Podcasts about have i got

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: how Jessica first began to learn Yiddish, what drew her to translation work, the importance of finding encouraging mentors and creating peer supports, what it means to be “contingent” faculty, and a discussion of her new book Diary of A Lonely Girl. Our guest is: Dr. Jessica Kirzane, who teaches Yiddish language as well as courses in Yiddish literature and culture. She received her PhD in Yiddish Studies from Columbia University in 2017. Dr. Kirzane is the Editor-in-Chief of In geveb: A Journal of Yiddish Studies. In addition, she has held several positions at the Yiddish Book Center: Translation Fellow in 2017-18, Pedagogy Fellow in 2018-19, and as an editor and contributor to the Teach Great Jewish Books site of the Yiddish Book Center. Her research interests include race, sex, gender, and regionalism in American Jewish and Yiddish literature and has published articles on the idea of rural America in Yiddish literature, interethnic romance in Yiddish periodicals, and lynching in American Yiddish literature. Most recently she has published a translation of Miriam Karpilove's The Diary of a Lonely Girl, or the Battle Against Free Love (Syracuse UP, 2020). Our host is: Dr. Christina Gessler, a historian of women and gender.  Listeners to this episode might be interested in: The Yiddish Book Center “New York’s First-Time Women Voters” in Jewish Currents “Freydl” in Columbia Journal The Abandoned Book: A New Collection of Yiddish Translations. To Tread on New Ground: Selected Hebrew Writings of Hava Shapiro. Ed. Carole Balin and Wendy Zierler (Wayne State University Press, 2014) Have I Got a Story For You: More than a Century of Yiddish Fiction from the Forward. (Norton, 2016) Diary of A Lonely Girl, or the Battle Against Free Love by Miriam Karpilove In geveb: A Journal of Yiddish Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: how Jessica first began to learn Yiddish, what drew her to translation work, the importance of finding encouraging mentors and creating peer supports, what it means to be “contingent” faculty, and a discussion of her new book Diary of A Lonely Girl. Our guest is: Dr. Jessica Kirzane, who teaches Yiddish language as well as courses in Yiddish literature and culture. She received her PhD in Yiddish Studies from Columbia University in 2017. Dr. Kirzane is the Editor-in-Chief of In geveb: A Journal of Yiddish Studies. In addition, she has held several positions at the Yiddish Book Center: Translation Fellow in 2017-18, Pedagogy Fellow in 2018-19, and as an editor and contributor to the Teach Great Jewish Books site of the Yiddish Book Center. Her research interests include race, sex, gender, and regionalism in American Jewish and Yiddish literature and has published articles on the idea of rural America in Yiddish literature, interethnic romance in Yiddish periodicals, and lynching in American Yiddish literature. Most recently she has published a translation of Miriam Karpilove's The Diary of a Lonely Girl, or the Battle Against Free Love (Syracuse UP, 2020). Our host is: Dr. Christina Gessler, a historian of women and gender.  Listeners to this episode might be interested in: The Yiddish Book Center “New York’s First-Time Women Voters” in Jewish Currents “Freydl” in Columbia Journal The Abandoned Book: A New Collection of Yiddish Translations. To Tread on New Ground: Selected Hebrew Writings of Hava Shapiro. Ed. Carole Balin and Wendy Zierler (Wayne State University Press, 2014) Have I Got a Story For You: More than a Century of Yiddish Fiction from the Forward. (Norton, 2016) Diary of A Lonely Girl, or the Battle Against Free Love by Miriam Karpilove In geveb: A Journal of Yiddish Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Get ready for Passover with Have I Got a Story For You! Learn the Passover story, practice the Four Questions, and follow a pirate on an epic afikomen hunt. For everything you need to enjoy Passover with your family, visit pjlibrary.org/passover.

The ingredients for the next classic children's story might be right in your kitchen! PJ Library is partnering with the Jewish Food Society (JFS) to find a recipe with a backstory that can be whipped up into the next great picture book.To get your creative cooking (or baking) juices flowing, we're re-airing some of our favorite food-themed Have I Got a Story For You! episodes, starting with Rena's Restaurant Reviews. After listening, give us a taste of your story at jewishfoodsociety.org/pjlibrary -- one family's recipe will be turned into a PJ Library book! 

