Podcast appearances and mentions of Martin Popoff

In Episode 348 of History in Five Songs with Martin Popoff, Martin examines bands like Kiss, Foghat and others whose live albums either broke them commercially, became their bestsellers, defined their reputations, or even marked their creative peak. Kiss – “Strutter” Foghat – “Fool for the City” UFO – “Mother Mary” Pat Travers Band – “Heat in the Street” Peter Frampton – “It's a Plain Shame” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 348 of History in Five Songs with Martin Popoff, Martin examines bands like Kiss, Foghat and others whose live albums either broke them commercially, became their bestsellers, defined their reputations, or even marked their creative peak. Kiss – “Strutter” Foghat – “Fool for the City” UFO – “Mother Mary” Pat Travers Band – “Heat in the Street” Peter Frampton – “It's a Plain Shame” Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Producer Bob Ezrin didn't just record KISS — he reshaped them. With orchestration, choirs, sound effects, and strict studio discipline, Destroyer became the album that pushed the band beyond their live reputation and into true superstardom.In this audio highlight, author Martin Popoff explains how Ezrin's production approach elevated the band's songwriting, performances, and overall ambition — creating one of the most important albums of the 1970s.Listen to Episode 360 - 1976: The Year KISS Took Over the World

Long before you heard a note of Destroyer, you saw it.In this episode highlight, acclaimed rock historian Martin Popoff, author of Kiss '76: Twelve Months That Defined the Hottest Band in the Land, breaks down the importance of KISS's iconic Destroyer album cover and why it became such a pivotal moment in the band's rise.More than just artwork, the legendary painting helped cement KISS as larger-than-life superheroes and elevated their image to match the ambition of the music. We explore how the visual identity of Destroyer amplified the mythology, marketing power, and cultural impact of the band during their breakthrough year.Because sometimes in rock & roll… the image hits before the first chord. #KISS #Destroyer Listen to Episode 360 - 1976: The Year KISS Took Over the World

Join host Jesse Jackson on a new episode of 'Set Lusting Bruce' as he steps off the Bruce train for a chat with rock journalist Martin Popoff. Together, they delve into Popoff's latest book, 'KISS 76: 12 Months that Define the Hottest Band in the Land.' The episode covers KISS's massive year in 1976, including iconic tours, releases, and cultural impact. Martin also shares his journey from heavy metal fandom to becoming a prolific rock historian, and discusses his unique podcast 'History in Five Songs.' Whether you're a die-hard KISS fan or just love rock history, this episode is a must-listen! 00:00 Introduction and Host Welcome 01:53 Guest Introduction and Background 03:10 Early Musical Influences and First Concerts 05:09 The Concept of Perfect Music 07:21 Latest Book: KISS 76 08:40 KISS in 1976: A Year in Review 17:40 KISS's Live Performances and Touring 25:11 The Ed Sullivan Moment and KISS's Influence 26:30 KISS's Unique Sound and Comparisons 29:01 Controversies and Public Perception 33:32 The Podcast and Writing Journey 37:31 Favorite Albums and Musical Preferences 39:13 The Mary Question and Final Thoughts 42:48 Outro and Housekeeping Notes Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 347 of History in Five Songs with Martin Popoff, Martin explores the intriguing phenomenon of major bands like Rush, Iron Maiden, and Nirvana whose beloved early albums—often packed with staple songs and fan favorites—surprisingly underperformed commercially compared to their later multi-platinum successes. Rush – “Finding My Way” Iron Maiden – “Phantom of the Opera” Cheap Trick – “Hot Love” Nirvana – “Swap Meet” Def Leppard – “It Don't Matter” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Rush Rash, Chaz and Shatz crack open the Haggis Shack to welcome a true lifer: Rob Silverberg, the driving force behind Midwest RushFest. Before the wheel spins, the guys dive deep into Rob's Rush origin story—Signals and “The Analog Kid” as the gateway, Columbia House confessions, and buying Grace Under Pressure on release day like it was a sacred ritual.From there, it's all about community. Rob walks through the evolution of Midwest Rush Fest—from a heartfelt gathering in 2016 to a full-blown annual celebration at The Pageant in St. Louis. Along the way: Martin Popoff, Kevin J. Anderson, Maya Wynn, Nancy and Judy Peart, Thunderhead, jam sessions, catered dinners, raffle giveaways, and hundreds of Rushians sharing one room where everyone gets the references. As Rob puts it, it's the rare place where you're not the only Rush fan in the room.The conversation detours into serious collector territory—basements lined floor to ceiling, the philosophy of “exhibition, not competition,” and the surreal moment of spotting his own Rush license plate hanging in Ray Daniels' office in Beyond the Lighted Stage. Add 60 live Rush shows, multiple meet-and-greets, and a possible nod of recognition from Geddy Lee, and you've got a résumé that earns its stripes.The wheel lands on Dreamline from Roll the Bones.The trio breaks down the song's urgency, cinematic production, and that unmistakable opening drive. They dig into the themes of youth, motion, and the fleeting nature of time—“we are young, wandering the face of the earth”—and reflect on how the song mirrors the Rush touring life itself: rolling at home when you're on the run.A celebration of fandom, fellowship, and forward momentum—this episode proves that even decades later, the dream is still alive.SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

In 1976, everything changed for KISS.After years of grinding it out on the road, the band suddenly exploded into a full-blown phenomenon — sold-out arenas, the rise of the KISS Army, merchandising everywhere, and a level of fan hysteria rock had rarely seen. This wasn't just success… it was a takeover. The question is: why did it all happen in that one year?In this episode, we break down the perfect storm — 'Destroyer', 'Rock & Roll Over', non-stop touring, the mythology, the image, and the moment when KISS truly became The Hottest Band in the Land.Featuring an interview with Martin Popoff, author of Kiss '76: Twelve Months That Defined the Hottest Band in the Land, who walks us through the chaos, strategy, and timing that turned a cult band into a cultural phenomenon overnight.If you want to understand when KISS stopped being a band… and became an institution — this is the year.Purchase a copy of KISS '76: Twelve Months That Defined the Hottest Band in the LandVisit MartinPopoff.com----------

Join host Jesse Jackson on a new episode of 'Set Lusting Bruce' as he steps off the Bruce train for a chat with rock journalist Martin Popoff. Together, they delve into Popoff's latest book, 'KISS 76: 12 Months that Define the Hottest Band in the Land.' The episode covers KISS's massive year in 1976, including iconic tours, releases, and cultural impact. Martin also shares his journey from heavy metal fandom to becoming a prolific rock historian, and discusses his unique podcast 'History in Five Songs.' Whether you're a die-hard KISS fan or just love rock history, this episode is a must-listen! https://a.co/d/0hmrKt9E 00:00 Introduction and Host Welcome 01:53 Guest Introduction and Background 03:10 Early Musical Influences and First Concerts 05:09 The Concept of Perfect Music 07:21 Latest Book: KISS 76 08:40 KISS in 1976: A Year in Review 17:40 KISS's Live Performances and Touring 25:11 The Ed Sullivan Moment and KISS's Influence 26:30 KISS's Unique Sound and Comparisons 29:01 Controversies and Public Perception 33:32 The Podcast and Writing Journey 37:31 Favorite Albums and Musical Preferences 39:13 The Mary Question and Final Thoughts 42:48 Outro and Housekeeping Notes Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 346 of History in Five Songs with Martin Popoff, Martin traces the parallel career arcs of Kate Bush and Peter Gabriel, comparing their conservative early albums, synchronized creative peaks, shared technologies and collaborators, commercial high points, and eventual semi-retirement marked by long gaps, home studios, and artistic mystique. Peter Gabriel – “Modern Love” Kate Bush – “Delius” Peter Gabriel – “Mercy Street” Kate Bush – “Snowed in at Wheeler Street” Peter Gabriel – “Intruder” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 345 of History in Five Songs with Martin Popoff, Martin explores surprisingly famous rock stars across metal, prog, and punkrock who—despite major influence, acclaim, and ticket-selling power—never earned a single U.S. gold record. Scorpions – “Top of the Bill” Status Quo – “Down Down” Porcupine Tree – “Shallow” The Replacements – “I Don't Know” Motörhead – “(Don't Need) Religion” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 347 of History in Five Songs with Martin Popoff, Martin explores the intriguing phenomenon of major bands like Rush, Iron Maiden, and Nirvana whose beloved early albums—often packed with staple songs and fan favorites—surprisingly underperformed commercially compared to their later multi-platinum successes. Rush – “Finding My Way” Iron Maiden – “Phantom of the Opera” Cheap Trick – “Hot Love” Nirvana – “Swap Meet” Def Leppard – “It Don't Matter” Learn more about your ad choices. Visit megaphone.fm/adchoices

In my efforts to evolve the show, I have asked Huyen Tue Dao to join me in working through Martin Popoff's book - 500 Greatest Heavy Metal Songs. This episode we talk about our history with metal and dive into the first 11 songs.  For about Huyen:  https://www.instagram.com/queencodemonkey/ for the playlist we are talking about:  https://open.spotify.com/playlist/2TqG3LqTI9q5urssvFmesF?si=865eb7227efd457c For more Beyond the Playlist https://www.facebook.com/groups/Beyondtheplaylist/ https://www.instagram.com/jhammondc/ Theme music by Jason Bieler. You can find out more about him at https://jasonbieler.bandcamp.com Cover art by Phil Rood. https://philroodart.com

In Episode 346 of History in Five Songs with Martin Popoff, Martin traces the parallel career arcs of Kate Bush and Peter Gabriel, comparing their conservative early albums, synchronized creative peaks, shared technologies and collaborators, commercial high points, and eventual semi-retirement marked by long gaps, home studios, and artistic mystique. Peter Gabriel – “Modern Love” Kate Bush – “Delius” Peter Gabriel – “Mercy Street” Kate Bush – “Snowed in at Wheeler Street” Peter Gabriel – “Intruder” Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 655. Take a lively look back at the most significant 12-month span in Kiss's career, 50 years on, joining Paul, Gene, Ace, and Peter as they conquer the world. 1976 suffered no shortage of notable events… Cincinnati's “Big Red Machine” beat the Yankees in the World Series. Jimmy Carter beat Gerald Ford at the […]

In Episode 344 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 343 of History in Five Songs with Martin Popoff, Martin explores the most surprising and often baffling musical “biggest left turns,” spotlighting bands that radically and unexpectedly reinvented their sound—from punk to prog, metal to synth-pop, and rock to funk—often defying logic, trends, and their own pasts. The Saints – “See You in Paradise” Alice Cooper – “Leather Boots” The Meat Puppets – “Paradise” The Tubes – “Tip of My Tongue” Rush – “Lock and Key” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 345 of History in Five Songs with Martin Popoff, Martin explores surprisingly famous rock stars across metal, prog, and punkrock who—despite major influence, acclaim, and ticket-selling power—never earned a single U.S. gold record. Scorpions – “Top of the Bill” 0:53 – 1:23 Status Quo – “Down Down” 1:02 – 1:32 Porcupine Tree – “Shallow” 0:34 – 1:04 The Replacements – “I Don't Know” 0:22 – 0:52 Motörhead – “(Don't Need) Religion” 0:20 – 0:50 Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 342 of History in Five Songs with Martin Popoff, Martin contemplates the unusual choice of albums where the title track appears last, and examines what that placement says about the songs and albums, using examples from Slayer, Alice in Chains, David Bowie, and more. Slayer – “Seasons in the Abyss” Nazareth – “No Mean City” Alice in Chains – “Black Gives Way to Blue” April Wine – “The Whole World's Going Crazy” David Bowie – “Heathen (Rays)” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 342 of History in Five Songs with Martin Popoff, Martin contemplates the unusual choice of albums where the title track appears last, and examines what that placement says about the songs and albums, using examples from Slayer, Alice in Chains, David Bowie, and more. Slayer – “Seasons in the Abyss” Nazareth – “No Mean City” Alice in Chains – “Black Gives Way to Blue” April Wine – “The Whole World's Going Crazy” David Bowie – “Heathen (Rays)” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 341 of History in Five Songs with Martin Popoff, Martin rings in the "new year” of 1980 by examining how classic rock, metal, punk, and new wave bands either reinvented themselves, stalled out, or flat-out quit as the calendar flipped from the '70s into the radically different '80s. Y&T – “Shake It Loose” Led Zeppelin – “Carouselambra” Black Sabbath – “Wishing Well” The Damned – “Plan 9 Channel 7” David Bowie – “Ricochet” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 343 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 343 of History in Five Songs with Martin Popoff, Martin explores the most surprising and often baffling musical “biggest left turns,” spotlighting bands that radically and unexpectedly reinvented their sound—from punk to prog, metal to synth-pop, and rock to funk—often defying logic, trends, and their own pasts. The Saints – “See You in Paradise” Alice Cooper – “Leather Boots” The Meat Puppets – “Paradise” The Tubes – “Tip of My Tongue” Rush – “Lock and Key” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 342 of History in Five Songs with Martin Popoff, Martin contemplates the unusual choice of albums where the title track appears last, and examines what that placement says about the songs and albums, using examples from Slayer, Alice in Chains, David Bowie, and more. Slayer – “Seasons in the Abyss” Nazareth – “No Mean City” Alice in Chains – “Black Gives Way to Blue” April Wine – “The Whole World's Going Crazy” David Bowie – “Heathen (Rays)” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 341 of History in Five Songs with Martin Popoff, Martin rings in the "new year” of 1980 by examining how classic rock, metal, punk, and new wave bands either reinvented themselves, stalled out, or flat-out quit as the calendar flipped from the '70s into the radically different '80s. Y&T – “Shake It Loose” Led Zeppelin – “Carouselambra” Black Sabbath – “Wishing Well” The Damned – “Plan 9 Channel 7” David Bowie – “Ricochet” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 340 of History in Five Songs with Martin Popoff, Martin treats Judas Priest's Painkiller and AC/DC's The Razor's Edge as near-identical 1990-era comeback doppelgangers, comparing their timing, guitars, drummers, production, and missed momentum as two old-guard metal bands tried to outmuscle a changing scene on the eve of grunge. AC/DC – “Are You Ready” Judas Priest – “Between the Hammer & the Anvil” AC/DC – “Moneytalks” Judas Priest – “Night Crawler” AC/DC – “Thunderstruck” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special 2025 recap episode of The David Ellefson Show, David Ellefson and cohost Joshua Toomey look back on how the podcast came together and reflect on some of the standout moments from the year. The guys discuss David's involvement in the Metallica tribute project “No Life 'Til Leather,” celebrating the legacy and influence of the band's early era. They also take a quick look at author Martin Popoff's book “KISS at 50” It's a relaxed, behind-the-scenes conversation that sets the stage for what's ahead in 2026.Today's episode is brought to you by Rockabilia.com, Use code: DAVID10 for 10% Off your order. 100% authentic band merch since 1987!Join the Patreon for early access to episodes and Q and A's with the hosts www.patreon.com/tdesFor David Ellefson Stage Played Basses and Merch www.ellefsonemporium.comFollow David on Social Medialinktr.ee/davidellefsonFollow Joshua on Social Medialinktr.ee/talktoomeypodcast #megadeth #bassplayer #thrash #bigfour

In Episode 340 of History in Five Songs with Martin Popoff, Martin treats Judas Priest's Painkiller and AC/DC's The Razor's Edge as near-identical 1990-era comeback doppelgangers, comparing their timing, guitars, drummers, production, and missed momentum as two old-guard metal bands tried to outmuscle a changing scene on the eve of grunge. AC/DC – “Are You Ready” Judas Priest – “Between the Hammer & the Anvil” AC/DC – “Moneytalks” Judas Priest – “Night Crawler” AC/DC – “Thunderstruck” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 339 of History in Five Songs with Martin Popoff, Martin explores how persistence and simply staying in the game can eventually pay off, using life-lesson stories and musical examples—from Gary Moore and John Wetton to Tommy Thayer and Derek Shulman—of artists who kept showing up, climbed the ladder in different ways, and ultimately landed career-defining gigs inside and beyond the rock world. Gary Moore – “Moving On” Gentle Giant – “All Through the Night” Kiss – “Outta This World” Asia – “Cutting It Fine” Trans-Siberian Orchestra – “The Dark” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 339 of History in Five Songs with Martin Popoff, Martin explores how persistence and simply staying in the game can eventually pay off, using life-lesson stories and musical examples—from Gary Moore and John Wetton to Tommy Thayer and Derek Shulman—of artists who kept showing up, climbed the ladder in different ways, and ultimately landed career-defining gigs inside and beyond the rock world. Gary Moore – “Moving On” Gentle Giant – “All Through the Night” Kiss – “Outta This World” Asia – “Cutting It Fine” Trans-Siberian Orchestra – “The Dark” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 338 of History in Five Songs with Martin Popoff, Martin explores why veteran rock stars like Alice Cooper, Robert Plant, Rob Halford and others collaborate with younger musicians, examining whether it's for creative renewal, staying culturally relevant, genuine mentorship, or tapping into youthful energy. Alice Cooper – “Dirty Diamonds” Robert Plant – “Big Love” Fight – “Immortal Sin” Bruce Dickinson – “Back from the Edge” Iggy Pop – “American Valhalla” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 337 of History in Five Songs with Martin Popoff, Martin examines rock and metal bands that “missed the pre-grunge window” by failing to release one more album before grunge's 1991 breakthrough wiped out their commercial momentum. Whitesnake – “Judgment Day" Foreigner – “Counting Every Minute” Accept – “Monsterman” UFO – “Mean Streets” Blue Öyster Cult – “Del Rio's Song” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 338 of History in Five Songs with Martin Popoff, Martin explores why veteran rock stars like Alice Cooper, Robert Plant, Rob Halford and others collaborate with younger musicians, examining whether it's for creative renewal, staying culturally relevant, genuine mentorship, or tapping into youthful energy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 336 of History in Five Songs with Martin Popoff, Martin ponders the bands who managed—through timing, luck, pivots, or pure momentum—to sneak in a successful album just before grunge exploded and reshaped the entire rock and metal landscape. Alice Cooper – “Little by Little” Pantera – “Domination” Judas Priest – “Hell Patrol” Metallica – “Holier Than Though” AC/DC – “Let's Make It” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 337 of History in Five Songs with Martin Popoff, Martin examines rock and metal bands that “missed the pre-grunge window” by failing to release one more album before grunge's 1991 breakthrough wiped out their commercial momentum. Whitesnake – “Judgment Day" Foreigner – “Counting Every Minute” Accept – “Monsterman” UFO – “Mean Streets” Blue Öyster Cult – “Del Rio's Song” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 336 of History in Five Songs with Martin Popoff, Martin ponders the bands who managed—through timing, luck, pivots, or pure momentum—to sneak in a successful album just before grunge exploded and reshaped the entire rock and metal landscape. Whitesnake – “Judgment Day” Foreigner – “Counting Every Minute” Accept – “Monsterman” UFO – “Mean Streets” Blue Öyster Cult – “Del Rio's Song” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 336 of History in Five Songs with Martin Popoff, Martin ponders the bands who managed—through timing, luck, pivots, or pure momentum—to sneak in a successful album just before grunge exploded and reshaped the entire rock and metal landscape. Whitesnake – “Judgment Day” Foreigner – “Counting Every Minute” Accept – “Monsterman” UFO – “Mean Streets” Blue Öyster Cult – “Del Rio's Song” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 335 of History in Five Songs with Martin Popoff, Martin traces the parallel rise, stumbles, and enduring legacies of Motörhead and Saxon, showing how the two bands evolved like true heavy-metal doppelgängers across debuts, classics, live albums, missteps, and comeback eras. Motörhead – “Keep Us on the Road” Saxon – “Out of Control” Motörhead – “Marching Off to War” Saxon – “Hole in the Sky” Motörhead – “When the Eagle Screams” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 335 of History in Five Songs with Martin Popoff, Martin traces the parallel rise, stumbles, and enduring legacies of Motörhead and Saxon, showing how the two bands evolved like true heavy-metal doppelgängers across debuts, classics, live albums, missteps, and comeback eras. Motörhead – “Keep Us on the Road” Saxon – “Out of Control” Motörhead – “Marching Off to War” Saxon – “Hole in the Sky” Motörhead – “When the Eagle Screams” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 334 of History in Five Songs with Martin Popoff, Martin digs into why so many rock, metal, and even punk bands slip old-school 1950s-style rock-and-roll rave-ups into their albums, exploring the roots, motives, and surprising examples behind this enduring musical quirk. Whitesnake – “Bloody Luxury” Kiss – “Let Me Go, Rock ‘n' Roll” Accept – “Burning” The Clash – “Brand New Cadillac” Rush – “In the Mood” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 333 of History in Five Songs with Martin Popoff, Martin dives into those puzzling album openers that deflate excitement right out of the gate—exploring songs that worry, confuse, or misrepresent their bands, from The Who and Rush to Queen, Rainbow, and Yes. The Who – “New Song” Rush – “The Big Money” Queen – “Party” Rainbow – “I Surrender” Yes – “Going for the One” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 334 of History in Five Songs with Martin Popoff, Martin digs into why so many rock, metal, and even punk bands slip old-school 1950s-style rock-and-roll rave-ups into their albums, exploring the roots, motives, and surprising examples behind this enduring musical quirk. Whitesnake – “Bloody Luxury” Kiss – “Let Me Go, Rock ‘n' Roll” Accept – “Burning” The Clash – “Brand New Cadillac” Rush – “In the Mood” Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally published in 2019, here is Cobras & Fire 4 part series. The Black Sabbath Story. With 2 bonus episodes of the complete interviews with Dave Walker & Martin Popoff. ⁠⁠Pantheon Podcasts⁠⁠⁠⁠⁠⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠⁠⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠⁠⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠⁠⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠⁠⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ Follow us on Threads: ⁠⁠⁠⁠⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠⁠⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠⁠⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠⁠⁠⁠⁠ Stitcher: ⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠⁠⁠⁠⁠⁠ Spreaker: ⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠⁠⁠⁠⁠ Find it all here: ⁠⁠⁠⁠⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 333 of History in Five Songs with Martin Popoff, Martin dives into those puzzling album openers that deflate excitement right out of the gate—exploring songs that worry, confuse, or misrepresent their bands, from The Who and Rush to Queen, Rainbow, and Yes. The Who – “New Song” Rush – “The Big Money” Queen – “Party” Rainbow – “I Surrender” Yes – “Going for the One” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 333 of History in Five Songs with Martin Popoff, Martin dives into those puzzling album openers that deflate excitement right out of the gate—exploring songs that worry, confuse, or misrepresent their bands, from The Who and Rush to Queen, Rainbow, and Yes. The Who – “New Song” Rush – “The Big Money” Queen – “Party” Rainbow – “I Surrender” Yes – “Going for the One” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 332 of History in Five Songs with Martin Popoff, Martin digs into the most surprising omissions from classic live rock albums by legends like Led Zeppelin, Queen, and Rush—spotlighting the iconic tracks that somehow never made the cut. Led Zeppelin – “Immigrant Song” Queen – “Somebody to Love” Rush – “Limelight” AC/DC – “Dirty Deeds Done Dirt Cheap” Blue Öyster Cult – “Astronomy” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 332 of History in Five Songs with Martin Popoff, Martin digs into the most surprising omissions from classic live rock albums by legends like Led Zeppelin, Queen, and Rush—spotlighting the iconic tracks that somehow never made the cut. Led Zeppelin – “Immigrant Song” Queen – “Somebody to Love” Rush – “Limelight” AC/DC – “Dirty Deeds Done Dirt Cheap” Blue Öyster Cult – “Astronomy” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices