Podcasts about Lower East Side

The production design of the film Fantastic Four: First Steps is an homage to the early ‘60s comics created by Stan Lee and Jack Kirby. While Kirby is best known for his bold, fist-popping drawing style, he was also a great storyteller who redefined what comic books could be. He was appreciated by hardcore fans at the time, but he never got the same media attention as Stan Lee and wasn't compensated for the fortunes his characters made. I talk with Kirby experts Charles Hatfield, Mark Evanier, Randolph Hoppe, and Arlen Schumer about where we can see Jack Kirby's influence on comics like The Fantastic Four, Thor, The Hulk, Captain America and Black Panther. And I explore Kirby's childhood at the Tenement Museum on the Lower East Side, where every day was “clobberin' time,”and he first learned how to use a garbage can lid as a shield. This week's episode is sponsored by ButcherBox, Hims and ShipStation. ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ButcherBox.com/imaginary to get this limited time offer and free shipping always. Start your free online visit today at Hims.com/IMAGINARY Go to shipstation.com and use the code IMAGINARY to sign up for a free trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As Andrew Cuomo and Eric Adams keep playing centrist chicken, the FAQ NYC podcast digs into all the latest developments in an upside down mayoral race where polls show a generic centrist would be tough to beat but the candidates clogging the middle lane now are each way behind in an upside-down race. Plus, co-host Harry Siegel opens the episode with a tale of two Lower East Side legends as the city honors Jack "The King" Kirby, after a promotional push from Disney, while saxophone colossus Sonny Rollins keeps getting the short end of the stick, and end it with a riff on headless horsemen, Knickerbocker dreams and New Yorkers who again "begin to grow imaginative—to dream dreams, and see apparitions.”

Hour 4 - Callers talked about the Yankees. One caller hasn't seen his wife in 4 months. Two guys both named John and both calling from the Lower East Side called up back to back. Overall most callers wanted to know how the Yankees can improve at the trade deadline. Keith reiterates that Volpe is NOT a detriment to the Yankees.

On this episode of the Climbing Business Journal podcast, host Holly Chen sits down with Carly Snidow. Carly is a routesetter at Vital's Lower East Side location in Manhattan, New York. She has been climbing for almost a decade, and her setting career started like many others—setting college climbing walls and bugging local routesetters. Now, Carly is a USAC Level 1 routesetter with a dozen competitions under her belt up to the divisionals level. She has set for several citizens' comps as well, including Siege the Southeast. Carly is also a coach and personal trainer. Prior to setting, Carly studied philosophy, neuroscience and psychology. She has extensive lab experience spanning multiple disciplines, from microbiology to behavioral neuroscience and developmental psychology. Carly brings that scientific lens to the show today, challenging how we think about goal setting and success in the routesetting field. General Topics Covered How the scientific method can inform routesetting  The most common success indicator for setters in climbing competitions: separation Breaking away from separation as the only success indicator What is inductive reasoning, and how does it relate to routesetting Process versus outcome-oriented goal setting How do process and outcome-oriented goal setting influence our perception in climbing and routesetting Show Notes Find Carly Snidow on Instagram Vital, Lower East Side Inductive Logic Hippocampal and amygdala volumes vary with residential proximity to toxicants at Birmingham, Alabama's 35th Avenue Superfund site Closing Notes If you'd like to nominate someone as a guest, have a topic you want to see us tackle, or have questions, we'd love for you to reach out.  The Impact Driver podcast is a production of the Climbing Business Journal. Today's episode is sponsored by Butora and Essential Climbing. It was edited and produced by Holly Yu Tung Chen, Scott Rennak, and the team at CBJ. Our theme music is by Devin Dabney.

Blind Mango Chutney,  & Miss Dom slide into a New York Groove -  following Blind Mango's trippy opening track. The pair are then joined by a Special Studio Guest Jason Wald - Jason is a Kiwi & also a 95 BFM Alumni, Resident Lower East Sider (NYC) & Founder & Host of the East Village Jazz Show. The Jazz Gang get into a real cool Jazz Hangout during the course of the show  - jamming some sweet tunes. Jason as Guest Selector shares a bunch of his favorite  jazz jams - &  for the most part -  Jason's selections are centered around his & the station's New York Neighborhood of the Lower East Side. DJ Sassy joins & Hosts the  Jazz Gig Guide & also gets the crew percolating - by turning on a few rounds of super smooth, & awesome Expresso Martinis ! Miss Dom follows the Jazz Gig Guide with a Vinyl Fair Guide. Blind Mango rounds off by paying tribute to the recently passed Lalo Schifrin - & then hits a high as he Fizzes at his recently purchased VG+ Gene Ammons vinyl. P.S: Check out Jason Wald's past shows here: https://eastvillageradio.com/the-east-village-radio-jazz Stay Jazzed Folks!

The Season 11 Premiere!!Richard Osoria is the Assistant Director at Elements House, a clubhouse for individuals living with a mental illness.Osoria, has been in the healthcare field for over 20 years. Elements House opened its doors this past January 2025 in the Lower East Side of Manhattan, NYC.The Clubhouse International Model is an evidence-based approach that supports individuals with Serious Mental Illness (SMI) by engaging them as active members. This participation fosters a sense of agency and improves mental health, social skills, and vocational readiness while reducing hospitalization and homelessness.We discuss: The purpose of a clubhouseHow the clubhouse gets its members.What the members do while at the facility.A benefit of working at a clubhouse .For more information on Elements House go to https://www.nydis.org/Follow the podcast on instagram https://www.Instagram.com/thesocialworkrantspodcast The podcast is sponsored by Bas Moreno Consulting providing financial education and counseling for people of color in the sandwich generation who are struggling with their finances while caregiving. For more information follow on Instagram at https://www.instagram.com/basmorenoconsulting   #mentalhealth #socialwork

