Podcasts about circle be unbroken

While Spencer is under evaluation in Radley, she learns information from employee, E. LAMB (Mich's mind was BLOWN). Wilden is ALIVE with no apparent injuries but is seeking his car back. Aria approaches Byron for help in getting Ezra a job back in teaching (snoozefest) and Emily meets Olympic gold medalist swimmer Missy Franklin, which might just be one of the cringiest scenes ever. Any and all questions please email weareliarspod@gmail.comLeave us a voice message at (631) 600-3916Check out Happenstance with Jyo & SamThank you to Kate for this week's break message!Let's Connect: Instagram, YouTubeMore Betty Content hereTotal Betty Merch hereJoin our Patreon! Music by: Anthony ViccoraProduced and Edited by: Total Betty Podcast NetworkSnail Mail:PO BOX 553Centereach, NY 11720 ★ Support this podcast on Patreon ★

Welcome to Season 04 Episode 12 - the "Homeward Bound" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Anna Gagliano, director of Little Women for Main Street Studios; Mr. Tim Newell, director of Agnes of God for the Lakeshore Center for the Arts; and Prof. Dan Lendzian, director of the One Act Festival for SUNY Fredonia Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from deJohn's Spaghetti House and 2 tickets to the Cinema Series! Entries must be received by Friday April 25th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 02:18  Anna Gagliano/Little Women 19:30  Tim Newell/Agnes of God 36:51  Arts Calendar 39:37  Dan Lendzian/One Act Festival TADA Media "King of the Road," written and performed by Roger Miller, from the Album The Return of Roger Miller, January 1965, Smash Records scene from the motion picture Little Women; Greta Gerwig, director; featuring Saoirse Ronan as Jo March and Emma Watson as Meg March; Columbia Pictures, December 2019 scene from the motion picture Agnes of God; Norman Jewison, director; featuring Jane Fonda as Dr. Martha Livingstone and Anne Bancroft as Mother Miriam Ruth; Columbia Pictures 1985 "Avalanche", from the album Will the Circle Be Unbroken, produced by the Nitty Gritty Dirt Band, November 1972, United Artists Records. "Ramblin' Man", from the Allman Brothers album Brothers and Sisters, composed and performed by Dickey Betts, August 1973, Capricorn Records Artist Links Main Street Studios Lakeshore Center for the Arts Dan Lendzian Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown Register Here for the 1891 Run/Walk for the Opera House BECOME AN OPERA HOUSE MEMBER!          

Anna receives some long awaited documents, uncovering a lead she never expected. A conversation she thought impossible finally happens, revealing critical new information. But just as the pieces start falling into place, a new discovery shifts the investigation.

Sean Dietrich returns to The 1000 Hours Outside Podcast for a heartfelt and unforgettable New Year's episode. Recorded on his way to a show, Sean reflects on loss, resilience, and redemption, sharing stories that blend humor, wisdom, and hope. From his challenging childhood to becoming a celebrated writer, he offers encouragement for anyone navigating hard times, reminding us that even the most broken pieces can form something beautiful. This is an incredibly moving episode. Sean's reflections explore how life's toughest moments can lead to transformation, and how small, unexpected decisions often shape our futures in profound ways. His storytelling is infused with laughter, insight, and the hard-earned wisdom that comes from embracing the messiness of life. This episode is a perfect reminder as we ring in the New Year: hope and healing are always possible. ** Learn more about Sean and read his phenomenal daily blog here . It's jaw-droppingly good. He also has a podcast, store and events that you can find at that link as well. Get your copy of Will the Circle Be Unbroken? for you and all your friends here ** Download your free 1000 Hours Outside tracker here >> https://www.1000hoursoutside.com/trackers Find everything you need to kick off your 1000 Hours Outside Journey here >> https://www.1000hoursoutside.com/blog/allthethings Order of copy of Ginny's newest book, Until the Streetlights Come On here >> https://amzn.to/3RXjBlN Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam McGee — called by some “the granddad of country guitar pickers” — got his start in April 1926 when he traveled to New York City for his first recording session, backing up the legendary Uncle Dave Macon on eight sides at the Brunswick studios.Thirty-year-old McGee met Macon two years earlier when the banjoist played a show near Sam's Franklin, Tennessee, home. Sam was a blacksmith in those days, but he had played guitar and banjo for many years.Following the show, McGee invited Macon home and, after hearing Sam pick “Missouri Waltz,” Uncle Dave invited him to play a few dates with him. By the following year, McGee was playing regularly with Macon and fiddler Sid Harkreader at Loew's Bijou Theater in Birmingham, appearing on stage in a rural outfit.Later Macon teamed with Sam and his younger brother Kirk McGee to form an act that was billed as “Uncle Dave Macon and his Sons from Billygoat Hill,” capitalizing on that same backwoods image. “I never did learn much about playing from him,” Sam said, “but I did learn a lot about handling an audience.”About the SongOne of the eight songs Dave and Sam recorded in their April 14, 1926, session in New York was “Last Night When My Willie Come Home,” a song that seemed to be making the rounds in the South at the time.About a year later in Atlanta, for instance, Frank Blevins' Tar Heel Rattlers cut the tune for Columbia. Three years after that in Knoxville, Vocalion recorded it by The Smoky Mountain Ramblers, basically a pickup group backing steel guitarist Walt McKinney.One of the more interesting early covers of the song was blues singer Skip James' rendition, which Paramount Records released in 1932 as “Drunken Spree.” Those first records, waxxed in Grafton, Wisconsin, formed the basis of James' musical reputation.Folkies Find ItAfter that, the Willie-coming-home song seems to have drifted away from music's collective memory for a few decades, until it was reborn in the folk music boom 30 years later.The extraordinary New Lost City Ramblers were the first to give “Late Last Night When Willie Came Home” new energy when the group included it on the second volume of its tunes for Folkways in 1960, inspiring other old-time outfits to follow suit.Enter Doc WatsonThe song launched higher into the folk music stratosphere two years later.That's when Doc Watson recorded it with Clint Howard and Fred Price on an influential Folkways' album of various artists called Old Time Music at Clarence Ashley's.From then on, Doc more or less adopted the tune — which he famously re-dubbed “Way Downtown” — as a favorite vehicle for his virtuosity. Watson's rendition with The Nitty Gritty Dirt Band is one of the standout tracks on the seminal 1972 Will the Circle Be Unbroken album. Over the next few years he and his friends played it at many urban folk festivals.In the last dozen years of his life, Doc was still digging it. He played “Way Downtown” live on his 1999 An Evening with Doc Watson and David Holt album. Along the way, the song also has been covered by Tony Rice, Jody Stecher, Billy Strings and many others.Our Take on the TuneIt's funny how songs come in and out of The Flood's life. A half century ago when the band was just thinking about being born, Dave Peyton and Charlie Bowen would get together on weekends to pick and sing, just the two of them, and among the tunes they'd play was “Way Downtown," which they learned from that old Doc Watson record. After the band came together — as Roger Samples and Joe Dobbs, Bill Hoke and Stewart Schneider joined up — "Way Downtown" was a regular. The song has drifted in and out over the years, and whenever it rambles back in, it's just as comfortable as an old shoe. This is a take on the tune from a recent rehearsal.Audio ExtraOh, and here's a snippet from The Flood archives. Click the button below to hear Charlie at a gig urging folks to sing along on the chorus and explaining how harmonicat Sam St. Clair was promoting a special pronunciation: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Send us a Text Message.What if a chance encounter with a determined young paperboy could change the trajectory of your creative journey? Join us as we sit down with John McEwen, the legendary solo artist and founding member of the Nitty Gritty Dirt Band, to explore the life-altering moments that have shaped his illustrious career. John shares the heartfelt story behind his album "The Newsman," inspired by a young boy with cerebral palsy who redefined John's understanding of hard work and dedication. We also reflect on his enduring friendship with Steve Martin, from their high school shenanigans to their magical performances at Disneyland, highlighting the importance of storytelling in music.Travel back in time to the iconic recording sessions at Nashville's Woodland studio, where the award-winning "Circle Be Unbroken" album was born. John offers a behind-the-scenes look at the making of timeless tracks like "Old Rivers," and delves into the balance of authenticity in country music storytelling. Listen to amusing anecdotes from John's diverse career paths in the entertainment industry, including his collaborations with the Oak Ridge Boys, and discover the camaraderie that fuels the music community.Finally, we embark on a nostalgic journey through the 70s with lively tales of road life and special moments with John's daughter. Learn about unique recording experiences with a single microphone, and the timeless connection to the Everly Brothers' legacy through "My Favorite Dream." John also recounts whimsical stories from his autobiography "The Life I've Picked," shedding light on the resilience and adaptability required to succeed in the music industry. This episode is packed with humor, inspiration, and a treasure trove of musical memories you won't want to miss!LinksJay Franze: https://JayFranze.comJohn McEuen: https://johnmceuen.net/ Support the Show.

