Podcasts about William Faulkner

The Drunk Guys drunk furiously this week when they read The Sound and the Fury by William Faulkner. They flash back and forth through time (with or without italics) when they drink: Chicken Riggies by Other Half and Clarity by Finback. Join the Drunk Guys next Tuesday when they read

In this episode of The First Day from The Fundraising School, host Bill Stanczykiewicz, Ed.D., reconnects with his longtime mentor and fundraising sage, Tim Seiler, Ph.D., Director Emeritus of The Fundraising School. Together, they dive into a topic that's more relevant than ever: how to navigate the stormy seas of fundraising during uncertain times. Dr. Seiler shares war stories from his early fundraising days, reflecting on crises from the 1987 stock market crash to today's mix of economic and social uncertainties. His message? While fundraisers can't control the turbulence, they can control their approach, and it starts with what he calls “rational hope.” Dr. Seiler unpacks this idea of rational hope, steering us away from the siren song of blind optimism. Instead, he champions a clear-headed, proactive mindset: keep reaching out to donors, but with empathy and creativity. Forget about relentless asks, instead, update them on your mission's progress, share ideas, and show them you're still standing tall. He shares his own experiences as a donor receiving thoughtful “just checking in” messages from nonprofits, illustrating how these gestures reinforce connection and purpose. As Seiler says, it's about reminding donors not just of the need, but of the joy and satisfaction that comes from making a difference. The conversation also explores a delicate, often unspoken challenge in the nonprofit world: fundraisers' hesitancy to admit when times are tough. Dr. Seiler and Stanczykiewicz shine a light on this vulnerability, encouraging transparency and authenticity. They argue that sharing struggles, whether it's a budget cut or a missed goal—doesn't signal failure; it signals humanity. This honesty not only builds trust but also invites donors to become part of the solution. As Seiler puts it, “If it were easy, we wouldn't need fundraisers.” Or in the words of A League of Their Own: “The hard is what makes it great.” Wrapping up, the episode channels a rousing spirit of resilience, celebrating the enduring generosity of donors who bounce back time after time, through recessions, crises, and even pandemics. With references to the classic wisdom of Henry Rosso and a dash of literary flair from William Faulkner and Walt Whitman, this episode offers fundraisers a playbook for tough times: stay hopeful but realistic, be persistent, and never forget the shared humanity that fuels philanthropy. Bottom line? Keep swinging for the fences. Fundraising's not for the faint of heart, but it's worth every pitch.

In this powerful and deeply personal episode, host Ian Henzel sits down with acclaimed author Richard Compson Sater to explore his life, military service, and the evolution of his writing career. Best known for his novels “Thirst” and “Rank,” Sater opens up about growing up gay in the 1970s, navigating the complexities of identity while serving in the U.S. Air Force, and how these experiences continue to shape his literary voice. From the timeless influence of William Faulkner to the creative intersection of visual and written storytelling, this conversation offers a rich look into the mind of a writer whose work bridges personal truth and artistic expression. Whether you're a fan of LGBTQ literature, a fellow writer, or someone who appreciates honest storytelling, this episode offers valuable insights into the transformative power of books—and the lives they reflect.

Air Date 5/18/2025 The full quote from today's title is from one of the most celebrated writers of Southern American literature, William Faulkner, who said, "The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity.” The new film, Sinners, set in the Jim Crow South, attempts to take on some of the subjects that make up that web of history and consequence. The theme of today's episode is an attempt to dig into many of the subjects of the film. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Full Show Notes BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! KEY POINTS KP 1: Sinners: Director Ryan Coogler on His Latest Hit, Delta Blues, His Mississippi Roots & Vampires Part 1 - Democracy Now! - Air Date 4-25-25 KP 2: Sinners and the General State of Things - The Morbid Zoo - Air Date 5-10-25 KP 3: Western Christianity and White Supremacy Part 1 - Meant For This - Air Date 3-23-22 KP 4: How Do You Put A Price On America's Original Sin? - Consider This - Air Date 3-27-23 KP 5: Storm and Stress: Jim Crow America Part 1 - History is US - Air Date 6-5-22 KP 6: Trump's first 100 days, but it's just the racism - Garrison Hayes - Air Date 5-2-25 (48:29) NOTE FROM THE EDITOR On how to talk about the interplay between economics and identity politics DEEPER DIVES (57:48) SECTION A: CHRISTIANITY (1:33:29) SECTION B: RACE (2:18:56) SECTION C: CULTURE SHOW IMAGE CREDITS Description: Portion of the 1830s painting “Slave Market” (Brazil) depicting two white men discussing the sale of enslaved, black Brazilian men with a church with steeple and cross in the background and the iconography of the Virgin Mary on the wall above. Credit: “Slave Market” by Johann Moritz Rugendas, New York Public Library Digital Collections | Copyright status undetermined by NYPL | Changes: Cropped with increased contrast and brightness   Produced by Jay! Tomlinson Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere!

Freelancer, Performer, and Director of Percussion Activities at the University of Illinois Josh Graham stops by to talk about his work with the F PLUS chamber trio (04:55), his job at Illinois and replacing legends there (19:20), growing up near Detroit, getting into percussion, and the novels of William Faulkner (38:30), his undergrad years at the University of Central Michigan (48:30) and his masters years at the University of Michigan (01:02:40).Finishing with a Rave on Pete's experiences at the 2025 Percussive Arts Society Missouri Day of Percussion (01:16:50).Josh Graham links:Josh Graham's websiteF PLUSChen Family QuartetJosh Graham's Illinois