How has the media distorted Israel's response to the October 7 Hamas attacks? In this powerful conversation from AJC Global Forum 2025, award-winning journalist and former AP correspondent Matti Friedman breaks down the media bias, misinformation, and double standards shaping global coverage of Israel. Moderated by AJC Chief Communications and Strategy Officer Belle Etra Yoeli, this episode explores how skewed narratives have taken hold in the media, in a climate of activist journalism. A must-listen for anyone concerned with truth in journalism, Israel advocacy, and combating disinformation in today's media landscape. Take Action: Take 15 seconds and urge your elected leaders to send a clear, united message: We stand with Israel. Take action now. Resources: Global Forum 2025 session with Matti Friedman:: Watch the full video. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  John Spencer's Key Takeaways After the 12-Day War: Air Supremacy, Intelligence, and Deterrence Iran's Secret Nuclear Program and What Comes Next in the Iranian Regime vs. Israel War Why Israel Had No Choice: Inside the Defensive Strike That Shook Iran's Nuclear Program Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman: I've had the privilege of interviewing journalism colleague Matti Friedman: twice on this podcast. In 2022, Matti took listeners behind the scenes of Jerusalem's AP bureau where he had worked between 2006 and 2011 and shared some insight on what happens when news outlets try to oversimplify the Israeli-Palestinian conflict. Then in 2023, I got to sit down with Matti in Jerusalem to talk about his latest book on Leonard Cohen and how the 1973 Yom Kippur War was a turning point both for the singer and for Israel.  Earlier this year, Matti came to New York for AJC Global Forum 2025, and sat down with Belle Yoeli, AJC Chief Strategy and Communications Officer. They rehashed some of what we discussed before, but against an entirely different backdrop: post-October 7. For this week's episode, we bring you a portion of that conversation.  Belle Yoeli:   Hi, everyone. Great to see all of you. Thank you so much for being here. Matti, thank you for being here.  Matti Friedman:   Thanks for having me.  Belle Yoeli:   As you can tell by zero empty seats in this room, you have a lot of fans, and unless you want to open with anything, I'm going to jump right in. Okay, great.  So for those of you who don't know, in September 2024 Matti wrote a piece in The Free Press that is a really great foundation for today's discussion. In When We Started to Lie, Matti, you reflect on two pieces that you had written in 2015 about issues of media coverage of Israel during Operation Protective Edge in 2014. And this piece basically talked about the conclusions you drew and how they've evolved since October 7. We're gonna get to those conclusions, but first, I'm hoping you can describe for everyone what were the issues of media coverage of Israel that you first identified based on the experience in 2014? Matti Friedman:   First of all, thanks so much for having me here, and thanks for all of the amazing work that you guys are doing. So it's a real honor for me. I was a reporter for the AP, between 2006 and the very end of 2011, in Jerusalem. I was a reporter and editor. The AP, of course, as you know, is the American news agency. It's the world's largest news organization, according to the AP, according to Reuters, it's Reuters. One of them is probably right, but it's a big deal in the news world.  And I had an inside view inside one of the biggest AP bureaus. In fact, the AP's biggest International Bureau, which was in Jerusalem. So I can try to sketch the problems that I saw as a reporter there. It would take me seven or eight hours, and apparently we only have four or five hours for this lunch, so I have to keep it short. But I would say there are two main problems. We often get very involved. When we talk about problems with coverage of Israel. We get involved with very micro issues like, you call it a settlement. I call it a neighborhood. Rockets, you know, the Nakba, issues of terminology. But in fact, there are two major problems that are much bigger, and because they're bigger, they're often harder to see. One of the things that I noticed at the Bureau was the scale of coverage of Israel. So at the time that I was at the AP, again, between 2006 and the very end of 2011 we had about 40 full time staffers covering Israel. That's print reporters like me, stills photographers, TV crews. Israel, as most of you probably know, is a very small country. As a percentage of the world's surface, Israel is 1/100 of 1% of the surface of the world, and as a percentage of the land mass of the Arab world, Israel is 1/5 of 1%. 0.2%.  And we had 40 people covering it.  And just as a point of comparison, that was dramatically more people than we had at the time covering China. There are about 10 million people today in Israel proper, in China, there are 1.3 billion. We had more people in Israel than we had in China. We had more people in Israel than we had in India, which is another country of about 1.3 billion people. We had more people in Israel than we had in all of the countries of Sub-Saharan Africa. That's 50 something countries. So we had more people in Israel than we had in all of those countries combined. And sometimes I say that to Jews, I say we covered Israel more than we covered China, and people just stare at me blankly, because it's Israel. So of course, that makes perfect sense.  I happen to think Israel is the most important country in the world because I live there. But if the news is meant to be a rational analysis of events on planet Earth, you cannot cover Israel more than you cover the continent of Africa. It just doesn't make any sense. So one of the things that first jumped out at me– actually, that's making me sound smarter than I am. It didn't jump out at me at first. It took a couple of years. And I just started realizing that it was very strange that the world's largest organization had its largest international bureau in the State of Israel, which is a very small country, very small conflict in numeric terms. And yet there was this intense global focus on it that made people think that it was the most important story in the world. And it definitely occupies a place in the American political imagination that is not comparable to any other international conflict.  So that's one part of the problem. That was the scope, the other part was the context. And it took me a while to figure this out, but the coverage of Israel is framed as an Israeli-Palestinian conflict. The conflict is defined in those terms, the Israeli Palestinian conflict, and everyone in this room has heard it discussed in those terms. Sometimes we discuss it in those terms, and that is because the news folks have framed the conflict in those terms. So at the AP bureau in Jerusalem, every single day, we had to write a story that was called, in the jargon of the Bureau, Is-Pals, Israelis, Palestinians. And it was the daily wrap of the Israeli Palestinian conflict. So what Netanyahu said, what Abbas said, rockets, settlers, Hamas, you know, whatever, the problem is that there isn't an Israeli=Palestinian conflict. And I know that sounds crazy, because everyone thinks there is.  And of course, we're seeing conflicts play out in the most tragic way right now in Gaza. But most of Israel's wars have not been fought against Palestinians. Israel has unfortunately fought wars against Egyptians and Jordanians and Lebanese and Iraqis. And Israel's most important enemy at the moment, is Iran, right? The Iranians are not Palestinian. The Iranians are not Arab. They're Muslim, but they're not Arab. So clearly, there is a broader regional conflict that's going on that is not an Israeli Palestinian conflict, and we've seen it in the past year. If we had a satellite in space looking down and just following the paths of ballistic missiles and rockets fired at Israel. Like a photograph of these red trails of rockets fired at Israel. You'd see rockets being fired from Iraq and from Yemen and from Lebanon and from Gaza and from Iran. You'd see the contours of a regional conflict.  And if you understand it's a regional conflict, then you understand the way Israelis see it. There are in the Arab world, 300 million people, almost all of them Muslim. And in one corner of that world, there are 7 million Jews, who are Israelis. And if we zoom out even farther to the level of the Islamic world, we'll see that there are 2 billion people in the Islamic world. There's some argument about the numbers, but it's roughly a quarter of the world's population. And in one corner of that world there, there are 7 million Israeli Jews. The entire Jewish population on planet Earth is a lot smaller than the population of Cairo.  So the idea that this is an Israeli-Palestinian conflict, where Israelis are the stronger side, where Israelis are the dominant actor, and where Israelis are, let's face it, the bad guy in the story, that's a fictional presentation of a story that actually works in a completely different way. So if you take a small story and make it seem big. If you take a complicated regional story and you make it seem like a very small local story involving only Israelis and Palestinians, then you get the highly simplified but very emotive narrative that everyone is being subjected to now. And you get this portrayal of a villainous country called Israel that really looms in the liberal imagination of the West as an embodiment of the worst possible qualities of the age. Belle Yoeli:   Wow. So already you were seeing these issues when you were reporter, earlier on. But like this, some of this was before and since, since productive edge. This is over 10 years ago, and here we are. So October 7 happens. You already know these issues exist. You've identified them. How would you describe because obviously we have a lot of feelings about this, but like, strictly as a journalist, how would you describe the coverage that you've seen since during October 7, in its aftermath? Is it just these issues? Have they? Have they expanded? Are there new issues in play? What's your analysis? Matti Friedman:   The coverage has been great. I really have very I have no criticism of it. I think it's very accurate. I think that I, in a way, I was lucky to have been through what I went through 10 or 15 years ago, and I wasn't blindsided on October 7, as many people were, many people, quite naturally, don't pay close attention to this. And even people who are sympathetic to Israel, I think, were not necessarily convinced that my argument about the press was right. And I think many people thought it was overstated.  And you can read those articles from 2014 one was in tablet and one was in the Atlantic, but it's basically the two chapters of the same argument. And unfortunately, I think that those the essays, they stand up. In fact, if you don't really look at the date of the essays, they kind of seem that they could have been written in the past year and a half. And I'm not happy about that. I think that's and I certainly wrote them in hopes that they would somehow make things better. But the issues that I saw in the press 15 years ago have only been exacerbated since then. And October seven didn't invent the wheel. The issues were pre existing, but it took everything that I saw and kind of supercharged it.  So if I talked about ideological conformity in the bureaus that has been that has become much more extreme. A guy like me, I was hired in 2006 at the AP. I'm an Israeli of center left political leanings. Hiring me was not a problem in 22,006 by the time I left the AP, at the end of 2011 I'm pretty sure someone like me would not have been hired because my views, which are again, very centrist Israeli views, were really beyond the pale by the time that I left the AP, and certainly, and certainly today, the thing has really moved what I saw happening at the AP. And I hate picking on the AP because they were just unfortunate enough to hire me. That was their only error, but what I'm saying about them is true of a whole new. Was heard. It's true of the Times and CNN and the BBC, the news industry really works kind of as a it has a herd mentality. What happened was that news decisions were increasingly being made by people who are not interested in explanatory journalism. They were activists. Activists had moved into the key positions in the Bureau, and they had a very different idea of what press coverage was supposed to do. I would say, and I tried to explain it in that article for the free press, when I approach a news story, when I approach the profession of journalism, the question that I'm asking is, what's going on? That's the question I think you're supposed to ask, what's going on? How can I explain it in a way that's as accurate as as possible? The question that was increasingly being asked was not what's going on. The question was, who does this serve? That's an activist question. So when you look at a story, you don't ask, is it true, or is it not true? You ask, who's it going to help? Is it going to help the good guys, or is it going to help the bad guys?  So if Israel in the story is the villain, then a story that makes Israel seem reasonable, reasonable or rational or sympathetic needs to be played down to the extent possible or made to disappear. And I can give you an example from my own experience.  At the very end of 2008 two reporters in my bureau, people who I know, learned of a very dramatic peace offer that Prime Minister Ehud Olmert had made to the Palestinians. So Olmert, who was the prime minister at the time, had made a very far reaching offer that was supposed to see a Palestinian state in all of Gaza, most of the West Bank, with land swaps for territory that Israel was going to retain, and a very far reaching international consortium agreement to run the Old City of Jerusalem. Was a very dramatic. It was so far reaching, I think that Israelis probably wouldn't have supported it. But it was offered to the Palestinian side, and the Palestinians rejected it as insufficient. And two of our reporters knew about this, and they'd seen a map of the offer. And this was obviously a pretty big story for a bureau that had as the thrust of its coverage the peace process.  The two reporters who had the story were ordered to drop it, they were not allowed to cover the story. And there were different explanations. And they didn't, by the way, AP did not publish the story at the time, even though we were the first to have it. Eventually, it kind of came out and in other ways, through other news organizations. But we knew at first. Why were we not allowed to cover it? Because it would have made the Israelis who we were trying to villainize and demonize, it would have made Israel seem like it was trying to solve the conflict on kind of reasonable lines, which, of course, was true at that time. So that story would have upended the thrust of our news coverage. So it had to be made to go away, even though it was true, it would have helped the wrong people. And that question of who does this serve has destroyed, I want to say all, but much, of what used to be mainstream news coverage, and it's not just where Israel is concerned.  You can look at a story like the mental health of President Biden, right. Something's going on with Biden at the end of his term. It's a huge global news story, and the press, by and large, won't touch it, because why? I mean, it's true, right? We're all seeing that it's true, but why can't you touch it? Because it would help the wrong people. It would help the Republicans who in the press are the people who you are not supposed to help.  The origins of COVID, right? We heard one story about that. The true story seems to be a different story. And there are many other examples of stories that are reported because they help the right people, or not reported because they would help the wrong people. And I saw this thinking really come into action in Israel 10 or 15 years ago, and unfortunately, it's really spread to include the whole mainstream press scene and really kill it.  I mean, essentially, anyone interested in trying to get a solid sense of what's going on, we have very few options. There's not a lot, there's not a lot out there. So that's the broader conclusion that I drew from what I thought at the time was just a very small malfunction involving Israel coverage. But Israel coverage ends up being a symptom of something much bigger, as Jews often are the symptom of something much bigger that's going on.  So my problems in the AP bureau 15 years ago were really a kind of maybe a canary in the coal mine, or a whiff of something much bigger that we were all going to see happen, which is the transformation of the important liberal institutions of the west into kind of activist arms of a very radical ideology that has as its goal the transformation of the west into something else. And that's true of the press, and it's true of NGO world, places like Human Rights Watch and Amnesty International, which were one thing 30 years ago and are something very different today. And it's also true of big parts of the academy. It's true of places like Columbia and places like Harvard, they still have the logo, they still have the name, but they serve a different purpose, and I just happen to be on the ground floor of it as a reporter. Belle Yoeli:   So obviously, this concept of who does this serve, and this activist journalism is deeply concerning, and you actually mentioned a couple other areas, academia, obviously we're in that a lot right now in terms of what's going on campus. So I guess a couple of questions on that. First of all, think about this very practically, tachlis, in the day to day.  I'm a journalist, and I go to write about what's happening in Gaza. What would you say is, if you had to throw out a percentage, are all of them aware of this activist journalist tendency? Or you think it's like, like intentional for many of them, or it's sort of they've been educated that way, and it's their worldview in such a way that they don't even know that they're not reporting the news in a very biased way. Does that make sense? Matti Friedman:   Totally. I think that many people in the journalism world today view their job as not as explaining a complicated situation, but as swaying people toward the correct political conclusion. Journalism is power, and the power has to be wielded in support of justice. Now, justice is very slippery, and, you know, choosing who's in the right is very, very slippery, and that's how journalism gets into a lot of trouble. Instead of just trying to explain what's going on and then leave, you're supposed to leave the politics and the activism to other people. Politics and activism are very important.  But unless everyone can agree on what is going on, it's impossible to choose the kind of act, the kind of activism that would be useful. So when the journalists become activists, then no one can understand what's what's going on, because the story itself is fake, and there are many, many examples of it. But you know, returning to what you asked about, about October 7, and reporting post October 7, you can really see it happen. The massacres of October 7 were very problematic for the ideological strain that now controls a lot of the press, because it's counterintuitive. You're not supposed to sympathize with Israelis.  And yet, there were a few weeks after October 7 when they were forced to because the nature of the atrocities were so heinous that they could not be ignored. So you had the press covering what happened on October 7, but you could feel it. As someone who knows that scene, you could feel there was a lot of discomfort. There was a lot of discomfort. It wasn't their comfort zone, and you knew that within a few weeks, maybe a month, it was gonna snap back at the first opportunity.  When did it snap back? In the story of the Al Ahli hospital strike. If you remember that a few weeks in, there's a massive global story that Israel has rocketed Hospital in Gaza and killed about 500 people and and then you can see the kind of the comfort the comfort zone return, because the story that the press is primed to cover is a story about villainous Israelis victimizing innocent Palestinians, and now, now we're back. Okay. Now Israel's rocketing hospital. The problem was that it hadn't happened, and it was that a lot of stories don't happen, and they're allowed to stand.  But this story was so far from the truth that even the people involved couldn't make it work, and it had to be retracted, but it was basically too late. And then as soon as the Israeli ground offensive got into swing in Gaza, then the story really becomes the same old story, which is a story of Israel victimizing Palestinians for no reason. And you'll never see Hamas militants in uniform in Gaza. You just see dead civilians, and you'll see the aftermath of a rocket strike when the, you know, when an Israeli F16 takes out the launcher, but you will never see the strike. Which is the way it's worked in Gaza since the very end of 2008 which is when the first really bad round of violence in Gaza happens, which is when I'm at the AP.  As far as I know, I was the first staffer to erase information from the story, because we were threatened by Hamas, which happened at the very end of 2008. We had a great reporter in Gaza, a Palestinian who had always been really an excellent reporter. We had a detail in a story. The detail was a crucial one. It was that Hamas fighters were dressed as civilians and were being counted as civilians in the death toll, an important thing to know, that went out in an AP story. The reporter called me a few hours later. It was clear that someone had spoken to him, and he told me, I was on the desk in Jerusalem, so I was kind of writing the story from the main bureau in Jerusalem. And he said, Matti, you have to take that detail out of the story. And it was clear that someone had threatened him. I took the detail out of the story. I suggested to our editors that we note in an Editor's Note that we were now complying with Hamas censorship. I was overruled, and from that point in time, the AP, like all of its sister organizations, collaborates with Hamas censorship in Gaza.  What does that mean? You'll see a lot of dead civilians, and you won't see dead militants. You won't have a clear idea of what the Hamas military strategy is. And this is the kicker, the center of the coverage will be a number, a casualty number, that is provided to the press by something called the Gaza health ministry, which is Hamas. And we've been doing that since 2008, and it's a way of basically settling the story before you get into any other information. Because when you put, you know, when you say 50 Palestinians were killed, and one Israeli on a given day, it doesn't matter what else you say. The numbers kind of tell their own story, and it's a way of settling the story with something that sounds like a concrete statistic. And the statistic is being, you know, given to us by one of the combatant sides. But because the reporters sympathize with that side, they're happy to play along. So since 2008, certainly since 2014 when we had another serious war in Gaza, the press has not been covering Gaza, the press has been essentially an amplifier for one of the most poisonous ideologies on Earth. Hamas has figured out how to make the press amplify its messaging rather than covering Hamas. There are no Western reporters in Gaza. All of the reporters in Gaza are Palestinians, and those people fall into three categories. Some of them identify with Hamas. Some of them are intimidated by Hamas and won't cross Hamas, which makes a lot of sense. I wouldn't want to cross Hamas either. So either. And the third category is people who actually belong to Hamas. That's where the information from Gaza is coming from. And if you're credulous, then of course, you're going to get a story that makes Israel look pretty bad. Belle Yoeli:   So this is very depressing. That's okay. It's very helpful, very depressing. But on that note, I would ask you so whether, because you spoke about this problem in terms, of, of course, the coverage of Israel, but that it's it's also more widespread you talk, you spoke about President Biden in your article, you name other examples of how this sort of activist journalism is affecting everything we read. So what should everyone in this room be reading, truly, from your opinion. This is Matti's opinion. But if you want to you want to get information from our news and not activist journalism, obviously The Free Press, perhaps. But are there other sites or outlets that you think are getting this more down the line, or at least better than some, some better than others?  Matti Friedman:   No, it's just The Free Press. No. I mean, it's a question that I also wrestle with. I haven't given up on everyone, and even in publications that have, I think, largely lost the plot, you'll still find good stuff on occasion. So I try to keep my eye on certain reporters whose name I know. I often ask not just on Israel, but on anything, does this reporter speak the language of the country that they're covering? You'd be shocked at how rare that is for Americans. A lot of the people covering Ukraine have no idea what language they speak in Ukraine, and just as someone who covers Israel, I'm aware of the low level of knowledge that many of the Western reporters have. You'll find really good stuff still in the Atlantic. The Atlantic has managed, against steep odds, to maintain its equilibrium amid all this. The New Yorker, unfortunately, less so, but you'll still see, on occasion, things that are good. And there are certain reporters who are, you know, you can trust. Isabel Kirchner, who writes for The New York Times, is an old colleague of mine from the Jerusalem report. She's excellent, and they're just people who are doing their job. But by and large, you have to be very, very suspicious of absolutely everything that you read and see. And I'm not saying that as someone who I'm not happy to say that, and I certainly don't identify with, you know, the term fake news, as it has been pushed by President Trump.  I think that fake news is, you know, for those guys, is an attempt to avoid scrutiny. They're trying to, you know, neuter the watchdog so that they can get away with whatever they want. I don't think that crowd is interested in good press coverage. Unfortunately, the term fake news sticks because it's true. That's why it has worked. And the press, instead of helping people navigate the blizzard of disinformation that we're all in, they've joined it. People who are confused about what's going on, should be able to open up the New York Times or go to the AP and figure out what's going on, but because, and I saw it happen, instead of covering the circus, the reporters became dancing bears in the circus. So no one can make heads or tails of anything. So we need to be very careful.  Most headlines that are out there are out there to generate outrage, because that's the most predictable generator of clicks, which is the, we're in a click economy. So I actually think that the less time you spend following headlines and daily news, the better off you'll be. Because you can follow the daily news for a year, and by the end of the year, you'll just be deranged. You'll just be crazy and very angry.  If you take that time and use it to read books about, you know, bitten by people who are knowledgeable, or read longer form essays that are, you know, that are obviously less likely to be very simplistic, although not, you know, it's not completely impossible that they will be. I think that's time, that's time better spent. Unfortunately, much of the industry is kind of gone. And we're in an interesting kind of interim moment where it's clear that the old news industry is basically dead and that something new has to happen. And those new things are happening. I mean, The Free Press is part of a new thing that's happening. It's not big enough to really move the needle in a dramatic way yet, but it might be, and I think we all have to hope that new institutions emerge to fill the vacuum.  The old institutions, and I say this with sorrow, and I think that this also might be true of a lot of the academic institutions. They can't be saved. They can't be saved. So if people think that writing an editor, a letter to the editor of the New York Times is going to help. It's not going to help. Sometimes people say, Why don't we just get the top people in the news industry and bring them to Israel and show them the truth? Doesn't help. It's not about knowing or not knowing. They define the profession differently.  So it's not about a lack of information. The institutions have changed, and it's kind of irrevocable at this point, and we need new institutions, and one of them is The Free Press, and it's a great model of what to do when faced with fading institutions. By the way, the greatest model of all time in that regard is Zionism. That's what Zionism is. There's a guy in Vienna in 1890 something, and his moment is incredibly contemporary. There's an amazing biography of Herzl called Herzl by Amos Elon. It's an amazing book. If you haven't read it, you should read it, because his moment in cosmopolitan Vienna sounds exactly like now. It's shockingly current. He's in this friendly city. He's a reporter for the New York Times, basically of the Austro Hungarian empire, and he's assimilated, and he's got a Christmas tree in his house, and his son isn't circumcised, and he thinks everything is basically great. And then the light changes.  He notices that something has changed in Vienna, and the discourse about Jews changes, and like in a Hollywood movie, the light changes. And he doesn't try to he doesn't start a campaign against antisemitism. He doesn't get on social media and kind of rail against unfair coverage. He sits down in a hotel room in Paris and he writes this pamphlet called the Jewish state, and I literally flew from that state yesterday. So there's a Zionist model where you look at a failing world and you think about radical solutions that involve creation. And I think we're there. And I think Herzl's model is a good one at a dark time you need real creativity. Belle Yoeli:   Thank God you found the inspiration there, because I was really, I was really starting to worry. No, in all seriousness, Matti, the saying that these institutions can't be saved. I mean the consequences of this, not just for us as pro-Israel, pro-Jewish advocates, but for our country, for the world, the countries that we come from are tremendous.  And the way we've been dealing with this issue and thinking about how, how can you change hearts and minds of individuals about Israel, about the Jewish people, if everything that they're reading is so damaging and most of what they're reading is so damaging and basically saying there's very little that we can do about that. So I am going to push you to dream big with us. We're an advocacy organization. AJC is an advocacy organization. So if you had unlimited resources, right, if you really wanted to make change in this area, to me, it sounds like you're saying we basically need 15 Free Presses or the new institutions to really take on this way. What would you do? What would you do to try to make it so that news media were more like the old days? Matti Friedman:   Anyone who wants unlimited resources should not go into journalism. I have found that my resources remain limited. I'll give you an answer that is probably not what you're expecting or not what you want here. I think that the fight can't be won. I think that antisemitism can't be defeated. And I think that resources that are poured into it are resources wasted. And of course, I think that people need legal protection, and they need, you know, lawyers who can protect people from discrimination and from defamation. That's very important. But I know that when people are presented with a problem like antisemitism, which is so disturbing and it's really rocking the world of everyone in this room, and certainly, you know, children and grandchildren, you have a problem and you want to address it, right? You have a really bad rash on your arm. You want the rash to go away, and you're willing to do almost anything to make it go away. This has always been with us. It's always been with us.  And you know, we recently celebrated the Seder, and we read in the Seder, in the Haggadah, l'chol dor vador, omdim aleinu l'chaloteinu. Which is, in every generation, they come at us to destroy us. And it's an incredibly depressing worldview. Okay, it's not the way I wanted to see the world when I grew up in Toronto in the 1990s. But in our tradition, we have this idea that this is always gonna be around. And the question is, what do you do? Do you let other people define you? Do you make your identity the fight against the people who hate you? And I think that's a dead end.  This crisis is hitting the Jewish people at a moment when many of us don't know who we are, and I think that's why it's hitting so hard. For my grandfather, who was a standard New York Jew, garment industry, Lower East Side, poor union guy. This would not have shaken him, because he just assumed that this was the world like this. The term Jewish identity was not one he ever heard, because it wasn't an issue or something that had to be taught. So if I had unlimited resources, what I would do is I would make sure that young Jewish people have access to the riches of Jewish civilization, I would, you know, institute a program that would allow any young Jewish person to be fluent in Hebrew by the time they finish college. Why is that so important? Why is that such an amazing key?  Because if you're fluent in Hebrew, you can open a Tanakh, or you can open a prayer book if you want. Or you can watch Fauda or you can get on a plane to Israel and hit on Israeli guys. Hebrew is the key to Jewish life, and if you have it, a whole world will open up. And it's not one that antisemites can interfere with. It does not depend on the goodwill of our neighbors. It's all about us and what we're doing with ourselves. And I think that if you're rooted in Jewish tradition, and I'm not saying becoming religious, I'm just saying, diving into the riches of Jewish tradition, whether it's history or gemara or Israel, or whatever, if you're if you're deep in there enough, then the other stuff doesn't go away, but it becomes less important.  It won't be solved because it can't be solved, but it will fade into the background. And if we make the center of identity the fight against antisemitism, they've won. Why should they be the center of our identity? For a young person who's looking for some way of living or some deep kind of guide to life, the fight against antisemitism is not going to do it, and philanthropy is not going to do it. We come from the wisest and one of the oldest civilizations in the world, and many of us don't know how to open the door to that civilization, and that's in our hands. And if we're not doing it, it's not the fault of the antisemites. It's our own fault. So if I had unlimited resources, which, again, it's not, it's not going to happen unless I make a career change, that's where I would be putting my effort. Internally and not externally.  Belle Yoeli:   You did find the inspiration, though, again, by pushing Jewish identity, and we appreciate that. It's come up a lot in this conversation, this question about how we fight antisemitism, investing in Jewish identity and who we are, and at the same time, what do we do about it? And I think all of you heard Ted in a different context last night, say, we can hold two things, two thoughts at the same time, right? Two things can be true at the same time. And I think for me, what I took out of this, in addition to your excellent insights, is that that's exactly what we have to be doing.  At AJC, we have to be engaging in this advocacy to stand up for the Jewish people and the State of Israel. But that's not the only piece of the puzzle. Of course, we have to be investing in Jewish identity. That's why we bring so many young people to this conference. Of course, we need to be investing in Jewish education. That's not necessarily what AJC is doing, the bulk of our work, but it's a lot of what the Jewish community is doing, and these pieces have to go together. And I want to thank you for raising that up for us, and again, for everything that you said. Thank you all so much for being here. Thank you. Manya Brachear Pashman: If you missed last week's episode, be sure to tune in as John Spencer, Chair of Urban Warfare Studies at West Point, breaks down Israel's high-stakes strike on Iran's nuclear infrastructure and the U.S. decision to enter the fight. 

