Podcast appearances and mentions of john dyer baizley

Interview by Angela CroudaceAmerican heavyweights Baroness are headed to Tasmania this month for the famously atmospheric and provocative Dark Mofo festival — and for the band, it was precisely that mystique that made them say yes."It was a pretty interesting offer to fly 20 to 30 hours around the globe to play one show," they laughed. "But the vibe of the festival fits us."It won't be their first time in Australia, but it will mark their long-awaited return to the island state. Reflecting on a previous visit to Tasmania in 2012, vocalist John Dyer Baizley recalled a surreal show where the audience had reportedly been dosed with LSD — "It was weird. But fun."Their set promises to be just as memorable this time around, featuring new material and even some deep cuts that haven't been played in over a decade. "We're excited. It's very likely we'll play some songs we've never played in Tasmania — or anywhere in a long time."Known for their evolving sound and richly illustrated album art, Baroness have always pushed sonic and visual boundaries. "We've given ourselves not just the right, but the obligation to push forward," they explained. "We build on what we've done, but we don't stand still."The band's iconic colour-themed albums were a deliberate early concept, though they've since moved on from it. As for the relationship between their music and artwork? "Typically, the artwork is a reflection of the music — and sometimes the lyrics. Though for newer albums like Stone, the music came first."Baroness are also mindful of the personal cost and discipline it takes to endure as musicians. Staying grounded and creatively fuelled comes down to "frustration" — and exercise. "To perform the way we want to, we have to align mind, body and spirit," they said. "We work out a lot more than people think. "On stage, they thrive on energy exchange. "We're not just playing songs — we're playing the audience. The show depends on them."Despite their openness, the band values maintaining some mystery. "In the era of oversharing, we think it's important for artists to preserve something for the listener to discover on their own." Don't expect them to give too much away in the way of behind-the-scenes tour vlogs, as seems to be the trend with artists these days; the band believes in leaving a little mystery to their fans.Be sure to catch Baroness as they bring their signature intensity and introspective edge to Dark Mofo this June — a performance perfectly at home in the festival's dark and immersive atmosphere.For more information on Dark Mofo follow this link: https://darkmofo.net.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

This week Jeremy interviews John Dyer Baizley of the band Baroness. On this episode Jeremy and John talk Savannah Georgia, the history of Baroness, two string guitars, Nirvana, covering songs, college in Rhode Island, full stacks, All Books, touring seven days a week, connecting the artwork to the records, approaches to recording, and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where John answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and THE WEBSITE FORMERLY KNOWN AS TWITTER

Summary In this episode, host Blake Wyland interviews John Dyer Baizley from the band Baroness. They discuss the band's touring rig and guitar setup, the importance of band chemistry, and the role of the song and audience in live performances. John also shares insights into the band's intuitive approach to songwriting and the exploration of ideas that don't fit the band's sound. Additionally, they touch on John's visual artistry and his influences as an artist. Custom Rickenbackers, favorite BOSS Pedals, and of course pizza are the topics of the day! You are going to enjoy this! Takeaways Band chemistry is crucial for creating a balanced and dynamic live performance. The role of each band member is to support and enhance the overall sound, rather than seeking individual attention. The band's writing process is a combination of structured and intuitive approaches, allowing for creative exploration and discovery. Trusting instincts and embracing creativity without overthinking can lead to unique and exciting musical moments. John's visual artistry is influenced by a variety of artists and mediums, and he continues to explore and evolve as an artist. Trying different pizzerias around the world can be a fun and delicious experience. Chapters 00:00 Introduction and Touring 02:06 Touring Rig and Guitar Setup 05:00 Custom-Built Rickenbacker 06:29 Finding the Right Gear 08:54 Balancing Tonal Characteristics 11:48 The Importance of Band Chemistry 13:38 Supporting Each Other as Band Members 16:32 The Role of the Song and Audience in Live Performances 19:06 Creating Dynamic Performances 21:33 The Evolution of the Band's Writing Process 23:20 The Intuitive Approach to Songwriting 25:13 Trusting Instincts over Intelligence 27:31 Exploring Ideas that Don't Fit the Band 32:17 John's Visual Artistry 37:20 Influences and Artistic Journey 48:26 John's Five Influences 52:26 Closing Remarks 54:35 Favorite Kind of Pizza 55:22 Exploring Pizzerias Around the World Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we start our two part episode on our favorite 15 albums of 2023, a year that truly delivered the goods when it comes to our favorite genres of music. The episode features in depth interviews with the artists on the albums that moved us like no other, six artists join the podcast this week, and tracks off every record as we count down from number 15 all the way to our number one. Listen and find out what made the cut and maybe even find something amazing you may have missed this year! Fuming Mouth - “I'll Find You” Rancid - “New American” Domkraft - “SlowBurner” Uada - Crepuscule Natura Insominum - "Godforsaken" Featuring Johanna Kurkela Enslaved - "Forest Dweller" WillHaven - "Diablito" Horrendous - “Cult of Shaad'oah” Bell Witch - "The Clandestine Gate" Baroness - "Last Word" Learn more about your ad choices. Visit podcastchoices.com/adchoices

