Podcast appearances and mentions of Jerry Lewis

This episode was originally released on 11/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 109 we continue our mini-series on the 1948-49 radio season by focusing on news and programming from Thanksgiving Day, 1948. —————————— Highlights: • Tex and Jinx for WNBC with photographer Robert Capa • John Nesbitt's Passing Parade for WOR while CBS broadcasts the Macy's parade • Cornell vs. Penn in the Turkey Bowl Game • Norma Young's Happy Homes for KHJ in Los Angeles • Let's Get Married with Bride and Groom on KECA • The Elgin Thanksgiving Special with Don Ameche • Dean Martin and Jerry Lewis with Vera Vague • Jack Benny Gets a Turkey on the Cheap — Signs A Big Contract with CBS • David Sarnoff Overplays his Hand • Fulton Lewis Jr. with the News from Mutual Broadcasting • Henry Aldrich's Turkey Run • Burns and Allen Loose a Wedding Ring • Pre-teen Margaret O'Brien Stars on Suspense • Casey, Crime Photographer's Holiday • James Hilton Hosts The Hallmark Playhouse with Free Land • Virginia Gregg and Willard Waterman Guest-Star on The First Nighter Program • Thanksgiving Leftovers and Looking Ahead to Christmas —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air — By John Dunning • Network Radio Ratings, 1932-53 — By Jim Ramsburg • The fantastic work by Doctor Joseph Webb on Suspense — https://sites.google.com/view/suspense-collectors-companion?fbclid=IwAR1L18Vl___MNGzqrDnJQd9fMgoyzxFboroMVC2akJBkfhDe5DHJHXgrYsE) Casey Crime Photographer — https://sites.google.com/view/ethelbertsarchives/home?fbclid=IwAR1MRDebzXn8uVYd36uaJBcwIcKV-PEu_IFMKOqOo12S38ka3UXlT39wAmo As well as articles from the archives of • Broadcasting Magazine • Radio Daily • The New York Times I'd also like to thank Mark Greenspan for supplying the audio from Penn vs. Cornell. —————————— On the interview front: • Virginia Gregg, Barbara Luddy, Margaret O'Brien, Olan Soule, Ezra Stone, Willard Waterman, and Don Wilson, were with Chuck Schaden. Hear their full chats at http://www.speakingofradio.com/ • Don Ameche, Hans Conried, Staats Cotsworth, John Gibson, Jan Miner, and Vincent Price were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at https://goldenage-wtic.org/ • Cedric Adams spoke with Jerry Lewis and Dean Martin in 1952. • Jack Poppele spoke with Westinghouse in 1970. • Jack Benny was interviewed for a 1972 PBS Documentary on Great Radio Comedians. • Barbara Walters spoke with George Burns in 1979. • Virginia Gregg spoke with SPERDVAC on August 14th, 1982. For more information, go to https://www.sperdvac.com/ —————————— Selected music featured in today's episode was: • Sleigh Ride and Jingle Bells — By Al Caiola, Riz Ortolani & Jimmy McGriff • Thanksgiving — By Michael Silverman • Greensleeves — By Steve Erquiaga • Night Pt. 1 - Snow — By George Winston • Deck The Halls — By J.P. Torres ——————————

GGACP celebrates the birthday (December 1st) of writer-director Larry Charles (“Borat,” “Seinfeld,” “Curb Your Enthusiasm”) with this ENCORE of an interview from 2019. In this episode, Larry joins the boys for an engrossing conversation about humor as a survival tactic, the hazards of guerrilla filmmaking, the persuasive powers of Sacha Baron Cohen and the Netflix show, “Larry Charles' Dangerous World of Comedy.” Also, Mel Brooks sends up Bill Cullen, Jerry Lewis inspires Bob Dylan, Gilbert guest stars on “Mad About You” and Larry remembers the late, great Bob Einstein. PLUS: “Lancelot Link, Secret Chimp”! The Zen of Jack Nicholson! The influence of Jackie Mason! Larry hangs with Huntz Hall! And the “Seinfeld” episode that never aired! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates Thanksgiving 2025 by revisiting this ridiculously in-depth 2018 analysis of some genuine "golden turkeys," featuring one of Gilbert and Frank's favorite topics: apes and gorillas. In this episode: Gilbert breaks down “Old Dracula," Jerry Lewis threatens to sue Sammy Petrillo, Raymond Burr turns into a gorilla and Bela Lugosi tries his hand at comedy. PLUS: "Return of the Ape Man"! William "One Shot" Beaudine! The strange case of Barbara Payton! And the unusual proclivities of Lionel Atwill!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Young people today face noise, pressure and expectations that can drown out who they really are. I have met many who feel unsure of their path, and I believe this is one of the most important conversations we can have. In this episode, I sit with youth coach Hillary Spiritos, someone who has walked her own winding path from fearless child, to shy young adult, to a coach helping others reconnect with their inner voice. Her honesty about the old messages she carried and the ways she learned to trust herself again offers a lesson for all of us, no matter our age. Hillary and I talk about what young adults face today, why so many feel lost and how simple daily choices can move us away from fear and toward clarity. You will hear how she helps people uncover what they value, build resilience and create a life that feels true. I think you will find this conversation grounding and hopeful. My hope is that it reminds you, just as it reminded me, that we all have the ability to step forward with purpose and live with an Unstoppable mindset. Highlights: 00:10 – Learn how early life messages shape confidence and identity.01:27 – See why many young adults step back from who they really are.02:54 – Understand how internal stories influence your choices.03:55 – Hear how changing environments helps you discover new parts of yourself.13:42 – Learn how young adults navigate both opportunity and uncertainty.15:36 – Understand why modern pressures make clarity harder to find.19:00 – Discover why resilience begins with facing normal challenges.23:25 – Learn how redefining success opens space for authentic living.25:20 – See how guided reflection builds direction and self trust.39:57 – Discover tools that help you quiet the noise and listen inward. About the Guest: Hillary Spiritos, founder of Bat Outta Hell, is a pathfinding coach dedicated to helping young adults pursue the lives they envision by building self-trust and discovering their potential. She conducts workshops on essential life skills such as leadership development, interviewing, resilience, and maximizing your study abroad experience. Through her coaching, Hillary empowers young adults to navigate social media noise and societal pressures, encouraging them to listen to their inner voice and achieve their unique personal and professional goals. This process helps clients identify their values, overcome obstacles, and embrace their fears, ultimately leading to a fulfilling and authentic life. As a certified pathfinding coach, she offers her clients that unique in-between space to create and execute their life road map. Hillary brings years of experience as an Academic Advisor at NYU and Northeastern University, as well as a background in the corporate sector, both as an employee and freelancer. Ways to connect with Hillary**:** https://batouttahell.net/ https://www.tiktok.com/@bat.outta_hell https://www.linkedin.com/in/hillaryspiritos/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, wherever you happen to be today, I would like to welcome you to unstoppable mindset, and I am your host, Michael hingson, or you can call me Mike, one of those two, no other kind of words, just Mike or Michael. But we're glad you're here, whether you're watching, listening or doing both. And our guest today is a coach. She especially does a lot in coaching and working with youth, young people, and I'm really interested to learn more about that as we go forward. I think it'll be kind of fun. So I would like to welcome Hillary Spiritos to unstoppable mindset, Hillary, we're glad you're here. Thanks for coming. Hillary Spiritos  02:02 Hi, thank you so much for having me. Mike. It's a pleasure to be with you. Michael Hingson  02:06 Well, I think it's a pleasure to be with you too, so I guess it works out both ways, right? Wonderful. Yeah, absolutely. Well, thank you for being here. Why don't we start as I love to do, let's start at the beginning. Tell us sort of about the early Hillary, growing up and all that. Since you know you're dealing with youth and and all that, you were one once. So let's, let's hear about you. Hillary Spiritos  02:29 I was one once, absolutely. So I was a really fearless child. I had a really, like, wild fashion sense. I asked a lot of questions. I was pretty independent. I like to stay in my room and like play with my imagination and and then as I got older, I got a little bit shyer. I got a little bit behind the scenes. I started to I started to back away a little bit and kind of lose touch with who I was. And then I have finally, like when I was in my when I was in university, I really just decided that I didn't really know what I wanted to do, what I wanted to study what I was interested in, and it's been a process to kind of live my fullest, most authentic life, and that is what I want to help young people do. Michael Hingson  03:29 Why did you back away? Why did you become kind of, maybe less outgoing or less adventuresome, if you will? Hillary Spiritos  03:38 I think you know there are multiple reasons for this puberty is not like the least of which, but I would say that I'm a big believer that we are taught these messages when we're younger as children, and they get internalized. And I think I internalized messages that were to make myself smaller, to not cause waves, to just not be as big of a presence, perhaps. And so I you have to kind of rewire that. You have to break free from that, and then you can decide, actually, I'm not at the mercy of these stories that I've been told in these messages that I've gotten. Now, Michael Hingson  04:23 where are you from? Hillary Spiritos  04:24 I'm from New York City. Okay, Michael Hingson  04:27 yeah. Well, you know, New York is a tough place, so you can certainly learn to be outgoing and active there. But I hear what you're saying, yeah. Now, where are you now? Hillary Spiritos  04:39 I live in London, England, Michael Hingson  04:41 okay, yes, a little ways from New York, Hillary Spiritos  04:45 absolutely. But actually not as far as you might Michael Hingson  04:48 think, no, it's only, what a five hour airplane flight, right? Hillary Spiritos  04:53 But it's, it's actually shorter than going to California, yeah? Michael Hingson  04:58 So, yeah. You know well, but what took you to London? Hillary Spiritos  05:06 I have always wanted to live in London, and I really love the arts and culture and comedy scene here. I also am a deep, deep lover of travel, and obviously living on the continent of Europe, just gives me more opportunity to travel in that way and over the weekend, you know. And I also just am a deep believer in international education, study abroad, the ability to have cross cultural experiences, to learn more about yourself and your place in the world and the world itself through experiencing your life and yourself in a different Michael Hingson  05:46 place. Do you have a car, or do you just use the tube and public transportation? I Hillary Spiritos  05:52 use the tube and public transportation mostly. I mean, the thing about Europe is that it's really well connected over train. Michael Hingson  05:59 Yeah, absolutely. Yeah. And that that makes a big difference, because you can get wherever you want to go around Europe fairly easily by train, sure, absolutely, certainly, a lot easier than getting around most places in in the States. Hillary Spiritos  06:19 Yeah, that's that can be true, though. I mean, there is an ease to a car Absolutely, and there's like a lovely I can blast my music and be with my thoughts and be in my own space that a car brings you that the train doesn't, Michael Hingson  06:34 yeah, well, or you use earphones, but it's still not the same. Hillary Spiritos  06:39 Yeah, I have a lot of clients and students who are perhaps in places that they don't have their car, and they find that their car is their safe space, and the space where they can vent and listen to music and just be alone and and they feel fine that they really miss their car. So it's I mean, but I also grew up in New York City, so I, I, it's not a part of my it's not a part of my existence, really. Michael Hingson  07:06 Yeah, you're used to not having a car pretty much. I had a friend when I lived in in Winthrop, Massachusetts for three years. I had a friend. We both worked at the same company, and his philosophy was, buy a car, but don't get anything fancy. Just get a clunker. And when it dies, just leave it and go off and buy another one. And so he never did get any kind of a really high end car. And he had a couple where they died, and he just left them or got got them taken away, and then he went off and got a new Hillary Spiritos  07:43 car. Sure, I guess it's really just what you value. Yeah, absolutely. Michael Hingson  07:50 Well, I'm pretty used to having access to a lot of public transportation. Unfortunately, where I live here in California, we don't have a lot where I live anyway, of great transportation, but I remember living in the east, and of course, there was a lot more train access around New York, around Boston and around Washington, DC, for that matter, compared To out here, absolutely well. So where did you go to college? Hillary Spiritos  08:24 I went. I got my undergraduate degree at Duke University, and then I got my master's in international education at NYU. Michael Hingson  08:33 Okay, and so what was your Bachelor's Hillary Spiritos  08:37 in theater and comparative religion? Michael Hingson  08:41 That's a little different than international education. What prompted you to Hillary Spiritos  08:44 switch? Yeah, so that's a great question. So I actually changed my major in my junior year of college because I didn't believe that anyone would be accepting of me majoring in theater and comparative religion as two separate things, and I didn't think it was good enough, and I had all these judgments again from messaging that I received as a young person, and I finally decided that I wasn't going to listen to that. So I changed my major, and I actually worked in the theater and live events production for five or six years after college, and loved it, but I found that it wasn't fulfilling in the way that I wanted my work to be. It wasn't as soul feeding as I wanted my work to be. And I realized that I was an RA at Duke University, and I I just truly loved working with young adults and helping them find their path and figure out what they wanted to do with their life and who they were and what they valued and and so I found that I really wanted to be in the world of higher education, so I went and got my master's. Michael Hingson  09:49 But you didn't do that right out of getting a bachelor's. It was a little bit later. Hillary Spiritos  09:53 Yeah, it was about five or six years later. Wow. Michael Hingson  09:55 So what did you do for the theater while you were working? Hillary Spiritos  09:58 I. Yeah, I was a stage manager in the theater, and then I was a Live Events Producer, so concerts, festivals, movie premieres, anything like that. I helped Michael Hingson  10:11 produce. Did you do a lot of that around New York? Hillary Spiritos  10:15 Yeah, so New York, LA, I also worked in Boston, actually, both as in the theater, as well as at a university in Boston after I had gotten my masters. So yeah, Michael Hingson  10:29 I always enjoyed going to Broadway shows. There's, there's nothing like live theater. I agree. Yeah. I mean, it's, it's just a totally different kind of environment, and it's so much more fun than watching a movie or whatever, the sound is different and better and just the whole performance. There's nothing like seeing something on the stage. Yeah? Hillary Spiritos  10:54 I mean, I think it's all about To each their own. Right? There are actors and people who find that movies have changed their lives and and I definitely have movies that I watch over and over again for comfort, same with TV shows. But for me, personally, the theater, there's nothing like live theater. Live theater is like energizing for me, and if I go too long without seeing it, I get a little Michael Hingson  11:18 Yeah, well, you're in a in a town that has a fair amount Hillary Spiritos  11:22 of theater? Absolutely, yes. Michael Hingson  11:25 So what are your favorite movies? Oh, oh. Hillary Spiritos  11:30 I mean, I guess it depends on what genre we're talking about. But I really love the genre of, like, inspirational sports movies. I that also I remember watching all of those and just really resonating with the character of the coach and realizing that that's kind of who I wanted to be in life, that person who recognized the potential and helped everybody reach their potential. So I loved, you know, the Karate Kid and Mighty Ducks and, like the replacements and strictly ballroom and and miracle and, you know, any Rocky, Michael Hingson  12:10 you name it, yeah, A League of Their Own. Hillary Spiritos  12:14 Oh, League of Their Own is incredible. Michael Hingson  12:16 Absolutely, yeah, I always like the league of their own. Yeah, Hillary Spiritos  12:19 the natural is also a great fact be the natural. Michael Hingson  12:22 And I read the book long after seeing the movie, but I, but I read the book, and that was worth reading as well. Hillary Spiritos  12:32 I think I've also read it, but I'm not, I can't. Michael Hingson  12:38 Yeah, it's been a long time since since I've read it, but it was fun. I don't know my probably one of my favorite movies, and I love to quote it all the time. Goes away from sports. It's Young Frankenstein, but I'm a Mel Brooks fan. So what can I say? Oh yeah. Hillary Spiritos  12:55 Oh yeah. I mean, that's an incredible film, too. And I would say I love a lot of movies that are not inspirational sports movies as well, but yeah for sure, Michael Hingson  13:03 yeah, and I've always liked Casablanca. That's still one of my favorite movies of all time. Hillary Spiritos  13:09 Classic, absolutely, Michael Hingson  13:11 a classic, absolutely yes. But there's still nothing like going to see things on Broadway. You know, I used to see, I watched Damn Yankees the movie, and then when I lived back in the east, we got to see Damn Yankees on Broadway. I actually saw it twice. The second time was with Jerry Lewis playing Mr. Applegate, the devil, and it was the only thing he ever did on Broadway. And we, before we went to see it, there was a my wife read an interview with him, and he said his father had told him, you won't have really ever arrived in entertainment until you do something on Broadway. Well, he did a great job in the play. It was well worth seeing. Hillary Spiritos  14:00 Well, yeah, I mean that that's a challenging statement for sure. And I think it depends how you how he took that right, but that can also be very disheartening, Michael Hingson  14:11 yeah, yeah, well, he took it, he took it the right way. And, and, you know, he, I think he thought his dad was, was hoping his dad was watching from wherever his dad was and saw him on Broadway, but Broadway plays are fun, and I've seen a number on Broadway, and I've seen some plays not on Broadway, but still, people did a great job well. So you anyway, you did theater, and then you went back and got your master's degree, and you wanted to deal with young people. Why? Specifically just young people? Hillary Spiritos  14:50 I think that young adults are exist in such an incredible but volatile space. So like throughout life, we go through on this track of all pretty much doing the same things at the same time, at the same pace with everybody else. And then when we meet or when we get to university, there just becomes so many more paths, and paths start to diverge, and everyone starts to get a little bit mixed up, and then once you're out of university, then that happens even more, and that can be a period of incredible opportunity and possibility and excitement, but it can also be a time of really a lot of anxiety and challenges and obstacles and fear of the unknown, and I think that that is a really exciting, interesting, dynamic place to be. I also just love the ethos of young people, of I'm not going to take that this is the way it's always been done, mentality. I'm not going to just let whatever is going on in the world wash over me. I'm going to actually take a stand. I'm I'm going to stand for what I believe in. And I think that's just a really, I mean, there are some real fierce young people out here, out here, and so that's really uplifting and really motivating and energizing to see. Michael Hingson  16:18 Do you think that it's different now than it was, say, 30 or 40 years ago, in terms of dealing with youth and young people in terms of what they face and how they face it. Has it? Has it changed much? Or do you think it's really basically the same? And of course, the other logical question is, Is it easier or harder now? Hillary Spiritos  16:39 Absolutely, so I think that it is absolutely part of the human condition to try to figure out who you are and what you want, and that is something that young people are constantly dealing with at every generation. So that's absolutely true, but I do believe that there are certain things that make it harder for this generation, the Gen Z and Millennial like cohort, I think that whether that's the covid pandemic, social media, helicopter or lawn mower, snow plow, parenting, whatever you want to call it, that just this general state of the world, there are all of These structures and systems in place that are crumbling and broken, that young adults are having to get a grip and understand and find their feet in a world that is constantly shifting and and not meeting their needs. So I think it is definitely, I mean, harder is challenging to rank, right? Because, like, obviously, there are very hard challenges in various generations, but I do think it is very different. Michael Hingson  17:49 Well, you know, in 1917, 18, we had the pandemic of the flu. So it's not like this is the first time we've ever had that, but sure, it just seems to me, with everything that's going on today, with with social media, with instantaneous communications and so on, and probably other things where a number of people are raised in fear oriented environments, it is definitely a lot more challenging to be a youth growing up today. They're just too many challenges, much less you mentioned helicopter and other kinds of parents, I would assume that they're operating more out of fear than anything else, which is why they do what they do. Hillary Spiritos  18:36 Well, that's interesting. I think they absolutely could be operating out of fear, and they can be operating out of the I want you to reach this echelon. I want you to do this thing, have this job, so that you will be secure and safe. However, we know that that's not a given, right? There's no such thing as security in that way. But I would also say there's a way to be operating out of a projection of what they wish that they lived, and they're passing that along to their children as well. So there are various ways that it can manifest Michael Hingson  19:12 that's probably been somewhat true though, through most generations, although it may be a little bit more the case now, because there's so many outside forces, and they want to keep their kids from having to put up with all of that. Hillary Spiritos  19:23 Yeah, I would also say that their parenting used to be a little bit more hands off, and it is now. Let me remove the obstacles from my children's lives and let me and that's a generalization. Obviously, not all parents are like that, but there is a big push to let me make it somewhat easier, and that's not to say don't support your children, and that's not to say don't help them out. That's not to you know, but in removing all the