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HeavensgateDeep Ep. 496 Alex Franchini Neil Moore 01. Euripides - Gravity (Original Mix) [Dear Deer White] 02. MAIl - Immortal (Max Porcelli Remix) 03. Craig W - Moments (Original Mix) [989 Records] 04. Medusa Odyssey - Take It Out (Claudio Ricci Remix) [Music is 4 Lovers] 05. Chris Avantgarde - Rhythm Check 06. Killian Walsh - Let's Play Bongos 07. Noir & Hayze - Ain't Over 08. Joris Voorn x Roddy Lima x Talyr Renee - Machine (Extended) 09. Moderat - Eating Hooks (Deep Dish Remix) 10. Studio Cross & Dj Dharma 900 - It's A Jazz Thing [Kuudos] 11. Hugo Cantarra, Omem, Avero - Desire (Original Mix) [Shen Recordings] Alex Playlist: 01. TH Moy - So Long (Original Mix) [Bit To Bit Records] 02. Jaxx inc. - On Mission (Extended Mix) [What Ya Need] 03. Xoro x James Hurr feat. ILIKERICO - Reload (Extended Mix) [Armada Music] 04. Losless -THE LOOP (Extended Mix) [DIEGETIK] 05. Joris Voorn x Roddy Lima x Taylr Renee - Machine (Extended) [Spectrum] 06. Teenage Mutants - Lights Up (Original Mix)[TRAGEDIE] 07. Alex Stein, Victor Ruiz - CORE (Original Mix) [Drumcode] 08. Matt Sassari, Brieuc - Move To The Beat (Extended) [SASS] 09. Gaga, Mateo! - Life (Original Mix) [Dark Face Recordings] 10. Victor Ruiz - Scorpio (HNGT Remix) [VOLTA] 11. Alex Franchini - Wtf (Bootleg) [White Label] 12. ROBPM & MOTVS - My Weapon (Original Mix) [Exetra Records] 13. Jay Lumen - My Bassline (Extended) [ARCANE MUSIC] 14. ATLANTE (FR), Romain Say - The White Lotus (Original Mix) [Space Kraft Recordings]
In this episode of the Epigenetics Podcast, we talked with Peter Becker from the Biomedical Center Munich about his successful career in Epigenetics, where he discovered the chromatin remodeler ISWI and dosage compensation complex MOF. Dr. Becker shares thoughts about his postdoctoral work with Carl Wu, where he developed embryo extract systems for studying chromatin assembly and transcription. He explains how work on Drosophila extracts led to the purification of ATP-dependent remodeling factors, including ISWI-related complexes, and how these studies showed that such factors slide nucleosomes and help organize chromatin. We also cover his move to EMBL and later to Munich, where his lab expanded into dosage compensation in Drosophila. He describes work on the MSL complex targeting, MRE sequences, ROX RNA, DNA shape features, and how biochemical reconstitution was used to study how the complex recognizes the X chromosome. Finally, we discuss his later work on TIP-60 and histone acetylation, including acetylome studies, and his reflections on leadership roles at EMBL and on the use of the term epigenetics. He emphasizes that epigenetics should be understood as one layer among genetics, environment, and socialization, not as a replacement for genetics. References Tsukiyama, T., Becker, P. B., & Wu, C. (1994). ATP-dependent nucleosome disruption at a heat-shock promoter mediated by binding of GAGA transcription factor. Nature, 367(6463), 525–532. https://doi.org/10.1038/367525a0 Varga-Weisz, P. D., Wilm, M., Bonte, E., Dumas, K., Mann, M., & Becker, P. B. (1997). Chromatin-remodelling factor CHRAC contains the ATPases ISWI and topoisomerase II. Nature, 388(6642), 598–602. https://doi.org/10.1038/41587 Corona, D. F., Längst, G., Clapier, C. R., Bonte, E. J., Ferrari, S., Tamkun, J. W., & Becker, P. B. (1999). ISWI is an ATP-dependent nucleosome remodeling factor. Molecular cell, 3(2), 239–245. https://doi.org/10.1016/s1097-2765(00)80314-7 Akhtar, A., & Becker, P. B. (2000). Activation of transcription through histone H4 acetylation by MOF, an acetyltransferase essential for dosage compensation in Drosophila. Molecular cell, 5(2), 367–375. https://doi.org/10.1016/s1097-2765(00)80431-1 Akhtar, A., Zink, D., & Becker, P. B. (2000). Chromodomains are protein-RNA interaction modules. Nature, 407(6802), 405–409. https://doi.org/10.1038/35030169 Villa, R., Schauer, T., Smialowski, P., Straub, T., & Becker, P. B. (2016). PionX sites mark the X chromosome for dosage compensation. Nature, 537(7619), 244–248. https://doi.org/10.1038/nature19338 Related Episodes Dosage Compensation in Drosophila (Asifa Akhtar) DNase Hypersensitive Sites and Chromatin Remodeling Enzymes (Carl Wu) The Mechanism of ATP-dependent Remodelers and HP1 Gene Silencing (Geeta Narlikar) Regulation of Chromatin Organization by Histone Chaperones (Geneviève Almouzni) Contact Epigenetics Podcast on Mastodon Epigenetics Podcast on Bluesky Dr. Stefan Dillinger on LinkedIn Active Motif on LinkedIn Active Motif on Bluesky Email: podcast@activemotif.com
"So we're doing this, right?" The new film from David Lowery, the director of The Green Knight, is not a love story, it's not a ghost story, and a lot of people aren't sure what it is at all. We know it's definitely about a very Gaga-esque pop star played by Anne Hathaway trying to heal the wounds of the past with her estranged dress designer (Michaela Coel), and we know it's got a storming FKA Twigs cameo which qualifies it for this show. But what lies beyond these facts?Join Graham and Robyn as they look at the many musical and cinematic inspirations Lowery and Hathaway took - from Persona to Taylor Swift: The Eras Tour! - and discuss the film's soundtrack cuts from Charli XCX, Jack Antonoff and Twigs herself. We also talk about the responses we had to the film - both emotional and stigmatic - talk about Charli's busy year at the movies, and relitigate the eternal question of whether Jack Antonoff is actually a good producer or not. Plus a bit of Billie Eilish concert film talk, if that's your bag.If you don't want to see us doing mildly lewd Gievenchy adverts for money, you can donate to our Patreon where you'll get Graham's new culture podcast The Arts Hole, plus Rob's franchise run-down They'll Love Us When We're Dead, weekly written articles about Doctor Who and The Twilight Zone, and more. Follow us on Twitter, Instagram, Bluesky and Facebook to find out more.
Our dear friend Ryan O'Connell returns to How Long Gone. His new book, Inspiration Porn, is out soon. We chat with him about Chris accidentally pouring candle wax all over himself at the Gabriela Hearst x Paul Smith dinner at the Chateau, Reese Witherspoon's umbrella holder, Colbert's final days on TV, Katy, Ariana, and Gaga, whether Will Arnett and Amy Poehler will get back together, Ryan being a closeted Dax Shepard listener, how you'd "better laugh at all his jokes if you want this Delta One ticket," a review of his book launch the night before—where Jason read one of Ryan's sex diary entries, Gwyneth's boyfriend breakfast bowls, Apple Martin and Romy Mars, we disagree on Olivia Dean, whether Jake Shane is today's Truman Capote, Alex Cooper's pregnancy press diversion, and some Ivy Wolk glazery. instagram.com/ryanoconn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Klassik ist gediegen, fromm, langweilig? Ganz und gar nicht: Musikalische Gags, alberne Texte und wilde Experimente haben schon immer ihren Weg in die Musikgeschichte gefunden.
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On this episode of Sound Up! Mark reviews a Black Crowes underplay in Austin and Alan reports on Radiohead's “Motion Picture House” touring installation. They discuss Lady Gaga's “Mayhem Requiem” concert film, Paul McCartney's appearance closing out the 51st season of “Saturday Night Live,” and the passing of producer Jack Douglas, who worked with such superstars as John Lennon, Aerosmith, and Cheap Trick. This week's new music picks come from Grace Potter and the Black Crowes with Whiskey Myers. We want to make you part of the conversation. Leave us your comments via text or audio message at connect@sounduppod.com https://www.instagram.com/sounduppod/https://twitter.com/sounduppod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Eine nächtliche Fahrt durch ein anderes Wien. Schräg, elegant, ironisch und gleichzeitig tief im Club verwurzelt. Das Album "Meidling Discotheque" von Graf Hadik und Erdem Tunakan verbindet Nu Disco, Leftfield House und experimentelle Elektronik mit einem sehr eigenen Wiener Charme. I'm back baby… (superfly.fm)
Lawsuits, live albums, and literal lockups! On this edition of News It or Lose It, Zweli breaks down why Dua Lipa is taking tech giant Samsung to court in a massive $15 million lawsuit. We look into the claims surrounding the "Dua Lipa TV Box" and how an unauthorized backstage photo allegedly misled fans into buying televisions. We also dive into the theatrical world of Lady Gaga, who just dropped Mayhem Requiem on Apple Music. Recorded live amidst the crumbling ruins of her tour set, we discuss this dark, synth-driven "funeral" for her iconic Mayhem era. Finally, we cover a major victory for Beyoncé’s team as Kelvin Evans is sentenced to two years in prison after pleading guilty to breaking into a rental car and stealing suitcases filled with Queen Bey's unreleased tracks, watermarked files, and future tour plans. Is it headline news or just noise? Tune in to find out! Spend weekday afternoons with Zweli. He keeps you in the loop with everything from music and movies to sport and pop culture. Hear what the Word on the Street is, test your skills with the high-pressure 6 Out of 6, and get ready to be entertained. Thank you for listening to an Afternoons with Zweli podcast Listen live on Primedia+ weekdays from 12:00 to 15:00 (SA Time) to Afternoons with Zweli broadcast on 947 https://www.primediaplus.com/station/947 For more from the show go to https://buff.ly/FeeL6wY or find all the catch-up podcasts here https://buff.ly/pRBikjo Subscribe to the 947 Weekly Newsletter here https://buff.ly/hf9IuR9 Follow us on social media 947 on Facebook: https://www.facebook.com/947Joburg/ 947 on TikTok: https://www.tiktok.com/@947joburg 947 on Instagram: https://www.instagram.com/947joburg 947 on X https://x.com/947 947 on YouTube: https://www.youtube.com/@947Joburg See omnystudio.com/listener for privacy information.
It's Hot to Go with Gaga, The voice Coaches and Doja Cat. And it's Garbage day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Radio Ga Ga – Nova generacija je satirična radijska oddaja, v kateri ob pomoči imitacije, improvizacije in še ene besede na črko -i, vsak teden izvemo vse o resničnih razlogih, skritih ozadjih in norih dejstvih aktualnega političnega in medijskega dogajanja. Zgrajena na temeljih kultnega Radia Ga Ga pod vodstvom Saše Hribarja na nov, a nič manj pronicljiv način nastavlja ogledalo in mikrofon znanim akterjem domačega in mednarodnega političnega parketa ter glasbenikom, športnikom, igralcem, voditeljem in drugim, ki tako ali drugače kazijo našo medijsko krajino. Stalna ekipa prekaljenih mojstrov in zanimivi gostje vam vsak teden pričarajo razburljivo mešanico eksplozivnih intervjujev, žolčnih debat, izvirne glasbe, reklam, dokumentarcev, oddaj in reportaž, ki vam v slabi uri pove več o svetu, v katerem živimo, kot večina resnih programov v celem tednu.