Send us a Text Message.What if you discovered that some of the most heartfelt songs come from the most unexpected places? Join us as we uncover the incredible journey of songwriter Bruce Tarletsky and his Nashville supergroup, High Mountain Breezes. Bruce, who took up songwriting later in life, found inspiration in a loyal group of session musicians. With producer Bob Bullock by his side, Bruce created a unique musical space that emphasizes friendship, collaboration, and personal expression. Together, they've crafted a legacy that goes far beyond the notes on a page.Ever wondered how a classic like "Bridge Over Troubled Water" could be reimagined to top charts in Europe? Bruce and his team did just that, with Melissa Duvall, Gwen Sebastian, and Heather Beckett bringing a fresh, innovative rendition to life. They dive into the creative process behind this and other hits, revealing how real-life experiences and co-writing shape their music. With insights from Michael Spriggs and contributions from songwriters like Jan Buckingham and Monty Lane Allen, they discuss the profound impact of collaboration on their success.From the grief-stricken "Daddy's Margarita Rose" to the poignant "Stars in Lahaina Tonight," they explore the emotional depth that fuels their music. Hear stories of how personal loss transforms into powerful lyrics and learn timeless advice from legends like John Denver. They wrap up by highlighting the unsung heroes behind the scenes, including Deborah's soulful touch on "Will the Circle Be Unbroken?" and Dustin's marketing prowess. Tune in to discover the heart and soul of High Mountain Breezes and the team that makes it all possible.Contributing HMB Players:Bruce Tarletsky – Founder, SongwriterMonty Lane Allen – Player, Artist, SongwriterBob Bullock – Producer/EngineerChris Leuzinger – Musician, SongwriterMichael Spriggs – MusicianDuncan Mullins – MusicianCatherine Marx – MusicianTim Crouch – MusicianGwen Sebastian – ArtistDarrell Cole – Artist, SongwriterJan Buckingham – SongwriterJanie West – Song Pitch MentorMark Beckett – MusicianJermaine Mondine – MusicianDustin Soper – Marketing, BrandingEd Gertler – Digital DistributionKyle Hershman – EngineerChris Latham – Producer, EngineerSam Levine – MusicianBlair Masters – MusicianAmanda Raye – ArtistMinnie Murphy – ArtistMark Nicolosi – VideographerGary Graziano – MusicianConrad Reeder – Artist, SongwriterJimmy Mattingly - MusicianFriends of the HMB:Deborah Allen, ArtistBenita Hill, ArtistRobert Bailey, ArtistVicki Hampton, ArtistLarry Chaney, ProducerJay Franze, Media PersonalityLinksJay Franze: https://JayFranze.comHigh Mountain Breezes: https://www.highmountainbreezes.com/ Support the Show.

References Gastroenterology. 2023 Feb; 164(2): 256–271.e10. Ada R. Habershon, and Charles H. Gabriel. 1907. "Will the Circle Be Unbroken" Performed by the Carter Family incl. Johnny Cash. https://youtu.be/JLFbUbmH7To?si=rLPSkV-mHYq3Aodf Mozart, WA. 1783. Mass in C Minor K. 427. https://youtu.be/KsiP4-mCnQ0?si=XoNwMiTO1JK5jPOK --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Greg and Dan talk to Dr. Joseph Henry ahead of the Peoria Area Civic Chorale's 41st Season finale concert from May 3-5 at Five Points Washington and First United Methodist.  The conclusion of the PACC's season includes three performances of Gabriel Faure's Requiem at 7:30 pm on Friday and Saturday at Five Points and on Sunday at 3:00 pm at First United. The first half of the concert will feature songs of hope and inspiration such as “Will the Circle Be Unbroken,” “God Bless the USA,” and more. The Requiem will be accompanied by the Central Illinois Chamber Orchestra featuring guest soloists soprano Dr. Miracle Amah and baritone Mr. Andrew Sanchez. Visit peoriacivicchorale.org for tickets and more information.See omnystudio.com/listener for privacy information.

John McEuen was born in 1945 and spent his high school years in California's Orange County. He and lifelong high-school friend Steve Martin both got a job in 1963 in the magic shop at Disneyland when they were just 16. When John saw Missouri bluegrass group The Dillards in an Orange County club a couple of years later, his life changed forever. He knew he wanted to be “a traveling music man”. As a multi-instrumentalist (banjo, guitar, mandolin, fiddle) John has been recognised as a founding member and award-winning outstanding performer of the Nitty Gritty Dirt Band. He left the group at the end of the 50th year anniversary tour in 2017 due to demands for his solo work and the desire to do new things. In addition to John's numerous solo accolades, NGDB was inducted in to Colorado Music Hall of Fame 2015. It's all covered in his book 'The Life I've Picked' from 2018. In 1971 John initiated the now landmark Will the Circle be Unbroken* album, hooking Nitty Gritty Dirt Band up with his musical mentors Earl Scruggs and Doc Watson. The now multi-platinum “Circle” is in both the Library of Congress and the Grammy Hall of Fame. Radio Host, author, television show producer, writer, concert promoter, multi-instrumental musician, performer and magician. His second book – Will the Circle Be Unbroken – 50th anniversary Year – The Making of a Landmark Album captures 145 of his brother's (record producer/manager) ‘masterpiece' photos and tells the stories behind each one. John has made over 46 albums (7 solo) that have earned four platinum and five gold records, multiple Grammy Awards and nominations, CMA and ACM awards, an Emmy film score nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. John's production of Steve Martin – The Crow won the 2010 Best Bluegrass Album Grammy. Other accolades include: Grammy nomination for String Wizards II, the Uncle Dave Macon Award (for excellence in preservation and performance of historic music). He is a producer/composer of film scores and has produced award-winning projects of his own and for several other artists. John has continually performed since 1963 – doing over 11,000 concerts, 300 television shows, 10,000 interviews and flown more than 4 million miles. John's rich history of creating, producing and preserving original and traditional folk music earned him the 2013 Charlie Poole Lifetime Achievement Award. John was inducted in 2017 to the American Banjo Museum Hall of Fame In this episode, John shares the stories from his musical life and tells us how excited he is to have recently released something entirely different. It's a spoken word album called "The Newsman: A Man of Record" which is a collection of poems and stories set to music. I hope you enjoy hearing John McEuen open up about his incredible life and career. If you'd like to learn more about him, head to his website https://johnmceuen.net/ and if you'd like to get in touch with me - with feedback, comments or suggestions for future guests, please reach out through my website https://www.abreathoffreshair.com.au

God does not have any 'peons' in Heaven. He has family.Your salvation accomplishes so much more than just 'punching your ticket' to Heaven. Rather, it includes this wonderful outcome: you are treated as family when you get there! God has no peons in Heaven, but He does have sons and daughters. "Behold what manner of love the Father has given unto us, that we should be called children of God."Questions That We'll Answer:A) What does it mean for God to be our Heavenly 'Father?'B) Why was John so amazed that we are called God's 'children?'C) What is your value in God's eyes? How does He see you now?   Web: www.fpcgulfport.org  See omnystudio.com/listener for privacy information.

I'm on a three-week vacation. While I'm away I'll be publishing the top 15 episodes of 2023 as determined by plays and views at tomvanderwell.com. Enjoy! --- Send in a voice message: https://podcasters.spotify.com/pod/show/wayfarer-tom-vander-well/message Support this podcast: https://podcasters.spotify.com/pod/show/wayfarer-tom-vander-well/support

Send us a Text Message.As the clatter of a Southern family dinner fades into silence, the unspoken truths between Valene and her mother echo the tension many of us recognize at our own tables. "Will the Circle Be Unbroken" takes us through the heart-wrenching reality of difficult mother-daughter dynamics, contrasting with a personal tale of mine involving unanticipated summer visitors who overstayed their welcome. This episode promises an emotional odyssey, threading the needle between the sweetness of familial love and the bitter sting of past wounds.A charged dinner at Valene's home serves as the canvas for this episode's exploration, with each course revealing deeper layers of strained relationships and inner conflict. Gary's obliviousness to Val's struggles, mirrored by my own frustrations with those who cannot see the pain right before them, pulls us into a narrative that's both personal and universal. As Valene stands at the precipice of an emotional cliffhanger, we're given a poignant reminder of the power of authenticity and the danger of silence in the spaces where love should flourish.Wrapping up with a crescendo of raw emotions and shattered decorum, the climax of our discussion underscores the necessity of honest communication, a theme evident in Karen's contrasting experiences with her own mother. This episode is not just a gripping story from the cul-de-sac of Knots Landing but a tender nudge to nurture your relationships with truthfulness and care. And remember, sometimes the most captivating drama is best left to the screen. Join me for a conversation that's as real as it gets, where we face the music of our familial symphonies, note by tender note.

