Podcasts about William Faulkner

How does literature enrich our understanding of ourselves and of others, in ways that STEM fields and other forms of knowledge cannot? What is contained within the language of reading that you don't encounter with other art forms like painting or film?Arnold Weinstein is a Professor Emeritus of Comparative Literature at Brown University and the author of several books. His latest two publications are The Lives of Literature: Reading, Teaching, Knowing and Morning, Noon, and Night: Finding the Meaning of Life's Stages Through Books.Greg and Arnold discuss how literature offers unique and invaluable insights into the human experience, bridging historical and cultural divides. Their conversation examines the connections between literature and self-discovery, the challenges of teaching literature in a contemporary academic setting, and the enduring relevance of classic works from authors like William Faulkner, William Shakespeare, and Mark Twain. *unSILOed Podcast is produced by University FM.*Episode Quotes:Life doesn't come in disciplines01:02:54: Literature helps you see history. That philosophy, et cetera, needs a good dosage of literature, which is why we created that course and let the disciplines—not the people, the disciplines themselves—do battle with each other. And there's no obvious answer here. There's no winner or loser. But the students were confused. They wanted to get what's the right take on this. Well, has anybody ever offered the right take on reality? Universities come packaged in disciplines. Life doesn't. It doesn't. All of our major problems cannot be solved with any single discipline, including economics and, you know, and coding.Literature makes us more human09:25: It's a good workout to read literature. It makes us more generous, as being able to award the notion of humanity to other people. Because I do not think you can kill them. You cannot stamp them out if you do not think back.Why great books leave you uneasy30:13: We are supposed to exit literature course, not exactly being more confused, but more embattled in a sense to see that other ways of being, as well as other ways, other values that people might have, is a kind of absolutely basic "meat-and-potatoes" element of human life. You cannot just live in your own silo, in your own scheme, even though you are locked in it. That's the point. We cannot exit ourselves.History isn't a fairy tale40:51: If we read the books, it only tells us what we want to know, which is what we are headed towards in this society today with the current political scene. Any text that is critical of American history is considered broke and therefore removed. And I'm worried that we are going to get a generation of people who think that American history is a fairy tale, which it is not, and no amount of rhetoric can change that. That we can police and prohibit these certain kinds of texts can take over the Kennedy Center, but we cannot, in fact, change what all of that is about, which is that we are still paying the bill for the history of racism and slavery in this country. It is not solved. We can just try to put it under the rug, but it is not solved by any means. So it is in that sense that the discomfort is required. If it simply massages us, say, "oh, this is terrific," then I think we are reading the wrong book.Show Links:Recommended Resources:Harold BloomFranz KafkaThe MetamorphosisSøren KierkegaardWilliam FaulknerMark TwainAdventures of Huckleberry FinnJamesBenito CerenoBlaise PascalWilliam ShakespeareKing LearHamletOthelloIagoToni MorrisonNaked LunchGuest Profile:Profile at Brown UniversityWikipedia PageProfile at Roundtable.orgGuest Work:Amazon Author PageThe Lives of Literature: Reading, Teaching, KnowingMorning, Noon, and Night: Finding the Meaning of Life's Stages Through BooksNorthern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanA Scream Goes Through the House: What Literature Teaches Us About LifeRecovering Your Story: Proust, Joyce, Woolf, Faulkner, MorrisonNobody's Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLilloThe Great Courses - Classic Novels: Meeting the Challenge of Great Literature

Una conversación sobre libros y literatura que te acercará a los grandes clásicos y a la nueva literatura. http://facebook.com/groups/LaRepublicadelasLetrasAntofagasta/

In this episode we continue our Story Hour series with a classic deer hunting tale by William Faulkner. Enjoy! Stock media provided by Artmuns / Pond5

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Vita e opere di William Faulkner, scrittore, poeta e drammaturgo statunitense, considerato uno dei pionieri del romanzo modernista americano.

