Podcasts about korean new wave

I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook's groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja's Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time. Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess' cinema (1974-82), and 6th Generation Chinese Cinema. Selected work: https://novasiagsis.com/author/nileshp/ Instagram: https://www.instagram.com/nilesh5739/ Facebook: https://www.facebook.com/shanti.love.90 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/L9azQpXZ2Rc Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Discussion Outline 0:00 Oldboy and Allegory 18:40 Angry Men in Korean New Wave Cinema 44:42 Hostess Cinema and Female Representation 1:12:25 My Sassy Girl (엽기적인 그녀) 1:37:30 The Queers are Here 2:33:46 Recommendations Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ Questions or Topic Suggestions: Write in the Comments Below #koreadeconstructed #davidtizzard Korea Deconstructed by David Tizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com 

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it's the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea's obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho's Hollywood work feels so different from his Korean films.Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook's Oldboy and The Handmaiden embrace operatic violence and eroticism. Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.Book tickets to Mickey 17 @ LAB111Book tickets to Parasite @ LAB111Book tickets to CC Film Club: Old Boy @ LAB111Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?

YO WHAT IS UP! On this episode, we delve into the world of Lee Chang-dong's "Burning," a masterpiece that intertwines a bit of mystery and social commentary. Lee, an auteur known for his profound storytelling, brings a unique depth to this adaptation of WIlliam Faulkner's book, Burning Barn and Haruki Murakami's short story of the same name. Stellar performances by Yoo Ah-in, Steven Yeun, and Jeon Jong-seo transform this cinematic experience into an unforgettable journey of emotion and suspense.We'll share our favourite scenes, quotes that resonated, and dive into a lively discussion about what makes "Burning" a modern classic. Whether you're a film buff, a casual viewer, or a friend tuning in, this episode is packed with insights and critiques that will deepen your appreciation of the film.Tune in to explore how "Burning" blurs the lines between reality and mystery, leaving its audience pondering long after the credits roll.Also, a huge shout out to Neringa for making her 3rd appearance on The Movie Newbie, she sits in for Raph who had to do some Thanksgiving stuff.--JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music & radio as Rei.do.Nada, some video content and some writing as well.Links: https://linktr.ee/jabriel/RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting.Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta.Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

YO WHAT IS UP AND WE ARE BACK!In this episode, we're exploring the mystifying and evocative film "Oldboy." Directed by Park Chan-wook, this 2003 South Korean masterpiece has left audiences and critics alike stunned with its intricate storytelling and shocking twists.Join us as we dissect the film's complex narrative, which follows the harrowing journey of Oh Dae-su, a man imprisoned in a cell for 15 years without knowing the reason for his captivity. Upon his unexpected release, Oh Dae-su is thrust into a web of revenge and mystery, leading to an unforgettable climax that challenges our perceptions of fate, freedom, and vengeance.We'll delve into the director's unique visual style, the film's intense emotional impact, and its profound thematic elements. From its stunning cinematography to its haunting soundtrack, "Oldboy" is a film that defies conventions and leaves a lasting impression. Whether you're a long-time fan or a newcomer to this cinematic gem, this episode promises to deepen your appreciation and understanding of one of the most compelling films of the 21st century.Tune in for an enthralling discussion that will take you beyond the screen and into the heart of "Oldboy's" mysterious world.-JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music & radio as Rei.do.Nada, some video content and some writing as well.Links: https://linktr.ee/jabriel/RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting.Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta.Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

YO WHAT IS UP!On this episode, we immerse ourselves in the hauntingly profound world of "Memories of Murder," a film that not only redefined the crime thriller genre but also showcased the exceptional talents of South Korean director Bong Joon-ho. We delve into the film's meticulously crafted plot, exploring how Bong Joon-ho masterfully weaves tension, suspense, and dark humour into a narrative that is both enthralling and deeply unsettling.Whether you're a seasoned fan of Korean cinema or a newcomer intrigued by Bong Joon-ho's work, this episode promises a thorough exploration of one of the most significant films in modern cinema. Join us as we dissect and appreciate the intricate layers of "Memories of Murder."-JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music & radio as Rei.do.Nada, some video content and some writing as well.Links: https://linktr.ee/jabriel/RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting.Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta.Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

