Podcast appearances and mentions of Jerry Lewis

This week Ken welcomes legendary warm up comic, and author of the essential memoir "Warm Up Guy", Bob Perlow to the show. Ken and Bob discuss the side of Rhode Island, Night of the Comet, Gary Marshall, being conscripted into warming up the audience, Newhart, falling into writing on Laveren and Shirley, discovering audiences want T-shirts, the power of sound queues, America's Host, the sequestered audience of a sitcom taping, how Friends tapings could take up to 8 hours, Dream On, the three hour limit, trying to keep the energy up, Full House, the unique weirdness of multi-cam sitcoms, being one of the elite few warm up comics, the 1978 -2008 sweet spot, Cheers, Night Court, Taxi, writing for Who's the Boss, Danny Arnold, being an extra on Barney Miller, torturing Jerry Lewis, Jimmy Stewart, Kirk Douglas, Ernest Borgnine, Vanity Plates, the horror of being famous and poor, seeing a former star now bartending, shows filmed outside during COVID, Oh! Madeline, the best sitcoms and the worst, The Single Guy, the classic mistake of not coming out and saying hello to the audience, how great Bob Newart is, the power of Robin Williams, how Tony Danza was absolutely the boss, photo mats, prank shows, getting hired as a writer having never written anything, being a tour guide, Angie, offering your services for free to get established, Robert Hayes, Makin' It, LA traffic, warming up the Tonight Show, Jay Leno, doubling up on gigs despite traffic, having a video to play if you're running late, Harry Anderson, getting fired from Home Improvement because Tim Allen is insecure, warming up a Michael Jackson video, warming up Susan Powter videos, 9 to 5, Major Dad, when actors take the part too seriously because they are wearing a uniform, Candid Camera, wanting to see some people get their competence, Grace Under Fire, Brett Butler, Cybill, getting photos with celebrities, aspirations to be on screen, how performers are not shy, Andy Kauffman on the set of Taxi, Annette Funicello, Growing Pains, Let Bob Do It, treating your audience with respect, Coach, Bob Saget, why you DO want to meet your heroes, why it's best to stay in a warm up gig for the long haul, being so you nobody can steal it, keeping souvenirs, giving away swag, keeping the diner sign from the Laverne and Shirley episode you wrote, running into people on the studio lot, Roseanne's late night show, how hard it is to make a living, being in Robin Williams improv group, The Larry Sanders Show, and getting out at the right time.  

Discover the way ahead at Indiana Wesleyan University. Learn more here. Is it possible to delay social media for your teen, even your teen girl? My daughter Lucy and I are asking another mom/daughter duo about this. Today's guests are comedian Kerri Pomarolli and her daughter Lucy. Two moms, two Lucys with no social media. It's going to be a fun ride. This month, we're kicking out harmful tech. On today's show, you'll learn:  3:28 The option that not many parents are aware of when raising their kids 8:52 From a teen's perspective: The difference between life with or without social media 11:45 Won't my child feel left out without social media? 17:55 How time looks different with a phone in hand  21:40 How to help our girls not to have the “celebrity mentality” Kerri Pomarolli grew up performing at a young age. Her first comedy gig was at the world-famous Hollywood Improv. Although she performed in front of a very secular crowd, she was the only performer asked to return.  Kerri is a nationally headlining stand up comedian who has worked with everyone from Jay Leno, Jerry Lewis, and Candace Cameron Bure. She's been on the Tonight Show 29 times, and she's also an author (Mom's Night Out) and screenwriter (Hallmark Channel).  Learn more about Kerri Pomarolli at her website https://www.kerripom.com/ Need more reasons to put the pause on social media?  Read Arlene's book Screen Kids or get the video course https://www.happyhomeuniversity.com/books https://www.happyhomeuniversity.com/course How did Arlene's kids adapt to not having phones, video games or social media? Watch the free video, Screen Kids: In Their Own Words. https://www.happyhomeuniversity.com/film Distracted on dates with your spouse? Get free date night ideas whether you have 15 minutes or one hour, small group questions for Making Marriage Easier and more Have a question for Arlene to address on the podcast?  Please email Arlene your questions and the topics you want covered on the show!  Email speaking @ arlenepellicane.com