In 2009, Eddie Huang, author of the acclaimed memoir Fresh Off the Boat, opens Baohaus, his first Taiwanese restaurant on Manhattan's Lower East Side. It's a wild, chaotic gamble that exemplifies Eddie's spirit. But as the restaurant's success grows, Eddie is faced with the challenge of either sticking to his principles or living someone else's dream for his life.Each episode of Meditative Story combines the emotional pull of first-person storytelling with immersive music and gentle mindfulness prompts. Read the transcript for this story: meditativestory.comSign up for the Meditative Story newsletter: https://meditativestory.com/subscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On June 5, 1975, on the seedy stage of CBGB on the Lower East Side of Manhattan, a band named Talking Heads took the stage for the first time. Unlike the Ramones, for whom they were opening, they weren't sporting black leather jackets or edgy haircuts. David Byrne and Chris Frantz had met at art school a few years before, and the bassist, Tina Weymouth, had only learned to play her instrument six months prior. But within a few weeks, Talking Heads would be plastered on the cover of the Village Voice, well on their way to utterly transforming the downtown New York music scene. After Jerry Harrison joined Talking Heads in 1977, the band would go on to radically alter rock music's relationship to avant-garde art and performance. In his new book, Burning Down the House, Jonathan Gould tells the story of how Talking Heads experimented their way to a singular musical style over the course of eight studio albums and one incredible concert film, Stop Making Sense, and he discusses their enduring influence despite having disbanded more than 30 years ago.Go beyond the episode:Jonathan Gould's Burning Down the House: Talking Heads and the New York Scene That Transformed RockRead about the origin of Stop Making Sense—and then watch it, of courseCheck out the new “Psycho Killer” music video starring Saoirse Ronan, made in honor of the 40th anniversary of the first Talking Heads performanceTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