Episode Notes Two hands and three hearts are inviting you to enter the "FULLness" with them. Your choice is to take their hands and complete the circle or . . .

Welcome back to The Pretty Little Podcast! In this episode, Phoebe and Caroline break down episode 322 of Pretty Little Liars: Will The Circle Be Unbroken. Join them as they discuss nostalgia, the scientific method, and our big threes.  

Edison speaks to her fathers.  .מומלץ להקשיב עד סוף הקרדיטים Script available here. Intro theme composed by Tyler Petty. End credits theme composed by Newton Schottelkotte. This song contains a cover of "Will the Circle Be Unbroken?" which can be purchased on our Bandcamp here. TW: Discussion of suicide, suicide-baiting, discussion of religious trauma, discussion of ableism, parental abuse, homophobia Support the show by joining our Patreon. Learn more about our sponsors at https://fableandfolly.com/partners/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On August 18th my family gathered at Glendale Cemetery in Des Moines to bury my mother's ashes.... A chapter-a-day podcast from Job 19. The text version may be found and shared at tomvanderwell.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/wayfarer-tom-vander-well/message Support this podcast: https://podcasters.spotify.com/pod/show/wayfarer-tom-vander-well/support

Peabody Award Honoree, ACLU, Emory University, C-Span, Writer, HistorianThe United States Supreme Court decided the redistricting case that could have significant nationwide implications. In Milligan v. Merrill (now known as Merrill v. Milligan before the Supreme Court), in which LDF is delivering oral arguments, the Court determined Alabama's new congressional map violates the Voting Rights Act (VRA) of 1965 by placing Black voters into legislative districts in a way that dilutes their political power.Yet the Alabama State Legislature Decided in July of 2023 Not to Vote for the Supreme Courts decision that Alabama have two minority Legislative Districts even though The Capital of Montgomery & Birmingham are predominately Black.I am a proud resident of the Washington D.C. Metro Area & know of the redistricting process, having learned this issue as a kid thru Gerrymandering. I bounced thru several district grade schools for years!Steve Suitts is an adjunct at the Institute for Liberal Arts of Emory University, a position he has held for the last twenty years, and has been chief strategist for Better Schools Better Jobs, a Mississippi-based education advocacy project of the New Venture Fund. Suitts began his career as a staff member of the Selma Project. He was founding director of the Alabama Civil Liberties Union, a post he held for five years; the executive director of the Southern Regional Council for eighteen years; and program coordinator, vice president, and senior fellow of the Southern Education Foundation for nearly twenty years.He is the author of Overturning Brown: The Segregationist Legacy of the Modern School Choice Movement and Hugo Black of Alabama: How His Roots and Early Career Shaped the Great Champion of the Constitution. He was the executive producer and one of the writers of Will the Circle Be Unbroken, a thirteen-hour public radio series that received a Peabody Award for its history of the Southern civil rights movement.© 2023 All Rights Reserved© 2023 Building Abundant Success!!Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Today I sat down with Ed Snodderly, an amazing roots singer-songwriter and musician from Johnson City, Tennessee. We got to talk about his new album (Chimney Smoke) coming out in July, the songwriting class he teaches at East Tennessee State University, how he got started in music, and much more. Ed has released LPs on Sugar Hill and other prestigious roots-oriented labels and, in addition to his solo work, he also recorded and performed as the Brother Boys with duet partner Eugene Wolf. Ed's songs have been recorded by such artists as Sam Bush, John Cowan, Reeltime Travelers, Missy Raines, Jerry Douglas, and several others. His original lyrics from "The Diamond Stream" are featured in Nashville's Country Music Hall of Fame and Museum's Hall of Honor Rotunda beside A.P. Carter's standard "Will the Circle Be Unbroken." He also appeared in the Coen Brothers' 2000 award-winning film O Brother, Where Art Thou as the Village Idiot, and again as a ballroom musician alongside Alison Krauss's band. So needless to say there was a lot to discuss and, though we didn't get to touch on everything I was really glad to learn more about him and his music. As always email me at jack@jackbarksdale.com for any questions or show ideas.

1 John 5:1-12 Everyone who believes that Jesus is the Christ has been born of God, and everyone who loves the Father loves whoever has been born of Him. 2 By this we know that we love the children of God, when we love God and obey His commandments. 3 For this is the love of God, that we keep His commandments. And His commandments are not burdensome. 4 For everyone who has been born of God overcomes the world. And this is the victory that has overcome the world—our faith. 5 Who is it that overcomes the world except the one who believes that Jesus is the Son of God? 6 This is He who came by water and blood—Jesus Christ; not by the water only but by the water and the blood. And the Spirit is the one who testifies, because the Spirit is the truth. 7 For there are three that testify: 8 the Spirit and the water and the blood; and these three agree. 9 If we receive the testimony of men, the testimony of God is greater, for this is the testimony of God that He has borne concerning His Son. 10 Whoever believes in the Son of God has the testimony in himself. Whoever does not believe God has made him a liar, because he has not believed in the testimony that God has borne concerning His Son. 11 And this is the testimony, that God gave us eternal life, and this life is in His Son. 12 Whoever has the Son has life; whoever does not have the Son of God does not have life. Key Words: Believes, Born, Loves, Obey, Overcomes, Water, Blood, Spirit Keystone Verse: Everyone who has been born of God overcomes the world. And this is the victory that has overcome the world—our faith. (1 John 5:4) Download Bulletin Download Bulletin

Tab and tutorial now available in the Breakthrough Banjo course for fingerstyle banjo: https://fingerstylebanjo.com/coursetour  

