Podcasts about pasolini

Faire avec : mes associations« Faire avec » s'entend ici à la fois comme faire avec un contexte et comme ne pas faire seul, mais avec d'autres. Ces deux dimensions structurent cette rencontre avec Pauline Curnier Jardin, dont le travail mêle performance, cinéma et arts visuels, et repose sur des pratiques collectives, des collaborations et des formes rituelles (processions, carnavals, films).De ses premières performances avec le groupe Les Vraoums (2006) à la création de la Feel Good Cooperative lors de son séjour à la Villa Médicis en 2020, son œuvre explore des formes de création partagée. La rencontre sera ponctuée par la projection de Fireflies, tourné à Rome sur les traces de Pasolini, et de Adoration, réalisé avec des détenues de la prison de la Giudecca et présenté à la Biennale de Venise 2022.Pauline Curnier Jardin dialoguera avec Nicolas Feodoroff, critique, programmateur et enseignant à l'École des Beaux-Arts de Marseille.Amphithéâtre des LogesMardi 3 février 2026

Con motivo del 50 aniversario del asesinato de Pier Paolo Pasolini, Dimitri Papanikas, director de Café del Sur, y su equipo se trasladan al Istituto Italiano di Cultura de Madrid para grabar el programa en vivo. Un monologo entre la radio y el teatro narrativo dedicado a la vida del famoso escritor, poeta, cineasta e intelectual italiano inconformista, asesinado en la costa romana en la noche del 1 al 2 de noviembre de 1975. A 50 años de su desaparición, un viaje por la vida y el pensamiento de Pasolini para contar su vida, sus obras, pero, sobre todo, la vigencia de un pensamiento incómodo, así como necesario.Escuchar audio

La madrugada del 2 de noviembre de 1975, una patrulla de carabinieri halló el cadáver de Pier Paolo Pasolini en un descampado de Ostia, a las afueras de Roma. Con su asesinato perdimos a uno de los intelectuales más interesantes del siglo XX y la editorial Dos Bigotes le ha rendido tributo con el libro “Las siete vidas de Pasolini”, donde siete autores recorren las diferentes facetas del creador: el cineasta, el pintor, el poeta y, desde luego, el amante. Con el escritor y poeta Juan Gallego Benot, uno de los autores del libro, vamos a recordar a Pasolini cuando se han cumplido 50 años de su asesinato.Escuchar audio

A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-the-epstein-files-expose-elite-depravity-13975791.htmlI am not going to get into the political aspects of the infamous Epstein Files, nor so much into the morality thereof, but what amazes me is the fact that everyone seems shocked at the kinds of things that apparently went on in Epstein Island and elsewhere in his empire.I have long thought of the Epstein Files (and earlier Watergate, Wikileaks, Cablegate, even the silly Steele Dossier) as a mere sideshow, entertaining but hardly earth-shattering. To be candid, what they reveal is what we already knew: politicians and the rich are different from you and me, as Jay Gatsby might say. Yes, they can be vile monsters and get away with it.F. Scott Fitzgerald describes how extreme wealth fosters a sense of superiority, cynicism, carelessness with consequences, and emotional insulation: all qualities that make the rich operate by different rules, often viewing themselves as exempt from ordinary accountability. Extreme wealth provides insurance, or insulation, against consequences.We were warned with graphic images in cinema: “Eyes Wide Shut” by Stanley Kubrick was a revelation. It fits strikingly into the context of Fitzgerald's “the rich are different” and the Epstein files, a cinematic bridge between literary critique and real-world revelations of predatory privilege.In Kubrick's world of orgies where masked super-elites play, the victims are from lower strata (they are treated as disposable), while the elite retreat into impunity. The film was prescient about how money, secrecy, and impunity create inevitable nexuses of abuse. There was a dramatic and possibly relevant video of a young Mexican model, distraught, screaming, “They are eating babies!”, after attending one of the Epstein parties. She was, it is said, arrested, and ‘disappeared', and was never seen again.Yet, it is “Salo: The 120 Days of Sodom” that I am most reminded of. This is quite possibly the most disturbing film ever made, at least among those that I have seen. Only “In the Realm of the Senses”, by Nagisa Oshima, a staggering tale of sexual obsession, comes close in shock value. A couple are caught up in a vortex or vicious cycle of increasingly dangerous sexual behavior. The unsimulated, explicit sex scenes in fact produce not prurience, but horror in the viewer.The film's intensity peaks with its violent conclusion, where the female protagonist strangles her lover to death during erotic asphyxiation and then castrates his corpse, carrying the severed penis with her, blending extreme eroticism with graphic mutilation and murder in a way that challenged societal taboos on sex, obsession, and violence. Tellingly, it is based on a real-life story, but then it is a private tale, not one that involved powerful, public, men.“Salo”, by Pier Paolo Pasolini, is a loose adaptation of the Marquis de Sade's 1785 novel “The 120 Days of Sodom”, relocated to the final days of Mussolini's fascist Republic of Salo (1943–1945) in northern Italy. Four powerful libertines: a Duke (nobility), Bishop (church), Magistrate (law/state), and President (finance/capital) are the protagonists.They kidnap 18 young victims (mostly teenagers) and subject them to escalating cycles of sexual torture, degradation, humiliation, and murder in a remote villa. I remember the horrifying close-up of a young man's eye being plucked out.This isn't mere shock exploitation; Pasolini uses de Sade's framework as a scorching allegory for:* Absolute power corrupting absolutely, where the elite treat bodies (especially vulnerable young ones) as disposable objects for consumption and control.* Fascism as the ultimate expression of capitalist/consumerist nihilism. The libertines embody the “anarchy of power” in a permissive, totalitarian system where rules exist only to protect the perpetrators.* Moral detachment and cynicism: the rich aren't just wealthier; they're philosophically and emotionally severed from humanity, viewing others as means to gratification without consequence.Is this how powerful men are? Is this how those with absolute power, especially men, have always acted? Or is it culture-specific? That's a good question. But are elites generally debauched, depraved, and dissolute?There are several unconfirmed rumors that many of the rich and famous were associated with Epstein. But a certain royal was drummed out of the family and lost all his privileges for his (confirmed) participation in Epstein orgies. Others include captains of industry and political bigwigs, including US Presidents, a major leftist ideologue, and a film director.So it was apparently the in-thing in the US, sort of like the most sought-after restaurant in New York City, where the hoi-polloi were strictly excluded. This, in a country that allegedly finds its moral compass in the Puritans, people who were so religious that even Britain couldn't stand them. And has been accused of being into moralization, not into morals.As of now, if you ignore the extreme claims (cannibalism) it is clear that the following happened:* Recruitment and grooming of underage girls* Sexual assault on minors* Distribution of Child Sexual Abuse Material* Trafficking across State and International BordersFrankly, this is probably just business as usual in many elite circles. If you have immunity, you tend to be very naughty. I expect this, too, will blow over, and public attention will move on. The apparent fact that many in political power in the US are part of the Epstein network is neither here nor there. This may be the way all powerful men work. Sad, but true.895 words, Feb 2, 2026 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

Avec Florence Pazzottu, Hervé Joubert-Laurencin & Martin Rueff Dernier recueil en vers publié par Pier Paolo Pasolini de son vivant, Trasumanar e organizzar (1971), était resté jusque-là inédit en français. Pasolini, qui dit avoir cessé de « s'illusionner sur la poésie », continue pourtant à écrire et vit alors un renouvellement linguistique et intérieur, dont « un élément est une certaine attitude humoristique face à la réalité ». En « poète-bouffon », avec une forme singulière d'ironie, il réagit à l'actualité violente du monde, de son pays, ainsi qu'aux événements de sa propre vie. Ce recueil constitue une séquence-charnière de l'existence et de l'œuvre de Pasolini – son lien amoureux avec Ninetto Davoli se transforme, tandis que prend naissance, puis grandit et se trouble une intense et complexe relation d'amitié avec Maria Callas. À lire – Pier Paolo Pasolini, Transhumaner et organiser, traduit et présenté par Florence Pazzottu, LansKine, 2025

durée : 00:59:35 - Le Book Club - par : Marie Richeux - Le metteur en scène Sylvain Creuzevault explore à travers différentes formes théâtrales l'œuvre du cinéaste et poète Pier Paolo Pasolini. Comment le plateau de théâtre peut-il devenir un outil de lecture ? - réalisation : Vivien Demeyère - invités : Sylvain Creuzevault Metteur en scène

Sanat gerçekten hakikatle yüzleşebilir mi? Peki yüzleşmek neden bu kadar tehlikelidir? Spekülatif'in. bu bölümünde Emre Dündar, sanatın en temel işlevlerinden biri olan “yüzleşme” kavramını ele alıyor. İktidar, travma, hafıza, savaş, faşizm ve bireyin kendisiyle hesaplaşması üzerinden; Pasolini'nin Salo filmi, Gel ve Gör, Apocalypse Now, Vietnam filmleri ve Hollywood örnekleriyle sanatın iktidarla kurduğu tehlikeli ilişkiyi tartışıyor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy, con dos libros de cine. Nos aproximamos al blockbuster con Elisa McCausland y Diego Salgado, autores del libro El cine como espectáculo. 50 blockbusters esenciales de ayer y hoy, publicado por la editorial UOC. Y recorremos Las siete vidas de Pasolini, un libro colectivo sobre su figura y su obra publicado por Dos Bigotes, con su prologuista, Vicente Monroy, autor del prólogo.Escuchar audio

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

durée : 00:03:25 - Le Regard culturel - par : Lucile Commeaux - Le metteur en scène Sylvain Creuzevault adapte une œuvre monstrueuse, sulfureuse, et inachevée : "Pétrole" de Pier Paolo Pasolini. Un spectacle brillant et excitant, qui dédramatise le poète italien, et en livre, à la fois complexe et claire, la pensée et l'esthétique.

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.

durée : 00:03:25 - Le Regard culturel - par : Lucile Commeaux - Le metteur en scène Sylvain Creuzevault adapte une œuvre monstrueuse, sulfureuse, et inachevée : "Pétrole" de Pier Paolo Pasolini. Un spectacle brillant et excitant, qui dédramatise le poète italien, et en livre, à la fois complexe et claire, la pensée et l'esthétique.

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sylvain Creuzevault adapte «Pétrole», roman inachevé de Pier Paolo Pasolini et publié dix-sept ans après sa mort.  Pétrole est un roman de 850 pages, écrit sous forme de notes par juxtapositions de récits entre 1972 et 1974 et publié en 1992, soit dix-sept ans après la mort de Pier Paolo Pasolini, son auteur.  Il suit l'itinéraire de Carlo Valetti, fils ambitieux d'un bourgeois et cadre de l'industrie pétrolière italienne. Il gravit tous les échelons de la puissante compagnie italienne d'hydrocarbure ENI, au passé fasciste, lorsque son dirigeant est retrouvé mort. Ce personnage «se dédouble» : il y a Carlo I et Carlo II. Tandis que son premier avatar, Carlo I, connaît une ascension fulgurante au sein de l'ENI, Carlo II se dévoue entièrement à une frénétique quête sexuelle, une sexualité bestiale, criminelle et dépourvue d'interdits. Le fait de dédoubler son personnage est un hommage au grand roman picaresque, explique Sylvain Creuzevault.  Dans sa mise en scène, Sylvain Creuzevault fait donc jouer les deux «Carlo» par des comédiens, mais aussi Pier Paolo Pasolini, joué par plusieurs comédiens et comédiennes, qui raconte l'écriture de ce roman ou encore des personnalités politiques italiennes de l'époque, une manière d'aborder la thématique de la corruption et de la mafia. La première partie du spectacle se déroule dans une réception, et raconte les pactes de corruption des élites italiennes, toute la scène est projetée sur un écran.  Pier Paolo Pasolini est un écrivain, poète, cinéaste et intellectuel italien né en 1922 à Bologne. Il débute comme romancier et poète avant de devenir l'un des plus grands auteurs du cinéma italien. Son travail explore les marges sociales, la sexualité, le sacré, la politique et les sociétés de consommation. Il a été assassiné en 1975 sur une plage d'Ostie, dans la périphérie de Rome. Si l'affaire n'a jamais été élucidée, certains affirment qu'il a pu être assassiné à cause de ce texte qui dénonçait la corruption des gouvernants et de la démocratie chrétienne. L'une des notes de ce roman — la 21 - aurait d'ailleurs disparu... Invité : Sylvain Creuzevault, metteur en scène, auteur et comédien français né en 1981.  Il adapte et met en scène le roman de Pasolini. Il a adapté Karl Marx et Dostoïevski. En 2023, il présente deux spectacles, intitulés L'Esthétique de la résistance et Edelweiss [France Fascisme]. Pétrole, à voir au Théâtre de l'Odéon jusqu'au 21 décembre 2025 dans le cadre du Festival d'Automne.

Sylvain Creuzevault adapte «Pétrole», roman inachevé de Pier Paolo Pasolini et publié dix-sept ans après sa mort.  Pétrole est un roman de 850 pages, écrit sous forme de notes par juxtapositions de récits entre 1972 et 1974 et publié en 1992, soit dix-sept ans après la mort de Pier Paolo Pasolini, son auteur.  Il suit l'itinéraire de Carlo Valetti, fils ambitieux d'un bourgeois et cadre de l'industrie pétrolière italienne. Il gravit tous les échelons de la puissante compagnie italienne d'hydrocarbure ENI, au passé fasciste, lorsque son dirigeant est retrouvé mort. Ce personnage «se dédouble» : il y a Carlo I et Carlo II. Tandis que son premier avatar, Carlo I, connaît une ascension fulgurante au sein de l'ENI, Carlo II se dévoue entièrement à une frénétique quête sexuelle, une sexualité bestiale, criminelle et dépourvue d'interdits. Le fait de dédoubler son personnage est un hommage au grand roman picaresque, explique Sylvain Creuzevault.  Dans sa mise en scène, Sylvain Creuzevault fait donc jouer les deux «Carlo» par des comédiens, mais aussi Pier Paolo Pasolini, joué par plusieurs comédiens et comédiennes, qui raconte l'écriture de ce roman ou encore des personnalités politiques italiennes de l'époque, une manière d'aborder la thématique de la corruption et de la mafia. La première partie du spectacle se déroule dans une réception, et raconte les pactes de corruption des élites italiennes, toute la scène est projetée sur un écran.  Pier Paolo Pasolini est un écrivain, poète, cinéaste et intellectuel italien né en 1922 à Bologne. Il débute comme romancier et poète avant de devenir l'un des plus grands auteurs du cinéma italien. Son travail explore les marges sociales, la sexualité, le sacré, la politique et les sociétés de consommation. Il a été assassiné en 1975 sur une plage d'Ostie, dans la périphérie de Rome. Si l'affaire n'a jamais été élucidée, certains affirment qu'il a pu être assassiné à cause de ce texte qui dénonçait la corruption des gouvernants et de la démocratie chrétienne. L'une des notes de ce roman — la 21 - aurait d'ailleurs disparu... Invité : Sylvain Creuzevault, metteur en scène, auteur et comédien français né en 1981.  Il adapte et met en scène le roman de Pasolini. Il a adapté Karl Marx et Dostoïevski. En 2023, il présente deux spectacles, intitulés L'Esthétique de la résistance et Edelweiss [France Fascisme]. Pétrole, à voir au Théâtre de l'Odéon jusqu'au 21 décembre 2025 dans le cadre du Festival d'Automne.

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Davide Brullo, Milo De Angelis, Nicola Crocetti"Immortale parola"Antologia della poesia italiana dalle origini ai giorni nostriCrocetti Editorewww.crocettieditore.itProprio qui, dall'energia sorgiva dei poeti, è nata la nostra lingua: dal canto di san Francesco, dalla speleologia ultramondana di Dante e dalla specola d'amore di Petrarca, dalla speculazione di Leopardi e dal genio notturno di Tasso, dall'imprecazione di Iacopone e dalla furia di Foscolo, dal dire fiabesco di Marino, dalle estasi di Ungaretti e dalle luci retrattili di Montale. Grazie ai poeti – aggraziati o feroci, dotati di una rabbia azzurra, capaci nell'impensabile – abbiamo le parole per decrittare l'anima, per appurare la profondità del nostro cuore. Senza i poeti saremmo esangui, succubi dei tempi, a servaggio delle convenzioni, mera biada dei giorni. In questa rassegna – mai tentata di tali dimensioni in un unico volume – i poeti italiani, per sempre giovani, ci prendono d'assedio: ci insegnano il coraggio, ci insidiano con gioia lunare alla gola. Un libro per la vita: dalle origini a Pasolini, i poeti che hanno reso straordinaria la storia della lingua e della letteratura italiana.Fin dalla prima antologia della nostra storia, quella di Meleagro di Gadara, la poesia rivela il suo doppio volto: storico da una parte e assoluto dall'altra. Da una parte appartiene a un foglio preciso del calendario, che la situa esattamente in quell'epoca e in quel giorno, dall'altra appartiene a un tempo selvaggio, imprendibile, che annienta ogni cronologia per diventare pura presenza. Meleagro, fedele all'etimo della parola “antologia”, chiamava l'opera di ogni poeta con il nome di un fiore e invitava segretamente i lettori a compiere un lungo viaggio nelle pianure, nelle vallate e nelle montagne per trovare il fiore più amato e contemplare la sua bellezza senza mai strapparlo al luogo in cui l'aveva visto, senza mai impedire agli altri viandanti di ammirarlo. Ebbene, gli autori di questa antologia – tre innamorati della poesia quali certamente noi siamo – hanno preso la stessa decisione: ciascuno ha scelto il proprio fiore, mostrandolo agli altri in tutto il suo splendore e lasciandolo intatto in un punto determinato del giardino storico e in un punto sconfinato del giardino senza tempo.dall'introduzione di Milo De AngelisDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Actor Sydney Sweeney on her role in the boxing biopic Christie. Olivia Laing, author of The Silver Book, and Adrian Wootton discuss Italian film director and writer Pier Paulo Pasolini exactly fifty years after his controversial film Salò and horrific murder.Rising countertenor star Hugh Cutting performs live.The Scottish Government's review of Creative Scotland. Presenter: Samira Ahmed

durée : 00:44:33 - La 20e heure - par : Eva Bester - Sylvain Creuzevault met en scène "Pétrole" d'après le texte de Paolo Pasolini, publié 17 ans après son assassinat ; une pièce, conseillée à partir de 16 ans, qui se joue du 25 novembre au 21 décembre 2025 au théâtre de l'Odéon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sauvagement assassiné sur une plage d'Ostie le 2 novembre 1975, Pasolini aura divisé les consciences par ses prises de position aussi courageuses que controversées dans une Italie qui vivait alors ses années de plomb. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sauvagement assassiné sur une plage d'Ostie le 2 novembre 1975, Pasolini aura divisé les consciences par ses prises de position aussi courageuses que controversées dans une Italie qui vivait alors ses années de plomb.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Albath, Maike www.deutschlandfunk.de, Büchermarkt

Wipe that shit-eating grin off your face and heed all of the content warnings (seriously), because we're discussing Pier Paolo Pasolini's notorious anti-fascist 1975 film Salò, or the 120 Days of Sodom. Tagging in for the conversation is Zoë Rose Smith, the co-host of the Tainted Love podcast!Join us as we do a very deep dive into this controversial film, beginning with a Pasolini primer before parsing through the film's graphic depictions of sexual assault, torture, sadomasochism and coprophilia. This is an extremely challenging film, but dare we say we admire it?Plus: debating the queer representation in the film (can it be both positive and negative?), comparisons to our current political climate and discussing whether or not the film qualifies as porn (it doesn't).Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) > Zoë: @zobowithashotgun (BlueSky) / @zobowithashotgun (Instagram)Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:27:50 - Les Midis de Culture - par : Marie Labory - Aujourd'hui, dans le débat critique des “Midis de Culture”, nous parlerons de poésie avec deux recueils : la première traduction intégrale du dernier recueil de Pier Paolo Pasolini, "Transhumer et organiser", paru chez Lanskine  ; et "Le Livre de Frank" de CAConrad paru chez P.O.L - réalisation : Laurence Malonda - invités : Anne Dujin rédactrice en chef de la revue Esprit; Romain de Becdelièvre Auteur, conseiller dramaturgique, producteur à France Culture

durée : 00:14:19 - Les Midis de Culture - par : Marie Labory - Avec "Transhumaner et organiser", dernier recueil poétique publié de son vivant, le cinéaste et poète italien Pier Paolo Pasolini dévoile une écriture charnière où l'ironie, la crise intime et la violence politique de l'Italie des années 1970 se mêlent en un ensemble d'une lucidité fulgurante - réalisation : Laurence Malonda - invités : Romain de Becdelièvre Auteur, conseiller dramaturgique, producteur à France Culture; Anne Dujin rédactrice en chef de la revue Esprit

Un viejo conocido de este lugar, Asier Puga, se conecta desde Berlín acompañado del compositor Carlos de Castellarnau, que lo hace desde París para presentarnos "Pier Paolo Pasolini, Petróleo. Una ficción documental". Petróleo es un artefacto híbrido que se sirve de la legendaria no novela del bueno de Pier Paolo en el 50 aniversario de su asesinato. Asier Puga ha levantado este proyecto titánico con el grupo Enigma, y a finales de mes hará una gira por Andalucía y España, así que saquen sus agendas, que en cosa de una semana tenemos plan.

Esto es lo que se sabe: Pier Paolo Pasolini vivió entre la poesía, el cine, la política y el escándalo. Fue un intelectual incómodo, un director audaz, un hombre perseguido y un artista que nunca bajó la mirada. Y esto también se sabe: la noche del 2 de noviembre de 1975 Pasolini fue asesinado en circunstancias tan brutales como confusas. En este episodio: un retrato del último gran provocador del cine europeo. Una historia donde nada es simple… y casi nada está del todo claro.

Pier Paolo Pasolini, the celebrated and controversial Italian film director, was murdered 50 years ago this month and the case is still unsolved. We 'll dive into Pasolini's past and try to piece together how his early demise came together.

Olivia Laing is an internationally acclaimed writer and critic. They are the author of eight books, including The Lonely City, Everybody and the Sunday Times bestseller The Garden Against Time. Laing's first novel, Crudo, won the James Tait Black Memorial Prize and in 2018 they were awarded the Windham-Campbell Prize for non-fiction.  In today's episode, Laing sits down with host Mythili Rao to discuss their latest novel, The Silver Book. The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema.  Weaving a fictional account from the creation of Federico Fellini's flamboyant biopic Casanova and Pasolini's notoriously shocking, Salò, or 120 Days of Sodom, Laing explores the difficult relationship between artifice and truth, illusion and reality, love and power. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drugega novembra je minilo natanko pol stoletja, kar je bil umorjen eden največjih evropskih režiserjev povojnega obdobja, pisatelj in pesnik Pier Paolo Pasolini. Ob obletnici smrti so v Slovenski kinoteki predstavili slovenski prevod knjige Pasolini in smrt. V oddaji predstavljamo tudi, kaj prinaša festival Liffe, ki je tik pred vrati in ocenjujemo filma Predator: Mrtva zemlja Dana Trachtenbergtera in Plimovanje Jiaja Zhang-keja.

Ripercorriamo la strada intrapresa negli anni 60 da Pier Paolo Pasolini nel mondo del cinema. Interviene Giuseppe Sansonna, regista e saggista.

NEW YORK — COME TO BOUDU SAVED FROM DROWNING, ROUTINE PLEASURES, AND EXTENDED CLIP LIVE ON NOVEMBER 4TH AND 5TH AT THE BROOKLYN CENTER FOR THEATRE RESEARCH!!! https://www.eventbrite.com/e/extended-clip-live-tickets-1854585257429?aff=ebdsshcopyurl&utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp Today's episode is on Pasolini's great The Gospel According to Saint Matthew. We talked about the unique stylistic approach to a bible-thumping arthouse movie. Then, on Malcolm in the Middle, we chatted about Blue Moon, Bonehill Road, and After the Hunt. Send us your questions to be read on the air at extendedclippodcast@gmail.com Get an extra episode every week for $5/mo at patreon.com/extended_clip

On this episode, we had the pleasure of sitting down with Olivia Laing to discuss their extraordinary new novel, The Silver Book, which has been selected as a Hatchards Book of the Month for November. Set amid the turbulence of Italy's Years of Lead, the novel is full of rich and deliberate contradictions: it's a love story coloured by political extremism; a journey through Rome's legendary film studio, Cinecittà, that sidesteps glamour in favour of the artisans and craftspeople who brought cinematic illusions to life. At its heart is a character who recalls Patricia Highsmith's Tom Ripley, though driven more by naïveté than malice. Olivia spoke with us about the deep immersion in Italian history and culture that informed their writing, and about the figures of Federico Fellini and Pier Paolo Pasolini — both major characters in the novel — whose contrasting creative visions shaped modern Italian art and cinema. They also reflected on how Italy's fraught political history continues to resonate today, offering unexpected parallels with contemporary Britain. Hosted by Ryan Edgington and Matt Hennessey.

November 2nd. 1975.   Ostia.   Around 6:30 AM, the sun is coming up in the open fields of an ancient fishing village.   Just a few miles outside of Rome, it feels a world away from the Eternal City, The Capital of The World.      The rising sun reveals pebbled beaches, salt marshes, faded signs, piles of concrete.   The waters of the Tyrenniean Sea gently meet the sand at the nearby Lidos, but we begin further out, somewhere in the open fields of Via dell'Idroscalo.   A cold wind blows across the desolate landscape.      If you look closely, you can find the traces of an old runway for seaplanes, a satellite military installation from the first world war, but in the 50 years since, it has been reclaimed by sand, pine trees and piles of dead reeds.   The air smells of seawater and diesel fuel.     Seasons change, and many days here feel like the last, but this morning will be etched in the collective memory.     A body has just been discovered.  

durée : 00:18:55 - Les Nuits de France Culture - par : Albane Penaranda - En 1974, Pier Paolo Pasolini explique ce qui fait la trame et l'originalité de son film "Les Mille et Une Nuits", récompensé du Grand Prix Spécial du Jury au Festival de Cannes quelques jours après cet entretien. - réalisation : Virginie Mourthé - invités : Pier Paolo Pasolini Cinéaste italien

durée : 01:01:55 - Les Nuits de France Culture - par : Albane Penaranda - "L'Atelier de la création" propose en 2014 "Ninetto et Pier Paolo" une émission sur la collaboration mais surtout sur l'amitié entre le cinéaste Pier Paolo Pasolini et Ninetto Davoli, son "acteur fétiche", avec lequel il a tourné huit longs métrages et des sketches de films collectifs. - réalisation : Virginie Mourthé

durée : 01:17:25 - Les Nuits de France Culture - par : Albane Penaranda - "Pier Paolo Pasolini, le procès interdit" revient sur l'assassinat du cinéaste et écrivain italien en 1975. Ce documentaire en trois parties de Yan Ciret, dont le premier volet s'intitule "Ostie le corps du massacre : ordure et blasphème", a été produit en 2009. - réalisation : Virginie Mourthé - invités : Anne Wiazemsky Écrivaine et comédienne (1947-2017); Pier Paolo Pasolini Cinéaste italien; René de Ceccatty Auteur, traducteur, éditeur; René Schérer; Bertrand Levergeois; Jean-Paul Manganaro Traducteur; Pierre Clémenti; Alberto Moravia Écrivain et journaliste italien du XXᵉ siècle

durée : 01:17:56 - Les Nuits de France Culture - par : Albane Penaranda - "Pier Paolo Pasolini, le procès interdit" est un documentaire en trois parties réalisé en 2009. Le dernier volet s'intitule "Dernières prophéties : cannibalisme, esclavage et capitalisme" avec en archive la voix de Pasolini s'exprimant sur ses films "Théorème", "Porcherie", parmi d'autres. - réalisation : Virginie Mourthé - invités : Pier Paolo Pasolini Cinéaste italien; Anne Wiazemsky Écrivaine et comédienne (1947-2017); Hervé Joubert-Laurencin Professeur en études cinématographiques à l'université de Paris Nanterre, codirecteur du département des arts du spectacle et de l'unité de recherches "HAR", traducteur et spécialiste de l'œuvre de Pier Paolo Pasolini; Bertrand Levergeois; René de Ceccatty Auteur, traducteur, éditeur; René Schérer; Pierre Clémenti

durée : 00:08:55 - Les Nuits de France Culture - par : Albane Penaranda - En décembre 1974, le cinéaste italien Pier Paolo Pasolini participe aux "Journées sur le cinéma italien", organisées par l'Université de Vincennes. Il s'exprime après la projection du film "Fascita" réalisé par son cousin Nico Naldini, alors que la séance a été chahutée par un groupuscule gauchiste. - réalisation : Virginie Mourthé - invités : Pier Paolo Pasolini Cinéaste italien

durée : 01:16:55 - Les Nuits de France Culture - par : Albane Penaranda - Catholique, homosexuel, mais aussi marxiste, communiste et antifasciste. Comment définir Pasolini ? "Le sacrifié de la société", le 2e volet du documentaire consacré au cinéaste italien, "Pier Paolo Pasolini, le procès interdit", en 2009, se penche sur la complexité de l'artiste. - réalisation : Virginie Mourthé - invités : Pier Paolo Pasolini Cinéaste italien; Anne Wiazemsky Écrivaine et comédienne (1947-2017); Hervé Joubert-Laurencin Professeur en études cinématographiques à l'université de Paris Nanterre, codirecteur du département des arts du spectacle et de l'unité de recherches "HAR", traducteur et spécialiste de l'œuvre de Pier Paolo Pasolini; René de Ceccatty Auteur, traducteur, éditeur; René Schérer; Jean-Paul Manganaro Traducteur

durée : 01:26:55 - Les Nuits de France Culture - par : Albane Penaranda - En 1990, l'émission "Une vie, une œuvre" consacrée à Pier Paolo Pasolini s'intéresse plus particulièrement à son œuvre littéraire. Francesca Isidori y donne la parole à Alberto Moravia, René de Ceccatty, Jean-Michel Gardair et Laura Betti. Lectures par Pierre Clémenti et par Pasolini lui-même. - réalisation : Virginie Mourthé - invités : Pier Paolo Pasolini Cinéaste italien; Alberto Moravia Écrivain et journaliste italien du XXᵉ siècle; René de Ceccatty Auteur, traducteur, éditeur

Nuestra sección de aniversarios recuerda esta semana que hace 50 años fallecía asesinado el director italiano Pier Paolo Pasolini. En el reportaje que hemos preparado recordamos su figura, su cine y su violenta muerte. Un conocido monstruo del cine de acción y ciencia-ficción está a punto de volver a las pantallas. Nos referimos a Depredador, personaje que nació en el cine de los 80y que se ha desarrollado en una saga que la semana que viene estrenará su octava película. Charlamos con el director Claudio Zulián sobre un documental que ha dirigido sobre el director y productor Pere Portabella y en la sección de Jack Bourbon tenemos una película de aventuras coloniales dirigida por William Wellman en 1939 y protagonizada por Gary Cooper: “Beau Geste”.

durée : 00:06:14 - Les Nuits de France Culture - par : Albane Penaranda - Présentation de cette sélection d'archives radiophoniques qui nous permet d'entendre la voix de Pasolini lui-même, et de ceux et celles qui l'ont connu, aimé, admiré, analysé ou traduit. - réalisation : Rafik Zénine

Met vandaag:  - Telegraaf-columnist Nausicaa Marbe over herstel en behoud van vertrouwen in de politiek; - Palestijns-Nederlandse politicoloog Radi Suudi over Gaza in de weken na een door de VS afgedwongen bestand, dat ook geschonden wordt; -Dj Armin van Buuren speelt zelf piano op zijn nieuwe album 'Piano'; - Literair vertaler Piet Joostens over het nalatenschap van de vermoordde kunstenaar Pier Paolo Pasolini; - Met koningshuiskenner Josine Droogendijk op zoek naar de nieuwe woning van de verbannen Prins Andrew; Presentatie: Coen Verbraak.

durée : 00:09:22 - Le Point culture - par : Sophie-Catherine Gallet - Alors que l'on commémore les 50 ans de la mort de Pier Paolo Pasolini, assassiné dans la nuit du 1ᵉʳ au 2 novembre 1975, et que paraît son recueil de poèmes inédit en français, “Transhumaner et organiser", retour sur son travail poétique, élément moins connu de son œuvre. - réalisation : Laurence Malonda - invités : Hervé Joubert-Laurencin Professeur en études cinématographiques à l'université de Paris Nanterre, codirecteur du département des arts du spectacle et de l'unité de recherches "HAR", traducteur et spécialiste de l'œuvre de Pier Paolo Pasolini

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We celebrate the late Terence Stamp by taking a look at Stephen Frears's 1984 proto-LIMEY existential gangster film, THE HIT. Plus: a little bit of Pasolini's TEOREMA talk for good measure. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

One for the ladies - pairs well with Pasolini's MEDEA.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com