FAN MAIL--We would love YOUR feedback--Send us a Text MessagePoetry possesses a unique ability to capture moments of national crisis in ways that speak across centuries. Henry Wadsworth Longfellow's "The Ship of State" – the stirring final stanza of his 1849 poem "The Building of the Ship" – emerged during a time when America stood at the precipice of disaster. With slavery debates raging and North-South tensions escalating toward civil war, Longfellow crafted a maritime metaphor that would become one of America's most enduring poetic touchstones.Through vivid nautical imagery, Longfellow transforms America into a vessel navigating treacherous waters. "Humanity with all its fears, with all the hopes of future years, is hanging breathless on thy fate," he writes, capturing both the fragility and significance of the American experiment. The genius lies in how he acknowledges the storms battering the ship – political divisions, moral crises, constitutional questions – while maintaining unwavering faith in the journey. "Fear not each sudden sound and shock," he reassures, distinguishing between temporary turbulence and structural damage to democracy itself.This poem transcended its historical moment to become a recurring national refrain. Abraham Lincoln reportedly found solace in these verses during the Civil War, repeating "Sail on, O Ship of State" amid America's darkest hours. Presidents, writers, and citizens across generations have returned to Longfellow's maritime metaphor when navigating national crises. As we approach America's 250th anniversary amid renewed polarization, the poem's final rallying cry – "Our hearts, our hopes, our prayers, our tears, our faith triumphant o'er our fears, are all with thee" – reminds us that the American journey requires collective investment and shared purpose. Join us as we explore how poetry speaks to the soul of a nation in crisis and why, as JFK noted, "when power corrupts, poetry cleanses." Take a moment this week to discover or rediscover the power of poetic wisdom in your own life.Key Points from the Episode:• Influential Americans including Edgar Allan Poe, William Faulkner, and JFK have all emphasized poetry's essential role in society• Longfellow wrote "The Building of the Ship" during 1849's political powder keg, with slavery debates threatening to fracture the nation• The poem's final stanza transforms a ship into a powerful metaphor for the United States navigating stormy waters• Abraham Lincoln reportedly found solace in these verses during the Civil War, according to his secretary John Hay• The poem's imagery of storms, false lights, and steadfast sailing continues to resonate in discussions of modern political polarization• Longfellow's vision reminds us that democracy requires collective effort and faith in the national project• JFK's insight that "when power corrupts, poetry cleanses" captures the enduring importance of poetic wisdomKeep fighting the good fight and read some poetry this week.Other resources: Want to leave a review? Click here, and if we earned a five-star review from you **high five and knuckle bumps**, we appreciate it greatly, thank you so much!

Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by the pen name Mark Twain, was an American writer, humorist, and essayist. He was praised as the "greatest humorist the United States has produced",[1] with William Faulkner calling him "the father of American literature".[2] Twain's novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884),[3] with the latter often called the "Great American Novel". He also wrote A Connecticut Yankee in King Arthur's Court (1889) and Pudd'nhead Wilson (1894) and cowrote The Gilded Age: A Tale of Today (1873) with Charles Dudley Warner. The novelist Ernest Hemingway claimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn."[4]