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including access to our CUJOPLEX Discord and our eternal parasocial friendship — we recommend signing up for a paid subscription.Paid subscribers also get access to The Weather Report, a new monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. In the latest installment, cyberethnographer Ruby Justice Thelot joins us to wax philosophical about the Labubu craze, matcha and “performative male” discourse, and why politicians are lifting weights in public. To whet your appetite, we're lifting the paywall on the episode for the next 48 hours. It's easy to get the impression these days that the traditional media industry is abandoning cultural criticism. Over the past few months, outlets like The New York Times, The Washington Post, and The Chicago Tribune have been reassigning or letting go of veteran film, music, and theater critics, leaving some to debate what impact, if any, written criticism still has on the culture at large. Bucking this trend (and pretty much all mainstream media logic) is The Metrograph, a new biannual print magazine about cinema from the eponymous repertory theater in New York City's Chinatown. It's long, proudly niche, intentionally disconnected from the news cycle, and available only in print—with the goal of offering deep film fans an experience they won't be able to find online, while inviting a new generation of people into the culture. The recently released second issue includes a 42-page dive into Paul Morrissey's archives, author Gary Indiana's favorite films (RIP), a history of the Japanese pink film, a “cinemap” of Belgrade, and a comic about Jerry Lewis's infamous lost film The Day the Clown Cried. The cover, which we've cropped for this episode's artwork, features a painting by artist Louise Giovanelli inspired by Christina Ricci's character in Buffalo '66.Senior editor Annabel Brady-Brown (formerly of Australia's Fireflies Press) and editor-at-large Nick Pinkerton (film critic, screenwriter of The Sweet East, creator of the Substack Employee Picks, and a former coworker of Emilie's at Kim's Video) join us to discuss the past, present, and future of independent film criticism—and what it means to make a magazine for cinephiles in 2025. We also discuss why younger people in NYC seem to be gravitating back to the movies these days, and how the hyper-IRL, videostore-centric independent film culture of 20 years ago is a good template for what that might look like in the 2020s. Finally, we shout out some of the directors, movies, and micro publications that are making right now such an exciting time for cinema in NYC — and the repertory theaters and video stores we love around the world that are keeping the old Kim's Video spirit alive.Issue 2 of The Metrograph is out now. Buy it here, or at an independent book or magazine store near you.Read more by our guests:”Less rock, more talk: On Paul Morrissey, Pier Paolo Pasolini, Ezra Pound, ‘political' art, and 1988's ‘Spike of Bensonhurst'” by Nick Pinkerton (Employee Picks) “Sunshine, lollipops and rainbows: On the subversive pleasures of Agnès Varda‘s Le Bonheur” by Annabel Brady-Brown (The Metrograph) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Can you imagine a time when Democrats and Republicans in Congress not only voted the same way — but said the same thing? It actually did happen — right after the terror attacks of 9/11 "Today, we join together not as Democrats nor Republicans, but Mr. Speaker, as proud Americans prepared to defend freedom as our forebears did before us." That was House Democratic Minority Whip David Bonior — September 14th, 2001 ... and from that same day, here's Congressman Jerry Lewis — a Republican: There is no party. My colleague, Jack Murtha and I working on this Committee on Appropriations Subcommittee on Defense, know the importance of national strength. But when our people come together, there is no Democrat, there is no Republican. We are the American people. What was the specific legislation Congress was considering that inspired such bipartisan rhetoric? Who else — in both the House and the Senate — used that identicial rhetorical construct - "We are not Democrats or Republicans. We are Americans." And what did Democrats in Congress say about Republican President George W. Bush that day in Congress — three days after the terror attacks. Find out in the special 9/11 anniversary episode of C-SPAN's podcast "The Weekly." Learn more about your ad choices. Visit megaphone.fm/adchoices

STgenetics® STyle Genetics™ sire, JERRY LEWIS, has been siring class winners all summer, and as we get closer to the Fall show season, we have one of JERRY LEWIS' breeders, Tom Cull of Budjon Farms, join us on this STtalks to share the story behind this outstanding bull! From how his dam, JM Valley Sidekick Lady-ET EX-95, was acquired to what the family is producing at Budjon Farms, Tom gives us a new insight into this exciting STyle™ Sire!00:00 Introduction and Welcome00:30 Tom Cull's Background and Farm Overview01:16 Passion for the Holstein Breed02:45 The Story of JERRY LEWIS05:03 Lady's Impressive Production07:30 JERRY LEWIS' Progeny and Traits10:30 Preparing for World Dairy Expo11:50 Conclusion and Farewell

TV INSIDE-OUT is a feast for readers who thrive on backstage stories. It is a smorgasbord of showbiz flukes, flakes, feuds and felonies. A thirty-year industry veteran, television announcer and actor, Randy West, has broken the silence surrounding dozens of surprising-sometimes shocking- mostly-untold stories of celebrity dysfunction.This BearmanorMedia release exposes outrageous celebrity misbehavior, toxic dysfunctional relationships, senseless executive blunders and million dollar production foul-ups, while sparking a myriad of stunning revelations garnered from candid on-set conversations in Hollywood studios and soundstages.How and why a violently angry Jerry Lewis threatened Joan Rivers' life. How Johnny Carson's unyielding racism broke up his family. What happened the night Jay Leno was arrested by the LAPD on Hollywood Boulevard. The chart-topping pop-rock and roll act that suddenly had eight contracted appearances on CBS cancelled following a backstage argument. ―So many people in this industry go to extremes in the pursuit of success. Too often they jump the rails, Some who gain fame and amass wealth still find themselves unfulfilled. Their lives become joyless. They then come to the realization that success must be something more. It helps explain why the beloved captain of The Love Boat was ready to drive off a cliff along Mulholland Drive, and why Danny Thomas' co-star ran from her gig as his wife despite back-to-back Emmy nominations.West asserts that ―the ultimate 'a-ha moment' comes with the understanding that success is a destination most people haven't bothered to define. Few have mapped a route, and even fewer have the autonomy needed to steer their careers to that goal.‖ It's why Redd Foxx's top-rated reign as Fred Sanford ended in a fruitless search for respect and recognition through outrageous demands, and acting out with guns, drugs and sexual inappropriateness. Those who don't self-destruct along the way finally come to understand that the true joy, serenity and sense of mastery we all seek can be found more in the pursuit than in the destination. That observation is borne out in the stories of the private lives of some of Hollywood's favorite citizens-the respected pros who are loved by studio bean counters because viewers have welcomed them into living rooms year after year. Their lesser-told stories dramatically reveal triumphs and proud achievements that were realized amid the insufferable egotists, the gun-toting hotheads, the drinkers, druggers and the convicted felons they call friends.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Since we just had the Labor day weekend, we thouth we would go back in time and visit about the incredible Jerry Lewis Labor day MDA telethon we grew up watcging!

