית המוזיקה האמריקנית - כל אלה הניפו תרומתם לסיפורים על אודותיה. על יוֹשרהּ ועל גורלהּ. היא לא סבלה מנהלים ומפיקים מוזיקליים שניסו להכתיב לה אופני נגינה וביטוי. היא, אגב גם לא אהבה את ההשוואה לבּילי הולידיי. דלטון חשבה על עצמה יותר כתלמידה של 'קיסרית הבּלוז' בּסי סמית'.    ביום זה לפני 30 שנים הסתלקה לעולמהּ. נייחד לה השידור הלילה.  1. Cotton Eyed Joe - Everytime I Think of Freedom 2. Cotton Eyed Joe - Pastures of Plenty 3. Green Rocky Road - Green Rocky Road 4. 1966 - Other Side To This Life5. It's So Hard To Tell Who's Going To Love You The Best - I Love You More Than Words Can Say 6. It's So Hard To Tell Who's Going To Love You The Best - It Hurts Me Too 7. In My Own Time - Something On Your Mind 8. In My Own Time - Katie Cruel 9. In My Own Time - How Sweet It Is 10. In My Own Time - In My Own Dream (Alternate Take)

In studio Fabio Barbieri. Musiche: Fievel Is Glauque, Karen Dalton, Lambchop, Makaya McCraven, Jairus Shareef, Mary Lattimore And Paul Sukeena, Bob Dylan, Poco, Stephen Stills, James Taylor, America.

When Kara Dohrenwend moved to Moab in the early 1990s, she remembers the creek system in town was basically invisible, covered in invasive plant species like tamarisk and Russian olive. With a background in community-driven design and restoration work, Dohrenwend quickly got involved. She's now worked for over two decades restoring the creek ecosystem. All these years later, it remains fascinating to her. Even after Mill Creek plotted its course through her own home one day this summer. “I have actually joked that Mill Creek really did go out of its way to flood my house. It really did. It went uphill.” Plus, the Great Salt Lake reached record lows this year and Utah lawmakers are scrambling for solutions. // Show Notes: // Photo: Kara Dohrenwend, executive director of Rim to Rim Restoration, in Mill Creek. Dohrenwend personally mapped how the creek's water moved through downtown during the big flood this August. // If you think there's someone or somewhere we should profile with an audio portrait, please reach out to news@kzmu.org // Rim to Rim Restoration https://revegetation.org.customers.tigertech.net // Music in Today's Audio Portrait: // ‘Tune on Karen Dalton's Guitar' by Peter Walker live at WFMU on Irene Trudel's Show, ‘It Is What It Is' by Peter Biedermann live at WFMU on Irene Trudel's Show // Sounds In Today's Audio Portrait: ‘THUNDER/Rain low frequencies 4-CHANNEL-48kHz' by BlueDelta, ‘Elbow River 220530_01' by Robert.Crosley, ‘Field-recording – Nature – Creek' by quetzalcontla // Mountain West News Bureau: To save the drying Great Salt Lake, officials must preserve the largest river that feeds it https://www.boisestatepublicradio.org/environment/2022-11-21/to-save-the-drying-great-salt-lake-officials-must-preserve-the-largest-river-that-feeds-it

Kim Althea Gordon (born April 28, 1953) is an American musician, singer, and songwriter, best known as the bassist, guitarist, and vocalist of alternative rock band Sonic Youth. During her time with that band, her smoky, half-spoken, half-sung vocals and feminist viewpoint added depth to their experimental rock and made her a major figure on the American indie rock scene from the '80s onward. In this episode the full playlist of songs played by Gordon on April 3rd 2020, when sitting in for Iggy Pop on his BBC Radio 6 show. Lineup: The Fall, Nina Simone, Alice Coltrane, Pharoah Sanders, The Stooges, DNA, J Mascis, Heron Oblivion, Missy Elliott, PJ Harvey, Gold Dime, Television, Talk Normal, Neil Young, Crazy Horse, Brigitte Fontaine, Eleanor Friedberger, Linda Ronstadt, Stina Nordenstam, Aimee Mann, Nas, Nico, Karen Dalton, Mira, Islaja, Mazzy Star, Abbey Lincoln, Cardi B, Charli XCX, Patty Waters

For the first time in 2 years of hosting GBR, Tom decides to stick to the 'folk, blues and roots from around the world' tagline as advertised on CFOS. That means deep cuts from Nick Drake, Lal & Mike Waterson, Karen Dalton, The Lowlanders, The Incredible String Band, Lightnin' Hopkins, Leadbelly, Bonnie Prince Billy, Leonard Cohen, the Bulgarian State Radio & Television Female Vocal Choir, Taj Mahal, Townes Van Zandt and String Driven Thing! Pictured, front and center, is Meaford tailor and drummer Billy Fairley.

Con grandes canciones de Roy Head, Richard Hawley, Elvis, Lee Hazlewood, The Jive Five, The Animals, Karen Dalton, Frank Sinatra, Judy Collins, Miguel Ríos, Los Amaya con Bebe, Celia Cruz y la Sonora Matancera, Pereza, Mozart, Giorgio Moroder y Viva la fete.

This episode of Across The Margin: The Podcast presents an interview with Woodstock, New York via North Carolina singer-songwriter Kenny Roby. Roby is the former lead singer of 6 String Drag, which he formed with bassist Rob Keller in the early 1990s, a band which quickly became one of the more notable bands of the Americana movement. The band's style ranged from old style country with a hint of soul and gospel to rock. While 6 String Drag broke up in the late 1990s, Roby continues to make records and play live shows with the Mercy Filter, which includes Scott McCall of $2 Pistols. Roby has released seven solo albums, his latest album — the focus of the episode — is self-titled and written and recorded in Woodstock, NY. Throughout Kenny Roby, the gifted storyteller embraces the spirits of songwriters who once inhabited the very same hills like Fred Neil, Van Morrison, Tim Hardin, Karen Dalton, Bobby Charles, Levon Helm and, of course, Bob Dylan. Over the album's dozen tracks, Roby — supported by a cast including Daniel Littleton (guitars), Jeff Hill (bass), Tony Leone (drums) and superb guest vocals from Amy Helm and the legendary John Sebastian on harmonica — takes us on a sprawling walk through the neighborhood of his mind. In this episode host Michael Shields and Kenny Roby discuss Kenny Roby's genesis and the themes present in the album. They talk about the outstanding players on the album such as Amy Helm and John Sebastian while exploring how living in Woodstock, New York led to who contributed to the album's enthralling sound. They discuss Roby's friendship and working relationship with Neal Casal and the gifts that deep acquaintanceship still award Roby, and so much more. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Joining us this past weekend was Dr. Karen Dalten, a primary care physician certified as a NaPro Technology Fertility Care Medical Consultant, who sees patients virtually via MyCatholicDoctor.com. We'll be exploring the use of NaPro Technology when it comes to conceiving, lessening the stigma around infertility, and when to seek medical help. https://mycatholicdoctor.com/resources/doctors/karen-dalton-md-cfcmc/

David Brooks admits he has an "intellectual lag," but continues to have a column in the New York Times. He's so annoying that he has to separated from the NYT's general population. ALSO: Greg says "The Gray Man" sucks. PLUS: Partying on dry lake beds, and the song of the week by Karen Dalton!Karen Dalton - Something on Your Mind: https://www.youtube.com/watch?v=CsYHN7eCCtU

Matt examines one of the great tragic figures of folk, nearly forgotten by time - though he expects she'll make a resurgence! Thomas then needles him over his "hate" of Pet Sounds, and things spin out of control from there.   https://www.thinlear.com/ https://www.niagaramoonmusic.com/ Twitter: https://twitter.com/losingmyopinion IG: https://www.facebook.com/losingmyopinion/

Today on the show: It was like the wild west... That was just one description given to a video that is circulating via WhatsApp, depicting a violent brawl that broke out on the streets of Galway city over the weekend. Galway Talks has received the video which shows two groups of men in Eyre Square take part in a fight which sees a number of them assaulted while lying on the ground. Councillor Niall McNeilis spoke to Keith about this issue. Today sees the beginning of the Westside Arts Festival in Galway city. To give us some of the details of the events that will be taking place during the next four days, Keith was joined by James Coyne, Chief Executive Officer of Westside Resource Centre. Niamh Regan is a critically–acclaimed songwriter from Co. Galway. Her songs seamlessly weave the intimacy of the Irish lyrical tradition with the expansive breadth of American songwriters such as Karen Dalton, Stevie Nicks and Joni Mitchell. The resulting sound is entirely her own. Her debut album Hemet announced her arrival as one of the most distinctive songwriters in Ireland today. Earning nominations for both the RTÉ Folk Awards and the Choice Awards ‘Album of the Year', the LP received soaring praise which led to performances on The Late Late Show, Other Voices and La Blogothèque. Keith interviewed Niamh on the show and we had a piece of music called Late Nights from her.

Herbie adams is a brilliant entertainer. We met back in the 1990's in Devon, I was 22 and just turned pro 25 years ago so we have known each other on and off over a quarter of a century. We may see each other once every 5 years but when we do we have a nice catch up, its natural and todays is only different in the fact that I recorded it.Herbie is unique, he's fresh and funny and has that powerful persona on stage, the likable factor, that audiences warm too. So getting to know him that bit more today surprised me with his past. I had no idea of his history of being in bands and supporting groups like Supergrass. He literally has grafted and deserves success. From working with his band to going solo around the world in the cruise industry to pantomime he found the funny and he's keeping it that way, welcome to Eyes & Teeth The Voice of God Herbie Adams 

Chanteuse adulée au destin tragique, Karen DALTON a côtoyé les plus grands noms de la folk au début des année… The post S05E36 Karen DALTON first appeared on Radio Campus Angers.

EVE ADAMS. BUTTERFLIES – 4:00Metal Bird, Basin Rock, 2022 NADIA REID. RICHARD – 3:35Preservation, Basin Rock, 2017 ALDOUS HARDING. TITUS GROAN – 5:15Aldous Harding, Lyttleton records, 2014 MARLON WILLIAMS. MR BOJANGLES – 4:00En Attendant Bojangles Soundtrack, Polydor, 2022 JEFF BUCKLEY. LILAC WINE – 4:30Grace, Columbia, 1994 TIM BUCKLEY. DREAM LETTER – 5:10Happy Sad, Elektra, 1969 […] Cet article Errance #163 : De Eve Adams à Karen Dalton est apparu en premier sur Eldorado.

Vagabon, AKA musician and Letterboxd member Laetitia Tamko, joins hosts Gemma and Slim for a tour of her four favorite films: Pretty Woman; The Piano Teacher; The Worst Person in the World and Seven. Plus: Elden Ring, discovering Prince via Pretty Woman, covering Gen-X hits with Liz Phair, covering Karen Dalton with Courtney Barnett, loving Nancy Meyers, being f—ed up by Michael Haneke, wanting stability and chaos, and the hypothetical psychological rom-com starring Patti Harrison and Vagabon that we deserve. Vagabon plays at Storm King in New Windsor, NY, on June 25, 2022. Links: The Letterboxd list of films mentioned; Sydney's list “Please god don't make me turn 30”; Bethany's films that destigmatized sex + sexuality for me as a woman; Silent J's Films That Got You Addicted To Songs Reviews mentioned: Reviews of Pretty Woman by emma and sophie; The Piano Teacher by Hari Nef, zachhayes, Dead Ringer; Se7en by Sean; The Worst Person in the World by Lily; Laetitia's reviews of The Parent Trap, The Northman, Shrek Other links: Vagabon's NPR Tiny Desk Concert and Bandcamp, You Must Remember This podcast Credits: This episode was recorded in Auckland, Brooklyn and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Linda Moulton. Transcript by Sophie Shin. Theme: ‘Vampiros Dancoteque' by Moniker.

Kurz vor ihrem Konzert im Gaswerk haben Delia Meshlir bei uns auf dem Balkon Halt gemacht und ein kurzes Set in reduzierter Trio-Besetzung gespielt - einschliesslich einem Cover des Kultklassikers "Something On Your Mind" von Karen Dalton! Die Band um Sängerin/Gitarristin/Sängerin Dayla Mischler ist aktuell mit ihrem im März erschienenem Debütalbum "Calling The Unknown" auf Tour.

This month Mark Cosgrove, Watershed Cinema Curator, is joined by Steph Read, UWE MA Curation placement, as they look forward to the program of films at Watershed over the coming month.They discuss perspective in cinema and the presentation of childhood in Norwegian supernatural thriller The Innocents by Eskil Vogt. Also, with Doc'n Roll returning to Bristol this month they review the music documentaries screening for the festival including artists like; Karen Dalton, The Triffids and Nick Cave and Warren Ellis.

Vainica Doble, Mocedades, Lola Beltrán, Roberto Carlos, José Feliciano, Silvio y Sacramento, Helen Grayco, Pete Seeger, Karen Dalton, CSN, Palito Ortega y Grupo de Expertos Solynieve.

In this bonus podcast, producer Andrew Gill interviews directors Robert Yapkowitz and Richard Peete about their film "Karen Dalton: In My Own Time." Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Send us a Voice Memo: https://bit.ly/2RyD5Ah

DJ St. Paul neemt de muzikale week door met muziek van o.a. Hovvdy, Karen Dalton & Bicep. Deze keer in de albumrubriek een uitgebreid gesprek met Journalist Gijsbert Kamer over Screamadelica van Primal Scream. Benieuwd naar de tracklist en/of shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique/

DJ St. Paul neemt de muzikale week door met muziek van o.a. Hovvdy, Karen Dalton & Bicep. Deze keer in de albumrubriek een uitgebreid gesprek met Journalist Gijsbert Kamer over Screamadelica van Primal Scream. Benieuwd naar de tracklist en/of shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique/

A weekly radio show with an eclectic mix of original, intelligent, melodic, grown-up songs - #electronic, #rnb, #jazz, #blues and #acoustic. And mostly from artists who you have not heard of - yet! On 19 internet radio stations in the UK, USA, Canada, South Africa and Ireland.This week's Luvva Cover is a moving tribute to the tragic figure of Karen Dalton, 50 years after the release of her final album, by Ríoghnach Connolly and The Breath. Karen Dalton wrote poems and lyrics but never had the chance to record one of her own songs - only songs by other song writers. The Breath have taken one of her beautiful lyrics and set it to music - it's stunning!#newmusicyoujustdonthearanywhereelsePlaylist:A Mermaid in Lisbon – Patrick Watson, Teresa SalgueiroTake Me In – The War and TreatySuzy Lou – SinclairDarling, Darling – Twelve A.M. FlowersInhale Exhale - EädythEvery Void – April + VISTAYOU KNOW – CHAMELEON, Lucy McWilliamsArrival – HiatusJust Breathe – NellaI Wouldn't Go – Alexia AvinaRemembering Mountains – Sharon Van EttenRemembering Mountains – The Breath (Luvva Cover feature)Craze – J FriscoShips Come In (A Lullaby) – Weedie Braimah, Christian Scott aTunde Adjuah, Elena Pinderhughes, Magatte SowHailstones – Rhys EvanLike This Forever – The BainesTwin Flames – POSTDATAGood Guess – Winston C.W.Jenny! - HÅN(still) Lingering – Tom HoustonPush Now – Southern AvenueSunrays, Revealing (Reflection) – Benny Braun