In which we compare midcentury Bakersfield to Paris in the 1920s, discuss how to build a music scene, and hear a song sung by a truck. See everyrecordeverrecorded.com for more Bakersfield Sound resources! + George Rich, "Drivin' Away My Blues" + Nathan Judd, "The Answer to the Greenback Dollar" + Bob Wills and the Texas Playboys, "Get Along Home, Cindy" + Captain Sacto theme song + Cousin Herb Henson, "You'all Come" + Patsy Cline, "Crazy" + Buck Owens and the Buckaroos, "Act Naturally" + Buck Owens and the Buckaroos, "Love's Gonna Live Here" + Buck Owens and the Buckaroos, "My Heart Skips a Beat" + Buck Owens and the Buckaroos, "Together Again" + Buck Owens and the Buckaroos, "I Don't Care (Just As Long As You Love Me)" + Buck Owens and the Buckaroos, "I've Got a Tiger By the Tail" + "Before You Go" + "Only You (Can Break My Heart)" + "Buckaroo" + "Waitin' In Your Welfare Line" + "Think of Me" + "Open Up Your Heart" + "Where Does the Good Times Go" + "Sam's Place" + "Your Tender Loving Care" + "It Takes People Like You (To Make People Like Me)" + "How Long Will My Baby Be Gone" + "I've Got a Tiger By the Tail" + The Carter Family, "Can the Circle Be Unbroken" + William McEwan, "Will the Circle Be Unbroken" + The Silver Leaf Quartette, "Will the Circle Be Unbroken" + The Carter Family, "Little Darlin' Pal of Mine" + The Carter Family, "Sad and Lonesome Day" + Lesley Riddle, "One Kind Favor" + Buck Owens and the Buckaroos, "Ain't It Amazing, Gracie" + The Ventures, "Walk, Don't Run" + The Lemon Pipers, "Green Tambourine" + The Maddox Brothers and Rose, "George's Playhouse" + "The Nightingale Song" + "I'll Make Sweet Love to You" + "Will There Be Any Stars In My Crown" + "New Step It Up and Go" + "Philadelphia Lawyer" + Bob Wills and the Texas Playboys, "Sugar Moon" + Bud Hobbs, "Louisiana Swing" + Milton Brown and His Musical Brownies, "Takin' Off" + Lefty Frizzell, "If You've Got the Money, I've Got the Time" + Bill Woods and His Orange Blossom Playboys, "Have I Got a Chance With You?" + Jean Shepherd and Ferlin Husky, "A Dear John Letter" + Ferlin Husky, "Gone" + Merle Haggard, "Sing a Sad Song" + Merle Haggard, "Swinging Doors" + Bonnie Owens, "Lie a Little" + Merle Haggard, "Today I Started Loving You Again" + Mamie Smith "Crazy Blues" + Saul Ho'opi'i Trio, "Lehua" + Jimmie Rodgers, "Blue Yodel #9" + DeFord Bailey, "John Henry" + Ruth Brown, "Wild Wild Young Men" + Rose Maddox, "Wild Wild Young Men" + Hank Penny, "Bloodshot Eyes" + Wynonie Harris, "Bloodshot Eyes" + Patsy Cline, "Your Cheatin' Heart" + Ray Charles, "Your Cheatin' Heart" + Buck Owens, "Streets of Bakersfield" + Dwight Yoakam and Buck Owens, "Streets of Bakersfield" + Antonio Aguilar, "El Ojo de Vidrio" + Woody Guthrie, "Billy the Kid" + Linda Ronstadt, "Palomita de Ojos Negros" + Ernest Tubb, "Thanks a Lot" + Jose Alfredo Jimenez, "El Rey" + The Maddox Brothers and Rose, "Shimmy Shakin' Daddy" + Bob Wills and His Texas Playboys, "Don't Be Ashamed of Your Age" + Luis Perez Meza, "Cuando Salgo a Los Campos" + Tommy Collins, "You Better Not Do That" + Wanda Jackson, "I Gotta Know" + Wanda Jackson, "Honey Bop" + Billy Mize, "Who Will Buy the Wine" + Red Simpson, "I'm a Truck" + The Derailers, "The Right Place" + Dale Watson, "I Lie When I Drink" + Dave Alvin, "Black Rose of Texas" + The Mavericks, "All You Ever Do Is Bring Me Down" + The Flying Burrito Brothers, "Sin City" + JT Kanehira, "Country Music Makes Me So Happy" + Sturgill Simpson, "Life of Sin" + Albion Country Band, "Hanged I Shall Be" + A.L. Lloyd, "The Oxford Tragedy" + Shirley and Dolly Collins, "The Oxford Girl" + Phoebe Smith "Wexport Girl" + Harry Cox, "Ekefield Town" + Marybird McAllister, "The Bloody Miller" + Fields Ward, "The Lexington Murder" + Arthur and Gid Tanner, "The Knoxville Girl" + Fred Ross, "The Waco Girl" + The Outlaws, "Knoxville Girl" + Merle Haggard, "Kern River"