obstacles, young people aren't given the opportunity to build. Of the self reliance and the resilience and the self trust that they need to move forward, Michael Hingson  20:05 yeah, and it may ultimately come down to, how many of the obstacles are you really removing, but? But that is true, that they make it they think easier. But the reality is, there are reasons why we all have to go through different situations to learn Hillary Spiritos  20:26 Sure, absolutely, I think if you, if you don't develop resilience or self reliance or grit, I think that that is, that is going to be a very challenging life until you learn to really develop those traits, those skills, tools, Michael Hingson  20:46 I know for students with disabilities. And this goes back 50 years. I know here in California, a number of the colleges and universities started hiring people to run offices for students with disabilities, and they would come in and Oh, we'll get we'll, we'll, we'll make sure you have your textbooks, we'll make sure you have a place to take your tests. And they do any number of things for students that some of us who grew up a little bit before those offices realized that the offices were were really creating more of a problem than a great solution, because they did everything for students, rather than students learning to do things for themselves. Students didn't learn how to hire people to read information for them, or how to go to professors and advocate for what they needed, because they just relied on the offices. And the offices would say, well, students don't know how to do those things, yeah, and they never will. It's the same, it's the same kind of concept. But you know, the reality is that there is a reason why there is value in having challenges put before you to overcome and deal with Hillary Spiritos  22:07 Absolutely, absolutely. I mean, it helps you recognize what you're capable of, and it also helps you realize that you have been through maybe something difficult previously, or you've gone outside of your comfort zone or tried something new or whatever, there's precedence there that you can do something like that again, and if you don't have those experiences, then you are unsure. I mean, I have clients who have not built up these experiences, or they don't recognize the experiences that they've had, and that's part of the work that we do, is that then they just feel so unprepared to go out in the world because they don't know what they're made of. Michael Hingson  22:47 Yeah, yeah. And it is, it is a real challenge. And you know, the other part about it is that what referring back to the offices for students with disabilities, what the offices should be doing, is encouraging students to to do the work, and then saying, this is what, what I actually went through, and then actually saying, if you have a problem and you can't get the things that you know you need to have, will help you. We will. We will bring the resources of the university to, for example, to to bear, to get you what you need. But you have to be the one to initiate it. And I think that's the issue. Hillary Spiritos  23:32 Sure, absolutely, it's it's it's the it's the asking questions without trying to figure out what the answer is yourself, or trying to find the answer yourself. And I think that can be manifest in many ways, and I think that that is also indicative of like a larger of a larger system, which is not being able to trust that you can figure it out, not being able to trust that you have the answer or that you can, like, trust your inner voice or your gut, and so you look outward and that so it can be part of a task, but it can also just be. It can manifest in your just general life. Speaker 1  24:14 Yeah. So what does redefining success mean today for young people, and how do they separate their goals from what society expects them to do, or societal expectations? Hillary Spiritos  24:28 Yeah, absolutely. So, as I kind of alluded to before, is that we learn these definitions. We learn these we have these messaging from when we were younger, and we learn what success means, what failure means, what courage is, and we start to internalize what we think other people will see as acceptable or good enough. And what we need to do is unpack that and. Try to redefine success and failure and all the rest of it for ourselves so that we can live our own lives and not be at the mercy of our prior messaging, childhood wounds of our parents, hopes and dreams and fears, perhaps what people of people in society might deem as not good enough, or not interesting, or whatever we want to live according to what we think we value. And so that would that's what redefining success means. Speaker 1  25:32 How do you teach people how to redefine success? You you have a coaching process that I assume that you use. So what is that? How does all that work? Hillary Spiritos  25:42 Yeah, so it's a three month process, and it's called aligned and alive. And the first month is helping young adults really get to the root of who they really are, what they really value, and what they really want their life to look like. And it is going deep, and it is being honest and answering those questions outside of societal expectations, and cutting through the noise to the best of their ability. And then the second month is really honing in on what is blocking you from going after the life you want, from imagining the life you want to create, and creating the life you imagine. And then the third month is reevaluating those what we those of things that we talked about in the first month, so who you really are, what you really value, and what you really want your life to look like. These things probably have changed over the course of this time, as you've kind of uncovered new aspects of yourself, and then we create an actionable strategic plan so that you're not just going off into the world unprepared and feeling unprepared to kind of take the next step. And there are absolutely follow up calls to just make sure that you feel the most secure and that you if you have any questions or kind of feel like you want to check in, that's absolutely acceptable and possible and hope like I hope you will and we will set up. And there are also people who don't work on this three month platform, but they also just meet with me regularly. So it's it depends on what you're looking for. This isn't a one size fits all situation. Michael Hingson  27:24 Yeah, what? Which makes sense? It it shouldn't be a one size fits all because everyone is a little bit different. Needless to say, absolutely. So I didn't mention it before, but we should talk about what is the name of your company? Hillary Spiritos  27:39 So the name of my company is called bat out of hell. There you go. Michael Hingson  27:44 See how did you come up with that? It's I think it's great. Hillary Spiritos  27:48 Thank you. I really love and have a kinship with bats. I think that bats are highly adaptable, perceptive, social creatures, and they spend a lot of their time upside down, so they see the world in a different perspective, and they symbolize transformation and rebirth and the shedding of the old to come into the new and out of the darkness and into the light, all of which I really resonate with and want the energy of the business. And then I also am not a one size fits all cookie cutter coach, let alone person. And I, and I wanted a name that kind of had that ethos, had that a bit of rock and roll in it, if you will. And so, yeah, I feel like it's has real momentum to it, and a real edge, which is great. Michael Hingson  28:44 And so you, of course, feel a great kinship for the TV show in the movies Batman, right? Just checking, Hillary Spiritos  28:51 yeah. I mean, there is, I'm not the biggest Batman fan, Marvel or super, but I will say there I did talk about this with people about how Batman, if I'm correct, embraced what he was most afraid of, and took that to help him fight the bad villains in Gotham. And so that is an incredible thing to do, to take what is blocking you, to take those fears, anxieties and and insecurities, and recognize where they come from, own them to and understand how they influence and manifest in your everyday life, so that you're not at the mercy of them. That's basically what Batman does. And that's great. That's dope. Michael Hingson  29:37 I think that happened probably more in movies than in the TV series, but that's Sure. Adam West was an interesting character for TV, but that that's fine. I actually sat a row in front of him on an airplane flight once, he was a whole lot different on the airplane than he was as Batman was interesting. Did you talk to him? No. He didn't have any interest in talking to anybody except, I guess it was his agent or or someone who he was with, and that was the only person he talked with. Okay, that's that's a lot. What do you do? You know, well, so the the thing is, though, that I think you're right. Batman, like anyone had fears and he and especially in the movies, he learned to embrace them and did the things that he needed to do. He he chose his life, although there were things that that led him to do it, he still chose his life and operated accordingly. And that's something that we all have the opportunity to do, is we can make choices. I think it's important that we monitor our choices. That is when we choose things. I can I can go back many years in my life and see how I got to where I am today by the choices that I made. And I think that's a thing that is worth people doing, is being introspective and and thinking about what you do, what you did, and how you got where you are, not in any kind of a blame way, but rather just to know, and that also helps you then decide where do we go from here, Hillary Spiritos  31:25 absolutely, to constantly or consistently, take stock of who you are and what you want, and to ask yourself questions of, is that true? Is that actually what I want? Is that actually what I value? Is that what I believe is, Am I doing this because somebody else says I should? Am I doing this because I don't want to be embarrassed, like, am I excited to do this, or excited and anxious, or do I just really not want to do it? All of these questions are really important to continually ask ourselves. But I think if you haven't learned to ask yourself those questions, or if you're feeling really lost at sea, or if you're feeling like you really just don't know how to cut out the noise, then it might be beneficial to talk to somebody. But absolutely, that's something that that's being introspective and reflective is is vital? Michael Hingson  32:19 Yeah, I think that's extremely important to do, and it's it's also all about working to keep fear from controlling you, and learning how to control fear. And the more you look at like, what, what you do every day. And I encourage people, as they're going to sleep at night, to be introspective. What happened today? What? Why did I react to that? Why? Why was I afraid? What can I learn from that, or even the good stuff that went really well, but how might I do it better? Being introspective and really listening to your inner voice helps a lot in being able to deal with fear. Hillary Spiritos  33:01 Absolutely, absolutely. I think it's the question of, are you able to listen to the to your inner voice? Do you trust your inner voice? Do you listen to your inner voice? Is there a reason why, even though you hear it, you're not doing it? Is there a reason why you're not taking the steps to engage with your life the way that you want. Do you not even know what the life you want to create is? And I think that these are really like listening to your inner voice is absolutely critical. It's vital. But sometimes it's not the easiest thing to do, Michael Hingson  33:38 no because we haven't learned to do it. The more we work at it, the easier it becomes. It's a matter of really exercising that muscle that is our mind. Because we can learn to trust that inner voice. We can learn to listen to that inner voice, but we have to make the choice to do it. No one else can do that for us, absolutely. Hillary Spiritos  33:59 And I think that's that's really important information, right? Because we're the ones that have to live with the consequences of our choices. We have to live. We're the ones who have to live in our lives, so to look outward for answers rather than looking inward. While it might feel more comfortable and you feel like, oh, that way I want won't make mistakes, or people will deem it acceptable, because I've I've taken the census, and everybody thinks that this is what I should do. It doesn't save you from you're the one who actually has to go through the motions, and you might be living someone else's life, and you're going to realize that at some point or another. Yeah. Michael Hingson  34:43 And, and, I guess, in a sense, hopefully you will realize it and use that to advance and go forward and more. Learn to listen to your inner voice and more. Learn to not be afraid of so many things. Yeah. Hillary Spiritos  34:57 And, I think that it's you. It's lovely to recognize that and try to get on the right path, or let's say, your path earlier rather than later. Yeah, because what you don't want is to necessarily look back and realize that you've lived your life according to someone else. It's the number one regret of the dying, right? So obviously, we do that to the best of our abilities, because all we can do is make the best decisions with the information that we have at the time. So it's keep it's a constant constant, trying to figure it out, but you we want to get on that. We want to live our most authentic life as as much as possible. Michael Hingson  35:41 Sure, you talk a lot, or you refer to reclaiming your 20s and 30s and so on. And I think that's an interesting thing, because it's it was a probably most people view it as a simpler time in life. But what are some of the misconceptions that people actually have about their 20s and 30s, and how do you refrain from dealing with uncertainty and turn it into opportunity? Hillary Spiritos  36:12 Yeah, that's really an interesting question, and it's a way really interesting way of phrasing it, because when you're older, you do tend to say, Oh, if only I, like, realized this in my 20s, because the or, like, what I could tell my 20 year old or 30 year old self is because actually, your 20s and 30s are fraught with a lot of challenges and a lot of insecurities and a lot of fears, and They're actually not necessarily simple times, but I would say some misconceptions are that you need to have it all figured out, that you're running out of time, that it's too late, or that you're behind, that everybody else has it figured out, and you you're lost, that your 20s are for figuring things out, and then once you hit your 30s, you're supposed To have it all figured out, and all your ducks in a row, the idea that your path is straight, and once you make a decision, then you're off to the races. And like you don't ever have to think about it again. If I could just pick the right career, pick the right partner, pick the right industry, I'll just be done. And that's that's not how life works. No. So I would say that we want to reframe uncertainty and all of these questions as opportunity. And so life is uncertain. And so when you learn to see uncertainty as possibility and obstacles as opportunity for growth, then you will begin to have more forward momentum, have live your live a more authentic life, and learn more about yourself and gain self trust and resilience and self reliance. And that's that's what we want to learn how to do in our 20s and 30s and beyond Michael Hingson  38:00 and beyond, because the reality is, it's all part of the same thing. Hillary Spiritos  38:04 Sure, absolutely, yeah, Michael Hingson  38:08 it, it may or may not get any simpler, or maybe we learn enough things that it looks like it's simpler, but because we've learned certain things that help us get through whatever it is we have to get through. But the reality is, it's all about learning. I think, yeah, go ahead. Hillary Spiritos  38:27 No, I just I think it absolutely is. So I think it's about if you start to recognize this in your 20s and 30s, you will as you go older, the wisdom comes with recognizing that you've done things like this. You've got a lot in your backpack. You have a lot of tools, you have a lot of experiences. You have the wisdom that comes with that. You have the self reliance and the self assurance that comes with that. And you know that you're going to be okay. You know that you can get through it because you've done it. So I think what being an adult means is, am I do I trust myself? Am I secure in who I am? Am I someone? Can I soothe myself? These are questions, rather than like, do I have the home, the kids, the you know, the traditional markers of adulthood really don't mean anything anymore. But what's really important is, Am I okay with me, and how do I want to engage in the world? Michael Hingson  39:22 Yeah, and the reality is that it is, I think, going back to something we talked about before, it is tougher today, because there are just so many external meth or things that influence or that try to influence, and it probably is a lot more difficult than it than it used to be, because towns are larger, there are more people around. You've got social media, you've got so many other things that you face daily, probably a number of which we didn't used to face, or at least not to the same degree. So. It is more of a challenge than it used to be. Hillary Spiritos  40:03 Sure, it's definitely it's definitely different, but I do believe that say that there are inflection points, right? And I do think that the advent of social media is a huge inflection point, and something that is not beneficial for young adults of today. Yeah, and it is in many ways detrimental and so but it is something that is here, and it is something that young adults have to navigate. How Michael Hingson  40:35 do you teach them to deal with all of that, all the noise, all the social media and everything else, because it's all there. And I'm sure that you as a coach, face this, because you hear it from the people that you work with. Well, but all this is going on. How do you teach people to know what to cut out, or how to cut out a lot of that, to be able to get back to that, I've got to really know me absolutely. Hillary Spiritos  41:02 So there are many tools that one can engage with. So there's actually sitting quietly and reflecting like literally cutting out the noise. There are mindfulness practices and meditation, there's journaling, and there's getting out in nature and exercise and dance and creative expression, and there are definitely tools in which you can get out of your head and into the body and and learn to literally cut out the noise. But I think what's really important is to figure out what resonates for each person, because, as we've said, everybody is different. But in particular for social media like it is really important to have an awareness of why you're using it so it feels like a neutral platform, or maybe it doesn't anymore. People are waking up to it, but it's optimized for engagement, and what you're seeing is someone's projected, curated reality. And so you want to ask yourself why you're doing it. You don't want to sit there and mindlessly scroll. You want to ask yourself what you're trying to get out of it. Are you looking for connection or validation, or creative inspiration or connection? And that can help you navigate through and help you realize what you want to get out from it, and not just like take it all in mindlessly, and we want to obviously be skeptical, skeptical of the information, and we want to limit our use, if not cut it out fully. And it's not a replacement for human connection. A lot of people we have feel like have a loneliness epidemic, because it's not, while social media does connect people, it's not a replacement for human to human connection. So it's really important to keep that in your life. And so I think it's just really important to continually engage with these questions of why you're engaging with it, and what it makes you feel, and how does it serve you? And do you want to be at the mercy of that? And the more you start to question it, the more you can break down those ties, Michael Hingson  43:16 yeah, and the more of that you do, then again, the more you're practicing some of that introspection that we talked about earlier, absolutely, which is really what it's all about. There's nothing wrong with, I don't want to call it second guessing, but there's nothing wrong with thinking about what you're doing, what you did, and using all of that as a learning experience. Life's an adventure. We should we should take it that way. Hillary Spiritos  43:43 Well, that's absolutely true as well. It's like all of these experiences are experiences. All of these are adventures. All of these are opportunities for growth, learning more about ourselves. And I don't want