Jamie “interviews” comedian, Jerry Lewis (2020). Michael interviews Christel Khalil and it all goes wrong (2006). Jamie the Tattoo Guy tries to remember the names of the characters on the The Walking Dead (2016). Get more show at MZNOW

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GGACP celebrates September's National Piano Month with this ENCORE of a 2019 interview with Emmy-winning writer and Tony-winning composer David Yazbek (“The Full Monty,” “Dirty Rotten Scoundrels,” “The Band's Visit”). In this episode, David joins the boys for a funny conversation about the golden age of kiddie show hosts, the comedy albums of Spike Jones and Allan Sherman, the long-lost era of Top 40 radio and the trials (and triumphs) of composing music for the Broadway stage. Also, Jerry Lewis goes to therapy, Larry David whistles a happy tune, Gilbert remembers Kathleen Freeman and David weighs in on the “Baby, it's Cold Outside” controversy. PLUS: “The Sammy Maudlin Show”! “Richard Kind Theater”! Moe Howard meets Officer Joe Bolton! And David critiques Gilbert's “musical” abilities! Learn more about your ad choices. Visit megaphone.fm/adchoices

WGN Radio's Dave Plier and Dave Schwan talk about the history of the American labor movement as well as the legacy of comedian Jerry Lewis and what was an annual tradition on Labor Day weekend, the MDA telethon.

Joe HIllA songwriter, itinerant laborer, and union organizer, Joe Hill became famous around the world after a Utah court convicted him of murder. Even before the international campaign to have his conviction reversed, however, Joe Hill was well known in hobo jungles, on picket lines and at workers' rallies as the author of popular labor songs and as an Industrial Workers of the World (IWW) agitator. Thanks in large part to his songs and to his stirring, well-publicized call to his fellow workers on the eve of his execution—"Don't waste time mourning, organize!"—Hill became, and he has remained, the best-known IWW martyr and labor folk hero.Born Joel Hägglund on Oct. 7, 1879, the future "troubadour of discontent" grew up the fourth of six surviving children in a devoutly religious Lutheran family in Gävle, Sweden, where his father, Olaf, worked as a railroad conductor. Both his parents enjoyed music and often led the family in song. As a young man, Hill composed songs about members of his family, attended concerts at the workers' association hall in Gävle and played piano in a local café.In 1887, Hill's father died from an occupational injury and the children were forced to quit school to support themselves. The 9-year-old Hill worked in a rope factory and later as a fireman on a steam-powered crane. Stricken with skin and joint tuberculosis in 1900, Hill moved to Stockholm in search of a cure and worked odd jobs while receiving radiation treatment and enduring a series of disfiguring operations on his face and neck. Two years later, Hill's mother, Margareta Katarina Hägglund, died after also undergoing a series of operations to cure a persistent back ailment. With her death, the six surviving Hägglund children sold the family home and ventured out on their own. Four of them settled elsewhere in Sweden, but the future Joe Hill and his younger brother, Paul, booked passage to the United States in 1902.Little is known of Hill's doings or whereabouts for the next 12 years. He reportedly worked at various odd jobs in New York before striking out for Chicago, where he worked in a machine shop, got fired and was blacklisted for trying to organize a union. The record finds him in Cleveland in 1905, in San Francisco during the April 1906 Great Earthquake and in San Pedro, Calif., in 1910. There he joined the IWW, served for several years as the secretary for the San Pedro local and wrote many of his most famous songs, including "The Preacher and the Slave" and "Casey Jones—A Union Scab." His songs, appearing in the IWW's "Little Red Song Book," addressed the experience of virtually every major IWW group, from immigrant factory workers to homeless migratory workers to railway shopcraft workers.In 1911, he was in Tijuana, Mexico, part of an army of several hundred wandering hoboes and radicals who sought to overthrow the Mexican dictatorship of Porfirio Diaz, seize Baja California, emancipate the working class and declare industrial freedom. (The invasion lasted six months before internal dissension and a large detachment of better-trained Mexican troops drove the last 100 rebels back across the border.) In 1912, Hill apparently was active in a "Free Speech" coalition of Wobblies, socialists, single taxers, suffragists and AFL members in San Diego that protested a police decision to close the downtown area to street meetings. He also put in an appearance at a railroad construction crew strike in British Columbia, writing several songs before returning to San Pedro, where he lent musical support to a strike of Italian dockworkers.The San Pedro dockworkers' strike led to Hill's first recorded encounter with the police, who arrested him in June 1913 and held him for 30 days on a charge of vagrancy because, he said later, he was "a little too active to suit the chief of the burg" during the strike.

