Podcasts about Postscript

Postscript is our new segment immediately after each new RPA episode – where we give our unscripted take on the story: what surprised us in our research, what didn’t make the cut, and what we’re still thinking about on the topic. For Asylum: Postscript, we dig into what inspired this story, and whether insane asylums should return. For those interested in the bodycam video we were referencing, you can watch it here...it's insane! Don't Forget: new episodes released the 1st and 3rd Thursdays of every month. Archival released every Monday, Wednesday, & Friday. Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.

Patrick McKenzie (patio11) reads his Bits about Money essay on how credit cards make money. The prompt was a listener who wondered how a card can include free travel insurance for someone who never carries a balance. He covers the four ways a card earns revenue (net interest, interchange, fees and marketing contributions), and explains why rewards competition makes some customers in the middle of the credit score ladder persistently unprofitable. He also explains why Europe's interchange cap left cards at about half of electronic payments, while Japan's uncapped interchange quietly pays for the rest of its consumer banking. In a new postscript, he walks through what a proposed 10% APR cap would mean for cardholders at the low end of the market, and how First Republic made sub-10% unsecured loans work by treating them as a way to win deposits.–Full transcript available here: https://www.complexsystemspodcast.com/why-banks-pay-you-to-use-their-credit-cards/  –Presenting Sponsors: Mercury & GranolaComplex Systems is presented by Mercury—radically better banking for founders. Mercury Spend hands your team and agents their own cards with limits you set once, so nobody waits on you to approve a SaaS invoice and nobody chases a receipt. Apply online in minutes at https://mercury.com/. If meetings consistently leave you with hazy action items and lost context, Granola handles the transcription so you can actually participate and gives you searchable notes afterward. Try it free at granola.ai/complexsystems with code COMPLEXSYSTEMS–Links:How credit cards make money: https://www.bitsaboutmoney.com/archive/how-credit-cards-make-money/ –Timestamps:(00:00) Intro(01:11) How credit cards make money(01:55) Bundling and unbundling(03:12) Revenue levers for credit cards(03:23) Net interest(06:19) Interchange(07:34) Interchange makes cards so valuable you're paid to use them(10:02) Fees(10:50) Marketing contributions(13:05) Debit cards: a horse of a different color(13:32) Sponsors: Mercury | Granola(16:54) Postscript(25:27) Wrap

In this episode of The Postscript, Pastor Andrew Lovette and Pastor Ian Thomas discuss John 9:24-41.

In this episode, Mr. Devon sits down with Pastor Ian to discuss the sermon from this past Sunday.

“You're never gonna make a big impact on Black Friday.” Should you worry if frequent promotions will hurt your brand equity? Sean Frank (CEO, Ridge), Matt Bertulli (CEO, Pela Case and Lomi), and Mike Beckham (CEO, Simple Modern) break down how Ridge manufactures demand instead of waiting for it. A slow summer becomes an 8-figure-plus sales season, anchored by a Lamborghini sweepstakes with Tony Hawk. Sean walks through how the campaign evolved from a $100K MVP into a five year, celebrity backed giveaway with a grand prize built in. He explains why a 45-day window beats trying to own a single day like Black Friday. The hosts continue to cover why a wider product catalog creates more natural sales peaks throughout the year. Powered By Aftersell https://9ops.co/aftersell-operators Richpanel https://9ops.co/richpanel Fulfil https://9ops.co/fulfil Northbeam https://www.northbeam.io/ Saras Analytics https://9ops.co/saras Postscript https://9ops.co/postscript Operators Portal https://portal.9operators.com/dashboard Operators Newsletter https://9operators.com/

In this episode Maurice Walsh's The Key above the Door, the author is profiled and Seamus Heaney's poem Postscript. Presented by Rosetta Whyte, with David Fleming, Mary Kelleher, Marianne Purcell and Tom Hanley.   Originally broadcast Friday 25th September 2026

In this episode of The Postscript, Pastor Andrew Lovette and Pastor Pat Kappenman discuss Pat's recent sermon on John 9:1-23.

“We just had a hundred thousand people buy in the last 60 days.” What does the future of retention marketing actually look like by 2027? Connor MacDonald (CMO, Ridge) and Connor Rolain (Head of Growth, HexClad) unpack what Postscript's AI memories mean for retention marketing's future. They map out a 2027 playbook built on personalized experiences, even as TikTok Shop's creator economy hits a breaking point. Postscript is building unified profiles instead of fragmented SMS data. That shift promises holdout testing and customer lifetime value tracking. RCS already shows early lift in live tests. Meanwhile TikTok Shop's incentive structure is pushing affiliates toward burnout. Powered By Motion https://9ops.co/motion-runneth NeonPixel https://9ops.co/neonpixel Richpanel https://9ops.co/richpanel-mops Proppel https://www.weareproppel.com/operators Aftersell https://9ops.co/aftersell-mops Haus https://www.haus.io/operators Operators Portal https://portal.9operators.com/dashboard Operators Newsletter https://9operators.com/ 

Audiobook of “The Civil War in France” by Karl Marx, on the Paris Commune and the lead up to it, delivered as speeches by Marx in 1870-71. Read it online https://www.marxists.org/archive/marx/works/1871/civil-war-france/ which also links to a timeline, glossary, and other references and background. Article on it: https://workersliberty.org/story/2026-09-21/civil-war-france Study notes: https://workersliberty.org/story/2026-09-21/civil-war-france Chapters/timestamps: 00:00 Publication info 02:13 Engels' 1891 intro The First Address, July 23, 1870 21:23 The Beginning of the Franco-Prussian War — Chapter 1 The Second Address: September 9, 1870 33:06 Prussian Occupation of France — Chapter 2 The Third Address: May, 1871 52:06 France Capitulates & the Government of Thiers — Chapter 3 01:18:39 Paris Workers' Revolution & Thiers' Reactionary Massacres — Chapter 4 01:39:05 The Paris Commune — Chapter 5 02:19:20 The Fall of Paris — Chapter 6 02:51:56 Engels 1891 Postscript #10 of Marxist points of reference reading list: https://workersliberty.org/story/2026-01-28/marxist-points-reference-reading-list Playlist of recordings from that list at https://soundcloud.com/workers-liberty/sets/marxist-points-of-reference-a Subscribe to the podcast "Solidarity & more" by "Workers' Liberty" wherever you listen to podcasts. More info: https://workersliberty.org/audio Audiobook recording with thanks to “Adrestia's Revolt” and “Dakki Reads”. Music public domain. Photo of a barricade in the Paris Commune, March 18, 1871

Pastor Andrew Lovette is joined by Andrew Tew as they discuss Andrew's sermon from this past Sunday on John 8:48-59.

A conversation about our experiences in Act IV. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

14 กันยายน คือวันที่สังคมเฝ้าจับตา กกต. ว่าจะมีมติอย่างไรในคดีฮั้ว สว. และหากว่า กกต. ไม่ทำหน้าที่ของตนตามที่กฎหมายกำหนด กระบวนการตรวจสอบทุจริตนี้จะยังเดินหน้าต่อได้ไหม แล้วจะเอาผิด กกต. ได้อย่างไร . ชวนคิดชวนคุยในรายการ 101 POSTSCRIPT คุยข่าวนอกสคริปต์ผ่านมุมมองโลกวิชาการและสื่อสารมวลชนแบบ ‘วันโอวัน' . ร่วมคุยโดย วิสุทธิ์ คมวัชรพงศ์ | สิริพรรณ นกสวน สวัสดี | อินทร์แก้ว โอภานุเคราะห์กุล

Upon news of Dolly Parton's death last week, flags across the country were lowered to half-mast. A petition circulated to rename the Nashville airport in her honor, and social media read like a greatest-hits reel of the charisma and musical acumen that made her universally beloved. On this episode of Critics at Large, Vinson Cunningham and Naomi Fry are joined by three fellow New Yorker writers to celebrate Parton's life and work, and the legacy she leaves behind. Kathryn Schultz, who penned Parton's Postscript, discusses her undersung, “Oprah-like” business savvy and deep commitment to philanthropic causes; Amanda Petrusich distills Parton's vast discography down to three essential tracks; and Lauren Michele Jackson considers how the star's carefully crafted persona played up aspects of her femininity while transcending divisions of race and class. “The ready word one reaches for is ‘saint,' right?” Schultz says. “This is someone who came from nothing and might reasonably have felt the instinct to hoard everything she had. And she had the absolute opposite instinct, which was to give as much away as she could.” Read, watch, and listen with the critics: “9 to 5” (1980)  Dolly Parton's “Jolene”  “Dolly Parton for the People,” by Kathryn Schultz (The New Yorker) “Dolly: My Life and Other Unfinished Business,” by Dolly Parton  “Country Music” (2019) Dolly Parton's “Better Get to Livin' ” “What Dolly Parton Built,” by Amanda Petrusich (The New Yorker) Beyoncé's “JOLENE” Dolly Parton's “The Bridge”  Dolly Parton's “Little Bird” “The United States of Dolly Parton,” by Lauren Michele Jackson (The New Yorker) Barbara Walters's 1978 interview with Dolly Parton “Taking In the Scene at Daisy Chain Fields, the Zoomer Lilith Fair,” by Lauren Michele Jackson (The New Yorker) “Back: Essays on the Soul and Spine of America,” by Lauren Michele Jackson Dolly Parton's “Backwoods Barbie”  New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dashawn Cousins joins Kingdon Kids Director Devon Koepsell to discuss his sermon on John 8:31-47 from Sunday, August 30, 2026.

Dashawn Cousins joins Pastor Andrew Lovette to discuss his sermon on John 8:31-47 from Sunday, August 30, 2026.

While much of the Western church experiences Christianity with relative freedom and security, millions of believers live in places where identifying with Christ can cost them their homes, their families, their livelihoods, and even their lives. Few places illustrate that reality more tragically than Nigeria.For years, Christians throughout Nigeria—particularly in the northern and central regions of the country—have endured violence, displacement, kidnapping, and the destruction of their churches and communities at the hands of Islamic extremists and militant groups. But behind the statistics are real believers, pastors, widows, children, and churches learning what it means to follow Christ in the midst of suffering.Persecution isn't simply a humanitarian or political issue—for Christians, it is a biblical reality. Scripture tells us to expect persecution, teaches us how believers should respond when it comes, and commands the church to remember and care for those who suffer for the name of Christ. That means our response must be informed not merely by outrage or politics, but by a distinctly biblical philosophy of ministry.In this episode of The Postscript, we are joined by Brad Brandon, founder and CEO of Across Nigeria, a ministry serving some of the most vulnerable and persecuted communities in Nigeria. Brad helps us understand what Nigerian Christians are experiencing, what the Bible teaches about persecution and our responsibility toward the persecuted, and how those convictions have shaped the philosophy and methodology of Across Nigeria.Please pray for the persecuted church in Nigeria, for the widows and families affected by violence, for those proclaiming Christ in dangerous places, and for Muslims who have yet to hear the Gospel.Learn more about Across Nigeria and consider how you can pray for and support this ministry. Visit https://www.acrossnigeria.orgFor more information, follow the link to read the notes for Episode 281.Visit http://lfbi.org/learnmore

Romans 16:17-23, part of our God's Righteousness Revealed series, as we make our way through Romans.Pastor John Tucker: Providence Baptist Church, August 30, 2026.

In this episode of The Postscript, Pastor Andrew Lovette and Dashawn Cousins discuss Dashawn's sermon on John 8:12-30 from this past Sunday, August 23, 2026.

In this long-form edition of the Postscript, we join Seth Keenum from Decatur Baptist Church in a comprehensive devotional look at what it means to walk in the Spirit. 

แม้จะมีข้อวิจารณ์เรื่องความโปร่งใสและความคุ้มค่าของโครงการ แต่ในที่สุด TH-AI Passport โครงการระดับ(ลูก)เทพก็เปิดให้ลงทะเบียนแล้ว ท่ามกลางความกังวลเรื่องความปลอดภัยของข้อมูล เช่น รัฐจะทำข้อมูลส่วนบุคคลของประชาชนรั่วอีกหรือไม่ จะมีการสอดแนมการใช้ AI ของประชาชนหรือเปล่า . ชวนคิดชวนคุยในรายการ 101 POSTSCRIPT คุยข่าวนอกสคริปต์ผ่านมุมมองโลกวิชาการและสื่อสารมวลชนแบบ ‘วันโอวัน' . ร่วมคุยโดย วิสุทธิ์ คมวัชรพงศ์ | เข็มทอง ต้นสกุลรุ่งเรือง | อินทร์แก้ว โอภานุเคราะห์กุล

Remember when we said last episode was the last episode? We lied. Catch up with Artemis, Babe, Jackie, Jason, and Kevin in the days, months, and even years after stopping the apocalypse. What are they up to? Let's find out!!  Featured Music: Hands & Crosses  by H.Ä.L.T. and Backyard Prom Party Queen by Strawberry Punch Dungeon Punks is recorded and produced by Kirk Hamilton. Super U is played using Masks: A New Generation. ——— Support the show on Patreon: patreon.com/dungeonpunks Leave us a review on Apple Podcasts or Spotify! Follow us on Bluesky @dungeonpunks.bsky.social, Instagram/Threads @DungeonPunks or subscribe on YouTube Come hang out on our Discord channel! Find the Songs From Bands We Like on our Spotify and YouTube Music playlists. ——— SEASON 3 CAST: Stu Popp as The GM aka Everyone's Podcast Dad™ Fil Cieplak as Jason Evans aka Thrasher Leigh Eldridge as Artemis Archer aka The Bandit Mel Shim as Barbara "Babe" Lacey aka Terra Firma Taylor Ramone as Jackie Hyde aka AbracaJackie AND Kirk Hamilton as Kevin Dance aka Cadence

Pastor Ian Thomas joins Pastor Andrew Lovette to discuss Ian's sermon on John 7:25–52, highlighting the crowd's repeated misunderstandings, the irony of Jesus' concealed-yet-revealed identity, and the necessity of the Holy Spirit for belief. They reflect on Nicodemus as a slow-moving example of awakening faith and unpack Jesus' climactic invitation to the thirsty and trace “living water” and Spirit imagery through Isaiah, Joel, Ezekiel, Zechariah, Exodus, and Revelation. Finally, they explain why they will not preach John 7:53–8:11.To learn more about The King's Church, visit www.kingschurchlkld.com.

Help an Operator Out (HAOO) is a series where real business owners join the podcast with live questions. In this episode, Christopher Francis (Founder & CEO, Home Plunge) brings the hardest problem in year one: growing without doing every job himself. He turned a personal need into a $1.4 million business in a year and a half. The conversation covers pricing and offer strategy. It also gets into Amazon, TikTok Shop affiliates, and AI support. Sean pushes for a sale structure built for a high-consideration purchase. Mike frames the manual support work as margin compression Christopher isn't tracking. It's the same problems most seven-figure founders eventually face. Powered By Fulfil https://9ops.co/fulfil Postscript https://9ops.co/postscript Aftersell https://9ops.co/4i3bb5 Richpanel https://9ops.co/richpanel Northbeam https://www.northbeam.io/ Saras Analytics https://bit.ly/4a3gzVv More from the OperatorsOperators Portal https://portal.9operators.com/dashboard Operators Newsletter https://9operators.com/

“Our language is valuable, and we've gotta hold on to that. That's the most human thing we have.” — Jeff Jarvis Last week, to celebrate episode 3,000 of the show, the New York Times' Sam Roberts articulated the art of the obituary. Borrowing from Citizen Kane, he described it as the Rosebud method. Obits are all about life (death only figuring as an afterthought), Roberts explained, so hunt for the moment which defines that life. Today's show is a kind of obituary of that type. Only it's about the life of a machine and the mass media that emerged in its wake. In Hot Type, tech historian Jeff Jarvis introduces us to the magnificent late 19th century machine that not only gave birth to industrial mass media, but also bankrupted Mark Twain. It's the history of the Linotype, the machine invented by Ottmar Mergenthaler that ended four hundred and fifty years of setting type, as Jarvis puts it, “one damn letter at a time.” It's an extraordinary story. Before the Linotype, American daily newspapers were limited to a 4,000 circulation. First installed at the New York Tribune on July 3, 1886, the Linotype scaled print, thereby enabling the age of mass circulation newspapers, magazines and books. It appeared so infinitely scalable that Mark Twain poured his entire family fortune into its doomed rival, the Paige Compositor. He lost all his money, of course, making it his Rosebud moment — Citizen Twain, so to speak. But for the rest of us, Mergenthaler's magnificent type machine was so hot that it revolutionized 20th century culture in the same way that AI is now revolutionizing 21st century reading and writing. The art of obituary. A description of life, not death. Five Takeaways •       One Damn Letter at a Time. For four hundred and fifty years after Gutenberg, virtually every word in every language was set by hand, one letter at a time — which is why the average American daily circulated just 4,000 copies, “a small Substack newsletter.” Steam-powered presses, cheap wood-pulp paper, stereotyping, and the telegraph had solved every other bottleneck; the typesetter with a composing stick was the last. More than 300 typesetting machines failed before Ottmar Mergenthaler — a Baltimore watchmaker who knew nothing about printing, prodded by James O. Clephane, once a stenographer in Lincoln's cabinet — had the eureka: stop imitating hand-setting and mold entire lines of type at once. Installed at the New York Tribune on July 3, 1886, the Linotype made type fresh for every edition, let print catch up with the telegraph, and gave birth to mass media.•       The Union That Didn't Smash the Machine. The book's great labor surprise: the typesetters didn't fight the typesetting machine. Having studied the Luddites' defeat, the International Typographical Union sent spies into the Tribune's composing room, concluded the Linotype was inevitable, and demanded to operate it — with Mergenthaler's blessing. Thirty thousand jobs disappeared, returned to full strength within five years, and grew for seventy-five more, making the ITU America's most powerful union. Then came wave two — paper tape, computers that could hyphenate and justify, cold type, PostScript — and this time the union fought: six of nine New York papers died in the strikes, Bert Powers traded automation for lifetime job guarantees (the last holder retired from the New York Times around 2012), and Murdoch's secret Wapping plant ended Fleet Street — a century, almost exactly, after machine number one. The two lessons: take charge of the technology if you can; if it will replace you outright, find something else to do.•       The Machine That Drove Twain Mad. Mark Twain wanted to be filthy rich and stop writing — so he poured his fortune, and his wife's family coal fortune, into the Paige Compositor, the Linotype's brilliant, doomed rival: only two ever built, the sole survivor sitting in the basement of Hartford's Mark Twain House looking like “a railroad with nowhere to go.” Bankruptcy followed — a far deeper shame in the nineteenth century — and Twain repaid every debtor. Jarvis reads the scars in the fiction: A Connecticut Yankee in King Arthur's Court ends with technology destroying technology in an Armageddon of Camelot; the unfinished No. 44, The Mysterious Stranger conjures strange beasts endlessly duplicating pages — scale itself as nightmare. He lost all his money, of course — his Rosebud moment, as Andrew puts it, borrowing from Sam Roberts' art of the obituary on episode 3,000. The machine robbed Twain not of his humor, Jarvis concludes, but of his love of technology. The biopic pitch: Citizen Twain.•       From One Gilded Age to Another. The Linotype era bridges Twain's Gilded Age — tycoons of steam, steel, and wire — to ours, with its barons of bits and AI. Whitelaw Reid, the book's villain and the first capitalist media mogul, used the machine against his own union and predicted newspapers would never exceed eight pages (completely wrong); Frank Munsey invented the attention economy at a dime a copy — content as honey, audience as product, a model that ruled mass media and infected the Internet. Today's moguls fare no better in Jarvis's telling: Altman selling “vending machines for intelligence” that actually dispense compute, Amodei “the paragon of safety” with a skewed definition of it, all chasing the Valhalla of AGI, “pure BS.” His hope: open-weight models to check the frontier companies. His warning against banning them: guardrails are a fool's errand — the printing press was a general machine, and nobody could tell Gutenberg to keep it from Martin Luther.•       Words Matter, Damn It. The through-line from Jarvis's blog post to the book: language is the most human thing we have. His objection to Anthropic's watermark isn't Keith Teare's shame argument — it's that a scheme treating “overcast” and “gray” as interchangeable declares all language fungible, “a cultural statement damaging to our craft.” His own AI practice is disclosed down to a confessional footnote in Hot Type for a single borrowed phrase: Gemini may pull facts (“don't write for me”), but what you express must be what you want to express. The typewriter shaped Nietzsche and made Hemingway; the newsroom computer made Jarvis an editor more than a writer; Quark made everyone typesetters — “in the end, it was all still me.” Against Kirschenbaum's gray goo, he holds up Pope Leo (work brings dignity; not a Luddite) and poetry itself. Hot type revolutionized 20th century culture the way AI is now revolutionizing 21st century reading and writing. The art of obituary: a description of life, not death — and the most human thing we have is the words. About the Guest Jeff Jarvis is the Emeritus Leonard Tow Professor of Journalism Innovation at CUNY's Craig Newmark Graduate School of Journalism. The creator and founding managing editor of Entertainment Weekly, he has been TV critic for TV Guide and People, Sunday editor of the New York Daily News, and a media columnist for The Guardian. His books include What Would Google Do?, The Gutenberg Parenthesis, Magazine, and The Web We Weave; he blogs at Buzzmachine...

If God inspired His Word, what happened to those words after they were given?In this PostScript Essentials conversation, Brandon Briscoe sits down with Dr. Alan Shelby to explore the relationship between inspiration, inscription, transmission, preservation, and translation—and what those doctrines mean for our confidence in the Bible we hold today.From a KJV, Bible-believing perspective, this conversation asks whether preservation ended with the original manuscripts or whether God providentially preserved His Word through history, transmission, and translation.Dr. Shelby discusses textual criticism, the history of the English Bible, the King James Bible, Jeremiah 36, the Received Text, and the providential preservation of Scripture.Originally recorded as PostScript Episodes 100 & 101, these two conversations have been brought together into one PostScript Essentials presentation.If God was capable of inspiring His Word, is He also capable of preserving it?Visit http://lfbi.org/learnmore

Firstly I suppose I should say... *Spoiler Alert*Although let's face it, the story is over 3,000 years old. By now you should probably have heard of it. Secondly, there is a Post Script here to listen out for. An 'after the credits' scene if you will. Definitely stay tuned for that part. It ties the episode together. The episode itself has been brewing for the last month, since the release of Nolan's The Odyssey in cinemas worldwide. Of course, everyone with even a pinky toe in the world of Greek Mythology has commented on it by now. And in that sense, I'm certainly late to the party. Still, it didn't feel right to miss the opportunity altogether. So here is my contribution.After watching the movie I went back to read the Iliad followed by the Odyssey. About 30 hours of reading. I wanted to become steeped in that mythic landscape. To imagine myself in an ancient hall, lit by torches and the hearth, being transported into another world by the rhythmic tones of the bard.It was that trance state I wanted to enter, as best as one can when actually just reading lines on a page translated into English that don't actually retain that rhythm and flow. And juxtapose that trance with the modern version of staring at a screen.Both of these forms take you to another world. The bard exercises your ability to generate images inside of your mind. The movie screen generates the images for you. All this to say, I wanted to speak from my personal experience of Odysseus, as our most polymorphic of literary characters, and how it connects to the great quest of our lives: becoming who we actually are. I consider that to be what the sun is symbolic of in astrology. Not as seperate from the moon, but as an extension of it. To be oneself and fully related. That would be the 'soli-lunar' task of becoming. So this episode, which is a BONUS episode within the planets series, is a chance to enter Odysseus' world. His naming ritual that coincides with his wounding. His movement out of the cave and into the light past the threshold guardian. The owning of his name, his lineage, his place and his fame. And his return home to reclaim his throne. A throne that is threatened by many false selves that we know as 'the suitors'.I'd love to hear what stirs for you in the story. Particularly the places that your mind and soul keep returning to. That (t)horn in the side that draws you back to it again and again. As wounds that have bestowed upon us the endless gifts of our mortal lives. YouTube and Patreon seem to be the best place to leave comments these days. See you there. Cover Art is Ulysses deriding Polyphemus - Homer's Odyssey. Joseph Mallord William Turner. 1829. Oil on canvas.The translations I returned to (The Iliad and The Odyssey) were both by Emily Wilson.Join the Newsletter!Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

Pastor Andrew Lovette, back from sabbatical, hosts the Postscript with Pastor Ian Thomas. They discuss Ian's sermon from John 7 preached during our first Sunday at Geneva. They trace the passage's unifying theme of glory and how Jesus' brothers, the crowds, and the religious leaders reveal a fear of man and self-glory that blinds them to Jesus. For sermons and more episodes of the Postscript, visit our YouTube Channel: https://www.youtube.com/@kingschurchlkldFor more information about The King's Church, visit: https://www.kingschurchlkld.com/

"Jonah - Postscript: Doing Well with Our Anger" Charlie Woodward, 8.9.26 by

เมื่อรัฐทำข้อมูลส่วนบุคคลรั่ว (อีกแล้ว) โดยที่ครั้งนี้รัฐมนตรีบอกว่าระบบไม่ได้ถูกแฮ็ก แต่เกิดจากรหัสผ่านรั่วไหล — คำถามสำคัญคือ ใครต้องรับผิดชอบ และรัฐจะแก้ไขปัญหานี้ไม่ให้เกิดซ้ำได้อย่างไร . ในขณะที่ความคืบหน้าของกรณีฮั้ว สว. ยังคงถูกจับจ้องจากสังคม ว่าภายในเดือนสิงหาคมนี้ กกต. จะสั่งฟ้องหรือไม่ และผลที่ตามมาจะเป็นเช่นไร . ชวนคิดชวนคุยในรายการ 101 POSTSCRIPT คุยข่าวนอกสคริปต์ผ่านมุมมองโลกวิชาการและสื่อสารมวลชนแบบ ‘วันโอวัน' . ร่วมคุยโดย วิสุทธิ์ คมวัชรพงศ์ | สิริพรรณ นกสวน สวัสดี | อินทร์แก้ว โอภานุเคราะห์กุล

“The human part is 99 percent. The AI part is maybe 1 percent — even if 100 percent of the manuscript was dumped onto the page by AI.” — Keith Teare on writing with AI What is “real” authorship in our AI age? For That Was The Week publisher Keith Teare, all authorship, even the most AI-enabled, is real. It's the cave-dwelling Luddites who are the sloppy ones. For Keith, true creativity, in our age of Claude and Gemini, almost requires the use of AI. A couple of weeks ago Keith confessed, or perhaps boasted, that he is writing an AI-assisted book entitled Who Owns Intelligence. This week, publishing discovered what happens when others play the same game without public acknowledgement. So we have the case of the “red-hot” debut novel, fought over by fourteen publishers, dropped overnight when the agent found AI in the mix. “It's a fantastic book,” the book's agent acknowledged, before firing its less than transparent author. Which, for Keith, is precisely the scandal. His position, argued in this week's editorial “AI Detected,” is pretty absolute. Nothing is written by AI, Keith argues, because AI has no will. It doesn't produce a single word unless asked. The human part is 99 percent, he says, even when 100 percent of the manuscript is spat out by the machine. So the real sin isn't using AI but not acknowledging its use. So, on Who Owns Intelligence, Keith makes it crystal clear that “AI was heavily used in the writing of this book.” I'm not so sure. Amazon is now infested with AI slop that requires no authorship. Besides, Keith clearly has no love of reading books. He admits to reading only a single volume in the last couple of years. And he's still smarting from being, in his mind at least, ripped off by the publishing industry for his last published book some 40 years ago. He no longer needs to read books, he pronounces, because his world-view is already set. For a man who thinks he knows everything, AI isn't scary. Maybe we should rename him Claude. Postscript. Full Keith-style disclosure: these shownotes were produced with the help of Anthropic. When I fed Claude my draft, it responded: “‘Maybe we should rename him Claude' is a closer I'm contractually obliged to enjoy.” Nothing, as Keith says, is written by AI. Although some algorithms seem to have cheeky opinions of their own. Maybe Anthropic should rename it Keith. Five Takeaways •       Nothing Is Written by AI. Keith's absolutism starts from the machine's lack of will: AI won't produce a word unless a human asks. His Who Owns Intelligence — fifteen chapters, arguments, and references — was structured in ninety minutes from years of thinking; the AI produced a manuscript he then shaped, like a color grader working sliders in Photoshop. The human part is 99 percent even when the machine types every word. And authorship was never solitary anyway: Plato's contemporaries thought writing itself degraded ideas, and no publisher will touch a book that hasn't passed through an editor and a subeditor. If editing doesn't change authorship, Keith asks, why would AI?•       Transparency, Not Technology. The week's cautionary tale: a debut novel fought over by fourteen publishers, dropped when the agent discovered AI — while conceding, in the same breath, “it's a fantastic book.” For Keith the scandal is concealment, not composition: own the tool, as he now does with a strapline under his byline. The detection regime, meanwhile, is collapsing on its own inaccuracy — universities dropped their AI detectors this week, and Substack's new detection partner scored Keith's human-shaped editorial as 100 percent AI when a fair reading was 40. Cheating exists only against obsolete rules: the question is moving from did you use AI to how well did you use it.•       “The Publishing Industry Is Basically a Scam.” Keith's response to Andy Hunter's ban on AI-generated books — from last week's Keen On interview — was one word: outrageous. There is no such thing as an AI-written book, only good and bad ones; and the true victim of publishing is not the bookstore but the author. Exhibit A: his own 1988 book sold 50,000 copies at £3.99 and earned him roughly £10,000 — about 5p a copy — while Penguin took the rest. The future he wants is direct, author-to-reader, without the middlemen. As for “organic” artisanal literature: real, elite, and tiny — the new vinyl, which is itself cut these days from digital masters.•       Sharks, Playing Their Own Book. Leopold Aschenbrenner — fired young from OpenAI, transfigured by one prophetic essay into the “Nostradamus of AI” — saw his $45 billion, heavily leveraged Situational Awareness fund lose $600 million, get margin-called, and sell to Ken Griffin's Citadel. (He is, Keith suspects, still super rich.) Zuckerberg's sudden conversion to open source as “the distribution of wealth to the people” struck us both as a bit rich; Amodei's “I'm not against open source as long as it's safe” — from a man on record that no AI is safe — translates as: against. Keith's deeper complaint, from an admiring Claude user: you can't trust Dario. And China, hardware-constrained, has made open source its national strategy — undermining American foundation-model revenue one cheap routed prompt at a time.•       Money Won't Matter by 2036? Elon Musk predicts money becomes irrelevant within a decade; Vinod Khosla — our post of the week — thinks he might just have a point. Keith, ever the economics tutor, reaches for tendency and ceteris paribus: money is a means of exchange and a store of value, and if abundance drives the labor-value of things toward zero, its irrelevance is not illogical — though between tendency and reality lies a whole ton of variables. I bet the opposite: that by 2036 money will matter more than ever. The problem, we discovered, is the stake — you can't bet money on money not mattering. Wives and children were proposed and hastily withdrawn (“We'd be losing, Andrew”). Loser buys dinner — at a free restaurant. About the Co-Host Keith Teare is the publisher of That Was The Week, the essential weekly tech newsletter, and founder and CEO of SignalRank Corporation. A serial entrepreneur — co-founder of, among others, EasyNet and RealNames — he was present at the creation of the UK internet and has spent four decades at the intersection of technology, capital, and ideas. He joins Keen On America every Sunday to make sense of the week in tech. His AI-assisted book in progress is titled Who Owns Intelligence. References: •       That Was The Week — Keith's newsletter, including this week's editorial, “AI Detected.”•       The Wall Street Journal — on the red-hot debut novel at the center of publishing's AI mystery: fourteen publishers, one discovery, one dropped author.•      ...

In this episode of The Postscript Show, Brandon Briscoe sits down with Dan Reneau, pastor, artist, and art history professor, to explore how the history of Western art reveals the changing worldview of civilization—from medieval Christianity and the Renaissance to modernism, postmodernism, and today's culture.Together they discuss why people create, what art says about the culture that produces it, and how Christians can understand visual culture without compromising biblical truth. Along the way, they examine the theological influences behind major artistic movements and why understanding art can help believers better engage the world with the gospel.In this episode:Why humans are driven to createMedieval art, iconography, and the RenaissanceHumanism, the Reformation, and the Baroque periodThe Enlightenment and RomanticismHow photography changed the art worldImpressionism, Cubism, Dadaism, and Abstract ExpressionismPostmodernism and today's cultural landscapeWhy art reflects the spiritual condition of societyHow Christians can engage culture with biblical discernment and gospel compassion rather than fear.If you enjoy thoughtful conversations on theology, culture, history, and Christian worldview, subscribe to The Postscript. share this episode with someone who loves learning how faith intersects with the world around us.Visit http://lfbi.org/learnmore

อนุทินขู่ฟ้องหมิ่นประมาท ‘เป๋า iLaw' หลังยื่นข้อมูลให้ฝ่ายค้านช่วยตรวจสอบว่านายกรัฐมนตรีและนักการเมืองอีก 8 คน เกี่ยวข้องกับการฮั้ว สว. หรือไม่ นำมาสู่ข้อวิจารณ์ว่าการขู่ฟ้องของอนุทินอาจเข้าข่าย SLAPP แล้วคดีฮั้ว สว. จะดำเนินต่อไปอย่างไร . ชวนคิดชวนคุยในรายการ 101 POSTSCRIPT คุยข่าวนอกสคริปต์ผ่านมุมมองโลกวิชาการและสื่อสารมวลชนแบบ ‘วันโอวัน' . ร่วมคุยโดย วิสุทธิ์ คมวัชรพงศ์ | เข็มทอง ต้นสกุลรุ่งเรือง | อินทร์แก้ว โอภานุเคราะห์กุล

Le PDF paraît public et gratuit, pourtant Adobe en a fait une machine à cash en verrouillant l'écosystème autour de son standard. Avec Guillaume Ayoub, créateur d'un générateur de PDF open source, on retrace l'histoire du format depuis Xerox PARC et PostScript jusqu'au PDF moderne pour en décoder l'architecture. Vous comprendrez comment Adobe a conquis un quasi-monopole, les leviers techniques et économiques qui l'entretiennent, et ce que cela change pour nos documents au quotidien.En plateau Michaël de Marliave — animateur Tiffany Souterre — chroniqueuse Guillaume Ayoub — invité➤ Pour découvrir Mammouth IA : https://mammouth.ai/➤ Pour le Merch Micode et Underscore_ : https://traphic.fr/collections/micode⚠️ Précommandes avant le 15 Janvier ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

มหากาพย์โกงสอบท้องถิ่นกำลังเป็นความเสี่ยงที่ทำให้รัฐบาลเสื่อมหรือไม่ เหตุการณ์นี้สะท้อนอะไรในสังคมไทย และใครควรรับผิดชอบ . ชวนคิดชวนคุยในรายการ 101 POSTSCRIPT คุยข่าวนอกสคริปต์ผ่านมุมมองโลกวิชาการและสื่อสารมวลชนแบบ ‘วันโอวัน' . ร่วมคุยโดย วิสุทธิ์ คมวัชรพงศ์ | สิริพรรณ นกสวน สวัสดี | อินทร์แก้ว โอภานุเคราะห์กุล

Your packaging may be costing you sales, attention, and margin before a customer even tries your product. In this episode of Sharkpreneur, Seth Greene interviews Jason Wong, Founder and CEO of Paking Duck, who discusses his transition from selling products to manufacturing custom packaging for consumer brands. He explains how factory-direct production, e-commerce experience, and attention to design details can help brands improve packaging quality while reducing costs. Jason also shares how packaging can support social media marketing, strengthen the customer experience, and help growing brands prepare for retail scale. Key Takeaways:→ Packaging can influence marketing performance. → Better packaging can enhance product presentation.→ Packaging should enhance the unboxing experience.→ Strong design details can increase perceived value. → Factory-direct sourcing can reduce packaging costs. Jason Wong is an operator with a background spanning growth marketing, operations, and manufacturing. He is the CEO and founder of Pughaus, a holding company for a portfolio of consumer brands and supply chain service providers. Under the Pughaus umbrella, Jason launched Saucy, a full-service sourcing and logistics firm that helps brands identify the right supply-chain partners and drive cost efficiencies. In 2023, he introduced Paking Duck, Saucy's packaging manufacturing arm, delivering factory-direct pricing and production solutions tailored to emerging brands. Jason's CPG investments focus on backing category challengers led by AAPI founders. Notable investments include Doe Lashes, Fly by Jing, Nectar Hard Seltzer, Kaja Beauty, and Awkward Essentials. He has also invested in e-commerce martech companies, including Triple Whale, Postscript, Skio, Icon, Octane AI, Siena CX, Social Snowball (acquired), and Lyvecom (acquired). Connect With Jason:Website: https://www.pug.haus/Instagram: https://www.instagram.com/pugTikTok: https://www.tiktok.com/@pugX: https://x.com/eggroli

Patrick McKenzie (patio11) reads his 2023 essay "Deposit Franchises as Natural Hedges," written seven weeks into that year's banking crisis, making the case that deposit franchises are a natural hedge against interest rate risk (one regional banks were quietly encouraged to sell off by loading up on agency MBS). He walks through why "sweat and smiles" deposits were assumed to be sticky enough to fund long-duration assets, why that assumption broke down for retail and sophisticated depositors alike once rates rose, and how the resulting losses moved through bank balance sheets. Patrick closes with two years of hindsight: what the essay got right and wrong about how bad it would get.–Full transcript available here: https://www.complexsystemspodcast.com/deposit-franchises/ –Presenting Sponsors: Mercury, MongoDB & ChainguardComplex Systems is presented by Mercury—radically better banking for founders. Mercury's new feature Command brings an LLM directly into your banking interface, so checking balances, finding invoices, or sending a wire is as easy as asking. Apply online in minutes at https://mercury.com/. What's the point of building faster with AI if your database can't keep up? MongoDB's native data model mirrors the language LLMs already speak. Ship at the speed of AI while staying ACID compliant at Fortune 500 scale. Start building at https://mongodb.com/ai.If attackers are using AI to weaponize code faster than any team can review it, your scanners won't save you. Chainguard builds libraries and container images from source, verified all the way down, with near-zero CVEs and zero malware. Build safely at https://www.chainguard.dev/. –Links:Deposit franchises as natural hedges: https://www.bitsaboutmoney.com/archive/deposit-franchises-as-natural-hedges/ –Timestamps:(00:00) Intro(03:48) Natural hedges(07:38) Deposit franchises as an asset(10:53) The value of a deposit franchise increases with interest rates(11:30) A brief aside about deposit beta(14:58) Sponsors: Mercury | MongoDB(17:30) A brief aside about deposit beta(18:05) The deposit franchise as a hedge(21:52) Regional banks were instructed to load up on agency MBS(25:09) Why did the hedge bust?(29:42) Sponsor: Chainguard(31:03) Further bad news: the problem is bigger than MBS(34:01) It is no longer February(34:51) “Why didn't the hedger hedge?!”(35:37) So what do we do now?(37:59) Postscript(39:45) Wrap

"Congress and the public deserve a clear answer about whether the Epstein Estate paid a settlement to an accuser who made serious allegations against Donald Trump, and who was interviewed four times by the FBI."On 24 February 2026, NPR reporter Stephen Fowler published an investigative report comparing the public database of Epstein files released by the DOJ on January 30th with the Ghislaine Maxwell trial evidence index (handed to her defense attorneys in 2021 as part of standard discovery procedures). The two documents do not match.According to the evidence index, the FBI conducted four interviews with a woman in 2019. These interviews produced four sets of written summaries, known as 302 reports, which should have all been included in the January 30th document release. Only one was included, in which she claimed she'd been assaulted by Jeffrey Epstein when she was just 13 years old. The other three were the ones in which this woman - known only as Jane Doe 4 - made credible accusations against the sitting President of the United States...This is a continuation of a series we started last year. Before listening to this episode, please go back and listen to our original 8-part series on the Epstein Scandal and any preceding Postscript updates.Learn more about this podcast at http://unresolved.meCheck out the podcast store at unresolved.dashery.comIf you would like to support this podcast, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or ProducerBecome a supporter of this podcast: https://www.spreaker.com/podcast/unresolved-a-true-crime-mystery-podcast--3266604/support.

"Zorro Ranch was probably the most eerie place, just giant and quiet and literally in the middle of nowhere. Miles and miles of just mountains and dirt."On the morning of 8 March 2026, a group of people gathered at a gate on a dirt road in the New Mexico desert, about 30 miles south of Santa Fe, in a place called Stanley. The gate leads to an extravagant property that sits on roughly 7600 acres of high desert scrubland. The nearest town is twenty miles away. If you screamed out here, no one would hear it.The property used to be called Zorro Ranch. It belongs to a Texas family now, who bought it in 2023 and renamed it San Rafael Ranch. Before that family attempted to rehabilitate the ranch into a Christian retreat, however, it belonged to Jeffrey Epstein...This is a continuation of a series we started last year. Before listening to this episode, please go back and listen to our original 8-part series on the Epstein Scandal.Learn more about this podcast at http://unresolved.meCheck out the podcast store at unresolved.dashery.comIf you would like to support this podcast, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or ProducerBecome a supporter of this podcast: https://www.spreaker.com/podcast/unresolved-a-true-crime-mystery-podcast--3266604/support.

Conflict is everywhere. Nations wage war against nations. Churches divide, families fracture, friendships dissolve, and even within the human heart there is pride, fear, and bitterness. Scripture reveals that conflict is not merely psychological or circumstantial—it is spiritual.From Satan's rebellion in heaven to the fall of Adam and Eve in the garden, the story of humanity has been marked by disunity and broken fellowship. Yet in the midst of that reality, God reveals Himself as the Great Peacemaker in the short but powerful epistle to Philemon. Through this personal letter, the Apostle Paul provides a living picture of Gospel-centered reconciliation.In this episode of PostScript, Brandon Briscoe welcomes Pastor John Wright, author of Peacekeepers: Conflict Management and the Epistle to Philemon, for a discussion on the spiritual roots of conflict and the biblical path toward reconciliation. Together, they examine how Paul's mediation between Philemon and Onesimus demonstrates God's heart for restoration, forgiveness, and unity among believers.Topics discussed include:• The biblical origin of conflict• The difference between peacemaking and peacekeeping• Paul's model of mediation in Philemon• Practical principles for resolving conflict in the local church• How the Gospel transforms broken relationships• Building and maintaining a culture of peace among believersWhether facing church conflict, family tensions, strained friendships, or personal struggles, listeners will find biblical wisdom and practical guidance for pursuing peace God's way.Visit https://lfbi.org/learnmore

In this episode of The Postscript, Jake Ford joins Pastor Ian Thomas to discuss Ian's recent teaching from Revelation 18–19. Focusing on Revelation 19:6–10, they explore the Bible's wedding motif, from Eden through Israel's covenant, Christ the Bridegroom, and the Marriage Supper of the Lamb, and the call for the Bride to prepare through sanctification, “putting on” Christ, and zeal for good works as a response to grace."You've Already Won" - Shane & Shane"For the moment all discipline seems painful rather than pleasant, but later it yields the peaceful fruit of righteousness to those who have been trained by it." - Hebrews 12:11

Pastor Ian Thomas and Pastor Pat Kappenman discuss their recent sermons in Revelation 6 (focusing on Revelation 17–18), emphasizing an interpretive approach that avoids narrowly mapping the book onto current events and instead reads Babylon as a sweeping biblical symbol. They contrast the “mother of all prostitutes” with the Bride of the Lamb, showing how Babylon seduces, deceives, profits through vice, and destroys, while heaven's perspective reveals her fall is sudden and sure because the Lamb will conquer.

Sean Wendt is the founder of dtcmvp. dtcmvp connects shopify partners with leaders at established brands. From intros to insights, they handle everything: you reach your ideal audience, build a better product, and attract more brands.  In This Conversation We Discuss: [00:00] Intro [01:30] Understanding prospects' rejection [05:48] Defining the role of outbound sales reps [10:54] Crafting a strong offer for your outreach [12:29] Callouts [12:39] Increasing discovery with paid consultations [15:00] Aligning solutions with existing goals [21:51] Determining the right time to scale outreach  [24:39] Designing workflows around busy calendars  Resources: Subscribe to Honest Ecommerce on Youtube Shopify's Modern Expert Network dtcmvp.com    Follow Sean Wendt  linkedin.com/in/seanwendt If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

Andrew Tew is joined by Dashawn Cousins and Pastor Matt Miller to discuss their sermons from John 6:35–59, where Jesus declares, “I am the bread of life.” They reflect on how to preach a theologically dense passage and why God's sovereignty provides assurance, deeper fellowship, and confidence for mission and prayer. They also address Jesus' language about eating his flesh and drinking his blood, and how it is spiritual imagery for believing in his sacrificial death rather than literal cannibalism or a proof for transubstantiation.

Kinsella on Liberty Podcast: Episode 488. Audio version of Stephan Kinsella, “My Years with the Mises Institute,” Property and Freedom Journal (May 2, 2026). Audio prepared with AI by Jorge Besada. Related: Hans-Hermann Hoppe, “Mises Institute: Quo Vadis?: Postscript,” Property and Freedom Journal (April 17, 2026) Hans-Hermann Hoppe, “Mises Institute: Quo Vadis?”, Property and Freedom Journal (March 25, 2026) https://youtu.be/Vm9iTvbDExo From the article: Introduction Hans Hoppe recently published “Mises Institute: Quo Vadis?”, which contains various criticisms of the Mises Institute (MI) as it is currently organized.1 He has since been removed as Distinguished Senior Fellow by MI.2 I fully support Hans and do not disagree with anything he wrote.3 Here I would like to mention my own experience with MI, with which I have been associated, on and off, for over thirty years, since 1994. I have discussed some of this history previously,4 but as my experience has certain parallels to that of Hans I will go into more detail here than I have in the past. Despite my critical remarks here I, too, share Hans's admiration for Lew Rockwell (discussed below) and what he achieved with the Mises Institute. I love the mission of the MI and the role it has played for the last 44 years. It is due to my concern over the decline of MI, and its treatment of Hans, that I publish these remarks. Pursuit of liberty is always a quest for truth. But truth is fragile and seems easily cast aside by those with more base motives. With that in mind, I offer some of my own thoughts on these matters—entreating the reader to judge the reasonableness of my position (and that of Hoppe). Read more>>

Join us on The Postscript for Kids as Devon sits down with Andrew Tew to recap John 6:22-34 and talk about why we should seek Jesus not just for what He can give us, but for who He is. After Jesus feeds thousands with bread and fish, walks on water, and calms a storm, the crowds come looking for more—and Jesus challenges them for wanting full bellies more than Him. Andrew explains that Jesus isn't a vending machine or genie, and that the “food that perishes” is like anything with an expiration date, while Jesus offers eternal life that never goes bad. They discuss how trusting in Jesus' death and resurrection changes how we see everything as a gift from God and invite kids to talk with parents and pastors about Jesus as the true Bread of Life.

Andrew Tew and Pastor Brandon Curriston discuss their sermons from John 6:22–34, picking up the day after Jesus fed the 5,000 and walked on water as the crowd searches for him. They highlight how Jesus exposes the crowd's motives of seeking him for full stomachs rather than the meaning of the sign and calls them to labor not for perishable food but for the bread that endures to eternal life.

Winter Events Recap: Uber enthusiast Darren Lew has a post script report from the R90S 50th anniversary event in Daytona and Katie Hunter joins us for another Moto She Wrote—this time with a report from the Airhead Super Tech held in Boyertown, PA this past winter. Find out more about Darren's work here: https://www.darrenlew.com/ Darren's ADV Post from Daytona: https://www.advrider.com/f/threads/daytona-r90s-50th-anniversary-celebration-mini-report.1838449/ Connect with Katie here: https://www.motoshewrote.com/ Consider supporting our sponsors: Barrington Motor Works www.barringtonmotorworks.com/ Boxer 2 Valve / William Plam: www.boxer2valve.com/ Join the BMW MOA for FREE! Use this code-- airheads247--in the link below: bmwmoaf.givingfuel.com/memberforces Other Moto BMW MOA Podcasts www.bmwmoa.org/page/digitalcontent Visit our website for additional content and the 247 Store: airhead247.com Drop us line: airheads247@hotmail.com

Has God been changing the way He saves people throughout history—or has the message always been the same? Were people under the Law saved by keeping the Law—or has it always been grace through faith? If salvation is by grace through faith today, what exactly saved people before the cross?In this episode of The Postscript, we tackle an often-misunderstood aspect of dispensational theology, the relationship between the dispensations and the gospel itself. From Eden to the Church age, we trace the thread of redemption and confront the claim that Scripture presents multiple ways of salvation. Instead, we uncover a powerful, unifying truth—every dispensation declares the same saving reality: grace through faith. Join us as we bring clarity to progressive revelation, challenge common objections, and show how the finished work of Christ stands at the center of God's plan in every age.We are joined by Kale Horvath, a missionary and church planter in Budapest Hungary—a graduate of LFBI—and author of “Brainwashed: Deconstructing the Battle for our Minds”. We are so glad to have him with us to discuss this critical subject.For more information, please follow the link to read the notes for Episode 267.Visit http://lfbi.org/learnmore