to minimize or belittle the fact that everyone needs to your life needs to be sustainable. You need to be able to like, live your life financially. So it's not like it's all fluff and but I do think it's important to recognize that this is all just a learning experience. Nobody really knows what they're doing. We're all trying to figure it out. So it's okay to take a little bit, cut yourself a little bit of slack, and be nicer to yourself and and it's actually really important to cut out the critical voice in your head, because that that is actually a huge reason of why you are feeling Michael Hingson  44:38 stuck. Yeah, I've said many times on this podcast that one of the things that I've learned over the last couple of years is to stop saying I'm my own worst critic. I used to do that because I will like to record speeches when I travel and speak publicly, and I come back and listen to them, and I always just sort of quickly. He said, I'm my own worst critic. I want to really listen to it, because if I don't tell me, nobody else will. And I realized what a negative thing to say. And I finally realized I should be saying I'm my own best teacher. Because in reality, no one can teach me anything. They can provide me with information, but I'm the only one that can truly teach me or open me up for learning Hillary Spiritos  45:21 that's beautiful. I love that I definitely have realized over the course of my life, that I have and I have certain narratives. We all do have certain narratives and stories that we've told ourselves about who we are as people that are actually quite negative and like we're not this kind of person, or we're not capable of this, or we're not the kind of person that does that, and it's actually limiting, and it's not going to help us in the long run Michael Hingson  45:50 well, and we've got to get over this negativity. Just also you do, yeah, the other thing is, I don't like failure. I don't like the term failure because it is so negative, I think that things don't always work out the way we expect. And if we view it as a failure, that's an end, but it's not. It is okay. Something happened. It didn't go the way I wanted. What can I learn from that? And that's the part I think that most of us miss. We don't take that step to really step back or jump back a little bit and go. What do I learn from this that will help me not make the same judgment as as last time? Will not make it go the same way. How do I make it go better next time? Hillary Spiritos  46:35 Yeah, and I think it definitely doesn't help that as young people, we are. We are like system, systemically taught to believe that grades and achievement is of the utmost importance, and the worst grade you can get is an F, and that means it's not good enough. Like that is the lesson we are learned. We are taught over and over and over again. So it is obviously not hard to deduce why we have this definition of failure. Yeah, and obviously our parents and other people in our community perhaps might have such fears, as we've talked about previously in this conversation, that might be like, if you do this, then you might fail at this. You like don't necessarily pursue this career, you might fail at this, and that's perceived to be a really bad thing. Yeah, but as you're saying, If you again, a failure is another way to read, another word that you may need to redefine. Because failure doesn't mean we're terrible. Failure doesn't mean we're incapable. Failure doesn't mean that we should, we should be never like we should stop doing this all together. It's not, it's not a judgment of our self worth. It's just a data point to help us realize, oh, this is not something that I maybe want to engage with, or, oh, I need to learn a little bit more about this, or whatever it might be. I also think it's important to recognize that failure, really, in my opinion, is not trying and not living the life that you want to live. It's if I believe that you can understand failure as like I'm just abdicating my responsibility to make these choices to somebody else, and I'm going to live the life that they've laid out for me, or not trying the things that you want to do, those could be perceived as failure. That's really the only way that can happen. The other Michael Hingson  48:32 part about it, though, is sometimes there may be some other cause for you're not succeeding at doing something. For sure, it could be you're dyslexic, and you don't, you don't do well at reading things, and nobody has diagnosed that. Nobody's figured that out, which is, again, another reason why it's always good for you to be analytical about what you do and and be introspective, or be willing to ask, Hillary Spiritos  49:00 absolutely, that's a great point, absolutely, Michael Hingson  49:05 because all too often we just tend to make assumptions. As you've pointed out, yeah, Hillary Spiritos  49:14 you always want to ask yourself, Is it true and how does that serve me? How does that belief serve me? Is it keeping me stuck? Michael Hingson  49:21 Right? Well, how do you help your clients navigate fear, and especially the fear of disappointing others and so on, as they're growing up and as they're gaining more experience? Hillary Spiritos  49:35 So this is actually definitely what we've been partially done, right? So it's redefining these, redefining failure for yourself and like or with any you know, just thought or assumption and asking yourself, Is it true? How does that serve you? Do you want to live at the mercy of that thought or belief and the fear of disappointing others? Is really interesting, because, as what we said before, it's not it's not someone else's life, it's your life, and you're the one who was to exist in that world. And it's also interesting, just as a note to recognize, sometimes we think we're going to disappoint somebody, because we assume what their response is going to be, but we've actually never had that conversation with them. So is that even true? Like, have you even had that conversation with them? Because we can often scare ourselves with these assumptions of what we think their response is going to be. So if we really don't even take the time to ask, but we're like, oh my god, we're paralyzed by the fear of of what we think they'll say. Then that's something we want to break through. And I also just think again, it's really important to recognize that you we want to build and form a relationship with our inner child, and so the way to live your fullest, fiercest, most authentic life and live the life you imagine is by creating a relationship with your inner child, because that is where your spark, your creativity, your passion, your zest for life, lives, but it's also where your fears and securities and anxieties live. But when you recognize that you are a composite of all of that, that is true, self love, and you can give that to yourself and other people, and also, again, when you recognize and own your fears and securities and anxieties, you're not at the mercy of them. And you can decide, I'm not going to bow down to them. I am going to move forward, I'm going to muster up the courage to move forward in the face of these fears and do what I want to do. Yeah, Michael Hingson  51:49 which makes a lot of sense. Well, you know, one of the things that I was wondering, how long have you been coaching? Let me ask that. Hillary Spiritos  51:56 So I opened up my business during the pandemic, so in 2020 but I've been doing this work for a lot longer than working in universities. Michael Hingson  52:09 So what did you do at universities? You worked in academia a long time? Hillary Spiritos  52:13 Yeah, so I was an academic advisor, and I got the reputation of being like my meetings just happened to run a lot longer, and I was not interested in having transactional conversations with students. I was more interested in trying to figure out who they are and what they wanted and why they weren't going after that, and what they wanted to major in, and what they wanted from their college career and beyond. And we got deep sometimes. And so, yeah, I was, I was someone who who just dug a little bit deeper for sure, Michael Hingson  52:45 well, and you I would think because of that, made students really think and become a lot more analytical about themselves. Hillary Spiritos  52:56 Yeah, I think it's really important to recognize why you are doing something, you know, I I ran into students, and I still have clients today who feel like if they don't know what they want to do, they should study business, or they really love art and drawing, or fashion or what, or some creative field, and their parents say that that's not good enough, and that they should study business or go into medical School or what have you like, there are lots of things that we accept as true or like, you know, maybe, oh, I can't study something in the humanities. I won't get a job from that. That's not important. You know, there are a lot of things we accept as true based on what society tells us, what society values, seemingly, what our parents and our community value, and it's really important to start questioning that and asking if that's really what we want to do. Because if you don't know what you want to do, and you think you're going to study business, because that's a catch all, but you actually realize that you don't enjoy math and you don't want to spend your day in front of a computer, you don't want like then you're going to be miserable. And it's really important to recognize that that's okay to not want that. Speaker 1  54:04 I really think one of the most important things to get out of college, and for those who don't go to college, then you get it from high school or from alternative ways. But I think that one of the most important things is not even necessarily dealing with your major but it is all this whole concept of character development. It's all the other lessons that you learn because you're in an environment where you have to do things differently than you expected that you were going to based on what your parents and other people told you. And I think that's one of the most important things that we could ever have happened to us is that we step out away from at some point in our lives, our Michael Hingson  54:48 growing up period, and we really put ourselves in an environment where we have to discover new things again. That's all part of life and being adventurous. Yeah. Hillary Spiritos  54:58 I mean, as someone who has worked at. Academia for a long time and still does a little bit of hot gossip. I absolutely believe that academics is probably the least important part of college. Michael Hingson  55:09 Yeah, I wasn't going to say that directly, but I agree. Hillary Spiritos  55:14 Yeah, it is mostly what is real. I mean, sure it's very important to learn things absolutely, but it is really important to engage with different perspectives, learn adaptability and communication and time management, and figure out who you are and what you value and what your place in the world, and what impact you want to have on the world, and how to navigate systems that you're unfamiliar with, and how to, how to engage in the world the way you want to. I mean, to try new things, take classes that you think you might be interested in, or like that are totally not, not related to your major, like whatever it is. I think it's absolutely 100% I agree. Speaker 1  55:56 The other part about it is, though, there are also a lot of people who who won't go to college, but doesn't look they don't have the opportunity to do that same learning. Absolutely, oh absolutely. Yeah, there are a lot of ways to get it. Makes a lot of sense, sure, Hillary Spiritos  56:11 and, and, and that's definitely true in general, but especially within the states. And I think this is the case worldwide. Education is often becoming inaccessible for a lot of people, and so you can absolutely engage this part of your life, in your job, in in volunteer work, out in your community, whatever it might be, absolutely it's just the question of the energy and the motivation and the intent that you bring. Michael Hingson  56:44 Yeah, what does leadership mean to you, and how do you work to help young people learn or start to learn, to lead authentically? Hillary Spiritos  56:54 So leadership, to me, is not a title. It's a behavior. It's a sense of self. So it's vision, it's integrity, it's It's empathy, it's courage, communication, authenticity, resourcefulness, all of these things, resilience, to tolerate discomfort and risk taking and so knowing yourself is crucial. What are your strengths? What do you enjoy? What do you value? What are your goals? How do you want to spend your time? What do you stand for? What impact do you want to have? And so we want to practice empathy and active listening to for ourselves and other people. So that means, again, like stopping the critical voice, not judging yourself, asking yourself if this is really what you want, really checking in with yourself and getting to know yourself. We want to build resilience and self reliance and self trust. So again, practicing obstacles is opportunity and for growth and learning how to emotionally regulate yourself and embrace risk taking and the unknown. And we want to cultivate our communication skills, so cultivating our own voice and understanding our own narrative again, as we spoke about and learn to have difficult conversations and not being afraid of somebody else's response and being okay with how they respond, and not taking it as a as like something about yourself criticism, right? As a criticism, exactly, and so, and then be just being a lifelong learner, right? So it's about life is, God willing, hopefully long, and you will pivot, and you will grow and change and embrace that opportunity, and don't be afraid of the fact that things might change. And this is, again, learning to listen to your inner voice, yeah, Michael Hingson  58:55 well, and I think that that's really, of course, once again, probably goes out saying that's what it's really all about. Well, how about I think some people say Gen Z isn't really prepared for the real world. What do you think about that? Yeah, I'm still trying to decide what the real world is. But anyway, Hillary Spiritos  59:16 right? So there, there are some assumptions made in that question, right about what the real world is, and and I also, but I want to focus on what the word I'm prepared really, yeah, because perhaps Gen Z is, quote, unquote unprepared in the way that traditional markers might understand. But millennials and Gen Z really grew up in a different world that is shaped by technology and mental health awareness and global crisis crises and social media. That doesn't mean they're unprepared, it just means they're prepared differently, and so in many ways, actually, Gen Z is more equipped to understand the complexity. The modern world. They're digitally fluent. They're able to understand mental health and diversity and inclusion. They question outdated systems that are broken and that are not working for the world and people in the world. And so what gives me hope is that people are not accepting that this is how it's always been been done, mentality, their purpose and mission driven. They're extremely adaptable. Have great emotional awareness, and they're willing to speak out and challenge norms. And so I truly believe that young people are the stewards of our planet, and the more that they live with curiosity and passion and compassion and empathy, the more that they can contribute to healing and transforming the world around them. So instead of like labeling them as unprepared, we should recognize that the world that they're stepping into and the world that we've created is unlike anything we've ever seen before, and we're trying to, like, build the plane as we're flying it. So it's really important to to not belittle them, and not talk down to young people as it seems like a lot of people do, and recognize that actually, young adults have a lot to teach the people who are in these systems that actually, seemingly aren't working anymore well. Michael Hingson  1:01:23 And the reality is, of course, who is really the unprepared? And it's it's also true that so many people have not learned to navigate the world that we've been creating and that we continue to create, and maybe they're the ones that really need to learn how to become more prepared by becoming more involved in some of these things that young people are learning to do automatically or on their own? Hillary Spiritos  1:01:50 Absolutely, absolutely. Michael Hingson  1:01:53 Yeah, well, in reality, to go back to an old joke, we'll know if people are really prepared if they can work VCRs, right? Okay, remember that nobody could work a VCR. They were always so complicated. And now, of course, we don't even know what VCRs are today. But I mean, the Hillary Spiritos  1:02:14 young people that I talked to don't know what VCRs are. You know what that's you know, the world keeps moving there. Michael Hingson  1:02:24 Yeah, yeah. It's amazing. It dawned on me a couple of years ago as a as a public speaker, that I'm now speaking in a world where we have a whole generation that has grown up without any memory of September 11, and it's an amazing thing to think about, but it has helped me learn how to tell my story better, so that I can, as I like to say it, bring people into the building and have them go down the stairs with me, Have them deal with everything that I dealt with, and be able to come out the other side better for the experience. And I think that's extremely important to be able to do, because so many people don't have a memory of it. And even for the adults who who do for most people, the World Trade Center experience is only as big as their newspaper photographs or their television screens anyway. Hillary Spiritos  1:03:25 Yeah, I think it is really important to recognize what everybody's actual lived reality is and what everybody's understanding of the world is, and so talking to young people who perhaps are not who did not live through September 11, or who did not live through or perhaps didn't, was weren't able to vote or didn't weren't, like, engaged in the Obama era of like, hope and engagement in politics in that way, or Millennials who were younger in the September 11, like it really, it's meeting people where they are, yep, and recognizing that that is their understanding of what America is, what the world looks like, what how they want to how they want to engage, what work looks like, what their view of their Future is, yeah, and recognizing all that's different. Speaker 1  1:04:21 I agree. Well, this has been absolutely wonderful, and I'm glad Hillary we had a chance to do this, and I want to thank you for being here and giving us a lot of great insights. And I hope that people will take some of this to heart, if people want to reach out to you, maybe to use some of your skills as a coach and so on, how do they do that? Yeah, Hillary Spiritos  1:04:41 absolutely. So my website is bat out of hell.net, Michael Hingson  1:04:47 and my Tiktok out of O, U T, T, A, yes, just want to make sure we spell it so, Hillary Spiritos  1:04:55 yes, B, A, T, o, u T, T, A, H, E, l, l.net, And then my Tiktok and Instagram are B, A, T, dot, O, U, T, T, A, underscore, hell. And if you would like to start working with me, I am absolutely taking on new clients, or we can schedule a consultation call so you can get to know me and the way I work and see if it's the right fit. So I would love to hear from you. Absolutely, we're we'll get through this together. Michael Hingson  1:05:24 Do you coach people all over the world? Hillary Spiritos  1:05:25 I do. I coach people all over the world. I coach individually, one on one coaching. I have group coaching, and I and I do workshops and seminars, so we can be in touch in various different ways. But yeah, I love, I love coaching. Michael Hingson  1:05:42 Well, super well. Thank you again. And I want to thank all of you for being here, and I hope that this has been useful and that you've learned something from it, and I hope that you'll reach out to Hillary, because she's got a lot to offer. I'd love to hear from you. I'd love to hear what you think of today's episode. So please feel free to email me. Michael M, I, C, H, A, E, L, H, I, at accessibe, A, C, C, E, S, S, i, b, e.com, we'd love it if wherever you're listening or watching the podcast today, if you'll give us a five star rating, we value that your ratings very highly. Love your thoughts and your input, so please give it. We really appreciate you doing it, and for all of you and Hillary, including you, if you know anyone else who you think ought to be a guest on unstoppable mindset, we're always looking for more people who want to come on and tell their stories to help us all see why we can be and should be more unstoppable than we think we are. So please provide introductions, always looking for more people to chat with. But again, Hillary, I just want to th