So who boycotted and who just didn’t get invited? Yes, we’re rounding out the Met Gala gossip with a rundown of protests (SJP?), basic-b*tch heartbreak (Hugh & Sutton) and bathroom selfies (alllll the hot ones). VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote RIGHT HERE. Plus, who actually won in the finally-finished court battle of Lively vs Baldoni vs Lively? And what James Valentine’s Year Of Living Gratefully taught us about living (and dying) well. And, Cameron Diaz is a mum again at 53 and no-one is calling it a 'miracle!' Have we turned a page on older parents’ double standards? Don’t forget that if you SUBSCRIBE to Mamamia, you get access to extra Out Loud segments, every single one of our podcasts, and every MM story ever written. https://www.mamamia.com.au/subscribe/ SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Fake Nips & Wandering Hands: Mia’s Met Gala Verdict Listen: We Do Not Agree On The Taxi Cab Theory Listen: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Blake Lively just got the last laugh at the Met Gala. Blake Lively and Justin Baldoni have just settled their lawsuit. The timing says everything. Cameron Diaz quit Hollywood for 10 years. When she returned, she noticed one major difference. 'As a fashion editor, I urgently need to discuss these 9 Met Gala looks in excruciating detail.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. - - - - - - - - - - - - - - - - -AUTO GENERATED TRANSCRIPT: Speaker 1: Hello and welcome to Mamma Mia out Loud. It's what women are actually talking about on Wednesday, sixth of May. I'm Holly Wainwright and the first thing I'm going to do, the first order of business, very simple out louder is if you love your show, please vote for us in the upcoming Australian Audio Awards as a People's Choice category. It's really straightforward. We're going to put a link in the show notes, We're probably going to put it on social We're going to put it everywhere. We would love your support to help us get there. That is the end of my manifesto for the day. Speaker 2: Okay, Well, I just would like to say as a lazy girl that there are all these things to fill out. Speaker 3: You only have to fill us out. Speaker 1: Yeah, you don't have to do everything is just tick Mama Mia out Loud. Speaker 3: So important for the lazy girls out there, and as as a bossy girl, I just concur with Holly. I know you can make that ask of people, and I think that's a great step towards greet our self assertive. Speaker 1: I'm growing, I'm growing, Amelia Growing. I'm Amelia Lester and I'm Claire Stephen and here's what's made our agenda for today. So now that it's all over and many damning text messages scatter the ruins of what was the biggest celebrity story for a couple of years, Just who did win in the whole? Blake Lively and Justin Baldoni court case drama. Speaker 3: Plus Cameron Diaz is a mother again at fifty three, and Holly has some thoughts. Speaker 2: And veteran broadcaster James Valentine filmed the last year of his life for the ABC, and between a living wake and his openness around voluntary assisted dying, he's opened a conversation around what it means to die a good death. Speaker 1: But first, Amelia Lester, the Mecgala. Speaker 3: Did it feel different this year? A lot of people said that it did. Amy Odell, a fashion writer, wrote in her background newsletter that the Metgala was all money, no soul, and she wasn't alone in this criticism. Basically, people are saying that because Jeff Bezos and his wife Lauren Sanchez Bezos sponsored the event, it just started to feel a little craven, a little gross, and less fun than it used to be. So there were a lot of protests in New York. In the lead up to the event, they were all centered around Amazon's labor practices, its environmental damage. And then there are those who say, no, that's not true. The mech color's always been about rich people giving their money towards a good cause, which is the Metropolitan Museum's Costume Institute. And look, they did raise a lot of money on Monday night. The Bezos has bought the event for about ten million dollars, but then the event itself raised about forty one million. This is US dollars, which is a lot for this event. It's apparently kind of record breaking. So are we just complaining about nothing, Holly? Do you feel like celebrities stayed away? Did they agree that this was a sort of off event this year? Speaker 1: So I'm going to give you a list of the celebrities who people say boycotted, because none of the people so far who everyone is saying has boycott had actually verbalized that they were boycott. Speaker 3: Well, we are boycotted, which we just had to take a stand because. Speaker 1: I do feel a little bit like what soul when you said it's all money those salt like, I do feel a bit that I don't think this is the first year. It has been pointed out in the culture, particularly since trump Ism and all those things, that this feels very hunger games. Yes, yes, and I know although there's a more direct link here, you know, with the Bezos is buying it. I do feel like Jeff sort of bought it for Lauren as a gift, which is a nice gift. Nice, but it feels more avert. So anyway, let's look at this because when I was watching it on Tuesday and then I did a subscriber episode with me as straight afterwards, I was like, well, all the celebrities are there, like Beyonce's there. All the famous people I was expecting to be there were there. Speaker 2: Well, actually a lot of famous feom we didn't expect to be there were there. Speaker 1: Yeah. And then it was pointed out to me who was not Billie Eilish. Now that tracks because she doesn't like billionaires, and she remembers she gave a speech a while ago where she said, you lot give more of your money away. So I don't think she would have been either welcome or willing to go, because Jeff might have worried that she was going to shake him down in the bathroom to share more of his money. Zoe Saldana, she is somebody who is usually there. She was not there. She is almost as rich as the billionaires. She is an unbelievably well paid actress because of her Marvel and Avatar connections. So Zoe's at home count of dollars. Olivia Rodrigo that tracks too. She is political, That would not be surprising. She's in the middle of an album promo, so you might have usually expected her to be there. Lady Gaga an interesting one because she could have been expected to be there because she's in The Devil Wears prior of Too and the rest of the Well. Meryl wasn't there, but Meryl never goes, so that's not surprising. But Anne Hath the way Emily Blunt Stanley Tucci were all there. Speaker 2: Stanley Tucci with Emily blount sister, it's always fun. Speaker 1: So maybe Gaga, but also she's kind of said lately that she's going to focus on promoting things she wants to promote rather than just being around. Lewis Hamilton come on, like he's literally dating Kim Kardashian, who's extremely bezos adjacent. I don't think that was a political. Speaker 3: Let's get to the big guns. Some were missing, right, some who we might have realized. Sarah Jessica Parker. Speaker 1: Yeah, so, Sarah Jessica I reckon. That is probably I would say that's almost definitely a boycott. But she went to support Anna at a dinner, but she didn't. Speaker 3: Go to the There was a dinner on the weekend before the gala. It probably would have been more fun. Speaker 1: Anyways, she said anything, No, she hasn't, but she I think she was in support of the New New York mayor. Right, And obviously he didn't go, but then I wouldn't have expected him to go, and he did post about it. They posted a series of let's sell a the real heroes of fashion and you know, celebrated workers behind the scenes and particular designers and things. So yes, so Sarah Jessica Parker I reckon could be a boycott. But then they're saying, you know, j Lo, I don't think Jalo was boycotting. I just think she's tired. Speaker 3: Harry Styles. Speaker 1: Harry Styles is in the middle of record of rehearsing for his tour. He's in a studio in bethnal Green running through it. Not that I've been stalking him. Justin Bieber, he's just done Coachella. Boy needs to lie down. Miley Taylor Swift, she never goes, and I don't think she's so. I think that some of the boycott cots are not boy I. Speaker 3: Think that's right. But it's interesting that some of the tech billionaires it clearly got to them a little bit. So it's interesting that Jeff did not walk the red carpet with Lauren. That's very unusual. They do everything together. We've learned this from various pieces about them and Lauren's dress being very boring. Do we think that was intentional. Speaker 1: A little bit understated for Lauren, Yeah, but I think it was had a very specific art reference. It was the same dress as someone called Madame X and it's like scandalous women. Speaker 3: Yep. It's interesting though, because Jeff did walk the carpet in twenty thirteen when Amazon sponsored the event. There was no outrage back then when Amazon sponsored the event and he walked with Mackenzie then Mackenzie Bezos his wife at the time. Mark Zuckerberg also made his Met Gala debut with his wife, Priscilla Chan, and they also didn't walk the red carpet, which I thought was interesting because it's kind of like, well, you want to be at the glamorous event, but you don't want the attention of being there. Speaker 1: Do you think they might have been encouraged not to. Speaker 3: I don't think anyone encourages Mark Zuckerberg and Jeff Bezos to do anything would have worked exactly. But there were some tech willionaires who did walk the carpet. Google founder Sergei Brinn. He showed up on the red carpet with his girlfriend. Her name is Gaylyn Gilbert Soto. The New York Times describes her as a con conservative gut health influencer. Speaker 1: That is one of the six job title Claire. Speaker 3: Do you think that there's something inherently conservative about gut health? Speaker 2: Yeah, because gut health is very don't take antibiotics and don't take antibiotics is very That's what it's. Speaker 1: Yeah, yeah, yeah, yeah, which used to be a sort of crunchy hippie vibe, but these days has come back around it. Speaker 3: I thought it was just you know, drink your com your chart, but no, it means it can. Speaker 2: Be very I feel like there's it's a short road from like gut health gut health to to anti vacs. Don't ever give your children antibiotics with my sour crow. Speaker 3: And of course I'm AROUNDA was there. I just have to add she was there with Snapchat founder Evanstein on the carpet, of course. Speaker 1: Possibly the biggest gun that I haven't mentioned though, is Zendaya. She does always go. Usually she didn't go, and that read like a boycott. And some people are saying, if your boycotting, say you're boycotting. I don't think so necessarily. You don't want to necessarily make everything about your politics. But I just have one question. I think that big charity galas of all types have always been, have always reflected the moment therein and they've always been a path to accessing status in a particular society. Watch the Gilded Age, It's all about that. Speaker 3: And Nixon notably said that she thought it was great that the mayor didn't go. Speaker 1: Yes, but like you know, you're reflecting the time. So you're going a big gala ball is the way you get all the fancy people together. This being a tech bro billionaire ball is very reflective of the moment we're living in, right, So is it surprising in any way in the nineteen eighties New York society. It was all about glitz and flash and Donald Trump, and now we're like again, I don't know. I kind of feel like, what did we expect to happen? Speaker 3: No, that's right, But I think that the group that people are most angry at it's not the people who went in their pretty dresses. It's not the people who didn't go and stay quiet about it. It's the people who went but then tried to have their cake and eat it too. See. Speaker 2: I'm not as frustrated about this because Sarah Paulson is getting a hole at a crap because she wore a dress that then and then had a blindfold that was a dollar bill, and it was people like it's making a statement about about like eating the rich. Speaker 3: Well, she herself said that it was a statement about the one. Speaker 2: Besides yes, and and I thought that was like a far swing. But the dress is actually called like the one percent by the artist, the designer who designed it, and the mask was called blinded by Money, and it was a statement on greed and corruption that comes with extreme power. I think it's a little bit unfair to look at her and say, well, you've got a net worth of twelve million dollars at which how does anyone calculate anyone's net worth on the internet? But you have a net worth of that you're at this event, how dare you then make a protest when it's like, well, isn't that exactly how how you do it? Speaker 3: Don't you go in? And well, people do have a history of using that platform. So Alexandra Ocazio Cortez, who is a Democratic congresswoman from New York, famously wore a dress on the Megala red carpet a couple of years ago which said tax the rich. But people actually have the same criticism for her. To your point, Holly, the met Gala in some corners has always been seen as a kind of repulsive show of excess and decadence, and she got a lot of aoc got a lot of flak for even attending the event back then, reading the canapasey while saying. Speaker 1: You guys are discussing while Charlie free directions. Speaker 2: But if you're not there, you don't have a microphone to say anything about the event, do you know? Well, I guess you do. I guess like Vende could opposed to something on Instagram. Speaker 3: If you want Zendaya not going definitely took the air out of the room when that announcement came out, And I guess it wasn't an announcement so much as a news update. Everyone kind of went, that's big. When Zendeia's not there, it's big. Speaker 2: Because she's always one of the coolest on the carpet. Does something really original, remember that, like bloody light up dress and she. Speaker 3: Oh, but there was a bathroom selfie. Some things always stay the same, right, and you saw this by Yes, it's always an iconic bathroom selfie. It's always the thing you want to look for. And