(0:00) Intro(1:14) About the podcast sponsor: The American College of Governance Counsel(2:00) Start of interview(2:36) Erik's origin story(4:14) Discussing Foreign Private Issuers (FPIs): His article "SEC Revisits Foreign Private Issuer Eligibility" (June 2025)(16:45) The Rise of AI and Its Implications. Discussion on "AI Washing"(19:30) Distinguishing statutory mandates between the SEC, FTC, and DOJ on regulatory oversight of AI(20:40) The evolving crypto regulatory landscape "It's a pretty big sea change" "[Now it's] all about bright line rules (vs flexible standards) and trying to provide a lot more certainty to the market."(23:24) Cybersecurity Threats and Board Responsibilities. Two requirements from SEC: 1) public companies must disclose material cybersecurity incidents within four business days after determining that that incident was material, and 2) disclosure in a company's annual report about its risk management strategy and governance around cybersecurity. "The real focus is on the material cybersecurity incident reporting."(29:43) Current Trends in IPOs, SPACs and M&A (Liquidy Exits)(32:32) SEC Priorities in 2025 and beyond. "The SEC leadership has underscored a back-to-basics approach. What this means is focusing more on clear fraud and fraud that is scienter-based." "They're [also] going to emphasize much more quantitative materiality rather than qualitative materiality." "[This] is another example of how this SEC is focused on bright line rules." (36:51) SEC Enforcement in Private Markets *Mention of the Startup Litigation Digest.(40:31) The Shift from Delaware to Nevada, Texas, and Impact of Delaware's SB21.(48:08) Books that have greatly influenced his life:Against the Gods: The Remarkable Story of Risk, by Peter L. Bernstein (1996)A Random Walk Down Wall St, by Burton Malkiel (1973)The Sound and the Fury, by William Faulkner (1929)(48:54) His mentors(50:16) Quotes that he thinks of often or lives his life by.(50:48) An unusual habit or an absurd thing that he loves.(51:13) The living person he most admires.Erik Gerding is a Capital Markets partner at Freshfields advising on securities regulation, financial markets and corporate governance. Until the end of 2024, Erik served as the SEC's Director of the Division of Corporation Finance. You can follow Evan on social media at:X: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__To support this podcast you can join as a subscriber of the Boardroom Governance Newsletter at https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. El Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

El ruido y la furia (The Sound and the Fury, 1929) es una de las obras más importantes del escritor estadounidense William Faulkner (1897–1962) y un hito de la literatura modernista. La novela, ambientada en el sur de Estados Unidos, explora la decadencia de la familia Compson a través de una estructura narrativa fragmentada y perspectivas múltiples, sumergiendo a Los Lunares en un flujo de conciencia que refleja la complejidad de la mente humana y el paso del tiempo."Crónicas Lunares di Sun" es un podcast cultural presentado por Irving Sun, que abarca una variedad de temas, desde la literatura y análisis de libros hasta discusiones sobre actualidad y personajes históricos. Se difunde en múltiples plataformas como Ivoox, Apple Podcast, Spotify y YouTube, donde también ofrece contenido en video, incluyendo reflexiones sobre temas como la meditación y la filosofía teosófica. Los episodios exploran textos y conceptos complejos, buscando fomentar la reflexión y el autoconocimiento entre su audiencia, los "Lunares", quienes pueden interactuar y apoyar el programa a través de comentarios, redes sociales y donaciones. AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ 

The Drunk Guys drunk furiously this week when they read The Sound and the Fury by William Faulkner. They flash back and forth through time (with or without italics) when they drink: Chicken Riggies by Other Half and Clarity by Finback. Join the Drunk Guys next Tuesday when they read

In this episode of The First Day from The Fundraising School, host Bill Stanczykiewicz, Ed.D., reconnects with his longtime mentor and fundraising sage, Tim Seiler, Ph.D., Director Emeritus of The Fundraising School. Together, they dive into a topic that's more relevant than ever: how to navigate the stormy seas of fundraising during uncertain times. Dr. Seiler shares war stories from his early fundraising days, reflecting on crises from the 1987 stock market crash to today's mix of economic and social uncertainties. His message? While fundraisers can't control the turbulence, they can control their approach, and it starts with what he calls “rational hope.” Dr. Seiler unpacks this idea of rational hope, steering us away from the siren song of blind optimism. Instead, he champions a clear-headed, proactive mindset: keep reaching out to donors, but with empathy and creativity. Forget about relentless asks, instead, update them on your mission's progress, share ideas, and show them you're still standing tall. He shares his own experiences as a donor receiving thoughtful “just checking in” messages from nonprofits, illustrating how these gestures reinforce connection and purpose. As Seiler says, it's about reminding donors not just of the need, but of the joy and satisfaction that comes from making a difference. The conversation also explores a delicate, often unspoken challenge in the nonprofit world: fundraisers' hesitancy to admit when times are tough. Dr. Seiler and Stanczykiewicz shine a light on this vulnerability, encouraging transparency and authenticity. They argue that sharing struggles, whether it's a budget cut or a missed goal—doesn't signal failure; it signals humanity. This honesty not only builds trust but also invites donors to become part of the solution. As Seiler puts it, “If it were easy, we wouldn't need fundraisers.” Or in the words of A League of Their Own: “The hard is what makes it great.” Wrapping up, the episode channels a rousing spirit of resilience, celebrating the enduring generosity of donors who bounce back time after time, through recessions, crises, and even pandemics. With references to the classic wisdom of Henry Rosso and a dash of literary flair from William Faulkner and Walt Whitman, this episode offers fundraisers a playbook for tough times: stay hopeful but realistic, be persistent, and never forget the shared humanity that fuels philanthropy. Bottom line? Keep swinging for the fences. Fundraising's not for the faint of heart, but it's worth every pitch.

