Podcasts about Buzzcocks

Nostalgia is something that I ponder a lot as I get older – I've got way too much time on my hands. But it's such a layered emotion of experiences, some vivid, some half-forgotten and some probably embellished. The band you never got to see live. A long-lost lover. How good you didn't look in that army surplus jacket. Summer road trips. Friends lost. That gig that ended in a riot. I'm gonna read out some lyrics from a song by the Buzzcocks called ……..”Nostalgia”“About the future I only can reminisceFor what I've had is what I'll never getAnd although this may sound strangeMy future and my past are presently disarrangedAnd I'm surfing on a wave of nostalgia for an age yet to come”Nostalgia for today, knowing that it won't last forever. Future nostalgia. Seeing a band for the first time in a small basement, buying the t-shirt and anticipating that a future generation is going to do the same.I think I'm of a generation where I'm seeing music cycles reinvent themselves, come full circle, younger generations liking the same music I liked when I was their age, whatever you wanna call it. So I'm seeing this connection with my past memories, some good, some horrible (that'll be Britpop). Only kidding, but there are some songs I can't play because the memories are too hard. But that's life and that's the beautiful power of music.The songs of Jeanines make me feel like I'm flicking through a photo album of my life. Their songs very infrequently clock in over the 1 minute 30 second mark (which totally works for me) and makes it all the more remarkable that they fit in such addictive, poignant melodies and harmonies to perfectly craft their songs. Check out their upcoming, third album, How Long Can It Last, for a perfect 13.It was a pleasure to have Alicia and Jed from the band with me.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

The CAT Club presents a classic vinyl album:MAGAZINE – REAL LIFE with special guest HELEN CHASEMagazine's strength lay in their ability to marry together punk roots, a vision of the future and a keen literary mind. This can be a fine line to walk without falling off to one side or the other, but Magazine walked it superbly with ‘Real Life.'Helen Chase's revised and updated edition of ‘Magazine: The Biography' tells the story of the iconic band formed by Howard Devoto after he left Buzzcocks. It's a riveting insight into a greatly respected and hugely influential band whose music remains fresh and relevant today.In the interviewer's chair was JASON BARNARD.This event took place on 29th May in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasons.To find out more about the CAT Club please visit: www.thecatclub.co.ukHappy Trails.

"Ripped And Torn", also in etwa "zerrissen und in Fetzen", ist der Titel des Debüt-Albums unserer heutigen Gäste, und auch derjenige der vorab veröffentlichten ersten Single "It Will Get Worse" klingt einigermaßen beunruhigend – wie gut, dass die "Lebensretter" in der Nähe sind. Denn Lifeguard ist der Name, unter dem Asher Case (Bass, Baritongitarre, Gesang), Isaac Lowenstein (Schlagzeug, Synthesizer) und Kai Slater (Gitarre, Gesang) gemeinsam musizieren, und das schon seit ihrer High-School-Zeit. Die ist noch gar nicht so lange her, entsprechend strotzen die Songs vor jugendlichem Überschwang. Ein bisschen als hätten sich die Strokes und die Buzzcocks zu einer gemeinsamen Jam-Session im zugigen, weitläufig-verhallten Keller eines leerstehenden Abrisshauses getroffen, bei der auch kleine Experimente in Dub erlaubt waren. Der scheppernd-schrammelige Garagen-Rock des Trios aus Chicago mit dem Händchen für eingängige Melodien war eine der großen Sensationen der 2023er Ausgabe des renommierten Trüffelschwein-Festivals SXSW – und das, wohlgemerkt, fast zwei Jahre bevor die drei überhaupt ihr erstes Album veröffentlicht hatten. Nun ist es also so weit, und dieses erste Album erscheint morgen, was Lifeguard am selben Tag mit einem Konzert in der Friedrichshainer Neuen Zukunft feiern. Heute schon kommen wir im studioeins in den Genuss eines kleinen Vorgeschmacks in Form eines Interviews mit anschließender Live-Präsentation des ein oder anderen Songs.

This week we travel back in time to just after the dawn of PUNK ROCK (1978-1981)! We discuss bands influenced by the 1st wave who then took punk into various sub-genres. If you don't think Punk is for you based on secondhand information, we ask that you listen with an open mind and prepare to get out some aggression.This episode features songs with the shortest track length that we've ever played; it's PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore Punk scenes. This is the lead-up to hardcore, and what would establish punk as a lasting genre full of variety and originality. Hope you dig the 2nd wave!Songs this week include:The Dictators – “Faster And Louder” from Blood Brothers (1978)Magazine – “Shot By Both Sides” from Real Life (1978)Chelsea – “I'm On Fire” from Chelsea (1979)The Stranglers – “Dead Loss Angeles” from The Raven (1979)GG Allin – “One Man Army” from Always Was, Is, And Always Shall Be (1980)Zounds – “Can't Cheat Karma” from Curse Of The Zounds (1980)Soggy – “Waiting For The War” from Soggy (1981)The Cheifs – “Liberty” from Holly-West Crisis (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

Alt Down Under hits 20 episodes! For this milestone show, Luke catches up with Sonic Reducer, a 4-piece punk group from Canberra. Bassist, Louie Hanna, is on hand to discuss why the band are doing things differently to the generic 4-piece bands that we've grown tired of over the years. Find out the impact that the closing of venues in Canberra has had…and the creative workarounds that artists are coming up with. And punk….is it a genre that doesn't get the respect it deserves? Louie describes how legends of the scene – The Clash and The Buzzcocks – created music with deeper meaning than many give them credit for, and how that depth has etched itself onto the creations of Sonic Reducer, including new single, NEEDLES. Plus, a Dream Gig Venue with free Guinness on tap. What's not to love?!

Peter Fincham was the Controller of BBC One from 2006 to 2007 and ITV's Director of Television from 2008 to 20016. Before that, Peter was the Managing Director of TalkBack Productions where he oversaw the creation and production of programmes such as The Day Today, Knowing Me Knowing You with Alan Partridge, They Think It's All Over, Never Mind the Buzzcocks, I'm Alan Partridge, Smack the Pony and Da Ali G Show. TalkBack was sold to FremantleMedia in 2001 and Peter became the chief executive of the newly formed Talkback Thames. Since 2017 he's been the co-CEO of Expectation, the makers of Clarkson's Farm and highly successful and multi award winning comedy, Alma's Not Normal. He also makes a podcast with his old University and Cambridge Footlights friend, the head of Hatrick productions, Jimmy Mulville, called Insiders: The TV Podcast, where two of the most experienced men of TV from the last forty years tell all.Peter Fincham is our guest in episode 495 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Listen to Insiders: The TV Podcast, here - https://podfollow.com/1807814349Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

It's double your O3L pleasure this week with our 4th Annual Cruel World Special! It's that time of year again - on May 17, 2025, the masses will descend upon Brookside at the Rose Bowl in Pasadena, CA, for the 4th installment of what has become a destination, a cultural touchstone for fans of classic alternative, new wave, punk, synth-pop, goth, and dark wave - the Cruel World festival.  Goldenvoice has once again put together a fantastic lineup of legends, younger bands who are carrying the torch, and a couple of surprises thrown in.  This year's lineup includes New Order, Nick Cave & The Bad Seeds, The Go-Go's, Devo, OMD, Death Cult, Garbage, Madness, the first appearance of the original ‘Til Tuesday lineup in 35 years, Midge Ure, Clan of Xymox, Buzzcocks, Stereo MC's, Blancmange, Alison Moyet, and "next generation" acts like Nation of Language and She Wants Revenge. As has become O3L tradition, we celebrate this annual event with an episode where we each pick the five acts that we are, or at least would be, most excited to see at this year's festival.  This year, we've got a special guest Third Lad joining us, a gentleman who can rightfully be called Gen X's DJ - someone who grew up, like us, under the spell of this music and continues to keep it alive to not only our generation, but subsequent generations.  Jake Rudh has hosted Minnesota Public Radio's The Current for 15 years, the weekly Transmission club night in Minneapolis for nearly 25 years, he has been a resident DJ at the famous First Avenue (yes, where a lot of Purple Rain took place) for 15 years, as well as the annual ‘80s music festival '80s in the Sands in Mexico, which is hosted by Richard Blade and many of the classic MTV VJs.  We also have Jake to thank for the amazing content on the Slicing Up Eyeballs Facebook page - album anniversaries, artist birthdays, tour announcements and other news.  Plus, the world can partake in Transmission on Twitch, featuring 5+ hours of classic videos every week.  Jake Rudh Website: ⁠https://transmission-music.com/djs/jake-rudh/⁠ Facebook:⁠ https://www.facebook.com/JakeRudh/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

We don't always cover compilation albums, but when we do, we make sure they are the most glorious. Such is the case with this week's episode of EarWax!Hilary and Cody dive into the cool power/punk-pop of Buzzcocks. A greatest hits album made for a band about to tour the United States...where they had very little following. Singles Going Steady is a literal timeline of the band up until that point, and showcases the band's penchant for hooks over politics. The perfect marriage of pop and punk coming together to form a banger of a compilation.Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

DJ Jesse Luscious spins brand new Fishbone, Powerplant, Unicorn Dogs, Fuzzbox Kollective, & the mysterious Tony Bluetile, and highlights some new vinyl he found on his US tour. He also plays classics from NoMeansNo, Buzzcocks, Blatz, Poly Styrene, Hank 3, Steve Adamyk Band, Smokers, Monica and The Explosion, Mean Jeans, Naked Raygun, Tension Span, Bratmobile, Carbon/Silicon, Leila & The Snakes, The Vaxxines, Twistin' Tarantulas, The Toy Dolls, Plus Ones, Speculativism/The Sound of Apskaft, Cheap Dirty Horse, The Underground Railroad to Candyland, Jello Biafra with D.O.A., & Black Flag, and features the Luscious Listener's Choice!  Smokers- The Irish Tenor Naked Raygun- Metastasis Tension Span- The Future Died Yesterday Powerplant- Crashing Cars Monica And The Explosion- Go Out!  Toy Dolls- Spiders In The Dressing Room Cheap Dirty Horse- PROTECTTRANSKIDS (edit) Blatz- Dolly Bratmobile- Panik Carbon/Silicon The Whole Truth Fishbone- Last Call In America Speculativism- Your Racist Friend (TMBG cover) Fuzzbox Kollective- Restraining Order (edit) Poly Styrene- Virtual Boyfriend Tony Bluetile- You Gotta Give Me Something Black Flag- Gimme Gimme Gimme Leila And The Snakes- Rock And Roll Weirdos Nip Drivers- Fox On The Run Vaxxines- Poison Kiss Mean Jeans- Possessed To Party Underground Railroad To Candyland- I Dunno What I'm Sayin' Nomeansno- The Tower Twistin' Tarantulas- Ain't Got All Night Hank Williams III- Satan Is Real/Straight To Hell (edit) Buzzcocks- Fiction Romance Plus Ones- You Still Want Me Unicorn Dogs- Executive Order (radio edit) Steve Adamyk Band- Five One Zero Jello Biafra With D.O.A.- Full Metal Jackoff