John Dyer Baizley of the mighty Baroness is my guest on this all new episode of The Jasta Show! On this one we are talking the new album by Baroness, Stone! we get into the modes and methods on the new album, the ongoing tour, and so much more! Support Our SponsorsIndie Merch Store - https://www.indiemerchstore.com use promo code JASTA10 at check outMartyrstore - https://www.martyrstore.net use code SummerFactor Meals - https://www.factor75.com/JASTA50 To save 50%Subscribe to the all new GaSDigital.comhttps://gasdigital.com - Use Promo Code jasta for a 7 day free trialFollow Jamey On Patreonhttps://www.patreon.com/jastaFollow The Show On Social Mediahttps://twitter.com/jameyjastahttps://www.instagram.com/jameyjasta/https://twitter.com/bmackayisrighthttps://www.instagram.com/bmackayisright/Musician, former television host, and podcaster Jamey Jasta (Hatebreed, Kingdom of Sorrow, Jasta and the former host of MTV's Headbanger's Ball) interviews your heroes every Monday and Thursday. The newest 20 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show a week before it comes out everywhere elseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Baroness, Helmet, Achigan, The Alan Parsons project, Metallica, Board of Canada, Amon Amath et Unprossed. Écoutez 13 extraits et 3 gars qui jasent.Merci à ChatGPT d'avoir pondu le texte de l'épisode 4 du podcast. Un résultat toujours épique ave Max et Dave...wtf:PrésentationBienvenue à un nouvel épisode de "Les Gars de Ripé Jasent de Rock" ! Je suis votre animateur, Max, et je suis accompagné de mon ami Dave.Dave: Salut à tous ! Aujourd'hui, nous avons une aventure musicale épique prévue. Nous allons explorer un monde fantastique inspiré par la musique de Baroness, Helmet, Achigan, The Alan Parsons Project, Metallica, Boards of Canada, Amon Amarth et Unprocessed.Max: C'est vrai, Dave ! Imaginez-vous dans un royaume lointain, où la musique est la source de tout pouvoir. Notre quête commence dans la cité de Baroness, une ville magnifique où les riffs de guitare résonnent à travers les rues pavées.Dave: Et qui est notre guide dans cette aventure ? Eh bien, c'est nul autre que John Dyer Baizley de Baroness lui-même ! John, pouvez-vous nous dire comment la musique de votre groupe a influencé cette cité ?John: Salut les gars, ravi d'être ici pour cette aventure musicale. La musique de Baroness est une fusion de divers genres, et dans cette cité, elle a créé une harmonie parmi les habitants. Chaque quartier de la ville a sa propre sonorité, de la puissance du metal au calme du rock progressif.HELMETMax: Notre voyage nous conduit maintenant à la forêt enchantée d'Helmet. Les arbres émettent des sons étranges lorsque le vent les traverse. Dave, quelles merveilles nous attendent ici ?Dave: Eh bien, Max, dans cette forêt, les mélodies d'Helmet sont tissées dans la canopée. Les arbres chantent des refrains hypnotiques et les animaux parlent le langage du post-hardcore. C'est un endroit magique où la musique et la nature ne font qu'un.ACHIGANMax: Notre prochaine étape nous mène à la rivière mélodique d'Achigan. L'eau qui coule ici est en harmonie parfaite avec les rythmes ambiants. John, comment cette rivière a-t-elle été influencée par la musique d'Achigan ?John (Baroness): La musique d'Achigan crée une atmosphère apaisante le long de cette rivière. Les sons électroniques se mêlent à la symphonie naturelle de l'eau et des oiseaux. C'est un lieu de méditation et de réflexion, où l'esprit peut s'évader.The Alan Parsons ProjectDave: Passons maintenant à la ville mystérieuse de The Alan Parsons Project. Cette ville flotte dans les nuages, et ses habitants sont des maîtres de la production sonore. Max, que pouvons-nous attendre de cette expérience unique ?Max: À The Alan Parsons Project, la musique est utilisée pour créer des bâtiments flottants et des ponts suspendus dans le ciel. Les rues sont un labyrinthe de pistes sonores, et chaque coin de rue réserve une nouvelle surprise musicale. C'est une ville qui défie la réalité.MetallicaDave: Notre aventure continue dans le royaume majestueux de Metallica. Les montagnes de guitare sont imposantes, et les océans de batterie déchaînée sont à couper le souffle. John, comment décririez-vous ce royaume ?John (Baroness): Le royaume de Metallica est un lieu de puissance brute. Les fans de metal se rassemblent ici pour célébrer les hymnes intemporels du groupe. Les montagnes sont faites de distorsion, et les rivières rugissent avec la voix de James Hetfield.Boards of CanadaMax: Notre périple nous amène maintenant à la forêt électronique de Boards of Canada. Les arbres sont des synthétiseurs vivants, et chaque feuille est un séquenceur. Dave, que pouvez-vous nous dire de cet endroit ?Dave: Dans la forêt de Boards of Canada, le temps semble se plier à la musique électronique. Les paysages sonores envoûtants guident notre chemin, et les oiseaux chantent en harmonie avec les synthés. C'est un lieu de rêve et de contemplation.Amon Amarth & UnprocessedMax: Ensuite, nous atteignons le royaume viking de Amon Amarth. Les fjords résonnent des chants épiques des guerriers, et les tempêtes sont accompagnées de riffs de guitare ravageurs. John, comment décririez-vous cette terre ?John(Baroness): Le royaume de Amon Amarth est un lieu de bravoure et de fureur. Les histoires vikings prennent vie ici, et chaque bataille est rythmée par la musique. Les montagnes sont les repaires des dieux nordiques, et les rivières sont des chemins vers l'immortalité.Dave: Et enfin, notre aventure nous conduit à la cité futuriste de Unprocessed. Les bâtiments sont des sculptures sonores en perpétuel mouvement, et les habitants sont des virtuoses de la technique. Max, comment cette cité nous impressionne-t-elle ?Max: Unprocessed a créé une cité où la technologie et la musique se fusionnent. Les rues sont des claviers géants, et les transports en commun sont des orchestres symphoniques. C'est un endroit où l'innovation et la créativité sont infinies.Dave: Eh bien, c'était une aventure extraordinaire à travers ces mondes musicaux uniques. Merci à John Dyer Baizley de Baroness de nous avoir accompagnés dans cette quête. Et merci à tous nos auditeurs de nous avoir rejoints pour cette aventure épique de "Les Gars de Ripé Jasent de Rock". Restez à l'écoute pour plus de découvertes musicales à l'avenir. À la prochaine !

On this episode of Art Affairs, i talk with artist Richey Beckett.We discuss the period after school when he stopped creating visual art to focus on making music, how he transitioned from that into creating art for bands, how important his connection with nature has been throughout his life, and a whole lot more.Also mentioned in this episode: Sonny and Biddy, John Dyer Baizley, Florian Bertmer, Arik Roper, Jacob Bannon, Mastodon, Burlesque of North America, TOOL, Mitch Putnam, Rob Jones, and Eric Garza.Cover image photo by Isla Hampson.Follow RicheyWebsite: richeybeckett.comPatreon: richeybeckettInstagram: @richeybeckettFollow the ShowWebsite: artaffairspodcast.comPatreon: artaffairsInstagram: @artaffairspodcast

John Dyer Baizley of Baroness joins the show ahead of their performance at Blueberry Hill in St. Louis. Listen in as John discusses his artwork, giving the audience authorship over the band's shows, and touring in the post-pandemic world.

John Dyer Baizley of Baroness discusses the artists that were catalysts for him becoming a musician, their long-awaited forthcoming record, the visual artists that blow his hair back and lots more. Hosted by Christina Rowatt.

Pointless. Spontaneous. Hazardous. Deadly. That's what mayhem can be like for some metal musicians. Host Jon Wiederhorn dives into the daredevils of metal music's outrageous pranks, destructive binges, violent outbursts and near-death experiences. And, sometimes, these antics are so outlandish, they couldn't be true. From trashed hotel rooms and sunken boats to out-of-control tour buses, find out the truth behind the over-the-top exploits from Alice Cooper, Baroness, Quiet Riot, Black Sabbath, Anthrax, Pantera, Suicide Silence and more. FROM THIS EPISODE: Baroness vocalist and guitarist John Dyer Baizley recalls a tour bus accident that nearly took his and his bandmates' lives. Alice Cooper sets the record straight on the infamous chicken situation that occurred at one of his concerts. Ozzy Osbourne shares when one of his daughter's teachers claimed he drank a bowl filled with the audience's spit at one of his concerts. The late Quiet Riot drummer Frankie Banali talks about the pranks he played on Iron Maiden and W.A.S.P.. Black Sabbath guitarist Tony Iommi recalls the time a prank went wrong and he set drummer Bill Ward's legs on fire. Anthrax guitarist Scott Ian recounts the band's most expensive instance of destruction. Guitarist Zakk Wylde tells the story of when he and Ozzy Osbourne destroyed a hotel room and were left with an expensive bill for repairs. Pantera bassist Rex Brown recalls when he and Dimebag Darrell destroyed an expensive Japanese hotel room with loaded Uzis. The late Suicide Silence lead vocalist Mitch Lucker talks about the time his band trashed a fan's house during a drunken knife fight. Backstaged: The Devil in Metal is a production of Diversion Podcasts in association with iHeartRadio. Written and hosted by Jon Wiederhorn. Produced and directed by Mark Francis and Scott Waxman. Consulting Producer: Andrew Kalb. Production Assistant: Anita Okoye. Social Media Manager: Stephen Tompkins. Instrumental guitar music by Scott Waxman. Editing by Chris Schreiner. Technical Producer: Clem Fandango. Director of Marketing and Business Development: Jacob Bronstein. Executive Producers: Scott Waxman and Mark Francis. Special thanks to Oren Rosenbaum at UTA. Learn more about Backstaged at DiversionPodcasts.com. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Darren och Niclas sätter sig vid mickarna igen och pratar gott om ett album i deras Behind the Vinyl program. I detta avsnitt är de Nirvanas album Nevermind och i dagens avsnitt är John från Baroness gäst. Rocksverige no Behind The Vinyl, Rocksverige, Pirate Rock Rocksverige Darren och Niclas sätter sig vid mickarna igen och pratar gott om ett album i deras Behind the Vinyl program. I detta avsnitt är de Nirvanas al

Craig liked Kevin's last TTP so much that he decided to expand upon it; leaning on the heavier side of Rock n Roll.L.A. Guns - The Devil You KnowBaroness - Gold & GreyKXM - Circle of DollsThe Art of John Dyer Baizley of Baroness

John Dyer Baizley, vocalist/guitarist of Baroness is the guest on this episode of the BREWtally Speaking Podcast!! John joins co host Jon to discuss the bands newest album, Gold & Grey, and how the band continues to raise the bar with their releases in spite of having new members added to the fold. We also get into if John knew this would be the last album In the chromatic themed series, and if there are any plans for a box set of all the material now that it's all done. We also touch on John's graphic design career and what's been inspiring him as of late in that medium and the importance of him and the band continuing to support the DIY scene and independent record stores and more. Intro Music: "Tourniquet" by Baroness "Pretty Lights" by Heartsick Show Sponsor: The Bean Bastard (www.thebeanbastard.com) Links: Facebook: www.facebook.com/yourbaroness www.facebook.com/thebeanbastard www.facebook.com/metalnexus www.facebook.com/brewspeakpod Instagram: @yourbaroness, @aperfectmonster, @thebeanbastard, @metal.nexus, @brewspeakpod, @jbeatty616 Twitter: @yourbaroness, @johndyerbaizley, @metal_nexus, @brewspeakpod, @discussmetaldan, @jbeatty616 Patreon: www.patreon.com/brewspeakpod Website: www.metalnexus.net Email: Brewtallyspeaking@gmail.com RATE/REVIEW/SUBSCRIBE!!

Happy 7th anniversary to the show! We keep chugging along and this week is a special discussion with John Dyer Baizley from Baroness. I have loved the band for quite some time and finally had a chance to bring John on, and he did not disappoint. We get in deep with DIY culture, love of the process and defying boundaries. It's a reflective look on a very creative mind. Get 20% off your order from DripDrop, the incredible tasting drink mix to battle dehydration by using the code WORDS20. Visit Sonos to check out their incredible line of speakers to outfit your home in superior sound. Try Petreleaf, CBD products from Colorado to help your pet along with a variety of ailments. Get 10% off by using the code WORDS at checkout.  Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Doc welcomes Baroness frontman/guitarist and visual artist, John Dyer Baizley, to the show to talk about Baroness' creative process, his philosophy as an artist, feelings on fame, what inspired him to make creative work his life, and dealing with the politics of sexism in the touring environment. This episode features the song "Self Repair Manifesto" by Nothing and "Front Toward Enemy" by Baroness. Follow John on Instagram @aperfectmonster Follow Doc on Instagram and Twitter @DocCoyle Support our show sponsors Nothing at Nothingmetal.bandcamp.com Support our show sponsor and buy official band merch at Rockabilia.com. Use the code PCJABBERJAW for 10% off. Buy the Rockabilia.com Exclusive Ex Man T-shirt here - www.rockabilia.com/doc-coyle-the-e…irt-402964.html Listen to more great podcasts like this at JabberJawMedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

EP105 is with special guest John Dyer Baizley of Baroness. We talk about their newest album "Gold & Grey" which is out now and the entire creation process behind it. We also talk about what it's like writing with the new lineup, future plans and more! It was an honor chatting with him and I hope you enjoy listening! Cheers! Listen to/Purchase their work here: https://yourbaroness.com/ Band IG: @yourbaroness Don't forget to like, share & subscribe and follow us on social media Instagram: @rocknrollbeerguy Twitter: @RnRBeerGuy Intro: "Borderlines" by Baroness Outro: "Seasons" by Baroness   PLEASE check out the Patreon page. www.patreon.com/rocknrollbeerguy Support the podcast and earn exclusive content like full audio interviews from Psycho Las Vegas from acts like Andrew WK, Red Fang, CKY  and more.

John Baizley from Baroness is our guest this week. We discuss the artwork for the band's new album Gold & Grey and the end of the color concept he started 12 years ago, the original title of the record and why it changed, which of the many album covers he's created is his favorite, his philosophy on making records and how the music for this one came together, the importance of being the leader in a collaborative vision for his creative endeavors and the adventurous approach that producer Dave Fridmann brought to the project. Petar, Brandon, and Jozalyn wax nostalgic about Rage Against The Machine and Brandon shares an experience he had with the The Mars Volta after news surfaced of their reunion. We also talk about Iron Maiden suing the makers of the video game Ion Maiden, the study which found you should not listen to metal while driving and much more. Songs: Baroness - “Borderlines” Combichrist - “Understand”

Back to metal. Metal-ish. Metal...ish? Baroness started off as a sludge metal band and on this, their second album, start to bring in influences from other genres. Here, Mark makes the case for this at their best album. In all its cheesy, metal cliche, psychedelic, riffy glory. With a revolving door of musicians, John Dyer Baizley has remained the sole consistent member of the band, and perhaps that explains why the band's sound has changed so much over the years. Blue Record finds the band shifting away from the sludge metal found on Red and incorporating many other sounds from a vast array of genres. Most would say that Red is their best album, but Mark is here to convince you, Chris and Weaver otherwise. Weaver explains why he prefers Red and Chris professes downright contempt for this album. What do you think - is this their Unsung Classic? Vote below.

It's a killer week for new music as we introduce you to a whole batch of incredible new bands on TNM, powered by uDiscover. We discuss Vein dropping the best heavy song of 2018, new music from Guns N Roses, BABYMETAL and Alice In Chains, further Parkway Drive album chat, THAT Childish Gambino video in our EMP sponsored letters page, album reviews on Gost, Twitching Tongues, Spanish Love Songs, Donovan Wolfington, Voices and Baroness frontman John Dyer Baizley goes in to the TNM Hall Of Fame.

John Dyer Baizley of Baroness chats to Christina Rowatt about the Purple record, pedestal guitar players like "open heart" John Frusciante, listening to a new album every day, his artwork and the difference between artists and designers, his melodic origins, Grammy Awards and punk rock and Bad Brains being nominated for the Rock Hall of Fame, musical reference points with no connectivity, discovering the innate joy of playing through tragedy, bummer music vs. good time records and more.

In this special flashback Baroness chat about their beginnings, the depth and intricacy of their art and music, their greatest challenges and transformative experiences and lots more. 

John Dyer Baizley not only plays in Baroness and but is also a well respected and much sought after visual artist, known for his incredible paintings and work with bands such as Kvelertak, Metallica, Black Tusk, Skeletonwitch, Pig Destroyer etc. In this episode we discuss the process and compulsive drive to make art and get into the rich symbolic content of his work. See acast.com/privacy for privacy and opt-out information.