In this powerful and deeply personal episode, host Ian Henzel sits down with acclaimed author Richard Compson Sater to explore his life, military service, and the evolution of his writing career. Best known for his novels “Thirst” and “Rank,” Sater opens up about growing up gay in the 1970s, navigating the complexities of identity while serving in the U.S. Air Force, and how these experiences continue to shape his literary voice. From the timeless influence of William Faulkner to the creative intersection of visual and written storytelling, this conversation offers a rich look into the mind of a writer whose work bridges personal truth and artistic expression. Whether you're a fan of LGBTQ literature, a fellow writer, or someone who appreciates honest storytelling, this episode offers valuable insights into the transformative power of books—and the lives they reflect.

Air Date 5/18/2025 The full quote from today's title is from one of the most celebrated writers of Southern American literature, William Faulkner, who said, "The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity.” The new film, Sinners, set in the Jim Crow South, attempts to take on some of the subjects that make up that web of history and consequence. The theme of today's episode is an attempt to dig into many of the subjects of the film. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Full Show Notes BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! KEY POINTS KP 1: Sinners: Director Ryan Coogler on His Latest Hit, Delta Blues, His Mississippi Roots & Vampires Part 1 - Democracy Now! - Air Date 4-25-25 KP 2: Sinners and the General State of Things - The Morbid Zoo - Air Date 5-10-25 KP 3: Western Christianity and White Supremacy Part 1 - Meant For This - Air Date 3-23-22 KP 4: How Do You Put A Price On America's Original Sin? - Consider This - Air Date 3-27-23 KP 5: Storm and Stress: Jim Crow America Part 1 - History is US - Air Date 6-5-22 KP 6: Trump's first 100 days, but it's just the racism - Garrison Hayes - Air Date 5-2-25 (48:29) NOTE FROM THE EDITOR On how to talk about the interplay between economics and identity politics DEEPER DIVES (57:48) SECTION A: CHRISTIANITY (1:33:29) SECTION B: RACE (2:18:56) SECTION C: CULTURE SHOW IMAGE CREDITS Description: Portion of the 1830s painting “Slave Market” (Brazil) depicting two white men discussing the sale of enslaved, black Brazilian men with a church with steeple and cross in the background and the iconography of the Virgin Mary on the wall above. Credit: “Slave Market” by Johann Moritz Rugendas, New York Public Library Digital Collections | Copyright status undetermined by NYPL | Changes: Cropped with increased contrast and brightness   Produced by Jay! Tomlinson Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere!

Freelancer, Performer, and Director of Percussion Activities at the University of Illinois Josh Graham stops by to talk about his work with the F PLUS chamber trio (04:55), his job at Illinois and replacing legends there (19:20), growing up near Detroit, getting into percussion, and the novels of William Faulkner (38:30), his undergrad years at the University of Central Michigan (48:30) and his masters years at the University of Michigan (01:02:40).Finishing with a Rave on Pete's experiences at the 2025 Percussive Arts Society Missouri Day of Percussion (01:16:50).Josh Graham links:Josh Graham's websiteF PLUSChen Family QuartetJosh Graham's Illinois