there was an amazing one that had you know, the Margo Robbie all the people in it. But one of the things that was most striking about that And so I saw that in the wild last night and I was like, why is there an exceptionally beautiful woman in the middle of that who is wearing a quarter zip sweatshirt? I was like, was she at that party? Speaker 1: And then it's having a lot of headlines today because she is actually a very famous model. Speaker 3: Yeah, I actually love the story behind this. Her name is Bavitha Mandava and she that what she wore was a quarterzip jumper essentially and what looked like jeans. It turns out they weren't just any jeans. The jeans were made with silk muslin and had a blue denim effect. My jeans today have a blue denim effect. And it's a very important iconic look because she opened Chanell's show in December, which was on the New York City Subway, wearing essentially that outfit, and the fashion world lost their mind. That show was like considered extremely groundbreaking, and she was the first Indian model to open a Chanel show and she is now the first South Asian ambassador for Chanel. And incidentally, did you notice that Margot Robbie, who was also Chanel ambassador, It was right next to her in that photo. So Chanell must have been just so happy about the whole thing. Speaker 1: I know, but it just she just looked so out of place. Speaker 3: But that's what made it so good. Speaker 1: Yeah, but I was like wandered into the shop. But she also read all about it and I was amazing. Yet she didn't have to have a bubble machine boobs. Speaker 3: And then that look that she wore on the Chanel catwalk was actually a nod in turn to how she was discovered. I love this so much. She was a grad student m YU and she was discovered on the New York City subway waiting for a train. One would imagine probably wearing a similar outfit to the one she is now wearing in a much more fabulous incarnation at the metgala. Speaker 1: But you were obsessed with another red carpet walk. Speaker 2: Yes, because I am a basic bitch. If, like I swear, if there was like a thermometer for like, what's what does the basic bitch think about anything that's happening in the world right now? It comes over me and it's like bing bing bing bing bing because I saw the red carpet photos of Hugh Jackman in Suton Foster and I think I was sitting opposite you and Holly and I. Speaker 3: Said, oh oh, was like I don't and I'm like, howm my. Speaker 1: Here has it been? Speaker 3: Now? Not that many at least well he was. Speaker 2: Hugh Jackman was on the Red carpet with Debory Furnace in twenty twenty three. Speaker 3: My group chats are very divided on this. Some love the two of them together and some are talking about deb Prowley. Speaker 1: Do you have to not debut your relationship after a divorce five years, ten years? What do we want? Speaker 2: There are no rules, but I am allowed to go oh poor deb Oh, no, I hate that I am allowed. And then the tabloids, because again I'm a basic bitch. The tabloids were like, hey, basic bitches, We've made up a story for you. So there are sources in Inverata commas who say that Debrale Furnace was a huge fan of the event and the decision to bring Sutton Foster was a final blow to deb And what I didn't realize when I went really deep on this was some Foster's wearing a ring, like they think that you proposed in January and they think they're going to have some trend in your wedding. Speaker 1: And is that all are not allowed? He's not allowed to marry again, not ever, not ever. Speaker 3: I I don't know about that. Speaker 1: How do you know that, Deborah Lee Furness. This is what I don't like about this narrative is it victimizes a woman who maybe is totally done with that, you know what I mean. She obviously she made up some statements that made it clear she was not happy when that relationship broke down, But again three years ago, so now she might be living her absolute best life. Thank god I don't have to go to the met gala with that guy. Speaker 3: She disagrees politically too. We don't know anything about it, like she was kind of famously a conservative political voice because he is the godparent of Rupert Murdock and Wendy Dang's children. Also, he's very close with Avanka Trump. So no one was surprised to see Hugh at the slightly maga codd metgala. Speaker 1: Oh wow, he's unfair, And I know no one's crying for the celebrities, but I think it's unfair to brand everybody who was at that red carpet as maga. Speaker 3: Co Oh no, no, no, I did too, But I just I'm saying that he's not exactly Alexandra Orcasio Cortez. No one would be expecting him to make a big political statement about the taxing the rich. No, he's very like to promote. Speaker 1: In a moment, what the heck was all that Baldoni Lively business about? If we've both basically ended with nobody winning and no money changing hands. So moments before one Blake Lively swept onto the met gala carpet looking a bit like Cinderella, very trademark minus the bluebird. She didn't happen. She always said exactly body, She's pretty good all that stuff. But moments before that, a statement dropped into the inboxes of major press outlets, including People, New York Times and so on, and it read the end product the movie. It ends with Us is a source of pride to all of us who worked to bring it to life. And with no context, Everyone's like, why are we reading this? Raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand behind. It becomes clear this is a joint statement from Blake Lively's team and Justin Baldoni's team about the court case we've all been obsessed about for years. We acknowledge the process, presented challenges, did it. Speaker 3: Recollections and recognized concerns raised by mes Lively deserved to be heard. Speaker 1: We remain firmly committed to workplaces free of improprieties and unproductive environments. This is one of those statements that so many lawyers were involved in drafting that it. Speaker 3: I hate an unproductive environment and I'm with that. Speaker 1: That's fair. It is our sincere hope that this statement brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online. And in the hope of moving forward constructively and in peace, Blake goes to the met gal Yeah, yep. Now we'll get to whether or not they got their respectful environment online, But just a very quick catch up, because we would be here for a year if we went into all the ins and outs of what's been going on here. But it all started when Blake Lively. Do I need to explain who she is? Significant star actress, possessor of wonderful hair, one half of a very powerful Hollywood power couple, made a movie called It Ends with Us, based on one of the best selling books in the past decade by Colleen Hoover. Speaker 2: And you guys are weird about it because I said this morning that it's objectively one of the worst movies I've ever seen. And you guys, it's fine. You guys were so mad well. I didn't stop you so mad well. Speaker 1: I'm gonna get to that in a minute. The thing is is that making a movie based on one of the best selling books of the decade is smart business and lots of people wanted to do it. But the man who owned the rights was Justin Baldoni, who's a lesser known dude. He's an actor, producer, self proclaimed feminist. Done. Some Ted talks about it. Speaker 3: Everything I know about this man I've learned against my will exactly done. Speaker 1: Some Ted talks about it podcast with Liz Plank something something something. Anyway, the movie itself is about domestic balance. That is not a mystery or a surprise at his front and center in the plot. The movie got made, and the movie was a huge hit, proving Claire Stephens wrong. Speaker 3: All I need to say. Speaker 1: Against the modest production budget of twenty five million, it grossed around three hundred and fifty one million dollars. Huge movie, right, But before the hit part happened, obviously, it was obvious that things were for apart. Behind the scenes, everything had gone very very wrong. We're not going to take you through because again I know Klas Stevens has a PowerPoint on this somewhere. You It went very deep at the time. You were a great source of it. Speaker 3: It was great. A lot of this was going down. Speaker 2: I think maybe just as I submitted my books, and my reward to myself was finish your book and you can read all the legal poculars. Speaker 1: Yes, and there was this press tour that was like separate red carpets and warring factions and all this stuff. And then in December twenty twenty four, Lively sued Baldoni, accusing him of harassment, sexual misconduct, and a smear campaign on the set of their movie. She claimed that Baldoni conspired with publicists to preemptively destroy her reputation, hence the dodgy press tour after she privately accused him of sexually harassing her on the movie set. There were a lot of damning texts released, all hell broke loose. Then Baldoni countersued. He basically alleged that Lively and her husband Ryan Reynolds always wanted to take over this movie, the control of the script, to the edit, all the things that they had it in for him, and they used their very famous friends to intimidate and harass him. Speaker 3: I'll never forget the email that when unanswered, that she sent to Matt Damon. Speaker 1: Oh, I know. There were a lot of damning texts revealed. Speaker 2: Again, sorry, the one to Ben Affleck where she like, oh, she just made an awkward joke about how she had sent the email to Matt Damon and how great Matt Damon was, and I was like, honey, that's like Ben Affleck's biggest point of in security is comparing himself to Matt Damon and you don't know the idiots and your correspondence with Ben. Speaker 1: And so here we are suddenly, just weeks before this mess was all going to go to court, all these cases have been it. Speaker 3: Hadn't even gone to court. Speaker 1: No, some things had been dropped dropped. So first of all, Baldoni's case against Lively got dropped, and some elements of Lively's case against him got like so there was all that was stuff, but it was it was meant to go to court I think on May eighteen, so soon. Wow, And days before it's been disappeared. Lawyers have made millions, reputations have been trashed and nobody apparently no money exchanged hands between the two parties, and no one, as you as evidenced by that really confusing press release, nobody is saying that they've won or not. Claire does the fact that Blake Lively stepped onto the met Gala carpet the minute that happened signaled that she sees this as victory or that she'd liked to pretend the whole thing didn't happen, And how the hell does she move forward? Speaker 3: Yeah, Claire, what does that mean that she shot up at the Metgala? Speaker 1: One? Speaker 2: I think it's genius. I always think that the best publicity in response to this stuff is to be around and change the narrative, like changing a different direction. Celebrities are so clever that it is no coincidence that this statement came out when it did and that then she was on a red carpet, because you just you know that there's so much going on in the world. People are going to be all the celebrity reporters are going to be distracted, just like the zones. Speaker 3: Yes, yes, And. Speaker 2: It's the same reason it always happens. When I was editor in chief, the local Australian celebrities would always announce their breakup at like five pm on a Friday, and it's like, you know. Speaker 3: The journals have gone to drinks or boxing day. Speaker 2: Yeah, yeah, you know, we've gone to drinks, you know that West Skeleton stuff on the weekends. Speaker 3: We're not going to go as hard on this story. Speaker 2: So I think it was smart that it was released when it was, and it was smart that she turned up at the met gala and that she reminded everyone I look really good in address. Speaker 1: You to figure but disagree because what immediately happened the minute she opened her mouth. Speaker 2: Well, this is what's interesting that depending on your algorithm, and depending on what side of the Internet you're on, there are two very different stories. So on certain apps, the story I'm saying is this was a win for Blake Lively that, for example, the line at the end of that statement including a respectful environment online, that that was very much acknowledging what had happened to her, which was all the allegations about manufactur orchestrated campaign. Speaker 1: Because that is the thing that I will take away from this mess the most, is that seeing the messages between Baldoni's press people and him about ways that you can use and manipulate social media to dent somebody's reputation is not just like when you see suddenly start seeing everywhere lots of tiktoks around of like, look at this interview with this person, doesn't she come across a bit like this but there can be a lot more behind it. And this is also things that we pointed out about amber Hood joining the amber Hood Johnny deppcayse that there can be a really orchestrated dark arts going on there, and certainly the examples that were pinging back and forward between Justin Baldoni and his reps suggested that I knew that. Speaker 2: Yeah, And so there's there's a lot of arguments that that line in particular is about what she went through, because she really has been torn apart on the internet. However, I couldn't believe that she turns up at the met Gala. She there's she clearly you could actually tell from her speaking when she was interviewed that she was nervous, that she was trying, like, I can't put my foot in it. Speaker 3: I can't like that. Speaker 2: There have been viral interviews of her for a couple of years now all over the Internet of her just saying slightly the wrong thing in an interview, and it becomes that she's an awful person. Blake Lively did an interview on the met Gala red carpet and it has been analyzed to death, and people think she was rude to the interviewer in this instance, well, you look gorgeous. Speaker 4: I am wearing Jackson weederhot gorgeous, thank you beautiful hair. She yeah, you look studying. And this is archival versace, but they met a fid it by adding a big beautiful train. So it's a piece from two thousand and six. And it was just such an honor to be able to wear this gorgeous, gorgeous