Podcasts about William Faulkner

MUSICJelly Roll is on the cover of the winter issue of Men's Health, beating his own stated goal by three months.At the end of 2024 on his wife Bunnie XO's podcast, he publicly set the goal of being the cover subject by March of this year. The magazine covers Jelly's amazing fitness journey, as when their reporter met up with him he was at 380 pounds, which was already down 160 pounds from his heaviest weight in 2020. And when he stepped in front of the cameras at the end of last year, he weighed in at 265. Jelly Roll told Men's Health, “When this journey started, I couldn't get a full mile [in 30 minutes]. Now I could put on a pair of tennis shoes, walk out that door, do a mile loop...and be back in 12 minutes and 25 seconds. Sevendust guitarist Clint Lowery will sit out part of the band's European tour with Alter Bridge and Daughtry because of family commitments and some health tests he has scheduled this month. The band's manager Tim Tournier will fill in. The trek starts January 15th in Hamburg, Germany. ROCK BOOK CLUBPolly Samson (David Gilmour's wife) photo book David Gilmour: Luck and Strange - Studio/Live publishes. https://www.davidgilmour.com/2025/09/luck-and-strange-studio-live/ MOVING ON INTO MOVIE NEWS:Check out a teaser for Nicolas Cage's John Madden movie. Prime Video has revealed the first trailer for Madden, the David O. Russell-directed biopic starring Nicolas Cage as legendary NFL coach-turned-NFL broadcaster John Madden and Christian Bale as Oakland Raiders owner Al Davis.Russell also wrote the film, working off an earlier screenplay drafted Cambron Clark. Along with Cage and Bale, the cast includes John Mulaney as Trip Hawkins; Kathryn Hahn as Virginia Madden; Sienna Miller as Carol Davis; Joel Murray as Pat Summerall; and Shane Gillis.Madden is set for release on Thanksgiving 2026 through Prime Video.https://consequence.net/2025/12/madden-movie-trailer/ Sarah Paulson honored her late friend Diane Keaton with a tattoo featuring the initials "DK" on what would have been Keaton's 80th birthday, January 5th. https://people.com/sarah-paulson-debuts-tattoo-dedicated-diane-keaton-11879168 MISCThe classic cartoon character Betty Boop enters the public domain in 2026, and not surprisingly, the horror movie version already started filming last year. Properties hit the public domain after their 95-year copyright maximum has been reached. That means that as of January 1st, anything released in the year 1930 is fair game. Here's what else we're getting: https://deadline.com/2025/11/betty-boop-horror-adaptation-afm-vmi-worldwide-1236613734/1. The comic strip character Blondie.2. Pluto, who appears in one of nine new Mickey Mouse cartoons that enter the public domain.3. Girl detective Nancy Drew.4. Sam Spade, who first appeared in Dashiell Hammett's 1930 novel "The Maltese Falcon", and was immortalized by Humphrey Bogart in the movie of the same name.5. Agatha Christie's detective Miss Marple.6. The William Faulkner novel "As I Lay Dying".7. Dick and Jane, from the children's books.8. The Marx Brothers movie "Animal Crackers”9. The George and Ira Gershwin songs "Embraceable You", "I've Got a Crush on You", "But Not for Me", and "I Got Rhythm".10. The songs "Georgia on My Mind" and "Dream a Little Dream of Me".Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Daily Comedy Podcast → https://1057thepoint.com/RizzShowHear The Rizz Show daily on 105.7 The Point | Hubbard Radio | St. Louis, MOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Maltese Falcon by Samuel Dashiell Hammett (1929) vs As I Lay Dying by William Faulkner (1930)

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How can we make our character memorable for the reader?  How can we make the character leap off the page and stay in the reader's memory?  Here's how Sherwood Anderson did it.  And here are also character descriptions from another master, William Faulkner, showing us how to create big and bold characters.Support the show

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

El ruido y la furia (The Sound and the Fury, 1929) de William Faulkner es una de las novelas más importantes de la literatura norteamericana. En ella nos encontramos con una forma única de narrar la historia de los Compson, una familia adinerada de Mississippi, a la que le ha ocurrido algo que la tiene al borde del caos absoluto pero no es fácil descubrir qué ha sido.   ¡Escucha el análisis de este libro en este episodio del podcast!   Contacto www.alaaventura.net/contacto jboscomendoza@gmail.com www.facebook.com/alaaventurapodcast  X: @alaaventura    Ayuda a hacer posible este podcast a través de Patreon http://wwww.patreon.com/alaaventura    ¡Obtén hasta dos meses de servicios gratis en Libsyn al iniciar tu podcast! Usa el código AVENTURA en al registrarte en http://libsyn.com  Música de entrada y salida: The Consouls - Arashi no Saxophone 2 (The King of Fighters '96) Funk Cover. Encuentra toda la música de The Counsouls en https://theconsouls.com/

Send us a textIn this episode we look back at the man who can lay claim to having written the longest sentence in American Literature. He also wrote the story, "A Rose For Emily" which is a play that our host, Randal Wallace,  once played the part of Homer Barron, the unfortunate beau of Ms. Emily, who they would later find dead in her bed years after he disappeared.  William Faulkner offered extensive advice on writing during his time as a writer-in-residence at the University of Virginia and in various interviews. His tips emphasize passion, discipline, and a ruthless dedication to craft over commercial success or style. Core PhilosophyBe writing, not "a writer": The act of writing is about movement and activity; adopting the static label of "a writer" can lead to stagnation.Write for pleasure, not money: Relying on writing for income or external approval can compromise artistic integrity. Keep your writing amateur in spirit and get another job to pay the bills.Embrace failure as growth: You will never achieve absolute perfection, and that is a healthy condition. The goal is a "splendid failure" that drives you to improve with each new work, always striving to be better than your past self.Be ruthless for your art: The writer's only responsibility is to their art. Everything else—honor, pride, security—goes by the board to get the book written. Craft and TechniqueFocus on core human conflicts: Faulkner believed that enduring stories focus on "the problems of the human heart in conflict with itself," such as love, honor, pity, and sacrifice.Prioritize character: According to Faulkner, if you understand your characters, they will drive the narrative, and the writer's job is to record their actions and words.Don't overthink style: Style should serve the story and is not a goal in itself. There are no mechanical rules for writing.Use dialect sparingly: A few touches of recognizable dialect are better than extensive use, which can confuse readers. Process and HabitsRead extensively: Faulkner advised reading all kinds of literature, good and bad, to learn from other writers.Stop while you're inspired: To maintain momentum, stop writing for the day when you're in a good flow and know what you'll write next.Make time for writing: Faulkner contended that anyone claiming they lack time to write is mistaken; even ten minutes can be used, and ideas should be written down immediately.Combine experience, observation, and imagination: These elements are crucial for a writer, and they can compensate for each other's absence.  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Bárbara Arena acaba de publicar Un adiós (Lengua de Trapo). Viene al Hotel y charlamos sobre funerales y romances, constelaciones sociales, algunos libros, ciertas oscilaciones, la nostalgia, miedos, ambivalencias, infancias, manchas y regalos.Libros:El amante – Marguerite DurasLa memoria y la vida — José María Ruiz-VargasFlores en el ático – V.C. AndresMientras agonizo — William Faulkner

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Want to connect with Tj & Plaideau? Send us a text message.The best fandom moments aren't about the merch—they're about the spark between people. We sat down with actor Billy Slaughter to trade stories that bounce from a PBS deep dive as William Faulkner to the wild energy of Scary Movie 6, with a healthy dose of Cajun flavor and con-floor surprises. Billy talks preparation and play in the same breath: walking Faulkner's halls to find the cadence of a literary giant, then flying to Atlanta to help reboot a definitive horror comedy with original players returning and a stack of fresh cameos. He also teases opening weekend buzz for Five Nights at Freddy's 2 and reflects on how Twisted Metal and the Anne Rice Immortal Universe introduced him to wildly different, equally passionate fanbases.Voiced by Brian Plaideau Have you been injured? New Orleans based actor, Jana McCaffery, has been practicing law in Louisiana since 1999, specializing in personal injury since 2008. She takes helping others very seriously. If you have been injured, Jana is offering a free consultation AND a reduced fee for fellow members of the Lousiana film industry, and she will handle your case from start to finish. She can be reached at janamccaffery@gmail.com or 504-837-1234. Tell Her NOLA Film Scene sent youSupport the showFollow us on IG @nolafilmscene, @kodaksbykojack, and @tjsebastianofficial. Check out our 48 Hour Film Project short film Waiting for Gateaux: https://www.youtube.com/watch?v=z5pFvn4cd1U . & check out our website: nolafilmscene.com

Send us a textJoin us starting November 25, 2025 for a Christmas Holidays Special 16th Season as we venture into new territory. Over the end of November and through out December we will spend 16 episodes looking at the Great American Authors, From F. Scott Fitzgerald to Stephen King and all points in between. We hope you will join us as we take a little break from American Political History and take a deep dive into American Literature, its history, and learn some writing tips from some of the greatest authors our country has ever produced. This sixteen episode season will feature F. Scott Fitzgerald, Edgar Allan Poe, Dr. Suess, John Steinbeck, Thomas Wolfe, Mark Twain, Toni Morrison, Maya Angelou, Harper Lee, J. D. Salinger, Margaret Mitchell, Nathaniel Hawthorne, Herman Melville, William Faulkner, Ian Fleming, J. K Rowling, Pat Conroy, Gene Hackman, Kurt Vonnegut, Walter Mosley, Lee Child, Stephen King, John Grisham, Joyce Carol Oats, Sinclair Lewis, Tennessee Williams, Ernest Hemingway, Jimmy Carter, Marilyn Quayle,  Newt Gingrich, Bill Clinton, James Patterson, and the announcement about our hosts own three books, a history companion book to this podcast, and two novels by Randal Wallace. We hope you will join us starting November 25 for The Great American Authors Special Season and Bob Dole will return in "Bob Dole The Life That Brought Him There" in January, 2026. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

The prominent Faulkner scholar Ahmed Honeini first joined us in 2024 to discuss the rivalry and intertextuality between Ernest Hemingway and William Faulkner.Clearly, in a topic so vast, devoted to the two leading titans of 20th-century American literature, one puny, inexhaustible episode was not enough. So, Ahmed Honeini agreed to come back onto One True Podcast to continue our pursuit of Hemingway and his contemporaries. We discuss Faulkner's great works, how his concept of mortality compares with Hemingway's, the inadequacy of language, Hemingway's iceberg theory, and Ahmed's favorite moment in all of Faulkner.Join us for this wonderful conversation with the Founder of the Faulkner Studies in the UK Research Network! 

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Are you in midlife, staring at a packed closet, wondering why letting go is so tough? In this episode of The Grit Show, host Shawna Rodrigues invites the inspiring writer and creative Vickey Brown to unpack the real reasons behind our attachment to “stuff”—from childhood scarcity mindsets to inherited family blueprints. Discover how downsizing, intentional living, and even being a little “delusional” can open the door to new possibilities. Curious about how meal planning, clutter, and shifting perspectives can truly transform your life? Tune in to hear practical stories and insightful reflections, all designed to help you make room for what's next. This episode is perfect for anyone seeking personal growth, emotional healing, and a fresh take on midlife transitions.Vickey Brown (writing as Ella Shawn)Vickey Brown is a Southern speculative fiction author, hybrid publisher, and founder of SOMO Publishing House, LLC. Writing under the pen name Ella Shawn, she brings raw, unfiltered conversations on creativity, resilience, and the audacity to take up space in the literary world. Her work centers the complexities of Black womanhood through a sacred, spiritual, and erotic lens.As a Southern Gothic erotic romance writer, Vickey is determined to "speak, so she can speak again." Heavily influenced by Zora Neale Hurston and William Faulkner, she endeavors to give voice to all the nameless people who were told to be quiet and "keep family secrets in the family." Through her Broken Souls series and as host of the Black Writer Therapy podcast, she champions the stories and lived experiences of unapologetic writers.She weaves tales of marginalized Southern women through a lens of liberation, creating a sanctuary for discerning readers wise enough to see beyond the ordinary and bold enough to embrace the extraordinary.Find her work:Substack: @vickeyellashawnbrown - My Chaotic Erotic Writer's LifeHost of Black Writer Therapy podcastAuthor of the Broken Souls seriesShawna Rodrigues has been hosting the The Grit Show, since 2022 and has loved every minute of it. She has an award winning career in the government and non-profit industry, an LCSW, and a passion for making a impact. She is currently facing her biggest plot twist yet—a breast cancer diagnosis in early 2025—this year is about her fight, victory, and healing. Join her warrior community Being Honest and check out the podcast episode where she shares more.Connect with her journey: Instagram @Shawna.Rodrigues | Everything else: https://linktr.ee/37by27Stay Connected to The Grit ShowFollow us on Instagram: @The.Grit.Show or Shawna @ShawnaPodcastsGrab your copy of our Self-Care Coloring Pages & as a bonus, you'll get weekly email reminders when episodes come out!

Hello to you listening in Quezon City, the Philippines!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.In 2017 (years before the current madness) Pope Francis said, “Hitler didn't steal the power, his people voted for him, then he destroyed his people.” That's what con men do. Yes, there are days when We the People feel ashamed - even hopeless - for having been duped.At the same time I'm reminded of a line in William Faulkner's 1936 novel Absalom, Absalom!. “Well, Kernel, they kilt us but they ain't whupped us yit!” The quote captures the spirit of the post-Civil War South, suggesting a resilience despite a devastating military loss. For those who paid attention, with that quote Tim Kaine introduced Hillary Clinton ahead of her concession speech. It still applies. Work still remains. Question: If it's true - and I believe it is - we are responsible for the world in which we find ourselves because we alone can change it, how are We the People showing up, no matter how small or seemingly insignificant? How are you finding your voice in these times and what are you saying when you speak up? We the People are casting off our feelings of helplessness, committing to action, reaching for miracle. Where do you find yourself reaching for miracles? Reach! They ain't whupped us yit! You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

A Susana Martín Gijón la descubrimos gracias a la inspectora Camino Vargas, con una novela que nos encantó: Progenie. Ya veremos quién le pone carne y piel a ese personaje, que salta a la televisión, a través de un serie. Pero es que Susana no solo ha brillado en el género policiaco. Nos sorprendió con La Babilonia, 1580, donde demostraba su versatilidad y también manejo de la novela histórica. Transitando por esa vía llega a La Capitana, la novela que presentamos. Estamos en Granada, allá por 1585. En una ciudad que está devastada después de la Reconquista, Sor Ana de Jesús, apodada «la capitana» por su mano firme, lucha por sacar adelante su convento cuando el cadáver de un hombre horriblemente desfigurado aparece en el claustro de su cenobio.Una obra que ha publicado Alfaguara y que nos ha encantado. Scott Fitzgerald o William Faulkner son quizá los escritores más conocidos que probaron suerte en Hollywood, trabajando de guionista, con más o menos suerte. Pero hay uno que también merecería estar en esa lista especial. Alguien que estuvo detrás de La jungla de asfalto o Hampa dorada merece nuestra atención, y nuestro agradecimiento. Rendimos homenaje a William Ridley Burnett. uno de los grandes. A sus pies.Y en la sección de Audiolibros, Misterio en el Barrio Gótico, la novela premiada de Sergio Vila-San Juan.Y además, un puñado de novedades muy interesantes.

our second great american novel module kicks off with the sound and the fury by william faulkner. joey explains his difficulties with parsing the text and how he approached it, while shreds talks about the character he identifies with. we explore a time when authors were less afraid to reckon with big ideas — as well as the authors still doing it now. we also ask, with regards to the text's experimental prose: is faulkner better the more difficult his work gets? we explore the connected faulkner universe and look ahead to connections with hubert selby jr.'s the demon (our next book). shreds talks a bit about the faulkner-penned (though still factually inaccurate) appendix. joey digs up some patreon-exclusive features to apply to this text, which then leads to an offer to you, the listener. we discuss being alone in either appreciating (or not appreciating) art that no one else (or everyone else) seems to appreciate. reading list for season sixteen the sound and the fury by william faulknerthe demon by hubert selby, jr.

Jane shares the ups and downs of a week that included both the celebration of the uplifting holiday of Rosh Shashanah and the spiral down rabbit holes following relationship disappointments and threats to the nation's freedom of speech. Serendipitously, people appeared with poetry, music, and reminders of age-old words that inspire: the Book of Psalms and William Faulkner's Nobel Prize Acceptance Speech. In the end, recognizing there are no coincidences in our lifetimes of learning to love, the aged hippy continues to dream--she's not the only one. Kumbaya.

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

644. Part 1 of our interview with David T. Ballantyne about his book, Fractured Freedoms: Reconstruction in Central Louisiana. "Fractured Freedoms is a riveting history of central Louisiana from the 1860s to the 1890s, focusing on majority-Black Rapides Parish during Reconstruction. Using the region as a case study, Ballantyne reveals what is, in part, a rural Reconstruction success story, emphasizing the resilience of Black politics and the persistence of significant divisions among white residents that allowed the Republican Party to gain and maintain power there. It was only with the collapse of state-level Republican power in 1877 that Democratic forces in the parish were able to dismantle local Republican political control and gradually constrict Black freedoms." (LSU Press). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. We've recently added Mosquitoes, one of William Faulkner's early novels. Faulkner was one of the South's greatest writers. He wrote this novel about the artists he had met in the French Quarter. He put them on a yacht that took them through Lake Pontchartrain until they ran aground and were stranded for several days. That's right, Faulkner basically created Gilligan's Isle.     "The violet dusk held in soft suspension lights slow as bellstrokes, Jackson square was now a green and quiet lake in which abode lights round as jellyfish, feathering with silver mimosa and pomegranate and hibiscus beneath which lantana and cannas bled and bled. Pontalba and cathedral were cut from black paper and pasted flat on a green sky; above them taller palms were fixed in black and soundless explosions. The street was empty, but from Royal street there came the hum of a trolley that rose to a staggering clatter, passed on and away leaving an interval filled with the gracious sound of inflated rubber on asphalt, like a tearing of endless silk. Clasping his accursed bottle, feeling like a criminal, Mr. Talliaferro hurried on.     "He walked swiftly beside a dark wall, passing small indiscriminate shops dimly lighted with gas and smelling of food of all kinds, fulsome, slightly overripe. The proprietors and their families sat before the doors in tilted chairs, women nursing babies into slumber spoke in soft south European syllables one to another. Children scurried before him and about him, ignoring him or becoming aware of him and crouching in shadow like animals, defensive, passive and motionless." This week in Louisiana history. September 20, 1717. Gov. LePinay recalled to France after "ruining the colony." This week in New Orleans history. The last space shuttle fuel tank rolls out of the Michoud Assembly Facility on September 20, 2010. This week in Louisiana. Louisiana Gumbo Festival October 10-12, 2025 326 Hwy 304 Thibodaux, LA 70301 Celebrate Louisiana's Rich Culinary Heritage Indulge in a diverse array of Cajun and Creole cuisines, savor our traditional gumbo recipe, and immerse yourself in the captivating rhythms of live Zydeco and Cajun performances. With exciting activities for all ages, there's something for everyone to enjoy.      The Louisiana Gumbo Festival began in 1973. During the 1970s, Louisiana Governor Edwin Edwards signed a proclamation naming Chackbay the Gumbo Capitol of Louisiana. Annually, volunteers cook nearly 500 gallons of Gumbo during the festival weekend. You can also find various Cajun food, music, amusement rides, parade, auction, and so much more for the whole family to enjoy.      This year, we are offering Pay One Price Advanced Weekend Armbands for $65.00 + tax. 
Advanced Armbands allow children unlimited carnival rides throughout the duration of the festival. Advanced Armbands are available for purchase ONLINE ONLY until Friday October 10, 2025. Armbands will NOT be sold at the festival.      Advanced armbands can be picked up at the designated line of the festival ticket booth on Friday, October 11th beginning at 5:30pm. Postcards from Louisiana. Street Poet Melody Eloise. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

How does literature enrich our understanding of ourselves and of others, in ways that STEM fields and other forms of knowledge cannot? What is contained within the language of reading that you don't encounter with other art forms like painting or film?Arnold Weinstein is a Professor Emeritus of Comparative Literature at Brown University and the author of several books. His latest two publications are The Lives of Literature: Reading, Teaching, Knowing and Morning, Noon, and Night: Finding the Meaning of Life's Stages Through Books.Greg and Arnold discuss how literature offers unique and invaluable insights into the human experience, bridging historical and cultural divides. Their conversation examines the connections between literature and self-discovery, the challenges of teaching literature in a contemporary academic setting, and the enduring relevance of classic works from authors like William Faulkner, William Shakespeare, and Mark Twain. *unSILOed Podcast is produced by University FM.*Episode Quotes:Life doesn't come in disciplines01:02:54: Literature helps you see history. That philosophy, et cetera, needs a good dosage of literature, which is why we created that course and let the disciplines—not the people, the disciplines themselves—do battle with each other. And there's no obvious answer here. There's no winner or loser. But the students were confused. They wanted to get what's the right take on this. Well, has anybody ever offered the right take on reality? Universities come packaged in disciplines. Life doesn't. It doesn't. All of our major problems cannot be solved with any single discipline, including economics and, you know, and coding.Literature makes us more human09:25: It's a good workout to read literature. It makes us more generous, as being able to award the notion of humanity to other people. Because I do not think you can kill them. You cannot stamp them out if you do not think back.Why great books leave you uneasy30:13: We are supposed to exit literature course, not exactly being more confused, but more embattled in a sense to see that other ways of being, as well as other ways, other values that people might have, is a kind of absolutely basic "meat-and-potatoes" element of human life. You cannot just live in your own silo, in your own scheme, even though you are locked in it. That's the point. We cannot exit ourselves.History isn't a fairy tale40:51: If we read the books, it only tells us what we want to know, which is what we are headed towards in this society today with the current political scene. Any text that is critical of American history is considered broke and therefore removed. And I'm worried that we are going to get a generation of people who think that American history is a fairy tale, which it is not, and no amount of rhetoric can change that. That we can police and prohibit these certain kinds of texts can take over the Kennedy Center, but we cannot, in fact, change what all of that is about, which is that we are still paying the bill for the history of racism and slavery in this country. It is not solved. We can just try to put it under the rug, but it is not solved by any means. So it is in that sense that the discomfort is required. If it simply massages us, say, "oh, this is terrific," then I think we are reading the wrong book.Show Links:Recommended Resources:Harold BloomFranz KafkaThe MetamorphosisSøren KierkegaardWilliam FaulknerMark TwainAdventures of Huckleberry FinnJamesBenito CerenoBlaise PascalWilliam ShakespeareKing LearHamletOthelloIagoToni MorrisonNaked LunchGuest Profile:Profile at Brown UniversityWikipedia PageProfile at Roundtable.orgGuest Work:Amazon Author PageThe Lives of Literature: Reading, Teaching, KnowingMorning, Noon, and Night: Finding the Meaning of Life's Stages Through BooksNorthern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanA Scream Goes Through the House: What Literature Teaches Us About LifeRecovering Your Story: Proust, Joyce, Woolf, Faulkner, MorrisonNobody's Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLilloThe Great Courses - Classic Novels: Meeting the Challenge of Great Literature

Esta semana Francis García nos acerca a la quinta novela de William Faulkner, 'Mientras agonizo', una de las grandes obras del escritor norteamericano y por la que él mismo sentía predilección

Una conversación sobre libros y literatura que te acercará a los grandes clásicos y a la nueva literatura. http://facebook.com/groups/LaRepublicadelasLetrasAntofagasta/

In this episode we continue our Story Hour series with a classic deer hunting tale by William Faulkner. Enjoy! Stock media provided by Artmuns / Pond5

FAN MAIL--We would love YOUR feedback--Send us a Text MessagePoetry possesses a unique ability to capture moments of national crisis in ways that speak across centuries. Henry Wadsworth Longfellow's "The Ship of State" – the stirring final stanza of his 1849 poem "The Building of the Ship" – emerged during a time when America stood at the precipice of disaster. With slavery debates raging and North-South tensions escalating toward civil war, Longfellow crafted a maritime metaphor that would become one of America's most enduring poetic touchstones.Through vivid nautical imagery, Longfellow transforms America into a vessel navigating treacherous waters. "Humanity with all its fears, with all the hopes of future years, is hanging breathless on thy fate," he writes, capturing both the fragility and significance of the American experiment. The genius lies in how he acknowledges the storms battering the ship – political divisions, moral crises, constitutional questions – while maintaining unwavering faith in the journey. "Fear not each sudden sound and shock," he reassures, distinguishing between temporary turbulence and structural damage to democracy itself.This poem transcended its historical moment to become a recurring national refrain. Abraham Lincoln reportedly found solace in these verses during the Civil War, repeating "Sail on, O Ship of State" amid America's darkest hours. Presidents, writers, and citizens across generations have returned to Longfellow's maritime metaphor when navigating national crises. As we approach America's 250th anniversary amid renewed polarization, the poem's final rallying cry – "Our hearts, our hopes, our prayers, our tears, our faith triumphant o'er our fears, are all with thee" – reminds us that the American journey requires collective investment and shared purpose. Join us as we explore how poetry speaks to the soul of a nation in crisis and why, as JFK noted, "when power corrupts, poetry cleanses." Take a moment this week to discover or rediscover the power of poetic wisdom in your own life.Key Points from the Episode:• Influential Americans including Edgar Allan Poe, William Faulkner, and JFK have all emphasized poetry's essential role in society• Longfellow wrote "The Building of the Ship" during 1849's political powder keg, with slavery debates threatening to fracture the nation• The poem's final stanza transforms a ship into a powerful metaphor for the United States navigating stormy waters• Abraham Lincoln reportedly found solace in these verses during the Civil War, according to his secretary John Hay• The poem's imagery of storms, false lights, and steadfast sailing continues to resonate in discussions of modern political polarization• Longfellow's vision reminds us that democracy requires collective effort and faith in the national project• JFK's insight that "when power corrupts, poetry cleanses" captures the enduring importance of poetic wisdomKeep fighting the good fight and read some poetry this week.Other resources: Want to leave a review? Click here, and if we earned a five-star review from you **high five and knuckle bumps**, we appreciate it greatly, thank you so much!

Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by the pen name Mark Twain, was an American writer, humorist, and essayist. He was praised as the "greatest humorist the United States has produced",[1] with William Faulkner calling him "the father of American literature".[2] Twain's novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884),[3] with the latter often called the "Great American Novel". He also wrote A Connecticut Yankee in King Arthur's Court (1889) and Pudd'nhead Wilson (1894) and cowrote The Gilded Age: A Tale of Today (1873) with Charles Dudley Warner. The novelist Ernest Hemingway claimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn."[4]

(0:00) Intro(1:14) About the podcast sponsor: The American College of Governance Counsel(2:00) Start of interview(2:36) Erik's origin story(4:14) Discussing Foreign Private Issuers (FPIs): His article "SEC Revisits Foreign Private Issuer Eligibility" (June 2025)(16:45) The Rise of AI and Its Implications. Discussion on "AI Washing"(19:30) Distinguishing statutory mandates between the SEC, FTC, and DOJ on regulatory oversight of AI(20:40) The evolving crypto regulatory landscape "It's a pretty big sea change" "[Now it's] all about bright line rules (vs flexible standards) and trying to provide a lot more certainty to the market."(23:24) Cybersecurity Threats and Board Responsibilities. Two requirements from SEC: 1) public companies must disclose material cybersecurity incidents within four business days after determining that that incident was material, and 2) disclosure in a company's annual report about its risk management strategy and governance around cybersecurity. "The real focus is on the material cybersecurity incident reporting."(29:43) Current Trends in IPOs, SPACs and M&A (Liquidy Exits)(32:32) SEC Priorities in 2025 and beyond. "The SEC leadership has underscored a back-to-basics approach. What this means is focusing more on clear fraud and fraud that is scienter-based." "They're [also] going to emphasize much more quantitative materiality rather than qualitative materiality." "[This] is another example of how this SEC is focused on bright line rules." (36:51) SEC Enforcement in Private Markets *Mention of the Startup Litigation Digest.(40:31) The Shift from Delaware to Nevada, Texas, and Impact of Delaware's SB21.(48:08) Books that have greatly influenced his life:Against the Gods: The Remarkable Story of Risk, by Peter L. Bernstein (1996)A Random Walk Down Wall St, by Burton Malkiel (1973)The Sound and the Fury, by William Faulkner (1929)(48:54) His mentors(50:16) Quotes that he thinks of often or lives his life by.(50:48) An unusual habit or an absurd thing that he loves.(51:13) The living person he most admires.Erik Gerding is a Capital Markets partner at Freshfields advising on securities regulation, financial markets and corporate governance. Until the end of 2024, Erik served as the SEC's Director of the Division of Corporation Finance. You can follow Evan on social media at:X: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__To support this podcast you can join as a subscriber of the Boardroom Governance Newsletter at https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Air Date 5/18/2025 The full quote from today's title is from one of the most celebrated writers of Southern American literature, William Faulkner, who said, "The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity.” The new film, Sinners, set in the Jim Crow South, attempts to take on some of the subjects that make up that web of history and consequence. The theme of today's episode is an attempt to dig into many of the subjects of the film. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Full Show Notes BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! KEY POINTS KP 1: Sinners: Director Ryan Coogler on His Latest Hit, Delta Blues, His Mississippi Roots & Vampires Part 1 - Democracy Now! - Air Date 4-25-25 KP 2: Sinners and the General State of Things - The Morbid Zoo - Air Date 5-10-25 KP 3: Western Christianity and White Supremacy Part 1 - Meant For This - Air Date 3-23-22 KP 4: How Do You Put A Price On America's Original Sin? - Consider This - Air Date 3-27-23 KP 5: Storm and Stress: Jim Crow America Part 1 - History is US - Air Date 6-5-22 KP 6: Trump's first 100 days, but it's just the racism - Garrison Hayes - Air Date 5-2-25 (48:29) NOTE FROM THE EDITOR On how to talk about the interplay between economics and identity politics DEEPER DIVES (57:48) SECTION A: CHRISTIANITY (1:33:29) SECTION B: RACE (2:18:56) SECTION C: CULTURE SHOW IMAGE CREDITS Description: Portion of the 1830s painting “Slave Market” (Brazil) depicting two white men discussing the sale of enslaved, black Brazilian men with a church with steeple and cross in the background and the iconography of the Virgin Mary on the wall above. Credit: “Slave Market” by Johann Moritz Rugendas, New York Public Library Digital Collections | Copyright status undetermined by NYPL | Changes: Cropped with increased contrast and brightness   Produced by Jay! Tomlinson Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere!

This is a podcast, recorded by two nincompoops, full of the novel The Sound and the Fury by William Faulkner, signifying...something? a recording in which we discuss the Modernism the italics the three sons the Mother the golf course the South and is Craig sick who knows this consciousness won't stream itself you knowThis episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/overdue and get on your way to being your best self.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.