It's the end of June. It's hot. And it's time to take a look back at the hot art stories of the last month. Today the Art Angle team has picked out three items. On the agenda: —The announcement of a brand new, ambitious museum-like art venue, Canyon, dedicated to immersive video art, on the Lower East Side. We'll also talk about the general state of immersive art attractions. —What went down at Art Basel, the big Swiss art fair that is the art industry's most important event, and the ongoing chaos in art prices. —And finally, the Oscar-winning actor Adrien Brody's painting show in New York City, which has everyone talking—or at least, tittering. Culture editor Min Chen joins art critic Ben Davis and Artnet senior editor—and Art Angle co-host—Kate Brown to talk about it all.

It's the end of June. It's hot. And it's time to take a look back at the hot art stories of the last month. Today the Art Angle team has picked out three items. On the agenda: —The announcement of a brand new, ambitious museum-like art venue, Canyon, dedicated to immersive video art, on the Lower East Side. We'll also talk about the general state of immersive art attractions. —What went down at Art Basel, the big Swiss art fair that is the art industry's most important event, and the ongoing chaos in art prices. —And finally, the Oscar-winning actor Adrien Brody's painting show in New York City, which has everyone talking—or at least, tittering. Culture editor Min Chen joins art critic Ben Davis and Artnet senior editor—and Art Angle co-host—Kate Brown to talk about it all.

A young man comes of age and crosses continents in search of an identity--and a cause--at the dawn of the Spanish Civil War in a thrilling, timely, and emotional historical saga. New York City, 1929. Young Theo Sterling's world begins to unravel as the Great Depression exerts its icy grip. He finds it hard to relate to his parents: His father, a Jewish self-made businessman, refuses to give up on the American dream, and his mother, a refugee from religious persecution in Mexico, holds fast to her Catholic faith. When disaster strikes the family, Theo must learn who he is. A charismatic school friend and a firebrand girl inspire him to believe he can fight Fascism and change the world, but each rebellion comes at a higher price, forcing Theo to question these ideologies too. From New York's Lower East Side to an English boarding school to an Andalusian village in the foothills of the Sierra Nevada, Theo's harrowing journey from boy to man is set against a backdrop of societies torn apart from within, teetering on the edge of a terrible war to which Theo is compulsively drawn like a moth to a flame. The Palace at the End of the Sea: A Novel (Lake Union Publishing, 2025) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A young man comes of age and crosses continents in search of an identity--and a cause--at the dawn of the Spanish Civil War in a thrilling, timely, and emotional historical saga. New York City, 1929. Young Theo Sterling's world begins to unravel as the Great Depression exerts its icy grip. He finds it hard to relate to his parents: His father, a Jewish self-made businessman, refuses to give up on the American dream, and his mother, a refugee from religious persecution in Mexico, holds fast to her Catholic faith. When disaster strikes the family, Theo must learn who he is. A charismatic school friend and a firebrand girl inspire him to believe he can fight Fascism and change the world, but each rebellion comes at a higher price, forcing Theo to question these ideologies too. From New York's Lower East Side to an English boarding school to an Andalusian village in the foothills of the Sierra Nevada, Theo's harrowing journey from boy to man is set against a backdrop of societies torn apart from within, teetering on the edge of a terrible war to which Theo is compulsively drawn like a moth to a flame. The Palace at the End of the Sea: A Novel (Lake Union Publishing, 2025) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

The city speaks in static. And sometimes… it answers back. This week on The Devil Within, we bring you two terrifying tales from beneath the surface of Manhattan—where signals hum through old copper wires and ancient tunnels echo with hunger.

The manhunt for the man accused of killing Minnesota State Representative Melissa Hortman and her husband is over. He now faces six federal charges. New York City is expanding the NYPD's Quality of Life Division. It's a team focused on fixing everyday problems like illegal e-bikes, abandoned vehicles, and street noise. New York's Mobile ID turns one year old. Over 200-thousand people now use the digital ID on their phones to get through airport security and verify their age at bars. The MTA is planning a grand summer for New York. As they prepare for the summer rush, they announced a partnership with Grand Central Terminal to host a variety of summer events celebrating the iconic station. WFUV's Joseph Vizza reports. The Center for Wellbeing and Happiness is a space on the Lower East Side that prioritizes the holistic needs of the community. WFUV's Lainey Nguyen meets with the non-profit Senior Program Manager, Kiera Del Vecchio, to highlight the organization. What's What explores current events, culture, news and hot topic issues surrounding the New York metropolitan area. The weekday show includes features, interviews and music news exclusively from WFUV. New episodes air every weekday after 4pm. News Host and Producer: Andrew McDonald Editor: Robin Shannon Theme Music: Joe Bergsieker

On this episode of #LatinosOutLoud, #RachelLaLoca is on location at Café Colmado on the Lower East Side of Manhattan and sips on cafecito with actress, comedian, and content creator Jasmine Ruiz. Aside from creating comedic content focused on the NYC experience she created her very own company, Moments Coffee! Crafted with connection in mind, Moments Coffee is all about sharing life's special moments (whether it's an important business meeting or chit chatting at the table with grandma) over a cup of freshly roasted and brewed coffee. It's cafecito for the soul. For more info, click here Follow Rachel Follow Latinos Out Loud Follow Jasmine And while you're at it, follow the yellow brick road... #LatinosOutLoud #Comedy #JasmineRuiz #RachelLaLoca #Podcast #Moments Coffee #Latina #Comedian

Read the full transcript here. In times of such extreme political polarization, where can we find common ground? Should we require disclosure of AI authorship? Should AI companies be required to provide fingerprinting tools that can identify when something has been generated by one of their models? Should movie theaters be required to report when movies actually start? Should members of Congress be prohibited from insider trading? Should gerrymandering be outlawed? Should there be age limits on political office? Should we provide free school meals nation-wide? What roadblocks stand in the way of people being able to vote on their phones? What's Spencer's formula for productivity? Which of the productivity factors do most people fail to take into account? What are some "doubly-rewarding" activities? Is altruism a harmful idea? What are people worst at predicting?Bradley Tusk is a venture capitalist, political strategist, philanthropist, and writer. He is the CEO and co-founder of Tusk Ventures, the world's first venture capital fund that invests solely in early stage startups in highly regulated industries, and the founder of political consulting firm Tusk Strategies. Bradley's family foundation is funding and leading the national campaign to bring mobile voting to U.S. elections and also has run anti-hunger campaigns in 24 different states, helping to feed over 13 million people. He is also an adjunct professor at Columbia Business School. Before Vote With Your Phone, Bradley authored The Fixer: My Adventures Saving Startups From Death by Politics and Obvious in Hindsight. He hosts a podcast called Firewall about the intersection of tech and politics, and recently opened an independent bookstore, P&T Knitwear, on Manhattan's Lower East Side. In his earlier career, Bradley served as campaign manager for Mike Bloomberg's 2009 mayoral race, as Deputy Governor of Illinois, overseeing the state's budget, operations, legislation, policy, and communications, as communications director for US Senator Chuck Schumer, and as Uber's first political advisor. Connect with Bradley on Substack and LinkedIn.Further readingEpisode 230: Who really controls US elections? (with Bradley Tusk) StaffSpencer Greenberg — Host / DirectorJosh Castle — ProducerRyan Kessler — Audio EngineerUri Bram — FactotumWeAmplify — TranscriptionistsIgor Scaldini — Marketing ConsultantMusicBroke for FreeJosh WoodwardLee RosevereQuiet Music for Tiny Robotswowamusiczapsplat.comAffiliatesClearer ThinkingGuidedTrackMind EasePositlyUpLift[Read more]