James Kaplan, co-author with Jerry Lewis of "Dean & Me: A Love Story." The book explores the relationship between Jerry Lewis and Dean Martin- a professional partnership and friendship that eventually fractured.

We discuss the work of South Korean superstar Shim Hyung-rae and the movies he made, which are filled with special effects, aliens, monsters and a performance he probably could not do today. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

Today's Mystery: Dorothy Kilgaren is called in to investigate the killing-by-hatchet of a woman; police suspect her seventeen-year-old daughter.Original Radio Broadcast: October 15, 1947Originating from New YorkStarring: Janet Fox as Dorothy Kilgaren; Burt Brazier; Francis De Sales; Jerry Lewis; Mitzi Gould; Eleanor AudleySupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Doc, patreon supporter since February 2016.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter@radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

GGACP celebrates the birthday (November 19th) of 4-time guest and friend of the podcast, the legendary Dick Cavett, by presenting this ENCORE of a fascinating interview from 2019. In this episode, Dick shares delightful (and hilarious) anecdotes about Jack Benny, Stan Laurel, Truman Capote and Walter Winchell (among others) and looks back on  memorable sit-downs with Orson Welles, John Lennon, George Harrison and Laurence Olivier. Also in this episode: Peter Lorre fails the audition, Lily Tomlin storms off the set, Bob Hope comes to Lincoln, Nebraska and Jack Paar sabotages “Fat Jack” Leonard. PLUS: Oskar Homolka! “Chuckles Bites the Dust”! The return of Richard Loo! Johnny Carson disses Jerry Lewis! And Dick introduces “An Evening with Groucho”! Learn more about your ad choices. Visit megaphone.fm/adchoices

In connection with this week's "Fun for All Ages" conversation about "The Day the Clown Cried," GGACP revisits this 2015 interview with illusionist, filmmaker and comedian Penn Jillette. In this episode, Penn opines on a host of offbeat topics ranging from Jerry Lewis' ill-fated pet project to strippers' tricks of the trade, the comedy of Dennis Miller, the cinema of the Three Stooges and failed attempts to summon the spirit of Bela Lugosi. Also: Penn debunks “cold readings,” exposes phone scams, disses Richie Havens and compares Jerry Lewis to Lou Reed. PLUS: The Amazing Kreskin! Penn auditions for “Ishtar”! And Gilbert annoys Harrison Ford!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark and Kenny celebrate the end of Season Seven with a wide-ranging conversation about the Rebel Heart Tour - and it's Heart Rebel companion, Tears of a Clown. Topics include Q-Tips, thumb ailments, the comment flurry, Saturday Night Online, bathrooms, Grimes, ART, Billions, Bar Six, diehard fan finances, Kyle Richards, Kevin Antunes, Semtex Films, Michael Jackson, cages, union rope pullers, distancing vocals, Shogun, the Monte mullet, postulants and prophets, the power of red, leather caps and chiseled abs, pretzels, ukuleles, reuniting with Sean Penn, One Battle After Another, John Mulaney, the delight (and danger) in revisiting the hits, spiral staircases and subway escalators, casseroles, Cirque du Soleil and ABBA, cape nods, cafeteria politics, the MEDLEY, boxing in Detroit, David Bowie, Let's Dance, Labyrinth, Mick Jagger, Annie Lennox, detours, Paris, clowns, cast albums, Jerry Lewis, Grace Jones, deep cuts, cosmopolitans, Charlie Chaplin, thinking about Mirwais, raising money in Miami, covering Britney Spears, disrespectful fans, sandwiches, Valencia Gamble, flappers and scene work, slides, Edith Piaf, suffeRING, special guest bitches, flags, a special visit to Minneapolis, and how Madonna uses her speech at the Billboard Women in Music awards to begin to define her future. PLUS – the grading system returns, Kenny has a brand-new podcast idea, Mark brings back the Tribal Talking Stick, and Madonna takes to the streets with her guitar. “Joan of Arc said I could do it ALL!” Special Thank You to Simon Delaney for his Tears of a Clown memories. Dedicated to the memory of the brilliant and life-changing David Bowie.Rebel Heart Tour video directed by Semtex Films (2016)Rebel Heart Tour video directed by Billy “BigasBilly” Riegelmann

GGACP squeezes a few extra scares out of spooky season with this ENCORE of a 2016 interview with the “King of Splatter,” makeup effects wizard Tom Savini. In this episode, Tom reveals the secret of onscreen suspense, shares his admiration for legendary makeup artists Dick Smith and Jack Pierce and explains how “Midnight Cowboy” changed his life. Also, Tom praises George Clooney, defends Jerry Lewis, laughs it up with Tony Curtis and shakes hands with the Three Stooges. PLUS: Joe Spinell! “Dr. Terror's House of Horrors”! Christoper Lee makes an entrance! Tyrone Power battles Basil Rathbone! And the Cary Grant movie that brings Tom to tears! Learn more about your ad choices. Visit megaphone.fm/adchoices

You might think that revisit of CREEPSHOW is crawling to a halt, but actually, it's just getting (re)started!! That's right, for our final episode covering the “They're Creeping Up On You!” segment, we invited our dear friend and Returning Champion, Wynter Mitchell, on the show to help us squash all of our creepy and crawly concerns!! We discuss cockroach farming techniques, explore why the Jerry Lewis telethon was such required viewing, pitch MTV's Joe's Apartment as a Broadway show, and evaluate E.G. Marshall's pajama game. All this, plus we bug out on Choose Your Own Deathventure and end up deciding what body parts we'd collect in jars. Yep. That's the kind of episode this is, people. Talking about Creepshow for five weeks in a row has truly broken our brains for the funnier. Join us, won't you?   Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Comvo here! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Join Buzz Knight with Author, Comedian, Director and Dentist Jeffrey Gurian as he takes a walk through his Comedy Museum in New York City. Great stories about the most influential folks in comedy and entertainment from a man who at the age of 12, wanted to be both a dentist and a comedy writer. Early in his career, Gurian wrote jokes performed by comedians including Jerry Lewis, Richard Belzer, Robin Williams and Milton Berle, leading him to work with a host of others including Rodney Dangerfield and Joan Rivers. It has been said that "you can't be in comedy if you don't know Jeffrey" and the conversation with him in this episode proves it. Jeffrey is a healer who has written about comedy and the power of laughter as a healing force. Check out his work here. https://www.amazon.com/Books-Jeffrey-Gurian/s?rh=n%3A283155%2Cp_27%3AJeffrey%2BGurian Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join Buzz Knight with Author, Comedian, Director and Dentist Jeffrey Gurian as he takes a walk through his Comedy Museum in New York City. Great stories about the most influential folks in comedy and entertainment from a man who at the age of 12, wanted to be both a dentist and a comedy writer. Early in his career, Gurian wrote jokes performed by comedians including Jerry Lewis, Richard Belzer, Robin Williams and Milton Berle, leading him to work with a host of others including Rodney Dangerfield and Joan Rivers. It has been said that "you can't be in comedy if you don't know Jeffrey" and the conversation with him in this episode proves it. Jeffrey is a healer who has written about comedy and the power of laughter as a healing force. Check out his work here. https://www.amazon.com/Books-Jeffrey-Gurian/s?rh=n%3A283155%2Cp_27%3AJeffrey%2BGurian Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

  Nick Santa Maria   Nick Santa Maria is an accomplished actor, comedian, writer, and musician known for his extensive work in both theater and television. He began his career in comedy before shifting his focus to stage acting, appearing in numerous musicals and revues.   Nick and I talk old Hollywood and Getting Old in Hollywood. The trials and pitfalls of age-ism in a world where "everything is in the front window". Being born at the wrong time, in the wrong decade, oh yes, The MadDawg knows that one OH SO WELL. We'll talk about that and more on What's The Buzz Popcast!   https://www.nicksantamaria.com/   Early career and television Stand-up and improv: After moving from Long Island to Los Angeles, Santa Maria performed stand-up comedy and comedy improv, which led to his early television roles. Early TV roles: His first TV appearance was on the Buffalo Bill Show, where he played a young Jerry Lewis, a role that leveraged his well-known impression of the comedian. Film work: His film credits include a role in Mel Brooks' The Producers (2005).  Stage career and notable roles From TV to stage: A former improv teacher recommended Santa Maria for a role in the national tour of Grease!, starting his prolific career in theater. Broadway and Off-Broadway: He has been featured in Broadway productions like Grease! and Off-Broadway revues, including Secrets Every Smart Traveler Should Know. Musical theater performances: He has taken on several high-profile stage roles, such as Pseudolus in A Funny Thing Happened on the Way to the Forum, Max in The Producers, Vince Fontaine in Grease!, and the Genie in Disney's Aladdin, A Musical Spectacular. Historical roles: Santa Maria was cast as John Hancock in a production of 1776, showcasing his ability to portray historical figures.  Writing and composing Children's television: In addition to his acting, Santa Maria has worked as a writer and composer for children's television. Theater revues: He has also written and composed various revues for the stage.  Additional interests Film history: Beyond his performing and writing, Santa Maria is also a film historian. Impressions: He is known for his skill with impressions, including Jerry Lewis and Shemp Howard.   

Nick Santa Maria   Nick Santa Maria is an accomplished actor, comedian, writer, and musician known for his extensive work in both theater and television. He began his career in comedy before shifting his focus to stage acting, appearing in numerous musicals and revues.   Nick and I talk old Hollywood and Getting Old in Hollywood. The trials and pitfalls of age-ism in a world where "everything is in the front window". Being born at the wrong time, in the wrong decade, oh yes, The MadDawg knows that one OH SO WELL. We'll talk about that and more on What's The Buzz Popcast! Nick Santa Maria IMDB  https://www.imdb.com/name/nm0763142/ Nick Santa Maria Website https://www.nicksantamaria.com/   Early career and television Stand-up and improv: After moving from Long Island to Los Angeles, Santa Maria performed stand-up comedy and comedy improv, which led to his early television roles. Early TV roles: His first TV appearance was on the Buffalo Bill Show, where he played a young Jerry Lewis, a role that leveraged his well-known impression of the comedian. Film work: His film credits include a role in Mel Brooks' The Producers (2005).  Stage career and notable roles From TV to stage: A former improv teacher recommended Santa Maria for a role in the national tour of Grease!, starting his prolific career in theater. Broadway and Off-Broadway: He has been featured in Broadway productions like Grease! and Off-Broadway revues, including Secrets Every Smart Traveler Should Know. Musical theater performances: He has taken on several high-profile stage roles, such as Pseudolus in A Funny Thing Happened on the Way to the Forum, Max in The Producers, Vince Fontaine in Grease!, and the Genie in Disney's Aladdin, A Musical Spectacular. Historical roles: Santa Maria was cast as John Hancock in a production of 1776, showcasing his ability to portray historical figures.  Writing and composing Children's television: In addition to his acting, Santa Maria has worked as a writer and composer for children's television. Theater revues: He has also written and composed various revues for the stage.  Additional interests Film history: Beyond his performing and writing, Santa Maria is also a film historian. Impressions: He is known for his skill with impressions, including Jerry Lewis and Shemp Howard.       

Prepárate para un viaje al humor más desmadrado del Hollywood clásico, porque hoy rendimos homenaje al rey del disparate: Jerry Lewis, el hombre que convirtió cada caída en ciencia y cada gesto en pura comedia. Junto a David, Miguel Angel y Asier, repasamos tres de sus joyas más desternillantes: “El Ceniciento”, donde el pobre Jerry demuestra que la elegancia también puede ser un accidente; “El Profesor Chiflado”, la mezcla más loca de genio y desastre desde Frankenstein; y “Lío en los grandes almacenes”, una sinfonía de caos, escaleras y carcajadas que haría temblar al mismísimo Chaplin. ️ En este episodio de La Guarida, abrimos las puertas al humor físico, al absurdo con clase y al legado de un cómico que convirtió el descontrol en arte. Porque si el mundo es un circo, Jerry Lewis fue su maestro de ceremonias.

Are you ever going to text me?This episode contains surprisingly dramatic moments (not really).Jason, Jim, and Joseph list some of the best dramatic performances by actors known more for their comedic chops.Jason poses the philosophical question of whether a comedy can be so unfunny that it can be considered a drama.Jim brings back one of his favorite impressions, even though it's as dead as crabmeat.Joseph provides more misinformation about Oscar-winning performances.Have the guys discovered how similar the older Jerry Lewis, Clive Davis, and Robert Evans spoke?Sadly, what is a one-hour photo? 

Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids.Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula.https://amzn.to/4okPHoVBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Send us a textA perfect storm of lousy news sees out-of-work podcaster Johnny Wolfenstein spiral into a bender, during which he claims to have been abducted by aliens, and fearing their return, he contacts his old friend MonsterZero to help him gear up for a black light alien fight! On Episode 689 of Trick or Treat Radio we discuss the neon-drenched, drug-fueled alien nightmare Jimmy and Stiggs from director Joe Begos! We also debate whether Waterworld is as bad as everyone remembers, watch the new trailer for the 4K remaster of the cult classic film, Freaked, and ponder if Eli Roth is a better ambassador for horror than he is a filmmaker. So grab your drug of choice, gas up the chainsaw, and strap on for the world's most dangerous podcast!Stuff we talk about: Vinyl, horror soundtracks, Trust Kill Records, Saw VI, Halloween 3, Type O Negative, Mushroomhead, Nightmare on Elm St 4: Dream Master, Bela Lugosi, dimestore Jerry Lewis, Mr. Sardonicus, Children of the Corn, Universal Horror, Toxic Avenger IV: Citizen Toxie, Skull and Bones, Hillside Strangler, My Soul To Take, I Spit On Your Grave, Slice and Dice, Navy Seals vs. Zombies, Soul to Keep, Freaky, Wes Craven, Bella Thorn, Nick Cannon, Terminator 3: Rise of the Machines, Prom Night 3, Michael Dudikoff, Alien, Sigourney Weaver, Ghostbusters, Copycat, The Village, Cabin in the Woods, R.L. Stine, Goosebumps, The Black Lagoon, Andromeda Strain, Ray Strickland, The Return of Dracula, The Night Watch, Night of the Bloody Apes, Santo vs The Evil Brain, Patrick Dempsey, Loverboy, Can't Buy Me Love, Sixteen Candles, 3:00 High, Courtney Gains, Witchboard, Freaked 4K Remaster, Tom Stern, Alex Winter, Brooke Shields, Mr. T, Joey Lawrence, William Sadler, Randy Quaid, Bobcat Goldthwaite, Predator: Badlands, Dan Trachtenberg, Elle Fanning, Waterworld, Kevin Costner, Come and See, Invasion of the Body Snatchers, Leonard Nimoy, Jeff Goldblum, Karen Allen, Vibes, Transylvania 6-5000, Satantango, 2001: A Space Odyssey, alien mayhem, Jimmy and Stiggs, Joe Begos, Matt Mercer, Stephen Scarlata, Bride of the Monster, Cannibal Holocaust, Kay Parker, Eli Roth, The Horror Section, Hostel 2, Thanksgiving, championing the Italians, Dream Eater, The Piano Killer, Don't Go In That House Bitch, Traumatika, and what a wonderful Waterworld.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

For our second and final Columbo for the immediate future, we're diving into Fade in to Murder, and there we find an especially hammy William Shatner matching wits with our favorite TV detective while playing a famous TV detective himself. Layers!   CHAPTERS: (00:00:00) - The Nextlander Watchcast Episode 152: Columbo: Fade in to Murder (00:00:17) - Intro. (00:02:31) - Our second and final Columbo for this month: William Shatner in Fade in to Murder! (00:07:25) - A little bit about the folks who made this one. (00:09:24) - Let's get into the set-up for this week's murder. (00:15:31) - This is quite the murder concept. (00:25:50) - Showdown at the deli. (00:32:22) - Break! (00:32:42) - We're back, and hey! That's a Chekov! Also, a brief diatribe about why the '70s are Like This. (00:37:07) - Columbo does his best Jerry Lewis routine, and Fowler lays it on thick. (00:50:47) - Sid shows up, and Mark's watch gives the game away. (00:54:03) - The Universal tour makes an appearance. (00:57:52) - It's the Shatner and Falk show from here on out. (01:04:55) - Pinning it on Sid, and Columbo plays dress-up. (01:13:36) - Sid wasn't playing chess. (01:17:27) - The video tape reveal (and some great screwing around). (01:21:07) - Are we talking to Fowler or Lucerne? (01:25:27) - Just one more thing... (01:31:02) - Final thoughts. (01:36:33) - What's coming up on the Watchcast for October. Or most of it, anyway. (01:43:42) - Outro.

When the world's most obvious Han Solo knockoff shows up on the Enterprise there's sure to be some WACKY HIJINKS - but can even that flimsy premise save us from Joe Piscopo's Jerry Lewis impression? What an episode, man... This is the 2nd episode of Vala "Preg Me Up Alien Zaddy!" Collection as chosen by and voted on by our patrons! You can join in and tell us what to watch by becoming a patron today! SUPPORT US ON PATREON WITH YOUR LATINUM! - www.patreon.com/mclasspodcast Need info about the show? Find it at www.mclasspodcast.com Follow us on BlueSky: @MClassPodcast.bsky.social And/or follow our personal accounts: jeffpennington.bsky.social joshhenderson.bsky.social Opening Theme by VidaZen Editing by Josh Henderson Art by Jeff Pennington

Oh no.I hated it.Follow Lisa online!Website: ⁠⁠⁠http://www.mybookishagenda.comYouTube: https://www.youtube.com/@mybookishagendaInstagram: ⁠⁠⁠https://www.instagram.com/mybookishagendaEvery Version Ever - Episode 203For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠

Randy West is a a longtime TV announcer for: The Price is Right, Deal or No Deal, Supermarket Sweep … his new book is called:"TV Inside-Out - Flukes, Flakes, Feuds and Felonies: The backstage blunders, bloopers and blasphemy of celebrities in search of success"Randy Talks:-How he met longtime Price is Right announcer Johnny Olson when he 14 years old-The stories he writes about: Jerry Lewis puts a hit out on Joan Rivers life; Desi Arnaz has a mafia hit put out on him -Wink Martindale wouldn't go out of his house without fixing his hair-The new documentary on the Price is Right "Holly Hallstrom was one of the girls involved in a lawsuit and she got a $3 million dollar settlement without an NDA...and she will be talking along with several of the other models"-

This week Ken welcomes legendary warm up comic, and author of the essential memoir "Warm Up Guy", Bob Perlow to the show. Ken and Bob discuss the side of Rhode Island, Night of the Comet, Gary Marshall, being conscripted into warming up the audience, Newhart, falling into writing on Laveren and Shirley, discovering audiences want T-shirts, the power of sound queues, America's Host, the sequestered audience of a sitcom taping, how Friends tapings could take up to 8 hours, Dream On, the three hour limit, trying to keep the energy up, Full House, the unique weirdness of multi-cam sitcoms, being one of the elite few warm up comics, the 1978 -2008 sweet spot, Cheers, Night Court, Taxi, writing for Who's the Boss, Danny Arnold, being an extra on Barney Miller, torturing Jerry Lewis, Jimmy Stewart, Kirk Douglas, Ernest Borgnine, Vanity Plates, the horror of being famous and poor, seeing a former star now bartending, shows filmed outside during COVID, Oh! Madeline, the best sitcoms and the worst, The Single Guy, the classic mistake of not coming out and saying hello to the audience, how great Bob Newart is, the power of Robin Williams, how Tony Danza was absolutely the boss, photo mats, prank shows, getting hired as a writer having never written anything, being a tour guide, Angie, offering your services for free to get established, Robert Hayes, Makin' It, LA traffic, warming up the Tonight Show, Jay Leno, doubling up on gigs despite traffic, having a video to play if you're running late, Harry Anderson, getting fired from Home Improvement because Tim Allen is insecure, warming up a Michael Jackson video, warming up Susan Powter videos, 9 to 5, Major Dad, when actors take the part too seriously because they are wearing a uniform, Candid Camera, wanting to see some people get their competence, Grace Under Fire, Brett Butler, Cybill, getting photos with celebrities, aspirations to be on screen, how performers are not shy, Andy Kauffman on the set of Taxi, Annette Funicello, Growing Pains, Let Bob Do It, treating your audience with respect, Coach, Bob Saget, why you DO want to meet your heroes, why it's best to stay in a warm up gig for the long haul, being so you nobody can steal it, keeping souvenirs, giving away swag, keeping the diner sign from the Laverne and Shirley episode you wrote, running into people on the studio lot, Roseanne's late night show, how hard it is to make a living, being in Robin Williams improv group, The Larry Sanders Show, and getting out at the right time.  