YO WHAT IS UP AND WE ARE BACK!On this episode, we have a chat about SAG-AFTRA's tentative agreement with AMPTP and how it will affect the industry in the USA and the rest of the world. If you want to learn more you can check it out by following this link here. We also have a short chat about the art of film trailers and which trailers we think are awesome.As usual, we also chat about the things we've been watching recently and our upcoming theme, the Korean New Wave from the man, the myth, the legend, Oliver Mangham. (I think this is going to be our 10 out of 10 theme)Korean New Wave:Memories of Murder - Bong Joon-HoOldboy - Park Chan-wookBurning - Lee Chang-dong-JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music & radio as Rei.do.Nada, some video content and some writing as well.Links: https://linktr.ee/jabriel/RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting.Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta.Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

In dieser Folge reisen wir in der Zeit zurück - genau wie der Protagonist des Films über den wir sprechen möchten: Peppermint Candy von Lee Chang-dong aus dem Jahr 1999. Der Film umfasst die 20 Jahre zwischen 1979 und 1999 und wird sehr dicht an der Figur Kim Yong-ho erzählt, die von Sol Kyung-gu gespielt wird, und die wichtige zeitgeschichtliche Ereignisse der südkoreanischen Zeitgeschichte durchläuft. So wird anhand eines individuellen Lebensweges die Demokratisierung Südkoreas und das kollektive Trauma durch das Massaker von Gwangju 1980 dargestellt. Peppermint Candy wurde mehrfach ausgezeichnet und gilt als einer der bekanntesten Filme der New Korean Wave. In dieser Folge ist Carina Dominguez Lopez (Project K) zu Gast.E-Mail: kinokorea@gmx.deTwitter: @kinokoreaInstagram: kinokorea_podcastLetterboxd: kim_chiDas Koreanische Filmfestival FrankfurtProject K FFM auf TwitterLiteratur:Aryong Choi-Hantke, Peppermint Candy, in: Neues Ostasiatisches Kino, erschienen bei Reclam (2015)Manas Gosh, History, nation and memory in South Korean cinema: Lee Chang-dong's Peppermint Candy, in: Asian Cinema Volume 23 Number 2 (2021)Jamie Hartford, Representation of Violence in Peppermint Candy (1999) And A Petal (1996), in: Korean Cinema in Global Context (2020)

Da solle nochmal jemand sagen, in der Kinotagesstätte werden keine Wünsche wahr! Wir haben zum Mitmachen aufgerufen - und Yannick "Wermi" Wermann hat geantwortet. Mit einem Wunschthema: das südkoreanische Kino. Dem kann man sich als Cineast*in in den vergangenen Jahren, spätestens seit "Parasite" ja auch nicht mehr entziehen. Was macht die "Korean New Wave" aus, was macht die Filme so gut und ansprechend? Gibt es inhaltliche und stilistische Gemeinsamkeiten? Und wie hängt all das mit der wechselhaften Geschichte und Kultur des Landes zusammen? Diesen Fragen wollen wir in unser 89. Hauptfolge auf den Grund gehen. Viel Spaß beim Reinhören! Timecodes: 00:00:34 Einleitung 00:04:27 Faszination Koreanisches Kino 00:08:14 Mini-Exkurs: Koreanische Kulturgeschichte 00:17:47 Joint Security Area 00:27:48 Oldboy 00:39:32 The Chaser 00:50:36 A Taxi Driver 00:58:47 The Gangster, The Cop, The Devil 01:07:25 Parasite 01:21:05 Honorable Mentions 01:25:13 Zusammenfassung 01:29:53 Verabschiedung

Isaac and Cameron review the popular Netflix show and connect their opinions to Septembers expedition into Korean cinema. 