This podcast provides an overview of fascism as both an ideology and a political tactic. In what ways was Nazi Germany a typical fascist state? This episode is one small part of my larger podcast series called "Nazi Germany and the Battle for the Human Heart."  How does something like the rise of Nazi Germany happen? Why? Who's responsible? What is fascism? What did it mean to be a Nazi? What role did the average person have in the development of the Nazi state? How responsible is the ordinary person in the development of great evil? How did nazism infect schools, institutions, and bureaucracy? Just how racist was the average person in Germany at the time? Why did the Holocaust happen? Who were the killers and why did they do it? Did anyone stand up to all of this evil? This series is an attempt to answer all of these questions in the specific context of Nazi Germany, and to show that as William Faulkner once said, "the only thing worth writing about is the human heart in conflict with itself." It's based on an audio course I made several years ago called "Nazi Germany and the Battle for the Human Heart," with some brand new added content, remastered audio, and a new introduction and conclusion. Thanks for listening.  Check out "Nazi Germany and the Battle for the Human Heart" at https://www.patreon.com/reflectinghistory. -Consider Supporting the Podcast!- Leave a rating or review on apple podcasts or spotify! Support the podcast on Patreon: https://www.patreon.com/reflectinghistory Check out my podcast series on Aftersun, Piranesi, Arcane, The Dark Knight Trilogy, and Nazi Germany and the Battle for the Human Heart here: https://www.patreon.com/reflectinghistory Try my podcast series "Piranesi: Exploring the Infinite Halls of a Literary Masterpiece"-- This podcast series is a deep analysis of Susanna Clark's literary masterpiece "Piranesi." Whether you are someone who is reading the novel for academic purposes, or you simply want to enjoy an incredible story for it's own sake, this podcast series goes chapter by chapter into the plot, characters, and themes of the book...“The Beauty of the House is immeasurable; it's kindness infinite.” Piranesi lives in an infinite house, with no long-term memory and only a loose sense of identity. As the secrets of the House deepen and the mystery of his life becomes more sinister, Piranesi must discover who he is and how this brings him closer to the “Great and Secret Knowledge” that the House contains. Touching on themes of memory, identity, mental health, knowledge, reason, experience, meaning, reflection, ideals, and more…Piranesi will be remembered as one of the great books of the 21st century. Hope you enjoy the series as much as I enjoyed making it. Check it out at https://www.patreon.com/reflectinghistory. Subscribe to my newsletter! A free, low stress, monthly-quarterly email offering historical perspective on modern day issues, behind the scenes content on my latest podcast episodes, and historical lessons/takeaways from the world of history, psychology, and philosophy: https://www.reflectinghistory.com/newsletter.  

In this gripping and profoundly informative conversation, I sit down with Izabella Tabarovsky, a leading scholar of Soviet anti-Zionism and contemporary left antisemitism. Tabarovsky is a Senior Fellow at the Z3 Institute for Jewish Priorities and a Research Fellow at both the London Centre for the Study of Contemporary Antisemitism and ISGAP.Drawing from her years of research on Soviet propaganda and its legacy, Tabarovsky unpacks how virulently antisemitic forms of "anti-Zionism" were central to Cold War-era Communist ideology—and how many of these same tropes and tactics have re-emerged in today's far-left discourse. From the Soviet Union's deployment of conspiracy theories linking Zionism to Nazism to the global campaign that culminated in the infamous 1975 UN Resolution declaring Zionism a form of racism, we trace how these narratives were manufactured, exported, and normalized.Tabarovsky argues that, to quote William Faulkner, “the past is not dead, it is not even past.” Soviet-era antisemitic anti-Zionism, she shows, has left behind a “toxic ideological brew” that still shapes public conversations, academic discourse, and political movements in the West.Topics discussed:The Soviet Union's anti-Zionist propaganda machine and the role of the KGBHow antisemitism was masked as political critiqueThe use of prominent Soviet Jews in anti-Zionist campaignsThe parallels between Cold War-era propaganda and modern leftist antisemitismThe ideological roots of contemporary far-left anti-Zionist rhetoric

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

This is a podcast, recorded by two nincompoops, full of the novel The Sound and the Fury by William Faulkner, signifying...something? a recording in which we discuss the Modernism the italics the three sons the Mother the golf course the South and is Craig sick who knows this consciousness won't stream itself you knowThis episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/overdue and get on your way to being your best self.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

And now for something completely different... featuring one of past guests & fellow authors Ace Atkins, Megan Abbott, & William Boyle's dearest friends. The first half of this week's episode with Oxford, Mississippi based ADVENTURE TIME & SPONGEBOB SQUAREPANTS screenwriter, voice actor, & author Jack Pendarvis is a freewheeling anything goes conversation about writing, shovels, William Faulkner cosplay, hitchhiking with butter knives, Saint Augustine, showers, & anything else that popped into our heads. Taking a look at two films about the creative process in the more classically Watch With Jen formatted second half of this discussion, we investigate two of Jack's favorite movies in director Anthony Mann's classic musical biopic THE GLENN MILLER STORY & one of Pedro Almodovar's greatest masterworks, PAIN AND GLORY. This season, I'm aiming to sprinkle in some more casual conversations with artists of all backgrounds into our traditional friendly analytic approach because right now, it feels like we're all so isolated, stressed, & wary that I'm hoping these occasional offbeat episodes might spark a little joy, discovery, & creativity for you along the way as well.Originally Posted on Patreon (4/7/25) here: https://www.patreon.com/posts/126066237Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Francesco Marangi"Angeli di sale"Polidoro Editorewww.alessandropolidoroeditore.itSiamo in un paese della costa ligure, tra gli ulivi e il mare. Pietro, maggiore di tre fratelli, torna nella sua casa natale per far visita al padre malato. Il suo ritorno apre una voragine che rimescola il tempo, lo inghiotte, lo dilata e rende i fratelli mere apparenze al cospetto del passato. Le voci dei protagonisti si confondono e si contraddicono e il paesaggio si deforma. Ogni cosa rimane trasfigurata dentro ricordi tragici che non si è in grado di raccontare con chiarezza, se non con la crudeltà di un'allucinazione dolorosa.Riemergono vecchi rancori, promesse, l'abbandono della madre, le violenze, l'amore di Pietro per Maria, la vicina di casa che insieme al fratello Enrico era loro compagna di giochi fin dall'infanzia. E poi la decisione di Pietro di andare lontano per non tornare più. Il vento, il mare, l'estate di ombre urlanti; ogni cosa è rumorosa. Nel frattempo, un segreto viperino progredisce con il peso mitologico di un'annunciata dannazione. Spetterà a Pietro – specie di addolorato e indemoniato Ulisse –, ricondurre tutto al principio risolutivo degli eventi.Francesco Marangi ci consegna un esordio sperimentale, di adulta poeticità, che si affaccia a Mentre morivo di William Faulkner, al romanzo oscuro La fornace di Thomas Bernhard, fino a  ricavare dalla mitologica poesia di Wallace Stevens  la delicatezza della carne senza mai divorarla.Francesco Marangi è nato a Genova nel 1998 e risiede a Varazze. Sta per conseguire la laurea triennale in Scrittura e Contemporary Humanities presso la Scuola Holden di Torino. Ha svolto vari lavori, nelle serre come aiuto bracciante e sulle spiagge come bagnino. Ha partecipato altre due volte al Premio Calvino con i romanzi Delirio in rosso e L'artista violento. Nel 2020 è arrivato nella cinquina finalista del Premio Raduga con il racconto Il bunker.Angeli di sale è il quarto titolo della collana InterzonaIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 01:48:24 - Comme un samedi - par : Arnaud Laporte - Alors que les yeux du monde entier sont rivés sur l'Amérique, Séverine Chavrier fait parler ses fantômes en mettant en scène "Absalon, Absalon !", le monument de William Faulkner. Carte blanche à celle qui n'a pas fini de bousculer le théâtre ! - réalisation : Alexandre Fougeron - invités : Séverine Chavrier musicienne, metteuse en scène, et directrice de la Comédie de Genève; Paulin Ismard Professeur d'histoire grecque à l'Université d'Aix-Marseille; Annie Mercier Comédienne; Noémi Michel Chercheure-enseignante, auteure et dramaturge; Areski Moreira Violoniste