gown. It looks like a sunrise and a sunset and watercolor and gorgeous range shworts, jewelry. But this this, but these, this is a Judith leberbag. And we were trying to find a piece of famous iconic art to put on and make it look like it was in a frame. And then I said, would you actually, if you're gonna make it custom, would you do my kid's art? So my kids each painted a painting, a watercolor painting. So each of my four kids did this. Speaker 1: That is so spoo especial. Speaker 4: So I have them with me. Speaker 2: And that has been interpreted as her being a bit, as her being dismissive, as her being self scentered. The other thing that's been I think we want to know what this is. Speaker 1: So here's my challenge to your strategy, be public, give them things to talk about, because she can't get away from this narrative now for some time, it's been years of her lit like every time she opens her mouth. There's a lot of people invested in you're a terrible person, as you say, so they're just going to find ways to say that over and over again. In the way that the Internet is now very invested in hating Blake Lively a certain so, just in the way that the internet's very invested in hating Megan Markele. It doesn't matter what she does, what she says, where she goes. You can't win that game. Speaker 2: One of the great arguments was it costs one hundred k for a plate at the Met gala, and part of her claim was the financial stress caused by Baldoni smear campaign. And it's like she's not paying for that one hundred k plate, neither is anyone people being like I thought you were arguing you were locked out of Hollywood. Speaker 3: Doesn't look like you're locked out of Hollywood. Speaker 2: And she had a bag where her interpretation of the art theme was that she got her four kids to draw a picture on each side of the back no self centered, made it about you. Speaker 3: You wanted to. Speaker 2: Claim authorship over this event, So there are people. Speaker 1: This is why I think her best strategy is to go away for a few years. Speaker 2: Yeah, because I think the weird thing is I think if Justin Baldoni had turned up, I think there's something, there's an anonymity that we give men that we just don't give women like I just don't think he is going to be plagued in the same way. And I think it's Marina Hyde who says he'll probably do some low budget it. Speaker 1: Will definitely have dented his possibilities of becoming a big name. I think that because, as Marina Hyde says in that story in The Guardian, she wrote a column about this, saying that the overarching lesson of this whole thing is never ever go to court, never ever ever. And they didn't actually end up in court, but still is that for the rest of time. Their names are now linked, every interview, every pro file, every project they do. This will always be part of the story in a way that it wouldn't if it hadn't entered the courts. But when I say I think go away free, I don't mean disappear like I don't mean silencing women. I mean work on projects, work on producer projects, hustle behind the scenes, do all your hollywoody stuff until you can come back to address this with more nuanced Look at Lena Dunnan. We've been talking about that a lot lately. Famously one of the most hated women on the internet for a period of time, couldn't put a foot right, couldn't do anything right, opened her mouth, everybody jumped on her. We know how the culture treats women who speak out about all kinds of things. There are local examples of this too. In a way. You've got to like let the air out of it and then come back when there's some nuance and distance. Speaker 3: You know what I mean That her while best friend Taylor Swift would have told her that too, because Taylor, of course also famously disappeared and was getting around in large boxes for a while just to stay out of the public eye. That comment of Marina Hides about never go to court is interesting because a few years ago, someone in a professional context did something to me that made me want to take them to court, and so I went to talk to a lawyer about it, who have been recommended to me, and the lawyer heard me out. I was very grateful for the advice she gave me. She said, look, I think you have a strong case, but if you did this, everyone in your field would say that you were a nightmare, no matter what happened in the court case, no matter how right you are, and I do think you're right, it would affect you professionally and it would follow you professionally for the rest of your life. And I think getting that advice from someone who had kind of a monetary gain to taking the case on was something I really appreciated. And I just wonder if Blake Lively's legal advice turned out to be deeply misguided. Speaker 1: I know. The sad thing about this argument I've never taken to court is, of course, that women putting up with sexual harassment at work are just always this guy from ever doing anywhere with it, because you're going to get your character smeared. And it might be on the scale of a Blake Lively, or it might be just the local gossip at the football club, like whatever it is, and that it's like we've seen this play out in massive letters across the sky that watch out, women will get you one way or another, and whether or not Blake Lively is particularly likable, is always nice to everybody? Blah blah blah, isn't the point? Speaker 2: Yeah, it is quite scary for women knowing that if you pursue, which is what an element of what Blake Lively was pursuing, a sexual harassment claim, that all your texts will be looked over and mocked and made fun of. Like, that's a really scary cost to pay. After the break James Valentine and why everyone's talking about the concept of a living wake. On the twenty second of April of this year, cast out musician and author James Valentine died age sixty four, leaving behind his son, his daughter, and his wife. The ABC veteran had terminal cancer, and he was widely loved by his audience, who had been listening to him for three decades. He had been transparent over the last two and a half years about his health. He was a very talented saxophone player and anyone who grew up in the eighties in Australia probably knows him as part of the band The Models and their iconic songs Barbados and Out of Mind, Out of Sight, and he was a Sydney radio presenter. Emilia and Holly, what was your connection to James Valentine as a radio personality? Speaker 3: He was a really important figure in my childhood. He hosted a thing called the Afternoon Show on ABC when back when there were forty TV channels in this country. I remember those days, and he would host and it was cartoons, it was variety. And I never really listened to him on the radio, but I have such you know, in the way that those childhood figures loom large for you. I've always held such fondness and affection for him. And how about you, Hollie. Speaker 1: He's clearly just an incredibly skilled communicator. I mean, I would be lying if I said I listened to that show. But anyone who knows how radio works, how the ABC works, so many people I know who know him. He was just clearly exceptionally good at what he did and very loved. Speaker 2: It's a reminder I think that parasocial relationships have existed long before the Internet. The fact that when the news of his death came out there was a widespread kind of public grieving and a lot of listeners who called in the next day, and his wife and his kids were kind of saying how much that meant to have people remember their dad through sense of humor and his energy. So two and a half years ago he was diagnosed with esophagal cancer and he was given two different treatment options, and he chose the one that was a bit less invasive and would preserve the things he loved in life, which were presenting radio, playing saxophone and enjoying food. Then in January of this year, he's given a terminal diagnosis and his response to that diagnosis and what he planned to do next was documented in Monday's episode of Australian Story, presented by Lee Sales, and it started a huge conversation about the concept of a living wake, which he very fittingly held on Valentine's Day of this year. Here's what he said on the show stage. Speaker 5: Four, terminal, inoperable, uncurable. I don't want to hear any of those words, let alone in the one sentence. So a friend suggested Tommy, maybe you should do a living wake, and oh, that sounds like fun. I will know the time and the day and so it'll be the last weekend. What do you do on that last weekend's dinner? Before? What do you think is that the last meal, I will probably know exactly when I'm going. Speaker 1: That's so moving. So seeing the footage of his reference at the end there was due to the fact that he ultimately chose the time he was going to die, right. Speaker 2: Yeah, he chose voluntary assisted dying and was very transparent around how he made that decision and what that decision entailed. For context, voluntary assisted dying is legal in all states in Australia and the Act except the Northern Territory, and obviously it's an incredibly complex and incredible, incredibly personal decision that has sparked. It's sparking more and more conversation the more we have and aging population and the more people are getting certain diagnoses that may keep them alive for a very long time, but the quality of that life may be poor, and him kind of taking people through that decision was a huge part of the Australian story. But it meant that he got to plan this living wake and there's footage of it, and he's got his family and friends there and there are so many familiar ABC faces and he's really good friends with Norman Swan, who he had on radio to discuss his diagnosis, like what all the different parts of the body were and what they did. And there was something so moving about seeing him on stage with a microphone at his own wake, basically saying, please come up to me and tell me stories and memories about us, because they are what's going to carry me through the next few weeks. And I guess I thought it must be such a relief for his family that then when you do a funeral, he's heard all the beautiful things that you're then going to say about him. I think this is really something we should we should all be looking at. Speaker 1: If it's possible, this episode of Australian Story is really recommended viewing. I think, whether you know who James Valentine is or not, in a world where we hate to talk about death, and yet it touches everybody obviously, I mean that's a ridiculous thing to say, but it does touch everybody. I'd lost a friend to this same cancer when he was only forty six. It's like all cancers. It's a it's it's cruel and the idea that we're also we don't like talking about illness, we don't like talking about death, and seeing somebody such a skilled communicator like James Valentine in this episode talking about why he wanted to do the things he did, and they document the year so very like him talking about how very much clarified for him that he loved his work, so he didn't want to stop working. He loved playing his saxophone, so he wanted to try and avoid procedures that were going to stop him from doing that. That he really wanted to work, play and be with his family, and those are the things he wanted to spend his last year doing. It's just it's very powerful, it's very clarifying. And then to see him at his living way and he says, you know, it wakes People always say, oh, he would have loved me there, and he says, so I wanted to be there, And I just think it's very refreshing. I think, you know, I, as I said, I didn't have a direct listenership with Joe's Valentine, but people who do, and people I know who've worked with him said he brought joy all the time. And it feels like a gift to give be so honest and so open and so clear eyed in talking about this thing that nobody wants to talk about. Is like the last incredible gift that a great communicator could give, and his family is so amazing in it. I really recommend watching the show. Speaker 2: There's a great quote in one of the ABC articles about his kind of decision making towards towards the end, where I think, as a psychologist says, dying people are not the actual act of dying is not the thing they're most scared of. They're scared of the invisibility and the absence of conversation around it. They're scared of people turning away and not wanting to be around them because of how confronting it is. And this was just such a reminder to look it straight in the eye and have the existential conversations with the people around you. The way that he spoke to his kids, and his kids were able to say, what do you think is going to happen afterwards? Speaker 3: And I bet that that's so much harder to do than even it looks. It doesn't look easy, but I bet it's even harder to actually enact these principles that we can all agree are worthwhile. Speaker 1: I love that his kids say that this was perfect for him in particular, this living weight, because he loved being center of attention. He loved a party, He loved being told I'm brad he was. I love the way they you know that families are really kind of I mean, I'm sure no families are perfect, but they're really healthy and loving when they can just call out that stuff about you and be like, he would love this because he just loves everybody tell him how great he is. Speaker 3: So good. Speaker 2: Yeah, And I loved that it wasn't a sanitized version because I think something I always bristle at is when you hear of somebody getting a terminal diagnosis or of you know, knowing that they're going to die. I bristle at the narrative of I guess almost toxic positivity that they're just like, well, I'm completely grateful and joyful. And then I feel for the people who don't have that response, which is completely bloody normal. But I loved there was a lot of light and shade in this. They talked about they went on a holiday, a family holiday to Bali, just before he was meant to get the surgery for his esophagus, and that the whole family's like, oh so bloody terrible holiday. Everyone was sick, everyone had covid Dad. Speaker 3: Had BALI belly like. It's sort of I like that. Speaker 2: In documenting this time, they've been able to show the highs and lows of what happened. But