Kids these days! Always finding medeival sea creatures and hypnotising their gym teachers and whatnot. Find out all about it right here in The Adventures of Jerry Lewis #99 and Sea Devils #34! Chapters (00:00:00) - Ready, Set, Go!(00:00:17) - The Adventures of Jerry Lewis(00:03:22) - How do you like a classroom full of dullards?(00:04:49) - Jerry Lewis on The Adventures of Jerry Lewis(00:07:50) - Uncle Hal the Gym Teacher(00:09:17) - The Letter From Master Renfrew Lewis(00:13:54) - Jerry Lewis At A Girls School(00:17:50) - The Secret Life of Little House in the Prairie(00:21:23) - Jan Brady on The Brady Bunch(00:24:42) - Jerry the Bullying Child(00:28:26) - Jerry in Industrial Arts Gags(00:32:18) - Jerry Lewis In The Hazing(00:36:18) - The Sea Devils vs The Sea Angels(00:40:12) - Sea Devils(00:43:45) - The Sea Devils(00:45:51) - Sea Devils(00:49:06) - What Counts as a Concert?(00:51:32) - How to Get Engaged in a Class(00:53:47) - Sea Devils Against a Monster(00:57:48) - Sea Devils Against a Sea Monster(01:01:37) - Freddie in My Fair Lady(01:04:19) - Sea Devils vs. Humans(01:09:11) - The Last Issue of Sea Devils(01:11:35) - Teen Titans: Kill The Sharks

Back on this day in 2017 actor and comedian Jerry Lewis died. He was known for his movies and nicknamed "The King of Comedy."

Today on another encore episode of Rarified Heir Podcast, we are talking to Noopy Rodriguez, daughter of comedian, actor and singer Rose Marie & musician Bobby Guy. Noopy (not her real name as we find out on this episode), let's us in on the lives of her larger than life parents. When your father is the first trumpet player with The Tonight Show band and your mother is a comedy icon for her role as Sally onThe Dick Van Dyke Show, there is a whole lot to dig into. Noopy was incredible generous with her time and her stories as many veered from nostalgic to downright difficult in talking about her father. But somehow through it all, we learned quite a bit about her parents and what it's like keeping a legacy alive as we dig into her efforts to bring us the CD Rose Marie Sings: The Complete Mercury Recordings & More which was from found recordings in her mother's possession for years. Along the way, we hear about her time on The Tomorrow Show with Ton Snyder, haunted cars, Rosalind Russell, Phil Silvers, Morey Amsterdam, Dean Martin, Jerry Lewis and a guy named Popcorn who you have never heard of, unless of course you were connected….if you know what I mean. We get into Broadway, film, television recording, what it was like being raised by a single mother and much more. It's incredibly familiar territory for host Josh Mills who connected with much of what was discussed. Take a listen to this episode of the Rarified Heir Podcast. Everyone has a story.

In connection with the recent "Fun for All Ages" podcast about the arch-villains of the Adam West "Batman" series, GGACP revisits this 2016 mini-episode, in which the boys pay tribute to the much-beloved 1966 camp classic. Also in this episode: The comic mind of Nat Hiken! Gilbert covers Johnny Fontaine! And the Caped Crusaders meet Jerry Lewis! Learn more about your ad choices. Visit megaphone.fm/adchoices

We take a look back at today's date in John, check in on Foodie Beauty and watch Jerry Lewis defend his charity. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Tales from Hollywoodland, the crew dives into the unforgettable life and career of Dean Martin—the legendary singer, actor, and comedian known as the “King of Cool.” From his early days with Jerry Lewis to his success with the Rat Pack, classic films, hit records, and television fame, we explore how Dean […] The post The Life and Legacy of Dino!! Hollywood's King of Cool appeared first on The ESO Network.

In this episode of Tales from Hollywoodland, the crew dives into the unforgettable life and career of Dean Martin—the legendary singer, actor, and comedian known as the “King of Cool.” From his early days with Jerry Lewis to his success with the Rat Pack, classic films, hit records, and television fame, we explore how Dean Martin became one of the most iconic and beloved entertainers in Hollywood history. Join us as we celebrate his charm, talent, and enduring legacy in music, film, and pop culture. We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #DeanMartin #KingOfCool #RatPack #ClassicHollywood #HollywoodLegends #JerryLewis #TalesFromHollywoodland #OldHollywood #GoldenAgeOfHollywood #MusicIcons #FilmIcons #HollywoodHistory #DeanMartinPodcast #VintageEntertainment #LegendaryEntertainers

On this episode of The Sisterhood of Sweat, we have Shawn Levy.Shawn Levy is an acclaimed author and journalist known for his biographies of cultural icons such as Paul Newman, Jerry Lewis, and Robert De Niro. With a career spanning decades, Levy is celebrated for his ability to peel back the layers of his subjects, offering captivating and well-researched accounts of their lives and careers. As he writes in the introduction to CLINT, “No Hollywood figure has so complexly represented the cultural and political climates of contemporary America as Clint Eastwood. At the age of ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions.   Get the book: https://www.amazon.com/Clint-Comprehensive-Biography-Hollywoods-Actor-Director/dp/0063251027   How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud "Proud Sponsors of the Sisterhood of S.W.E.A.T" Essential Formulas

The Cheat Sheet is The Murder Sheet's segment breaking down weekly news and updates in some of the murder cases we cover. In this episode, we'll talk about cases from Washington, California, Hawaii, and then another situation that sort of spilled out across generations through Florida, Brazil, Uruguay, and the cities of Kokomo and Richmond in Indiana.KOMO News's coverage of Ihsan Ali and Zahraa Ali, a married couple facing attempted murder charges, for attacking their daughter in an alleged attempted honor killing: https://komonews.com/news/local/trial-begins-for-lacey-parents-accused-in-attempted-honor-killing-of-teen-daughter-high-school-teenager-iraq-washington-seattle-court-investigation-viral-video-witness-lockdownCourt TV's coverage of Ihsan Ali and Zahraa Ali, a married couple facing attempted murder charges, for attacking their daughter in an alleged attempted honor killing: https://www.courttv.com/news/wa-v-ihsan-zahraa-ali-attempted-honor-killing-trial/The Los Angeles Times's coverage of the wrongful conviction of Alexander Torres: https://www.latimes.com/california/story/2025-07-15/he-was-wrongfully-convicted-of-murder-now-l-a-county-agreed-to-settle-for-14-millionThe Honolulu Civil Beat's report on Maui County Prosecutor Andrew Martin's efforts to prosecute strangulation cases: https://www.civilbeat.org/2025/07/this-common-precursor-to-murder-is-too-rarely-prosecuted-on-maui/Our episode that we referenced, featuring Megan, the daughter of Leslie Hope Houston: https://art19.com/shows/murder-sheet/episodes/26c3b73e-18ad-46a3-a604-3de2a00eead3An article from the Miami New Times that gets into the saga of the Mitriones: https://www.miaminewtimes.com/news/forever-missing-part-2-6339482The Los Angeles Times on the case of Dan Mitrione Jr.: https://www.latimes.com/archives/la-xpm-1985-03-15-mn-34985-story.htmlTime's report on the case of Dan Mitrione Jr.: https://time.com/archive/6708931/drugs-the-fbi-gets-its-man/The UPI's article on Dan Mitrione Jr.'s conviction: https://www.upi.com/Archives/1985/03/15/Former-FBI-agents-father-was-assassinated-by-Uruguayan-rebels/5000874571985//The New York Times's article on Dan Mitrione Sr.'s murder::https://www.nytimes.com/1970/08/14/archives/rogers-among-mourners-as-mitrione-is-buried.htmlFiles from the Ford Library Museum on the Dan Mitrione Sr. case: https://www.fordlibrarymuseum.gov/sites/default/files/pdf_documents/library/document/0054/4526305.pdfA Central Intelligence Agency document on the Dan Mitrione Sr. case: https://www.cia.gov/readingroom/docs/CIA-RDP88-01365R000300210067-1.pdfThe Palladium-Item's article on Frank Sinatra's benefit concert for the Mitriones: https://www.pal-item.com/story/news/local/2020/08/10/richmond-police-chief-dan-mitrione-ex-rpd-murder-international-news-50-years-ago/3317249001Support your local bookstores — check out Dan Mitrione Jr.'s book on a serial killer here: https://bookshop.org/p/books/suddenly-gone-the-kansas-murders-of-serial-killer-richard-grissom-dan-mitrione/11812890?ean=9781886039230&next=tPre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In our first hour, author and cultural historian Shawn Levy sits down with Dr. Nii-Quartelai Quartey to talk about his new book, CLINT: THE MAN AND THE MOVIES, an honest look at the life and legacy of Clint Eastwood, who just turned 95. Known for his powerful biographies of Paul Newman, Jerry Lewis, and Robert De Niro, Levy shares what it takes to really understand a Hollywood legend.

Dave and Ethan are joined by Matt Kelly and Matthew Milligan of the Weird Al-Gorithm podcast for the first part of the discussion to collectively determine the Definitive Top 5 Notable Weird Al Song Cameos! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanCo-produced with Mike Minnick beginning in March 2025Theme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

GGACP marks July's "National Culinary Arts Month" by revisiting this interview with foodie, Emmy-winning writer-producer and star of the Netflix series "Somebody Feed Phil," Phil Rosenthal. In this episode, Phil chats with Gilbert and Frank about a number of compelling topics, including the “sex appeal” of comedians, the vulgarity of network sitcoms, the ingeniousness of “Tootsie” (and “The Swimmer”) and the realism and relatability of “The Honeymooners.” Also, Lucy loses a ring, George Burns nabs an Oscar, Robert Mitchum dons an apron and Phil remembers his dear friend Peter Boyle. PLUS: The artistry of Alan Arkin! The wonder of Walter Matthau! Jerry Lewis plays the big room! Phil hangs with Peter O'Toole! And the most politically incorrect movie ever made!  Learn more about your ad choices. Visit megaphone.fm/adchoices

We swear we'll be getting back to talking about movies very soon. In the meantime, here's more Jerry! Intro 0:00:00 Jerry's 7-11 Commercials 0:04:45 Jerry Attacks the Press 0:10:09 Jerry Messing with People 0:19:24 Jerry's Acting Roles 00:29:45 Stories About Jerry 00:32:29 Jerry's Ethnic Jokes 00:35:33 Jerry Gets Mad at Viewers 00:42:12 Old Jerry 00:45:17 Jerry Behind the Scenes (1989) 00:55:05 Jerry Honors the Kennedys 01:10:04 Want to hear more? Join us on Patreon for 40+ bonus episodes and discussions: https://www.patreon.com/almostcultclassics You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