Jun Fujita is the Japanese-American photographer behind some of the most recognizable photographs taken in Chicago in the 20th century, including his shots of the St. Valentine's Day Massacre of 1929, the Eastland passenger boat disaster of 1915, and the 1919 Chicago race riots. Fujita was also a published poet and something of a regional celebrity, known for socializing with William Faulkner and Ernest Hemingway. Fujita's foreign identity also made him the subject of government inquiry and suspicion on multiple occasions — during both World War I and World War II — according to Graham Lee, Fujita's great-nephew and the author of a new Fujita biography, “Jun Fujita: Behind the Camera.” After Japan's attack on Pearl Harbor, Fujita's assets were frozen, his business was shuttered, his cameras were taken away, and he constrained himself to Chicago to avoid possible internment, Lee said. How did Fujita navigate this perilous time for an immigrant in Chicago? We sat down with Lee to discuss how Fujita, a “supremely confident person,” came to rely on both the support of his community and his wits.

Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! Orphans of the Void by Michael Shaara. That's next on The Lost Sci-Fi Podcast.How many vintage science fiction authors won a Pulitzer Prize? Ray Bradbury never won a Pulitzer Prize for Fiction, but received a Pulitzer Special Citation in 2007 for his impact on literature. The answer is three. Booth Tarkington, MacKinlay Kantor and Michael Shaara. Booth Tarkington is one of only four novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner, John Updike, and Colson Whitehead. Tarkington wrote only three short sci-fi stories. MacKinlay Kantor wrote eight short sci-fi stories and one science fiction novel If the South Had Won the Civil War released in 1961.Michael Shaara is the most well known of the three. Shaara was born in Jersey City, New Jersey in 1928. Before he began selling sci-fi for 2 cents a word in the 1950s he was a boxer and a police officer. He won his Pulitzer for his novel about the Battle of Gettysburg, The Killer Angels which won the award in 1975, and was showcased on the big screen in the 1993 movie Gettysburg starring Tom Berenger and Martin Sheen.Shaara also wrote the 1991 novel For Love of the Game which was made into the 1999 film with the same name starring Kevin Costner and Kelly Preston. But it all began back in 1952. He wrote two dozen short sci-fi stories and this was his first. From Galaxy Science Fiction in June 1952, we will discover this tale of artificial intelligence, and the fate of a forgotten world on page 78, Orphans of the Void by Michael Shaara...Next on The Lost Sci-Fi Podcast, Renwick, with too much time on his hands, was bored. He turned to Mead, in his discontent, only to discover some frightening aspects of his friend's hobby of collecting children's games and rhymes. Before the Fact by Zenna Henderson.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

 After 43 years under the same editor, the literary magazine — which had once published the work of Southern writers like Flannery O'Connor, Eudora Welty and William Faulkner — had fallen into a slump.But, in 2016, Nashville-based writer Adam Ross took over as editor. Since then, the review has seen a revival. Ross has brought the previously print-only journal into the digital age — it now has a website, an Instagram, a podcast — and has published the work of contemporary literary giants.In this episode, we hear from the review's editorial staff and a recently published writer about the review's history and the value of a literary magazines, plus excerpts from pieces published in the review itself.This episode was produced by Cynthia Abrams.Guests Adam Ross, editor of the Sewanee Review Kanak Kapur, writer and graduate of Vanderbilt's MFA program Luke Gair, associate editor of the Sewanee Review Brighid Griffin, assistant editor of the Sewanee Review Kate Bailey, editorial assistant of the Sewanee Review Further reading "Long Sleeves" by Kanak Kapur (the Sewanee Review) "Why I Don't Wait" by Vievee Francis (the Sewanee Review) "Omnivore" by Vievee Francis (the Sewanee Review) "Till It and Keep It" by Carrie R. Moore (the Sewanee Review) "Mongo Two" by Daniela Garvue (the Sewanee Review) New Life for a 125-Year-Old Literary Journal (The New York Times)