Chag Sameach, it's a Sukkot surprise! This week we're changing things up with an audiobook. If you would like more audiobooks mixed in with your Have I Got a Story For You folktales, drop us a line at gotastorypodcast.com/contact.  Credits:Never Too Quiet, written by Barbara Diamond Goldin and illustrated by Amanda Hall, is published by PJ Publishing.Audiobook narration by Kristofer JensonEditing by Alli Thresher 

Meet Og the Giant! He's a former king of Bashan, obsessed with bagels, and on a mission to rescue some animals--with the help of his new friend Dr. Noa and Rita Toomey. Grab your fanny pack, a box of egg matzah, and some comfy sandals as the Have I Got a Story For You team does a mitzvah -- saving animals!Learn more at gotastorypodcast.com.Episode NotesEpisode CreditsHave I Got a Story For You is a production of PJ LibraryExecutive producers: Meredith Lewis, Alli ThresherDirector: Alli ThresherAdditional production: Craig RosseinWebsite design: Christina RizerAudio editing, mixing and mastering: Peter MooreScore: Peter MooreRecorded at Palace of Purpose Studios in Malden, MA.Cover art: Barb BastianOriginal story by: Joshua ChefitzStory editor: Alan SilberbergCast:Narrator, Rita Toomey: Madelaine RipleyDr. Noa: Gwen D'AngeloOg: Walter SickertShari (Kid caller): Audrey WentworthLarry (grown up caller); Dad Tourist; Boat Captain: Rich WentworthSpecial thanks to our "Kids on Liberty Island Ensemble:" Audrey, Henry, Wednesday, and Bowie. 

Purim is a holiday marked by joyous activities. We dress up in our favorite costumes, share gifts of food with friends, give charity to those in need, have a festive meal with family and friends, and read a story (PJ Library’s favorite activity) – specifically, the story of Queen Esther – together.The story behind Purim isn’t exactly family-friendly though – so Rita Toomey and Al the audio engineer find a way to tell a version of the Purim story that works for all ages and audiences. Visit pjlibrary.org/Purim for more.Have I Got a Story For You is a production of PJ LibraryExecutive producers: Meredith Lewis, Alli Thresher Director: Alli Thresher Additional production: Craig Rossein Website design: Christina Rizer Audio editing, mixing and mastering: Peter Moore Score: Peter Moore Recorded at Palace of Purpose Studios in Malden, MA. Cover art: Barb BastianThis episode was written by Alli ThresherCast: Narrator, Rita Toomey: Madelaine Ripley Al: Rich Wentworth King Ahashverosh: Pat Bordenave Queen Vashti: Deirdre Wade Mordechai: Tau Zaman of the Whisper Forge Queen Esther: Cassandre Charles Haman: Rich WentworthSpecial thanks to Lisa Loeb. Listen to her new album A Simple Trick to Happiness, out now.

Isaac has everything - a sprawling mansion, a private chef, a sweet car... but he can't figure out how his friend Ruthie, who lives in a small studio, makes the best food he's ever eaten. Will Isaac learn Ruthie's secret? What IS the missing ingredient?This is the last full-length episode of Season 1 of Have I Got a Story For You! And this December, PJ Library subscribers will receive a special apron and booklet of this story, so you can cook along at home, just like Isaac and Ruthie! Episode Credits Have I Got a Story For You is a production of PJ LibraryExecutive producers: Meredith Lewis, Alli Thresher Director: Alli Thresher Additional production: Craig Rossein Website design: Christina Rizer Audio editing, mixing and mastering: Peter Moore Theme music: Penelope Alizarin Conley Score: Peter Moore Recorded at Palace of Purpose Studios in Malden, MA. Cover art: Barb Bastian Story editor: Alli ThresherThis episode was written by Naomi ShulmanCast: Narrator, Rita Toomey: Madelaine Ripley Isaac: Rich WentworthRuthie: Deirdre WadeChef: Rich WentworthSpecial thanks to Pat Bordenave and Johnny Blazes

Mara and Malka are sisters with a lot in common, including a tendency to lose their tempers. To help the girls get along, Mama Mouse sends them on an epic quest. Will the sisters find shalom bayit, peace in the home? Will they steal a whisker from a cat? Will Mama ever buy them that new smoothie maker? Find out in this episode.Have I Got a Story For You is a production of PJ LibraryExecutive producers: Meredith Lewis, Alli Thresher Director: Alli Thresher Additional production: Craig Rossein Website design: Christina Rizer Audio editing, mixing and mastering: Peter Moore Theme music: Penelope Alizarin Conley Score: Peter Moore Recorded at Palace of Purpose Studios in Malden, MA. Cover art: Barb BastianThis episode was written by Naomi Shulman and Alli ThresherCast: Narrator, Rita Toomey: Madelaine Ripley Mama Mouse: Deirdre WadeMara: Nina Groskin SlyMalka: Lyra EricsonThe Cat: Rich Wentworth

We couldn't be more excited to have you meet and get to know Alix Strauss, New York Times columnist and featured lifestyle, travel and trend writer. Her work has appeared in numerous publications, including: The Financial Times, Entertainment Weekly, Conde Nast Traveler, Time Magazine. She's also an award-winning author. Perhaps you've read "The Joy of Funerals," "Death Becomes Them: Unearthing the Suicides of the Brilliant, The Famous and The Notorious," and "Based Upon Availability." Alix is also the editor of "Have I Got a Guy for You," an anthology of mom-initiated dating horror stories. She shares that and so much more in this irreverent, funny, honest conversation.

The stories collected in the newly published Have I Got a Story for You—discovered after many hours of combing through Der Forverts' archives—represent a departure from classic Yiddish literature and a new form of Yiddish mass media that would take the Jewish immigrant community by storm. Ezra Glinter, editor of the collection (a 2016 National Jewish Book Award Finalist), joins us to speak about the stories and what they mean not only for contemporary audiences, but what they meant for the writers who made their living doing what they loved, in a period when many Jews on the Lower East Side were working in factories and sweatshops. Episode 0131 January 20, 2017 Yiddish Book Center Amherst, Massachusetts