Driven by their message of "radical love," hear how Doni Zasloff and Eric Lindberg, the husband and wife duo behind the renowned bluegrass band Nefesh Mountain, combat antisemitism within the music industry and beyond. Join us as we delve into their remarkable journey of representing Jewish-American culture, tradition, values, and spirituality through bluegrass and Americana music. The band also treats us to intimate performances from their latest album, "Songs for the Sparrows." *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  ___ Episode Lineup:  (0:40) Doni Zasloff and Eric Lindberg ___ Show Notes: Learn more about:  Nefesh Mountain Take our quiz: Jewish American Heritage Month Quiz Test your knowledge of the rich culture and heritage of the Jewish people and their many contributions to our nation! Start now. Read: What is Jewish American Heritage Month? Jewish American Heritage Month Resources Faces of American Jewry Amazing Jewish Americans Listen: 8 of the Best Jewish Podcasts Right Now Sen. Jon Ossoff on Jewish Resilience Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Doni Zasloff and Eric Lindberg: Manya Brachear Pashman:     Nefesh Mountain arrived on the bluegrass and American music scene in 2014. The husband and wife duo of Eric Lindbergh and Doni Zasloff have since performed in hundreds of synagogues in the United States and around the world, representing Jewish American culture, tradition, values and spirituality in the world of bluegrass. Bluegrass Today magazine has described the duo as what happens when bluegrass and Jewish traditions meet and fall madly in love. In honor of Jewish American Heritage Month, Doni and Eric are with us now. Or I should say–we are with Doni and Eric now in their home in northern New Jersey, Doni, Eric, thank you for welcoming “People of the Pod.” Doni Zasloff:    Thank you for coming. We're so excited to have you. Eric Lindberg:     What a treat.  Manya Brachear Pashman:    So please share with our listeners how the two of you got together. Did you have individual musical pursuits? Or did you not really find your groove until you were together as a duo. Eric Lindberg:     We're both pointing at each other. You tell it. Doni Zasloff:    You tell it. Eric Lindberg:   Well, we both had individual pursuits. We met playing music in the New York kind of North Jersey area. Years ago, we met back in 2010. And we were playing music in various fashions. And the quick story is that our band is a love story. And we fell in love a few years later, and it became apparent to each of us that we were head over heels crazy about each other. And that we also had all of this stuff that needed to come out that we kind of needed the other person to help kind of embolden our feelings of Americana music and of Jewish life and of culture and all this stuff.  So I grew up in Brooklyn. And so much of my life as a kid was part of the synagogue, my after school program, and my camp, and of course, synagogue and I had a Bar Mitzvah and I grew up with this big Jewish life in Brooklyn. But at a certain point, I became kind of just a musician, I didn't know where to put this Jewish side of myself. I went to study jazz in college and all this stuff.  So when I met Doni, she kind of brought me back to this feeling of, well, you can be proud of this and you can be excited about it. And you can live a fully Jewish life, you don't have to do it, any which way. You don't have to be a quote unquote, good or bad Jew, which, we hate those terms, but people tend to use them. Even Jewish people, of course, to show how religious or observant they're being at a certain time. So she had this completely unbridled kind of cowgirl way of looking at being wild and Jewish and proud and being yourself. And ultimately, I think that is pretty much the core of our message as a band. But I guess we'll get to that a little bit later. But she brought me back to this place of really just being proud of who I was. And that was the little germ that started this band. And then I brought kind of this musical sensibility in Americana music, with the banjo, and fiddle, and all this stuff.  Manya Brachear Pashman:   And Doni, how about you? What was your journey? Doni Zasloff:    I've always loved all different kinds of music. And I've always been very, as Eric was describing, just having a very strong Jewish spirit. And I think what Eric you know, it's exactly right. When Eric and I fell in love and started to really kind of get real with ourselves and we wanted to kind of express ourselves in the most authentic way. And I think my Jewish spirit and his massive knowledge of all kinds of music, and he just kept throwing CDs into my car–listen to this, listen to this, listen to this. And he just kind of opened my mind and my heart to so many styles of music that I--some of which I loved already, some of which I learned. It was just something about the stars aligning for Eric and I that the music that we started to write from our truest selves in that moment, came out in this Nefesh Mountain kind of a way. And it turns out, it's exactly our truth. And it's exactly the thing that we were looking for, this idea of our relationship, our connection. It is our truth and it's become our whole adventure. Manya Brachear Pashman:   And are you talking about the genre of music when you say that the Nefesh Mountain sound, or something else you're referring to? Doni Zasloff:    It's not, it's like our language. It's the type of music that we play. It's the stories that we tell, it's the perspective that we have. A lot of people say, you know, where is Nefesh Mountain? Is that a place? And we always say it's a place. We made it up. But it's a place that we kind of, it's like a little dream world, that bubble that Eric and I have sort of dreamt up. Where, you know, it is a little like, the free to be you and me vibes of like, just be yourself. And it's infused with this huge range of musical styles. And Eric brings that to the table.  Manya Brachear Pashman:     Would you describe your genre or style as bluegrass? Or would you describe it as something else? I call it bluegrass. But what do you call it? Eric Lindberg:   That's a great question. Because we're right now kind of, you're catching us in the throes of exploring that. And we have been this whole time. I'm a huge fan of bluegrass music. But when I say that, like that means something to me. And it doesn't necessarily mean the same thing to everybody. Of course, it's a word out there that means different things, like being Jewish means something different to everybody. You know, is it a religion? Is it a culture? And bluegrass has the same kind of thing where there's a purest form of bluegrass, which when you're talking about Bill Monroe, Flatt and Scruggs, Stanley Brothers, etc, you know. And then you also have the Bluegrass that I grew up with, which was more of a quote, newgrass thing, and also really just ended up being kind of very fancy folk music with the likes of you know, people like Béla Fleck and Nickel Creek, and Punch Brothers and Sarah Jarosz. All these singer songwriters that are starting to write music with bluegrass instruments, and also improvising on a very high level. So bluegrass has become something that is actually more Americana. So these days, we're kind of using Americana. Manya Brachear Pashman:   Talk a little bit about the original purpose of your music, or message that you wanted to convey with your music together. Or the one that's evolved over time, perhaps? Eric Lindberg:   Well, the original purpose. I'll say, it was all an accident. You know, we fell in love. That's always an accident. A beautifully happy, you know, accident that is ever evolving and beautiful. We, um...sorry. Manya Brachear Pashman:   Stop making lovey dovey eyes at each other. Actually, you can continue, I just wanted our listeners to know. Eric Lindberg: No, no. It's a big story. We fell in love. Your question was…say it again.  Manya Brachear Pashman:  You talked about wanting to be authentic, wanting to express yourselves originally. But has that purpose or intended message of your music evolved over time? Eric Lindberg: Yes, it has evolved and the purpose in the beginning, I noticed something when we first started making this music. As a fan of course, Americana, bluegrass, all this stuff. I noticed that so many artists could go out and sing songs about, about Jesus, about Christianity, about their spirituality. And it's not necessarily called religious or overtly Christian, or anything. It's just Americana. Because they are kind of synonymous.  And the fact that gospel music is kind of at the core and like in the bedrock of what has laid the foundation for Americana music, it goes without saying. So any secular artists can go out there and kind of be themselves in all of that. If they want to sing a gospel tune, well, let's do Will the Circle Be Unbroken, everyone will love it, you know, even though it's a gospel song. Or even songs that we've kind of turned on their ear a little bit like Wayfaring Stranger or Down to the River to Pray, I Fly Away, gospel songs that we love.  So this was our answer to that– we're gonna bring a sense of Jewish spirituality to the Americana table. And our first records, or really our first record. And then a little bit into the second dealt with some of our liturgy with some of the prayers that we had grown up singing, which, for us, meant a lot. Songs, like Henei Mah Tov, which is a whole song about how great it is to have friends and be together and, you know, celebrate each other's uniqueness and beauty. To songs like, Oseh Shalom, prayer for peace, or something like that.  Through the years, we found a new purpose. And we've also, you know, been a band through a very trying time in this country. You know, no matter what side of the political fence you're on, it's been, we're all living in a world where we pretty much don't agree. And it's kind of de facto, now, that we don't agree, and we're gonna fight. And unless you see exactly eye to eye with me, I'm your enemy. And we have now kind of taken a stance, we're not politicians by any stretch. But Doni has kind of created this term that I love, and it's called radical love, which is to, regardless of our backgrounds, regardless of, our opinion on this, that, or the other, we are going to look at people in the eye and embrace them, and to put love out, because that's what the world is clearly lacking.  And it's definitely a kind of hippie sentiment, peace and love, man. But we're fighting all the same things now that everyone was in the 60s, that everyone was in the 70s and 80s. And before that, and probably beyond. And we're challenged with the same issues. We're challenged with racism, antisemitism, a lack of empathy and diversity in neighborhoods and school systems and in cities and the world is still, we want to be happy. So we pretend that it's better than it is sometimes, but it's not great for so many people. And it is a Jewish ideal that I grew up with, this idea of Tikkun Olam, to make the world a little bit better. That's what we want to do through our music.   Manya Brachear Pashman: Do you feel like you have had opportunities to share and communicate that radical love? Are you getting through to people?  Doni Zasloff:   I think every time we get on a stage that is, in front of anyone really, whether it's a Jewish crowd in front of us, or whether it's a you know, a secular, diverse crowd of people, we don't know what their backgrounds are, we really are kind of stepping into a space where we are putting out this radical love. And I think that we have been blessed with an amazing response to it. People are skeptical about a lot of things. There are Jewish communities that were very skeptical about the banjo and very skeptical about the bluegrass thing. The amount of people that come up to us at a synagogue and say, I thought I hated bluegrass. I had no interest in bluegrass, I love it. Or I thought I was gonna hate you guys. Like I didn't understand what you guys were all about. But it turns out I really love it. So we're getting a lot of love wherever we go, which is kind of why no matter what's going on, we just keep doing it because, you know, we've also had responses from people of all backgrounds just hugging us, thanking us for sharing this, you know, culture with them. People have come up to me crying like thank you I, I've never met anybody Jewish, I just didn't know, I didn't know.  I think that music is so powerful, that it can break down so many walls and just shift people's ideas. And so I do think that the response to our radical love has been great. It's not easy, it's a little scary sometimes. It's not always been embraced. There are a lot of bluegrass festivals that wouldn't put us on their stages, because they don't want a Jewish band up there. They don't know what their crowd's gonna think or how that would affect their bottom line, or I don't know. Manya Brachear Pashman:   Do they come right out and say that?  Doni Zasloff:   Pretty much, yeah, we've definitely gotten that feedback. It's hard to hear, as you can imagine, it's painful. But it's the truth, that there is antisemitism everywhere. Eric Lindberg:   Yeah, it used to be–we've been a band since about late 2014. And now, we're knee deep in 2023. And in the beginning stages maybe I was more naive. And I used to kind of think, because, again, the bluegrass world I had in my head was that of progressive music. But I will say that there is a flaw in the bluegrass world and some of the people who want to keep bluegrass being a certain way. And that explains part of our, you know, we will always play bluegrass. So it's not that we won't depart from the genre, but are exploring other areas as well, because we've had clear cut answers of: No, you will never be on this radio station. No, you will not be at this bluegrass festival. We don't have room for people that preach Jewish things. Which is not what we do at all. We have a big show,  I think we're a good band. We've done a lot. I'm proud of what we've done. You know, if the answer was no, because we don't believe you're good enough, then that'd be one thing. But the answer is clearly a Jewish issue. It's a tough thing to live with. So a little bit of me is, it's one of those things you hope as a little kid growing up, who loves music, who is crying and dancing and laughing and learning it and loving it. And it's the most exciting thing in your life, you hope that when you grow up, that it's not going to turn around and kind of kick you in the ass. And you're not going to see some of the dark underbelly of the world that you love. And unfortunately, some of that has happened. At the same time, I've gotten to play with my heroes, our heroes, Sam Bush and Jerry Douglas and Bryan Sutton. The people, the people that I've loved as musicians have all been the most beautiful, like creatures on planet Earth. They are very much beloved to us and our family.  