the nort Yeah, how normal it is. But the fact that he was able to do it his way, and that those conversations around what you want, what you don't want, they give so much empowerment in those in those final months and final days. Speaker 1: Something completely different. There was celebrity baby news this week that I must mark because it was interesting. Cameron Diaz and Benji Madden just welcomed their third child. And it's interesting because Cameron is fifty three. Now. When I say that, I don't mean it's interesting in that way of like, oh, miracle baby, how did she do that? Why did you do that? Cameron Diaz. They announced that their little boy had come. They announced what his name was. His name is Nortous and he joins Raddix and Cardinal, which are all just the most rock star names of all time. They announced it. They didn't give any more details than that. It is safe to assume just because Cam's been on a press tour lately, she's been quite visible on a tour for a movie called Outcome, So she's been very visible, and it's safe to assume possibly that she wasn't heavily pregnant during that time, so likely that a surrogate was involved, but none of our business. But the thing that I found really interesting and refreshing that I wanted to unpack a little bit here is I wrote an essay a while ago when Sienna Miller was on the Red Carpet with her beautiful baby bump at I think forty three, and saying how we're entering a bit of an era of agelessness because perhaps of fertility technology, because of the different options that are open to us now, because of Hollywood and the wellness world's obsession with longevity, that we're in a different era now when it comes to age and women and kids. And I think nothing illustrates that more clearly than the fact that there haven't been a whole waterfall of stories about like, oh my god, a mom at fifty three and how could she and why would she? And da da da da. Is that now we're much more kind of like in the way that we might be about a man becoming a father at fifty three, because if you remove the biological complication from the advance for chility technology and all those things. It isn't really any different than the guy who's been doing that forever. Yeah, am I right? Yeah? Speaker 2: No, I think so too. The interesting thing is, as well, when I've looked at this story, how old Benji Madam? Well, nobody ever, as I don't know, I don't know, why didn't I. Speaker 1: Google similar age? I think, well, let's find it happen. Speaker 2: Yeah, because you're seven, so being a little bit younger Benji's forty seven, bloody spring chicken. But I it's interesting because whenever I see pregnancy baby news, it's obviously the life stage. Speaker 3: I'man, I always google. Speaker 1: How old is how? Speaker 3: How old is that? Speaker 1: Money is she? Speaker 2: And you're right that we don't when we wouldn't blink an eye at a man having a child at fifty three. And obviously, if you want to think about any of the things that make rearing children. Speaker 3: Difficult, the older you get. Speaker 2: I mean, Amaran Diaz looks like a bloody pillar of health. She's gonna live forever, She's gonna live till she's undred. Speaker 3: Well, I think what's interesting is that you said no one will blink, and I about a man. I wonder if, now, because women are also having babies older, all of a sudden, we're starting to blink her eyes at men having babies older. Men were allowed to do it for all of human history, but now that women are starting to do it, we're starting to revisit the whole idea of older parents because. Speaker 2: We are interested, and there is actually more and more scientific research going into the health impacts of older because you know how, I'm called geriatric. Just for the record, I'm a geriatric mother. What age, I'm thirty five years old. No, they don't. They call it advanced material. Speaker 3: They definitely call it just it's kind of coolrophistic. Speaker 1: They definitely did call it geriatric though, when I had my second child at forty, I that's interesting. Speaker 2: But if they call Brent geriatric, no, but they should have done it because he's elderly, I think. Speaker 1: I think that's interesting. But then that also assumes. Speaker 3: Like the judgments creeping in for both sexes now, is what I'm saying. Speaker 1: Yes, and that assumes the idea about like we're becoming aware of the risks of older parents assumes assumes a lot about what might be going on here biologically. Yes, exactly, whereas if Cameron Diaz and Benji Madden and whoever else may be in their cohort are having are assessing all the risks, I'm sure they are. We know how health obsessed Hollywood is and making those choices, and there I think. I don't know that's interesting though, Amelia, where you say that that maybe the judgment, instead of fading away, just attaches itself to both genders. Speaker 3: Well, because I don't think it is just about biology. I think it would be we need to put on the table to not be disingenuous. That a lot of people listening to this may have a reaction of if you have a baby at a more advanced age, shall we say, in your fifties, you automatically do a bit of maths, and you think, well, when that child in school, Cameron Diaz will be sixty three. I don't know how old Benji Madden will because I'm not that good at maths, but he'll be also kind of old. And so I think that's one of the concerns that people are now voicing a little bit more when no one ever used to say, well, Mick Jagger is going to be so old when his kids graduate but now we are starting to say that or feeling perhaps feeling more comfortable to say that. Speaker 1: I think that's really interesting. But then I think in this privileged bubble that we're talking about, longevity is an obsession. So I think that that is also changing. This right is that people are thinking rightly, wrongly whatever that with all the right advances and all the right supplements and all the right that they're imagining themselves at seventy three, at this kid's twenty first, like leaping around, I'm doing yoga and pilate, particularly if they. Speaker 2: And Brian Johnson says he's got what is it the sperm of a twenty old? Think about that, man, Yeah, So I'm sure Cameron and Benji are having the same conversation. Speaker 3: So Cameron has remember she literally wrote a book about sort of how to be healthy as you get older, so she's this is clearly on her radar that she's sort of anticipating she will be living a long time. Speaker 1: That's always got time for on this Wednesday. Speaker 3: At births, deaths, any marriages, No. Speaker 1: There weren't any couples at the met gala, were they? They all went. Speaker 2: Solo boycotting, boycotting marriage on the metal, or. Speaker 1: Maybe it was like, unless that engagement wing comes from Amazon, we don't sink, perhaps in her body, her head and she did anyway. Thank you for being with us. Thank you for to our amazing team for helping us put the show together. We're going to be back in your ears on Friday, of course, and for subscribers with some scorelous gossip with Mia tomorrow. That's all. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
Just Gaymin Podcast S6 Ep 18: Oh My Gaga!!!...Time And Place!!! Hosted By: Trigger & Honey Recorded On: 05/01/26 In this episode, the hosts dive into: What's the T with JGP: Fun discussion of what is going on in the pod and special topics picked by Trigg and Honey! Cinema Poo: We talk about our cinema experience with "The Devil Wears Prada 2"
Don't call me Gaga... call me Mary! Today we're breaking down the new A24 pop star ghost story/filmed play Mother Mary starring Ann Hathaway, Michaela Coel, FKA twigs, and of course Hunter Schafer as Hilda the assistant. We talk straight directors tackling the concept of pop stars, gorgeous red fabric, and whether something can be witchy without a literal friggin ouija board. For two extra episodes/month, join us at patreon.com/straightiolabSee omnystudio.com/listener for privacy information.
It's a massive Friday on the show as the guys wrap up the week with a look at "We Just May"—the month of May is finally here! Dave and Tyler dig into the high-tech scams hitting Winnipeg parking meters and the opening of Bell's new $100-million data centre in Rosser (and the irony of their massive job cuts). We're talking gas prices, the tax-filing crunch for the 32% of Manitobans who waited until the last second, and a huge music update featuring Ariana Grande and Gaga's rumored role in The Devil Wears Prada 2. Plus, the NHL playoffs are heating up with the Oilers and Stars heading home, and we've got your last chance at "Tix For Tats" VIP passes for the Winnipeg Tattoo Show!
The queens are showing out and the men are out here embarrassing themselves.This week we're looking at how women are running the culture, from Taylor's songwriting to Beyoncé's breadcrumbs, Gaga x Doechii, and more.Plus, how Meg deserves so much better, and Amanda seems determined to earn every bit of hate coming her way.Let's talk about it.Subscribe for monthly bonus episodes:https://www.patreon.com/c/queenthingspodhttps://queenthings.substack.com/Join the conversation:TikTok -@queenthingspod, @iam_kjmillerYouTube - www.youtube.com/@iamkjmillerIG:@kjmillerReferences:The Act III rumors:https://www.usmagazine.com/entertainment/news/when-is-beyonce-releasing-act-iii-album-rumors-explained/My Take on Beyoncé's breadcrumbs vs. Taylor's Easter Eggs:https://www.tiktok.com/@iam_kjmiller/video/7634222127780089101?is_from_webapp=1&sender_device=pc&web_id=756443221627032526130 greatest living American songwriters:https://www.nytimes.com/interactive/2026/magazine/greatest-american-songwriters-alive.htmlTaylor's NY Times Interview:https://www.nytimes.com/2026/04/28/magazine/taylor-swift-songwriting-process-interview.htmlDrop Dead by Olivia Rodrigo going number 1:https://www.billboard.com/lists/olivia-rodrigo-drop-dead-hot-100-number-one-debut/You Seem Pretty Sad for a Girl So in Love - Album from Olivia Rodrigo:https://en.wikipedia.org/wiki/You_Seem_Pretty_Sad_for_a_Girl_So_in_LoveRunway - Lady Gaga and Doechii:https://youtu.be/XXIX2WnfbpE?si=RjI7PAEa9Oo4PMs2Megan Thee Stallion:https://www.cnn.com/2026/04/27/entertainment/megan-thee-stallion-klay-thompson-breakup-cecSummer House audio leaks:https://people.com/bravo-reveals-source-of-summer-house-reunion-audio-leak-11958939
Tiffany & Co was one of the first companies to introduce fixed pricing. Then became the luxury brand of New York. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom-and-pop to major brands. Stephen Semple is a marketing consultant, story collector and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [Maven Roofing Ad] Dave Young: Welcome back to the Empire Builders Podcast. Stephen Semple is right there. I’m Dave Young and we’re talking about empires. We’re talking about the businesses that started small and grew into empires. And today we’re talking about, man, these guys have been, I mean, a long time ago. I don’t know. I’m anxious to know the history because I don’t know the history. Stephen Semple: 1837. Dave Young: 1837. And I’m trying to think if I’ve ever been in one of their stores. Maybe. I’ve walked by a couple of them. Stephen Semple: Yes. Dave Young: We’re talking about Tiffany & Co. So that one, Breakfast at Tiffany’s, the little blue box, all of that. Stephen Semple: All of that. Well, and here’s the thing I’m going to say. Anytime I’m in a mall or somewhere that has a Tiffany’s, I always go and take a look at the display windows. And I cannot tell you how many photographs I have of Tiffany’s display windows. Tiffany’s display windows. Dave Young: I have walked by Tiffany’s. Yeah, yeah. Stephen Semple: Tiffany display windows are the best in the business. No one does it better. I will go out of my way to go see one. I probably have got 50 pictures in my phone of Tiffany displays. They’re spectacular. And they update them. Their website, here’s one of the other things that’s crazy. I don’t know how often they update their website, but I continually go back and take a look at their website and it’s almost always completely redone with brand new photography, brand new feature items, brand new stories. But here’s the interesting thing. So they were founded in 1837. Today there are about 300 stores worldwide, 14,000 employees. They do five billion in revenue. A chunk of the company was bought by LVMH back in 2021 at a valuation of $16 billion. Everyone recognizes the Tiffany Blue Box. It’s a part of pop culture. And it’s frankly, probably one of the largest, most recognizable luxury brands on the planet. Did not start out in jewelry. Dave Young: Oh, gosh. Oh, gosh. Now I have to guess. Stephen Semple: What do you think it started out as? Dave Young: Probably not… It was 1837, so it wasn’t cars. Stephen Semple: 1837. Dave Young: No? Stephen Semple: No. Nope. They started off selling stationary, paper, ribbons, and small little items. Dave Young: Really? I was about to guess watches, but that… No. Stephen Semple: Yeah. Dave Young: They’d still be making watches if that was the case. Stationary. Stephen Semple: Yeah. It was located on Broadway in New York, and it was originally Tiffany, Young and Ellis. And the first day they sold $4.98 worth of stuff. Dave Young: Wow, that’s a start. Stephen Semple: Yeah. Dave Young: Got to start somewhere. Stephen Semple: But here’s some of the first bold things that they did. So we got to remember, it’s 1800s and shopping was a negotiation game. Everything was bartered. Okay? What they did, and retailers would argue with you at that time, it was part of the fun, part of the adventure. You can imagine this conversation, right? People like negotiating. They want to feel like they’re getting a deal. Even today, how often do we hear this? They want to feel like they’re getting a deal. And here’s what Tiffany’s did. They said, “Screw that. We’re introducing fixed pricing. No haggling, no exceptions.” And at that time, that was considered crazy. Now, it’s interesting. Here in Canada, along a similar timeline, company which is no longer around today, but grew to being one of the biggest businesses in Canada was a retailer called Eaton’s, and it was founded by Timothy Eaton. Same thing, fixed pricing. Fixed pricing. Dave Young: You know what you’re going to spend. And if you don’t want to spend that, walk away. Stephen Semple: They started out right away with, “We’re going to do something different.” Now, they very quickly, after a few years, they very quickly pivoted from stationary to jewelry. Here’s what Charles Tiffany noticed, and it’s a big deal. And before I share this, I want to share part of our marketing approach, because this is where I think there’s a real parallel. We believe as Wizard of Ads Partners that you want to be the company that has thought of first and liked the most. Now, our partner, Gary Bernier, has put a really nice little twist on this that I think really helps people. He likes to ask it this is like the most for, fill in the blank. Dave Young: Sure. Stephen Semple: And if you can’t fill in that blank and it can’t be 20 things and like the most because of fill in the blank. Okay? Dave Young: And I think I would even tie the context of whatever it is that you do, right? Unless that’s what you’re talking about. When I talk to a client, the simple thing is, we just want to make you famous for this in your town. Stephen Semple: Right. Here’s what Charles Tiffany noticed. America did not have a luxury identity yet. Paris did. Dave Young: Okay. Stephen Semple: London did. New York, not yet. So he decided to create one. Dave Young: Nice. Stephen Semple: Thought of first for luxury. And even today, if I say Tiffany’s, immediately you’re like, “Oh, that’s special.” Immediately. Dave Young: Yeah. Yeah. Well, and so when you have set pricing, even if it’s not diamonds, right? If it’s just stationary and it’s good stationary and it’s priced higher than maybe you could negotiate for it down the street, it becomes luxury in the minds of people, right? Oh, I got the Tiffany stationary instead of the Woolworth stationary. Stephen Semple: So Tiffany’s even to this day does this book called the Blue Book, which has got all sorts of amazing items in it. So in 1945, they launched the Blue Book. And from the research I’ve been able to do, it was the first mail order catalog in the United States. Dave Young: Wow. Okay. Stephen Semple: And it became a desire machine. People who had never been to New York, let alone Paris, could see luxury. Imagine owning the items aspire to it. Now, it’s not clear which came first, the Blue Book or the Tiffany Box, but I think it was the blue book. This blue became so powerful that in 1998, Tiffany worked with Pantone to create the color Pantone 1837. It’s called 1837 because that’s the founding year of Tiffany’s and trademarked the color. Tiffany’s owns that color. No one else is allowed to use it. We’re going to talk about the box a little bit more later. So let’s go back to 1848. Nine years after opening, there’s an opportunity to change the face of Tiffany’s and really establish it as an icon. And this is where Charles Tiffany really understood what he was doing because he has this opportunity and he grabs a hold of it with both hands and it changes everything. Europe is in chaos because of the revolution, right? French aristocrats are selling off their jewelry to survive. Charles goes to Paris and buys a massive amount of royal jewels that have been sold at auction. All pieces with a history. He brings them back to the United States, and this is a game changer in two ways. First of all, America now saw firsthand what European luxury looked like and it became aspirational. And Tiffany’s understood what they were selling was desire. You could now wear this prince or this princess’s jewelry. It also positioned Tiffany’s as the king of diamonds. And it changed how America saw wealth. So Tiffany’s now had four powerful things, fixed pricing to eliminate friction, desire at scale because of the Blue Book, a symbol in the Blue Box, and a leadership position in the marketplace. Dave Young: All these brand codes. Yeah, yeah. Stephen Semple: Right? Dave Young: Mh-hmm. Stephen Semple: Right. Dave Young: And you stick with it. Stephen Semple: Oh, it gets better. Oh, he leans into this. So in 1853, Charles buys out his partners and he renames the business, Tiffany & Co. It’s the 1870s, and it’s now the gilded age in the United States is really happening, which really creates this desire for status symbol. So in 1877, the largest canary yellow diamond was discovered, 287 carats uncut. And there it is, Charles, who sweeps in, buys it for $18,000. And this became the Tiffany Diamond, more on this later. Because in 1878, around the same time, like a year later, there’s another large sale of jewelry, and it’s the jewels of Isabella, the second the queen of Spain, becomes available. Where’s Charles? Right fricking there. Dave Young: Oh yeah. Stephen Semple: But the biggest defining moment came nine years later in 1887, the French government decides to sell off the French crown jewels at auction. Charles Tiffany bought one third of the things being auctioned. Dave Young: Oh, man. And did he buy them for resale or is there a Tiffany museum we can go look at? Stephen Semple: Well, everything except the Tiffany Diamond. All the other things were bought for resale, because now back to the Tiffany Diamond, Charles takes it to Paris, hires George Kunz to cut the diamond and it’s cut to 82 facets and the final cut weight, 128 and a half carat weight. Now, here’s something I didn’t know about the Tiffany Diamond. While the Tiffany Diamond is often on display, it has only been worn by four women. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell] Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: While the Tiffany Diamond is often on display, it has only been worn by four women. Dave Young: Wow. Stephen Semple: Mary Whitehouse in 1957, Audrey Hepburn in 1961, Lady Gaga in 2019 and Beyonce in 2021. Dave Young: No kidding. Stephen Semple: Another fun fact, Breakfast at Tiffany’s, which we all think of, came out in 1961, but there was no cafe in Tiffany’s until 2017. You can now go have breakfast at Tiffany’s. Dave Young: Yeah. And when did the song come out? It was way after the movie. It was in the ’90s maybe. Stephen Semple: Yeah. Now here’s the other cool thing is in New York, the Tiffany’s building. If you go buy the Tiffany’s building at night, all the lights are the Tiffany Blue. You walk and you’re like, “Oh God, that’s Tiffany’s.” It’s amazing. In this adding of doing all these things just as cemented Tiffany’s in our heart, our mind, our soul, in terms of what is Tiffany’s. We immediately know what is Tiffany’s. And Tiffany’s ends up doing this amazing early work. We could do a whole episode on what Tiffany’s did with silversmithing. We could do a whole episode on what Tiffany’s did around lamps. We could do a whole episode on Tiffany’s window displays and how they do it. I mean, I could do four episodes on Tiffany’s with the things I learned about it. The photography on the website is outstanding. If you want to really understand how to display things and show things, study Tiffany’s. Like the Blue Box, you can buy the used Blue Boxes on eBay. There’s a market for them on eBay and they’re not cheap. Amazing. Amazing. They decide they want to own, thought of first for luxury and like the most because of status. They just absolutely own that place in our minds. Dave Young: I’m just glancing at their website. One of the things I love is they call their jewelry hardware. Like that’s the hardware department. Stephen Semple: Right. Talk about fits but doesn’t fit in a strange thing. And you would think that Tiffany’s would have to give it some sort of fancy name. They’re like, no, the fancy name is Tiffany. Dave Young: Yeah, exactly. Stephen Semple: That’s all you need to know. If I said to you, “Hey, Dave, I went and bought some…” I wouldn’t even have to say fancy. I bought some Tiffany hardware. You don’t need to say anything else. Tiffany ends up becoming the descriptor that immediately says this thing is special. Right? Dave Young: Oh man. They have a bocce ball set. I think Wizard Academy needs that. It’s only $3,750. Stephen Semple: There you go. Dave Young: But they’re the Tiffany blue balls. Stephen Semple: Yeah, that’s cool. Dave Young: That’s a weird thing to say. But yeah. Stephen Semple: So here’s what I found interesting. They were innovative on fixed pricing. They’re also innovative on the fact that luxury was not yet a thing in the United States and they did a mail order catalog. And then when they suddenly realized that this is what they’re going to do, Charles Tiffany really leaned into those opportunities that came out of Europe and went, “I’m going to buy as much as I can get my hands on.” When you think about going to an auction and walking away with a third of the things that were put up for sale. But what he recognized is he was going to bring that back and suddenly in the United States, people are going to go, “Oh my God, this is the way we should be.” Dave Young: Even if I can’t buy it, I want to go in and see it. Stephen Semple: Right. Dave Young: And I might buy something just to get the box. Stephen Semple: Bingo. Dave Young: Or a bag. Yeah. Stephen Semple: When you consider five billion in revenue across 300 stores, what they sell per store is also remarkable. Dave Young: Oh, I believe it. Stephen Semple: Also remarkable. Dave Young: And I think about this. There’s sort of two paths in business. You can go the luxury most expensive in the market route, or you can go be the Walmart and try to take the low ground and say, “We always will save you money.” And Tiffany’s knows you’re never going to save money by shopping at Tiffany’s. Stephen Semple: Oh God, no. Dave Young: Ever, ever, ever. And here’s the dirty little secret for other retailers and other home service businesses. And you’re worried about being the most expensive in your market, but here’s what it allows you to do. It allows you to be who you’re going to be, and it allows you to have a higher ad budget in particular. So the path to being the famous one in your town, the being known for what you do and being liked because of it, that path is made easier by selling the most expensive items in town. Stephen Semple: Yes. And it would be easy. Dave Young: It’s almost counterintuitive till you do the math. Stephen Semple: Right. And it would almost be easy for somebody to say, “Yeah, but Tiffany’s doesn’t advertise much,” but they do. Their stores are in the most prestigious locations. Dave Young: Yep. Stephen Semple: With the best location in the most prestigious location, and I can tell you what they spend on those window displays that get changed, I’ve never gone past the Tiffany’s twice where it’s the same display. I have no idea how regular… It’s not, “Oh, we put it up and leave it for a season.” It’s a month, probably less. Dave Young: There’s somebody that’s got… That’s their job. Stephen Semple: And the website, you look at that website and it’s not the homepage that changes, Dave. If you go back to Tiffany’s website a month from now, it’s completely changed. The whole feel of it, the whole photography, and you look at that photography, they’re spending- Dave Young: Oh, it’s gorgeous. Stephen Semple: … a boatload of money on that, but that’s their marketing. That’s their marketing is every time I come back, I get this new, different, special feeling. Every time I walk past the Tiffany store, new, special experience and feeling. That’s marketing, man. Dave Young: We can’t be the only ones that think of it this way, but not all marketers do, is that you have to calculate the total cost of exposure and include expensive real estate in that, right? Stephen Semple: Yes. Dave Young: Being on the most exclusive block in town costs a lot of money, and that’s money you don’t have to spend on advertising. Stephen Semple: Correct. That premium that you’re spending to be in that high visibility location is marketing dollars. Dave Young: Yeah. And that- Stephen Semple: And probably the best marketing dollars you’re ever going to spend. Dave Young: Absolutely, because it’s permanent, right? Stephen Semple: Yes. Dave Young: If you can own it, if you don’t… And when you talk about demographic targeting, guess who walks around the nicest places in town? The people that can shop at Tiffany’s. So you don’t need to find them. They’ll find you because that’s where they are. Stephen Semple: And here’s the other interesting thing. If you were going tomorrow to buy the Tiffany’s bocce balls, while you could order them online, you would want to go into the store. Dave Young: Oh, of course. Stephen Semple: You’d want to go into the store because the stores are special. Dave Young: Yeah. Stephen Semple: So when I got looking at Tiffany’s, I started realizing that in the early days, Charles Tiffany did a lot of innovative things. And in fact, one could say he kind of invented in the United States the luxury category and they did an amazing job on it. Dave Young: He figured out the DNA of this company carved it in stone. Stephen Semple: Yeah, literally. Dave Young: Literally carved it like that’s the hardware. The hardware is the color, the whole deal, right? It’s the color, the locations, all the things. They know who they are and what that tells you also is you know what you’re going to do, but you also know what you’ll never do. Stephen Semple: Yes. Dave Young: Right? Stephen Semple: Yes. Dave Young: If they never sell any of these bocce balls, there’s not going to be a bargain corner where I can pick them up for a hundred bucks. Stephen Semple: And the other part I’m always impressed with, here’s a company that started at 1837 and is still around and still being true to itself. It’s remarkable. Dave Young: Yeah. Stephen Semple: Remarkable. Dave Young: Awesome. Now I got to go find Tiffany’s. Stephen Semple: There you go. But their window displays are spectacular. Spectacular. All right. Awesome. Dave Young: Thanks for bringing us the Tiffany’s story. Now I’ve got that song in my head. Stephen Semple: I look forward to the bocce balls. Dave Young: Well, you have to bring them. Stephen Semple: Yeah. Yeah. I realize that. Thanks, man. Dave Young: Thanks, Stephen. Thanks for listening to the podcast. Please share us, subscribe on your favorite podcast app and leave us a big, fat, juicy five star rating and review at Apple Podcast. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.
The surreal movie Mother Mary stars Anne Hathaway as a Gaga-esque pop star facing an existential crisis. She turns to her former costume designer and estranged friend, played by Michaela Coel, to find herself again. The reunion resurfaces old wounds, and then things get spooky and weird. The film features a few grandiose concert numbers with songs penned by Charli xcx, Jack Antonoff, and FKA twigs.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureSubscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhourSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G'Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
It's an all new That Real Blind Tech Show as Allison, Brian, David, and Jeanine get together to discuss the latest tech news. We start the show off answering the age old debate, what would win, an Uber Eats robot or a train? The days of stopping at rest stops on a long road trip could be over thanks to a Chinese car company and their new patent. Google is finally going to take action against sites that are Back Button Hijacking. Netflix all new designed Apple TV app is a disaster. We then talk the app that the blind community is going Ga Ga for, Orion. If you would like to read Brian's entire article about the state of sports, Fantasy Sports, and Sports Gambling Accessibility you can read it here. Google launched its Mac Gemini Desktop app. Perplexity launched Personal computing on the Mac, if you want to pay for it. Claude Mythos claims to have discovered security vulnerabilities all over the internet at every company everywhere, or is this just a PR stunt by Anthropic? Since we discussed a lot of A.I. models here we then discuss our go to model we are using. Apple is rumored to launch another 15 products later this year. We discuss the phones, computers, watches, Air Pods, iPads, and other rumored goodies. And Apple Glasses are rumored to be coming. Is there any saving the disaster that Windows 11 is? If you have not been paying attention, you may have missed that the cost of everything is going up. We start this segment off discussing the ridiculous price grab by New Jersey Transit for the World Cup. Brian then goes off on a rant that he is not from New Jersey despite what another blind tech show claims. Netflix is raising their prices for the second time in less than two years. Add YouTube Premium as another service raising its prices. Amazon Prime Video is now calling their ad free tier Prime Video Ultra, and yup it is raising prices. And the price raising is not limited to streaming services, as Microsoft has raised prices on all their Surface Books. And if you can't beat them you might as well join them, so Samsung announced it is raising prices of its devices in the U.S. And it is more of What's Pissing Off Brian Now and Watcha Streaming, Watcha Reading. To contact That Real Blind Tech Show, you can email us at ThatRealBlindTechShow@gmail.com, join our Facebook Group That Real Blind Tech Show, join us on the Twitter @BlindTechShow It's an all new That Real Blind Tech Show as Allison, Brian, David, and Jeanine get together to discuss the latest tech news. We start the show off answering the age old debate, what would win, an Uber Eats robot or a train? The days of stopping at rest stops on a long road trip could be over thanks to a Chinese car company and their new patent. Google is finally going to take action against sites that are Back Button Hijacking. Netflix all new designed Apple TV app is a disaster. We then talk the app that the blind community is going Ga Ga for, Orion. If you would like to read Brian's entire article about the state of sports, Fantasy Sports, and Sports Gambling Accessibility you can read it here. Google launched its Mac Gemini Desktop app. Perplexity launched Personal computing on the Mac, if you want to pay for it. Claude Mythos claims to have discovered security vulnerabilities all over the internet at every company everywhere, or is this just a PR stunt by Anthropic? Since we discussed a lot of A.I. models here we then discuss our go to model we are using. Apple is rumored to launch another 15 products later this year. We discuss the phones, computers, watches, Air Pods, iPads, and other rumored goodies. And Apple Glasses are rumored to be coming. Is there any saving the disaster that Windows 11 is? If you have not been paying attention, you may have missed that the cost of everything is going up. We start this segment off discussing the ridiculous price grab by New Jersey Transit for the World Cup. Brian then goes off on a rant that he is not from New Jersey despite what another blind tech show claims. Netflix is raising their prices for the second time in less than two years. Add YouTube Premium as another service raising its prices. Amazon Prime Video is now calling their ad free tier Prime Video Ultra, and yup it is raising prices. And the price raising is not limited to streaming services, as Microsoft has raised prices on all their Surface Books. And if you can't beat them you might as well join them, so Samsung announced it is raising prices of its devices in the U.S. And it is more of What's Pissing Off Brian Now and Watcha Streaming, Watcha Reading. To contact That Real Blind Tech Show, you can email us at ThatRealBlindTechShow@gmail.com, join our Facebook Group That Real Blind Tech Show, join us on the Twitter @BlindTechShow
Lady Gaga and Doechii dropped a fresh collaboration, "Runway," ahead of the highly anticipated sequel to The Devil Wears Prada, coming in a few weeks.We talk about what we like about the Gaga/Doechii partnership. Then Dominique harangues Andrew for saying the original Devil Wears Prada film has uninspiring characters and a flimsy plot.Tell us about your first listen @AtFirstListenPodcast on Instagram.Subscribe so you don't miss an episode!
Or Schraiber and Bobbi Jene Smith are two of the most important names in contemporary dance. They're also a married couple. Or and Bobbi join Tom Power to tell us how their creative and personal partnership began while they were dancers at the Batsheva Dance Company, how the Gaga dance style influences their work, and their Canadian debut at the National Ballet of Canada, Procession.
Alaska is joined by special guest co-host Luxx Noir London this week to get this goss a cookin'! These two talk in deep and obscure Drag Race references, learn about new Gen Alpha slang phrases, and theorize on Gaga's new music and possible Madonna collaboration. Plus a little album cover color analysis for Luxx's new project WINGS, aliens and moon misson conspiracies, and why Rupaul loves San Francisco, but only if you travel by helicopter. Listen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterRainbow Spotlight: Cherry Red Mustang by Luxx Noir LondonFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KIn this segment Analytic Dreamz examines the high-profile lead single “Runway” from the highly anticipated film The Devil Wears Prada 2. Released in April 2026 via Interscope Records, the track marks the first official collaboration between Lady Gaga and Doechii and serves as the flagship promotional record for the movie's global rollout on April 30–May 1, 2026.Analytic Dreamz breaks down the song's house and dance-pop sound, its confident catwalk energy, and key lyrics including the hook “Monday through Sunday, I can turn the dancefloor into a runway,” the intro line “No matter what, you better strut,” and the outro “You were born for the runway.” The segment explores the star-studded credits featuring writers and producers Lady Gaga, Doechii, Bruno Mars, D'Mile, Andrew Watt, and Cirkut, along with the track's thematic ties to fashion, identity, and a subtle callback to Gaga's “Born This Way.”The analysis covers the strategic timing, with the song previewed in the final trailer and dropping days before the film's release, which stars Meryl Streep, Anne Hathaway, and Emily Blunt alongside new cast members including Simone Ashley and Donatella Versace. Lady Gaga also makes a cameo appearance in the movie. Analytic Dreamz discusses the artists' mutual admiration, highlighted by Doechii presenting Gaga with the Innovator Award at the 2025 iHeartRadio Music Awards, and how this crossover blends Gaga's pop legacy with Doechii's rising lyricism to create Gen Z and millennial appeal.With its fashion-driven concept and multi-industry synergy, this segment delivers a complete breakdown of “Runway” and its role as a major soundtrack anchor for The Devil Wears Prada 2.Privacy & Opt-Out: https://redcircle.com/privacy
Today for Gaga tickets, we hear your Monster in Law stories!
Today for Gaga tickets, we hear your Monster in Law stories!See omnystudio.com/listener for privacy information.
Today for Gaga tickets, we hear your Monster in Law stories!
Are you a loyal Disney Cruise Line fan wondering if the grass is greener on the other side? Join us as Christy and Dave share their family’s spring break adventure sailing a 7-night Eastern Caribbean itinerary aboard the Celebrity Apex! Discover why they chose this stunning Edge-class ship over a Disney Cruise and how the kids’ clubs compare for older children and tweens. We dive deep into the luxurious perks of The Retreat suite class, the incredible personalized dining at Luminae, and how the onboard entertainment stacks up against classic Disney Cruise Line shows. Whether you are thinking about trying a new cruise line or simply looking for tips on navigating Port Canaveral, this episode is packed with honest reviews and helpful insights!Topics Discussed in the Main SegmentPre-Cruise: A quick review of Lake’s stay at Disney’s Hilton Head Island Resort for a wedding.Why Celebrity: The decision to cancel a Disney cruise and switch to the Celebrity Apex so their 12-year-old son could maximize his final months in the younger kids’ club.Embarkation: Navigating the slightly confusing parking at Port Canaveral’s Terminal 1, but enjoying a fast and seamless boarding process.The Retreat: Reviewing the suite-class experience, including the spacious entry-level cabin, the Retreat lounge amenities, and the incredible, personalized dining at Luminae (where the servers always remembered their son’s favorite foods).Kids’ Club: An honest take on the kids’ club for 10 to 12-year-olds, including scavenger hunts across the ship, Gaga ball, and the challenges of communicating with kids under 13 who aren’t allowed to use the ship’s app.Dining: Raving about the included food options, from the massive variety at the Ocean View Cafe buffet to the fact that the main dining was so good they didn’t feel the need to book specialty restaurants.Entertainment & Activities: Enjoying live music in Eden, attending astronomy lectures, playing video poker in the smoke-free casino, and taking a fascinating backstage theater tour.Episode Cruise SummarySailed Out Of: Port Canaveral, Florida.Ports of Call:Puerto Plata, Dominican RepublicSan Juan, Puerto RicoBasseterre, St. KittsWant to be on the show? Fill out this form, and we'll be in contact with you real soon!https://dclpodcast.com/want-to-be-on-the-show/Support our show via Patreon:http://www.patreon.com/dclpodcastUse Christy's Travel Services:https://dclpodcast.com/book-with-christy/Follow the DCL Podcast via:http://www.facebook.com/dclpodcasthttp://www.instagram.com/dcl_podcastFollow Lake at:https://www.instagram.com/mouse.genhttps://www.youtube.com/@MouseGenFollow Christy at:http://www.packyourpixiedust.comhttps://www.instagram.com/packyourpixiedust
However, her portrayal of events has drawn criticism online, with one entertainment source commenting, "People think it's unfair to frame Gaga that way," and another noting the vulnerability of Minnelli's current state following her public appearance.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Sensual, danceable tropical modd
Tune in every Friday for more WOW Report.10) Liza's Kids, Wait Till You Hear This! with Seth Abramovitch @01:019) Harry Styles is the Moment @12:088) Hot Doc: Manosphere on Netflix @16:337) That Old Person Smell @20:296) The Secret Dolphin Construction Society @25:045) The Oscars: Are You Still Watching? @27:544) The Queerties Now Streaming on WOWPresents+ @32:213) Netflix Pick: Vladimir @35:502) AI Agents Hiring Humans @39:131) Club Cumming with Alan Cumming @43:11
Showgirl and drag queen Fantasia Royale Gaga (DIY Dungeon) joins Nicole to discuss her journey to becoming "The Body". Fantasia shares the realities of her dating life, explaining the difference between a man who is genuinely attracted to trans women versus a chaser just looking to fulfill a fetish. She reveals why she uses Grindr like a social media app, and shares experience building a BDSM dungeon.Plus, Fantasia opens up about the extreme measures strangers take to sneak photos of her in public, the intrusive questions people ask about her body, and surviving religious trauma from a church that literally laid her on the altar to pray the gay away.Take our listener survey and shape the future of the podcast!Watch this episode on our YouTube channel at https://www.youtube.com/@WhyWontYouDateMePodcastSupport this podcast and get discounts by checking out our sponsors:» Equip: Learn more about Equip's virtual eating disorder treatment at equip.health/dateme» Planned Parenthood: Donate to support Planned Parenthood now at plannedparenthood.org/defend.» NOCD: If you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: learn.nocd.com/DATEME» Cash App: Download Cash App Today: https://capl.onelink.me/vFut/3v6r90n6 #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Discounts and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures» Wayfair: Find furniture, decor, and essentials that fit your unique style and budget. Head to Wayfair.com right now to shop all things home.Follow:All Links: linktr.ee/whywontyoudatemeTour Dates: linktr.ee/nicolebyerwastakenYouTube: @WhyWontYouDateMePodcastTikTok: @whywontyoudatemepod Instagram: @nicolebyerX: @nicolebyerNicole's book, #VERYFAT #VERYBRAVE: indiebound.org/book/9781524850746This is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Why Won't You Date Me? via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
There's a granny in her 70s who fought off a home invasion by herself! What's your wild grandma or grandpa story?
Full show - FrYiday | Mundane celebrity encounters | News or Nope - Chick-fil-A, Cristo Fernández, and the fast food feud continues | Feel Good Friday | Grannies gone gaga | Are all men like this? | Thinking about our exes | Does Slacker have to do everything for his kids? | Erica found a new job for T. Hack... | Trash. Hack | Stupid stories
In a preview of this week's Pop Pantheon: All Access episode, Lady Gaga's 7th studio album, Mayhem, turns one year old this week. To celebrate, Louie and Russ look back on the Grammy winner, going track-by-track on the record that had Gaga proclaiming, "my nachos are mine, I invented them, and I'm proud of them!"To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.Note for iOS users: Subscribe using your desktop or mobile browser, not the iOS Patreon app, for cheaper rates on Pop Pantheon: All Access.Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.
Super cringe today as we go in on Feldman, Shia and the Gaga vs. Liza Minnelli feud!Feel like your best self again, Visit forhers.com/ROSEPRICKS to get a personalized, affordable plan that gets you.
Send a textLove shows up in candy aisles, awkward expectations, and the checkout line—with a side of sticker shock—so we dig into the real question: do you still buy Valentines for your kids, even when they're grown? Our table splits, and that sparks a bigger conversation about what Valentine's Day really measures: affection, effort, or how well you dodge commercialization without sounding like a grinch. We talk thoughtful ideas that land, gifts that flop, and why recycled intimacy doesn't count as a present.The ride swerves into real life: Girl Scouts turned tap-to-pay pros, Walmart locking up basics, and fundraiser candy that shrank while prices climbed. Then we jump from aisles to arenas with a brush-by of Lady Gaga's team and a peek at the machine behind major tours—sealed phones, tight rehearsal windows, and camera crews moonlighting from the Super Bowl and Taylor Swift's juggernaut. We stack ticket prices across Gaga, WrestleMania, and smaller venues like Lupe Fiasco's anniversary show to find the sweet spot between spectacle and sanity. Pro tip: presales and intimate rooms often deliver bigger memories than nosebleeds at eight times the price.Because culture is also under the hood, we clash over EV trucks vs gas—range anxiety vs torque joy, generators on wheels vs the ritual of the pump—and admit some new designs finally look clean enough to sway skeptics. And since every great debate needs fuel, we put local spots on notice about gizzards, smothered chicken, and what “simmered right” actually means. It's messy, loud, and honest, with a stack of movie and TV picks to close your night: The Bear for kitchen heat, a tight six-episode His & Hers binge, and a few upcoming thrillers to circle on your calendar.Press play for jokes with bite, practical ideas you can steal, and a reminder to make Valentine's Day mean something real—especially for the people who don't usually get the gifts. If this made you laugh or think, follow the show, share it with a friend, and drop your best Valentine's win or fail in a review.Thanks for listening to the Nobody's Talking Podcast. Follow us on Twitter: (nobodystalking1), Instagram : (nobodystalkingpodcast) and email us at (nobodystalkingpodcast@gmail.com) Thank you!
Joe and Robert return for a wide-ranging, deeply opinionated episode that somehow manages to cover neighbor hookups, diva worship, Los Angeles transplant culture, gay mentor lore, and the most divisive judging moment of the season—before they even get to the Drag Race recap. After a lengthy and very on-brand tangent on soda loyalty, Speedo sightings, and whether it's ever wise to hook up with someone in your own building, the conversation shifts into pop-culture devotion and the idea of “diva worship,” with Joe and Robert unpacking why neither of them has ever fully subscribed to the Beyoncé-or-Gaga-as-religion mindset—and why disagreeing with a fandom can feel like heresy. The discussion turns political as they compare celebrity worship to political hero worship, drawing parallels between Drag Race stans, pop divas, and modern political infallibility narratives. From there, they dive into Los Angeles discourse: who gets to call themselves an Angeleno, why transplants often hate the city they moved to, and how saying “the PCH” immediately gives you away. Eventually, they do get to Drag Race Season 18, Episode 6, breaking down the fan outrage surrounding the Raider Queen twist, alliances, and strategic gameplay. Robert argues that viewers are missing the point by treating Drag Race like a merit-based competition, while Joe asks the most important question of all: would the outcome have actually changed no matter how the placements were shuffled? They discuss Mikey's polarizing lip sync reception, Athena Dion's unapologetic embrace of strategy over talent, and why Athena—intentionally or not—has become one of the most compelling personalities of the season. Robert shares a truly unhinged (and unforgettable) story from his early gay years that perfectly explains his affection for hyper-dramatic, self-serious queens. The episode closes, naturally, with an unexpected deep dive into gay porn archiving practices, flash drives, spreadsheets, vintage aesthetics, and why sometimes 1080p really is a human right—before Robert announces a brief retreat into the forest and Joe questions whether anyone truly misses their siblings. Chaotic, reflective, and hilariously off-the-rails, this episode is classic RulaskaThoughts: the Drag Race recap that refuses to stay on topic—and is better for it. Follow & Support Subscribe to RulaskaThoughts wherever you listen to podcasts. Follow Joe and Robert on social media for more hot takes, side quests, and questionable tangents. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this edition of Study Break, we survey the triumph and tragedy of the 2026 Grammys and deliver our official assessment of the Momania (The Moment + Melania) double feature. The declaration of war on Sombr is formally expanded to include newcomer Olivia Dean, and the strange theater of Latino representation in Hollywood comes under review. Elsewhere, several urgent notes are issued to the pop music PR puppeteers who seem to have lost motor control of talents like Jelly Roll and Billie Eilish. We also unpack the honky tonk heartbreak of Bella Hadid and Adan Banuelos, Gaga's McQueen resurrection, Justin Bieber's soulful Captain Underpants realness, the newest wave of Windrush Generation excellence, and more!Links:Sacheen Littlefeather accepting an Oscar on behalf of Marlon BrandoAdan Banuelos Arrested for Public IntoxicationBella Hadid dancing in a Honky Tonk with Adan BanuelosTheo Von on Jelly Roll Acceptance SpeechesZillennial Cozy Funk Wedding This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe
I sit down with the legendary creators of Babas, Charleston (now with a HOT new location on Wentworth!) Marie Stitt and Edward Crouse to talk about how they cracked the code on the All-Day Cafe.( But mostly we just laugh and eat cream puffs. ) I missed you, more shows coming soon.
Tom Homan has his first press conference as he takes over the situation in Minneapolis. Dana reacts and shares commentary to new footage showing Alex Pretti with a gun in his waistband, spitting on and attacking federal law enforcement officers and kicking the tail light of their vehicle on January 13th. TSA workers eating dinner were mistaken for ICE agents, drawing dozens of protesters to a California restaurant.Jacob Frey dodges when asked if he changed his mind after the latest video of Alex Pretti and vows to give financial support and legal resources to the violent criminals who were apprehended by ICE. The government remains on their political heels before another shutdown. CNN's Abby Phillip blames Trump for Ilhan Omar's attack. Hakeem Jeffries threatens Kristi Noem by saying she needs to be “put on ice permanently”. Mayor Zohran Mamdani Says New York City is facing a fiscal crisis at the scale of the Great Recession. Lady Gaga speaks out against ICE during a speech at her concert. Gutfeld SLAMS Jessica Tarlov on The Five over her trashing ICE.Thank you for supporting our sponsors that make The Dana Show possible…Bank on Yourselfhttps://BankOnYourself.com/Dana Bank on Yourself offers tax-free retirement income, guaranteed growth, and full control of your money. Receive your free report.Relief Factorhttps://ReliefFactor.com OR CALL 1-800-4-RELIEFTry Relief Factor's 3-week Quickstart for just $19.95—tell them Dana sent you and see if you can be next to control your pain!Patriot Mobilehttps://PatriotMobile.com/DANA or call 972-PATRIOTSwitch to Patriot Mobile in minutes—keep your number and phone or upgrade, then take a stand today with promo code DANA for a free month of service!Humannhttps://HumanN.comKick off the New Year with simple, delicious wellness support—pick up Humann's Turmeric Chews at Sam's Club next time you're there and see why they're such a fan favorite!Byrnahttps://Byrna.com/DanaMake 2026 the year you protect your family with solid options—Get the Byrna today.WebRootTake your cybersecurity seriously! Get 60% off Webroot Total Protection at https://Webroot.com/Dana Noble Goldhttps://NobleGoldInvestments.com/DanaThis is the year to create a more stable financial future. Open a qualified account with Noble Gold and receive a 3 oz Silver Virtue coin free. Subscribe today and stay in the loop on all things news with The Dana Show. Follow us here for more daily clips, updates, and commentary:YoutubeFacebookInstagramXMore InfoWebsite
Who was Lina Morgana? Why do people believe she was murdered by Lady Gaga? And what does the Illuminati have to do with Gaga's seat at the table of unprecedented popstar success? We dissect all of this, as well as Gaga's complicated relationship with the truth in regards to her own mythmaking, in this part two episode on Lady Gaga. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.
Who was Lina Morgana? Why do people believe she was murdered by Lady Gaga? And what does the Illuminati have to do with Gaga's seat at the table of unprecedented popstar success? We dissect all of this, as well as Gaga's complicated relationship with the truth in regards to her own mythmaking, in this part two episode on Lady Gaga. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
In This Hour: REBROADCAST - of 11.23.25 -- Why is U.S. Attorney General Pam Bondi supporting the National Firearms Act, which regulates silencers and short barrel rifles? -- The Post Office pushes back on concealed carry. John Petrolino has the secret memo sent to employees. -- The U.S. Supreme Court is considering more Second Amendment cases when it has already accepted two this session. What's going on here? Gun Talk 01.18.26 Hour 3Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.
For more coverage on the issues that matter to you, download the WMAL app, visit WMAL.com or tune in live on WMAL-FM 105.9 from 9:00am-12:00pm Monday-Friday To join the conversation, check us out on Twitter @WMAL and @ChrisPlanteShow Learn more about your ad choices. Visit podcastchoices.com/adchoices