Discover the way ahead at Indiana Wesleyan University. Learn more here. Is it possible to delay social media for your teen, even your teen girl? My daughter Lucy and I are asking another mom/daughter duo about this. Today's guests are comedian Kerri Pomarolli and her daughter Lucy. Two moms, two Lucys with no social media. It's going to be a fun ride. This month, we're kicking out harmful tech. On today's show, you'll learn:  3:28 The option that not many parents are aware of when raising their kids 8:52 From a teen's perspective: The difference between life with or without social media 11:45 Won't my child feel left out without social media? 17:55 How time looks different with a phone in hand  21:40 How to help our girls not to have the “celebrity mentality” Kerri Pomarolli grew up performing at a young age. Her first comedy gig was at the world-famous Hollywood Improv. Although she performed in front of a very secular crowd, she was the only performer asked to return.  Kerri is a nationally headlining stand up comedian who has worked with everyone from Jay Leno, Jerry Lewis, and Candace Cameron Bure. She's been on the Tonight Show 29 times, and she's also an author (Mom's Night Out) and screenwriter (Hallmark Channel).  Learn more about Kerri Pomarolli at her website https://www.kerripom.com/ Need more reasons to put the pause on social media?  Read Arlene's book Screen Kids or get the video course https://www.happyhomeuniversity.com/books https://www.happyhomeuniversity.com/course How did Arlene's kids adapt to not having phones, video games or social media? Watch the free video, Screen Kids: In Their Own Words. https://www.happyhomeuniversity.com/film Distracted on dates with your spouse? Get free date night ideas whether you have 15 minutes or one hour, small group questions for Making Marriage Easier and more Have a question for Arlene to address on the podcast?  Please email Arlene your questions and the topics you want covered on the show!  Email speaking @ arlenepellicane.com

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including access to our CUJOPLEX Discord and our eternal parasocial friendship — we recommend signing up for a paid subscription.Paid subscribers also get access to The Weather Report, a new monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. In the latest installment, cyberethnographer Ruby Justice Thelot joins us to wax philosophical about the Labubu craze, matcha and “performative male” discourse, and why politicians are lifting weights in public. To whet your appetite, we're lifting the paywall on the episode for the next 48 hours. It's easy to get the impression these days that the traditional media industry is abandoning cultural criticism. Over the past few months, outlets like The New York Times, The Washington Post, and The Chicago Tribune have been reassigning or letting go of veteran film, music, and theater critics, leaving some to debate what impact, if any, written criticism still has on the culture at large. Bucking this trend (and pretty much all mainstream media logic) is The Metrograph, a new biannual print magazine about cinema from the eponymous repertory theater in New York City's Chinatown. It's long, proudly niche, intentionally disconnected from the news cycle, and available only in print—with the goal of offering deep film fans an experience they won't be able to find online, while inviting a new generation of people into the culture. The recently released second issue includes a 42-page dive into Paul Morrissey's archives, author Gary Indiana's favorite films (RIP), a history of the Japanese pink film, a “cinemap” of Belgrade, and a comic about Jerry Lewis's infamous lost film The Day the Clown Cried. The cover, which we've cropped for this episode's artwork, features a painting by artist Louise Giovanelli inspired by Christina Ricci's character in Buffalo '66.Senior editor Annabel Brady-Brown (formerly of Australia's Fireflies Press) and editor-at-large Nick Pinkerton (film critic, screenwriter of The Sweet East, creator of the Substack Employee Picks, and a former coworker of Emilie's at Kim's Video) join us to discuss the past, present, and future of independent film criticism—and what it means to make a magazine for cinephiles in 2025. We also discuss why younger people in NYC seem to be gravitating back to the movies these days, and how the hyper-IRL, videostore-centric independent film culture of 20 years ago is a good template for what that might look like in the 2020s. Finally, we shout out some of the directors, movies, and micro publications that are making right now such an exciting time for cinema in NYC — and the repertory theaters and video stores we love around the world that are keeping the old Kim's Video spirit alive.Issue 2 of The Metrograph is out now. Buy it here, or at an independent book or magazine store near you.Read more by our guests:”Less rock, more talk: On Paul Morrissey, Pier Paolo Pasolini, Ezra Pound, ‘political' art, and 1988's ‘Spike of Bensonhurst'” by Nick Pinkerton (Employee Picks) “Sunshine, lollipops and rainbows: On the subversive pleasures of Agnès Varda‘s Le Bonheur” by Annabel Brady-Brown (The Metrograph) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Can you imagine a time when Democrats and Republicans in Congress not only voted the same way — but said the same thing? It actually did happen — right after the terror attacks of 9/11 "Today, we join together not as Democrats nor Republicans, but Mr. Speaker, as proud Americans prepared to defend freedom as our forebears did before us." That was House Democratic Minority Whip David Bonior — September 14th, 2001 ... and from that same day, here's Congressman Jerry Lewis — a Republican: There is no party. My colleague, Jack Murtha and I working on this Committee on Appropriations Subcommittee on Defense, know the importance of national strength. But when our people come together, there is no Democrat, there is no Republican. We are the American people. What was the specific legislation Congress was considering that inspired such bipartisan rhetoric? Who else — in both the House and the Senate — used that identicial rhetorical construct - "We are not Democrats or Republicans. We are Americans." And what did Democrats in Congress say about Republican President George W. Bush that day in Congress — three days after the terror attacks. Find out in the special 9/11 anniversary episode of C-SPAN's podcast "The Weekly." Learn more about your ad choices. Visit megaphone.fm/adchoices

STgenetics® STyle Genetics™ sire, JERRY LEWIS, has been siring class winners all summer, and as we get closer to the Fall show season, we have one of JERRY LEWIS' breeders, Tom Cull of Budjon Farms, join us on this STtalks to share the story behind this outstanding bull! From how his dam, JM Valley Sidekick Lady-ET EX-95, was acquired to what the family is producing at Budjon Farms, Tom gives us a new insight into this exciting STyle™ Sire!00:00 Introduction and Welcome00:30 Tom Cull's Background and Farm Overview01:16 Passion for the Holstein Breed02:45 The Story of JERRY LEWIS05:03 Lady's Impressive Production07:30 JERRY LEWIS' Progeny and Traits10:30 Preparing for World Dairy Expo11:50 Conclusion and Farewell

TV INSIDE-OUT is a feast for readers who thrive on backstage stories. It is a smorgasbord of showbiz flukes, flakes, feuds and felonies. A thirty-year industry veteran, television announcer and actor, Randy West, has broken the silence surrounding dozens of surprising-sometimes shocking- mostly-untold stories of celebrity dysfunction.This BearmanorMedia release exposes outrageous celebrity misbehavior, toxic dysfunctional relationships, senseless executive blunders and million dollar production foul-ups, while sparking a myriad of stunning revelations garnered from candid on-set conversations in Hollywood studios and soundstages.How and why a violently angry Jerry Lewis threatened Joan Rivers' life. How Johnny Carson's unyielding racism broke up his family. What happened the night Jay Leno was arrested by the LAPD on Hollywood Boulevard. The chart-topping pop-rock and roll act that suddenly had eight contracted appearances on CBS cancelled following a backstage argument. ―So many people in this industry go to extremes in the pursuit of success. Too often they jump the rails, Some who gain fame and amass wealth still find themselves unfulfilled. Their lives become joyless. They then come to the realization that success must be something more. It helps explain why the beloved captain of The Love Boat was ready to drive off a cliff along Mulholland Drive, and why Danny Thomas' co-star ran from her gig as his wife despite back-to-back Emmy nominations.West asserts that ―the ultimate 'a-ha moment' comes with the understanding that success is a destination most people haven't bothered to define. Few have mapped a route, and even fewer have the autonomy needed to steer their careers to that goal.‖ It's why Redd Foxx's top-rated reign as Fred Sanford ended in a fruitless search for respect and recognition through outrageous demands, and acting out with guns, drugs and sexual inappropriateness. Those who don't self-destruct along the way finally come to understand that the true joy, serenity and sense of mastery we all seek can be found more in the pursuit than in the destination. That observation is borne out in the stories of the private lives of some of Hollywood's favorite citizens-the respected pros who are loved by studio bean counters because viewers have welcomed them into living rooms year after year. Their lesser-told stories dramatically reveal triumphs and proud achievements that were realized amid the insufferable egotists, the gun-toting hotheads, the drinkers, druggers and the convicted felons they call friends.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Since we just had the Labor day weekend, we thouth we would go back in time and visit about the incredible Jerry Lewis Labor day MDA telethon we grew up watcging!

Jamie “interviews” comedian, Jerry Lewis (2020). Michael interviews Christel Khalil and it all goes wrong (2006). Jamie the Tattoo Guy tries to remember the names of the characters on the The Walking Dead (2016). Get more show at MZNOW

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GGACP celebrates September's National Piano Month with this ENCORE of a 2019 interview with Emmy-winning writer and Tony-winning composer David Yazbek (“The Full Monty,” “Dirty Rotten Scoundrels,” “The Band's Visit”). In this episode, David joins the boys for a funny conversation about the golden age of kiddie show hosts, the comedy albums of Spike Jones and Allan Sherman, the long-lost era of Top 40 radio and the trials (and triumphs) of composing music for the Broadway stage. Also, Jerry Lewis goes to therapy, Larry David whistles a happy tune, Gilbert remembers Kathleen Freeman and David weighs in on the “Baby, it's Cold Outside” controversy. PLUS: “The Sammy Maudlin Show”! “Richard Kind Theater”! Moe Howard meets Officer Joe Bolton! And David critiques Gilbert's “musical” abilities! Learn more about your ad choices. Visit megaphone.fm/adchoices

WGN Radio's Dave Plier and Dave Schwan talk about the history of the American labor movement as well as the legacy of comedian Jerry Lewis and what was an annual tradition on Labor Day weekend, the MDA telethon.

Joe HIllA songwriter, itinerant laborer, and union organizer, Joe Hill became famous around the world after a Utah court convicted him of murder. Even before the international campaign to have his conviction reversed, however, Joe Hill was well known in hobo jungles, on picket lines and at workers' rallies as the author of popular labor songs and as an Industrial Workers of the World (IWW) agitator. Thanks in large part to his songs and to his stirring, well-publicized call to his fellow workers on the eve of his execution—"Don't waste time mourning, organize!"—Hill became, and he has remained, the best-known IWW martyr and labor folk hero.Born Joel Hägglund on Oct. 7, 1879, the future "troubadour of discontent" grew up the fourth of six surviving children in a devoutly religious Lutheran family in Gävle, Sweden, where his father, Olaf, worked as a railroad conductor. Both his parents enjoyed music and often led the family in song. As a young man, Hill composed songs about members of his family, attended concerts at the workers' association hall in Gävle and played piano in a local café.In 1887, Hill's father died from an occupational injury and the children were forced to quit school to support themselves. The 9-year-old Hill worked in a rope factory and later as a fireman on a steam-powered crane. Stricken with skin and joint tuberculosis in 1900, Hill moved to Stockholm in search of a cure and worked odd jobs while receiving radiation treatment and enduring a series of disfiguring operations on his face and neck. Two years later, Hill's mother, Margareta Katarina Hägglund, died after also undergoing a series of operations to cure a persistent back ailment. With her death, the six surviving Hägglund children sold the family home and ventured out on their own. Four of them settled elsewhere in Sweden, but the future Joe Hill and his younger brother, Paul, booked passage to the United States in 1902.Little is known of Hill's doings or whereabouts for the next 12 years. He reportedly worked at various odd jobs in New York before striking out for Chicago, where he worked in a machine shop, got fired and was blacklisted for trying to organize a union. The record finds him in Cleveland in 1905, in San Francisco during the April 1906 Great Earthquake and in San Pedro, Calif., in 1910. There he joined the IWW, served for several years as the secretary for the San Pedro local and wrote many of his most famous songs, including "The Preacher and the Slave" and "Casey Jones—A Union Scab." His songs, appearing in the IWW's "Little Red Song Book," addressed the experience of virtually every major IWW group, from immigrant factory workers to homeless migratory workers to railway shopcraft workers.In 1911, he was in Tijuana, Mexico, part of an army of several hundred wandering hoboes and radicals who sought to overthrow the Mexican dictatorship of Porfirio Diaz, seize Baja California, emancipate the working class and declare industrial freedom. (The invasion lasted six months before internal dissension and a large detachment of better-trained Mexican troops drove the last 100 rebels back across the border.) In 1912, Hill apparently was active in a "Free Speech" coalition of Wobblies, socialists, single taxers, suffragists and AFL members in San Diego that protested a police decision to close the downtown area to street meetings. He also put in an appearance at a railroad construction crew strike in British Columbia, writing several songs before returning to San Pedro, where he lent musical support to a strike of Italian dockworkers.The San Pedro dockworkers' strike led to Hill's first recorded encounter with the police, who arrested him in June 1913 and held him for 30 days on a charge of vagrancy because, he said later, he was "a little too active to suit the chief of the burg" during the strike.