Raphi Fulcher's Musical Journey and Life as a Black Orthodox Jew   In this episode, Raphi Fulcher, also known as Hebrew, discusses his unique background and perspectives. Growing up as the youngest of six children to parents who converted to Judaism in the 1960s, Raphi shares his experiences moving across different states and eventually studying in Israel. Currently a project manager in digital marketing, Raphi is also a passionate musician. He talks about his musical influences, family background in music, and the transformative experience of performing live. Raphi sheds light on the challenges of dating within the Orthodox Jewish community as a Black man and the importance of finding a partner who understands and is prepared for those challenges. He also discusses the significance of Torah values and the importance of addressing 'otherness' in the Jewish community. Additionally, Raphi shares insights into his music career, Jewish music festivals, and his aspirations to create music that heals and educates.   00:00 Introduction and Background 00:36 Religious and Professional Journey 03:05 Musical Beginnings 04:20 First Performance and Health Struggles 07:24 Stage Name and Identity 09:00 Growing Up Orthodox 20:46 Dating Challenges 29:14 Navigating Relationships and Conversion 30:44 Qualities I'm Looking for in a Partner 32:24 Challenges in Finding the Right Match 35:10 The Birth of a Jewish Music Festival 37:14 Balancing Tradition and Modernity in Music 43:21 The Deeper Meaning of Cain and Hevel 48:45 Practical Advice for Facing Fear 51:39 Sharing My Music and Inspirations   https://www.hebromusic.com https://www.instagram.com/hebromusic/ https://www.youtube.com/@Hebromusic   www.JewishCoffeeHouse.com franciskakay@gmail.com   About Raphi: Raphi Fulcher is a man on a mission, a soldier, or a “soulja,” if you will, in the army of Hashem. So intent is he on spreading his message of acceptance and brotherhood through rap and hip hop music, that he performs under the name Hebro, a Fulcher-ism that declares his intent to use his artistic abilities to better the world as he serves in the ranks of God's military. The youngest of six children born to African-American parents who converted to Judaism 43 years ago under the guidance of Rabbi J.J. Hecht, the then-assistant to the Lubavitcher Rebbe, Fulcher hails from a family of gifted vocalists. The singer, songwriter, rapper and producer lived in Crown Heights until he was four and spent his formative years in North Carolina, St. Louis and Israel. It was during his time as a student at Queens College that Fulcher, whose full name is Raphael Ohr Chayim, discovered his gift for singing publicly. “I was on the board at Chabad of Queens College and we staged musical events. I found that I had a deep passion for live performance,” Fulcher told The Jewish Link. After spending a Lag B'omer at the Chevra Ahavas Yisroel synagogue, Fulcher found himself falling in love with Crown Heights and he spent the next five years there, enjoying the unique warmth of the community and honing his musical voice. Deeply enamored with rap, hip hop, reggae and R&B music, Fulcher decided that the time had come to bring those genres to Jewish audiences, albeit with all new lyrics. “Just the music and the rhythm are very powerful and could resonate with a lot of people if we had positive, uplifting content,” said Fulcher, who previously performed under the name Hebro. “I kept imagining how powerful it would be if I added a real element that would allow listeners to vibe out to the rhythm, with lyrics that have meaning and purpose. I don't think you can deny that it is Jewish music.” Having stretched his musical wings on stage with Matisyahu, Nissim Black, Moshav Band, Lipa Schmeltzer, Zusha and others, Fulcher decided three years ago that it was time to share his God given gifts with the world in a debut EP titled Genesis. “It is an album that is inspired by Tehillim, by King David's work,” said Fulcher. “When I imagine David Hamelech performing during his life, I imagine that his music had rhythm and spirit and with all due respect, I don't think it sounded like the typical 'Jewish' music we hear today in the orthodox world” Genesis, featuring seven original compositions, will be released on March 17th, Rosh Chodesh Nissan. Fulcher is looking forward to sharing his music at a release party taking place at The Loft and Rooftop at 83 Essex Street on Manhattan's Lower East Side of Manhattan which will also feature up and coming talents Izzy Gilden, DJ Kamilly, Simple Man and others. His soon to be released Souljass music video, featuring one of the tracks on the EP, tells the story of Cain and Hevel, which Fulcher sees as the start of baseless hatred in the world. “I want to shed light on being fearful of what we don't control or understand,” said Fulcher. “There is a message there in Cain's conversation with Hashem, when he says he doesn't know where his brother is. If we focused on the other person, if we were conscious of one another, and were tolerant of each other, we would be able to bring about the ultimate redemption.” Still, Fulcher, a resident of the Wesley Hills section of Monsey, is subtle with his messaging. “I consider myself a chasid of the Lubavitcher Rebbe and his teachings and his mission,” said Fulcher. “That is what I wanted to do with this album of songs about redemption and while I may not mention that concept by name, it is there in broader terms and in a way that will allow more people to enjoy the music.” With an edgy style that is simultaneously youthful and appealing, Fulcher is a crossover artist who can appeal to the masses, but also has his priorities straight. Passionate about his music, he is even more dedicated to his religious observance. As someone with close ties to Chabad, Fulcher feels strongly about his own obligation to improve the lives of others. “My ultimate mission with my music is to do my part to bring redemption,” explained Fulcher. “I consider this to be my shlichut and I believe each of us has to bring the world to a higher state of perfection by doing chesed, by reaching out and not just harboring light, but shining light out onto the world.” Having been the only African-American student in the yeshivos he attended since first grade wasn't always easy, admitted Fulcher, but it was an experience that prepared him for his future. “It was challenging for myself and for my peers,” said Fulcher. “It was a reality that none of them had ever dealt with before and it was new for them. Still, growing up as an African-American Jew in a white Orthodox Jewish world gave me the experience to understand the potential of breaking down the barriers of fear and difference while creating an opportunity for growth. B'nei Yisrael come in all shapes and colors and sizes and the sooner we can all handle that the sooner we will all be b'simcha.”

In the wake of major cuts to the National Endowment for the Arts, we speak with tap legend Jane Goldberg about the Changing Times Tap Initiative Grant. Creating new work has always been about piecing together resources to achieve your vision. Tune in as the Tap Goddess of the Lower East Side shares how this grant could be a key piece in your puzzle. https://janegoldberg.org/changingtimestapinitiative/ Support the work of Tap Love Tour through our Patreon here: https://www.patreon.com/travisknights

Bagels are one of the most famous NYC foods and a MUST-have during your time here. Many people argue that New York is the capital of the world for bagels.Why are the bagels so good in NYC?Many people claim that the bagels in NYC are so amazing because the tap water here is considered some of the best in the world. NYC has "soft" water from the Catskill Mountains, meaning it has lower concentrations of calcium and magnesium. The mineral content in water affects the gluten in the dough. Extra hard water strengthens the gluten, which can cause tougher baked goods, meaning softer water yields softer baked goods. Some bagel experts claim the bagels are so good in NYC because of the refined bagel techniques, including longer proofing time and boiling techniques before baking. Either way, the bagels in New York City are truly second to none.Liberty Bagels4 locations in NYC. 5th Ave by the Plaza Hotel/Central Park. Midtown location by Herald Square. Fidi location. Queens location.They offer fun-flavored cream cheeses and always have rainbow bagels (plain flavor with fun colors). It also features seasonal colors, which are a fun addition. We love the BEC, works bagel, and blueberry bagel. Try the cream cheese before you commit to an entire bagel's worth of it. We recommend ordering ahead of time on weekends and holidays. Otherwise, the line takes about 30 minutes on a busy weekend morning.PopUp Bagels6 locations in NYC (some in Massachusetts, Connecticut, Long Island, NY).Ashley's new favorite bagel spot in the city!!They sell the bagels in increments of 3. For example, the smallest order is 3 bagels and 1 schmear, which is great for 2 people and costs $12.The menu is simple and they only have 5 bagel flavors (Plain, Sesame, Everything, Salt, Poppyseed). Then they have plain cream cheese, scallion, seasonal cream cheese, butter, and vegan schmear options. It's the softest and freshest bagels I've ever had, and also the best scallion cream cheese I've ever had.Pick-A-BagelPick a bagel is a solid option, and they have a few locations around the city. We like their bagels with cream cheese and their bacon, egg, and cheese sandwich on everything.The ordering process can be a little chaotic, so be prepared for that.Russ & DaughtersSince 1914, this landmark NYC institution has been continuously owned and operated by four generations of the Russ family. A classic bagel establishment serving a variety of bagels, lox, pickles, and desserts. It's been open for more than a century and has 2 locations on the Lower East Side, one in Hudson Yards, and one in Brooklyn.Getting a platter can be fun if you want to sit down and have a true experience with a variety of spreads, breads, and smoked fish. If you want a bagel with lox, plan on it costing around $20. This place has a wide variety of options. You can get a regular bagel and cream cheese or you could buy caviar. I sampled the pastrami-cured smoked salmon, and it was the best of my entire life. Apollo BagelsWe haven't been here, but it is a very popular spot. Every photo, video, and review I've seen looks amazing. Only 3 bagel options (plain, everything, sesame). From what I've heard and seen online, plan on waiting in line for 30 min.General Bagel Tips-Each bagel shop has a different ordering process. Follow what others are doing and you should be fine.-Bagel shops are usually a good place to try a black and white cookie.-If you go to a deli or bodega, you can get a cheaper BEC option that will still be delicious, but it won't be made on a good bagel. -Bagel shop coffee is usually mediocre. It's fine and will do the job, but if you are a coffee connoisseur, be warned.You'll Have to Check It Out - SugarfishFairly priced, delicious omakase sushi. Check it out here.

All Local for June 2

We had a great time catching up with Leah Cohen. She's the chef-owner of the terrific Pig & Khao restaurants in New York City, with locations on the Upper West Side and Lower East Side. On this episode, we talk about her career and appearing on an early season of Top Chef. We also get into her struggles with identity as a kid, and how her Filipino and Jewish upbringing made her the chef she is today.Also on the show we have a great conversation with Barbara Costello. She of the popular @BrunchwithBabs social accounts and the new cookbook: Every Day with Babs: 101 Family-Friendly Dinners for Every Day of the Week: A Cookbook.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The annual Loisaida Festival celebrates a Puerto Rican artistic community on Manhattan's Lower East Side. This year's event takes place on Sunday, May 25, and features musicians like artists Jessie Montgomery, Joe Bataan, and Ana Macho, with honors for the late documentarian Marlis Momber. Loisaida Center executive and artistic director Alejandro Epifanio Torres previews the Sunday, May 25 event.