Manya Brachear Pashman:   I'm not totally surprised. We love bluegrass as a family. But my kids do call it Jesus music occasionally. And we make sojourns to bluegrass jam sessions. There's one in Little Silver, New Jersey once a month that we've made the sojourn to at the little Methodist church there in town and I sing along with I Saw the Light. My eight year old wants to play the banjo, that's the musical instrument he has settled on to learn. That's why you guys stand out so much is that you have given to us, a sense of belonging. That like we belong in this world too, we belong in those seats as well. And so I'm not surprised that you have experienced that, but my heart is breaking a little as you talk. Eric Lindberg:   And I want to add that there's nothing wrong at all with bluegrass music, with celebrating Christianity and that spirituality, at all. And I just want to be really clear, because that's the music that I love. And I'll sing along with those songs, too. I love those songs. And it's not, as Doni was saying before, it's not like we haven't, we're playing a lot where there are folks that are saying yes, that are embracing us. But there is something about, you know, when you're Jewish, and when you get that kind of feedback, because it speaks more to antisemitism than I think the musical world or the culture that we live around us in, in this country. I hope that I am being clear in that, the music is beautiful, and the heritage is beautiful. And we're not saying we should be like, we love bluegrass culture, bluegrass music, Americana culture, all that stuff. We love our Jewish culture. And we only want to do right by both sides of that equation, you know, make sure that they're balanced and treated with love. Doni Zasloff:  But just like the world, there is, a little bit of a, not a little bit. I mean, the antisemitism that we're seeing, right now, in this country, it's everywhere, including what Eric was talking about. It doesn't just go away. We were at a big conference, and somebody came up to me, and I tell this story a lot, this guy came over to me in a big cowboy hat. And he just looked at me and he said, Why do you have to be here? Why do you have to play this music?  Eric Lindberg:   He actually said, you actually don't belong.  Doni Zasloff: Y'all don't belong here. This Jewish thing, just basically, get out. And I remember just like, taking a deep breath, walking outside, I think I cried a little bit. I think I called my dad. You know, I was just like, What am I doing here? Like, this is nuts. You know, but then I walked back in and I'm getting, hugs and like, a lot of love. So, you know, this is part of being outwardly Jewish, I think right now. Like, it's just kind of what happens. Eric Lindberg:   And that's the phrase that we haven't, we haven't said yet, because it seems like kind of a strange thing, to be outwardly Jewish. What does that mean? And I didn't grow up in a world where, where people did this, you know, and it kind of boils down to, there's a decision that we have to make that I had to make, and Doni, as musicians that are we going to be a band that is just about the music. And largely we are, actually we want to make good music first and foremost. And we also want to be a band that is, we live in this world, and we are seeing a rise in antisemitism, and we are scared about it. It troubles us and it makes my blood pressure rise and it's terrifying. And if we don't say anything about it, if we're not outwardly Jewish, if we're not openly wearing the star on our chest, you know, so to speak, or on our shoulders. I don't think we're doing ourselves a service. I think we're hiding behind something. For better or worse we're openly going out there and talking about this stuff all the time, because, you know, it won't get better if we don't. Manya Brachear Pashman:  You have recorded three albums, you're getting ready to release a fourth. Is that correct? Eric Lindberg:   Yeah, we actually have four albums out. One is a live one that we kind of snuck out at the end of 2021. Okay. But yeah, there's four that you can stream or buy or any of that stuff, and we have some new music coming out that we're really excited about. Manya Brachear Pashman: If you could talk a little bit about the inspiration behind those albums, because I know that they tell stories. And I'm curious if you could, you could share with our listeners.  Eric Lindberg:   “Songs for the Sparrows” is the most personal and adventurous recording that we've done, it was a huge undertaking. But maybe Doni, you want to tell them a little bit about the inspiration behind that record. Doni Zasloff: That record was inspired by a trip that Eric and I took with our older kids and my mother. My mom did all of this research about our family history, in Eastern Europe, and found all of this information and was able to locate the town that our families we're from. And so we did this big roots trip. It turns out I'm from Ukraine, I thought I was from Poland, but now it's Ukraine. And so we went on this trip, and we saw the town that my family was from and then we saw the forest outside of this town where some of my ancestors, we believe, were shot.  We saw so many things, this trip really kind of just rocked us. I mean, it's everything that we've learned about. But to go there and to see it, it's not in a book, it's not in black and white. It's there and to see that the history was kind of almost trying to be erased, in modern times. It was hiding, we had to dig it up to even know that it had happened. Eric Lindberg:   Literally hiding like we'd get there, we were in Lviv, this is of course before current day, this is back in 2018. And we were in this kind of great shopping area and parking lot and our tour guide had to say, you know, this was a cemetery. This was one of our flea markets. It was like a flea market and it was like what's going on? And there's vibrant life happening but at the same time, no one was… Doni Zasloff: Everything was destroyed, everything, you know, everything hundreds and hundreds of synagogues. I mean almost all of our ancestors, you know, this is where it all was at. But anyway, so we were on this trip. And while we were there I posted a picture on Facebook saying you know I'm on this roots trip. And then one of Eric's cousins like a distant cousin Reuvain, who had also done a lot of research on his family history, started sending email after email to Eric saying, Eric Eric, you are from six hours south of Lviv, you are from the Carpathian Mountains, that's where our family is from, you should go. So we turn the bus around, we ended up going six hours south to the Carpathian Mountains, so that we could see where Eric's family was from the next day. Eric Lindberg:   And just like you thought your family was from Poland, I thought my family's from Austria-Hungary. But in '91, the borders all shifted. And so my grandma grew up, you know, grandma, where we from, she spoke a little Hungarian and, and Yiddish too. It was always Austria-Hungary. That's where we were from. And now of course, it's present day Ukraine. Doni Zasloff:   Right, so we take this six hour drive south, and through the help of Reuvain, were able to find the cemetery where Eric's great grandfather was buried. Hours of looking, and we finally get there, and it had been destroyed. But somebody actually was trying to restore it. But it was little bits and pieces of stones everywhere. But at least it was kind of marked as something. So we went in there and looked for hours, we spent hours trying to find a little evidence of something with his great-grandfather's name on it. We never found anything.  But there was a moment when we were walking around the cemetery that we looked up and saw all of these little birds flying above us, these tiny little sparrows. And there was just something that kind of was very breathtaking about the whole experience and kind of weird. We went through this whole trip, kind of taking it all in. It was a very emotional as you can imagine, like, just very intense trip. We got home and we're trying to like process it six weeks after we returned home was the tree of life shooting in Pittsburgh. So it was like, you know, part of our brains would like you know, that was the past that when it happened over there, this was a terrible thing. It happened over there. Then suddenly we come home and it's happening here. And there's this hate and there's this violence and so it was just like all swirling in our heads and we just kept thinking we have to do something we have to like we just felt compelled to make Now we'll basically or to do something, we didn't know what it was gonna be, we just had to write. But then we kept coming back to that moment with the bird with the sparrows, when we were walking around the cemetery. And Eric and I had this thought, well, maybe those sparrows were our ancestors. And maybe the and then the sparrow, maybe the sparrow. And we learned that sparrows live all over the world. They're small and mighty, and they live and their sparrows everywhere, there's sparrows outside of this house, there are sparrows in Ukraine, there's sparrows everywhere. So the sparrow has become, you know, became a symbol or a totem for anyone who has been discriminated against and hated for just being themselves. You know, whether it's our ancestors, or anyone, right now who's just not being accepted for the person that they were born to be.  Manya Brachear Pashman:   Unbelievable. I want to ask you about your upbringing. And I know Eric grew up in Brooklyn, but where did you grow up? Did you have a bat mitzvah? What's your spiritual journey? Doni Zasloff:  I was born in New York. And then I lived a little bit in Boston and then I grew up in DC in the DC area and then Philadelphia and then I moved to New York so it's been you know, East Coasty.  So I grew up going to Jewish camps and Jewish schools and I had this very intense connection to my Jewish spirituality. Like, I hated it, I loved it, I challenged it. It was like, I needed it. I didn't want it, you know, it was but I was in it. You know, I had this relationship with my Jewish identity. Even as a little kid, like a little girl, I remember, I wrapped to fill in when I you know, in a Jewish Day School setting, and like the rabbis were like, you know, angry at me, you know, things like that. Like, I was just like, really rebellious in my relationship with my Jewish self and going to Jewish schools and things like that. So I don't know, I felt like a Jewish cowgirl really my whole life.  Manya Brachear Pashman:   You have a film crew that has been shadowing you for quite a while now. Six months. And tell us a little bit about “We Sing Nonetheless.” Which is the title of an upcoming documentary. Eric Lindberg:   Yeah, it's really exciting. We met this awesome gentleman, Adam, up in Boston, we were playing a show, I believe that was at his synagogue. But we were, you know, it was just after the show, and I'm like, kind of sweaty, over by the merch or something, and I just start talking to this guy. And he's like, I'm a documentary filmmaker. Little did I know, he's an Emmy award winning documentary filmmaker, and his last project,  Dawnland with the--Upstander Project is the name of the organization. And we became really kind of fast friends, so much in common. And we just kind of started texting a little and throwing around some, could this work.I'm kinda like, there's gonna be a documentary about us? I mean, what we do is really important, but I kind of forget that we're the ones that do it sometimes. And I'm like, You're gonna follow us around and, and do this thing. And he was serious about it. And it's turned into, it's happening. It's a project. It's gonna be a movie.  And the working title is We Sing Nonetheless, which is borrowed from one of our lyrics. It's from this song called Tree of Life. It's a bigger story, because we wrote it the day of the Pittsburgh shooting. But the refrain in that song is this lyric, but we sing nonetheless. Despite this pain that we've gone through with everything we've talked about with the sparrows and all this stuff, we sing nonetheless. And it's a lyric that we of course, we love, we wrote it. But when Adam came to us and said, that could be a theme. I was kind of blown away, because that's kind of one of the core messages of the band, which is that, despite history, and what history tells us and what we've learned, we are here, so we have to sing, we have to make that choice to sing. Doni Zasloff: And it's so Jewish. I mean, it's just such a Jewish like, that's what we do. So it just feels –actually he came up with the title. And I just burst out crying. I was just like, oh, yeah, that's kind of, that's just how my life has been. It's just always that, you know. Manya Brachear Pashman: I want to talk about one of my favorite songs of yours, and one of the most calming: tell us about the inspiration behind Evermore (Hashkiveinu), which is another song off your album Song For the Sparrows. Doni Zasloff: Oh, yeah. I love the gosh, every song's like another one of our babies but the song that we wrote called, Hashkiveinu, the Hashkiveinu prayer that was inspired. Eric started writing that, I think because I was having a hard time sleeping. And I think you wrote that one to try to help me get through the night.  Eric Lindberg: Yeah. Doni Zasloff:  When I was like, I just have a hard, sometimes I just can't, not sometimes, most times. Eric Lindberg:   Still some days you're just like, I didn't sleep. That's actually a great one to bring up because it's based on this ancient prayer, Hashkiveinu. It's based on this ancient idea. And then when really reading the text and we looked through a lot of different translations and it's just beautiful that we would you know, that moment at night before sleep, first of all, we all have it's universal. And the idea that these angels come and like take us to this land and like golden shores and all this kind of like cool imagery.  Doni Zasloff:   [singing, acapella] Shelter, oh shelter as night... Doni Zasloff and Eric Lindberg:   [singing, acapella] Shelter, oh shelter as night settles in  Lay us down beside tranquil shores  So we can dream of the wings  That'll bring us home again  For now, and evеrmore Eric Lindberg:   Something like that.  Manya Brachear Pashman:   Beautiful.  Eric Lindberg:   Yeah, I mean, but that's our task. You know, sometimes if we are looking at a song from a prayer, I'm glad you brought it up because, while we're not like, the word religious can mean something different to everybody, but these prayers are based in also our culture and our heritage. And it's all one if you're living a Jewish life, and I think that this is one of these beautiful, poetic, whimsical, magical prayers, that is, that is a part of our culture that we're super proud of. And we kind of wrote this folk song around it, about being able to get yourself to sleep, despite the day you've had. Manya Brachear Pashman:   Beautiful. Would you mind closing us out with another song? Doni Zasloff:   [guitar playing] This song's called Where Oh Where, it was intended to be a song of hope, inspired by nature. And it's a response to all of the not so great things that we're seeing around us, to try to comfort ourselves really. But it's called Where Oh Where. Doni Zasloff and Eric Lindberg: [singing, with guitar]  Where oh where are the sweetest songs Of Miriam and her daughters? They were sung beside the seas and tides So still must be out on the waters Still on the waters   Where oh where is the wisdom Sung by the many before us? She was there inside the tree of life So still must reside in the forest Still in the forest   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where is the innocence From our first days in Eden? They used to rest their heads on the flowerbeds So still must be there in the gardens Still in the gardens   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's the forgiveness From the age of the flood so long ago? Under all the rain the earth remained So it's still in the fields and the meadows In the fields and the meadows   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's our compassion Is it somewhere we can discover? It's never too far, it's right where you are It's always been in the arms of each other Manya Brachear Pashman:   Thank you so much.  Eric Lindberg:  Sure thing.  Manya Brachear Pashman:   It's been a jam-packed Jewish American Heritage Month here on People of the Pod: we kicked off with AJC CEO Ted Deutch, popped into the kitchen with Busy in Brooklyn food blogger and cookbook author Chanie Apfelbaum, and last week, we heard from from Georgia Senator Jon Ossoff. Thank you for joining us to close out the month with Nefesh Mountain. Tune in later this week for our sit-down with House Minority Leader Hakeem Jeffries.

My guest this week is John McEuen, founding member of the Nitty Gritty Dirt Band.I recently put together two special episodes to celebrate Doc Watson's 100th birthday (links below in case you missed those). I interviewed over a dozen guests and John was kind enough to take part and share some memories of recording Will the Circle Be Unbroken with Doc. Those episodes ended up being so long I didn't have room for all of the conversation I had with John, but there was so much great stuff in there I decided to release the whole thing. Here it is! There's plenty more about Will the Circle... in here, but we also chat about John's favourite music he's made since then, playing with Earl Scruggs at IBMA, producing Steve Martin's Grammy winning album The Crow and plenty more.It was a great conversation to get to be a part of and I really hope you enjoy it.Links to stuff we talked aboutFor tour dates, info and details of John's book about the ...Circle sessions, visit John McEuen's website For updates and news check out John's Facebook and Instagram pagesDo go and listen to John's fantastic album String Wizards, which includes the track he talks about, Carolina TravelerDoc Watson 100th birthday episodes:Part 1 - this is the episode John's inPart 2Happy picking,Matt===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

"A national treasure." -Wynton Marsalis "The best musician on the planet." -Vince Gill "A supreme master at what he does." -Yo-Yo Ma "He is to music what Muhammad Ali is to boxing." -James Taylor Imagine how good Mark O'Connor must be if these are the words his peers have said about him. Mark's musical DNA includes American folk tradition as well as classical music, and even jazz -- which makes sense when you consider that his creative journey began at the feet of a pair of musical giants: folk fiddler Benny Thomasson (who created the modern era of American fiddling) and French jazz violinist, Stephane Grappelli (considered one of the greatest improvisers in the history of the violin).   Along the way, between these musical extremes, Mark absorbed knowledge and influence from other musical styles and genres -- an alchemy that became his signature sound, a “new American Classical music." He's performed for U.S. Presidents ... he's recorded with Dolly Parton, James Taylor, Paul Simon, Randy Travis, The Judds and many more ... and he also created an entirely American school of string playing called The O'Connor Method.   Now, he's written a memoir entitled Crossing Bridges about his journey from child prodigy to fiddler who dared the world. He and his beloved, the extraordinary musician Maggie O'Connor, have been touring the country playing book release concerts, but they took some time to sit down with us on the Charlotte Is Creative Podcast!   LINK TO THINGS MENTIONED IN THIS PODCAST:   Will the Circle Be Unbroken, Vol. 2 by The Nitty Gritty Dirt Band

(First aired on WUTC 2/11/23)In this episode, we talked with folk musician and founding member of the Nitty Gritty Dirt Band, John McEuen, about his career, his new book, and the 50th anniversary of the band's seminal album—Will the Circle Be Unbroken. Hosted on Acast. See acast.com/privacy for more information.

