Podcast appearances and mentions of victor victoria

I got the chance to sit down with the author of Hollywood Pride: A celebration of LGBTQ+ Representation and Perseverance in Film and one of the people who inspired me to become a critic, Alonso Duralde to talk about one of the most impactful pieces of Queer fiction from my younger years, the Carmilla Web Series. This is a super special episode for me personally, and I am really excited to share this all with all of you for Pride Month If you want more episodes like this, support me on Patreon at: www.patreon.com/LexaWhite Regular episodes of the show will return in July. Thank you for all the support you have given me while I am taking this hiatus If you want to see Alonso in person, he's hosting a number of events in LA this June Hollywood Pride series at American Cinematheque (Los Feliz 3 Theaters; all at 4pm) https://www.americancinematheque.com/series/taking-pride/?mc_cid=80f8b017fc 6/14: Cobra Woman 6/21: Scarecrow in a Garden of Cucumbers (hosted by Corpses, Fools and Monsters co-author Caden Mark Gardner) 6/28: Ma Vie en Rose Vidiots (intro, with book signing to follow in the video store) 6/7 Victor/Victoria

Este mes vamos a hablar de "VICTOR VICTORIA". Una película de Blake Edwards en la que combinó un estupendo guion, con una banda sonora de Henry Mancini exquisita, puestos al servicio de un reparto excelente, en el que todos están perfectos en su papel. Esta película es mucho más que una comedia o un musical. Es un canto a vivir la vida buscando tu felicidad, respetando a los demás, pero sin que te afecten sus opiniones. Fue todo un cambio en la forma en que se mostraba la homosexualidad en el cine, camuflada y maquillada desde el férreo código Hays. La película por si alguien no la ha visto es España está disponible en Amazon Prime y Apple TV, aparte de haberse editado en formato doméstico, DVD y Blu ray de la película y de la versión teatral. Hablaremos de la adaptación que se hizo a musical teatral, así como de la carrera de Blake Edwards y de su músico favorito Henry Mancini. Para ello nos juntamos Ángel de Quinta y Javier Jiménez de Sevilla, con Paco Dolz de Valencia y como siempre con Unai Aizpurua en la retaguardia organizándolo todo en directo para que todo fluya de la mejor manera posible. Esperamos os guste.

Kathleen MarshallKathleen began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees , Victor/Victoria and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and she directed and choreographed Babes in Arms and Wonderful Town.She also directed and choreographed the Broadway revival of Grease.  I was fortunate enough to catch the Encores! production of Wonderful Town when it transferred to Broadway.Kathleen was also the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr.  I'm happy to report I was there too!More pertinent, Kathleen directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011, with Sutton Foster as Reno Sweeney.  The show ran at London's Barbican Centre in 2021 and was recorded for television (BBC) by Ross MacGibbon, later picked up by PBS in America.  Kathleen's production is as close to perfect as can be. In fact, she won the Laurence Olivier Award for Best Theatre Choreographer. Stephen RidleyIn 2021 Steve joined Kathleen as music supervisor and music director of Anything Goes at the Barbican.  He was also music supervisor of Oklahoma! at Wyndham's Theatre.  Steve conducted the highly-acclaimed Broadway transfers of The King and I at The London Palladium and the Dominion Theatre and An American in Paris at the Dominion Theatre, and he was the music director of the Olivier Award winning revival of Ken Ludwig's Crazy for You at the Novello Theatre.  He later was music supervisor of Kiss me, Kate at the Barbican, now being shown on PBS throughout the U.S.Steve is a music director, conductor and pianist based in London. He was born in Middlesbrough and is a graduate of the Royal College of Music. I'm thrilled that he joined us for this exciting episode!

It's time for some Julie Andrews on our list as we discuss the 1982 musical comedy ‘Victor/Victoria' Set in Paris in 1934, struggling singer Victoria poses as a female impersonator called Victor under the guidance of friend Toddy. Complications ensue as the deception continues. Tune in and join us at Le Jazz Hop Baby!

Roland is back to go back in time to 1930s Germany where he and Jon examine the origin of the 1982 classic Victor/Victoria. Jon makes some bold statements, while the two can't get over how important this film is to film history.Roland's Instagram: @rolandrusinekHelluva Boss: https://www.youtube.com/playlist?list=PL-uopgYBi65HwiiDR9Y23lomAkGr9mm-SPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Bonnie & Clyde!

Hankering for another scrumptious bite of conversations on gender bending and the odd world of film casting? Join Campbell and Raven as we devour these delectable outtakes.   You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/    Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals for updates on your now favorite podcast.

I think it's as simple as you're one kind of man, I'm another. And what kind are you? One that doesn't have to prove it - To myself, or anyone. This week Raven and Campbell discuss queerness, gender, and slapstick comedy in the 1982 musical film, Victor/Victoria. Where to watch: YouTube, Prime Video, Fandango, Apple TV, Google Play   Classic Absinthe Drip recipe: - 1 oz absinthe - 3 oz cold water - 1 sugar cube   Ya got options. 1) Pour 1 oz of absinthe into a glass and cover with an absinthe (slotted) spoon. Place the sugar cube and poor cold water over and let drip. 2) Place a sugar cube onto an absinthe spoon over an empty glass. Pour over the absinthe and light on fire. After a little caramelization/melting action, put it out with cold water.   You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/  Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals for updates on your now favorite podcast.