In this episode, the Munsons dive deep into the career of the effortlessly cool and endlessly talented Rosario Dawson. We explore her humble beginnings on the Lower East Side of NYC, where early family struggles and imposter syndrome in film school shaped her unique path to stardom. From the moment luck literally knocked on her doorstep, Dawson's journey has been anything but typical. We discuss how Prince once dubbed her the voice of a generation at just 19, and her frequent appearances in music videos through the years. Her pop culture impact is undeniable, thanks to standout roles in Rent and Josie and the Pussycats. We were seriously impressed by her work opposite Denzel Washington in He Got Game, and we share our frustration over Rob Zombie cutting her from one of his films. Throughout her filmography, one thing remains constant: Rosario always classes up the joint. We also unpack her fascinating dating history, her inspiring decision to adopt her daughter at age 12, and her commitment to her political and philanthropic impact. How does she rank on the Munson Meter? Listen to find out

On August 12, 1988, Jean-Michel Basquiat—the visionary painter whose explosive talent redefined the possibilities of contemporary art—died of a heroin overdose in his New York City studio at the age of 27. Basquiat's meteoric rise from a graffiti tagger in the Lower East Side to a global art-world phenomenon was nothing short of revolutionary. Widely hailed as the greatest contemporary artist of his generation, Basquiat's canvases pulsed with urgency, intellect, and emotion—breaking down barriers of race, class, and tradition in the art establishment. His untimely death cemented his legend, leaving behind a body of work that continues to challenge, inspire, and command reverence, a lasting reminder of genius gone far too soon. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textWelcome back everyone to the conclusion of my conversation with the amazing Nick Chiarkas! I was so excited about this interview I didn't want you guys to wait for next Sunday! I really enjoyed talking to Nick and I think you guys are going to feel the same about this episode.  Nick grew up in the Al Smith housing projects on Manhattan's Lower East Side. When he was in the fourth grade, his mother was told by the principal of PS-1 that "Nick was unlikely ever to complete high school, so you must steer him toward a simple and secure vocation." Instead, Nick became a writer, with a few stops along the way: a U.S. Army Paratrooper with the 101st Airborne Division serving in the Viet Nam war, a New York City Police Officer, Deputy Chief Counsel to the U.S. Senate Permanent Subcommittee on Investigations, Deputy Chief Counsel for the President's Commission on Organized Crime; Chief Counsel for the USATBCB; and the Director of the Wisconsin State Public Defender Agency. On the way, he picked up a Doctorate from Columbia University, a Law Degree from Temple University, and was a Pickett Fellow at Harvard. Not bad for a guy whose principal told his parents that he wouldn't amount to much.I found this interview to be so captivating and entertaining. I didn't want it to end. I hope you guys feel the same. Please enjoy my conversation with Nick.In today's episode we discuss:.·      Why Nick left the NYPD after only seven years on the job. ·      His experience of being sent to the Woodstock music festival as security and meeting some of the musicians, including Jimi Hendrix.·      His part in the movie, The Anderson Tapes (Starring Sean Connery, Diane Cannon, and Christopher Walken). ·      How Nick wound up being the Deputy Chief Counsel to the U.S. Senate Permanent Subcommittee on Investigations and the Deputy Chief Counsel for the President's Commission on Organized Crime.·      His awkward first meeting with President Reagan.· His becoming the director of the Wisconsin State Public Defender Agency and how he was not welcomed with open arms because him being a former police officer. ·      The changes he instituted in the public defender's office.·      His books, Weepers and Nunzio's Way. All of this and more on today's episode of the Cops and Writers podcast.Check out Nick's Amazon Author page!Check out the new Cops and Writers YouTube channel!Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.What would you do if you lost the one you loved the most? How far would you go to quench your thirst for vengeance?https://a.co/d/2UsJPbaSupport the show

Send us a textWelcome to part one of my two-part conversation with the amazing Nick Chiarkas! I really enjoyed talking to Nick and I think you guys are going to feel the same about this episode.  Nick grew up in the Al Smith housing projects on Manhattan's Lower East Side. When he was in the fourth grade, his mother was told by the principal of PS-1 that "Nick was unlikely ever to complete high school, so you must steer him toward a simple and secure vocation." Instead, Nick became a writer, with a few stops along the way: a U.S. Army Paratrooper with the 101st Airborne Division serving in the Viet Nam war, a New York City Police Officer, Deputy Chief Counsel to the U.S. Senate Permanent Subcommittee on Investigations, Deputy Chief Counsel for the President's Commission on Organized Crime; Chief Counsel for the USATBCB; and the Director of the Wisconsin State Public Defender Agency. On the way, he picked up a Doctorate from Columbia University, a Law Degree from Temple University, and was a Pickett Fellow at Harvard. Not bad for a guy whose principal told his parents that he wouldn't amount to much.I found this interview to be so captivating and entertaining. I didn't want it to end. I hope you guys feel the same. Please enjoy my conversation with Nick.In today's episode we discuss:.·      The principal who told Nick's folks that he would never graduate from high school. ·      Growing up in a housing project in New York in the 1950s to60s.·      The street gangs of that era and his affiliations.·      Volunteering to join the army and being in the elite 101st Airborne Division, serving in Vietnam.·      Why he became a New York Police Officer.·      The influence of his father and other relatives being police officers with the NYPD.·      Coming across an armed robbery in progress as a rookie cop, by himself!Check out Nick's Amazon Author page!Check out the new Cops and Writers YouTube channel!Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.What would you do if you lost the one you loved the most? How far would you go to quench your thirst for vengeance?https://a.co/d/2UsJPbaSupport the show

In this episode, we'll explore unique NYC museums including George Washington's favorite tavern, massive Unicorn tapestries dating back to the 1400s, and even what it was like to live in the cramped tenement buildings as an immigrant in New York in the 1860s.Museum of the DogFraunces Tavern MuseumMuseum at Eldridge Street Museum of Jewish Heritage New York Transit Museum The Met CloistersTenement Museum1- Museum of the DogFounded in 1982, originally part of the AKC headquarters (American Kennel Club)The museum offers rotating exhibits featuring objects from its 1,700-piece collection and 4,000-volume libraryLimited-time exhibits have included:Price: Around $15. Get tickets here. Closed Mondays and Tuesdays.2- Fraunces TavernOldest bar and restaurant in NYC - 1762On December 4, 1783, nine days after the last British soldiers left American soil, George Washington invited the officers of the Continental Army to join him in the Long Room of Fraunces Tavern to bid them farewell.In early 1785, Fraunces agreed to lease the Tavern to the Confederation Congress for use as office space for the Department of Foreign Affairs and Department of WarCurrently has multiple restaurants and bars within itPrice: Around $10, with some free admission options on weekends. Tickets are only available at the museum, but information is available here.3- Museum at Eldridge StreetThe Museum at Eldridge Street is housed in the historic Eldridge Street Synagogue. Built in 1887, it is an architectural marvel, and a symbol of immigrant aspirations realized. The Eldridge Street Synagogue was the first synagogue in America purpose-built by immigrants from Eastern Europe and was designated a National Historic Landmark in 1996Unbelievably beautiful architecture, including ornate stained glassExtremely knowledgeable guides, usually small-ish groupsPrice: Around $15 and we recommend the docent-led discovery tour vs self-guided (same price). Get tickets here.4- Museum of Jewish HeritageAs a place of memory, the Museum enables Holocaust survivors to speak through recorded testimony and draws on rich collections to illuminate Jewish history and experience. As a public history institution, it offers intellectually rigorous and engaging exhibitions, programs, and educational resources.If you go on a weekday, expect students on field tripsThe Rescue in Denmark exhibit is one of our favoritesPrice: Around $18. Get tickets here. Closed on Mondays, Tuesdays, and Saturdays.5- New York Transit MuseumHoused underground in an authentic 1936 subway station in Downtown Brooklyn, is home to a rotating selection of twenty vintage subway and elevated cars dating back to 1907.Visitors can board the vintage cars, sit at the wheel of a city bus, step through a time tunnel of turnstiles, and explore changing exhibits that highlight the cultural, social and technological history – and future – of mass transit.Price: Around $10. Get tickets here. Closed on Mondays and Tuesdays.NYT Episode about the subway. 6- The Met CloistersThe Cloisters, a branch of The Metropolitan Museum of Art, is America's only museum dedicated exclusively to the art of the Middle Ages.Features multiple ornate gardens with a wide variety of plants, herbs, and treesSee The Unicorn Tapestries, made in the late 1400'sPrice: Around $30. Get tickets here. Closed on Wednesdays.7- Tenement MuseumExplore stories of tenement dwellers through guided tours of two historic buildings, 97 and 103 Orchard Street, and their Lower East Side neighborhood.Also, offer walking tours of the surrounding areaPrice: Around $30. Get tickets here.You'll Have to Check It Out Segment - Blue Haven SouthLively sports bar with great drinks, tasty food, and friendly staff. Check it out.

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You could have heard this episode early and been entered into all of our giveaways on HeroHero! Subscribe and support the show!On this episode, Sol and Michael sit down with their good friend Ella to chat about the long-awaited comeback of Soft Hands Knit Club, Ella's career as a model, DSquared FW25 (and their unfortunate gap between what they show on the runway and what they sell through sites like SSENSE), the "White Boy of the Month" phenomenon of the Lower East Side, environmental sustainability as it relates to fashion, steroid gut, Calvin Klein underwear ads, "Shock Content", Thom Browne, and so much more!We hope you enjoy as much as we did recording!Lots of Love!SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Our guest (Male, 28, Greenpoint, Heteroflex) talks about The Spirit of New York, moving to NYC and living in a shared hostel, making guy friends, serial ghosting, how to meet people irl, and more!If you have any feedback- please reach out to us on IG or leave a comment below! We recorded this episode at Ray's in the Lower East Side. Ray's is the perfect catch all bar, and the cool kid hot spot of downtown. Go in for some of the best onion rings you'll ever have, some pool, and an espresso martini. If you're lucky you can snag an iconic Ray's hat. If you are interested in matching with this week's guest, go to our instagram @drinks.first, our beacons or directly to our matching form: YOU CAN ALSO NOW WATCH THE EPISODE ON OUR YOUTUBE: Get full access to Drinks First at drinksfirst.substack.com/subscribe

In this episode, we're joined by Christian Dryden of the New York-based band, The Ritualists.Emerging from the underground glam scene in NYC's East Village, The Ritualists have become a key player in the Lower East Side music scene, a community that deeply influenced Dryden's musical vision. Immersed in a world that draws inspiration from icons like The Velvet Underground and New York Dolls, as well as British glam rock, Dryden's sound blends these influences with his own contemporary twist. Reflecting on his musical journey, Dryden shares, "Being inspired by larger-than-life figures like David Bowie, Simon Le Bon, Bryan Ferry, and Marc Bolan was both a gift and a challenge. While it was transformative to imagine these legends as musical soulmates, it also brought a sense of loneliness, as I felt like I was the only one with that vision... until I discovered the venues and clubs of the Lower East Side."MusicThe Ritualists "Wake Up"Additional MusicThe Charms "So PrettyThe Dogmatics "I Love Rock N Roll"Produced and Hosted by Steev Riccardo

For this cycle's "Mise-Unseen" entry, Julian, Emilio and Madeline fire up 'Hester Street', Joan Micklin Silver's overlooked and under-appreciated film from 1975 depicting the struggles one Jewish family, recently immigrants to the United States, face while assimilating to life in their new homeland at the turn of the century.  The trio comment on the film's unique depiction of New York City (particularly in relation to when it was first released), the unusual complexity that most characters are given, how centering Gitl's journey gives the film a strong emotional core, the film's unexpected humor, its portrayal of the working class Jewish immigrant experience class, and why this movie and its story feel so unique.  They then have a great chat with Sharyn Rothstein, an accomplished writer who recently adapted 'Hester Street' for the stage, and discuss what was meaningful to her about this story, what details from the film spoke to her, and what the stage production does to modernize and reshape the story for today's audiences.  It's a deep dive into an unsung 1970s NYC film you won't want to miss!  Sharyn Rothstein is an award winning playwright, teacher, and writer for television.  Her play "Bad Books" is currently running at Roundhouse Theater in Bethesda, Maryland through April 27th.  Follow her and her work at www.sharynrothstein.netIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