This podcast provides an overview of fascism as both an ideology and a political tactic. In what ways was Nazi Germany a typical fascist state? This episode is one small part of my larger podcast series called "Nazi Germany and the Battle for the Human Heart."  How does something like the rise of Nazi Germany happen? Why? Who's responsible? What is fascism? What did it mean to be a Nazi? What role did the average person have in the development of the Nazi state? How responsible is the ordinary person in the development of great evil? How did nazism infect schools, institutions, and bureaucracy? Just how racist was the average person in Germany at the time? Why did the Holocaust happen? Who were the killers and why did they do it? Did anyone stand up to all of this evil? This series is an attempt to answer all of these questions in the specific context of Nazi Germany, and to show that as William Faulkner once said, "the only thing worth writing about is the human heart in conflict with itself." It's based on an audio course I made several years ago called "Nazi Germany and the Battle for the Human Heart," with some brand new added content, remastered audio, and a new introduction and conclusion. Thanks for listening.  Check out "Nazi Germany and the Battle for the Human Heart" at https://www.patreon.com/reflectinghistory. -Consider Supporting the Podcast!- Leave a rating or review on apple podcasts or spotify! Support the podcast on Patreon: https://www.patreon.com/reflectinghistory Check out my podcast series on Aftersun, Piranesi, Arcane, The Dark Knight Trilogy, and Nazi Germany and the Battle for the Human Heart here: https://www.patreon.com/reflectinghistory Try my podcast series "Piranesi: Exploring the Infinite Halls of a Literary Masterpiece"-- This podcast series is a deep analysis of Susanna Clark's literary masterpiece "Piranesi." Whether you are someone who is reading the novel for academic purposes, or you simply want to enjoy an incredible story for it's own sake, this podcast series goes chapter by chapter into the plot, characters, and themes of the book...“The Beauty of the House is immeasurable; it's kindness infinite.” Piranesi lives in an infinite house, with no long-term memory and only a loose sense of identity. As the secrets of the House deepen and the mystery of his life becomes more sinister, Piranesi must discover who he is and how this brings him closer to the “Great and Secret Knowledge” that the House contains. Touching on themes of memory, identity, mental health, knowledge, reason, experience, meaning, reflection, ideals, and more…Piranesi will be remembered as one of the great books of the 21st century. Hope you enjoy the series as much as I enjoyed making it. Check it out at https://www.patreon.com/reflectinghistory. Subscribe to my newsletter! A free, low stress, monthly-quarterly email offering historical perspective on modern day issues, behind the scenes content on my latest podcast episodes, and historical lessons/takeaways from the world of history, psychology, and philosophy: https://www.reflectinghistory.com/newsletter.  

In this gripping and profoundly informative conversation, I sit down with Izabella Tabarovsky, a leading scholar of Soviet anti-Zionism and contemporary left antisemitism. Tabarovsky is a Senior Fellow at the Z3 Institute for Jewish Priorities and a Research Fellow at both the London Centre for the Study of Contemporary Antisemitism and ISGAP.Drawing from her years of research on Soviet propaganda and its legacy, Tabarovsky unpacks how virulently antisemitic forms of "anti-Zionism" were central to Cold War-era Communist ideology—and how many of these same tropes and tactics have re-emerged in today's far-left discourse. From the Soviet Union's deployment of conspiracy theories linking Zionism to Nazism to the global campaign that culminated in the infamous 1975 UN Resolution declaring Zionism a form of racism, we trace how these narratives were manufactured, exported, and normalized.Tabarovsky argues that, to quote William Faulkner, “the past is not dead, it is not even past.” Soviet-era antisemitic anti-Zionism, she shows, has left behind a “toxic ideological brew” that still shapes public conversations, academic discourse, and political movements in the West.Topics discussed:The Soviet Union's anti-Zionist propaganda machine and the role of the KGBHow antisemitism was masked as political critiqueThe use of prominent Soviet Jews in anti-Zionist campaignsThe parallels between Cold War-era propaganda and modern leftist antisemitismThe ideological roots of contemporary far-left anti-Zionist rhetoric