Hi everyone.Today (March 3rd 2023) would have been Doc Watson's 100th birthday, so I've put together a couple of really special episodes to celebrate. I spent the past 3 months interviewing people who knew, played with, worked with, were inspired by or just loved Doc and his music. I ended up with hours and hours of wonderful conversation and have edited it all into two episodes. This is the first....This one focusses on those who worked and played with Doc, plus a couple of people responsible for carrying on his legacy.You'll hear from:Happy Traum, founder of Homespun Music on getting to know and working with DocJohn McEuen from the Nitty Gritty Dirt Band on recording the seminal Will the Circle Be Unbroken record with DocT. Michael Coleman on 15 years playing and touring with DocJack Lawrence on his 20 years with DocLindsay Craven, Artist Relations Manager at MerleFest on making sure Doc's vision lives on at the festivalTed Olson, who wrote the book that accompanies the box set Life's Work: A RetrospectiveAll of these are brand new interviews carried out for these episodes. They've been a joy to put together. I hope you enjoy them (and don't forget to check out episode 2).Happy picking (and happy birthday Doc!)Matt===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

In ancient times, Sages were revolutionaries, teachers and healers whose wisdom was sought by those seeking universal truths on how to live well in the world. Divinely inspired philosophers, saints and leaders with a direct and unique knowledge of the Universal/Absolute Truth. Will the circle be unbroken? It will with Sages like Jaime Pawlinga.  Hello and welcome to episode one hundred ninety four of Above Ground Podcast. Our guest this week is the founder of the Sages Circle, Jaime Pawlinga. The Sages Circle is Nippertown's premier metaphysical boutique and spiritual center located at 443 Saratoga Road, Glenville, NY. Offering a variety of products, services, classes and workshops with your wisdom and growth at the heart of it all.  Jaime has come to her wisdom by possessing an unquenchable desire to grow and learn from her spiritual practice. One that started when she was young. As the granddaughter of a pastor, she knew at an early age that a spiritual path needed to be followed. This morphed into being certified in energy healing as a young teenager.  Growing into a healer and a guide. Working in the health care domain as an end of life doula and guiding families through the last, an often most difficult transition, death. Going on to become an EMT and then a FireFighter until health forced yet another shift. Leading Jaime to pursue yoga as a mode of therapy to later becoming a Certified Yoga Teacher.  Jamie has been led to the circle, because she is the circle and that circle will be unbroken.  This Sunday, March 5 at 6pm, come to the Sages Circle for a book signing and discussion of TPP's new book, Never Underestimate the Power of You. A help yourself book because life is the ultimate DIY project. Come hear Tim discuss and read from the book. Copies will be available for purchase at the event.  Then, Sunday March 26, from 11a-5p, is the next Upstate Punk Rock Flea Market  Empire Live, 93 North Pearl Street, Albany, NY. Vendors from all the dark corners come to fill up the room with unique, macabre, one of a kind jewelry, art, fashion, and creations you won't find at Crossgates Mall or anywhere else. Come down say hi to Above Ground Podcast and let's put some black in our spring.  Thank you as always for listening and please continue to visit with us every Wednesday wherever you pod. We cannot do it without you. You can support the show by donating at BuyMeaCoffee/AboveGroundPod. Remember that everyone has mental health and until next Wednesday get well, be safe, stay ABOVE 

Link from Today’s Show: God as a Warrior: https://bible.knowing-jesus.com/topics/God-As-A-Warrior Onward Christian Soldier: https://www.youtube.com/watch?v=4OArhnVDjKI Will the Circle Be Unbroken? :https://www.youtube.com/watch?v=zjgW-i_0boE How Great Thou Art: https://www.youtube.com/watch?v=a-m_6KN5ISA Battle Hymn of the Republic: https://www.youtube.com/watch?v=HBzmp-bW4Y0 Faith Of Our Fathers: https://www.youtube.com/watch?v=RziT4wJMrGQ […]

For his 99th birth anniversary, WNCW honored the late great Earl Scruggs by sharing portions of interviews with artists who knew him, broadcasting stories ranging from brief encounters in young adulthood, like Sierra Hull's memories of Earl, on to years of friendship and collaboration with guests like John McEuen and Pete Wernick (note: Sierra Hull will also be our featured guest in her upcoming episode). These conversations were rich and deep, and helped me understand Earl Scruggs as the man in ways that were at turns surprising, but always inspiring. I asked everyone here essentially the same two questions: tell us your favorite memories or stories about Earl, and talk about his impact as an artist and how that legacy continues since he has been gone. It all adds up to three and a half hours of audio (!), and it should be no surprise that there is a ton of gold to be mined in all those conversations; here is a synopsis, a sampling of everyone's thoughts, insights and memories. This episode hones in on the stories that reveal Earl Scruggs as a humble genius, a quiet and kind man who was in so many ways the same farm boy and mill worker from the foothills of western North Carolina even after living in a mansion in the heart of Nashville. Plus, there is plenty of talk about the genius and enduring legacy of Earl Scruggs, whose namesake lives on in the form of not only his vast catalog of recordings, his songwriting and revolutionary playing style, but also in the Earl Scruggs Center in his home county, housed in the county courthouse built in 1907 in downtown Shelby NC, as well as the Earl Scruggs Music Festival, which began in 2022 and continues on Labor Day weekend in 2023 in nearby Tryon NC. Earl Scruggs In this episode we welcome Kristin Scott Benson, Travis Book, Alison Brown, Sam Bush, Jeff Hanna, Vince Herman, John McEuen, Jim Mills, Earl's nephew J.T. Scruggs, Pete Wernick, and even my dad, who gives us a glimpse of what a Scruggs family gathering was like in the 1950s. Songs heard in this episode:“Earl's Breakdown” by Flatt & Scruggs“You Are My Flower” by Nitty Gritty Dirt Band, from Will the Circle Be Unbroken, excerpt“Hot Corn Cold Corn” by Flatt and Scruggs, from Flatt and Scruggs at Carnegie Hall, excerpt“Some Of Shelley's Blues” by The Earl Scruggs Revue, excerpt“Foggy Mountain Breakdown” by Flatt & ScruggsThanks for stopping by! Would you share this episode with someone too? It takes just a click to follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating, and on platforms with the option, a review. Great ratings and reviews will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you.Southern Songs and Stories is a part of the podcast lineup of Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Denim and Pearls - Will The Circle Be Unbroken - S07E02 There are a great many circles in our lives. There are families, friends and businesses. Will we remain a circle if one part of the circle or if the leader goes away?

Je tomu téměř přesně padesát let, co spatřilo světlo světa album Will The Circle Be Unbroken, jedna z nejikoničtějších nahrávek americké hudební historie. Kapele Nitty Gritty Dirt Band se tehdy podařilo přivést do studia legendy country hudby a natočit s nimi jedno z nejlepších akustických alb, jaké kdy vzniklo. Uslyšíte mimo jiné Roye Acuffa, Mother Maybelle Carter, Doca Watsona a samozřejmě banjo Earla Scruggse.

Je tomu téměř přesně padesát let, co spatřilo světlo světa album Will The Circle Be Unbroken, jedna z nejikoničtějších nahrávek americké hudební historie. Kapele Nitty Gritty Dirt Band se tehdy podařilo přivést do studia legendy country hudby a natočit s nimi jedno z nejlepších akustických alb, jaké kdy vzniklo. Uslyšíte mimo jiné Roye Acuffa, Mother Maybelle Carter, Doca Watsona a samozřejmě banjo Earla Scruggse.

Intro/Outro: Hickory Wind by The ByrdsAlbum 10: Guitars, Cadillacs, Etc., Etc. by Dwight YoakamSong 1: It Won't HurtSong 2: South of CincinnatiSong 3: I'll Be GoneAlbum 9: Will the Circle Be Unbroken by The Nitty Gritty Dirt BandSong 1: Losin' You (Might Be the Best Thing Yet)Song 2: You Don't Know My MindSong 3: Dark as a Dungeon

Peabody Award Honoree, ACLU, Emory University, C-Span, Writer, HistorianThe United States Supreme Court will soon consider a major redistricting case that could have significant nationwide implications. In Milligan v. Merrill (now known as Merrill v. Milligan before the Supreme Court), in which LDF is delivering oral arguments, the Court will determine whether Alabama's new congressional map violates the Voting Rights Act (VRA) of 1965 by placing Black voters into legislative districts in a way that dilutes their political power. I am a proud resident of the Washington D.C. Metro Area & know of the redistricting process, having learned this issue as a kid thru Gerrymandering. I bounced thru several district grade schools for years!Steve Suitts is an adjunct at the Institute for Liberal Arts of Emory University, a position he has held for the last twenty years, and has been chief strategist for Better Schools Better Jobs, a Mississippi-based education advocacy project of the New Venture Fund. Suitts began his career as a staff member of the Selma Project. He was founding director of the Alabama Civil Liberties Union, a post he held for five years; the executive director of the Southern Regional Council for eighteen years; and program coordinator, vice president, and senior fellow of the Southern Education Foundation for nearly twenty years. He is the author of Overturning Brown: The Segregationist Legacy of the Modern School Choice Movement and Hugo Black of Alabama: How His Roots and Early Career Shaped the Great Champion of the Constitution. He was the executive producer and one of the writers of Will the Circle Be Unbroken, a thirteen-hour public radio series that received a Peabody Award for its history of the Southern civil rights movement.© 2022 All Rights Reserved© 2022 Building Abundant Success!!Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

This week we reminiscence of times past and the good old days and the comfort of the tried and true. Realizing the many good things passed down from our forefathers that are such blessings. We pull 2 old songs from the past that have a lot of history in our land. Old Time Religion and Will the Circle be Unbroken is our medley this week reminding us that the Gospel never changes and Heaven and family are forever.