On today's episode, I talk to musician and cartoonist Jeffrey Lewis. Originally from the Lower East Side, Jeffrey has bounced back and forth between his two loves comics and music for most of his professional life. As a cartoonist, Jeffrey's longest project was Fuff, which he wrote and drew from 2004 to 2020. He also created Revelations in the Wink of an Eye (My Insane Musings on Watchmen, from Conspiracies to Stupidities), and his most recent project is called Statics, which he started writing and drawing in 2022. As a musician, Jeffrey began as part of the New York antifolk scene that would play at the SideWalk Cafe in the 1990s. He released his first album When Madman Was Good - Version One in 1997, and four years later he was signed to Rough Trade, who released his first "official" album The Last Time I Did Acid I Went Insane. Since then, he's released over two dozen albums and EPs, and his latest The Even More Freewheelin' Jeffrey Lewis just came out on Blang Records, and it's a banger! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

For a limited time, upgrade to ‘The Storm's' paid tier for $5 per month or $55 per year. You'll also receive a free year of Slopes Premium, a $29.99 value - valid for annual subscriptions only. Monthly subscriptions do not qualify for free Slopes promotion. Valid for new subscriptions only.WhoStuart Winchester, Founder, Editor & Host of The Storm Skiing Journal & PodcastRecorded onMarch 4, 2025Editor's note1) The headline was not my idea; 2) Erik said he would join me as the guest for episode 199 if he could interview me for episode 200; 3) I was like “sure Brah”; 4) since he did the interview, I asked Erik to write the “Why I interviewed him” section; 5) this episode is now available to stream on Disney+; 6) but no really you can watch it on YouTube (please subscribe); 7) if you don't care about this episode that's OK because there are 199 other ones that are actually about snosportskiing; 8) and I have a whole bunch more recorded that I'll drop right after this one; 9) except that one that I terminally screwed up; 10) “which one?” you ask. Well I'll tell that humiliating story when I'm ready.Why I interviewed him, by Erik MogensenI met Stuart when he was skiing at Copper Mountain with his family. At lunch that day I made a deal. I would agree to do the first podcast of my career, but only if I had the opportunity reverse the role and interview him. I thought both my interview, and his, would be at least five years away. 14 months later, you are reading this.As an accomplished big-city corporate PR guy often [occasionally] dressed in a suit, he got tired of listening to the biggest, tallest, snowiest, ski content that was always spoon-fed to his New York City self. Looking for more than just “Stoke,” Stu has built the Storm Skiing Journal into a force that I believe has assumed an important stewardship role for skiing. Along the way he has occasionally made us cringe, and has always made us laugh.Many people besides myself apparently agree. Stuart has eloquently mixed an industry full of big, type-A egos competing for screentime on the next episode of Game of Thrones, with consumers that have been overrun with printed magazines that show up in the mail, or social media click-bate, but nothing in between. He did it by being as authentic and independent as they come, thus building trust with everyone from the most novice ski consumer to nearly all of the expert operators and owners on the continent.But don't get distracted by the “Winchester Style” of poking fun of ski bro and his group of bro brahs like someone took over your mom's basement with your used laptop, and a new nine-dollar website. Once you get over the endless scrolling required to get beyond the colorful spreadsheets, this thing is fun AND worthwhile to read and listen to. This guy went to Columbia for journalism and it shows. This guy cares deeply about what he does, and it shows.Stuart has brought something to ski journalism that we didn't even know was missing, Not only did Stuart find out what it was, he created and scaled a solution. On his 200th podcast I dig into why and how he did it.What we talked aboutHow Erik talked me into being a guest on my own podcast; the history of The Storm Skiing Podcast and why I launched with Northeast coverage; why the podcast almost didn't happen; why Killington was The Storm's first pod; I didn't want to go to college but it happened anyway; why I moved to New York; why a ski writer lives in Brooklyn; “I started The Storm because I wanted to read it”; why I have no interest in off-resort skiing; why pay-to-play isn't journalism; the good and the awful about social media; I hate debt; working at the NBA; the tech innovation that allowed me to start The Storm; activating The Storm's paywall; puzzling through subscriber retention; critical journalism as an alien concept to the ski industry; Bro beef explained; what's behind skiing's identity crisis; why I don't read my social media comments; why I couldn't get ski area operators to do podcasts online in 2019; how the digital world has reframed how we think about skiing; why I don't write about weather; what I like about ski areas; ski areas as art; why the Pass Tracker 5001 looks like a piece of crap and probably always will; “skiing is fun, reading about it should be too”; literary inspirations for The Storm; being critical without being a tool; and why readers should trust me.Podcast notesOn The New England Lost Ski Areas ProjectThe New England Lost Ski Areas Project is still very retro looking. Storm Skiing Podcast episode number three, with site founder Jeremy Davis, is still one of my favorites:On my sled evac at Black Mountain of MaineYeah I talk about this all the time but in case you missed the previous five dozen reminders:On my timelineMy life, in brief (we reference all of these things on the pod):* 1992 – Try skiing on a school bus trip to now-defunct Mott Mountain, Michigan; suck at it* 1993 – Try skiing again, at Snow Snake, Michigan; don't suck as much* 1993 - Invent Doritos* 1994 – Receive first pair of skis for Christmas* 1995 – Graduate high school* 1995 - Become first human to live on Saturn for one month without the aid of oxygen* 1995-98 – Attend Delta College* 1997 - Set MLB homerun record, with 82 regular-season bombs, while winning Cy Young Award with .04 ERA and 743 batters struck out* 1998-00 – Attend University of Michigan* 1998-2007 - Work various restaurant server jobs in Michigan and NYC* 2002 – Move to Manhattan* 2003 - Invent new phone/computer hybrid with touchscreen; changes modern life instantly* 2003-07 – Work as English teacher at Cascade High School on Manhattan's Lower East Side* 2003-05 – Participate in New York City Teaching Fellows program via Pace University* 2004 - Successfully clone frozen alien cells that fell to Earth via meteorite; grows into creature that levels San Antonio with fire breath* 2006-08 – Columbia Journalism School* 2007-12 – Work at NBA league office* 2008 – Daughter is born* 2010 - Complete the 10-10-10 challenge, mastering 10 forms of martial arts and 10 non-human languages in 2010* 2013 – Work at AIG* 2014-2024 – Work at Viacom/Paramount* 2015 - Formally apologize to the people of Great Britain for my indecencies at the Longminster Day Victory Parade in 1947* 2016 – Son is born; move to Brooklyn* 2019 – Launch The Storm* 2022 – Take The Storm paid* 2023 - Discover hidden sea-floor city populated by talking alligators * 2024 – The Storm becomes my full-time job* 2025 - Take Storm sabbatical to qualify for the 50-meter hurdles at the 2028 Summer OlympicsOn LeBron's “Decision”After spending his first several seasons playing for the Cleveland Cavaliers, LeBron announced his 2010 departure for the Miami Heat in his notorious The Decision special.On MGoBlog and other influencesI've written about MGoBlog's influence on The Storm in the past:The University of Michigan's official athletic site is mgoblue.com. Thus, MGoBlog – get it? Clever, right? The site is, actually, brilliant. For Michigan sports fans, it's a cultural touchstone and reference point, comprehensive and hilarious. Everyone reads it. Everyone. It's like it's 1952 and everyone in town reads the same newspaper, only the paper is always and only about Michigan sports and the town is approximately three million ballsports fans spread across the planet. We don't all read it because we're all addicted to sports. We all read MGoBlog because the site is incredibly fun, with its own culture, vocabulary, and inside jokes born of the shared frustrations and particulars of Michigan (mostly football, basketball, and hockey) fandom.Brian Cook is the site's founder and best writer (I also recommend BiSB, who writes the hysterical Opponent Watch series). Here is a recent and random sample – sportsballtalk made engaging:It was 10-10 and it was stupid. Like half the games against Indiana, it was stupid and dumb. At some point I saw a highlight from that Denard game against Indiana where IU would score on a 15-play march and then Denard would immediately run for a 70 yard touchdown. "God, that game was stupid," I thought. Flinging the ball in the general direction of Junior Hemingway and hoping something good would happen, sort of thing. Charting 120 defensive plays, sort of thing. Craig Roh playing linebacker, sort of thing.Don't get me started about #chaosteam, or overtimes, or anything else. My IQ is already dropping precipitously. Any more exposure to Michigan-Indiana may render me unable to finish this column. (I would still be able to claim that MSU was defeated with dignity, if that was my purpose in life.)I had hoped that a little JJ McCarthy-led mediation in the locker room would straighten things out. Michigan did suffer through a scary event when Mike Hart collapsed on the sideline. This is a completely valid reason you may not be executing football with military precision, even setting aside whatever dorfy bioweapon the Hoosiers perfected about ten years ago.Those hopes seemed dashed when Michigan was inexplicably offsides on a short-yardage punt on which they didn't even bother to rush. A touchback turned into a punt downed at the two, and then Blake Corum committed a false start and Cornelius Johnson dropped something that was either a chunk play or a 96-yard touchdown. Johnson started hopping up and down near the sideline, veritably slobbering with self-rage. The slope downwards to black pits became very slippery.JJ McCarthy said "namaste."Cook is consistent. I knew I could simply grab the first thing from his latest post and it would be excellent, and it was. Even if you know nothing about football, you know that's strong writing.In The Storm's early days, I would often describe my ambitions – to those familiar with both sites – as wanting “to create MGoBlog for Northeast skiing.” What I meant was that I wanted something that would be consistent, engaging, and distinct from competing platforms. Skiing has enough stoke machines and press-release reprint factories. It needed something different. MGoBlog showed me what that something could be.On being critical without being a toolThis is the Burke example Erik was referring to:The town of Burke, named for Sir Edmund Burke of the English Parliament, was chartered in 1782. That was approximately the same year that court-appointed receiver Michael Goldberg began seeking a buyer for Burke Mountain, after an idiot named Ariel Quiros nearly sent the ski area (along with Jay Peak) to the graveyard in an $80 million EB-5 visa scandal.Now, several industrial revolutions and world wars later, Goldberg says he may finally have a buyer for the ski area. But he said the same thing in 2024. And in 2023. And also, famously, in 1812, though the news was all but lost amid that year's war headlines.Whether or not Burke ever finds a permanent owner (Goldberg has actually been in charge since 2016), nothing will change the fact that this is one hell of a ski area. While it's not as snowy as its neighbors stacked along the Green Mountain Spine to its west, Burke gets its share of the white and fluffy. And while the mountain is best-known as the home of racing institution Burke Mountain Academy, the everyskier's draw here is the endless, tangled, spectacular glade network, lappable off of the 1,581-vertical-foot Mid-Burke Express Quad.Corrections* I worked for a long time in corporate communications, HR, and marketing, but not ever exactly in “PR,” as Erik framed it. But I also didn't really describe it to him very well because I don't really care and I'm just glad it's all over.* I made a vague reference to the NBA pulling its All-Star game out of Atlanta. I was thinking of the league's 2016 decision to move the 2017 All-Star game out of Charlotte over the state's “bathroom bill.” This is not a political take I'm just explaining what I was thinking about.* I said that Jiminy Peak's season pass cost $1,200. The current early-bird price for a 2025-26 pass is $1,051 for an adult unlimited season pass. The pass is scheduled to hit $1,410 after Oct. 15.The Storm explores the world of lift-served skiing year-round. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