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

This is a podcast, recorded by two nincompoops, full of the novel The Sound and the Fury by William Faulkner, signifying...something? a recording in which we discuss the Modernism the italics the three sons the Mother the golf course the South and is Craig sick who knows this consciousness won't stream itself you knowThis episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/overdue and get on your way to being your best self.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

And now for something completely different... featuring one of past guests & fellow authors Ace Atkins, Megan Abbott, & William Boyle's dearest friends. The first half of this week's episode with Oxford, Mississippi based ADVENTURE TIME & SPONGEBOB SQUAREPANTS screenwriter, voice actor, & author Jack Pendarvis is a freewheeling anything goes conversation about writing, shovels, William Faulkner cosplay, hitchhiking with butter knives, Saint Augustine, showers, & anything else that popped into our heads. Taking a look at two films about the creative process in the more classically Watch With Jen formatted second half of this discussion, we investigate two of Jack's favorite movies in director Anthony Mann's classic musical biopic THE GLENN MILLER STORY & one of Pedro Almodovar's greatest masterworks, PAIN AND GLORY. This season, I'm aiming to sprinkle in some more casual conversations with artists of all backgrounds into our traditional friendly analytic approach because right now, it feels like we're all so isolated, stressed, & wary that I'm hoping these occasional offbeat episodes might spark a little joy, discovery, & creativity for you along the way as well.Originally Posted on Patreon (4/7/25) here: https://www.patreon.com/posts/126066237Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Francesco Marangi"Angeli di sale"Polidoro Editorewww.alessandropolidoroeditore.itSiamo in un paese della costa ligure, tra gli ulivi e il mare. Pietro, maggiore di tre fratelli, torna nella sua casa natale per far visita al padre malato. Il suo ritorno apre una voragine che rimescola il tempo, lo inghiotte, lo dilata e rende i fratelli mere apparenze al cospetto del passato. Le voci dei protagonisti si confondono e si contraddicono e il paesaggio si deforma. Ogni cosa rimane trasfigurata dentro ricordi tragici che non si è in grado di raccontare con chiarezza, se non con la crudeltà di un'allucinazione dolorosa.Riemergono vecchi rancori, promesse, l'abbandono della madre, le violenze, l'amore di Pietro per Maria, la vicina di casa che insieme al fratello Enrico era loro compagna di giochi fin dall'infanzia. E poi la decisione di Pietro di andare lontano per non tornare più. Il vento, il mare, l'estate di ombre urlanti; ogni cosa è rumorosa. Nel frattempo, un segreto viperino progredisce con il peso mitologico di un'annunciata dannazione. Spetterà a Pietro – specie di addolorato e indemoniato Ulisse –, ricondurre tutto al principio risolutivo degli eventi.Francesco Marangi ci consegna un esordio sperimentale, di adulta poeticità, che si affaccia a Mentre morivo di William Faulkner, al romanzo oscuro La fornace di Thomas Bernhard, fino a  ricavare dalla mitologica poesia di Wallace Stevens  la delicatezza della carne senza mai divorarla.Francesco Marangi è nato a Genova nel 1998 e risiede a Varazze. Sta per conseguire la laurea triennale in Scrittura e Contemporary Humanities presso la Scuola Holden di Torino. Ha svolto vari lavori, nelle serre come aiuto bracciante e sulle spiagge come bagnino. Ha partecipato altre due volte al Premio Calvino con i romanzi Delirio in rosso e L'artista violento. Nel 2020 è arrivato nella cinquina finalista del Premio Raduga con il racconto Il bunker.Angeli di sale è il quarto titolo della collana InterzonaIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 01:48:24 - Comme un samedi - par : Arnaud Laporte - Alors que les yeux du monde entier sont rivés sur l'Amérique, Séverine Chavrier fait parler ses fantômes en mettant en scène "Absalon, Absalon !", le monument de William Faulkner. Carte blanche à celle qui n'a pas fini de bousculer le théâtre ! - réalisation : Alexandre Fougeron - invités : Séverine Chavrier musicienne, metteuse en scène, et directrice de la Comédie de Genève; Paulin Ismard Professeur d'histoire grecque à l'Université d'Aix-Marseille; Annie Mercier Comédienne; Noémi Michel Chercheure-enseignante, auteure et dramaturge; Areski Moreira Violoniste

Jun Fujita is the Japanese-American photographer behind some of the most recognizable photographs taken in Chicago in the 20th century, including his shots of the St. Valentine's Day Massacre of 1929, the Eastland passenger boat disaster of 1915, and the 1919 Chicago race riots. Fujita was also a published poet and something of a regional celebrity, known for socializing with William Faulkner and Ernest Hemingway. Fujita's foreign identity also made him the subject of government inquiry and suspicion on multiple occasions — during both World War I and World War II — according to Graham Lee, Fujita's great-nephew and the author of a new Fujita biography, “Jun Fujita: Behind the Camera.” After Japan's attack on Pearl Harbor, Fujita's assets were frozen, his business was shuttered, his cameras were taken away, and he constrained himself to Chicago to avoid possible internment, Lee said. How did Fujita navigate this perilous time for an immigrant in Chicago? We sat down with Lee to discuss how Fujita, a “supremely confident person,” came to rely on both the support of his community and his wits.

Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! Orphans of the Void by Michael Shaara. That's next on The Lost Sci-Fi Podcast.How many vintage science fiction authors won a Pulitzer Prize? Ray Bradbury never won a Pulitzer Prize for Fiction, but received a Pulitzer Special Citation in 2007 for his impact on literature. The answer is three. Booth Tarkington, MacKinlay Kantor and Michael Shaara. Booth Tarkington is one of only four novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner, John Updike, and Colson Whitehead. Tarkington wrote only three short sci-fi stories. MacKinlay Kantor wrote eight short sci-fi stories and one science fiction novel If the South Had Won the Civil War released in 1961.Michael Shaara is the most well known of the three. Shaara was born in Jersey City, New Jersey in 1928. Before he began selling sci-fi for 2 cents a word in the 1950s he was a boxer and a police officer. He won his Pulitzer for his novel about the Battle of Gettysburg, The Killer Angels which won the award in 1975, and was showcased on the big screen in the 1993 movie Gettysburg starring Tom Berenger and Martin Sheen.Shaara also wrote the 1991 novel For Love of the Game which was made into the 1999 film with the same name starring Kevin Costner and Kelly Preston. But it all began back in 1952. He wrote two dozen short sci-fi stories and this was his first. From Galaxy Science Fiction in June 1952, we will discover this tale of artificial intelligence, and the fate of a forgotten world on page 78, Orphans of the Void by Michael Shaara...Next on The Lost Sci-Fi Podcast, Renwick, with too much time on his hands, was bored. He turned to Mead, in his discontent, only to discover some frightening aspects of his friend's hobby of collecting children's games and rhymes. Before the Fact by Zenna Henderson.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

 After 43 years under the same editor, the literary magazine — which had once published the work of Southern writers like Flannery O'Connor, Eudora Welty and William Faulkner — had fallen into a slump.But, in 2016, Nashville-based writer Adam Ross took over as editor. Since then, the review has seen a revival. Ross has brought the previously print-only journal into the digital age — it now has a website, an Instagram, a podcast — and has published the work of contemporary literary giants.In this episode, we hear from the review's editorial staff and a recently published writer about the review's history and the value of a literary magazines, plus excerpts from pieces published in the review itself.This episode was produced by Cynthia Abrams.Guests Adam Ross, editor of the Sewanee Review Kanak Kapur, writer and graduate of Vanderbilt's MFA program Luke Gair, associate editor of the Sewanee Review Brighid Griffin, assistant editor of the Sewanee Review Kate Bailey, editorial assistant of the Sewanee Review Further reading "Long Sleeves" by Kanak Kapur (the Sewanee Review) "Why I Don't Wait" by Vievee Francis (the Sewanee Review) "Omnivore" by Vievee Francis (the Sewanee Review) "Till It and Keep It" by Carrie R. Moore (the Sewanee Review) "Mongo Two" by Daniela Garvue (the Sewanee Review) New Life for a 125-Year-Old Literary Journal (The New York Times)

Caleb opens today's episode with a mini (sarcastic) review of "As I Lay Dying" by William Faulkner. After that, we discuss our Book of the Month, "Native Son" by Richard Wright. We cover the topics of racism, social injustice, class status, and poverty.  You can follow us on Instagram, Facebook, and Twitter @dpwpodcast You can check out Caleb's work at www.calebjamesk.com. 

Dr. Scott Yarbrough, PhD is a professor of English at Charleston Southern University, as well as the host of two literary podcasts, Reading McCarthy & Great American Novel out of Charleston, South Carolina. This episode is dedicated to the hunting novella, The Bear by America's 20th-century literary master, William Faulkner. After a reading, we begin with Faulkner's biography as Scott describes the major themes within his writing: the southern gothic push back to the over-romanticization of the old south; race & the aftermath of slavery; time & history; and the tension between loving & hating where one comes from. Then we turn to a discussion, synopsis & analysis of The Bear, Faulkner's coming-of-age novella about a boy's hunting camp as they search for a dog powerful enough to bay the mythic bear, Old Ben, that haunts a 100-square miles of Mississippi wilderness that soon will vanish under the logger's ax. Woven throughout are conversations about: the evolution of language; writers that hunt; "toxic masculinity;" bear symbolism; the wildness within; Scott's rural upbringing; city-dwellers appreciating southern literature; and last but not least, William Faulkner's feist dogs!Reading from Big Woods: The Hunting Stories by William Faulkner. Check out Scott's podcasts, Reading McCarthy and Great American Novel Podcast.Support Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

William Faulkner, The Art of Fiction No. 12, The Paris Review. Noventa e nove por cento de talento... Noventa e nove por cento de disciplina... Noventa e nove por cento de trabalho. Não se preocupe apenas em ser melhor do que seus contemporâneos ou antecessores. Tente ser melhor do que você mesmo. Um artista é uma criatura guiada por demônios. Ele não sabe por que eles o escolheram e, em geral, está ocupado demais para se perguntar por quê. Ele é totalmente amoral, pois roubará, pedirá emprestado, implorará ou roubará de qualquer pessoa para realizar o trabalho. Julio Adler e Bruno Bocayuva conversaram com Mateus herdy sobre surfe competitivo e surfe feito dentro da nossa cabeça.

William Faulkner visste inte hur rätt han hade. Lyssna på alla avsnitt i Sveriges Radio Play. Det vi gör i livet ekar i oändlighet, som gladiatorn Maximus sade. Ja, citaten som beskriver följderna av våra handlingar i många. Men inget kan få en att förstå det på djupet som berättelserna. Berättelserna om en märklig patient med vanföreställningar och ärr, till exempel, eller om en VHS-kassett på ett loppis. Som de vi hör i veckans Creepypodden.Avsnittet innehåller skildringar av självmord, droger och självskadebeteende.Mår du dåligt? Hit kan du vända dig:I nödsituation – ring 112.Självmordslinje: 90 101. Jourhavande Medmänniska: 08- 702 16 80 (öppen kl. 21-06).Creepypodden är producerad av Ludvig Josephson, som också gjorde musiken i det här avsnittet. Vill du läsa fler creepypastor kan klicka dig runt bland våra tidigare avsnitt, eller följa oss på Facebook eller Instagram där vi heter Creepypodden. Mejla oss gärna med tips på bra creepypastor eller med egna skrämmande upplevelser: creepypodden@sverigesradio.se.

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

This week on The Learning Curve, co-hosts Alisha Searcy of DFER and U-Arkansas Prof. Albert Cheng interview Carl Rollyson, CUNY professor, and acclaimed biographer of William Faulkner. Prof. Rollyson offers an in-depth exploration of Faulkner's life, work, and enduring legacy. He discusses Faulkner's formative years in early 20th-century Mississippi a region still grappling with its […]

John J. Miller is joined by Nick Ripatrazone to discuss William Faulkner's 'As I Lay Dying.'