Podcasts about trusting

Hello! This is Episode 380, and it’s Part 4 of my conversation with Fionna and Ed, as they take us behind the scenes of their new build journey of their sustainable, accessible home, and share how they set things up so they could enjoy the experience. In this episode, it’s the last in our 4-part series, and we’re talking about what it’s been like on site - visiting regularly, watching progress unfold, and tracking schedule and budget. [For all resources mentioned in this podcast and a free, downloadable PDF transcript, head to www.undercoverarchitect.com/380] Fionna and Ed share how their builder has provided regular, transparent updates against budget and time, which has helped them stay informed and confident every step of the way. You’ll hear why the time they invested in the design phase well and truly paid off once construction began… and how their clear expectations of the consultants involved, along with their architect’s thorough preparation, helped set everything up for success from the outset. In fact, they say they’ve had far more confidence in this build than in any of their previous renovation projects. And I think it’s largely due to their level of preparation and education, and then how they’ve been able to pull such a fantastic team together that they’ve collaborated so well with. They’ve been proactive, intentional and well-informed, and you’ll hear Fionna’s thoughts towards the end of the episode as she shares some great advice for you if you’re planning your own project. Also, one of my favourite moments in this conversation is Fionna’s reflection on the importance of trusting your past self. Because when you make well-informed decisions early, and document them properly, you don’t need to second-guess or course-correct constantly during construction. Trusting in her past self, and the research she made to inform those decisions at the time is one of the things that has helped keep things moving smoothly, even when the inevitable bumps have arisen. (Now, if you haven’t listened to the previous parts of our conversation and want to hear the whole story from the start, head back to Episodes 377, 378 and 379. You’ll find them at www.undercoverarchitect.com/377 and www.undercoverarchitect.com/378 and www.undercoverarchitect.com/379 ) And remember, if you’d like to grab a full transcript of this episode, you can find all of that by heading to www.undercoverarchitect.com/380. Now, let’s dive in! RESOURCES MENTIONED IN THIS PODCAST: For links, images and resources mentioned in this podcast, head to >>> www.undercoverarchitect.com/380 Accessing my free '44 Ways' E-Book will simplify sustainability and help you create a healthy, low tox and sustainable home. You can download your free copy here >>> https://undercoverarchitect.com/ways Access the support and guidance you need to be confident and empowered when designing, renovating or building your future home inside my signature online program, HOME Method >>> https://undercoverarchitect.com/courses/the-home-method/ Just a reminder: All content on this podcast is provided by Undercover Architect for reference purposes and as general guidance. It does not take into account specific circumstances and should not be relied on in that way. You should seek independent verification or advice before relying on this content in any circumstances, including but not limited to circumstances where loss or damage may result. The views and opinions of any guests on the podcast are solely their own. They may not reflect the views of Undercover Architect. Undercover Architect endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or has become inaccurate over time.See omnystudio.com/listener for privacy information.

This episode opens a deeper doorway into what it truly means to be seen—not just by the world, but by yourself. Nimesh and Stacey explore the tender space between vulnerability and purpose and why being seen is often less about visibility and more about allowing your soul to step forward without hiding. They reflect on how old patterns, childhood experiences, and inner fears shape the way we show up—and how the current energetic shifts are pulling so many of us out of the shadows. Through lived experience, emotional honesty, and spiritual insight, they share the moments that invited them to rise, speak, and trust their truth, even when it felt uncomfortable. If you've been feeling the nudge to show more of who you are, express your voice, or let your story be witnessed, this conversation will speak directly to your heart.Key Themes✨ Being seen as a soul initiation✨ Vulnerability as a strength✨ Inner child wounds and visibility✨ Turning pain into purpose✨ Trusting your voice✨ Community, connection, and co-creationTakeaways✨ You are being asked to stop hiding✨ Your visibility deepens healing✨ Your story carries medicine for others✨ Fear softens in the presence of truth✨ Being witnessed is part of your evolutionSound Bites✨ Healing is a lifetime journey✨ Your voice is your gift✨ Trust it, trust it, trust itAlso available to watch on YouTube.If this episode resonates, please like, comment, and follow the podcast.Connect with Nimesh

In this powerful episode of Nephilim Death Squad, we're joined once again by Laura Baker, author of Cleansing the Bloodline and Kingdom Against Kingdom, for one of the deepest conversations we've ever had on spiritual warfare, generational iniquity, deliverance, and the true nature of God's Kingdom vs the kingdoms of this world.We cover:Laura Baker's new book Kingdom Against KingdomGenerational iniquity, bloodlines, and inherited spiritual strongholdsWhy Satan truly rules the systems of this world (education, medicine, media, politics)Faith vs systems: medicine, placebo effect, and biblical healingHow belief, confession, and agreement shape realityDemonic access through trauma, occult practices, and curiosityDeliverance, exorcism, and why most churches refuse to address demonsRaising children spiritually in a corrupted cultureDiscernment vs rebellion in the last daysCounterfeit Christianity, false Christs, and end-times deceptionWhy “come out of her, My people” is more literal than most realizeThis episode is raw, theological, experiential, and confrontational — not for casual listeners.If you've ever questioned why patterns follow families, why modern Christianity feels hollow, or how faith actually functions in the unseen realm, this conversation will challenge everything you think you know.

Letting Go of the Need to Rush Today's 2-minute meditation invites you to pause, soften, and release the quiet pressure to hurry your life along.If you've been feeling behind, impatient with your progress, or caught in the belief that you should be further ahead by now, this short practice is a gentle reminder that growth unfolds in its own time. Through slow breathing and grounding awareness, you'll create space to ease urgency, reconnect with your body, and return to a steadier, more trusting pace.A calming daily reset to help you move through your day with more ease and less pressure.

In this opening meditation of the Trusting the Process series, we explore the quiet pressure to hurry our lives along and the exhaustion that comes from constantly feeling behind.Through gentle breathwork, reflection, and grounding imagery, this session helps you soften urgency, release self-imposed timelines, and reconnect with your natural rhythm. This practice is an invitation to slow down without fear, trust your own timing, and remember that meaningful growth doesn't respond to pressure — it unfolds when given space.A calming, supportive meditation for anyone feeling rushed, overwhelmed, or impatient with their progress.

From trying desperately to be a "good man"… to realizing that avoiding discomfort is what slowly destroys intimacy — this solo episode breaks down why so many men avoid hard conversations and how that pattern quietly sabotages relationships. Instead of blaming "sensitive partners," conflict, or thinking you're just bad at communication, David reveals the real issue:

A new week begins tomorrow. This upcoming theme, Trusting the Process, is an invitation to slow down, release pressure, and soften the need to have everything figured out right now.If you've been doing the work but still wondering whether you're moving fast enough — this week is for you. Through gentle, grounding meditations, we'll explore patience, surrender, and learning to trust where you are, even when progress feels quiet or uncertain.You're not behind.You're unfolding. Join me tomorrow for Day 1.

Presented by Lauren Stibgen Abundance means having a very large quantity or supply of something, more than enough, or overflowing fullness. Let's make this tangible. How many times have you turned this definition into something you wanted more of? Or maybe you perceived if you had more of a thing your life would be better? Have you ever caught yourself thinking if I only had X amount more money, I could do Y with it? Or I wish I had a new car! A bigger house. Or maybe you really want to go on that great vacation or buy a new handbag. Social media has really fueled this culture of comparison making things seem like needs as opposed to wants. We live in a world that largely spends more than it makes. According to debt.org, 90% of American households hold debt that totals the staggering amount of $18.2 trillion dollars. And, statistically, the more education someone has directly correlates with the amount of debt they hold. The average debt for someone with a high school diploma is $50,401 verses someone with an undergraduate degree at $115,456. Most of the debt is a mortgage, followed by auto loans, school debt, and credit cards. Roughly 44-57% of working Americans earning greater than $60,000 annually hold credit card debt. With delinquencies in all categories rising, 39% of women say their debt is unmanageable. But how did we get here? While economic implications are surely a factor in our borrow-now-pay-later society, we need to look at the heart implications of our increasing need for more. Whoever loves money never has enough; whoever loves wealth is never satisfied with their income. This too is meaningless (Ecclesiastes 5:10). We possess what we think we need and then simply want more. Are you jealous of something someone else has? Are you coveting a relationship? Maybe you feel like having something will earn you status or entry into another social group. You shall not covet your neighbor's house; you shall not covet your neighbor's wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor's (Exodus 20:17). Coveting is to desire something belonging to someone else—something you are craving that is not yours. This can be a possession or even a relationship. When did this start for you? Far before I knew Jesus, I certainly knew what Air Jordan shoes were. Growing up in an affluent area, I was the kid who took the city bus and had clothes from a big box store. We certainly could not afford those shoes. Feelings of shame and embarrassment were common as I could not keep up with other kids because of how I was dressed. What did my parents do for Christmas? They borrowed. They bought me a few pieces they shouldn't have. I not only coveted what the other kids had but wanted the relationships too. My relationship with borrowing started before I could do it myself and then came college and credit cards. Borrowing to get ahead. Some of the borrowing like school loans propelled me forward, but some of the credit for things I coveted put me in debt. Have you ever heard someone say everyone has a God-sized hole in their heart? That is because all the money, possessions, and friendships we want more of can never give us more abundance than the love of our Lord through his son Jesus Christ. Those clothes may have made me more popular and gained me a few friends, but they never filled this hole. The only thing that can give us true abundance is Jesus. As we talk about this holy abundance, let's consider the pitfalls of seeking worldly abundance. I want to stress I am not suggesting a life of poverty, but when is enough, enough? Having an abundance of worldly things makes it difficult to experience the filling of that God-sized hole in your heart through Jesus. God's Word is clear. The Lord sends poverty and wealth; he humbles and he exalts (1 Samuel 2:7). If you think wealth equals abundance, remember, wealth comes from God, and it's so much more than money. The Bible is clear about wealth, and the sooner we orient ourselves to this view on abundance, the closer we can get to true abundant living with Jesus! We already talked about coveting, but what about greed? Jesus warns, Watch out! Be on your guard against all kinds of greed; life does not consist in an abundance of possessions (Luke 12:15). Greed is an intense, selfish desire for something, especially wealth, power, or food. Jesus warns of this and tells us our life is not tied to these possessions. Greed for power we believe can lead to wealth can certainly show up at work. Are you seeking that next promotion? This alone is not a bad thing! But checking your heart and intentions about the “why” is critical. Are there feelings of coveting or an intensity to feel worldly gain? Remember that God-sized hole? This underlying feeling will not fill it. God's word teaches us to hold loosely to our abundance, which is quite the opposite of greed. If anyone is poor among your fellow Israelites in any of the towns of the land the Lord your God is giving you, do not be hardhearted or tightfisted toward them (Deuteronomy 15:7). Being tightfisted is another reference to greed. Are you holding on too tightly to anything? Clearly, God wants us to give to those in need. Not only does God want us to give to the poor, he wants us to return to him in praise. Honor the Lord with your possessions and with the first produce of your entire harvest (Proverbs 3:9). What about all the borrowing I mentioned as we started our time together today? What does God have to say about this? Clearly, wealth and possessions come from the Lord, and he wants us to honor him and give to others. The Lord will open the heavens, the storehouse of his bounty, to send rain on your land in season and to bless all the work of your hands. You will lend to many nations but will borrow from none (Deuteronomy 28:12). Lend, but don't borrow. Considering 90% of all Americans have debt, we can assume Christ-followers are included in this statistic! Aside from traditional lending, loans, and credit cards, what about when you lend money to family? God does not want us to charge interest. If you lend money to one of my people among you who is needy, do not treat it like a business deal; charge no interest (Exodus 22:25). God's Word has a lot to say about money! It isn't all doom and gloom if we keep a right mind about it. What is a right mind about money you ask? Considering what we just talked about a simple summary is: Acknowledge that everything comes from the Lord. All wealth. All possessions. Hold these things loosely. Don't be greedy or covet what others have. Honor the Lord with our first fruits. Lend but don't borrow. Give to the poor. These verses from 1 Timothy sum it up well, Command those who are rich in this present world not to be arrogant nor to put their hope in wealth, which is so uncertain, but to put their hope in God, who richly provides us with everything for our enjoyment. Command them to do good, to be rich in good deeds, and to be generous and willing to share. In this way they will lay up treasure for themselves as a firm foundation for the coming age, so that they may take hold of the life that is truly life (1 Timothy 6:17-19). Our abundance is from the Lord—everything we have! What happens when we don't keep a right mind about money? Those who trust in their riches will fall, but the righteous will thrive like a green leaf (Proverbs 11:28). Better a little with righteousness than great income with injustice (Proverbs 16:8). Trusting in our worldly wealth and not handling it with care has consequences! Trust in wealth and you will fall! No one can serve two masters, since either he will hate one and love the other, or he will be devoted to one and despise the other. You cannot serve both God and money (Matthew 6:24). Simply, the more you are focused on money, the more your mind will be far from God. Does this unhealthy view on money and wealth as abundance keep you far from a relationship with Jesus Christ? What worldly possessions are you thinking about right now? Think about things that God cares about that cost you little to nothing? Remember the greatest commandment is to love God and to love our neighbors as ourselves. How can you do this today? Perhaps you can shift your mindset from striving for wealth to striving for time with loved ones and friends! Perhaps you can take time to serve with a local charity. Stop to pray for a friend. Take a walk in nature and meditate on God's word. Sing a song of praise and thanksgiving to our Lord. Write a note or letter to someone who could use some encouragement. Don't store up for yourselves treasures on earth, where moth and rust destroy and where thieves break in and steal. But store up for yourselves treasures in heaven, where neither moth nor rust destroys, and where thieves don't break in and steal. For where your treasure is, there your heart will be also (Matthew 6:19-21). Are you treasuring the things God cares about and views as abundant, or are you fixated on what the world says abundance is? Do you worry more about how someone feels when they are with you or what they think of what you are wearing or what your house looks like? God cares that you are living abundantly from the inside out! If you are ready today and find yourself a little too focused on worldly abundance or maybe you are among the 90% of people in America who hold debt, have hope and run to Jesus! Remember why we need him. All of us sin and fall short of the glory of God. God knows we are not perfect like Jesus, and he lavished us with his mercy that while we were still sinners, Christ died for us. I don't know about you, but this feels beyond abundant! Breaking free from habits of seeking worldly abundance starts with repenting if you aren't walking in a right-minded way about money as we read about in 1 Timothy 6. Do you covet? Are you greedy? Do you withhold from giving to those in need? Perhaps you are in debt. Bring all of this to the feet of Jesus in prayer and talk to someone who can hold you accountable to changing your ways. There are many programs that can help you find a right relationship with money, keeping you in order of serving God first! Turn your eyes from social media and from looking at what everyone else has! Keep your life free from the love of money. Be satisfied with what you have, for he himself has said, I will never leave you or abandon you (Hebrews 13:5). God will never leave you or abandon you! He is the only one who can fill the space in your heart like nothing in this world can.

Sermon by Becca Stevens at 10:00 a.m. on Sunday, December 7, 2025, at All Saints Church, Pasadena. Readings: Isaiah 11:1–10, Psalm 72:1–7, 18–19 and Matthew 3:1–12. Watch the sermon on YouTube. Please consider pledging to All Saints Church at https://allsaints-pas.org/pledge/, or donate to support the mission and ministry of All Saints at https://allsaints-pas.org/giving/. Any donation, big or small, is appreciated! Like us on Facebook at https://www.facebook.com/AllSaintsPasadena/. Follow us on Instagram at #allsaintspas. Check out the rest of our YouTube channel at https://www.youtube.com/user/allsaintspasadena1/videos. Subscribe, like, get notifications every time we post! Enjoy our extensive archive of stimulating and inspiring content!

Leila Rahimi, Marshall Harris and Mark Grote were joined by Bears cornerback Nahshon Wright to discuss his breakout season and his desire to re-sign with Chicago.

In this episode of Business Brain, you dive into the rising tension between innovation, trust, and responsibility in the world of AI. As Shannon and Dave unpack National Salesperson Day, they pivot into the challenge of working with tools that hold immense power but zero accountability. The conversation heats up as they explore the recent acquisition of Limitless and what it signals for the future of AI assistants that promise productivity without sacrificing your Charmed Life. You also hear why trusting your AI is becoming just as important as the tasks it performs. Apple enters the discussion as a fascinating paradox—highly trusted for privacy yet struggling to compete because that same privacy limits their AI's capabilities. By the time the outtro rolls in, you're left thinking critically about which companies deserve your trust and how to balance convenience with control in your business. 00:00:00 Business Brain – The Entrepreneurs' Podcast #709 for Casual FridAI, December 12th, 2025 December 12th: National Salesperson Day 00:01:12 ChatGPT has no accountability 00:07:09 SPONSOR: Intuit QuickBooks Payroll – Take control with QuickBooks Payroll today at QuickBooks.com/payroll 00:08:26 SPONSOR: Shopify – For anyone to sell anywhere, sign up for a one-dollar-per month trial period at Shopify.com/BusinessBrain and upgrade your selling today! 00:10:03 Limitless being Acquired 00:16:25 Trusting your AI? Apple is trustworthy…and their privacy keeps their AI from being competitive. 00:21:27 Business Brain 709 Outtro Tell Your Friends! Review Business Brain Subscribe to the show feedback@businessbrain.show Call/Text: (567) 274-6977 X/Twitter: @ShannonJean & @DaveHamilton, & @BizBrainShow LinkedIn: Shannon Jean, Dave Hamilton, & Business Brain Facebook: Dave Hamilton, Shannon Jean, & Business Brain The post FridAI – Limitless and Privacy – Business Brain 709 appeared first on Business Brain - The Entrepreneurs' Podcast.

Ever wake up one day and realize you've been living your entire life for someone else?Yeah… that was me.And this episode is the moment everything changed.In Episode 18, I'm sharing the deeply personal story of the day I finally said “Enough.”This was the moment I stopped abandoning my soul, left a relationship that kept me small, and started rebuilding my identity from the inside out.You'll hear:✨ The subtle ways we lose ourselves in relationships✨ How self-abandonment becomes a silent habit✨ The moment I knew I had to choose ME✨ What financial independence taught me about personal power✨ How I rebuilt my self-trust one tiny choice at a time✨ Why trusting your intuition isn't optional — it's survival✨ The Jung quote that snapped me awake✨ How this single decision became the foundation of my entire life's purposeThis episode is raw, real, and honestly… probably the most important story I've ever shared.If you're a woman who's tired of shrinking, tiptoeing, people-pleasing, or living in fear of disappointing others — this is your sign.It's time to come home to yourself.And if you're ready for a safe, spiritual, supportive space to rebuild your identity, deepen your intuition, strengthen your boundaries, and learn the emotional + financial skills to stand fully in your power… you belong inside Soul School.It's where women stop abandoning themselves — and start becoming unstoppable.

We often find ourselves trapped in the "relentless pursuit" of success, constantly moving the goalposts and feeling that we are never "good enough." But what if the secret to achieving your dreams wasn't found in the chase, but in a profound shift in identity? The truly successful understand that the goal is not to pursue success—it is to become the person who effortlessly attracts it. Key Highlights: The Strategy to Attract Success The Trap of the "Enough Bar": Many of us live in "quiet desperation," chasing an arbitrary idea of success (more money, next degree, next car). This "enough bar" constantly moves, leading to continuous emptiness because the focus is on the outcome, not the inner work. The Paradigm Shift: Success should be attracted, not pursued. This means the quest is not for the "thing" itself, but for the person you must become to be capable of attracting and holding that thing. (Credit to Jim Rohn for this philosophy). The Value of the Journey: The real reward of any challenging pursuit (like a 16-week transformation) is not the medals or the outcome, but the character traits you develop along the way: Discipline, Focus, Trusting the Process, and Patience. Define Your Success: You must first clearly define what success means to you, without comparing yourself to others. What would have to happen for you to feel a sense of accomplishment? Craft Your Identity: Once you know what you want, ask: "Who do I have to become?" Find a mentor living the life you desire. Adopt their "alter ego" or mindset. Practice the Be, Do, Have principle: Be that successful person now, Do the things they would do, and you will Have what you desire. Bring More Value: You get paid for the value you bring to the hour, not the hour itself. To elevate your life, you must elevate your skills. Invest in courses, mentorship, and self-improvement (refining your skills). Be the Thermostat: Stop being a thermometer that only reflects the temperature of the room (your circumstances). Become the thermostat that actively sets the temperature (the energy, the impact, the value) in your life and environment. Become Attractive, Not Chasing Success is not an external thing to be hunted down; it is a mirror reflecting your personal growth. By focusing on constant and never-ending improvement—by adding value to yourself and the world—you transform into an attractive person with compelling energy. Stop chasing the goal, and start becoming the one who is inherently worthy of it.  

On this episode of Guest Commentary, CHOP's renowned immunologist on why following recent recommendations by RFK Jr.'s vaccine advisory committee is a terrible idea

In this week's episode we are joined by Shannon Messenger. Shannon Messenger graduated from the USC School of Cinematic Arts where she learned—among other things—that she liked watching movies much better than making them. She's studied art, screenwriting, and television production, but realized her real passion was writing for kids and teens. She's the internationally, New York Times, and USA Today bestselling author of the award-winning middle grade series, Keeper of the Lost Cities, as well as the Sky Fall young adult series. Her books have been featured on multiple state reading lists, published in numerous countries, and translated into many languages. She lives in Southern California with her family and an embarrassing number of cats. Find her online at shannonmessenger.com and on Instagram, X, and Facebook at @sw_messenger.Buy her latest book here: https://bookshop.org/a/19191/9781534463400Support the show

This reflective solo episode marks a special milestone: the 120th episode of the Prescribing Lifestyle podcast and the close of 2025. I share openly about my professional growth, personal health journey, and the challenges and wins that have shaped this year. What's inside this episode Professional growth and expansion How Melbourne Low Carb Clinic has grown from 1 to 5 physical locations across Melbourne (Wantirna, Pascoe Vale South, South Yarra, Beaumaris, Canterbury) plus telehealth across Australia. Collaborations with like‑minded clinics and practitioners, including Aston Rx, Core Foundation, and Lymph & Floor Physio. Deepening expertise in menopause care: Attending multiple menopause and hormone therapy conferences Integrating evidence-based menopause hormone therapy with lifestyle medicine Learning from and collaborating with other clinicians in the metabolic, menopause, and lifestyle space Book, speaking, and visibility Writing and publishing my book Prescribing Lifestyle: A Doctor's Prescription for Lasting Weight Loss and Vibrant Health Celebrating its launch alongside my 50th birthday Hearing how readers are sharing it with family and friends Becoming an Amazon bestseller Growing into the role of speaker: Talks at OsteoStrong South Melbourne & Hawthorn, Rotary, 10X Speakers Tribe, and community events Keynote on menopause and lifestyle medicine for the WINE (Women in North East) group in Mansfield Entering Next Top Speaker competitions and making the Top 100 twice Refining and repeatedly delivering my "Creating Vibrant Health" message My personal health and menopause journey Entering perimenopause myself: Irregular cycles, night sweats, sleep changes, body composition shifts Starting menopause hormone therapy (estrogel and Prometrium) to support symptoms, insulin resistance and long‑term health Exploring and applying circadian health: Attending the Regenerate Health Retreat with Max Gowhane Learning about light exposure, blue light reduction, breathwork, sleep optimisation and stress management Bringing circadian rhythm practices into my daily routine and into patient care Fitness, strength and acceptance Acknowledging changes in my endurance and running capacity with age, hormones and a busy life Continuing consistent movement: Three run‑walk sessions per week Strength training twice per week Fortnightly posture and movement training with Core Foundation Focusing on glute activation, alignment, and efficient strength work rather than chasing old performance benchmarks Setbacks, resilience and honesty Candidly sharing that I have faced another professional complaint this year How this has tested my resilience, mindset and emotions My commitment to work through the process, learn what I can, and keep serving Trusting that, whatever the outcome, I can pivot and keep living my purpose Motherhood, family and balance Parenting two teenage boys (14 and 17) as they move into young adulthood Trying to balance: Clinical work Business growth Speaking, writing and creative projects My own health and wellbeing Feeling both stretched and deeply grateful for the growth, grounding, and joy that family brings Gratitude and what's next Reflecting on 2025 as a year of massive growth in: Professional identity Clinical scope Personal evolution Resilience and courage Gratitude for: Patients and clients who trust me with their health Collaborators who have welcomed me into their spaces Listeners who tune in, share episodes, and send messages Announcing a short podcast break and a fresh return in February 2026 With new guests, deeper conversations on metabolic health, menopause, lifestyle, breathwork, circadian health and mindset A continued mission: helping you create vibrant health through realistic, sustainable lifestyle medicine If this podcast, my clinic, my book or my talks have supported you in any way this year, I'd love to hear from you. Reach out, leave a review, or share an episode with someone who needs it. Prescribing Lifestyle will be back in 2026—let's keep growing, learning and creating vibrant health together.  

In this episode, Jay explores the pressure of the “social clock,” that unspoken timeline that tells us when we should reach certain life milestones. He unpacks research revealing that we’re never truly “late,” we’re simply measuring our progress against someone else’s schedule. Jay explains that the fear of falling behind is really a fear of losing control, and he shares how reclaiming that sense of control is far more important than hitting every milestone on time. He also unpacks the career anxiety so many people are experiencing today. With frequent job changes and a longer phase of “emerging adulthood,” he reminds us that feeling lost or stuck isn’t a sign of failure, it’s a sign that you’re still exploring. Jay reflects on what purpose truly means, and why your purpose isn’t a job title or income level but the deeper reason behind everything you do. Finally, Jay explores age, growth, and possibility, reminding us that the brain can rewire itself at any stage of life and that happiness often follows a U-shaped curve. If you feel like you’re in a low point, you may actually be standing right before the rise. In this episode, you'll learn: How to Stop Living by the Social Clock How to Feel In Control of Your Life Again How to Navigate Career Changes with Confidence How to Redefine Purpose Beyond Your Job How to Build Relationships That Truly Support You How to Grow Even When You Feel “Behind” You’re not late. You’re not off track. You’re simply arriving on your own timeline and that timeline is right on time. Join over 750,000 people to receive my most transformative wisdom directly in your inbox every single week with my free newsletter. Subscribe here. What We Discuss: 00:00 Introduction 01:04 The Societal Pressure Of The "Social Clock 02:30 Deviating From "The Social Clock" 06:42 Redefining Success On Your Terms 08:42 You're Not Lost, You're Experimenting! 13:05 Don't Measure By Goals From The Past 15:27 The Illusion Of Late Marriage 19:47 Close Relationships Lead To Better Health 24:26 You're Not Late, Start Now!See omnystudio.com/listener for privacy information.

The fine jewelry business is tough, with knock-offs flooding the market, repeated recessions, and skyrocketing material prices. These are just some of the challenges Adina Reyter has faced. But through it all, she's still standing strong. This week on SUPERWOMEN, I'm joined by Adina Reyter, founder and CEO of her eponymous fine jewelry brand. Her first buyers were family and friends, but her designs were soon catapulted into the spotlight by celebrities. Now a beloved brand, Adina's success reflects her commitment to quality, accessibility, and lasting style. We dive into the importance of staying true to your values, even when the market is unpredictable, and how Adina navigated the ups and downs of entrepreneurship with an unwavering belief in her vision. Episode Guide: (00:00) Meet Adina Reyter, founder & CEO of Adina Reyter jewelry (02:41) The early struggles of launching a jewelry brand (06:08) Creating affordable fine jewelry true to your values (12:25)Having faith when business gets tough (13:52) How to deal with copycats (20:13) Adjusting prices in response to fluctuating gold costs (23:03) How Adina balances creativity and business strategy (27:08) Getting your kids involved in business   (31:34) Adina's advice: Work hard and act now Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jalen and Josh welcome Malika Andrews. Together they talk recent games, getting into sports journalism, covering the NBA draft & much more. Make sure you subscribe so you never miss an episode.Make it legendary with BetMGM. Download the app today and grab a $100 bonus for each friend who joins the action at BetMGM at https://betmgm.com/roommatesCheck out the brand new Roommates merch! http://roommatesmerch.com/GIFT FROM THE HART WITH TOMMY JOHN AND GET 40% OFF SITEWIDE RIGHT NOW at HTTPS://TOMMYJOHN.COM/ROOMIESLet Macy's be your guide to gifting this holiday season. Shop https://macys.com or head to your local Macy's today.AT&T. Connecting changes everything.Conquer the Jungle with the Ford Bronco. Visit your local Ford Store for a test drive today.This month only, Get 50% off any new system. Go to https://SimpliSafe.com/ROOMMATESDownload the Gametime app today or http://Gametime.co for $20 off your first order with code ROOMIES. Terms Apply.Show up in your bag, every time. DoorDash has what you need to win the watch party. DoorDash. In your bag all season long.TT: https://www.tiktok.com/@roommatesshow IG: https://www.instagram.com/theroommatesshow X/TW: https://twitter.com/roommates__show00:00 - Intro01:38 - 2025 Music Recap05:11 - Josh recent games07:20 - Jalen recent games08:21 - Surprises of the league (so far)09:56 - Fan Connections (AT&T)23:41 - Picture Me Scrollin'34:43 - Picks of the Week (BetMGM)40:13 - Intro for Malika Andrews41:56 - NBA Countdown45:05 - Fun with the ESPN crew52:11 - Getting into sports journalism59:17 - Going on the Road1:03:04 - Trusting the sources1:05:26 - Setting people to succeed1:08:21 - Hardest person to work with1:13:37 - Covering the NBA Draft1:16:42 - Off-days1:18:36 - Fan Questions for Malika1:23:02 - Macy's Holiday Traditions1:25:57 - Hoops Headlines (Tommy John)1:31:07 - OutroSee https://BetMGM.com for Terms. 21+ only. This promotional offer is not available in New York, Nevada, Ontario, or Puerto Rico. Gambling problem? Call 1-800-GAMBLER (Available in the US). 877-8-HOPENY or text HOPENY (467369) (NY). 1-800-NEXT-STEP (AZ), 1-800-327-5050 (MA), 1-800-BETS-OFF (IA), 1-800-981-0023 (PR). First Bet Offer for new customers only. Subject to eligibility requirements. Rewards are non-withdrawable bonus bets that expire in 7 days. In partnership with Kansas Crossing Casino and Hotel. Gambling problem? Call 1-800-GAMBLER (Available in the US) 877-8-HOPENY or text HOPENY (467369) (NY) 1-800-327-5050 (MA), 1-800-NEXT-STEP (AZ), 1-800-BETS-OFF (IA), 1-800-981-0023 (PR) 21+ only. Please Gamble Responsibly. See https://BetMGM.com for Terms. First Bet Offer for new customers only. Subject to eligibility requirements. Bonus bets are non-withdrawable. In partnership with Kansas Crossing Casino and Hotel. This promotional offer is not available in New York, Nevada, Ontario, or Puerto Rico. #NBAFreeAgency #DamianLillard #LukaDoncic #MikalBridges #BallIsLife #NBAUpdates #HoopsTalk #NBAHumor #HoopDreams #NBAComedy #BasketballPodcast #NBABanter #NBAStories #NBAInsight #ProBasketball #NBAFans #AllStarTalk #BasketballCulture #NBA2025 #NBAFreeAgencyNews #JalenAndJosh #GettingPaid #LillardStatue #RoastingKarlAnthonyTowns #KATroast #MikalAndLuka #PlayerOpinions #FunnyHoops #HoopsComedy #PlayerTalk #BasketballAnalysis #InsideTheNBA #NextLevelHoops #NBALegends #CourtTalk #PodcastHighlights #PodcastSnippet #TributeTalk #StatueDebate #PlayerChat #FanTalk #NBAHeatCheck #BallersBanters #HotTakes #BehindTheBanter #PodcastMoment #PodcastClips #KTLove #LillardLove #PlayerChat #BehindTheBanter #TheRoommatesPodcast #NewYork #Knicks #Basketball #NBA #NBAPlayers #nbaoffseason #offseason Hosted on Acast. See acast.com/privacy for more information.

Clarity doesn't come from cramming more into your calendar; it comes from reflection, structure, and the courage to trust your leadership intuition. We open up about three lessons that reshaped how we coach, lead, and build: embracing a blended coaching-consulting style, designing structure that expands capacity, and elevating intellectual property into true authority assets. These shifts turned an overloaded schedule into a focused operating system and reframed “scale at all costs” into “build with intention.”First, we dig into leadership identity and how it evolves when you move from formal titles to influence, impact, and results. You'll hear how reading the moment—offering space and questions when needed, or providing frameworks and direction when it matters—creates better outcomes for high performers. This is the practical art of discernment: serving clients and teams with the right approach at the right time, and trusting your intuition to guide the switch.Next, we tackle a common myth: time isn't the problem, structure is. We walk through specific practices that reduce overwhelm, from externalizing tasks and estimating realistically to protecting deep-work blocks and asking for real timelines before committing. You'll learn how structure supports energy, sharpens decisions, and prevents reactive mode, even during demanding weeks. The result is capacity you can feel and results you can measure.Finally, we reframe assets like courses, frameworks, and templates as strategic tools that strengthen authority and client experience. Instead of chasing scale for every asset, we show how codifying what already works accelerates onboarding, reinforces workshops, and creates consistency across engagements. You'll leave with prompts to identify your own underused IP and a path to leverage it with confidence.If this conversation sparks momentum, subscribe, share with a peer who leads, and leave a quick review so more high performers can find the show. Ready for focused support? Explore private coaching and our Goal Setting Success Course below.In this podcast you will learn about:• Trusting leadership intuition and blending coaching with consulting• Leadership defined by influence, impact, and results• Practical structure that creates capacity and reduces overwhelm• Deep work blocks, real timelines, and energy tracking• Reframing courses and frameworks as authority assets• Prompts to identify strengths, needed structures, and leverageable IPHighlights:0:00Opening And Reflection Frame1:02Three Lessons To Shape Next Year2:00Trusting Leadership Intuition6:45Blending Coaching And Consulting10:30Defining Your Leadership Identity12:27Time Isn't The Problem, Structure Is18:20Planning, Deep Work, And ExpectationsReady to elevate your leadership and accelerate your growth?I provide strategic coaching for high-performing financial advisors, service-based business owners, and leaders who want coaching that goes beyond accountability. I partner with you to execute on your vision and focus on what truly drives results: executive presence, leadership development, scaling, and prioritization.The outcome? You realize your full potential, influence and inspire others, and lead a high-impact business that reflects your next-level goals.To explore if coaching is the right fit, email me at meet@kristinburke.com to schedule a discovery call.Goal Setting SuccessIf you're ready to set goals you'll actually achieve, the Goal Setting Success course will help you do it. This self-paced experience walks you through the same framework I've used for years with leaders and advisors to create meaningful goals and a plan that drives real results.Inside the course,...

How do you stand sturdy when the world’s madness tries to shake you? In today’s message, Pastor JD reflects on remaining resilient in a chaotic world. Trusting in God can fortify your heart against the pull of impure things. Faith in Him is your unshakable core. With the Lord, you can endure with confidence.

SummaryThis conversation explores Psalms Chapters 1-4 focusing on themes of righteousness, the nature of the wicked, God's sovereignty, and the importance of prayer and trust in God. Each Psalm reflects on the relationship between humanity and the divine, emphasizing the blessings of the righteous and the fate of the wicked.TakeawaysThe righteous are blessed and prosper in their ways.Meditation on God's law brings stability and fruitfulness.The wicked are transient and will not endure.God's sovereignty is unchallenged, and He laughs at the plans of the wicked.Trusting in God provides deliverance from adversaries.Prayer is a vital communication with God, especially in distress.God sets apart the godly for Himself and hears their prayers.True joy comes from God's presence, not material abundance.Worship and reverence towards God are essential for the faithful.Salvation is a gift from God, and His blessings are upon His people.Chapters00:00 Introduction to the Psalms02:53 The Righteous vs. The Wicked04:50 God's Sovereignty and Kingship

Leading with confidence and calm under pressure with the strength of Self-Assurance

SummaryIn this episode, Benjamin Lee explores the themes of wisdom and wealth as presented in Proverbs chapter 11. He emphasizes the importance of integrity, honesty, and generosity in financial matters, while also warning against greed and the dangers of gossip. The discussion highlights the value of mentorship and guidance in making sound financial decisions, and the need to prioritize character over superficial qualities. Ultimately, the episode encourages listeners to trust in God rather than in material wealth.TakeawaysWisdom from Proverbs is essential for financial stewardship.Integrity and honesty are crucial in financial dealings.Greed can lead to destruction and should be avoided.Gossip can harm relationships and should be minimized.Having trustworthy advisors can guide financial decisions.Generosity often leads to greater prosperity.Character and integrity are more important than beauty.Trust in God rather than in riches for security.The Bible provides wisdom for managing money effectively.Being generous is a key principle in financial success.Chapters00:00 Introduction to Wisdom, Wealth, and Women02:18 Integrity and Financial Stewardship07:30 The Role of Generosity in Wealth12:38 Trusting in God Over RichesSign up for my Free Newsletter https://benjaminlee.blogFind all my episodes - https://icandopodcast.comBuy my books: https://benjaminlee.blog

When the storms of life come and the waves are crashing violently, do you find it difficult to trust that God is present and working?Whether or not you can see Him, Jesus is walking on the water in the midst of your storm—and He's asking you to step out in faith and trust Him.In this message, Jill Briscoe uses the story of Peter walking on water to teach how you can learn to trust Jesus more passionately and confidently even in the midst of life's most challenging storms. To support this ministry financially, visit: https://www.oneplace.com/donate/1141/29?v=20251111

Do you ever feel like self-doubt is holding you back from reaching your goals? What could you accomplish if you trusted that you had the inner strength to handle challenges? We often think success will erase self-doubt, but in reality, self-doubt often grows with increased responsibility. But learning how to manage self-doubt could be the key to creating a better life. My guest is Dr. Shadé Zahrai, a renowned expert in leadership, negotiation, and career advancement. She's also the author of a new book called Big Trust. Some of the things we discuss are: The surprising ways self-doubt can actually help you achieve your goals The biggest mistake most of us make in dealing with self-doubt The four key weaknesses that self-doubt attacks—and how to strengthen them Practical strategies to detach from negative thoughts and take decisive action The connection between your thoughts, body, and environment—and how it shapes your mindset Why waiting to feel confident is a myth, and how to embrace the power of self-trust The two mindset tools that will help you conquer any challenge Why trying to be like others will stifle your voice and diminish your worth Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mentally Stronger Premium⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for exclusive content like weekly bonus episodes, mental strength challenges, and office hours with me. Links & Resources ShadeZahrai.com Big Trust Connect with the Show Buy a copy of⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠13 Things Mentally Strong People Don't Do⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with Amy on Instagram —⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@AmyMorinAuthor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit my website —⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AmyMorinLCSW.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sponsors OneSkin — Get 15% off OneSkin with the code STRONGER at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Quince — Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quince.com/stronger⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365 day returns! Hollow Socks — Buy 2, get 2 free at ⁠hollowsocks.com⁠ BetterHelp — This episode is sponsored by/brought to you by BetterHelp. Give online therapy a try and get 10% off at ⁠betterhelp.com/mentallystrong⁠ Shopify — Sign up for your one-dollar-per-month trial period at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shopify.com/mentallystronger⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lola Blankets — Get 35% off your entire order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lolablankets.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ by using code STRONGER at checkout. Experience the world's #1 blanket with Lola Blankets. AirDoctor — Head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AirDoctorPro.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and use promo code STRONGER to get UP TO $300 off today! Uncommon Goods — Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠UncommonGoods.com/Stronger⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 15% off Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this for our Foundations Of Recovery & Healing program for individuals and couple's navigating broken trust in their relationship. It starts Thursday, January 15th 6-8pm MDT, once a week for 6 consecutive weeks. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Register Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This is The Courageous Call-in Show for redemptive healing after betrayal and sex addiction. Learn how to restore broken trust alongside 2 bold and experienced therapists. Brannon Patrick LSCW and Tyler Patrick LMFT have been in the trenches of addiction and betrayal trauma therapy for over 15 years, but before they were therapists, they were die-hard brothers and friends. In this podcast, they have deep discussions to answer the most difficult and uncomfortable questions–head on. This podcast is all about restoring trust in relationships after betrayal and addiction, healing trauma and shame, and experiencing wholeness like never before. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join us on the podcast with your question⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and let's have an honest conversation for a change. Follow Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Free Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

What if the clarity you've been looking for in your business was just a few powerful questions away? Today I'm bringing you to a coffee shop with big mugs filled to the brim and walking you through the questions that help reveal what's holding you back and what's possible next. Join me for 10 minutes to sit, breathe, and reflect as I walk you through each of these questions.In this Episode:Why asking questions is one of the most powerful clarity tools in businessFive reflection prompts to realign with your goals and eliminate overwhelmHow to shift from emotional decision-making to data-driven confidenceToday's episode is brought to you by Forewarn:If you often meet clients in private homes or unfamiliar places, FOREWARN helps you verify identities and assess risk before meeting in person. Just enter a phone number for instant identity information — visit forewarn.com to learn how you can prepare and stay safe.Find It Quickly: 0:00 - The power in a good question.4:40 - What feels the most heavy in your business right now?5:14 - Kick the bottlenecks to the curb.5:53 - Where are you making things harder than they need to be?9:53 - What can future you thank you for?11:18 - Trusting yourself completely can change your businessMentioned in this Episode:www.joymichelle.co/calljoymichelle.co/streamlined-schedule-20-hour-work-weekjoymichelle.co/reboot-better-decisions-in-businessIf you're enjoying the content we're creating on the podcast and want to connect with others who are called to both, make sure you come join us in the PhotoBoss® with Joy Michelle Facebook Group! Join Now >>

Some conversations feel scripted. This one… absolutely did not. Larry Robbins walked in ready to talk life, passion, family, culture, workholding, philosophy, and whatever else popped into his head — and somehow it all connected back to manufacturing. This episode of MakingChips is one of the most unhinged, hilarious, honest, and wisdom-packed conversations we've ever recorded. Larry has been in the industry for nearly 46 years, and he's collected enough stories, scars, and laughs for ten careers. From his father dragging him into the business ("long hair doesn't work here") to his famous explanation that SMW makes "magic hands," Larry blends humor and experience into lessons every shop owner needs to hear. His passion for the industry is unmatched — and his candor is even better. Throughout the episode, the crew dives into culture, leadership, lying (don't), modularity, flexibility, high-density workholding, predictable setups, financing equipment, and why you should stop crawling across a dollar to pick up a dime. Larry opens up about the future of manufacturing, warns against bad advice, and reminds everyone that machining touches every single thing in the world. If you're ready for an episode that's equal parts educational and unhinged in the best possible way, buckle up — Larry Robbins is in rare form. Segments (1:00) Larry's background, early failures, and the stories that shaped his approach to leadership (3:31) An investment in ProShop is an investment in your business (3:32) Culture, loving your work, and leadership lessons (5:07) Entering the family business, retirement humor, and long-term commitment (7:23) The reality of workplace culture, honesty, and handling difficult employees (10:02) Integrity, truth-telling, and early lessons on character (13:18) Appreciating machinists and the unseen parts of manufacturing (15:05) Workholding vs. cutting tools and why workholding matters more than people think (16:09) "Magic hands" — Larry's explanation of workholding for a 5-year-old (17:20) Workholding misconceptions and the cost of poor setups (19:00) Vendor trust, trying equipment, and choosing partnerships wisely (20:22) Setup reduction, rigidity vs. flexibility, and predictable processes (22:12) Cutting 12-hour setups and the value of internal vs. external setups (24:16) Why we love Phoenix Heat Treating for Outside Processing (25:24) Expensive machines + cheap vices = lost potential (27:26) Modular workholding, infinite adjustment, and the origins of the industry (29:18) When not to sell a customer — long-term trust over short-term gain (30:19) Why shops "don't know what they don't know" about proper workholding (31:58) Financing workholding and proving ROI to shop owners (33:09) Tooling certs and buying the solution, not just the machine (35:24) High-density workholding and maximizing machine real estate (37:12) Protecting customers from bad investments and the role of good vendors (38:01) The LEGO analogy and building reusable workholding systems (40:13) Trusting experts and using the right resources in decision-making (41:19) Grow your top and bottom line with CliftonLarsonAllen (CLA) (41:57) Buzzwords like Industry 4.0 vs. solving real problems (43:49) Competing with global labor costs and running unattended (44:19) Extending the life of old machines with better processes (46:41) Universal truth: If you're not making chips, you're not making money  Resources mentioned on this episode Connect with Larry Robbins and SMW Autoblok An investment in ProShop is an investment in your business Why we love Phoenix Heat Treating for Outside Processing Grow your top and bottom line with CliftonLarsonAllen (CLA) Smart Money Moves: Equipment Financing Tips with Ty Willis Connect With MakingChips www.MakingChips.com On Facebook On LinkedIn On Instagram On Twitter On YouTube

Dana Micucci redefines danger for the modern lightworker not as external threat, but as the peril of spiritual bypassing and succumbing to fear or lower collective consciousness. Unlike 20th-century internal work, the 21st-century task is active internal mastery to hold and anchor high-frequency light amidst global chaos and intense energy shifts. This internal mastery is crucial for external impact. The Lesson in Mastery: From Seeking to Embodying Truth The memoir, a sequel to Sojourns of the Soul, marks a pivotal shift: the 'lesson in mastery' is moving from seeking truth externally (via sacred travel) to embodying that truth internally. This profound shift is the foundation for applying spiritual wisdom to complex modern life, validating the current memoir as an essential guide for the lightworker journey. Ma'at: Ancient Egyptian Wisdom for the Digital Age Micucci shares the powerful ancient Egyptian principle of Ma'at (truth, balance, and cosmic order), encountered at the sacred temples of Egypt. This ancient wisdom is surprisingly practical for navigating modern issues like misinformation and polarizing technology. Ma'at serves as a vital spiritual compass for filtering digital input by aligning words, thoughts, and actions with truth and balance. Essential Spiritual Tool: Conscious Breathwork For newcomers beginning their spiritual path, the single most essential spiritual tool is conscious, focused breathwork. This simple technique instantly interrupts the fearful, egoic mind, anchors the individual in the present, and connects them to their innate power and grace. The breath is highlighted as the most accessible bridge between mind, body, and spirit. Planetary Transformation: The Challenge and The Opportunity The current period of intense planetary transformation presents two key facets from a lightworker's view: Greatest Challenge: The temptation to disconnect or fall into despair amidst global crises. Greatest Opportunity: The unprecedented acceleration of soul evolution. The current evolutionary waves force humanity to confront shadows, offering a unique chance to rapidly ascend into higher consciousness and co-create the New Earth. Trusting the Higher Guiding Force Micucci shares how a personal test or transformation—a period of loss and uncertainty—revealed that apparent "breakdown" was the higher guiding force clearing old foundations. By embracing deep surrender, she recognized the timely appearance of support as confirmation that this force was conspiring on her behalf. The Final Action Step: Radical Self-Compassion The final, practical action step Micucci hopes readers take after finishing The Years of Living Dangerously is to practice radical self-forgiveness and self-compassion. Choosing to unconditionally love the self and silence the internal critic is deemed the most profound way to 'open their hearts to the evolutionary waves of change' and become a clear channel for light. Web: http://www.danamicucci.com/ About Dana Micucci: Award-Winning Author, Spiritual Teacher & Lightworker Dana Micucci is a highly-regarded award-winning author, spiritual teacher, speaker, and healer dedicated to guiding others through planetary transformation. Her work fuses ancient wisdom with modern revelation, offering a powerful path for accelerated consciousness and soul purpose fulfillment. Dana's transcendent new spiritual memoir, The Years of Living Dangerously: Lessons from the Front Lines of a 21st-Century Lightworker, chronicles her extraordinary evolution as a lightworker. This book is a supportive roadmap for navigating the intense shifts of our time. It features: Inspirational personal revelations from sacred sites (e.g., temples of Egypt) and high-frequency power spots worldwide. An inspiring blend of ancient wisdom and practical spiritual tools. Tests, miracles, and transformations that shaped her journey of expanded awareness. Dana Micucci's Published Works In addition to her memoir, Dana is the author of other influential books that explore deep metaphysical themes: The Third Muse: A captivating metaphysical novel and time-travel mystery set in the international art world. It celebrates divine feminine wisdom, the Magdalene Order, and the healing power of love. Sojourns of the Soul: A spiritual travel memoir—a gold winner in the Nautilus Book Awards—inspired by her profound journeys to the world's most sacred sites. Global Teacher, Healer, and Shamanic Practitioner As a dynamic speaker and a seasoned teacher/practitioner of ancient mystery school wisdom, Dana Micucci conducts transformational talks, workshops, and sacred journeys worldwide. Her healing and mentoring practice is rooted in extensive shamanic training, offering a multidimensional healing vibration that: Ignites deep shifts in consciousness and expanded awareness. Fosters the recognition of your soul's purpose. Assists in accelerating a fearless journey toward wholeness, joy, and fulfillment. With grounded clarity and compassion, Dana serves as an ambassador of the New Earth consciousness. Based in Taos, New Mexico, she travels widely in sacred service. Dana also enjoyed a decades-long career as a widely published journalist, specializing in culture, travel, and spirituality. 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Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

If you've been feeling the call to be around others who get it — this is your chance.Not just daily prompts or prerecorded content — the Circle is INTERACTIVE, alive, real-time, and built on true human connection.

I Peter 4:12-19

12-7-25 AM "The Blessing of Trusting the LORD"Scripture Reading: Psalm 32Sermon Text: Psalm 32:10I. The Contrast to the Blessing of Trusting the LORD A. Who the Wicked Are B. What the Sorrows AreII. The Action in the Blessing of Trusting the LORD A. The Nature of the Action B. The Object of the ActionIII. The Result of the Blessing of Trusting the LORD A. A Gift of Mercy B. An Abundance of MercyRev. Greg Lubbers

Get 50% off a Reverse Dieting Strategy call with a Mind Pump coach. (Through Dec 6th) Visit: ⁠http://www.reversedietcall.com/⁠ ** Code DECEMBER50 at checkout ** Mind Pump Fit Tip: The Do's and Don'ts of Macro tracking. (2:00) Illustrating why it's important to understand ALL factors in a study. (22:10) Glistening beard. (32:37) Male models and awkward photo shoots. (35:57) Not just an athleisure wear company anymore. (53:47) An EXTREME example of how human reason falls apart without objective morality. (56:13) #ListenerCoaching call #1 – What is the best program to add an inch to my arms? (1:03:36) #ListenerCoaching call #2 – How can I get my body to respond? I'm not as active as I once was, and I need help with the way I feel. (1:10:50) #ListenerCoaching call #3 – A story of redemption after a near-death experience. Trusting the process after years of living in a cycle of extremes. (1:25:29) Related Links/Products Mentioned Get Coached by Mind Pump, live! Visit https://www.mplivecaller.com Visit Caldera Lab for an exclusive offer for Mind Pump listeners! **Code MINDPUMP20 for 20% off your first order of their best products. ** Visit Vuori Clothing for an exclusive offer for Mind Pump listeners! ** No code to receive 20% off your first order. ** Get 50% off a Reverse Dieting Strategy call with a Mind Pump coach. (Through Dec 6th) Visit: http://www.reversedietcall.com/ ** Code DECEMBER50 at checkout ** Mind Pump Store Mind Pump #2160: Macro Counting Master Class MAPS Macro Calculator Intentional Weight Gain Strategies in Young Adult Athletic Individuals Florida man arrested after UK woman allegedly pays him to torture, kill her: Affidavit Unlock sharper focus and support long-term brain health with Ketone-IQ—clean brain fuel for deep work, mental clarity, and sustained energy with no crash. Get 30% off your subscription, plus a free gift with your second shipment at https://ketone.com/MINDPUMP Occlusion Training Guide | MAPS Fitness Products Mind Pump #2690: The NEW DIET Everyone Is Using For Fat Loss Sal Di Stefano's Journey in Faith & Fitness – Mind Pump TV Mind Pump Podcast – YouTube Mind Pump Free Resources People Mentioned Phil Heath (@philheath) Instagram ZUBY (@zubymusic) Instagram  

In this engaging conversation, Paige Lindsey and Jaime Reynolds explore the multifaceted journey of creativity, motherhood, and the art world. They discuss the challenges of balancing family life with artistic pursuits, the impact of art education, and the importance of community in fostering creativity. Jaime shares her personal experiences of reclaiming her artistic identity, the joys and struggles of teaching art, and the significance of creating a sacred space for creativity. The conversation also touches on the business side of art, navigating uncertainty, and the role of rest in the creative process. Ultimately, they inspire listeners to embrace their unique artistic journeys and find fulfillment in their creative expressions.To follow and support Jaume Reynolds check out the following:Website - https://jaimereynolds.comInstagram - https://www.instagram.com/jaimereynolds_Substack - https://jaimereynolds.substack.comWinter Solstice 5 Day Watercolor Intensive (December 29 - January 2) - https://jaimereynolds.substack.com/i/179020653/substack-winter-solstice-watercolor-intensiveTakeaways-Starting a podcast can be a way to connect with others.-Balancing family and creativity is a constant challenge.-Art school experiences can vary greatly and impact one's journey.-Finding your artistic identity is a personal and evolving process.-Community support is crucial for artists.-Teaching art can be fulfilling and transformative for both teacher and students.Creating a sacred space for art can enhance the creative process.-Navigating the business side of art requires courage and adaptability.-Rest is essential for maintaining creativity and mental health.-Embracing uncertainty can lead to unexpected growth in one's artistic journey.

Recorded live during our December Full Moon webinar, this powerful episode takes you on a sacred journey of release, rebirth and remembrance. Nimesh guides listeners through a deep meditation to reset the four bodies, reconnect with higher self, and step into a new frequency of light. We then open the Akashic Records and channel messages from the collective and higher realms, offering guidance for this phase of completion, soul expansion, intuition, support, and purpose. You'll hear Stacey's transmission too — an activation around pain becoming purpose, surrender, trust, and remembering your mission as a lightworker. This episode is an energetic experience as much as it is a teaching — allow it to support your integration and alignment in this powerful season.✨ Key Themes

Crystal Hollenbeck and Dr. Rob continue their conversation about the power and purpose of triggers, the appropriate time to utilize communication skills, and each of the seven steps of the CALMING model, including handling residual anger and resentment. We often think that anger is the only option for control after betrayal, but Crystal challenges this limiting belief and offers hope to anyone who is ready to move on from an angry life.    TAKEAWAYS: [1:52] Why should I do anything? He betrayed me.  [5:42] Triggers are normal and can be helpful.  [7:27] What to expect from the leveling stage.  [13:13] The management and intuition stages of CALMING.  [20:21] Trusting your intuition after betrayal.  [25:17] The role of forgiveness in healing.  [30:41] This behavior increases the likelihood of repeat betrayal.  [32:30] Boundaries are protection, not restriction. [34:35] Grieving loss and recognizing the positives of post-traumatic growth. [43:44] Moving on after grief is possible.    RESOURCES: Sex and Relationship Healing @RobWeissMSW Sex Addiction 101  Seeking Integrity Free Sexual Addiction Screening Assessment Partner Sexuality Survey Crystal Hollenbeck Betrayal Healing Conference   Seeking Integrity Podcasts are produced in partnership with Podfly Productions.    QUOTES: “This is part of your story now. You have to talk about it.”  “I have never seen a client not be grateful for healing work, because they come in with wounds they didn't know exist.”  “Forgiveness is for you, not the person that harmed you.”  “Boundaries are protection, not restriction.” “We never stop grieving. We learn to live with grief.”

When you are childless after infertility, the holiday season can feel like a spotlight you never asked for. Everyone has an opinion about your fertility decisions. Everyone has a suggestion about what you should have done. And somehow every gathering becomes an open invitation for people to ask about baby news, adoption, donor eggs, or why you stopped trying. In this week's episode, you learn how to stay grounded, confident, and steady when holiday opinions collide with the decisions you made after IVF Failed. You discover how to trust your intuition again and how to walk into December without feeling like you owe anyone an explanation. This episode is for you if • you are childless after infertility • you ended fertility treatments and people still question why • you feel pressure during family gatherings • you struggle with unsolicited advice about adoption, donor eggs, donor sperm, surrogacy, or "trying again" • you want to feel connected to the holidays without feeling triggered • you want to walk into gatherings feeling prepared instead of anxious Inside the episode, you will learn • why holiday comments land so hard for women who are childless not by choice • how lifelong conditioning leads you to second guess your decisions • why your inner knowing is wiser than outside opinions • what to tell yourself when someone questions your fertility choices • how to feel empowered about the decisions you made when your fertility journey ended without a baby • how to walk into December feeling solid and sure of yourself If you are already bracing for the questions and opinions, I have two things that will support you through this season. Glow Up Sessions: Personalized Holiday Support These private sessions help you • practice what you want to say • stay grounded during conversations • feel confident about your decisions • handle family dynamics with clarity and calm These are one on one coaching sessions at a discounted rate for December. Book your Glow Up Session here! Register NOW! Free Masterclass on December 16 Handling the Holidays: Managing Your Family, Traditions, and Celebrations Without Kids Tuesday, December 16 11:30 AM Central In this class you learn how to • handle family gatherings when you are childless after infertility • navigate traditions that feel painful because you do not have kids to pass them onto • stay centered when everything around you feels kid focused • make space for your own joy this holiday season Register for the free class: https://meet.google.com/occ-gnzy-sdt (If you want a registration page link instead of a direct meet link, tell me and I will swap it.) Mentioned in this Episode Download the Top 27 Things People Say When You Are Childless and How to Respond https://lana-manikowski.com/thingspeoplesay Connect With Me Website https://www.lanamanikowski.com Instagram https://www.instagram.com/lana.manikowski TikTok https://www.tiktok.com/@lana.manikowski YouTube https://www.youtube.com/@lana.manikowski If you loved this episode Please subscribe, rate, and review the podcast. It helps other women who are childless after infertility discover this space and find the support they never received from their clinic once treatment ended.

About CarlyCarly McGinnis is the driving force behind one of the fastest-growing tabletop companies in history. As CEO of Exploding Kittens, she's helped lead the company to over 25 million games sold and dozens of successful launches, all while keeping the promises of the most-backed crowdfund ever. Carly's path—from surviving the Hollywood talent-agency grind to building a global game business—has given her a rare blend of resilience, humor, and no-nonsense leadership. In this episode, we discuss how she scales teams, navigates creative chaos, and builds a culture that can actually deliver on big ideas.Related episodes with Elan Lee, Creator of Exploding KittensJustin's Ah-Ha Notes:* Slow Down to Grow Faster: Carly reminds us that speed isn't the same as progress. When you rush just to keep moving, you create confusion, rework, and stress that ultimately slow you down. The real skill is learning to pause long enough to think clearly, set the right priorities, and avoid doing things simply for the sake of doing them. When you give yourself and your team permission to slow down, you actually create the conditions to grow faster and make better decisions.* Define “Good Enough” and Move Forward: One of Carly's superpowers is knowing when to push and when to ship. Perfection can quietly kill momentum, especially inside a fast-scaling company. By clearly defining what “good enough” means for a project, she empowers her team to keep moving, learn in the real world, and avoid getting stuck polishing details that don't matter. Progress comes from clarity and clarity starts with setting a bar everyone understands.* Leadership Is Repetition: Carly makes this point beautifully: leadership isn't about a single breakthrough moment, it's about reinforcing the fundamentals again and again. Whether it's reminding the team of the mission, encouraging fast feedback loops, or surfacing hard conversations, the job is to repeat what matters until it becomes part of the culture's DNA. A great leader is patient, and presents enough to help their teams grow in the right direction. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit justingarydesign.substack.com/subscribe

Trusting your own progress is one of the fastest ways to grow. When you stop focusing only on what feels unfinished and start noticing the effort you bring into your days, your confidence rises. You act with more intention. You handle stress with more strength. You move toward your goals with a clearer mind. This message helps you see the real progress shaping your life so you can build momentum in a grounded and powerful way. BOOK A CALL WITH PERRY: http://talktoperry.com TEXT ME: (208) 400-5095 JOIN MY FREE COMMUNITY: http://upsidedownfit.com The Legacy Continues with Syona and Tony Horton: https://sharesyona.co/?url=perrytinsley RESOURCES Best Probiotic for Gut Health: https://bit.ly/probyo Best Focus & Memory Product: https://bit.ly/dryvefocus Daily Success Habits (Free Download): morningsuccesshabits.com Best Home Workouts – Power Nation: https://sharesyona.co/?url=perrytinsley WOW! You made it all the way down here. I'm seriously impressed! Most people stop scrolling way earlier. You officially rock, my friend.

"If you're somebody who is thinking about starting a business, I can tell you one thing: running the business is somewhat easy. It's all the emotional stuff, all the past trauma, all the core wound stuff, that's really what gets in the way."In this solo episode, I explore why we often feel scared about doing deep healing work. It's completely common to experience resistance because of the fear of the unknown and the looming question of who we will be on the other side. We often harbor an unconscious fear of what we might lose, whether it's relationships, comfort, or our current sense of safety, if we finally step into our power.I discuss how these fears stem from deep coping mechanisms created in childhood, where we learned to abandon ourselves to get our needs met. I also share my personal journey of leaving my job as a school counselor to fully commit to my business, describing the moment when the energetic frequency of staying became more painful than the fear of leaping.We dive into the nature of emotions as simply energy in motion and how resisting them causes symptoms like anxiety, procrastination, and self-doubt . Finally, I  address how ancestral programming of self-sacrifice holds women back and why clearing core wounds is the most critical strategy for business owners to truly succeed.TODAY'S HIGHLIGHTSResistance to Transformation: Why we fear the unknown and the common hesitation to dive deep into breathwork.The Fear of Loss: Addressing the unconscious worry that healing trauma will force us to leave partners or lose friends.Childhood Survival Mechanisms: How we learned to abandon our authentic selves to ensure survival and how this projects onto our adult relationships.Personal Leap: The energetic disconnect between working as a school counselor and running a business, and the moment staying became impossible.The Breaking Point: How a baby chick breaking out of an egg perfectly describes the necessity of painful growth.Energy in Motion: Understanding that emotions just want to move and that resisting them causes anxiety, self-doubt, and business blocks.Ancestral Programming: Breaking the societal and ancestral pattern of self-sacrifice that keeps us from valuing our own needs.The Unknown as Power: Shifting from fearing the unknown to dancing with it as a source of pure potential and creativity.Trauma and Business: Why business strategy is easy, but the emotional work and core wounds are what stop entrepreneurs from expanding.**WAYS TO ENTER MY WORLD**  When you leave a review of the podcast, send us a screenshot and we'll send you a $250 credit, you can apply to anything else in my world.Get a $500 discount when you join The Metamorphosis before 2025 ends. We're starting again in January. This is my groundbreaking program to rapidly and efficiently clear the familial and ancestral trauma that is blocking you from experiencing the wealth and freedom that you desire.Get a $1000 discount when you join The Metamorphosis Method before the year ends. This is the only Certification Program that closes the gap between spirituality and therapy to create predictable and permanent results with your clients.Questions? Let's jump on a call CONTACT ALYSEalysebreathes.comIG @alyse_breathesinfo@alysebreathes.com

SummaryIn this episode, David Neagle shares his transformative journey from a struggling forklift operator to a successful entrepreneur and author of The Millions Within. He discusses the pivotal moments that changed his mindset, the difference between faith and belief, and the importance of taking action towards one's goals. Neagle emphasizes the need to identify what one truly wants and to trust the process, while also addressing the common pitfalls of self-sabotage and doubt. His insights provide a roadmap for listeners seeking to achieve their own success.TakeawaysDavid Neagle's journey began with significant struggles, including bankruptcy and repossession.A pivotal moment in Neagle's life was when he changed his attitude, leading to a tripling of his income.Belief is an active process, requiring alignment of thoughts, emotions, and actions.Self-sabotage often stems from subconscious patterns that resist change.Identifying what you truly want is crucial for personal growth and success.Saying yes to what you want and no to what you don't want can clear the path to your desires.Trusting the process and being open to opportunities is essential for achieving goals.The importance of following your heart and desires rather than societal expectations.Neagle emphasizes that money is often an effect, not a cause of success.The answers to personal fulfillment and success lie within each individual.Chapters00:00 David Neagle's Journey from Struggle to Success07:57 Understanding Faith vs. Belief14:36 The Role of Action in Achieving Goals23:25 Overcoming Self-Sabotage and Limiting Beliefs31:09 Discovering Your True Desires31:35 Discovering Passion and Purpose32:16 The Spiritual Quest for Direction35:35 Breaking Subconscious Patterns36:29 The Power of Desire and Responsibility39:22 Nature's Lessons on Attraction and Success44:19 The Influence of Mentorship47:41 Navigating the Gap Between Belief and Action53:42 Trusting the Process of Discovery57:56 The Secret Within: Following Your HeartCredits:Hosted by Ryan Roghaar and Michael SmithProduced by Ryan RoghaarTheme music: "Perfect Day" by OPM  The Eggs Podcast Spotify playlist:bit.ly/eggstunesThe Plugs:The Show: eggscast.com@eggshow on X and InstagramOn iTunes: itun.es/i6dX3pCOnStitcher: bit.ly/eggs_on_stitcherAlso available on Google Play Music!Mike "DJ Ontic": Shows and info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠djontic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@djontic on twitterRyan Roghaar:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rogha.ar

"When resistance is coming up, it's just trying to show you something, and it's an area in your life that can be healed, that can stretch you, that can put you in a position and in an opportunity for you to step into what's next for you."  In this episode, Heather sits down with Tracy Matthews to dig into how we master resistance, find the courage to move toward our big visions, and cultivate a more profound sense of trust in ourselves and the universe. Whether it's navigating health issues, parenting children, or building a business, we all bump into those uncomfortable subconscious blocks and stories that keep us stuck. In this conversation, Heather and Tracy share their own experiences overcoming fear, resistance, and failures, along with powerful insights into what it takes to conquer them. What to listen for: ✨ Choosing yourself and "leaning in" to master resistance ✨ Why resistance is a moment to pause and question what it's doing for you ✨ How to dissolve resistance when it inevitably comes up "In the practice of just putting it out there and butting up against that resistance, you actually dissolve and dissipate the feeling because resistance is your body, mind, and subconscious trying to keep you from stepping into what's next for you or to a bigger capacity."  ✨ Putting yourself out there and facing the fear of rejection ✨ How to be your own cheerleader and move through resistance ✨ The identity shifts that come up when we lean in new directions "If you resist it, that's literally the next door you should probably open. And if you want to buy back so much of your time and energy, open the doors that you're absolutely terrified to open, because that's going to buy back so much of your energy." ✨ Navigating the hidden shame that comes with setting big goals ✨ The power of pivoting and "failing" when it's aligned ✨ Trusting that the universe will show you the way forward "Sometimes you just have to sit in that discomfort, in that resistance, in that space of not knowing, knowing that if you trust yourself enough, the answer is going to drop in." ✨ Understanding your intuitive 'yes' and 'no' when making decisions ✨ Using resentment to uncover your boundaries ✨ Why business is the biggest crash course in personal development About Tracy Matthews Tracy Matthews is a Creativity, Branding, and Reinvention Expert, a Best-Selling Author, and the Host of the Top-Rated Creatives Rule the World Podcast. As a serial entrepreneur, she's reinvented herself several times and built multiple 7+ figure businesses. She believes creativity is the biggest gift for navigating challenges, living a more fulfilled life, and having fun while creating wealth. Notable media placements include The Today Show, Entrepreneur, InStyle Magazine, and Elle. Through her podcast, blog, social media platforms, coaching, and programs, she inspires over 200,000 people weekly to launch, grow, and scale successful creative brands. You can find more information at TracyMatthews.com. She lives in Scottsdale, Arizona, with her partner Jason, his two daughters, and her doodle, Roxy. Connect with Tracy: Website: https://creativesruletheworld.com   Podcast: https://pod.link/1050430716  Book: https://desiredbrandeffect.com   Instagram: https://www.instagram.com/iamtracymatthews  TikTok: https://www.tiktok.com/@iamtracymatthews  ******* For those of you who are ready to stop feeling drained, overextended, and out of alignment… join me for a one-on-one Time & Energy Audit, a focused session designed to help high-achieving women uncover what's draining them, clarify what truly matters, and create a simple plan that fits their life. We'll pinpoint your biggest time + energy leaks, identify the top areas to focus on for quick momentum, and map out exactly what to let go of so you can reclaim your energy, your time, and your joy. Ready to make your time work for you without adding more to your plate? Book your audit here: https://heatherchauvin.com/audit 

Melanie, mom to 12-year-old Masen, shares the unexpected path to her son's diagnosis with Homocystinuria (HCU) after a routine eye exam revealed something "off." What followed was months of uncertainty, a rare diagnosis few providers had even heard of, a crash course in low-protein diets and metabolic formulas, and two back-to-back eye surgeries to prevent further damage. With gentleness, honesty, and deep advocacy, Melanie describes how they adjusted as a family, how Masen built resilience, and how finding community changed everything. A story of early detection, parent intuition, and the power of connection. Why this episode matters Rare disease reality: What it feels like to navigate a diagnosis most clinicians have never seen Caregiver intuition: How a parent's sense that "something isn't right" can spark life-saving action Practical communication: Age-appropriate ways to explain health changes, procedures & dietary needs Health equity & systems gaps: When newborn screening misses what should have been caught Hope forward: The resilience of kids—and the strength families build together What You'll Learn Early signs Masen showed (or didn't show) before diagnosis How a routine eye exam led to life-changing discoveries What HCU is, and why newborn screening only catches ~50% of cases How metabolic diets work—and why the formula is so hard for kids Talking to kids about scary changes in simple, honest language Navigating back-to-back eye surgeries How parents balance their own needs while supporting their child Building resilience without expecting perfection The power of community: conferences, meetups, Facebook groups Advocating for improved newborn screening for future families Timestamps 00:00 Meet Melanie & Masen: family intro, life in Vancouver 01:23 Sports, hockey, and life surrounded by nature 01:56 Routine eye exam → the moment everything changed 03:38 The optometrist's concerns & the start of uncertainty 04:01 Google panic, calling providers, needing answers 04:55 Keeping fears private during COVID 07:38 Mother's Day call: the rare diagnosis finally revealed 07:47 What HCU is and why newborn screening misses it 10:45 Treatment basics: low protein & metabolic formula 11:19 Explaining diagnosis to an eight-year-old 13:14 Parenting through fear while staying regulated 14:52 "Eat the prawns in the pantry"—navigating food changes 17:29 Building resilience while validating hard feelings 18:31 Finding community online & through HCU conferences 20:41 Masen meets other kids with HCU 22:33 Advocacy: improving newborn screening across Canada 24:28 Social media vs. real-life progress 24:58 Masen's eye surgeries & long-term vision care 27:46 What parents can request if concerned about HCU 30:22 Trusting your care team & staying curious 30:51 Who Masen is beyond a diagnosis 34:22 Where to learn more about HCU Melanie shares that… "My heart was racing. I knew something was off." "Most doctors have never even heard of HCU." "The formula tastes terrible, but it keeps him healthy." "You can be proud of your child's resilience and still wish they didn't need it." "This should have been caught at birth—we want to change that for future kids." Resources & Links HCU & Metabolic Disorder Communities HCU Network America (Instagram: @hcunetwork_america) CANPKU+ (Instagram: @canadian.pku) SupportSpot App (by Child Life On Call) Procedure guides, coping plans, journals, and parent resources to help families feel prepared and advocate with confidence.  Learn more here. Meet the host:  Katie Taylor is the co-founder and CEO of Child Life On Call, a digital platform designed to provide parents, kids, and the care team with access to child life services tools and resources. She is a certified child life specialist with over 13 years of experience working in various pediatric healthcare settings. Katie is the author of the children's book, and has presented on the topics of child life and entrepreneurship, psychosocial care in the hospital, and supporting caregivers in the NICU setting both nationally and internationally. She is also the host of the Child Life On Call Podcast which features interviews with parents discussing their experiences throughout their child's medical journey. The podcast emphasizes the crucial role of child life services in enabling caregivers both at and beyond the bedside. Instagram.com/childlifeoncall   The Child Life On Call Podcast is for informational and educational purposes only. The content shared in each episode, including stories, discussions, and interviews, is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified healthcare provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay seeking it because of something you heard on this podcast. The views and opinions expressed by guests on the Child Life On Call Podcast are their own and do not necessarily reflect those of Child Life On Call. Child Life On Call does not endorse any specific medical treatments, procedures, or opinions shared in the podcast. If you or your child are experiencing a medical emergency, call 911 or seek immediate medical attention. By listening to this podcast, you acknowledge that Child Life On Call and its affiliates are not responsible for any decisions made based on the information provided. Facebook.com/childlifeoncall linkedin.com/in/kfdonovan  

As we settle into the darkest stretch of the year (at least here in the Western hemisphere), my intention is to bring you the most light-filled conversations throughout December — the kind that help you remember your own eternal, sacred inner flame. ✨

Advent E1 — Over the next four weeks, we'll be exploring the four key words associated with the Advent season: hope, peace, joy, and love, starting with hope. The Hebrew words often translated as “hope,” yakhal and qavah, are rooted in images of waiting and being stretched, like a cord pulled tight. From Noah waiting for the flood waters to recede, to Israel longing for God's loyal love, to Jesus followers ultimate hope in the new creation, the Bible presents hope as an active trust in God's character. In this episode, Jon and Tim explore how the biblical story reframes hope as active waiting, a practice that keeps us moving toward God's promises.FULL SHOW NOTESFor chapter-by-chapter notes including summaries, referenced Scriptures, biblical words, and reflection questions, check out the full show notes for this episode.CHAPTERSYakhal, a Waiting Hope (0:00–11:26)Qavah, a Stretching Hope (11:26–24:10)Biblical Hope vs. Optimism (24:10–27:47)Reflections on Hope With Dylan (27:47-32:50)OFFICIAL EPISODE TRANSCRIPTView this episode's official transcript.REFERENCED RESOURCESThe Hebrew and Aramaic Lexicon of the Old Testament by Ludwig Koehler and Walter BaumgartnerThe Life of Moses and Homilies on the Song of Songs by Gregory of NyssaThe Last Battle by C.S. LewisYakhal / Hope: Though not referenced directly in the episode, this 2017 video explores the same biblical words, yakhal and qavah.Check out Tim's extensive collection of recommended books here.SHOW MUSIC“Home For Christmas” by Lofi Sunday & Cassidy Godwin“That Gospel ft. Bobcat” by Lofi Sunday“Snowflakes” by AvesBibleProject theme song by TENTS SHOW CREDITSProduction of today's episode is by Lindsey Ponder, producer, and Cooper Peltz, managing producer. Tyler Bailey is our supervising engineer, who also edited today's episode and provided the sound design and mix. JB Witty does our show notes, and Hannah Woo provides the annotations for our app. Our host and creative director is Jon Collins, and our lead scholar is Tim Mackie. Special thanks to our guest Dylan Menges. Powered and distributed by Simplecast. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.