On this episode of Read, Watch, Listen, host Chris Barnes chats with teen library associate Sarah Zyto, whose love of books in many genres is undeniable!Check out the items recommended using your EBPL or STELLA library Card: https://ilove.ebpl.org/adults-teens/news/read-watch-listen-sarah-zyto READ Remarkably Bright Creatures by Shelby Van Pelt Demon Copperhead by Barbara Kingslover Pachinko by Jin Min Lee Somebody's Daughter by Ashley C FordWATCH Fences (2016) Victor/Victoria (1982)LISTENFinding Me by Viola DavisAlligator Bites Never Heal by DoechiiJapanese Breakfast

Meg tours Tudor City and investigates the deaths of Hungarian émigrés George Senty and Piroska Lantos. Jessica marvels at Diana Ross making the show go on in Central park during a hurricane.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

The Casuals discuss AFI #69 Tootsie.

Sophie Thatcher is a multifaceted star on the rise. You may have seen her last year in Heretic, opposite Hugh Grant and Chloe East, or in the Disney+ miniseries The Book of Boba Fett. Sophie also plays “Natalie” in the delicious TV series Yellowjackets on SHOWTIME. Its third season premieres on Valentine's Day.Most recently, Sophie stars in Companion alongside Jack Quaid. It's a science fiction, robot thriller that you can see in theaters right now. Sophie joins Feeling Seen to discuss Companion, her love for karaoke, and the 1972 musical Cabaret! Sophie talks about the time she auditioned for the role of Sally Bowles and the time she performed Cabaret for a school talent show. Plus, we get into Sophie's 2024 EP, Pivot & Scrape and the 90s gem that is My So-Called Life.Then Jordan has one quick thing about Prime Video's upcoming political action film G20, starring EGOT title holder Viola Davis as an ass-kicking President of the United States. We can dream! Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun. Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

The Birdcage (1996) & Victor Victoria (1982). This week, Janet, John (and Pen) explore two go-to movies for when you need a good laugh. With inspired performances from Robin Williams, James Garner, Diane Weist, and Julie Andrews, this episode proves that great comedy takes great writing and brilliant performances. To learn more about this episode and others, visit the official Cinema Sounds & Secrets website! 

This is an encore of our episode with the great director, Rob Marshall. He has made numerous films that have been honored with a total of 30 Academy Award nominations — winning 9 in all, including Best Picture for “Chicago,” which alone won a total of 6 of those Oscars. Also, for “Chicago,” Rob received the Directors Guild Award, and nominations for Best Director for the Oscar, Golden Globe and BAFTA awards. Additionally, he won Best Directorial Debut from the National Board of Review and the New York Film Critics Online, as well as the American Choreography Award.Most recently, Rob directed and produced the live-action feature, “The Little Mermaid” for Disney, starring Halle Bailey, Melissa McCarthy and Javier Bardem.Rob's other directorial achievements include multiple nominations for award-winning features like: “Memoirs of a Geisha,” “Nine,” “Pirates of the Caribbean: On Stranger Tides,” which went on to gross over 1 billion dollars worldwide, “Into the Woods,” and “Mary Poppins Returns.”Rob executive produced, directed, and choreographed the NBC TV event “Tony Bennett: An American Classic,” for which he won his second Directors Guild Award. He's also won 3 Emmys for Direction, Choreography, and Outstanding Variety, Music or Comedy Special. He directed and choreographed the Disney/ABC movie musical “Annie,” which received 12 Emmy nominations and won the prestigious Peabody Award. For choreographing Annie, Rob also received an Emmy and an American Choreography Award.He's received the Humanitas Prize for co-writing Mary Poppins Returns, and other awards from the Art Directors Guild, the Cinema Audio Society, the Costume Designers Guild, as well as the Annie Award, the Hamilton Award, and the Chita Rivera Award.Rob's extensive stage work includes the Broadway productions of “Cabaret,” “Little Me,” “Victor/Victoria,” “Damn Yankees,” “She Loves Me,” “Company,” and “Kiss of the Spiderwoman.” He's been nominated six times for the Tony Award, and he's a George Abbott Award winner.For the record, Rob and I are both graduates of Taylor Allderdice High School here in Pittsburgh. Rob is also an alumni of Carnegie Mellon University's top-rated School of Drama.

This week, Mackenzie and Scott are exploring 'King's Dilemma' as they discussion the troublesome musical comedy Victor/Victoria. Together these two unpack why some of the songs from the Oscar nominated film didn't make it into the stage show. They explore why the keys to the songs didn't quite sit right with either Julie Andrews or audiences. Plus hear how these two find correlations between this musical comedy and the Tony winning musical La Cage Aux Folles! All this and Paris by Night in this all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠

Next week Mackenzie and Scott are jetting off to the night clubs of Paris, France as they discuss the musical comedy Victor/Victoria. Hear Scott and Mackenzie explore the score as they decipher the differences between Mancini and Wildhorn's compositions. They give their lists of who they think would work in leading this musical in a revival. Plus, discover the Tony Award drama that surrounds this show. All of this and Paris makes us horny on next Friday's all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Cáel deals with wounds, lies and the clash of cultures.In 25 parts, edited from the works of FinalStand.Listen and subscribe to the ► Podcast at Connected..“The words 'I love you' inspires joy, relief and terror.”I missed my entry to the infirmary. I was returned to clarity by the two female attendants. The younger went straight to cutting my left pants leg off while the oldest Amazon I'd seen to date began an excellent rendition of 'beef' inspector while pretending to be a physician. It was almost hilarious when she looked to Sydney, addressing her in Old Kingdom Hittite."Was he being disciplined, or did he do something stupid?""I did something stupid," I griped. "I showed up to work today." Since it was their native tongue, both of the medical attendants' eyes bugged out."He volunteered to help Aya of Epona with her archery lessons by letting her shoot at a fruit out of his hand," Sydney related."This; this isn't a wound caused by a practice arrow," the physician observed."No, that was from Leona of Marda. She attempted to kill him. When Leona threatened his controller, he presented himself for slaughter," Sydney clarified. "Hayden stopped Leona, Leona disobeyed and we need to plan Leona's funerary arrangements now.""How did you come to speak our language?" the junior attendant asked. The tone of her voice and the look in her eyes was chilling and sensual at the same time. It was chilling because of the transformation she went through as I went from a piece of equipment to a close approximation of a human being in her eyes. I was getting tired."Erotic poetry," I humored her. "I had a lover some time ago; a scholar; who wanted to share Old Kingdom Hittite; Amazon love poetry and songs in the voices of their creators. I know multiple languages no longer spoken."#Your eyes are stolen from the waterfalls descending from the highest mountains##Your hair robbed from the threads of the night sky##Your body is shaped by the Mother Rivers##Your beauty is the gift of the Goddess who knows both tears and love#I recited it in the original Chaldean Babylonian. They were all staring at me, so I translated it into Hittite. It didn't flow as smoothly."What language was that in?" the security guard inquired."Chaldean Babylonian. It is a love poem from a prince to his dead wife," I answered."It was nice, even eloquent," Sydney remarked."Wow," I sighed. "It is tragic to think not a single woman in this room has ever been romanced.""I am pretty sure every woman in this room has been with a man before," the security guard countered."After sex, what did the two of you talk about?" I regarded her."That's not what we use men for," the doctor spoke up while she began examining my wound. Pain. "We use artificial insemination and surrogates for procreation. Beyond directing them in our physical stimulation, there is no need to talk to men.""Oh," I mused sadly. "That makes sense and is richly rewarding to know. If I was more like the rest of you, I'd be laughing. Unfortunately, I have a heart and compassion, so I'll pity you all instead." The doctor didn't take my honestly well. "Ow! Good bedside; Ow!; manner there, Doc.""We don't need your pity," the security guard threatened."Sure, but then I've not bred myself into extinction out of fear of cuddling either," I grinned. "Treating men like livestock makes sense; if you are evil. You refused to allow yourselves to get attached to any male so it would be easier to kill us when our time came.""Tread carefully," Sydney cautioned me."Okay Sydney. Since you are the only female present capable of having offspring, I'll be good," I got in my parting shot. By the silence in the room, I had hit the nail on the head. "I apologize for disturbing you ladies. I'll be a good male and keep my mouth shut."That declaration didn't last long. Apparently pain-killers were not part of their medical credo. When I asked, the doctor implied I wasn't hurt nearly enough; in other words, not being amputated or decapitated. I asked if being castrated would earn me a hammer to the head. They smiled. They thought I was a funny guy once more. It was the whole 'laugh at death' mystique again.This tender, motherly moment was punctuated by the doctor's application of the staple gun (instead of stitches) to both entry and exit wounds. Sydney offered to give me something to bite down on. I insisted on sharing my pain as I screamed my lungs out during the torturous procedure."I thought you were a tough guy," the security guard sneered."And not screaming would have made me tough? Bitch, those are some fucked-up priorities. Screaming meant I didn't jolt when she was stapling my wounds shut. I've been stabbed and stitched enough to know that much," I glared.The assistant had been walking her hands over my body during the process."You have been stabbed fourteen times," she muttered."You missed the one on the right foot," I corrected."You've been stabbed fifteen times? What do you do?" Sydney wondered."I date women. You are a surprisingly dangerous breed, even without the extreme training you ladies possess," I confessed. "To be concise, I have the bad habit of dating women and their friends, acquaintances, and even family members; usually without their knowledge. It always ends badly; thus the wounds.""You betray the women you sleep with?" the doctor stared."We could banter terms and expectations about, but essentially 'yes', I do," I sighed."You seemed like such a well-behaved male," the security guard looked confused."Huh? What does my love of sex have to do with my demeanor?" I mused."I've never beat a lover, or forced myself on a woman. If you want to hold my lack of forthrightness against me, please remember you are part of a secret society that embraces kidnapping, rape and slaughter as daily practices," I smiled. "Comparatively, me not telling one woman that I'm dating her neighbor is small potatoes.""We do what we do out of necessity," the doctor insisted."That flimsy excuse is about as useful as 'you wouldn't understand; you aren't a woman/amazon/nutty-nut bar," I shook my head. "I give up. Your society has equaled, if not exceeded, every inhuman deed men have ever committed.""Congratulations; you have become crueler and more depraved than your enemies," I lauded them."Because of your ignorance, I will let that outburst go unpunished," Sydney stated. I wised up and shut up.My shirt was returned and they had to synch a large towel around my waist because my jeans were ruined and they didn't have scrubs in my size. They gave me my bloody dockers too. Sydney walked me to the front entrance. By the looks of the women we passed they knew something had happened, if not the precise nature.Security's opportunity to 'get me' on the way out was stymied by Caitlyn  and  family, Desiree, Tigger, and Buffy hanging around. The moment Aya saw me, she called out my name and came running. The only thing worse than the pain of her impacting me would have been the look on her face if I warded her off. I caught her in my arms and lifted her up."Cáel," she exclaimed. "Does it hurt?" I kept lifting her until I blew loudly on her belly."Does that hurt?" I teased her."No," she giggled."Then I'm fine. Really now, I've been hurt worse by a splinter from a toothpick," I exaggerated for her."You are lying to me," Aya shook her finger in my face."The lesson being 'don't lie to winners'," I sighed."Yep," Aya mimicked me. "Is our date for tonight still going to happen?""Oh; Aya, I can't," I groaned. "I've got three smoking hot babes coming over tonight.""Don't make me punch you," Europa play-threatened. She and Loraine had sneaked up on me while I was entertaining Aya."I don't know," Loraine gave a cautious laugh. "I like being called a smoking hot babe.""Aya, I really like you, but do you always have to drag those two around with you?" I wiggled Aya up in the air. "It's kind of creepy." She giggled."Those are my sisters, Silly," she snickered. "They will be your daughters one day too.""Time for us to go," Caitlyn intervened. As she ushered her children away, she shot me a look over my shoulder that strongly suggested she wanted to play house. Desiree moved to within a meter of me and looked me up and down."You are an idiot," she remarked, turned and left. I looked to Buffy."I'm your ride," Buffy snorted. I hobbled to her."I'm glad you are okay," Tigger waved then followed Desiree out."Thanks for a great time," I looked over my shoulder at the Amazons. "As soon as my blood supply has replenished, I'll be sure to come back and play some more."We were in the car, exiting Doebridge when Buffy finally spoke."Why do you keep thinking you can keep getting away with talking like;” she was glaring at me. "Oh Goddess; you really are laughing at death. You really believe you are going to die, don't you?""Absolutely. The moment they started chanting I realized it was unlikely I'd get out of this experience alive," I admitted."Why are you holding us to the 78 day rule?" she asked."Recall what I said about backbone, Buffy?" I reminded her."I am attached to the lifestyle I've created and I'm not going to change it to scrape out a few more days of existence," I grinned. "I hold Havenstone to that countdown because I would do it if I thought I was going to be okay." A few more minutes passed. I tried to cut the radio on. Buffy kept cutting it off. I was getting sick of it and my annoyance was showing."Did you really tell the whole dome that you would sleep with me first?" she whispered."Of course," I replied. "I said that was my intention at work and I mean to keep to it.""What about Hayden?" she asked."Well, unless you agree to a three-way, I think this is going to be an issue we'll have to work around," I shrugged."I'm not even sure I like you," Buffy mumbled. "I want you. I am not sure I like you, though.""Buffy, that's fine," I murmured. I unbuckled my seatbelt and began twisting around in my seat. My thigh was killing me, but I was a man on a mission. I put my head in Buffy's lap, gazing up at her."What are you doing?" she grinned."Annoying you; taking advantage of you; take your pick," I smiled. We drove for a while.