Que privilégio que é conseguir entrevistar uma escritora da qual ficámos fãs. Já me tinham recomendado o livro “Não Fossem as Sílabas do Sábado” e há boas notícias: o livro chegou a Portugal, em breve vem outro e há tantos outros desta advogada e escritora brasileira que nesta conversa (via zoom) se dá a conhecer enquanto leitora. Valeu.Os livros que a Mariana escolheu:Por escrito, Elvira Vigna;Os meus sentimentos, Maria Dulce Cardoso;As horas, Michael Cunningham;O Evangelho segundo Jesus Cristo, José Saramago.Outras referências:Lygia Fagundes Telles;A insustentável leveza do ser, Milan Kundera;Lobo Antunes:Os Cus de Judas;Eu Hei-de Amar uma Pedra;Uma casa no fim do mundo, Michael Cunningham;José Luis Peixoto;Tatiana Salem Levy;A Pediatra, Andrea Del Fuego;O Som e a Fúria, William Faulkner;A visão das plantas, Djaimilia Pereira de Almeida.Os que escreveu:Idílico;Delicada uma de nós;Fadas e copos no canto da casa;Se Deus me chamar não vou;É sempre a hora da nossa morte amém;A árvore mais sozinha do mundo (em breve em Portugal);Participou com um conto na antologia O dia escuro.Não Fossem as Sílabas do Sábado (em Portugal) O que recomendei:Autobiografia não autorizada (1 e 2), Duce Maria Cardoso;Lucy Barton, Elisabeth Strout;Toda a Ferida é uma Beleza, Djaimilia Pereira de Almeida.Os livros aqui:www.wook.pt

'It was not easy to find a poet in the United States in my reading,who wrote with the clarity and intelligence that Larkin possessed. I found him to be full of surprises..'My guest today is writer David Biespiel who was born in Texas and who is now Poet in residence at Oregan state university. He has written for numerous publications and reviewed poetry for the Washington Post and the New York Times. He has taught creative writing at university across the US., has won many awards and published several books of his own poetry. In preparation for talking to David, he recommended that I have a look at his book A Long High Whistle: Selected Columns on Poetry, published in 2015, which is a collection of his pithy and fascinating articles on poets and poetry.‘I love that they are slender, I love that they are pocket sized, the whole texture of them- the Faber books.'Larkin poems mentioned:Church Going, This Be The Verse, I Remember, I Remember, Dockery and Son, Talking In Bed, Sad Steps, Friday Night In the Royal Station Hotel, Broadcast, An Arundel Tomb, The MowerPoets:John Ashberry, Walt Whitman, TS Eliot, Thom Gunn, Keats, Chaucer, Donne, Elizabeth Bishop, Herbert, Sylvia Plath, Robert Frost, William Stafford, Henry Allenhttps://www.washingtonpost.com/archive/lifestyle/1989/06/03/philip-larkins-everyday-poetry/1a53b1df-d319-43fc-9249-af52238ced60/The Paris Review, Archie Burnett, Martin Amis and Anthony Thwaite collections, US/UK poetry, railway journeys, rhyme schemes, literary tours of UK/Italyhttps://www.amazon.co.uk/Long-High-Whistle-David-Biespiel/dp/1938308107“The past is never dead. It's not even past.”  William Faulkner, Requiem for a Nun (1950)For more about Larkin's Coventry, please watch: Philip Pullen's fantastic 2022 talk at the PLS AGM in Coventry at Larkin's school King Henry VII School.https://www.youtube.com/watch?v=rDOqZ4N_fUk&t=3106s

Caleb opens today's episode with a mini (sarcastic) review of "As I Lay Dying" by William Faulkner. After that, we discuss our Book of the Month, "Native Son" by Richard Wright. We cover the topics of racism, social injustice, class status, and poverty.  You can follow us on Instagram, Facebook, and Twitter @dpwpodcast You can check out Caleb's work at www.calebjamesk.com. 

Dr. Scott Yarbrough, PhD is a professor of English at Charleston Southern University, as well as the host of two literary podcasts, Reading McCarthy & Great American Novel out of Charleston, South Carolina. This episode is dedicated to the hunting novella, The Bear by America's 20th-century literary master, William Faulkner. After a reading, we begin with Faulkner's biography as Scott describes the major themes within his writing: the southern gothic push back to the over-romanticization of the old south; race & the aftermath of slavery; time & history; and the tension between loving & hating where one comes from. Then we turn to a discussion, synopsis & analysis of The Bear, Faulkner's coming-of-age novella about a boy's hunting camp as they search for a dog powerful enough to bay the mythic bear, Old Ben, that haunts a 100-square miles of Mississippi wilderness that soon will vanish under the logger's ax. Woven throughout are conversations about: the evolution of language; writers that hunt; "toxic masculinity;" bear symbolism; the wildness within; Scott's rural upbringing; city-dwellers appreciating southern literature; and last but not least, William Faulkner's feist dogs!Reading from Big Woods: The Hunting Stories by William Faulkner. Check out Scott's podcasts, Reading McCarthy and Great American Novel Podcast.Support Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

Taylor Hagood, Professor of American Literature at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss author Theodore Pratt and his literary work detailing Florida society from the late 1800s to the middle of the twentieth century.Taylor Hagood is Professor of American Literature in FAU's English Department. Much of his scholarship has focused on the writing of William Faulkner, African American literature, Gothic and horror literature, and the literature of the United States South. Among his literary critical publications are the coedited volume Undead Souths: The Gothic and Beyond in Southern Literature and Culture and the monograph, Faulkner, Writer of Disability, winner of the C. Hugh Holman Award for Best Book in Southern Studies. Along with his literary critical work, Professor Hagood has written nonfiction, biography, and true crime. His 2023 book, Stringbean: The Life and Murder of a Country Music Legend, explores the story of David "Stringbean" Akeman. His most recent book, Theodore Pratt: A Florida Writer's Life, draws upon the Pratt archive in FAU's Special Collections to present the life story of the mid-twentieth century's "Literary Laureate of Florida."

Taylor Hagood, Professor of American Literature at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss author Theodore Pratt and his literary work detailing Florida society from the late 1800s to the middle of the twentieth century.Taylor Hagood is Professor of American Literature in FAU's English Department. Much of his scholarship has focused on the writing of William Faulkner, African American literature, Gothic and horror literature, and the literature of the United States South. Among his literary critical publications are the coedited volume Undead Souths: The Gothic and Beyond in Southern Literature and Culture and the monograph, Faulkner, Writer of Disability, winner of the C. Hugh Holman Award for Best Book in Southern Studies. Along with his literary critical work, Professor Hagood has written nonfiction, biography, and true crime. His 2023 book, Stringbean: The Life and Murder of a Country Music Legend, explores the story of David "Stringbean" Akeman. His most recent book, Theodore Pratt: A Florida Writer's Life, draws upon the Pratt archive in FAU's Special Collections to present the life story of the mid-twentieth century's "Literary Laureate of Florida."

This week, host Jason Jefferies is joined by frequent guest and Librarian at The Citadel Dan Hawkins, who discusses Suttree by Cormac McCarthy.  Topics of conversation include Vanity Fair, James Joyce and William Faulkner, existentialism, Walker Percy and much more.  Copies of Suttree can be ordered here from Page 158 Books in Wake Forest, NC.  Happy reading!

William Faulkner, The Art of Fiction No. 12, The Paris Review. Noventa e nove por cento de talento... Noventa e nove por cento de disciplina... Noventa e nove por cento de trabalho. Não se preocupe apenas em ser melhor do que seus contemporâneos ou antecessores. Tente ser melhor do que você mesmo. Um artista é uma criatura guiada por demônios. Ele não sabe por que eles o escolheram e, em geral, está ocupado demais para se perguntar por quê. Ele é totalmente amoral, pois roubará, pedirá emprestado, implorará ou roubará de qualquer pessoa para realizar o trabalho. Julio Adler e Bruno Bocayuva conversaram com Mateus herdy sobre surfe competitivo e surfe feito dentro da nossa cabeça.

William Faulkner visste inte hur rätt han hade. Lyssna på alla avsnitt i Sveriges Radio Play. Det vi gör i livet ekar i oändlighet, som gladiatorn Maximus sade. Ja, citaten som beskriver följderna av våra handlingar i många. Men inget kan få en att förstå det på djupet som berättelserna. Berättelserna om en märklig patient med vanföreställningar och ärr, till exempel, eller om en VHS-kassett på ett loppis. Som de vi hör i veckans Creepypodden.Avsnittet innehåller skildringar av självmord, droger och självskadebeteende.Mår du dåligt? Hit kan du vända dig:I nödsituation – ring 112.Självmordslinje: 90 101. Jourhavande Medmänniska: 08- 702 16 80 (öppen kl. 21-06).Creepypodden är producerad av Ludvig Josephson, som också gjorde musiken i det här avsnittet. Vill du läsa fler creepypastor kan klicka dig runt bland våra tidigare avsnitt, eller följa oss på Facebook eller Instagram där vi heter Creepypodden. Mejla oss gärna med tips på bra creepypastor eller med egna skrämmande upplevelser: creepypodden@sverigesradio.se.

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner's wide-ranging literary output to assess the author's life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family's tales and the larger history of the region to which it was tied. Yet it took Faulkner's journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

Aqui nasceu o grande território ficcional de Faulkner, o condado onde ensaiou a sua narrativa sulista e se tornou um dos grande narradores da América.

Joseph Dolce; born October 13, 1947) is an American-Australian singer, songwriter, poet and essayist. Dolce achieved international recognition with his multi-million-selling novelty song, "Shaddap You Face", released worldwide under the name of his one-man show, Joe Dolce Music Theatre, in 1980–1981. The single reached number one in 15 countries. It has sold more than 450,000 copies in Australia and continues to be the most successful Australian-produced single worldwide, selling an estimated six million copies. It reached No. 1 on the Australian Kent Music Report Singles Chart for eight weeks from November 1980. 1947–1977: Early year Dolce was born in 1947 in Painesville, Ohio, the eldest of three children to Italian American parents. He graduated from Thomas W. Harvey High School in 1965. During his senior year, he played the lead role of Mascarille in Moliere's Les Précieuses Ridicules for a production staged by the French Club of Lake Erie Frie College, which was his first time on stage, acting and singing an impromptu song he created from the script. The play was well-received and his performance was noted by director Jake Rufli, who later invited him to be part of his production of Jean Anouilh's Eurydice. His co-star in Les Précieuses Ridicules was a sophomore on a creative writing scholarship at Lake Erie College, Carol Dunlop, who introduced him to folk music, poetry and the writings of William Faulkner and Ernest Hemingway. Dunlop later married the Argentine novelist Julio Cortazar. Dolce attended Ohio University, majoring in architecture, from 1965 to 1967 before deciding to become a professional musician. While attending college at Ohio University, in Athens, Ohio, he formed various bands including Headstone Circus, with Jonathan Edwards who subsequently went on as a solo artist to have a charting hit song in the US ("Sunshine"). Edwards subsequently recorded five Dolce songs including, "Athens County", "Rollin' Along", "King of Hearts", "The Ballad of Upsy Daisy" and "My Home Ain't in the Hall of Fame", the latter song becoming an alt country classic, also recorded by Robert Earl Keen, Rosalie Sorrels, JD Crowe & the New South and many others. 1978–1984: Move to Australia, "Boat People" and "Shaddap You Face" Dolce relocated to Melbourne, Victoria, Australia, in 1978 and his first single there was "Boat People"—a protest song on the poor treatment of Vietnamese refugees—which was translated into Vietnamese and donated to the fledgling Vietnamese community starting to form in Melbourne. His one-man show, Joe Dolce Music Theatre, was performed in cabarets and pubs with various line-ups, including his longtime partner, Lin Van Hek.  In July 1980, he recorded the self-penned 'Shaddap You Face", for the Full Moon Records label, at Mike Brady's new studios in West Melbourne. When in Ohio, Dolce would sometimes visit his Italian grandparents and extended family—they used the phrases "What's the matter, you?" and "Eh, shaddap", which Dolce adapted and used in the song. He wrote the song about Italians living in Australia and first performed it at Marijuana House, Brunswick Street, Fitzroy in 1979. It became a multi-million-selling hit, peaking at No. 1 on the Australian Kent Music Report Singles Chart for eight weeks from November 1980,in the UK from February 1981 for three weeks, and also No. 1 in Germany, France, Fiji, Puerto Rico, the Canadian province of Quebec, Austria, New Zealand and Switzerland. Dolce received the Advance Australia Award in 1981. The song has had hundreds of cover versions over the decades including releases by artists as diverse as Lou Monte, Sheila (France), Andrew Sachs (Manuel, of Fawlty Towers), actor Samuel L. Jackson and hip-hop legend KRS-One. In 2018, the first Russian language version was released by two of Moscow's most popular singers, Kristina Orbakaite and Philipp Kirkoroy. The song has been translated into fifteen languages, including an aboriginal dialect. By February 1981, it had become Australia's best-selling single ever selling 290,000 copies, entering the Guinness Book of World Records and surpassing the previous record of 260,000 copies by Brady's own "Up There Cazaly". "Shaddap You Face" has continued to be licensed and recorded by other artists and companies since its release in 1980 with its most recent appearance, in 2021, as part of the US series The Morning Show (aka, Morning Wars in Australia.) Follow up single, "If You Wanna Be Happy" was released in 1981 and charted in Australia and New Zealand. In December 1981, Dolce released the album Christmas in Australia, which peaked at number 92 on the Australian chart. 1984–present With Lin Van Hek , he formed various performance groups including Skin the Wig, La Somnambule (1984) and the ongoing Difficult Women (1993). Van Hek and Dolce co-wrote "Intimacy", for the soundtrack of the 1984 film The Terminator, now part of the US Library of Congress collection. He was a featured lead actor in the Australian film Blowing Hot and Cold (1988). He has continued to perform solo and with Van Hek as part of their music-literary cabaret Difficult Women. In 2010, two of his photos were selected for publication in the US journal, Tupelo Quarterly. Since 2009, he has been a prolifically published poet in Australia. In 2010, he won the 25th Launceston Poetry Cup at the Tasmanian Poetry Festival. His poems were selected for Best Australian Poems 2014 & 2015. He was the winner of the 2017 University of Canberra Vice-Chancellor's Health Poetry Prize, for a choral libretto, longlisted in the same year for the University of Canberra Vice-Chancellor's Poetry Prize and included in the Irises anthology. He longlisted for the 2018 University of Canberra Vice-Chancellor's Poetry Prize and was included in the Silence anthology. He was Highly Commended for the 2020 ACU Poetry Prize] and included in the Generosity anthology. He was selected as the August 2020 City of Melbourne Poet Laureate. Since 2018, he has been the television and film reviews editor for Quadrant magazine.