It's time for an XL episode, because we couldn't choose just one song to help us chronicle the 50+ year career of the band that created the Americana genre. Founding Dirt Band member John McEuen joins us as we talk about a handful of our favorites from the Nitty Gritty Dirt Band. Also: Rob's terrible Norm Macdonald impression Sparsely-worded choruses galore! “And we wondered what took so long.” “He was a nice, drunk guy.” Working in the Disneyland magic shop with Steve Martin -- Get more of this show, and enjoy our other show, The Catch-Up with Rob and JP, exclusively on Patreon! Connect with us on Facebook, Twitter, and Instagram @greatsongpod, and join the Facebook group at Facebook.com/groups/greatsongpod. The Great Song Podcast is a Tiger Leap Production. Check out the other fine Tiger Leap podcasts like Curio with Dan Buck, Project SSA, and The Punnery. Producers: Andrea Konarzewski, Brad Callahan, Ari Marucci, Michael Conley, Peter Mark Campbell, David Steinberg, Randy Hodge, Chaz Bacus, Juan Lopez, Jason Arrowood, Howard Passey, Micah Murphy, Tim Jahr, and Christopher Cudnoski --- Send in a voice message: https://anchor.fm/greatsongpod/message

Jeff Hanna has been in every iteration of the Nitty Gritty Dirt Band, from "Mr. Bojangles" to "Will the Circle Be Unbroken" to "Fishin' in the Dark" to their just released album "Dirt Does Dylan." We discuss all of these eras!See omnystudio.com/listener for privacy information.

Will the Circle Be Unbroken…? by St. Simons Presbyterian Podcast

This week we feature bluegrass banjo legend John McEuen, who along with his brother, William, and his bandmates in the Nitty Gritty Dirt Band was responsible for the landmark 1972 record album “Will The Circle Be Unbroken”.  John has just published a new book that celebrates the 50-year anniversary of the “Will the Circle Be Unbroken" album release and in this podcast we talk with John about the recording of that historical project and the contents of his new book.

Coming down the homestretch of Season Three of The Load Out Music Podcast, we settle into our new digs in one of the great music venues in St. Louis – The Old Rock House. Most important, we welcome yet another Grammy Award winner in Jeff Hanna, founder and longest serving member of the Nitty Gritty Dirt Band. In the 1960s, the Detroit-native landed in Long Beach, California, where music was being transformed. The sounds of folk, rock, country, bluegrass and blues were being blended in from San Francisco to Los Angeles into what is today considered roots, Americana or alt-country. But it was the bands at that time, in that place that were doing it – The Byrds and Flying Burrito Brothers (both led by past guest Chris Hillman), Poco, Emmylou Harris, New Riders of the Purple Sage, The Buffalo Springfield, Linda Rondstadt Crosby, Stills and Nash, the Grateful Dead, Joni Mitchell and, of course, the Nitty Gritty Dirt Band. Hanna started hanging out at McCabe's guitar shop with a cast of characters that would shape the alt-country movement: Les Thompson, Jimmie Faddon, Ralph Barr, the legendary Jackson Browne and other founding or future members of the Nitty Gritty Dirt Band (NGDB) such as former Load Out guest John McEuen. NGBD's first big hit was a cover of Jerry Jeff Walker's “Mr. Bojangles.” But when the legendary Earl Scruggs and Doc Watson agreed to record with NGDB, it set in motion a recording effort in Nashville akin to The Band's Last Waltz documentary film and album. It was released in 1972 as Will the Circle Be Unbroken, which is in the Grammy Hall of Fame as well as The Library of Congress. Rolling Stone called the first record (there were ultimately three), “The most important record to come out of Nashville” and a 2004 ZAGAT survey called it “the most important record in country music.” True to form, Hanna just downplayed it and instead applauded those around him. “I think most of just felt like, how lucky are we get to make records,” he told me. “It was such a communal project.” All along, Hanna – in and out of NGBD – has succeeded. From the NGBD's start in 1966 to its 1985 country number one song "Modern Day Romance,” followed up by the smash hit "Fishin' in the Dark" in 1987. The song Hanna co-wrote with Marcus Hummon and Bobby Boyd in 1994, "Bless the Broken Road," won a Best Country Grammy Award for Rascal Flatts in 2006. Most recently, Hanna and NGBD – now featuring Hanna's son Jaime on vocals and guitar – has taken on another American institution near and dear to their hearts in Bob Dylan's songbook. Dirt Does Dylan, a ten-track album highlighting some of the gems from Dylan's vast catalog, was just released with stellar cuts of songs like “It Takes a Lot to Laugh, It Takes a Train to Cry,” “Forever Young” and other Dylan hits. Throughout our conversation, Hanna spends most of his time heaping praise on everyone in his circle but himself. From his longtime NGBD bandmates to his wife Matraca Berg and son, contributors to Circle like Levon Helm, producer Ray Kennedy and others – Hanna's intention is summed up in how he described the experience of recording Will the Circle Be Unbroken. “I'm so happy to be in that crowd.” Please enjoy the latest episode of The Load Out Music Podcast with founder Jeff Hanna of the Nitty Gritty Dirt Band.

Vick Mickunas gives a special birthday tribute to Studs Terkel.

Recorded July 7th, 2021 - Wednesday Night Service

Recorded Feb 24 1991

Coming to grips with grief W/ Bob Arnold

Breaking “generational curses” in black families.

www.patreon.com/banjopodcast   Check out this first installment with the legendary John McEuen, a multi-instrumentalist, Grammy-winning producer (for Steve Martin's "The Crow") and author. John is best known for his tenure with the Nitty Gritty Dirt Band, his prolific solo career, and countless other collaborations. John tells many a story, including how the "Will the Circle Be Unbroken" album came to be.   Sponsored by Peghead Nation and Elderly Instruments. Use coupon code "pickyfingers" for a FREE month at Peghead Nation!   John McEuen on the web: www.johnmceuen.com   Contact the show: pickyfingersbanjopodcast@gmail.com   Download music and buy merch: www.banjopodcast.com  

Beyond being the final guest of season 1 of The Load Out music podcast, who is John McEuen? He's one of the founding fathers of the alt-country movement, which largely stemmed from a collection of immensely talented southern California musicians in the mid-1960s such as Merle Haggard, David Crosby, Jerry Garcia, Roger McGuinn, Gram Parsons, Jackson Browne and many others. As co-founder of the Grammy-winning Nitty Gritty Dirt Band (NGDB), McEuen has been continually performing since 1964, making more than 40 albums and appearing on some 25 others. Throughout his 55-year-career, he's earned four platinum and five gold recognition awards, numerous Grammy nominations and wins, CMA and ACM awards and an Emmy nomination.  He not only taught legendary comic Steve Martin to play the banjo – but produced Martin's album The Crow which won a 2010 Grammy award. Arguably, McEuen's greatest accomplishment may be his instigation of what Rolling Stone called “The most important record to come out of Nashville” and what a 2004 ZAGAT survey called “the most important record in country music”- NGDB's 1972 album Will the Circle Be Unbroken, which is in the Grammy Hall of Fame as well as The Library of Congress.  In our interview, we cover a range of topics – from the transference of musicians to comics as leading cultural political voices to teaching Steve Martin how to play the banjo, meeting his fellow Nitty Gritty Dirt Band founders in McCabe's Guitar Shop in Santa Monica, Calif., his relationship with Grateful Dead founders Garcia and Bob Weir, and we even get a lesson on D-tuned "double thumbing" of the five-string banjo The host of the popular “Acoustic Traveler” show on Sirius/XM's The Village, we also discuss McEuen's newest solo record Made in Brooklyn, which won an Independent Music Award for Best Americana Album of 2017, and his book “The Life I've Picked”. So sit back and enjoy a conversation with a legend: John McEuen.

Revelation 20-11-15--11And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away- and there was found no place for them.-12 And I saw the dead, small and great, stand before God- and the books were opened- and another book was opened, which is the book of life- and the dead were judged out of those things which were written in the books, according to their works.-13 And the sea gave up the dead which were in it- and death and hell delivered up the dead which were in them- and they were judged every man according to their works.-14 And death and hell were cast into the lake of fire. This is the second death.-15And whosoever was not found written in the book of life was cast into the lake of fire.

This week on our Pretty Little Liars podcast @TheSueFunke and @TheChelseaWhite are joined by Kelly Noonan (@GoToKell / @BurnInKell) to revisit Ep. 3.22 "Will the Circle Be Unbroken?" Plus, special guests Chelsea's Dad George and Kelly's Dad Frank call in to weigh in on the legalities of the Ezra/Aria relationship once and for all! We would love you for subscribing, rating and reviewing! And get in touch with us on Twitter @cAbernetAndA, Facebook.com/cAbernetAndA, cAbernetAndA@gmail.com and following @TheChelseaWhite and @TheSueFunke on Twitter and Snapchat!