GGACP celebrates the 50th anniversary of Robert Altman's musical comedy-drama "Nashville" (released in June, 1975) with this ENCORE of an interview with one of the film's stars, Oscar-winner Keith Carradine. On this episode Keith joins the boys for a fond look back at his frequent collaborations with the legendary director, his friendships with co-stars Lee Marvin, Ernest Borgnine and Robert Mitchum, and the life and career of his dad, horror legend John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: “Love American Style”! Deconstructing "The Aristocrats"! Sam Fuller eats a stogie! And Kwai Chang Caine hosts SNL!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, actor and comedian Jamie Lissow joins Adam in the studio for a wide-ranging conversation. They kick things off by listening to a new track from legendary Alaskan singer Don Hodiak (aka Mike Dawson), before Adam launches into a rant about the Left's obsession with diversity—including the absurdity of pride flags on police and athlete uniforms. Adam also shares a hilariously brutal method for breaking someone's psyche.In the news, Elisha Krauss joins Adam to unpack a new study that names San Francisco the worst-run major city in the U.S., citing failures in financial stability, public safety, and infrastructure. They also highlight the remarkable journey of Messiah University's baseball team, which prioritized faith and Bible study over traditional game strategy—a surprising move that propelled them all the way to the Division III World Series.Finally, Raymond Arroyo stops by to talk about his New Orleans roots, his theater background, and his memorable interview with Jerry Lewis. The conversation shifts to the brilliance of Mel Gibson, a nostalgic look at the classic Chrysler Cordoba “Corinthian Leather” ad, and a thoughtful comparison between classic and modern theater. Adam wraps things up by breaking down the stark differences between clean and dirty comedy.Get it on.FOR MORE WITH JAMIE LISSOW:INSTAGRAM: @iamjamielissowWEBSITE: www.jamielissow.com/FOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/FOR MORE WITH RAYMOND ARROYO:INSTAGRAM: @realraymondarroyoTWITTER: @raymondarroyo WEBSITE: www.raymondarroyo.comPODCAST: Arroyo GrandeThank you for supporting our sponsors:BetOnlineHomes.comForThePeople.com/ADAMoreillyauto.com/ADAMPluto.tvLife insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at selectquote.com/carollaSIMPLISAFE.COM/ADAMLIVE SHOWS: June 19-21 - Las Vegas, NV (6 shows)July 10 - Irvine, CA (Live Podcast)July 11-12 - Covina, CA (4 Shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, we return to the realm of Almodovar. Live Flesh, his 1997 erotic revenge thriller, is the topic of discussion. This pod is about Javier Bardem playing wheelchair basketball in a Taz shirt more than anything else. Plus, a contentious email about Jerry Lewis. GET YOUR TICKETS FOR EVIL PUDDLE IN LOS ANGELES - - https://lumierecinemala.com/showtimes/evil-puddle/ 00:00 - Live Flesh 46:20 - email Send us your questions at extendedclippodcast@gmail.com Join us on the bonus feed for an extra episode every week at patreon.com/extended_clip

Prime Minister Mark Carney's team says he made great progress on tariffs during his meeting with Donald Trump at today's G7. But our guest warns that the president could still blow everything up – because he has before. A Minnesota state politician remembers his longtime friend and colleague, Melissa Hortman, who was assassinated along with her husband this weekend by a shooter targeting politicians.A non-proliferation expert says Israel's explanation for bombing Iran doesn't hold water. He believes it's not about nukes – it's about regime change. A Holocaust researcher gets the rare chance to see footage from Jerry Lewis's unfinished, long-buried Holocaust film "The Day the Clown Cried" – and says it's full of surprises. We'll hear about the late Betsy Jochum, who made history as a pioneering player in the first professional women's baseball league. A secret report reveals that Edinburgh, Scotland fears an influx of middle-aged, drunk, rowdy people when Oasis plays there. And one of the Gallaghers is not a fan of that description of his fans.As It Happens, the Monday Edition. Radio that tells Edinburgh: where there's a will, there's Oasis.

Episode #560! All video discussion! After a long hiatus, we are back with an all video discussion. Scott talks about two documentaries he has recently watched. Pee-Wee As Himself is the new doc about Paul Reubens' life as Pee-Wee Herman. From Darkness to Light explores the unreleased Jerry Lewis Nazi concentration camp film The Day The Clown Cried. Also this episode DL talks Star Wars with Andor/Rogue One and with the animated Clone Wars and the prequel films. Scott brings Kelly's Heroes and Coogan's Bluff starring Clint Eastwood to the podcast. Check it out!   

Jim Florentine and Geo Perez join Zac Amico and they discuss Jerry Lewis' lost movie The Day The Clow Died that has resurfaced, the longest running movie franchises, movies you shouldn't watch with your wife, Zac teaching Geo about white culture, guessing how groupies have rated rockstars sexually, Toight or Noight - the girl with one big arm, the big boobed girl arrested for DUI and so much more!(Air Date: June 2nd, 2025)Support our sponsors!Support the show and start your free online Hims visit today. Head to https://www.hims.com/ZOOSupport the show and get 15% off your Huel order, plus a free gift for new customers, with minimum $75 purchase. Use code ZOO at https://www.huel.com/ZOO!Help Replace Shannon's Cannons - https://www.gofundme.com/f/help-shannon-lee-replace-her-boobsZac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Jim FlorentineTwitter: https://twitter.com/mrjimflorentineInstagram: https://instagram.com/jimflorentineGeo PerezTwitter: https://twitter.com/geoperez86Instagram: https://instagram.com/geoperez86Zac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00) Starting this Thursday off strong with talking about the best and worst TV Tropes. Jerry Lewis is terrible. You have any pet issues? Fred's dog likes to eat underwear? (21:22) WHAT HAPPENED LAST NIGHT: Red Sox finally snap their losing streak, and avoid getting swept by the Angels, taking the Dub 11-9. They now are four games below .500, and take on the Yankees this weekend in a three game series. The Stanley Cup playoffs kicked off last night! The Oilers win in thrilling fashion taking the first game in overtime 4-3. CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston’s home for sports!