In the late 1800s, millions of immigrants come to the United States for the opportunity for a better life. Among those who come from Sicily is a boy named Salvatore Lucania who will be known as Charles “Lucky” Luciano. Luciano grows up on the mean streets of New York's Lower East Side and gravitates toward a life of crime. When Prohibition begins, Luciano becomes a prominent bootlegger and finds a mentor in Arnold Rothstein. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Has America ceased to be the land of opportunity? Many people here take it for granted that good neighborhoods—with good schools and good housing—are only accessible to the wealthy. But in America, this wasn't always the case. Though for most of world history, your prospects were tied to where you were born, Americans came up with a revolutionary idea: If you didn't like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and, for 200 years, that remarkable mobility was the linchpin of American economic and social opportunity. Join us as Yoni Appelbaum, historian and journalist for The Atlantic, argues that this idea has been under attack since reformers first developed zoning laws to ghettoize Chinese Americans in 19th-century Modesto, California. The century of legal segregation that ensued—from the zoning laws enacted to force Jewish workers back into New York's Lower East Side to the private-sector discrimination and racist public policy that trapped Black families in Flint, Michigan, to Jane Jacobs' efforts to protect her vision of the West Village—has raised housing prices, deepened political divides, emboldened bigots, and trapped generations of people in poverty. Appelbaum says these problems have a common explanation: people can't move as readily as they used to. They are, in a word, stuck. Applebaum will cut through more than a century of mythmaking, sharing the surprising story of the people and ideas that caused our economic and social sclerosis and laying out commonsense ways to get Americans moving again. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cet épisode est issu du podcast "Ça a commencé comme ça" proposé par la Bourse de commerce-Pinault Collection et disponible ici pendant une semaine. Tous les autres épisodes du podcast sont à retrouver gratuitement sur toutes les applications de podcasts (Spotify, Apple Podcasts, Deezer...). The girl in the band. Kim Gordon naît à Los Angeles, en 1953. Après ses études d'art, elle quitte la Californie pour s'installer à New York. Dans les années 1980, Big Apple est le creuset de l'avant-garde artistique. Happée par la no wave, un courant artistique apparu en 1977 dans le quartier du Lower East Side. L'expression mucicale de ce mouvement est ouverte à la dissonance et au bruitiste. Dans ce contexte, Kim Gordon est frappée par sa rencontre avec un guitariste passionné, Thurston Moore. Elle devient bassiste du groupe qu'il forment, Sonic Youth, devenu culte. Ensemble, ils poussent plus loin la déstructuration, la décomplexion musicale. Pour Sonic Youth, la musique, c'est aussi du bruit ! Membre d'un groupe de rock alternatif, Kim Gordon est aussi une artiste visuelle, et bientôt l'icône d'une génération, qui ne veut plaire à personne.CRÉDITSÇa a commencé comme ça est un podcast co-produit par Binge Audio et la Bourse de commerce – Pinault Collection. Écriture : Caroline Halazy. Incarnation et interprétation : Panayotis Pascot. Réalisation et mixage : Maxime Singer. Musique originale : Nicolas Olier. Identité graphique : Upian. ÉQUIPE BINGE AUDIO : Production et édition : Dimitri Mayeur & Albane Fily. Direction de projet : Soraya Kerchaoui-Matignon. ÉQUIPE BOURSE DE COMMERCE - PINAULT COLLECTION : Stéphanie Hussonnois-Bouhayati, Clémence Laurent de Cassini, Cyrus Goberville, Louise Guerrin.

Producer Manolo Morales – a verified Little Monster, gallivants around the Lower East Side, via an immersive, performance-art walking tour dedicated to an iconic pop star. 

Want to support the podcast and hear episodes early? Subscribe to our HeroHero!This week, Sol and Michael are joined by the founders of Blackmerle, the South Korea-based brand making some of our favorite clothes of 2025. Tune into the podcast to hear the boys chat with Terry and Justice about how they approach design, how they choose materials, popups, their event at Komune, what they wish they could make, masculine cues in an outfit, double cuffs, color choice, rare Japanese fabrics, uniform dressing, jewelry creation, and why the brand started!Thank you again to the Blackmerle team for trusting us with such a wonderful interview! We hope you enjoy!SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Full episode on our Patreon. Cheryl Dunn is an American filmmaker and photographer known for documenting New York City's downtown art and graffiti scene. Starting in the 1990s, Dunn photographed and filmed urban life, from protests to skateboarding and graffiti. Her work chronicled the spontaneous creativity that arose in public spaces, making her one of the key visual storytellers of the era.Dunn's films and photographs document key figures in the graffiti world, including artists like Barry McGee, the late great Margaret Kilgallen, Dash Snow (R.I.P) and Steve ESPO Powers. She became a visual historian of this art form as it transitioned from something illegal and underground to being recognized and embraced by galleries and museums.Dunn's documentary “Moments Like This Never Last” (2020) delves into the life of the late New York City artist Dash Snow, a highly influential figure in the downtown art scene of the 2000s. The film paints a raw, intimate portrait of a tumultuous, vibrant artist who was emblematic of the Lower East Side at the time. Her documentary “Everybody Street” (2013), showcases legendary street photographers like Martha Cooper and Jill Freedman.http://patreon.com/livingproofnewyorkhttp://livingproofnewyork.com

Full episode on Patreon. Harley Flanagan is an iconic figure within the New York Hardcore scene. At age 13 he founded the Cro-Mags; one of the most influential hardcore punk bands of the 1980s and 1990s. At age 11, Flanagan began his involvement with music drumming for the New York punk band The Stimulators.Flanagan's early years were spent in New York City's Lower East Side, where he lived through the realities of the time. By age 10, he was living on the streets, often staying in abandoned / burnt out buildings within a neighborhood ravaged by economic decline, gang violence and social unrest. This existence would profoundly influence his later music. Many of the songs in “The Age of Quarrel” describe the day to day living of those years. Flanagan is a black-belt in Brazilian Jiu-Jitsu under the legendary Renzo Gracie, having started training at the gym early on when they were located above a methodone clinic. His love for the art and deep relationship with both Renzo and the late great Ryan Gracie led to a home-like environment in the gym, where he eventually spent time working as a professor. http://livingproofnewyork.comhttp://patreon.com/livingproofnewyork

Ed Templeton is a professional skateboarder, contemporary artist, and photographer. A teen skate prodigy from Orange County, California, Ed turned pro in 1990, just before graduating high school. He did a lot of touring for skate demos, along the way picking up a camera and documenting the scene around him. He painted and drew, and later incorporated his artwork and graphics for Toy Machine, the skateboard company he founded in 1994, which he continues to own and manage. Templeton's visual artwork first gained recognition in the late 1990s as part of the Beautiful Losers collective loosely gathered around Aaron Rose's Alleged Gallery on Manhattan's Lower East Side. He and his wife Deanna—also a photographer—are the subjects of the 2000 Mike Mills film, Deformer. Templeton's subject matter focuses on the ethos of suburban and street life, which sometimes includes beach culture, surfers, and surfing. He has published over thirty books and zines of his photographs and artwork, including one of his most famous titles, “Teenage Smokers.” His work has been shown in galleries and museums around the world, most recently at the Long Beach Museum of Art, in an exhibition titled: Wires Crossed: The Culture of Skateboarding, 1995-2012. In this episode of Soundings, Templeton and Jamie Brisick talk about crafting a sustainable career as a skateboarder, capitalism, skateboarding's DIY ethos, documenting skate culture, becoming a painter, identity, individualism, and Mark Gonzalez. 

How does a guy go from running with gangs on the Lower East Side to reinventing the mafia to going to prison as a convicted felon…to finally working with the U.S. government to protect NYC’s waterfront during World War II?See omnystudio.com/listener for privacy information.

Mr. Mangieri is a two-time winner (#1 ranking) in the 50 Top Pizza list and is currently on the 6th iteration of hisUna Pizza Napoletana, now on New York's Lower East Side. He spent 9 years in San Francisco, with stints in New Jersey as well. But now Mangieri is firmly in control of his craft, limiting the offerings to just a half dozen each night with a few simple starters and a pair of desserts. It's truly a Neapolitan worth the journey.

In July of the year 1263, the Dominican friar Pablo Christiani met to debate Rabbi Moses ben Nahman, sometimes known as Nahmanides, to discuss whether Jesus was the messiah, and thus whether Christianity or Judaism had a greater claim to truth. They conducted this debate in the court of King James of Aragon, who famously guaranteed the rabbi's freedom of speech, allowing Nahmanides to advance even arguments that, being regarded as heretical by Christian clergy, would have otherwise caused him to be imprisoned or worse. These proceedings are known, famously, in history as the Disputation of Barcelona. To understand fully the context of this debate, one has to know something more about the Dominican friar Pablo Christiani: he was not born Pablo Christiani. In fact, he was born as a Sephardi Jew with the birth name of Saul. Only later in life, having lived as a Jewish man and having been exposed to some Jewish learning, did he convert to Catholicism. Joining the Dominican order as a friar, Saul—newly dubbed Pablo—dedicated his life to converting the Jews, possibly with argument and persuasion—he liked to use statements from talmudic texts as evidence for Christian theology—but also through the threat of violence and force. What is it that would so compel a person to turn against his own family, his own teachers, his own neighbors, his own religion—and not as a matter of indifference but as a matter of revenge on the sources of his own formation? That is one of the questions that runs underneath a new story by the legendary essayist, novelist, and short-story writer Cynthia Ozick. This work is called “The Conversion of the Jews,” and it was published in Harper's in May 2023. Ozick's “The Conversion of the Jews” follows a twenty-four-year-old scholar of words and languages named Solomon Adelberg, as he, in the early 1930s, attempts to discover how and why Christiani undertook his conversion. These questions lead Adelberg to a hollowed-out monastery in the Judean desert, through the occult world of mysticism and magic, and eventually to attempting a séance with the icon of a saint in his Lower East Side apartment. To discuss that story, and the many ideas, themes, and questions it raises, Cynthia Ozick joins Mosaic's editor Jonathan Silver on our podcast (originally broadcast in 2023).

What if you could step into the birthplace of a global spiritual movement and experience the magic of its earliest days? In this inspiring episode, Raghunath and special guests Anantacharya and Yadunath explore the remarkable efforts to restore 26 Second Avenue—the original Hare Krishna temple. From Prabhupada's humble beginnings in a Lower East Side storefront to his vision of an International Society for Krishna Consciousness, this conversation uncovers the power of faith, determination, and community. ✨ Discover how the restoration team is recreating the original look of 1966 with archival detective work. ✨ Learn why 26 Second Avenue is more than a building—it's a living testament to Prabhupada's legacy. ✨ Hear the untold stories of devotees who helped build this movement from the ground up. Join us to witness how this sacred space is being transformed into a hub for education, pilgrimage, and immersive experiences for generations to come.