In this episode, the guys discuss the prospect of facing a fourth wave of coronavirus here on the Korean peninsula. They provide some current stats regarding Covid 19 in Korea, and they talk about some of the ways they've been coping with the virus over the past 18 months. Intro and Outro music is by Eaters, and the song is Tuck's Love Party (eatersmusic2000) https://freemusicarchive.org/music/eaters/an-evening-with-tuck-pendleton/tucks-love-partyGive us a shout at theseoulpatch@gmail.com. We'd love to hear from you!

Korsel era 60-an hingga 90an kayak Indonesia gaes: dipimpin sama rezim otoriter. Sensornya ketat. Industri film akhirnya gak berkembang. Untungnya ada perlawanan. Gimana ceritanya? Apakah endingnya berhasil? Simak sampai abis ya!

Minisode #8 has our starving video game live streamers struggling for Seoul survival in the new South Korean Netflix zombie thriller, #Alive, where Dan & Jackson sit down for a short spoiler-free discussion on the movie and why the New Hallyu or Korean New Wave is sweeping the global stage with enough film, television and streaming content to pass the time in the wake of an apocalyptic outbreak.CHECK OUT: http://linktr.ee/wewatchedthispodcast/

Ed and Jason talk about Memories of Murder, as seen in Camden open cinema the previous week. Join them as they delve into why this film makes them love the Korean New Wave and the craftsmen it has produced as a result. Let us know what you thought of the film in the comments.

A spotlight on three films from Korea's New Wave cinema movement, with a focus on MOTHER dir. Bong Joon-ho (2009), THE HANDMAIDEN dir. Park Chan-wook (2016) and TRAIN TO BUSAN dir. Yeon Sang-ho (2016). With presenters Flick Ford, Stuey Richards and Paul Anthony Nelson. Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Our talk continues on, mostly about movies and series. Amongst others The Lighthouse, Portrait of a Woman on Fire, Parasite, Naked and Afraid, and Curb Your Enthusiasm. Enjoy!

Video Nasties Episode 11: South Korean New Wave

Part 2 of our epic Korean New Wave topic, but this time we're getting real violent with it. What's up with the violence in these films? How is the revenge genre different in Korea vs American films? What makes Oldboy so profound as a film? Music: QWE - Guitar Rain, Nihilore - The Cultured Ignorance of Frustration Jacob's Brand New Podcast: cinematherapypodcast.com --- Support this podcast: https://anchor.fm/btbfilms/support

The Korean films we're talking about this week have strong familial themes so we're pitching you some family plots! TALLIES: Keith 10 Byron 8 Jacob 8 Check the main episode all about the Korean New Wave film movement! Music: Nihilore - The Other Side, Creative Destruction, More Scared of You, Girl in the Moon, Loop --- Support this podcast: https://anchor.fm/btbfilms/support

We're getting some revenge this week! The Korean New Wave or New Korean Cinema is a film movement that started in the late 90s. What defines the movement? How did Korea get to this point? Is it already over? Is Korea affecting global cinema? Check out our Pitch Fest! all about family plots! Music: Nihilore - Creative Destruction, The Cage --- Support this podcast: https://anchor.fm/btbfilms/support

Sid James and a Japanese Ghost Walk into a Bar On this week's mammoth slate of movies, Off the Shelf includes the overlooked Robert Altman feature "3 Women", Raymond Bernard's staggeringly authentic adaptation of "Les Miserables", and a genre twofer - "Maggie" starring Arnold Schwarzenegger and proof of the resurgent Korean New Wave in "The Chaser". In lieu of our usual Film of the Week, we also cover the beautiful "Song of the Sea", Abel Ferrara's "Pasolini", Robert Carlyle's directorial debut "The Legend of Barney Thomson" and the almost-indescribable "Hard to be a God" - four smaller-scale features that deserve a more recognition.