This episode of Target Audience welcomes writer and film critic Nathaniel Rogers. Nathaniel is targeted by Blake Edwards' 1982 musical comedy Victor/Victoria. Join us as we talk Julie Andrews, category fraud, and awesomely unnecessary set pieces. Nathaniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nathaniel's ⁠⁠⁠Website⁠ (The Film Experience) Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Can't Slow Down" by Almost Monday

In this meeting, we discuss Victor/Victoria (1982). Next time, we will be discussing Un Rincón Cerca del Cielo (1952).

When it comes to performing, whether in musical theater or in the pop world, a singer's voice can be their identity, their money maker, the one instrument that often defines their careers. And so losing their voice can be life-changing and demoralizing. On my other podcast Closing Night I did an episode on the Broadway production of Victor/Victoria and chronicled the surgery that ended Julie Andrews vocal career. There's also a new documentary out about Celine Dion and her battle with Stiff Persons Syndrome that has left her unable to sing. I've even had my own struggles with vocal paresis, which for me means that one of my vocal cords moves weakly and has a hard time fully closing compared to the other. And today's guest has had her own vocal struggles and knows what that loss feels like. Sarah Hester Ross has become a one-of-a-kind entertainer and social media star, amassing 2.4M followers on TikTok and over 260K on Instagram. She has also been touted as the “Best Of Las Vegas” for her comedy and one-woman show. And she's achieved all this with a vocal injury that still affects her to this day. We talk about that as well as her struggles with a lack of motivation and even interest in her comedy work. Nonetheless, her good-natured, comedic exuberance has earned her the moniker of "The Hilarious Redhead!" And I think you'll hear why in this witty and thoughtful conversation. ---------- Subscribe to get early and ad-free access to the full conversation with each guest, which includes the auditions stories that are only available to subscribers. You can also donate to WINMI and help further podcast production with a one-time or ongoing contribution. If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content. Follow WINMI: Website | Instagram | Twitter | YouTube Why I'll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions and is used under a Creative Commons Attribution-NonCommercial 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wondered what it's like to juggle Hollywood, Broadway, and a spiritual journey? Join us as we celebrate our 200th episode with the incredible Michael Nouri! From his iconic role in "Flashdance" to his Broadway stints with legends like Julie Andrews, Michael shares captivating stories from his illustrious career. Discover his philanthropic heart, his meditation practice since 1970, and his dreams of playing Zorba in "Zorba the Greek." Plus, get a peek into his personal life and the adorable tale of his rescue dog, Charlie. Tune in for an episode brimming with inspiration and Hollywood magic! Michael Nouri's Bio:After starring in an off-Broadway production of The Crucible, Nouri landed his first Broadway role in Forty Carats, which ran for two years. He made his film debut in 1969 with an uncredited role in Goodbye, Columbus. He appeared on several television soap operas and was nominated for a Daytime Emmy Award for his role as Steve Kaslo on Search for Tomorrow. Nouri portrayed Lucky Luciano in the miniseries The Gangster Chronicles and its theatrically released feature film Gangster Wars. In 1979, he appeared in the episode "The Curse of Dracula" of the series Cliffhangers.[citation needed]In 1983, he had a starring role as Nick Hurley in the romantic drama Flashdance. Despite mixed reviews, the film was one of the highest-grossing films of 1983 and was nominated for several top awards, winning an Academy Award for Best Original Song.[3]Nouri has appeared in numerous television series and television films. He starred opposite Kyle MacLachlan in the horror film The Hidden. He starred on the short-lived series Bay City Blues and Downtown, and on the sitcom Love & War. Nouri also starred in the Broadway production of the musical Victor/Victoria as King Marchan opposite Julie Andrews. He appeared in three separate entries of Law & Order, each time in different roles. He had recurring roles on the series The O.C., Damages, NCIS, and Army Wives. Nouri returned to soap operas with a year-long stint on All My Children. More recently, he had a recurring role on the series Yellowstone for three seasons. Connect with Michael:Website: www.michaelnouri.comThank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.biz. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribe

237 - Victor/Victoria Movie Discussion and Interview w/ Herb Boomhower Steven is once again joined by Herb Boomhower! We talk mostly about working on Victor/Victoria. We also talk about him being on The Julie Andrews Hour and his other projects. To learn more about Herb, please check out his interview episode #203. Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page. Thanks for listening!

In this meeting, we discuss Modern Times (1936). Next time, we will be discussing Victor/Victoria (1982).

The great director, Rob Marshall, has made numerous films that have been honored with a total of 30 Academy Award nominations — winning 9 in all, including Best Picture for “Chicago,” which alone won a total of 6 of those Oscars. Also, for “Chicago,” Rob received the Directors Guild Award, and nominations for Best Director for the Oscar, Golden Globe and BAFTA awards. Additionally, he won Best Directorial Debut from the National Board of Review and the New York Film Critics Online, as well as the American Choreography Award.  Most recently, Rob directed and produced the live-action feature, “The Little Mermaid” for Disney, starring Halle Bailey, Melissa McCarthy and Javier Bardem. Rob's other directorial achievements include multiple nominations for award-winning features like: “Memoirs of a Geisha,” “Nine,” “Pirates of the Caribbean: On Stranger Tides,” which went on to gross over 1 billion dollars worldwide, “Into the Woods,” and “Mary Poppins Returns.”Rob executive produced, directed, and choreographed the NBC TV event “Tony Bennett: An American Classic,” for which he won his second Directors Guild Award. He's also won 3 Emmys for Direction, Choreography, and Outstanding Variety, Music or Comedy Special. He directed and choreographed the Disney/ABC movie musical “Annie,” which received 12 Emmy nominations and won the prestigious Peabody Award. For choreographing Annie, Rob also received an Emmy and an American Choreography Award. He's received the Humanitas Prize for co-writing Mary Poppins Returns, and other awards from the Art Directors Guild, the Cinema Audio Society, the Costume Designers Guild, as well as the Annie Award, the Hamilton Award, and the Chita Rivera Award.Rob's extensive stage work includes the Broadway productions of “Cabaret,” “Little Me,” “Victor/Victoria,” “Damn Yankees,” “She Loves Me,” “Company,” and “Kiss of the Spiderwoman.” He's been nominated six times for the Tony Award, and he's a George Abbott Award winner.For the record, Rob and I are both graduates of Taylor Allderdice High School here in Pittsburgh. Rob is also an alumni of Carnegie Mellon University's top-rated School of Drama.

Home Work: A Memoir of My Hollywood Years is a memoir of Mary Poppins herself: Dame Julie Andrews. The memoir covers a broad range of years from Mary Poppins up until Victor/Victoria and details not only her rise to fame with movies like The Sound of Music but also focuses on her marriages to Tony Walton and Blake Edwards. In the memoir she also focuses on her relationships with her children, friends, and family, while adjusting to Hollywood and the demands of success. Ian is a big musical theater fan so he really enjoys chatting about the Queen of Genovia herself.   Next month's pick is Ronnie's and she choose, "The Poisons We Drink" by Bethany Baptiste. If you enjoyed the podcast be sure to leave us a rating or send us a message on Twitter! We like to hear from you!!  

Meg goes to court with Carolee Koster and her dad, neither of whom will take no for an answer. Jessica trawls personal ads from 1686 - 1986 and finds that nothing's new in the dating game.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

After trading our virtues for a meatball in our spaghetti, finding a cockroach in our salad, and smearing éclair cream into our nose hair; we discuss Victor/Victoria. In this crazy gay Parisian world, the accents may be all wrong, but we agree that the messages of acceptance and feminism are perfect until the second half where King's arc outshines Victoria's friendship with Toddy. It's a great example of comedy filmmaking in the 1980s that even the shady dame from Seville would enjoy.

This week Austin and Tim travel back to the iconic summer of 1982 to watch 6 movies! BLADE RUNNER, GREASE 2, THE BORDER, AUTHOR AUTHOR, CAT PEOPLE and VICTOR/VICTORIA.

We continue Romance Month with a bonus episode that came into being due to our previous episode on Victor/Victoria that also just happens to work for this month's theme: The Americanization of Emily. Rankin' on Bond's Richard Hatem programs the episode to talk more Julie Andrews, James Garner, and alot of anti-war sentiment.Reuniting James Garner and Julie Andrews, the film follows Garner's Charlie Madson as he attempts to do everything he can to stay out of WWII along with falling in love with Andrew's titular Emily. Along the way, he gets involved in a plot to win a PR battle between the Army and Navy during Operation D-Day that changes his life and outlook forever. For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

“So, come on in and play me Le Jazz Hot, baby, ‘cause I love my jazz HOT!” In this fourth episode of the QUEER SERIES, showbiz siblings Kristen and Sarah Goodman chat about one of their favorite shows: VICTOR/VICTORIA. Find out why Julie Andrews declined her Tony nomination that year, discover just “How Queer Is It?” and hear who would star in Sarah's fantasy dream cast revival production! GOOD SHOW! Instagram @goodshowpodcast  GOOD SHOW! TikTok @goodshowpodcast    broadwaycares.org Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue Musical Month Deux with a Julie Andrews-helmed performance musical that has some rather progressive ideas about gender and sexual politics: Victor/Victoria. 80's TV Ladies' Susan Lambert Hatem programs the episode and stops by to talk all about James Garner, 80's sexual politics, and if this could be remade in 2024.Based on the 1933 German film, the musical follows the titular Victoria as she attempts to make a name for herself in 1930's Paris by posing as Count Victor, the world's foremost female impersonator. She's aided in her attempt by Robert Preston's Toddy, a gay performer down on his luck, who does everything he can to make her the biggest star in the music scene.For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

Julie Andrews visits Google with her daughter Emma Walton Hamilton to share reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria. In her first memoir “Home,” Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, “Home Work: A Memoir of My Hollywood Years”, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films--Mary Poppins and The Sound of Music. Andrews describes her years in the film industry, from the incredible highs to the challenging lows. Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, the end of her first marriage, and falling in love with the brilliant and mercurial Blake Edwards. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, “Home Work” takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring. Originally published in October of 2019 and moderated by former Google CEO Eric Schmidt. Visit YouTube.com/TalksatGoogle to watch the video.                                

EPISODE 16 - “Beginner's Luck” - 01/01/2024 To win an Oscar sometimes takes decades of hard work and dedication to your craft — just ask PAUL NEWMAN, GERALDINE PAGE, and JESSICA TANDY. In fact, when Newman finally won the Oscar in 1987 for “The Color of Money,” after being nominated six times previously, he didn't even bother to show up to the ceremony. “It's like chasing a beautiful woman for 80 years,” he told the Associated Press. “Finally, she relents and you say, ‘I'm terribly sorry. I'm tired.'” However, there is a small group of actors who didn't have to chase that beautiful Oscar for 80 years. They won for their very first film. This week we take a look at this rarified group. SHOW NOTES:  Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    GALE SONDERGAARD — The Wizard of Oz (1939), Anthony Adverse (1936), The Mark Of Zorro (1940), The Letter (1940), Sherlock Holmes and the Spider Woman (1943), The King of Siam (1946); KATINA PAXINOU — For Whom The Bell Tolls (1943), Mourning Becomes Electra (1947); HAROLD RUSSELL — The Best Years of Our Lives (1946), Inside Moves (1980); MERCEDES McCAMBRIDGE — All The King's Men (1949), Lightning Strikes Twice (1951), Johnny Guitar (1954), Giant (1956), Touch Of Evil (1958), The Exorcist (1973); SHIRLEY BOOTH — Come Back Little Sheet (1952), About Mrs. Leslie (1954); EVA MARIE SAINT — On The Waterfront (1955), A Hatful of Rain (1957), Raintree County (1957), North By Northwest (1959); JO VAN FLEET — East of Eden (1955), The Rose Tattoo (1955), I'll Cry Tomorrow (1955), Four Queens and a King (1956), Gunfight At The Okay Corral (1957), Wild River (1960), Cool Hand Luke (1967); JULIE ANDREWS — Mary Poppins (1964), The Sound Of Music (1965), Thoroughly Modern Millie (1967), Darling Lil (1970), The Pink Panther (1967), The Pink Panther Strikes Again (1976), 10 (1979), Victor/Victoria (1982);   BARBRA STREISAND — Funny Girl (1968), Hello Dolly (1969), On A Clear Day You Can See Forever (1970), The Owl and the Pussycat (1970); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

WELCOME TO CARRIED AWAY... THE SATC REWATCH PODCAST - where two twenty something women rewatch the iconic 90s series... twenty something years later. In this weeks episode we see Charlotte pose as a drag king, Samantha deals with a new assistant, Carrie dates Sean and Miranda struggles with Steve moving into her apartment. We get Carried Away… discussing gender roles, Steve's audacity to invite himself to be Miranda's new roomie, Victor/Victoria, Alanis Morissette, "The Collusion of Illusion & Reality", spin the bottle, Carrie's ignorance (shock) and abso-fucking-lutely everything in between. Find out which characters we relate to most and our hilarious quotes of the episode!

Welcome to the final episode of Closing Night's first season! We've covered eight different Broadway musicals at the Marquis Theatre that closed too soon, with our final show being Victor/Victoria, written and directed by Blake Edwards and starring his wife Julie Andrews. And in this interview episode we're featuring two members of that Broadway cast. Darren Lee - We talk about his experiences working with legendary leading ladies like Julie Andrews, Liza Minnelli, and Raquel Welch, including the rehearsal process, behind-the-scenes dynamics, and the impact of star power on the overall show experience. He also discusses the challenges of being an Asian actor, yet the thrills he's had being a part of various Broadway productions. Mark Hoebee - Our conversation revolves around the experiences and challenges of producing a theatrical show, including the intricacies of staging and directing, the impact of key personalities, and the dedication and resilience of the cast and crew. The conversation covers the creative process, the influence of notable individuals such as Julie Andrews, the dynamic nature of live performances, and the unwavering commitment of those involved in the production. Follow Closing Night on Instagram and listen on your favorite podcast app. Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Blake Stadnik composed the theme music, and Maria Clara Ribeiro is co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirteen years after starring in Victor/Victoria across cinemas nationwide, Julie Andrews made a triumphant return to Broadway in this highly anticipated stage adaptation, directed by her husband Blake Edwards. Playing a female singer masquerading as a man pretending to be a woman, Andrews ended a 33-year hiatus with the show's opening at the Marquis Theatre. In this emotional episode, experience Andrews' heartfelt opening night of joy as she was joined by a stellar cast of 32 performers. They included Broadway veterans like Tony Roberts, Rachel York, and Gregory Jbara The show featured both original film tunes and new compositions by Henry Mancini and Leslie Bricusse, with some help by Frank Wildhorn. Despite setbacks, including changes to the creative team, the untimely death of a composer, critical reviews, and internal squabbles, Victor/Victoria signified a remarkable comeback for Julie Andrews. Join us as we delve into the journey from movie musical to Broadway spectacle, exploring the highs and lows that made Victor/Victoria a memorable chapter in Broadway history. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to E. Clay Cornelious for sharing his experiences with the short-lived Jekyll & Hyde revival and its cast and creatives. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the thirty-third episode of Season 9 (Keep It Musical!) Kyle is joined by musician Ben Childs and filmmaker Alejandro Etcheagaray to discuss the openly progressive deconstruction of gender, identity, and sexuality of Blake Edwards' warm and tender ode to the cabaret burlesque outsiders of 1930s Paris in the grand gender bending musical Victor/Victoria (1982).

durée : 00:58:50 - Vincent Dedienne programme " 42e rue " - par : Laurent Valière - Vincent Dedienne tournera en janvier dans sa première comédie musicale avec des chansons de Alex Beaupain et Diastème. C'est ce qu'il révèle notamment aujourd'hui dans « 42e rue » à Laurent Valière en programmant les comédies musicales qu'il aime : de Mamma Mia à Victor Victoria. - réalisé par : Céline Parfenoff

Ever since he burst onto the Broadway scene in the 1990s, Frank Wildhorn has remained an intriguing figure in American Musical Theatre. But Wildhorn's journey is far from a conventional success story, nor was it a typical path to the Broadway stage. But among his seven Broadway musicals, three of them have appeared at the Marquis Theater: Victor/Victoria, Wonderland, and a 2013 revival production of Jekyll & Hyde. (In fact, the title of this episode comes from a New York Times review of that revival by Charles Isherwood.) Now, Victor/Victoria will actually get its own episode to close out the first season of this podcast, so this one is actually going to be a combo episode, covering the other two shows together. That's because they both share a lot in common: Wonderland and Jekyll & Hyde were both written by Wildhorn, both were based on famous literary stories, both were universally panned, and both of them ran for less than a month. Here are the stories of how and why that happened. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to E. Clay Cornelious for sharing his experiences with the short-lived Jekyll & Hyde revival and its cast and creatives. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on And the Runner-Up Is, Kevin welcomes writer and podcaster Ema Sasic to discuss the 1982 Oscar race for Best Actress, where Meryl Streep won for her performance in "Sophie's Choice," beating Julie Andrews in "Victor/Victoria," Jessica Lange in "Frances," Sissy Spacek in "Missing," and Debra Winger in "An Officer and a Gentleman." We discuss all of these nominated performances and determine who we think was the runner-up to Streep.  0:00 - 10:59 - Introduction 11:00 - 31:41 - Julie Andrews 31:42 - 55:39 - Jessica Lange 55:40 - 1:12:30 - Sissy Spacek 1:12:31 - 1:32:27 - Debra Winger 1:32:28 - 1:53:07 - Meryl Streep 1:53:08 - 2:33:23 - Why Meryl Streep won / Twitter questions 2:33:24- 2:39:59 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Ema Sasic on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Happy National Coming Out Day, from GOOD SHOW! We're here. We're queer. Get used to listening to your new favorite musical theater podcast because we're getting ready to launch six new episodes! Showbiz siblings Kristen and Sarah Goodman are proud to announce the second series of the pod: THE QUEER SERIES featuring LA CAGE AUX FOLLES, FALSETTOS, RENT, VICTOR/VICTORIA, FUN HOME, and THE PROM! This isn't just a phase, folx. We're hella gay, and we love Broadway! Follow us on Instagram @goodshowpodcast and TIkTok @goodshowpodcast for announcements about our celebrity special guests and when these new episodes will be coming out of the closet and onto your playlist. Cheers for Queers! Posted on October 11th, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Blake Edwards' 1980s remake of a Weimar-era German film about a gender-bending cabaret singer and the mobster who falls in love with her/him in 1930s Paris, starring Julie Andrews, James Garner, and Robert Preston, is a delightful creampuff of a movie that should have absolutely no relevance to the incredibly stupid political and cultural climate of the United States in 2023, and yet here we are. What a time to be alive.

The ESO Rainbow Room celebrates Pride Month with some farcical fun in Gay Paree. Mike, Mike, and Mary take a look at the Oscar-winning disguise surprise comedy of 1982. All this, along with Angela's A Geek Girl's Take and Shout Outs. We want to hear from you! Feedback is always welcome. Please write to us at feedback@earthstationone.com and subscribe and rate the show on Apple Podcast, Stitcher Radio, Google Play, Spotify, Pandora, Amazon Music, wherever fine podcasts are found, and now we can be found on our own YouTube Channel. Links The Earth Station One Website Earth Station One on Apple Podcasts The Earth Station One YouTube Channel Earth Station One on Stitcher Radio Earth Station One on Spotify Past Episodes of The Earth Station One Podcast Angela's A Geek Girl's Take Ashley's Box Office Buzz Michelle's Iconic Rock Talk Show Lost-n-Found Youth Promos Tifosi Optics Monkeeing Around The ESO Network Patreon Unique Crafts by Jenn's ESO Network Tee-Public If you would like to leave feedback or a comment on the show please feel free to email us at feedback@earthstationone.com Special Guest: Mary Ogle.

The ESO Rainbow Room celebrates Pride Month with some farcical fun in Gay Paree. Mike, Mike, and Mary take a look at the Oscar-winning disguise surprise comedy of 1982. All this, along with Angela’s A Geek Girl’s Take and Shout Outs. We want to hear from you! Feedback is always welcome. Please write to us … An LGBT Look At Victor / Victoria Read More » The post An LGBT Look At Victor / Victoria appeared first on The ESO Network.

EPISODE #387-- We carry on with Pride Month, this time tackling the classic gender-bending musical comedy, VICTOR/VICTORIA (1982), written and directed by Blake Edwards. It's a good one. A good movie and a good episode. We also talk about MISSION: IMPOSSIBLE (1996) from Brian Di Palma and CONFLAGRATION (1957), which is available on the Criterion Channel. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Instagram @kislingwhatsit and @kislingkino on Tiktok. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

We're kicking off our Pride episodes with Dame Julie Andrews conning the people of 1930s Paris to believe that she is playing a man who is (in modern terms) a drag queen. Jon and friend of the pod Roland break down this movie by discussing gender, their relationships with this movie/stage version, and the importance of this movie.Roland's Instagram: @rolandrusinekPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Were the World Mine!

Jon brings on a new guest (Kevin Sluder) to accidentally torture him with this sequel that no one asked for. The two drag this movie through the mud while asking, "Why were you made?" On the up side: the music is fire (as the kids say).Kevin's Link: https://linktr.ee/kevinwatchesmoviesPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Victor/Victoria!

With special -- and returning! -- guest Howard Casner, Anna and Derek discuss the scene-stealing amazingness of Robert Preston, the glaring ick factor in King and Victoria's relationship, and so much more during their chat of Blake Edwards' Victor/Victoria (1982).Connect with '80s Movie Montage on Facebook, Twitter or Instagram! It's the same handle for all three... @80smontagepod.Facebook: https://www.facebook.com/80sMontagePodTwitter: https://twitter.com/80sMontagePodInstagram: https://www.instagram.com/80smontagepod/Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.Howard Casner is a screenwriter and script consultant who has lived in Los Angeles since 2001. He has published two books of short stories, The Starving Artists and Other Stories and The Five Corporations and One True Religion (these are sci-fi, fantasy and horror short stories). He has also published the second edition of his screenwriting book, More Rantings and Ravings of a Screenplay Reader. All are available on Amazon. His podcast Pop Art, in which a guest chooses a movie from popular culture and he will then choose a movie from the art/indie/foreign/classic side of cinema with a connection to it, can be found on Apple, Anchor, Spotify and other streaming platforms.

Today on the Rarified Heir Podcast encore edition, we are speaking with Gigi Garner, daughter of actor James Garner. Gigi was a fun interview to do because she spent so much time with her father both on camera and off. Yes she was on the set of The Rockford Files, yes we talk about her dad's breakout role in Maverick which led to a very public and very personal lawsuit that Jim ultimately won, but also how they shared the camera in a Polaroid commercial, that was omnipresent in the 1980s. We talk about Jim's upbringing, his fantastic film career in movies like The Americanization of Emily, The Great Escape and Victor/Victoria as well as Gigi's own career as a singer in the 70's and 80s in the UK. And believe us, we've found some of those vinyl 7”'s on Discogs and Ebay and have been meaning to pull the trigger and having them shipped international for our personal collection. If that's not all, Gigi tells us about her years as a skip tracer, tracking down criminals, something we did NOT expect to hear.  Oh and we also talk about Gigi's animal charities, something her father would fully support as well as her own artwork that is in galleries now. It's all right here, on this encore edition of the Rarified Heir Podcast. Take a listen.

Consider supporting the show on Patreon Watch us on our YouTube ChannelOn our latest episode, Jamie wants to assure all listeners that this is an 80s movie podcast and not the 'offend Julie Andrews podcast', Doug forgets that vanity is a word even after spending so much time with him in the Smurfs' Christmas Special, and we agree that Babs makes a better man that Julie (again, no offense Ms. Andrews). Punch out some ladies and gents at a club, always be kind to wait staff, and join us as we gender-bend through 1930s Paris (with a brief stop in Chicago) by discussing, Victor/Victoria!Full bonus episodes at our Patreon include: • Blame it on Rio • The House on Sorority Row • A He-Man and She-Ra Christmas • The Hollywood Knights • The Great Outdoors • Silver Bullet • One Magic Christmas • The Cabbage Patch Kids First Christmas • Under the Cherry Moon • Haunted Honeymoon • Commando• Beverly Hills Madam • Happy Birthday to Me • A Christmas Dream • A Garfield Christmas • Supergirl• Garlic is as Good as Ten Mothers • Who's Harry Crumb • Missing in Action 2: The Beginning • Revenge of the Stepford Wives • Evil Dead II • Dune• A Claymation Christmas Celebration• Howard the Duck• How to Beat the High Cost of Living• They Live• This House Possessed• Monkey Shines• Terror Train• Spice World/Stop or My Mom Will Shoot!• Teen Witch• The Star Wars Holiday Special• The Smurfs' Christmas Special• 80's Handshake 5• 90's Handshake 5• Questions and Answers• Interviews• Covering/ranking all movies in the Friday the 13th Franchise! & more.. Merch on TeePublic Visit our WebsiteVisit our YouTube ChannelFollow us on TwitterAnd on InstagramFind us on Facebook