Kids these days! Always finding medeival sea creatures and hypnotising their gym teachers and whatnot. Find out all about it right here in The Adventures of Jerry Lewis #99 and Sea Devils #34! Chapters (00:00:00) - Ready, Set, Go!(00:00:17) - The Adventures of Jerry Lewis(00:03:22) - How do you like a classroom full of dullards?(00:04:49) - Jerry Lewis on The Adventures of Jerry Lewis(00:07:50) - Uncle Hal the Gym Teacher(00:09:17) - The Letter From Master Renfrew Lewis(00:13:54) - Jerry Lewis At A Girls School(00:17:50) - The Secret Life of Little House in the Prairie(00:21:23) - Jan Brady on The Brady Bunch(00:24:42) - Jerry the Bullying Child(00:28:26) - Jerry in Industrial Arts Gags(00:32:18) - Jerry Lewis In The Hazing(00:36:18) - The Sea Devils vs The Sea Angels(00:40:12) - Sea Devils(00:43:45) - The Sea Devils(00:45:51) - Sea Devils(00:49:06) - What Counts as a Concert?(00:51:32) - How to Get Engaged in a Class(00:53:47) - Sea Devils Against a Monster(00:57:48) - Sea Devils Against a Sea Monster(01:01:37) - Freddie in My Fair Lady(01:04:19) - Sea Devils vs. Humans(01:09:11) - The Last Issue of Sea Devils(01:11:35) - Teen Titans: Kill The Sharks

Back on this day in 2017 actor and comedian Jerry Lewis died. He was known for his movies and nicknamed "The King of Comedy."

Today on another encore episode of Rarified Heir Podcast, we are talking to Noopy Rodriguez, daughter of comedian, actor and singer Rose Marie & musician Bobby Guy. Noopy (not her real name as we find out on this episode), let's us in on the lives of her larger than life parents. When your father is the first trumpet player with The Tonight Show band and your mother is a comedy icon for her role as Sally onThe Dick Van Dyke Show, there is a whole lot to dig into. Noopy was incredible generous with her time and her stories as many veered from nostalgic to downright difficult in talking about her father. But somehow through it all, we learned quite a bit about her parents and what it's like keeping a legacy alive as we dig into her efforts to bring us the CD Rose Marie Sings: The Complete Mercury Recordings & More which was from found recordings in her mother's possession for years. Along the way, we hear about her time on The Tomorrow Show with Ton Snyder, haunted cars, Rosalind Russell, Phil Silvers, Morey Amsterdam, Dean Martin, Jerry Lewis and a guy named Popcorn who you have never heard of, unless of course you were connected….if you know what I mean. We get into Broadway, film, television recording, what it was like being raised by a single mother and much more. It's incredibly familiar territory for host Josh Mills who connected with much of what was discussed. Take a listen to this episode of the Rarified Heir Podcast. Everyone has a story.

In connection with the recent "Fun for All Ages" podcast about the arch-villains of the Adam West "Batman" series, GGACP revisits this 2016 mini-episode, in which the boys pay tribute to the much-beloved 1966 camp classic. Also in this episode: The comic mind of Nat Hiken! Gilbert covers Johnny Fontaine! And the Caped Crusaders meet Jerry Lewis! Learn more about your ad choices. Visit megaphone.fm/adchoices

We take a look back at today's date in John, check in on Foodie Beauty and watch Jerry Lewis defend his charity. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Sisterhood of Sweat, we have Shawn Levy.Shawn Levy is an acclaimed author and journalist known for his biographies of cultural icons such as Paul Newman, Jerry Lewis, and Robert De Niro. With a career spanning decades, Levy is celebrated for his ability to peel back the layers of his subjects, offering captivating and well-researched accounts of their lives and careers. As he writes in the introduction to CLINT, “No Hollywood figure has so complexly represented the cultural and political climates of contemporary America as Clint Eastwood. At the age of ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions.   Get the book: https://www.amazon.com/Clint-Comprehensive-Biography-Hollywoods-Actor-Director/dp/0063251027   How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud "Proud Sponsors of the Sisterhood of S.W.E.A.T" Essential Formulas

The Cheat Sheet is The Murder Sheet's segment breaking down weekly news and updates in some of the murder cases we cover. In this episode, we'll talk about cases from Washington, California, Hawaii, and then another situation that sort of spilled out across generations through Florida, Brazil, Uruguay, and the cities of Kokomo and Richmond in Indiana.KOMO News's coverage of Ihsan Ali and Zahraa Ali, a married couple facing attempted murder charges, for attacking their daughter in an alleged attempted honor killing: https://komonews.com/news/local/trial-begins-for-lacey-parents-accused-in-attempted-honor-killing-of-teen-daughter-high-school-teenager-iraq-washington-seattle-court-investigation-viral-video-witness-lockdownCourt TV's coverage of Ihsan Ali and Zahraa Ali, a married couple facing attempted murder charges, for attacking their daughter in an alleged attempted honor killing: https://www.courttv.com/news/wa-v-ihsan-zahraa-ali-attempted-honor-killing-trial/The Los Angeles Times's coverage of the wrongful conviction of Alexander Torres: https://www.latimes.com/california/story/2025-07-15/he-was-wrongfully-convicted-of-murder-now-l-a-county-agreed-to-settle-for-14-millionThe Honolulu Civil Beat's report on Maui County Prosecutor Andrew Martin's efforts to prosecute strangulation cases: https://www.civilbeat.org/2025/07/this-common-precursor-to-murder-is-too-rarely-prosecuted-on-maui/Our episode that we referenced, featuring Megan, the daughter of Leslie Hope Houston: https://art19.com/shows/murder-sheet/episodes/26c3b73e-18ad-46a3-a604-3de2a00eead3An article from the Miami New Times that gets into the saga of the Mitriones: https://www.miaminewtimes.com/news/forever-missing-part-2-6339482The Los Angeles Times on the case of Dan Mitrione Jr.: https://www.latimes.com/archives/la-xpm-1985-03-15-mn-34985-story.htmlTime's report on the case of Dan Mitrione Jr.: https://time.com/archive/6708931/drugs-the-fbi-gets-its-man/The UPI's article on Dan Mitrione Jr.'s conviction: https://www.upi.com/Archives/1985/03/15/Former-FBI-agents-father-was-assassinated-by-Uruguayan-rebels/5000874571985//The New York Times's article on Dan Mitrione Sr.'s murder::https://www.nytimes.com/1970/08/14/archives/rogers-among-mourners-as-mitrione-is-buried.htmlFiles from the Ford Library Museum on the Dan Mitrione Sr. case: https://www.fordlibrarymuseum.gov/sites/default/files/pdf_documents/library/document/0054/4526305.pdfA Central Intelligence Agency document on the Dan Mitrione Sr. case: https://www.cia.gov/readingroom/docs/CIA-RDP88-01365R000300210067-1.pdfThe Palladium-Item's article on Frank Sinatra's benefit concert for the Mitriones: https://www.pal-item.com/story/news/local/2020/08/10/richmond-police-chief-dan-mitrione-ex-rpd-murder-international-news-50-years-ago/3317249001Support your local bookstores — check out Dan Mitrione Jr.'s book on a serial killer here: https://bookshop.org/p/books/suddenly-gone-the-kansas-murders-of-serial-killer-richard-grissom-dan-mitrione/11812890?ean=9781886039230&next=tPre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave and Ethan are joined by Matt Kelly and Matthew Milligan of the Weird Al-Gorithm podcast for the first part of the discussion to collectively determine the Definitive Top 5 Notable Weird Al Song Cameos! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanCo-produced with Mike Minnick beginning in March 2025Theme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

GGACP marks July's "National Culinary Arts Month" by revisiting this interview with foodie, Emmy-winning writer-producer and star of the Netflix series "Somebody Feed Phil," Phil Rosenthal. In this episode, Phil chats with Gilbert and Frank about a number of compelling topics, including the “sex appeal” of comedians, the vulgarity of network sitcoms, the ingeniousness of “Tootsie” (and “The Swimmer”) and the realism and relatability of “The Honeymooners.” Also, Lucy loses a ring, George Burns nabs an Oscar, Robert Mitchum dons an apron and Phil remembers his dear friend Peter Boyle. PLUS: The artistry of Alan Arkin! The wonder of Walter Matthau! Jerry Lewis plays the big room! Phil hangs with Peter O'Toole! And the most politically incorrect movie ever made!  Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the 50th anniversary of Robert Altman's musical comedy-drama "Nashville" (released in June, 1975) with this ENCORE of an interview with one of the film's stars, Oscar-winner Keith Carradine. On this episode Keith joins the boys for a fond look back at his frequent collaborations with the legendary director, his friendships with co-stars Lee Marvin, Ernest Borgnine and Robert Mitchum, and the life and career of his dad, horror legend John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: “Love American Style”! Deconstructing "The Aristocrats"! Sam Fuller eats a stogie! And Kwai Chang Caine hosts SNL!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, actor and comedian Jamie Lissow joins Adam in the studio for a wide-ranging conversation. They kick things off by listening to a new track from legendary Alaskan singer Don Hodiak (aka Mike Dawson), before Adam launches into a rant about the Left's obsession with diversity—including the absurdity of pride flags on police and athlete uniforms. Adam also shares a hilariously brutal method for breaking someone's psyche.In the news, Elisha Krauss joins Adam to unpack a new study that names San Francisco the worst-run major city in the U.S., citing failures in financial stability, public safety, and infrastructure. They also highlight the remarkable journey of Messiah University's baseball team, which prioritized faith and Bible study over traditional game strategy—a surprising move that propelled them all the way to the Division III World Series.Finally, Raymond Arroyo stops by to talk about his New Orleans roots, his theater background, and his memorable interview with Jerry Lewis. The conversation shifts to the brilliance of Mel Gibson, a nostalgic look at the classic Chrysler Cordoba “Corinthian Leather” ad, and a thoughtful comparison between classic and modern theater. Adam wraps things up by breaking down the stark differences between clean and dirty comedy.Get it on.FOR MORE WITH JAMIE LISSOW:INSTAGRAM: @iamjamielissowWEBSITE: www.jamielissow.com/FOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/FOR MORE WITH RAYMOND ARROYO:INSTAGRAM: @realraymondarroyoTWITTER: @raymondarroyo WEBSITE: www.raymondarroyo.comPODCAST: Arroyo GrandeThank you for supporting our sponsors:BetOnlineHomes.comForThePeople.com/ADAMoreillyauto.com/ADAMPluto.tvLife insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at selectquote.com/carollaSIMPLISAFE.COM/ADAMLIVE SHOWS: June 19-21 - Las Vegas, NV (6 shows)July 10 - Irvine, CA (Live Podcast)July 11-12 - Covina, CA (4 Shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jim Florentine and Geo Perez join Zac Amico and they discuss Jerry Lewis' lost movie The Day The Clow Died that has resurfaced, the longest running movie franchises, movies you shouldn't watch with your wife, Zac teaching Geo about white culture, guessing how groupies have rated rockstars sexually, Toight or Noight - the girl with one big arm, the big boobed girl arrested for DUI and so much more!(Air Date: June 2nd, 2025)Support our sponsors!Support the show and start your free online Hims visit today. Head to https://www.hims.com/ZOOSupport the show and get 15% off your Huel order, plus a free gift for new customers, with minimum $75 purchase. Use code ZOO at https://www.huel.com/ZOO!Help Replace Shannon's Cannons - https://www.gofundme.com/f/help-shannon-lee-replace-her-boobsZac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Jim FlorentineTwitter: https://twitter.com/mrjimflorentineInstagram: https://instagram.com/jimflorentineGeo PerezTwitter: https://twitter.com/geoperez86Instagram: https://instagram.com/geoperez86Zac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The GGACP team marks May's Asian American and Pacific Islander Heritage Month by revisiting this interview with one of the world's best-loved pop culture figures, actor-activist George Takei. In this episode, George shares his feelings about Caucasian actors in Asian roles, speaks frankly about Japanese-American internment, expresses his gratitude to Trekkies and fondly remembers old friend Leonard Nimoy. Also, George feuds with William Shatner, chats up Jerry Lewis, runs into Cary Grant and rebukes Arnold Schwarzenegger. PLUS: Frank Gorshin! Celebrating James Hong! George channels Sir John Gielgud! Gilbert does his best Richard Burton! And the last of the Paramount contract players! Learn more about your ad choices. Visit megaphone.fm/adchoices