This week on The Learning Curve, co-hosts Alisha Searcy of DFER and U-Arkansas Prof. Albert Cheng interview Carl Rollyson, CUNY professor, and acclaimed biographer of William Faulkner. Prof. Rollyson offers an in-depth exploration of Faulkner's life, work, and enduring legacy. He discusses Faulkner's formative years in early 20th-century Mississippi a region still grappling with its […]

This week on The Learning Curve, co-hosts Alisha Searcy of DFER and U-Arkansas Prof. Albert Cheng interview Carl Rollyson, CUNY professor, and acclaimed biographer of William Faulkner. Prof. Rollyson offers an in-depth exploration of Faulkner's life, work, and enduring legacy. He discusses Faulkner's formative years in early 20th-century Mississippi a region still grappling with its post-Civil War identity, and his early literary influences, including mentorship by Phil Stone and encounters with literary greats like Sherwood Anderson. Rollyson delves into Faulkner's tumultuous personal life, his complex marriage to his wife Estelle, and his writing routine at his Oxford, Mississippi, home, Rowan Oak. Rollyson examines Faulkner's creation of Yoknapatawpha County, the setting for masterpieces such as The Sound and the Fury and Absalom, Absalom!, as well as his Hollywood years and their impact on his craft. He also explores Faulkner's views on race and civil rights, his Nobel Prize-winning novels, and his influence on Southern literature and writers like Flannery O'Connor and Ralph Ellison. In closing, Prof. Rollyson reads a passage from his two-volume biography, The Life of William Faulkner.

John J. Miller is joined by Nick Ripatrazone to discuss William Faulkner's 'As I Lay Dying.'

Today on the show we have Wright Thompson here to talk about his latest book, one of the most powerful books I've ever read — The Barn: The Secret History of a Murder in Mississippi, which came out September 24. Though it's not mentioned in the title or the subtitle, the book is about the brutal, absolutely depraved murder of 14-year-old Emmett Till on August 28, 1955 in Mississippi. I have a deep connection with Mississippi, as does Wright, who was born and raised there, and who grew up just 23 miles from the barn where Emmett lost his life (and where the book's title comes from). Though Wright grew up so very close to where this atrocity took place, he never found out about this awful murder until he went to college out of state. As he writes in The Barn, the erasure of Emmett's murder “was a collective effort, one that continues to this day.” It has been nearly 70 years since this unspeakable crime, and The Barn is an effort to reverse that erasure. William Faulkner has been quoted as saying, “To understand the world, you must first understand a place like Mississippi,” and I must admit, it's difficult to understand this senseless murder. The two men accused of murdering Emmett, Roy Bryant and J.W. Milam, were acquitted in a mockery of justice. The four-hour torture and murder of a young man who was barely a teenager for allegedly whistling at a young white woman was depraved, even for Mississippi at the time. In today's episode, Wright sets the scene for us of what August 1955 was like in Mississippi, especially in terms of race relations. He also tells us about that terrible night and what precipitated it and tells us more about Emmett's brave and courageous mother, Mamie Till, who insisted that her son's badly damaged body be on display in an open casket at his funeral after his body was returned home from Mississippi to Chicago because, in her words, she wanted to “Let the world see what I've seen.” Emmett's death essentially launched the civil rights movement — for context, Rosa Parks refused to give up her seat on a Montgomery bus on December 1, 1955, just over three months after Emmett's senseless killing. When asked why she didn't give up her seat, she said, “I thought of Emmett Till, and I just couldn't go back.” Just as the book is overwhelmingly powerful, so too is the fact that, as we recorded this episode, Wright was at the barn, working on a project that will eventually be announced with those who knew and loved Emmett. I got to see the barn on our Zoom call, and I'm forever moved and impacted by it. After Bryant and Milam were acquitted and therefore protected against double jeopardy, the two men admitted in a 1956 interview with Look magazine (which Wright references in this episode) that they had, indeed, tortured and murdered Emmett. To a point we later make in the episode, they both died young of cancer. Here on the show today is the incomparable Wright Thompson. He is a senior writer for ESPN.com and ESPN the Magazine, and his 2010 article “Ghosts of Mississippi” inspired the 2012 ESPN 30 for 30 documentary film The Ghosts of Ole Miss, which he narrated, about the 1962 Ole Miss football team's perfect season and the concurrent violence and rioting over the integration of the university by James Meredith. He also narrated the ESPN 30 for 30 film Roll Tide/War Eagle. Prior to writing The Barn, Wright also published the book Pappyland: A Story of Family, Fine Bourbon, and the Things That Last, which came out in 2020. Take a listen to our conversation — and please be forewarned it contains deeply disturbing subject matter, but subject matter that is absolutely necessary to hear.   The Barn: The Secret History of a Murder in Mississippi by Wright Thompson

Michael Gorra, author of The Saddest Words: William Faulkner's Civil War, talks about the impact of the conflict on one of America's greatest writers—and how Faulkner, in turn, helps us better understand the conflict. This episode of the Emerging Civil War Podcast is brought to you by Civil War Trails, the world's largest open-air museum, offering more than 1,500 sites across six states. Request a brochure at ⁠civilwartrails.org⁠ to start planning your trip today.

Welcome back to the pod, William Faulkner! This week, Tatiana and Niko read the short story "Barn Burning," originally published in Harper's Magazine in 1939. They discuss cycles of violence within the structures of family, history, and class, make comparisons to Juan Rulfo, and try to figure out why so many people love American Southern Gothic literature. 

The phrase “Kill Your Darlings,” attributed to writer William Faulkner, is a piece of advice given to authors that suggests cutting the parts of a story or novel that they love the most. The idea is that these "darlings" often hinder the overall flow, clarity, or effectiveness of the piece. In a business context, the concept translates well. We often hold on to projects, products, or services that we're emotionally attached to, despite evidence that they may be draining resources or no longer serving the overall goals of the company. When I looked at the bigger picture, I realized that while the Full Funnel Freedom show had been incredibly valuable and rewarding, it wasn't helping me move toward my ultimate goal—helping my clients scale their sales and achieve their ideal exits. To focus more effectively on supporting them, I made the tough decision to “kill my darling” and end the podcast. Letting go of something I've invested in emotionally and professionally wasn't easy, but it was necessary to free up time and energy for the things that will drive my business and clients forward. It's a reminder that sometimes, even our most cherished projects can hold us back from what really matters. What you'll learn: How do you identify which projects or services are no longer serving your long-term goals? What is the process for evaluating the value versus the burden of current business offerings? How can the “Kill Your Darlings” mindset help leaders make tough but necessary decisions for growth?   Thank you for listening. ---   Connect with Hamish on LinkedIn:  https://www.linkedin.com/in/hamishknox/ Meet Hamish at a Sandler Summit: https://www.hamish.sandler.com/orlando Fathom: https://fathom.video/invite/72CZPA Humanic: https://app.humantic.ai/login/?referral_code=HamishKnox_SA

In Episode 24 of The Halloween Podcast, host Lyle Perez takes listeners on a haunting journey through the eerie history of Mississippi. Known for its antebellum mansions, Civil War battlefields, and eerie bayous, the Magnolia State has long been home to ghostly encounters and tragic tales. From the notorious McRaven House to the Witch of Yazoo, this episode delves deep into the spirits that still linger in Mississippi's most haunted spots. Featured Haunted Locations: McRaven House  Address: 1445 Harrison St, Vicksburg, MS 39180 Known as the most haunted house in Mississippi, McRaven House has been the site of countless ghost sightings, including the spirit of Mary Elizabeth Howard, who died at a young age. Paranormal investigators have captured EVPs, and many visitors report experiencing cold drafts and mysterious figures. The house offers both historical and ghost tours for the brave. King's Tavern   Address: Closed Once a staple of haunted Natchez, King's Tavern was known for the ghost of Madeline, the mistress of Richard King. Though the tavern is now closed, the stories of Madeline's murder and her restless spirit continue to captivate ghost hunters. Windsor Ruins  Address: 15095 Rodney Rd, Port Gibson, MS 39150 The haunting remains of Windsor Ruins stand as a reminder of a once-grand mansion. Visitors have reported seeing shadowy figures among the columns and hearing the sounds of Confederate soldiers marching through the ruins. Windsor Ruins is open to the public and remains a popular destination for history enthusiasts and ghost hunters alike. The Mississippi State Capitol Address: 400 High St, Jackson, MS 39201                                                                              The Mississippi State Capitol, built in 1903, is known for strange occurrences. Visitors report disembodied footsteps, cold spots, and shadowy figures in the halls. Some believe the ghost of a former legislator haunts the building, still lingering to finish his work. Longwood Mansion  Address: 140 Lower Woodville Rd, Natchez, MS 39120 Longwood Mansion, an unfinished architectural marvel, is haunted by the spirit of its owner, Haller Nutt, who died before the mansion was completed. Guests often report hearing footsteps in the unfinished rooms and seeing Nutt's ghost staring out the upper windows. Rowan Oak  Address: 916 Old Taylor Rd, Oxford, MS 38655 The former home of author William Faulkner, Rowan Oak is said to be haunted by Faulkner himself. Visitors have reported seeing his ghost walking the grounds and hearing the sound of typewriter keys late at night. The house is open to the public, offering both literary history and ghostly encounters. Stuckey's Bridge (Closed) Address: Near Meridian, MS Known for the gruesome legend of the innkeeper Stuckey, who robbed and murdered travelers, Stuckey's Bridge is said to be haunted by his restless spirit. Visitors report hearing the creak of a rope and seeing ghostly figures near the bridge, despite it being closed to the public. Mont Helena  Address: 1049 Mont Helena Rd, Rolling Fork, MS 39159 Built on a ceremonial Indian mound, Mont Helena is home to the spirit of Helen Johnstone Harris, who is said to wander the grounds in search of her lost love. Paranormal investigators have captured eerie piano music and sightings of a woman in white. Duff Green Mansion  Address: 1114 First E St, Vicksburg, MS 39183 Once a Civil War hospital, Duff Green Mansion is haunted by the spirits of soldiers who died there. Ghostly apparitions and the sounds of moaning and crying echo through the halls, making it one of Vicksburg's most haunted locations. Merrehope  Address: 905 Martin Luther King Jr. Dr, Meridian, MS 39301 A beautiful antebellum home, Merrehope is haunted by spectral figures in period clothing and the sound of ghostly music. Visitors often report feeling watched and experiencing unexplained cold spots. Like Our Facebook page for more Halloween fun: www.Facebook.com/TheHalloweenPodcast ORDER PODCAST MERCH! Website: www.TheHalloweenPodcast.com Email: TheHalloweenPodcast@gmail.com X: @TheHalloweenPod Support the Show: www.patreon.com/TheHalloweenPod Get bonus Halloween content and more! Just for Patreon supporters! Check out my other show! Find it on iTunes - Amazing Advertising http://amazingadvertising.podomatic.com/ Keywords: Haunted Mississippi, Mississippi Ghost Stories, Haunted Locations, Paranormal Mississippi, Haunted America, McRaven House, King's Tavern, Windsor Ruins, Witch of Yazoo, Longwood Mansion, Rowan Oak, Stuckey's Bridge, Mont Helena, Duff Green Mansion, Merrehope Tags: #HauntedAmerica #GhostStories #MississippiHaunts #ParanormalPodcast #HauntedLocations #StaySpooky

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Eau de Noir by Bourbon French Parfums (?) + The Sound and the Fury by William Faulkner (1929) + Martin Ritt's The Sound and the Fury (1959) with Aidan Smith 9/22/24 S6E74 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Critically acclaimed debut author Bryan VanDyke, spoke with me about the writer's life in NYC, pushing the boundaries of literature and speculative fiction, and his latest novel about AI tech, IN OUR LIKENESS. Bryan VanDyke is a former staff writer for The Millions, and he graduated from writing programs at Columbia University and Northwestern. As a digital strategist, he advised and partnered with technologists, startup founders and venture capitalists. His “eerily timely debut novel,” IN OUR LIKENESS, draws on his experience and dramatizes many of the as-yet-unanswered questions about “the wonders and chaos” of artificial intelligence. Described as a “Frankenstein-esque tale befitting the information age,” CNN journalist and author of Age of Revolutions Fareed Zakaria called the book “A total triumph.” [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Bryan VanDyke and I discussed:  Feeling like a double agent while he was struggling to get published His love of genre science fiction and literary lions What it was like to edit a book about AI during a sea change in the tech How he edits his work on the go Grabbing a drink with William Faulkner at Grand Central Terminal And a lot more! Show Notes:  bryanvandyke.com In Our Likeness: A Novel by Bryan VanDyke (Amazon) Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we delve into the most hard-hitting stories of the day, like how Dave Grohl feels the need to Twitter shame himself and how Linkin Park hired a cult member and it really pissed off the guy from At the Drive-In. It's all bad, folks.On this week's Right Profile:Temple GuardTrendsomeVantage Point Check Us Out:PatreonSixth and Center PublishingMusical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

Estudios Radio AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:12 Segmento Inicial • ¡Hay una rata en mi casa! 0:06:27 • Oyentes0:38:59 Segmento Dispositivo • William Faulkner0:51:18 "Siempre, Faulkner fue considerado como el rival literario de Hemingway. Los seguidores de Hemingway decían que Faulkner era un acomplejado frente a la superioridad de Hemingway. En fin, no sé yo. No sé de qué lado me acuesto(...) Yo que he sido seguidor de los dos, viendo aquí ésto que parece dejarlo a Faulkner en un segundo lugar, me resisto tenazmente. Y eso que yo he leído mucho más a Hemingway que a Faulkner. Pero porque por una razón casual, fortuita: yo me encontré con la obra de Hemingway mucho antes de encontrarme con Fulkner, entonces, hubo una época en que me había agarrado una adicción con Hemingway, y realmente me parece extraordinario pero, si yo tuviera que elegir entre los dos para ver quién debiera ser el acomplejado, seguramente me eligiría a William Faulkner." • "El Que Atrasó El Reloj" ♫ (Guillermo Barbieri/Enrique Cadícamo). Canta Carlos Gardel, 1933. Tita Merello con Orquesta Carlos Figari, 1969. Segmento Humorístico • ¡Vamos a la playa! 1:13:15 Sordo Gancé / Manuel Moreira • Presentación1:27:22 • "El Adiós de Gabino Ezeiza" ♫ (Héctor Pedro Blomberg/Enrique Maciel) Canta Corsini, 1933. Suma Paz, 1962. • "Blues Da Piedade" ♫ (Cazuza, Ideologia, 1988) • "Kilómetro 11" ♫ (Mario Del Tránsito Cocomarola/Constante Aguer, 1940) • "Cuando Los Santos Vienen Marchando" ♫ (When the Saints Go Marching In; himno góspel estadounidense de origen desconocido) Grabado por Louis Armstrong, 1938. Here come brother Higginbottom down the aisle with his trombone ... Blow it boy... • "Carla" ♫ (Palito Ortega, año 1964) Palito Ortega/Ricardo Lew.

Rerun: Howard Hawks' film noir ‘The Big Sleep' finally hit cinemas on 23rd August, 1946, after extra crowd-pleasing repartee had been inserted, featuring real life couple Humphrey Bogart and Lauren Bacall. But more flirtation meant less exposition - making the plot of the detective story notoriously difficult to follow, even to the extent that the filmmakers had to call author Raymond Chandler to ask him who had killed one of the characters.  In this episode, Rebecca, Arion and Olly explain why the Hays censorship code compounded an already confusing script; reveal William Faulkner's left-field approach to WFH; and consider why - on the silver screen, anyway - women appeared to fall at Bogart's feet… Further Reading: • ‘The Big Sleep: Proof That Plot Doesn't Matter' (Den of Geek, 2019): https://www.denofgeek.com/movies/the-big-sleep-proof-that-plot-doesn-t-matter/ • ‘Homosexuality and the Production Code –The Big Sleep' (Sophie Hagberg, 2014): https://sophiehagbergscrn131.wordpress.com/2014/03/17/homosexuality-and-the-production-code-the-big-sleep-1946/ • ‘They're Together Again!' (Official Trailer, 1946): https://www.youtube.com/watch?v=n-K49CUaeto Thanks so much for supporting the show! We massively appreciate it. The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Edit producer: Ollie Peart Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Copyright: Rethink Audio / Olly Mann 2024. Learn more about your ad choices. Visit podcastchoices.com/adchoices