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Johnny Mac covers the comedic feud between Seth Meyers and Jimmy Kimmel as they exchange humorous attack ads in the race for Emmy nominations. Season 2 of the comedy series 'Tires' is set to premiere on Netflix, featuring new cast members like Thomas Hayden Church and Vince Vaughn. Shane Gillis voices his thoughts on targeted commercials during the NBA playoffs, while Hannah Berner recounts an awkward performance in New Hampshire. Also, the long-lost Jerry Lewis film 'The Day the Clown Cried' could finally be released in 2025. Comedians Bert Kreischer and Tom Segura make an appearance on WWE Raw despite past controversies. John Mulaney's headline-grabbing 'fight' with 14-year-olds on his talk show leads to a mixed reaction.Other highlights include an Adam Sandler costume party, the unexpected marriage of Eddie Murphy and Martin Lawrence's children, and a look at the new sitcom 'Leanne' starring Leanne Morgan.   00:13 Seth Meyers vs. Jimmy Kimmel: Emmy Attack Ads04:00 Shane Gillis and the NBA Playoffs05:17 Hannah Burner's Knicks Joke Backfires05:49 The Day the Clown Cried: Jerry Lewis' Lost Film07:24 Bert Kreischer and Tom Segura on WWE Raw11:22 Adam Sandler Costume Party and Eddie Murphy's Family News12:22 New Sitcom 'Leanne' by Chuck Lorre Get the show without ads. Five bucks.  For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus.    Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynews Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

For the conclusion of Jerry Lewis week, we talked about his final directorial effort, Smorgasbord AKA Cracking Up. Get the full episode and a lot more for $5/mo at patreon.com/extended_clip

The GGACP team marks May's Asian American and Pacific Islander Heritage Month by revisiting this interview with one of the world's best-loved pop culture figures, actor-activist George Takei. In this episode, George shares his feelings about Caucasian actors in Asian roles, speaks frankly about Japanese-American internment, expresses his gratitude to Trekkies and fondly remembers old friend Leonard Nimoy. Also, George feuds with William Shatner, chats up Jerry Lewis, runs into Cary Grant and rebukes Arnold Schwarzenegger. PLUS: Frank Gorshin! Celebrating James Hong! George channels Sir John Gielgud! Gilbert does his best Richard Burton! And the last of the Paramount contract players! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this (potentially final) installment in our quest to cover Jerry Lewis, we dive into Jerry's MDA Labor Day Telethons, including segments from various broadcasts of the telethon, showcasing the best moments between Jerry and his announcer, Ed McMahon. In addition to those clips, we also watch more of Jerry's interviews where he defends himself against his critics, like Chris Wallace and Phil Donahue. Want to hear more? Join us on Patreon for 40+ bonus episodes and discussions: https://www.patreon.com/almostcultclassics You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

It's Jerry Lewis week on the podcast, and we're starting off with his directorial debut, The Bellboy. We go deep on stunts, gags, and Jerry's place in the cinematic landscape. 00:00 - The Bellboy 47:17 - e-mail

MIDSEASON FINALE: "The Bonfire of Vanity Projects" concludes with a simple warning; that just because you CAN do everything in the world of showbiz, doesn't mean that you SHOULD...and that includes hosting talk shows--maybe if this one aired in France, it would've stayed on for Decades. Telehell will return sometime later in the Summer...as always, we'll explain later...but until then, thank you for everything... SPONSORED BY: Dave's Archives RetroCIRQ Kier's Nostalgia Corner Kev the Ripper And (of course) our Patrons

We go back to Marston Moor with Mike Hudson, and Jerry Lewis. March 17, 2018 Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

The gals experiment with watching two versions of the same movie: The Nutty Professor (1963 and 1996). Two comedy legends, Jerry Lewis and Eddie Murphy, both give their best shots of teaching us to love ourselves as we are. Amy and Sarah remain skeptical.Love the show? Please subscribe, rate, and review us here. Also, check out our website: www.seeyounextweekinspace.com and follow us on Instagram @seeyounextweekinspaceHosts: Amy and Sarah WalshEditor: Amy WalshProducers: Amy and Sarah WalshArt: Riley Brown