TEGNEFILMPODCASTEN lægger op til den sidste film i Christopher Nolans Batman-trilogi, The Dark Knight Rises der har dansk premiere d. 20. juli. Jeg har set nærmere på antologitegnefilmen Batman — Gotham Knight, der er animeret af primært japanske animationsstudier. Overordnet set er den produceret af Warner Bros. og med Emma Thomas — Christopher Nolans kone — som executive producer. Måske netop derfor matcher de seks korte tegnefilms storyline og mood så fint med Nolans Batman-film — de danner faktisk bro mellem Batman Begins (2005) og The Dark Knight (2008). Det er ikke alle seks Batman-kortfilm der står sig lige godt, men ideen med at lave en fusion mellem japansk anime og Batman-universet er til gengæld rigtig god. Den lykkes bedst i Shojiro Nishimis "Have I Got a Story For You" (fra Studio 4°C) og Yasuhiro Aokis "In Darkness Dwells" (fra Madhouse). TEGNEFILMPODCASTEN episode 28 byder derfor på følgende segmenter: 00:00 Intro + tak til Karsten Nielsen fra Gaga the Movies og Jan for at skrive søde ting om TEGNEFILMPODCASTEN 06:41 Karakteristik af Batman + anmeldelse af Batman — Gotham Knight 12:11 "Have I Got a Story For You" (manus. Josh Olson, inst. Shojiro Nishimi) 20:34 "In Darkness Dwells" (manus. David Goyer, inst. Yasuhiro Aoki) 27:20 Ekstramateriale på blu-rayen 31:15 Outro + næste episode //Tegnefilm som du aldrig har hørt dem før

Gregory Jbara traces his stage career from his first grade appearance as the title role in "Frosty the Snowman" all the way to his Tony Award-winning turn in the current Broadway musical "Billy Elliot". Along the way, he discusses a college career that began at the University of Michigan and wrapped up at the Juilliard School; his first significant role as The Monster in the campy "Have I Got a Girl For You (The Frankenstein Musical)"; chronicles the sudden acclaim (off-Broadway) and quick demise (on Broadway) of Caryl Churchill's "Serious Money"; his various appearances in "Forever Plaid" around the country -- and how he made more doing it in Washington DC than the original cast made in the New York company; what it was like to work with show business icons like Jerry Lewis (in "Damn Yankees") and Julie Andrews (in "Victor/Victoria"); how his role of André, and the songs, in "Dirty Rotten Scoundrels" were shaped as the show was being developed; and what's its like to play opposite a different actor as Billy every single night in "Billy Elliot" -- often not knowing who he'll be on with until moments before the curtain rises. Original air date - August 3, 2009.

Gregory Jbara traces his stage career from his first grade appearance as the title role in "Frosty the Snowman" all the way to his Tony Award-winning turn in the current Broadway musical "Billy Elliot". Along the way, he discusses a college career that began at the University of Michigan and wrapped up at the Juilliard School; his first significant role as The Monster in the campy "Have I Got a Girl For You (The Frankenstein Musical)"; chronicles the sudden acclaim (off-Broadway) and quick demise (on Broadway) of Caryl Churchill's "Serious Money"; his various appearances in "Forever Plaid" around the country -- and how he made more doing it in Washington DC than the original cast made in the New York company; what it was like to work with show business icons like Jerry Lewis (in "Damn Yankees") and Julie Andrews (in "Victor/Victoria"); how his role of André, and the songs, in "Dirty Rotten Scoundrels" were shaped as the show was being developed; and what's its like to play opposite a different actor as Billy every single night in "Billy Elliot" -- often not knowing who he'll be on with until moments before the curtain rises. Original air date - August 3, 2009.

Gregory Jbara traces his stage career from his first grade appearance as the title role in Frosty the Snowman all the way to his Tony Award-winning turn in the current Broadway musical Billy Elliot. Along the way, he discusses a college career that began at the University of Michigan and wrapped up at the Juilliard School; his first significant role as The Monster in the campy Have I Got a Girl For You (The Frankenstein Musical); chronicles the sudden acclaim (off-Broadway) and quick demise (on Broadway) of Caryl Churchill's Serious Money; his various appearances in Forever Plaid around the country -- and how he made more doing it in Washington DC than the original cast made in the New York company; what it was like to work with show business icons like Jerry Lewis (in Damn Yankees) and Julie Andrews (in Victor/Victoria); how his role of André, and the songs, in Dirty Rotten Scoundrels were shaped as the show was being developed; and what's its like to play opposite a different actor as Billy every single night in Billy Elliot -- often not knowing who he'll be on with until moments before the curtain rises.