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

A (relatively) in-depth analysis of the single Rip It Up by Orange Juice (as well as some other general stuff) in just under thirty minutes.After releasing a series of singles on the independent Postcard label, the debut album by Orange Juice 'You Can't Hide Your Love Forever', was realeased by Polydor in February 1982. The album received mixed reviews. Retrospectively, however, it is often regarded as a classic of the era and a key influence on the C86 generation. The group's second album 'Rip It Up', issued in November 1982 featured the single of the same name, which reached number 8 on the UK Singles Chart in February 1983. Referencing both Chic and the Buzzcocks, the record galvanised Orange Juice's reputation as one of the brightest bands in the 'new pop' scene. In this episode I am in discussion with Dr. Andrew Webber.I do hope you enjoy this episode.Mathew Woodallhttps://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

VEM: Alan Adler EPISOD: 44 (Säsong 3 avsnitt 9) EN PODD AV: Simon Kölle www.linktr.ee/simonkolle PRODUCERAS AV: Simon Kölle & Amir Noghabai SÄSONG 3 GÖRS I SAMARBETE MED: FrameSage, med hjälp utav FrameSage kan du finansiera ditt filmprojekt eller investera i film.  Besök www.framesage.com  SÄSONG 3 SPONSRAS AV: Story Academy och Film Crew. Drömmer du om att jobba med film och TV? På Gotlands folkhögskola finns Story Academy och Film Crew – två utbildningar för dig som vill in i branschen. Tack till Erik Bolin som vikarierar som Voice Over.  Om episoden:  I det här speciella avsnittet vänder vi på rollerna – för första gången får vi möta Alan Adler inte som speaker, utan som gäst i Filmbranschpodden. Alan har varit en självklar röst i varje avsnitt sedan starten, men hans egen historia är minst lika fascinerande som de gäster han vanligtvis introducerar. Född i Stockholm, uppvuxen i England, formad av Manchester och London – Alan har haft en karriär som spänner över illustration, musik, tv, skådespeleri och röstproduktion. Han har varit trummis i ett new wave-band, prisad illustratör för Penguin och Island Records, programledare och komiker på TV3, röst på BBC och National Geographic – och idag kanalröst på History Channel samt frilansande skådespelare. I avsnittet går vi igenom Alans bakgrund som ung konstnär i England under 70- och 80-talet, hänget bland banden i den växande indie-scenen i England,  vägen till att bli en av de absolut mest anlitade och ledande illustratörerna, hur det var att bli upptäckt av Jan Stenbeck inför TV3:s första sändningar, skillnaden mellan att uttrycka sig i bild, ljud och scenframträdande, röstarbete, storytelling och varför humor ibland är livets nödutgång.  Alan pratar varmt om sin bortgångne, numera legendariska bror Martin som gick bort i arbetet som journalist.  Vi lotsas genom olika aneckdoter, vändpunkter, refuseringar och oväntade framgångar.  Det här är ett varmt, reflekterande och stundtals riktigt roligt samtal med en unik kreatör och berättare vars karriär verkligen gått mellan konstens, mediets och uttryckets gränsland. Länkar till mer information om Alan Adler:  Arbetande som London-korrespondent åt Today Show: https://www.youtube.com/watch?v=j-ASiQPNPUg The Thunderboys: https://www.youtube.com/watch?v=MWD7EvkbU9Y Från TV3 tiden med "komedi"-partnern Ola Scherve.  https://www.youtube.com/watch?v=gtbNvGy_SbM Här skriver TJM (Manchester skivbolaget) fint om den stil Alan utvecklade (deras text finns längst ner i slutet av illustrations tråden).  Den åttonde illustrationen där det står "Peter Rabbit" illustrerar i sig något som varit viktigt i Alans arbete. Gränslandet mellan det figurativa och det abstrakta.  Där Alan trivs: https://www.mdmarchive.co.uk/artefact/34737/Alan-Adler-Photograph-1979 Veckans brott om Martins mord: https://vimeo.com/178633836 Att hamna i den här grupperingen var stort för Alan: https://www.mdmarchive.co.uk/artefact/32948/New-Order-Paul-Morley-Alan-Adler-Garment-1985

This episode is sponsored by House of Macadamias -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get our specially curated box that also comes with the free snack bars and 15% offer for CURVA MUNDIAL listeners! ⁠⁠Also, be sure to visit our merch store!⁠⁠Steve Diggle, the legendary guitarist and singer of Buzzcocks, joins us to talk about his Manchester United love, his legendary career and new book, "Autonomy: Portrait of a Buzzcock."

On what would have been his 70th birthday, let’s celebrate the music of Pete Shelley and his band The Buzzcocks, as we do, with covers! (60 minutes)

On what would have been his 70th birthday, let’s celebrate the music of Pete Shelley and his band The Buzzcocks, as we do, with covers! (60 minutes)

La primera mitja hora del programa l'hem passada en companyia de Quimi Portet, que acaba de reunir les lletres de totes les can

This week Dylan was assigned the year 1979 and he selected the Belfast punk band, Stiff Little Fingers, and their debut album, Inflammable Material.Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Stiff Little Fingers - Suspect DeviceStiff Little Fingers - Wasted LifeStiff Little Fingers - Alternative Ulster

Emily is the co-host of this episode about art, transgression, female desire and the male gaze through photo montage, as cultural commentary and self-exploration. We re-visit the exhibition "Danger Came Smiling" at Hayward Gallery. A punk goddess whose image was used in the Buzzcocks' EP Orgasm Addict (1977), Linder is an under-exposed contemporary artist. 99p glue, a scalpel, vintage magazines, and she “travel(s) in time”, to bring back cyber domestic goddesses and anachronistic deepfakes. Her work seems to be at its peak, and always timely, as she enters her 7th decade on earth.Support us: here.Check out Linder on social media: @lindersterling.Listen to Linder's band Ludus.More about the exhibition here: Hayward Gallery.

Lou ,Mark and Perry listen to Buzzcocks play "Autonomy" also music trivia and a listen to B-Sides of hit records play The Pogues w/Joe Strummer play "I Fought the Law" and random relish topics and lote of extra fun stuff

Raucous, infectious, and powerhouse are all words used to describe Real Sickies. Not much of a surprise coming from the band Green Day’s Billie Joe Armstrong has deemed his “favorite Canadian punk band.” The Edmonton-based band has been known for years for their relentless touring schedules and sublimely noisy sound comparable to everyone from Buzzcocks […] The post Real Sickies: “Should’ve Seen It Coming” appeared first on KUT & KUTX Studios -- Podcasts.

We first saw Graham Fellows as Jilted John on Top of the Pops in 1978 and we've followed his characters ever since, especially drawn to the keyboard-prodding, car-coated John Shuttleworth and his deathless pop anthems ‘Pigeons In Flight', ‘Up And Down Like A Bride's Nightie' and ‘I Can't Go Back To Savoury Now'. Graham talks here about how and why he created them (and rock media studies lecturer Brian Appleton) and his new book ‘John Shuttleworth Takes The Biscuit', along with … the allure of romantic punk rock (Patrik Fitzgerald, Buzzcocks, the Undertones), Sheffield mouse-breeders, comic melancholy, whether Northern humour is funnier than Southern, kissing Debbie Harry for a publicity shot, the advice his father gave him and the finer details of the Shuttleworth live experience.   Order 'John Shuttleworth Takes The Biscuit' here:https://www.amazon.co.uk/John-Shuttleworth-Takes-Biscuit-Selection/dp/1915841305 John Shuttleworth tour dates:https://www.ents24.com/uk/tour-dates/john-shuttleworthFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We first saw Graham Fellows as Jilted John on Top of the Pops in 1978 and we've followed his characters ever since, especially drawn to the keyboard-prodding, car-coated John Shuttleworth and his deathless pop anthems ‘Pigeons In Flight', ‘Up And Down Like A Bride's Nightie' and ‘I Can't Go Back To Savoury Now'. Graham talks here about how and why he created them (and rock media studies lecturer Brian Appleton) and his new book ‘John Shuttleworth Takes The Biscuit', along with … the allure of romantic punk rock (Patrik Fitzgerald, Buzzcocks, the Undertones), Sheffield mouse-breeders, comic melancholy, whether Northern humour is funnier than Southern, kissing Debbie Harry for a publicity shot, the advice his father gave him and the finer details of the Shuttleworth live experience.   Order 'John Shuttleworth Takes The Biscuit' here:https://www.amazon.co.uk/John-Shuttleworth-Takes-Biscuit-Selection/dp/1915841305 John Shuttleworth tour dates:https://www.ents24.com/uk/tour-dates/john-shuttleworthFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We first saw Graham Fellows as Jilted John on Top of the Pops in 1978 and we've followed his characters ever since, especially drawn to the keyboard-prodding, car-coated John Shuttleworth and his deathless pop anthems ‘Pigeons In Flight', ‘Up And Down Like A Bride's Nightie' and ‘I Can't Go Back To Savoury Now'. Graham talks here about how and why he created them (and rock media studies lecturer Brian Appleton) and his new book ‘John Shuttleworth Takes The Biscuit', along with … the allure of romantic punk rock (Patrik Fitzgerald, Buzzcocks, the Undertones), Sheffield mouse-breeders, comic melancholy, whether Northern humour is funnier than Southern, kissing Debbie Harry for a publicity shot, the advice his father gave him and the finer details of the Shuttleworth live experience.   Order 'John Shuttleworth Takes The Biscuit' here:https://www.amazon.co.uk/John-Shuttleworth-Takes-Biscuit-Selection/dp/1915841305 John Shuttleworth tour dates:https://www.ents24.com/uk/tour-dates/john-shuttleworthFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by MARTIN WONG (co-creator and editor of GIANT ROBOT magazine and self-proclaimed ‘shitworker' for THE LINDA LINDAS) to discuss the music narrative punk film LINDA LINDA LINDA. We discuss Martin's past writing for FLIPSIDE magazine and his initial exposure to punk music, how Giant Robot was started, our favorite obscure Asian cinema and music, how James Iha of Smashing Pumpkins did the soundtrack for this film, the L.A. Chinatown punk scene, the Linda Lindas opening for The Rolling Stones, The Blue Hearts, The Clash, Buzzcocks, Die Kreuzen, the power of hearing an amazing song for the first time, the current Japanese punk scene, Guitar Wolf, The Ramones dream sequence stand-ins in this film, punk rock video stores and what happens when you finally write your first good song.So let's dive off the stage arm-in-arm on this week's episode of Revolutions Per Movie!!!MARTIN WONG:@martinkendallwongbymartinwong.wordpress.com/giantrobot.com/collections/giant-robot-magazineWHERE TO WATCH THE MOVIE LINDA LINDA LINDA:https://www.dailymotion.com/video/x96udx0REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Sharon Van Etten machts neu *offiziell* mit Band, weil: bei den Proben für die Liveshows zu ihrem letzten Album war die Chemie so gut, da hat man prompt weitergejammt. Doch auch in «neuer» Besetzung bietet Van Etten weiterhin eine gelungene Gratwanderung zwischen Intimität und grossflächigem Indie-Rock. In den Songs geht's inhaltlich um sehr nahe Themen wie «Bildschirmzeit» für die eigenen Kids, musikalisch klingen die Tracks mal nach edgy Post-Punk, dann wieder nach Arcade Fire oder Springsteen. «Sharon Van Etten & The Attachment Theory» ist unser brandneues Sounds! Album der Woche. In der Livesendung gibt's bis Freitag jeden Abend eine CD zu gewinnen. +++ PLAYLIST +++ · 22:54 – SAINT TERESA von DOVES · 22:48 – TO LIVE FOREVER IN A SKYLIT ROOM (EOMAC REMIX) von SUNDEN · 22:46 – CONFETTI von THE LEMONHEADS · 22:43 – BOUGAINVILLEA von TOBACCO CITY · 22:39 – ENDS MEET von PANDA BEAR · 22:36 – RODEO von SOPHIA KENNEDY · 22:32 – WEIGHT OF DESIRE von TENNIS · 22:28 – SADGIRL von LITANY · 22:24 – BIG JET PLANE von ANGUS & JULIA STONE · 22:21 – GOLDEN WOLF von DOPE LEMON · 22:18 – HÜ von ZÜRI WEST · 22:15 – CORAZÓN ADENTRO (ESCORPIO) von ASTROPICAL · 22:11 – ME PASA (PISCIS) von ASTROPICAL · 22:09 – THE NIGHT BEFORE von THE BLACK KEYS · 21:58 – SCHWARZE MAGIE von DIE HEITERKEIT · 21:54 – LEFT BEHIND von DROPKICK · 21:52 – ADORE von CHILD STAR · 21:48 – HAPPY HOUSE von SIOUXSIE AND THE BANSHEES · 21:43 – I CAN'T IMAGINE (WHY YOU FEEL THIS WAY) von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 21:37 – SOMETHIN' AIN'T RIGHT von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 21:35 – EVER FALLEN IN LOVE (WITH SOMEONE YOU SHOULDN'T'VE) von BUZZCOCKS · 21:30 – INDIO von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 21:23 – AND NOTHING IS FOREVER von THE CURE · 21:16 – TROUBLE von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 21:12 – IDIOT BOX von SHARON VAN ETTEN & THE ATTACHMENT THEORY · 21:04 – EVERY TIME THE SUN COMES UP von SHARON VAN ETTEN

DJ Jesse Luscious pays tribute to fallen KALX legend Mike Burma with the Nina Hagen cover of Woody Guthrie's "All You Fascists Bound To Lose" & talks about how radio & other grassroots media connects with YOU (his favourite listener)! He spins new tracks from Rise Against, DeeCRACKS, False Heads, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, snake eyes, Cassels, Bobby Joe Ebola and the Children MacNuggits, & Raging Speedhorn, and classics from Bauhaus, Undertones, 999, The Living End, Zeke, Worriers, Deadbeats, Toys That Kill, Chumbawamba, Throw Rag, Fang, Lipstick Homicide, Be My Doppelganger,  The Wildhearts, UK Subs, Sab Grey & The Royal Americans, Danger Inc., Buzzcocks, Joy Division, The Partisans, Catbite, Putan Club, The Interrupters, & The Clash! Nina Hagen- All You Fascists Bound To Lose Sab Grey And The Royal Americans- Johnny Too Bad Clash- Career Opportunities Living End- Prisoner Of Society Deecracks- I Believe In Miracles Be My Doppelganger- Disappointers Lipstick Homicide- We'll Be OK Undertones- True Confessions False Heads- Cracked Partisans- Partisans Deadbeats- Let's Shoot Maria Danger Inc.- Rebel Girl snake eyes- Hug Me Toys That Kill- Blanket Rise Against- Nod Interrupters- We're Coming Back Worriers- Old Friend Catbite- A Night In The Woods Bobby Joe Ebola And The Children MacNuggits- Honkeybabble Chumbawumba- Smart Bombs Putan Club- Lavo Pigs Pigs Pigs Pigs Pigs Pigs Pigs- Stitches (Radio Edit) Throw Rag- Beware Of The Dog Zeke- Chiva Knievel Raging Speedhorn- Every Night's Alright For Fighting Wildhearts- Vanilla Radio U.K. Subs- Thunderbird Wine Fang- Fistful Of Wicked Women (edit) Cassels- Formaldehyde Time Buzzcocks- Sixteen 999- Crazy Crazy Crazy Joy Division- Transmission Bauhaus- In The Flat Field  

This week on Who Deserves to be in the Rock & Roll Hall of Fame, we look at the case for putting The Buzzcocks into the Rock & Roll Hall of Fame as a solo artist. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

PART 1 of a 2-part BEST OF compilation of Karl Pilkington's ROCKBUSTERS (a cheap knockoff of Blockbusters) from the Xfm Ricky Gervais Show with Stephen Merchant. Not only was this one of Karl's longest running features (along with Monkey News), but it was also voted by fans as his greatest XFM feature of all time. Karl Pilkington gives a cryptic clue (it's usually nonsense) and the initials of a famous band or artist (he sometimes gets the initials wrong), and listeners either call, or as the feature developed (unless they were experiencing technical difficulties), email in their answers. The winner gets an arbitrary assortment of tat, often including a pointless DVD seemingly chosen at random from the bargain bucket. This 2-part BEST OF ROCKBUSTERS Compilation is based on the comprehensive 6-part ROCKBUSTERS compilation of every Rockbuster segment from the Xfm Ricky Gervais Show (released previously). CHAPTERS: Weezer, Coldplay, Justin Timberlake (0:00) Destiny's Child, Puff Daddy aka Diddy, The Bangles (10:43) The Dandy Warhols, Holly Valance, Whitney Houston (17:59) Foreigner, Shalamar, Bananarama (25:33) Adam Ant, Pixies, Anita Baker (33:14) Four Tops, The Charlatans, Freda Payne (40:45) Busted, The Spinners aka Detroit Spinners, Born Slippy (48:40) Limp Bizkit, Turin Brakes, Terence Trent D'Arby aka Sananda Maitreya (55:17) Junior Senior, Alison Moyet, Buzzcocks (1:06:39)

Una sesión de espíritu punk rocker con canciones para la carretera.Playlist;(sintonía) TIM TIMEBOMB “Go lil camaro go”RAMONES “Touring”MARKY RAMONE and THE SPEEDKINGS “Road rage”THE CLASH “Brand new Cadillac”GUN CLUB “Ghost on the highway”THE DICTATORS “I live for cars and girls”BARRACUDAS “Chevy babe”RADIO BIRDMAN “I 94”THE VISITORS “Haunted road”BUZZCOCKS “Fast cars”THE DEMONICS “750 Four”GROOVIE GHOULIES “My car”THE ZEROS “Roadrunner”TOMMY and THE ROCKETS “Rock’n’Roll wrecking machine”TRAVOLTAS “Anywhere you want to”PSYCHOTIC YOUTH “Hot rod girl”BLONDIE “Detroit 442”NIKKI and THE CORVETTES “Back seat love”THE DAHLMANNS “Holiday road”TIGER ARMY “The long road”Escuchar audio

Feeling the need to break some stuff? Some classic punk rock might be just what you need. Raise a fist in the air and join us as we discuss 3 classic albums from punk rock's beginnings.Buzzcocks – Another Music in a Different Kitchen (1978)Wire – Pink Flag (1977)Stiff Little Fingers – Inflammable Material (1979)Other DigginsVillagers – That Golden Time (2024)Peter Perrett – The Cleansing (2024)The Cure – Songs of a Lost World (2024)Jimmy Fallon – Holiday Seasoning (2024)New Skeletal Faces – Until the Night (2024)The Clash – London Calling (1979)What do you think of these records? What's your favorite classic punk rock album? Let us know on our website, albumnerds.com or email us, podcast@albumnerds.com.Listen to more episodes and suggest topics for the Wheel of Musical Discovery on albumnerds.com. Follow us on Instagram & Facebook.Thanks for listening!!!

Feeling the need to break some stuff? Some classic punk rock might be just what you need. Raise a fist in the air and join us as we discuss 3 classic albums from punk rock's beginnings. Other Diggins What do you think of these records? What's your favorite classic punk rock album? Let us know […]

Babe, wake up, the new Bandsplain season just dropped. And what dark alleyways is Yasi leading us down next? This season we're gazing across the pond toward the underground scenes of the 80s and 90s in the UK following the peak of punk music – namely, Madchester, Brit Pop, and shoegaze. For our first episode, music industry savants and known Scots John Niven and Chlöe Walsh look back on “Baggy” and how the Happy Mondays and The Stone Roses revitalized indie music and helped cement the rise of rave culture in the industrial, Dickensian landscape that also birthed The Smiths, Joy Division, and The Buzzcocks, as well as Oasis a decade later. Whether you're a longtime fan or new to the scene, this season is sure to turn you into a 24-hour-podcast person. SKIP AHEAD: 20:43 - Formation of Happy Mondays 1:00:40 - Formation of The Stone Roses 3:12:05 - Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) (1987) 3:31:21 - Sally Cinnamon EP (1987) 3:48:06 - Arrival of Ecstasy EPISODE PLAYLIST: Listen to songs we detail in the episode HERE CREDITS: Host: Yasi Salek Guests: John Niven, Chlöe Walsh Producer: Liz Sánchez Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're jumping into Mark's (well-used) time machine to journey back to the scene of The Fall's debut on record/vinyl and the last night of the historical Electric Circus venue. This 1978 compilation album offers appearances by The Fall, Buzzcocks, Joy Division, and many more! Gavin and Steve survive the sketchy journey to the venue to witness (auditorily) the final night closeout of this former-cinema turned rock club (soon to be, fittingly, turned into a bingo hall!). *Patreon episode contains full tracks.* Are you searching for the (next episode) now? Are you looking for the real thing, yeah?  You may be missing out on more great Fall-related explorations… but not if you join us on ⁠WATF PATREON:  Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! ⁠⁠⁠⁠⁠ ⁠Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow WATF Pod on:  ⁠Instagram⁠  //  YouTube  //  ⁠Twitter⁠  //  ⁠Facebook⁠ For more Fall-related info, please visit our fellow Fall-heads' great work at:  TheFall.org  //  The Annotated Fall Theme Song by Gavin Watts: ⁠https://wearethefallpod.bandcamp.com/⁠ Produced and presented by Watts Happening Records: ⁠www.TheWattsHappening.com⁠ Advertising & Guest Inquiries - Contact:  wearethefallpod@gmail.com

Steve Diggle of Buzzcocks shares stories from the early punk scene, the making of "Spiral Scratch", rare vinyl releases, the band's lasting influence and his new book "Autonomy." Topics Include: Steve logs on – golf shirt The new book “Autonomy” Steve was dismayed by prog rock – seeing Yes was discouraging Attending Sex Pistols Manchester gig Did Steve know about punk rock beforehand? Malcolm McLaren pulled Steve into the gig Steve met with the original person he was supposed to meet The story of the name “Buzzcocks” Howard leaving after 10 shows with Buzzcocks The story of “Spiral Scratch” EP Questions on sleeving and DIY on Spiral Scratch Photo on cover of Spiral Scratch How did the band sell and promote Spiral Scratch The name of record label “New Hormones” Test pressings of Spiral Scratch and other Buzzcocks records How the songs were selected for Spiral Scratch Controversies with the song “Orgasm Addict” Buzzcocks had most major record companies trying to sign them The role of the band in Buzzcocks record artwork The Hard-Ons homage to Buzzcocks album The error pressings of “Another Music in a Different Kitchen” Errors in the songwriting credits for “Fast Cars” Steve didn't take on a punk pseudonym Was there competition between Buzzcocks and Magazine? “Singles Going Steady” release in the US market – popularity in the states Steve called John Lennon to invite him to see Buzzcocks Still touring, playing with Descendents, NOFX and modern punk bands they influenced Buzzcocks coming to Australia, new book “Autonomy” Order Steve's book "Autonomy" here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

  PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement.  While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave.  Ignoring it all, Dave ran a small studio in a shared house he rented with friends before taking the risky - and expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise et al. Daves role in all of this was minimal by nature; he preferred to record acts from farther afield - Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an array of other acts from Iceland, Australia and all corners of the UK.  Business was good, and it grew.  A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a single afternoon session - a set of nine demos known.  The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era.  After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen.  It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers.  Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer.  Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded.  And that was it, until the news of the 2021 release of Pulsar Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal.  Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album:     PULSARS's Info Instagram:  https://www.instagram.com/pulsarsband/?hl=en X / Twitter:  https://x.com/PulsarsBand Facebook:  https://www.facebook.com/pulsarsofficial/  

Matt's back flying solo again this week and there's plenty going on including Fidel with a new Catalan Connection, some great listener requests, new music from Paul Weller and classics from Dave & Ansel Collins, James Brown, Blur and the Buzzcocks.For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up! Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Matt's back flying solo again this week and there's plenty going on including Fidel with a new Catalan Connection, some great listener requests, new music from Paul Weller and classics from Dave & Ansel Collins, James Brown, Blur and the Buzzcocks.For more info and tracklisting, visit: https://thefaceradio.com/this-is-funkaholic/Tune into new broadcasts of This Is Funkaholic with Dennis Horstmann, the 3rd Sunday from 10 AM - 12 Noon EST / 3 - 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

En este episodio os hemos recomendado la música de Samsara Blues Experiment; Kanoi & KRPL; Buzzcocks; Grateful Dead; King Tree & The Earthmothers; delving; The Allman Brothers Band. Leer Más La Ruleta Rusa. Entrega 36.2024. at La Ruleta Rusa Radio Rock.

Esta semana, en Islas de Robinson, nos moveremos entre 1977 y 1981. Coordenadas: pop de guitarras y cruda energía a raudales combinadas con angustia juvenil y espíritu aventurero. Suenan: THE dB'S - "BLACK AND WHITE" ("STANDS FOR DECIBELS", 1981) / THE SOFT BOYS - "POSITIVE VIBRATIONS" ("UNDERWATER MOONLIGHT", 1980) / XTC - "SHE'S SO SQUARE" ("WHITE MUSIC", 1978) / RICHARD LLOYD - "SHOULD HAVE KNOW BETTER" ("ALCHEMY", 1979) / THE ONLY ONES - "WHY DON'T YOU KILL YOURSELF" ("BABY'S GOT A GUN", 1980) / BUZZCOCKS - "LIPSTICK" (1978) / THE SCRUFFS - "YOU, YOU, YOU" ("TEENAGE GURLS", 1978-79/98) / STIV BATORS - "BAD LUCK CHARM" ("DISCONNECTED", 1980) / SUNNYBOYS - "TUNNEL OF LOVE" ("SUNNYBOYS", 1981) / DIRTY LOOKS - "YOU'RE TOO OLD" ("DIRTY LOOKS", 1980) / THE PLIMSOULS - "HOW LONG WILL IT TAKE?" ("ZERO HOUR", 1980) / JO BROADBERY & THE STANDOUTS - "THE ONE THAT GOT AWAY" ("JO BROADBERY & THE STANDOUTS", 1980) / THE JAM - "THE PLACE I LOVE" ("ALL MOD CONS", 1978) / / ROY LONEY & THE PHANTOM MOVERS - "BORN TO BE YOUR FOOL" ("OUR AFTER DARK", 1979) / TYLA GANG - "ON THE STREET" ("YACHTLESS", 1978) / GRAHAM PARKER & THE RUMOUR - "SOUL ON ICE" ("STICK TO ME", 1977).Escuchar audio

Pods going steady. John F, Randy, Fredo, and Justin are talking about Buzzcocks. Learn Em and Love Em People. Please consider pledging to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you wanna play  ⁠⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Listen to the⁠ ⁠⁠⁠⁠⁠⁠playlist⁠⁠⁠⁠⁠⁠

It’s that time again. The “Covers” folder on my laptop is full, so it’s time to turn those into a Ledge episode. But it’s not just new releases this time around. Oh sure, we’ve got new remakes by The Half-Cubes (Phil Seymour), Wyldlife (Tom Petty), The Loons (Pretty Things), and so much more. There are also sets devoted to new tribute records devoted to Jagger/Richards and Guided By Voices, along with a pair of tracks from a new covers album by The Raveonettes. Most importantly, I have another new verson of ‘Teenage Kicks”! This time it’s by the triumphant return of Lone Justice! I was also inspired by some old finds. A nice find in the used bin at the record store resulted in the Troggs cover by Buzzcocks. Watching a documentary on Tubi regarding the fabulous 90s power pop band Material Issue (Out of Time: The Material Issue Story) found me searching out a couple of fantastic rare remakes. Doing a deep dive on the super lengthy discography of South Dakota’s own Friends of Cesar Romero led to a discover of a Cheap Trick tribute spinoff called Chief Trick. All of these, and more, are represented on tonight’s show! […]

It's that time again. The “Covers” folder on my laptop is full, so it's time to turn those into a Ledge episode. But it's not just new releases this time around. Oh sure, we've got new remakes by The Half-Cubes (Phil Seymour), Wyldlife (Tom Petty), The Loons (Pretty Things), and so much more. There are also sets devoted to new tribute records devoted to Jagger/Richards and Guided By Voices, along with a pair of tracks from a new covers album by The Raveonettes. Most importantly, I have another new verson of ‘Teenage Kicks”! This time it's by the triumphant return of Lone Justice! I was also inspired by some old finds. A nice find in the used bin at the record store resulted in the Troggs cover by Buzzcocks. Watching a documentary on Tubi regarding the fabulous 90s power pop band Material Issue (Out of Time: The Material Issue Story) found me searching out a couple of fantastic rare remakes. Doing a deep dive on the super lengthy discography of South Dakota's own Friends of Cesar Romero led to a discover of a Cheap Trick tribute spinoff called Chief Trick. All of these, and more, are represented on tonight's show! […]

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, I am excited to bring you the legend that is Steve Diggle, guitarist and a founder of one of the first British punk bands, The Buzzcocks.   Musical credits: "Simple Vale" by Blue Dot Sessions Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We were back with a clutch of brand-new Indie bangers!New music from The Dear Boys, The Rifles, Chloe Slater, Royel Otis, High Vis, Clairo, The Rah's, L'Imperatrice, Brijean, Alice Phoebe Lou, and Bluhm.+ Some classics mixed in from Buzzcocks, Elastica, Oasis, Fatboy Slim, and more.As promised, we're Making Mondays Happy Again!For more info and tracklisting, visit https://thefaceradio.com/side-effects.Tune into new broadcasts of Side Effects, LIVE, Monday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.Connect: https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

He's a regular panellist on Never Mind the Buzzcocks, he gone done Taskmaster, he's a fabulous touring comedian and he's made some insane documentaries: Jamali Maddix is in the studio with Russell!  Let's get straight to the meat and potatoes about this episode - there's a fantastic story about the time Jamali had his Megadrive confiscated by his Mum. Also find out about his history as a paintball referee. Proper funny stuff all over the timeline. It's just a great hour spent with one of those guys who effortlessly spins great tales.  Jamali will be hosting a new documentary series later this year on Dave, called Follow The Leader. It's the kind of insane shit he usually does, this time meeting leaders of fringe movements and culty sorts. It will be amazing. There isn't a specific release date yet, but if you just watch Dave from now on, and never turn it off, you'll see it sooner or later.  He's also always touring, doing new stand-up and shows - find out about all that at https://www.jamalimaddix.com/   Hey - here's something exciting. We're doing three LIVE Wonderbox shows at the Edinburgh Fringe on 1, 2 and 4th August! Live audience, special guests, maybe a foam party? No OK so maybe no foam party but still pretty exciting. They'll be mad good and you should attend or at the very least listen when we put 'em out as poddies. Find tickets at www.edfringe.com And then Russell's doing tour shows in Canada, Scandinavia and other places - get the latest at www.russellhoward.co.uk   And now our time, my old friend, has once again come to an end. It's been a wonderful ninety seconds or so we've spent together but this too shall pass. I'm off to do a big old burp. Until next time, traveller.   

The first EPs appeared in the late ‘40s and ‘50s (Frank Sinatra, Elvis) hitting a magical sweet spot between the album and the single and they've cast a spell ever since, an exotic reminder that record labels are part of the packaged goods business. Music writer Corey duBrowa stumbled across one by Oingo Boingo in the original Licorice Pizza store in Long Beach, California, when he was 13 and began a lifelong collection that eventually led to ‘An Ideal For Living: a Celebration of the EP', a book full of fabulous sleeve art and seven decades of 3- and 4-track classics. He talks here about every aspect of EP World and flags up some favourites, among them ones by the Goons, the Beatles, Donovan, Alice In Chains, Buzzcocks, the Clash, the Stones, Ice Cube, ‘A Factory Sample', the Pogues, the EP that topped the album chart and a Joy Division disc worth $7,000. Order ‘An Ideal For Living' here:https://hozacrecords.com/product/aifl/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

John Maher is known to some people as the drummer for the early punk rock band the Buzzcocks. Starting in a punk band in the beginning of the punk rock era is pretty legendary. He also happen to be at the same place in the UK in the early days of when Volkswagen dragracing started to takeoff. John, after being in a band had an engine mishap (done by another shop) started repairing Volkswagens and soon after started rebuilding engines. His competition started at his first VW event when he entered the engine pull competition. Soon after he was building competition race engines on to building his first oval window drag car studying the pages of hot VW's magazine to see what was happening in the US. On this podcast you'll hear a lot about the early days of drag racing in the United Kingdom. Lots of good information and we go over what John's favorite engine build. Why did he move to Isle of Harris and more. Although he's living on the isle of Harris off of Scotland. He still builds engines to this day, so if you're needing an excellent motor built, check him out at johnmarracing.com    https://johnmaherracing.com www.letstalkdubs.com www.vwtrendsmagazine.com www.rosswulf.com