Do not adjust your radio dial! Bona fide movie star Kumail Nanjiani joined us in studio to discuss his celebrity encounter with Michael Douglas, his return to stand-up comedy, Jerry Lewis energy, President Trump's entirely true fat shot drug story, baby skull x-rays, why stand-ups like Russell Brand stink and much more! Then music sensation Uwade performed a stunning solo electric version of "Harmattan" from her new album "Florilegium." Watch or listen to another hour of today's episode with a dip into the Terrence Howard-Bill Maher meeting of the minds and Doug's Browse the Brow game with OFFICE HOURS+, and get tons of additional content at ⁠patreon.com/officehourslive⁠ with a FREE seven-day trial. We've got a bunch of new merch available now at ⁠⁠⁠officehours.merchtable.com⁠ Find everything else at ⁠⁠⁠officialofficehours.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Do not adjust your radio dial! Bona fide movie star Kumail Nanjiani joined us in studio to discuss his celebrity encounter with Michael Douglas, his return to stand-up comedy, Jerry Lewis energy, President Trump's entirely true fat shot drug story, baby skull x-rays, why stand-ups like Russell Brand stink and much more! Then music sensation Uwade performed a stunning solo electric version of "Harmattan" from her new album "Florilegium." Watch or listen to another hour of today's episode with a dip into the Terrence Howard-Bill Maher meeting of the minds and Doug's Browse the Brow game with OFFICE HOURS+, and get tons of additional content at ⁠patreon.com/officehourslive⁠ with a FREE seven-day trial. We've got a bunch of new merch available now at ⁠⁠⁠officehours.merchtable.com⁠ Find everything else at ⁠⁠⁠officialofficehours.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg investigates the multiple kidnappings of Curtis Sliwa, founder of The Guardian Angels. Jessica discovers the year women in comedy turned the tide…for themselves: 1983.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Today on part one of the Rarified Heir Podcast we are talking to Howard Murray, son of comedian and actor Jan Murray. Our conversation with Howard was wide ranging and fun with a few poignant moments we did not see coming. Howard was an effusive and eager guest who really seemed to enjoy talking about his parents and how wonderful they were. This is something we already knew and we get to that when host Josh Mills tells a story about Howard's mother, Toni Murray that we've never told before. Our conversation often harkens back to Howard's beloved early years in Rye, New York when his father was known for his Borscht Belt years in the Catskills mountains entertaining Jewish vacationers, his years on radio and the early years on television in New York City, not far from his hometown of the Bronx. We talk game shows Jan Murray hosted and sometimes created, meeting ‘uncle' Jerry Lewis at his MDA telethon on stage and hearing first hand tales about comics like Sid Caesar, Shecky Greene, Harry Ritz, Buddy Hackett and more. This is the Rarified Heir Podcast and there is nothing like hearing about growing up a child of a celebrity, when your father is as terrific as Jan Murray clearly was. (And Toni Murray wasn't chopped liver either)….and this is just part one.

GGACP marks the recent L.A. screening of Drew Friedman and Kevin Dougherty's documentary "Drew Friedman: Vermeer of the Borscht Belt" with this ENCORE of an entertaining 2017 mini-episode as Kevin attempts to stump Gilbert, Frank AND Drew with podcast guest-related trivia. Also in this episode: Gilbert bombs in New Delhi, Jerry Lewis remakes "The Jazz Singer," Anthony Newley headlines an excruciating comedy and “Harvey Korman” appears on GGACP. PLUS: Rummy Bishop! The REAL Fred Flintstone! Drew critiques “How to Murder Your Wife"! And Kevin recalls the invention of the glass top coffee table! Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for the Oscars this weekend, Kenny Olson and Amy Daniels are joined by Holly D Roberts from MyTalk 107.1 to compare the best movie ever made to what might be the worst movie ever created. A movie so bad, it's never been released, Holly tells us about the controversial film "The Day the Clown Cried" by Jerry Lewis, which depicts a clown in a concentration camp and contrast that to "Die Hard" as a perfect action movie. Plus Kenny shares a couple of can't miss recommendations you won't want to miss, including TWO Andy Samberg movies. Kenny and Amy also share emails from listeners about SNL's influence, the Replacements, and Kendrick Lamar's Super Bowl halftime show. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Just in time for the Oscars this weekend, Kenny Olson and Amy Daniels are joined by Holly D Roberts from MyTalk 107.1 to compare the best movie ever made to what might be the worst movie ever created. A movie so bad, it's never been released, Holly tells us about the controversial film "The Day the Clown Cried" by Jerry Lewis, which depicts a clown in a concentration camp and contrast that to "Die Hard" as a perfect action movie. Plus Kenny shares a couple of can't miss recommendations you won't want to miss, including TWO Andy Samberg movies. Kenny and Amy also share emails from listeners about SNL's influence, the Replacements, and Kendrick Lamar's Super Bowl halftime show. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1972, Jerry Lewis—the actor and filmmaker known for slapstick comedies like The Nutty Professor—took the biggest risk of his career when he decided to make a drama called The Day The Clown Cried, about a circus clown who ends up in Auschwitz. This could have been a landmark as one of the first portrayals of the Holocaust in American cinema. Instead, it became a different kind of landmark: allegedly, one of the worst movies ever. The Day The Clown Cried was never released, and only a handful of people have ever seen it. But the unbelievable concept alone has been enough to make this lost movie a holy grail for curious film buffs. In this episode of Decoder Ring, producer Max Freedman traces how The Day The Clown Cried became such a legendary disaster, why it's impossible to see, and whether it actually deserves its rotten reputation. You'll hear from comedian Patton Oswalt; Shawn Levy, author of King of Comedy: The Life and Art of Jerry Lewis; Henry Gonshak, author of Hollywood and the Holocaust; Chuck Denton, whose father Charles co-wrote The Day The Clown Cried; and Jean-Michel Frodon, film critic at slate.fr. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We'd love to hear any and all of your ideas for the show. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices