Podcasts about bach's toccata

No haunted house would be complete without the soundtrack of organ music, right? The supreme example is Bach's Toccata and Fugue in D minor, but the films and TV only ever give us 10 seconds... ...crank up the volume so the floor trembles and don't get so scared you have to hide behind the sofa. Music here: https://youtu.be/Nnuq9PXbywA or here on Spotify: https://spoti.fi/3ePncvI Listen, like, comment, share and subscribe! cacophonyonline.com

After a severe fever in 1776, Rhode Island farmer's daughter Jemima Wilkinson was reborn as a genderless celestial being who had been sent to warn of the coming Apocalypse. But the general public was too scandalized by the messenger to pay heed to the message. In this week's episode of the Futility Closet podcast we'll tell the story of the Public Universal Friend and the prejudiced reaction of a newly formed nation. We'll also bid on an immortal piano and puzzle over some Icelandic conceptions. Intro: When identical images of a tower are placed side by side, the towers appear to diverge. In 2002, Erl E. Kepner patented a one-sided coffee mug. Sources for our feature on the Public Universal Friend: Paul B. Moyer, The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America, 2015. Herbert Andrew Wisbey, Pioneer Prophetess: Jemima Wilkinson, the Publick Universal Friend, 1964. Catherine A. Brekus, Strangers and Pilgrims: Female Preaching in America, 1740-1845, 2000. Michael Bronski, A Queer History of the United States, 2011. Joel Whitney Tibbetts, Women Who Were Called: A Study of the Contributions to American Christianity of Ann Lee, Jemima Wilkinson, Mary Baker Eddy and Aimee Semple McPherson, 1978. Stafford Canning Cleveland, History and Directory of Yates County, 1873. Lewis Cass Aldrich, History of Yates County, N.Y., 1892. Wilkins Updike, James MacSparran, and Daniel Goodwin, A History of the Episcopal Church in Narragansett, Rhode Island, Volume 1, 1907. Sharon Betcher, "'The Second Descent of the Spirit of Life from God': The Assumption of Jemima Wilkinson," in Brenda E. Brasher and Lee Quinby, eds., Gender and Apocalyptic Desire, 2014. Paul Buckley, "The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America," Friends Journal 62:6 (June-July 2016), 38. Scott Larson, "'Indescribable Being': Theological Performances of Genderlessness in the Society of the Publick Universal Friend, 1776-1819," Early American Studies 12:3 (Fall 2014), 576-600. Shelby M. Balik, "The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America," Journal of the Early Republic 38:1, 157-160. Gwen Gosney Erickson, "The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America," Quaker History 106:1 (Spring 2017), 28-29. Beverly C. Tomek, "The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America," Journal of American History 103:3 (December 2016), 746–747. Charles Lowell Marlin, "Jemima Wilkinson: Errant Quaker Divine," Quaker History 52:2 (Autumn 1963), 90-94. Jeremy Rapport, "The Public Universal Friend: Jemima Wilkinson and Religious Enthusiasm in Revolutionary America," Early American Literature 52:1 (2017), 249-253, 267. Janet Moore Lindman, "From Salvation to Damnation: Popular Religion in Early America," Reviews in American History 45:4 (December 2017), 570-575. Margaret Bendroth, "Angry Women and the History of American Evangelicalism," Fides et Historia 34:2 (Summer 2002), 113. Samantha Schmidt, "A Genderless Prophet Drew Hundreds of Followers Long Before the Age of Nonbinary Pronouns," Washington Post, Jan. 5, 2020. Molly Worthen, "A Tour Through the 'American Messiahs' of Our Past," New York Times, April 26, 2019. Greg Barnhisel, "The Book of Nonconformists: America Has Always Been a Home to Self-Styled Messiahs," Pittsburgh Post-Gazette, April 7, 2019, E5. Chris Jennings, "The Prophets Among Us," Wall Street Journal, April 4, 2019, A15. Gary Craig, "'Friend' Fund Named in Suit Found Offshore," Rochester [N.Y.] Democrat and Chronicle, Jan. 7, 2007, A7. "Life Story: The Public Universal Friend (1752–1819)," Women & The American Story, New York Historical Society (accessed Feb. 25, 2020). Listener mail: Sonia Purnell, A Woman of No Importance, 2019. "Britain's Secret WWII Weapons Revealed," BBC News, Oct. 26, 1999. Patrick Sawer and Hannah Furness, "From Garlic Chocolate to Exploding Animal Droppings: How Britain's Weird WWII Inventions Helped Fool the Nazis," Telegraph, June 1, 2017. Neil Johnston, "Weird Weapons That Nobbled Nazis Revealed in New Book," Times, June 2, 2017. Wikipedia, "Charles Fraser-Smith" (accessed Feb. 29, 2020). Wikipedia, "Q-Ship" (accessed Feb. 29, 2020). James Barron, "Charles Fraser-Smith, Mr. Gadget For James Bond Tales, Dies at 88," New York Times, Nov. 13, 1992. Barry Fox, "Review: Careful Carruthers, That Paper Clip Is Loaded," New Scientist, Aug. 14, 1993. Owen Mortimer, "'Immortal Piano' Offered for Sale Online," Rhinegold Publishing, Jan. 20, 2020. Russian pianist Anatole Kitain performs the Adagio from Bach's Toccata, Adagio and Fugue in C major, BWV 564, on the Siena piano. eBay, "Siena Pianoforte Immortal Piano Marchisio 1800's Sculpted By Bartalozzi & Ferri," listing ended Feb. 5, 2020. "Seized by Nazis, Found in Israel, 'Immortal Piano' Expected to Fetch $1m," Times of Israel, March 1, 2020. "'Immortal Piano' Set for Israel Auction," ArtDaily, March 6, 2020. This week's lateral thinking puzzle was contributed by listener Chris Pallant. Here's a corroborating link (warning -- this spoils the puzzle). You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

Let’s start episode 308 of Secrets of Organ Playing Podcast. This question was sent by Jaco, and he writes: Dear Vidas Thank you for your daily posts - it is really an inspiration! I really like Bach's Toccata in d (Dorian). It is a piece that feels like it has perpetual motion - something always keeps moving in it. It is quite a difficult piece to master, but I decided to learn it. The edition I am playing from is the new 2012 urtext Breitkopf & Hartel edition. It indicates a trill in measure 29 on the top e in the RH (please see below). However, it does not indicate when this trill should stop. The note is held on for another 2 measures. When should that trill stop? I don't know how to play the RH in measure 30 if trill has to continue, since a lower voice starts with that hand halfway through measure 30. Another question - I know the piece has to be played articulate legato. However, it does sound quite nice if the first 2 semiquavers on the motive on beat 1 and 3 are slurred (played legato). I have heard it on some recordings as well. Would this be considered acceptable to do? Looking forward to your reply! Kind regards Jaco

Orchestra versions of famous keyboard works. Music includes: Bach's Toccata and Fugue in d Minor, Chopin's Funeral March, Brahms' Hungarian Dance #5 and Beethoven's Piano Sonata #29. Performers include: Harry Horlick, Leopold Stokowski, Felix Weingartner & Artur Rodzinski.

Nicola Benedetti reveals ten intriguing facts about Bach's Toccata and Fugue in D minor

THE KING OF INSTRUMENTS welcomes esteemed organist, conductor and Bach scholar J. Reilly Lewis to discuss his upcoming concert performance with NOW, The New Orchestra of Washington.  No stranger to Washington, D. C. audiences, Lewis is the founder of the Washington Bach Consort, currently its 35th Anniversary Season and conductor of the Cathedral Choral Society, based at Washington National Cathedral.  For the October 28 concert "Psycophony" by NOW at Westmoreland UCC in Bethesda, MD, Dr. Lewis will perform Bach's Toccata in D minor and then join the members of the orchestra for Poulenc's Concerto for Organ and Orchestra.  Orchestra co-founder Alejandro Hernadez-Valdez and the concertmaster for the program Regino Madrid will join in later to discuss Bartok's "Music for Strings, Percussion and Orchestra.

Song of the Week: Bach's Toccata and Fugue in D Minor http://www.youtube.com/watch?v=a1z12_Ps-gk http://itunes.apple.com/us/album/toccata-fugue-in-d-minor-bwv/id263267235?i=263267360 Around the Pods Paul Rudd and John Ham were on Doug Loves Movies. http://feedproxy.google.com/~r/DougLovesMovies/~3/5MPE1g48XDA/paul-rudd-jon-hamm-morgan-spurlock-mike-birbiglia-and-john-mulaney-guest Yvette Nicole Brown (Community) was on Janet Varney's podcast. http://www.nerdist.com/2012/08/the-jv-club-25-yvette-nicole-brown/ Alton Brown was on Nerdist. This was a fantastic surprise. A Nerdist episode full of host (aka Nerdist hostful) http://www.nerdist.com/podcast/nerdist/ Philosophical issue of the week. Recommendation: The Nerdist Way by Chris Hardwick: http://www.amazon.com/The-Nerdist-Way-Reach-Level/dp/0425243540/ref=sr_1_1?ie=UTF8&qid=1346523286&sr=8-1&keywords=the+nerdist+way Spotify Playlist for Songs of the Week: DiHard Song Recomendations Remember do not give up what you want most for what you want now! Thank you so much for listening! Subscribe to This Week with Larry Miller here! http://www.adamcarolla.com/LMBlog/ Follow me on Twitter @dihard11 Feedback: Dihard@dihard.info More podcasty goodness: http://dihard.info If you like the show please rate it on iTunes: http://itunes.apple.com/us/podcast/dihard-podcast/id505711992?mt=2 Support the podcast by supporting Nerdist Industries! http://support.dihard.info Opening music “Get it on” under the direction of Brian Cardanay 2008 URI Marching Band. The closing song is “Do it anyway” unreleased song by Ben Folds Five. Download the song here!

Ooh la la! An attempt at doing a commentary on a film I've never seen before. I watch this Fellini classic for the very first time, recording my amusement, confusion, frustration, and eventual disappointment. If you already know and love the film, laugh at my provincial attitude. If you hate it, laugh with me while I try desperately to enjoy it. I mention how the word paparazzi comes from the character of Paparazzo. I consider how much I like Marcello Mastroianni in principle. I mock how ridiculous "Casanova Xavier" is as a name for an American rock-and-roller. I misidentify Bach's "Toccata and Fugue in D Minor" as "...G Minor" (but what are a few letters between friends?) I'm moved by the tragedy that develops, but ultimately feel that it is squandered, which may have been Fellini's point, for all I know.