Podcast appearances and mentions of King Crimson

On this Yesshift News Desk Edition, Steven talks about Steve Howe's Portraits of Bob Dylan and Natural Timbre getting reissues (And happy birthday to Dylan Howe who plays drums on them!), King Crimson reissuing In the Wake of Poseidon and Lizard, an Asia charity gig, a bit about Play for Chris 11, and more!

ReferencesRedox Biology 2021. Volume 47, November 102165Front. Immunol., 30 March 2016 Sec. T Cell Biology Volume 7 Guerra, DJ. 2025. Unpublished LecturesJoel, B. 1977. "Movin' Out" The Stranger lp.https://open.spotify.com/track/16GUMo6u3D2qo9a19AkYct?si=187053c1b1394c04Fripp&Lake. 1969 "21st Century Schizoid Man" King Crimson.https://open.spotify.com/track/2MfrET7Nc3StKQcGoZKqr9?si=8fdf8513b03144c0Davies, R. 1971.. "20th Century Man" Muswell Hillbillies. lphttps://open.spotify.com/track/5FrOTJcmXJfZyeVViVdJyQ?si=b5920f827116497bHolst. G.1914. "Mars" Op32. The Planets.https://open.spotify.com/track/1C3RIRKQZhSk5d2iioIhkg?si=ff478d0facc94d95

We kick off with a bowl of Jay's Jambalaya. HBO has released a five hour Billy Joel documentary produced by Tom Hanks. Next, why is Fleetwood Mac's 1977 album Rumours back on the charts? Finally, we have another update on Wu-Tang Clan's private album (Bloomberg). Song: Guerilla Toss - “Red Flag to Angry Bull (featuring Stephen Malkmus & Trey Anastasio)”Next up, it's News with Nick. Massive Attack forms an alliance, an Insect causes a stampede at Beyonce concert, King Crimson's new project, and the Coldplay Kiss Cam fiasco.Song: McKinley Dixon - “F.F.O.L. (featuring Teller Bank$)”Finally, Greg serves us some “Heavy Rotation” for dessert. Songs:Deftones - “My Mind is a Mountain”Cave In - “Jupiter”Spiritbox - “Soft Spine”

In response to the death of the Ozzy Osborne this week, we've unlocked this patrons episode from last year about heavy metal, Black Sabbath and the Prince of Darkness himself. If you like this you can hear a lot more like it by becoming a patron at Patreon.com/LoveMessagePod.In this episode Jeremy raises a devil's horn salute to the gods and demons of heavy metal. He explores the etymology of the genre term, excavating its shared roots with acid rock, and explaining how heavy metal compliments our story here on LITM. With reference to Easy Rider and the misconceived ‘end of the ‘60s', we hear about how biker culture, the legacy of the blues and changing regimes of accumulation contributed to the anguished intensity expressed in the music of Led Zeppelin, King Crimson and Iron Butterfly. Jeremy also explores noise, feedback and distortion as the new aesthetic tools of metal, questions why people in the late 60s would want to explore occult and black magic ideas, and finishes with a deep dive on Black Sabbath, asking: was heavy metal an expression of the blues for white guys who's dad's worked in the car factories of Birmingham?Books and Films:Easy RiderRobert Walser - Running with the Devil: Power, Gender and Madness in Heavy Metal MusicTracklist:Steppenwolf - Born to be Wild Blue Cheer - Summertime Blues The Who - My Generation (Live 1968) Led Zeppelin - Dazed and Confused Led Zeppelin - Whole Lotta Love King Crimson - 21st Century Schizoid Man Iron Butterfly - Easy Rider (Let the Wind Pay the Way) Black Sabbath - Black Sabbath Black Sabbath - Paranoid Black Sabbath - War Pigs 

After the revolutionary In the Court of the Crimson King in 1969 King Crimson did a tour behind the record, which was a hit in the UK and a cult favorite in the U.S. Problem was, by the end, Robert Fripp and Pete Sinfield were the only full-time members left in the group. Fripp was able to talk Greg Lake, Michael Giles and Peter Giles to return to record In the Court of the Crimson King, but the tour would lead to a new lineup. Meanwhile, their second album became their highest charting in the UK, and was a sign of things to come. 

"Here, am I floating 'round my tin canFar, above the moonPlanet Earth is blueAnd there's nothing I can do"Here we are 56 years later and in my opinion, still man's greatest achievement. Please join me in a brief tribute to Apollo 11 landing on the Moon, July 20, 1969. Joining us are Cactus, Elton John, ,The Moody Blues, Byrds, Bruce Springsteen, The Rolling Stones, Bob Seger, Jethro Tull, Bob Dylan, Eric Clapton, Genesis, Yes, King Crimson, Mott The Hoople, Pink Floyd, Al Stewart, J. Geils Band, Crosby Stills, Nash & Young, Foghat, Rufus, The Hollies, Velvet Underground and David Bowie.

Daryl Hall has been one of the most identifiable voices and songwriters on records and radios for over half a century and he's still doing it. As the lead singer and principal songwriter in Hall & Oates he had a string of hits (quite a few of them co-written with Sara and Janna Allen) that included "She's Gone," "Sara Smile," "Rich Girl," "One on One," "I Can't Go For That," "Make My Dreams (Come True)," "Private Eyes," "Out of Touch," and more. And as a solo artist he's made landmark records like Sacred Songs (with King Crimson's Robert Fripp) and last year's D album, a collaboration with Dave Stewart (Eurythmics). In this comprehensive chat, we talk about Hall's entire career, including his successful web series, Live From Daryl's House, and his work with record making legends like Arif Mardin, Thom Bell, Kenny Gamble & Leon Huff, The Temptations, Todd Rundgren, Elvis Costello, and Bob Clearmountain.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

For the end of Season 6, we talk about a groundbreaking album in the world of Progressive Rock, the debut album of King Crimson, 1969's 'In The Court Of The Crimson King'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

For the end of Season 6, we talk about a groundbreaking album in the world of Progressive Rock, the debut album of King Crimson, 1969's 'In The Court Of The Crimson King'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

New episodes return! On this episode of Songs of Our Lives, it's Ethan Miller! Ethan's got a new trio record on the way with Bill Orcutt and Steve Shelley (talk about a dream team), so I had to get his side about how that all came into being. Then we wade into the weeds yapping about a good wordless chorus, why the New York Dolls should have been on the Voyager gold record, King Crimson, Dylan, Faust, Sonny Sharrock, Tom Jones, and loads more!Listen to all of Ethan's picks HEREOrcutt Shelley MillerHowlin Rain's websiteSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListThe Beatles “Hey Jude”Albert Ayler “The Truth Is Marching In”Pink Floyd “Fearless”New York Dolls “Trash”Lou Read “Metal Machine Music #1”Tom Jones “I Can't Stop Loving You”King Crimson “Starless”Bob Dylan “Like a Rolling Stone”Faust “Krautrock”Fanny “Special Care”Jimi Hendrix “Like a Rolling Stone”Sonny Sharrock “Black Woman”

King Crimson are currently recording their firstnew studio album in 22 years, Devo documentary set to be released on Netflix this fall, Paul McCartney reveals ‘Got Back' tour dates in 2025 & more!  PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more! Everything is up at www.rocknewsweekly.com / All socials & TikTok @rocknewsweekly Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8different platforms (including Amazon Audible & Apple/Google Podcasts)  #Rock #News #RockNews #RockNewsWeekly#RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative#ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays  #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #KingCrimson #Devo #DevoNetflix #PaulMcCartney #Heart #CheapTrick #Scorpions #BlackSabbath #DavidBowie

In this episode of Recording Studio Rockstars, I sat down with the legendary David Botrill—Grammy-winning producer and engineer behind iconic albums by Tool, Peter Gabriel, King Crimson, Muse, and more. David's journey began in a small Canadian studio run by Bob Lanois, where he learned to be indispensable in the room. From there, he went on to work with Daniel Lanois, Peter Gabriel, and Real World Studios before stepping out on his own. We talk about: The evolution of his ambient and world music influences Building a custom studio for Atmos mixing Embracing imperfection in music Band dynamics, remote collaboration, and pre-production tips His hands-on carpentry work and how it shapes his approach to sound This episode is packed with wisdom for producers, engineers, and anyone passionate about capturing real emotion in the studio. Don't miss this conversation with one of the greats! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Bottrill, a three time Grammy Award winning Producer/Engineer/Mixer and has had over 15 million copies of his work sold worldwide. He has worked with a diverse spectrum of prolific artists, such as Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, King Crimson, Godsmack. and Rush. David has also worked with some of the most influential world musicians, noteably Youssou N'dour and Baaba Maal of Senegal, and Nusrat Fateh Ali Khan of Pakistan. David spent 20 years living in the UK, followed by a term in New York, but has settled back in Canada, where he has a mixing studio. Even still, David still spends much of his time working in the US and abroad. Thanks to Brian Murphree at SoundPorter Mastering for making this happen! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4rABNr5EoaZ8S7hJSMCXMm?si=017e4b84ae674701 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/514

We celebrate four years of Yesshift! You'll hear them zoom through multiple topics: reminiscing about the podcast, giving a nod to the late percussionist Luis Jardim (who worked with Trevor Horn), our copies of Prog Magazine 160 (the one honoring Chris Squire), Yes' 2000 Masterworks Tour, the CD and DVD contents of Yes - The Early Broadcasts, Rick Wakeman's comments on the Rock & Roll Hall of Fame Induction back in 2017, a little bit about Ozzy Osbourne's farewell concert where Adam Wakeman performed, clarification on reports of new King Crimson material, and what reviews and interviews you can expect next from this podcast!

"Sandy, the fireworks are hailing over Little Eden tonightForcing a light into all those stony faces left stranded on this warm July Hey, Sandy girl, My, my, baby " Another 4th Of July has come and gone but we always have our Music that can transports us back when we like... Please join me and these familiar voices, Genesis, Neil Diamond, Jeff Beck, Atlanta Rhythm Section, Thunderclap Newman, King Crimson, Grand Funk Railroad, Don McLean, Aerosmith, Traffic, Bad Company, Jefferson Airplane, Emerson, Lake & Palmer, J.Geils band, Creedence Clearwater Revival, John McLaughlin, Frank Zappa, Deodato and Bruce Springsteen..

Welcome to my 100th episode of Revolutions Per Movie (and that's really 181 episodes counting the exclusive Patreon episodes)!So to properly celebrate gloriously, we are joined by one of the greats, Tom Scharpling (host of The Best Show, co-host of Double Threat, and writer for What We Do In The Shadows & Monk) who brings us his favorite music film of all time by his all-time favorite artist, Neil Young's Rust Never Sleeps!  We discuss Tom's 25 years of doing The Best Show, Tom's introduction to Neil Young and how I discovered the deep catalog of Neil though Tom's show, Neil Young's ditch trilogy, how live records are often not truly live documents, King Crimson, how Neil shifts genres constantly and fearlessly, how the people around Neil initially didn't understand Crazy Horse, concert fans who only want to hear the hits, Sonic Youth opening for Neil Young, Devo's influence on Rust Never Sleeps, how Neil Young is one of the most prolific filmmakers of all time, the films Human Highway & Harvest Time, Neil's sense of humor, how Star Wars influenced the Road-Eyes (roadies), the symbolism of Neil cutting his hair for this tour, how the film takes its time with long shots and hazy cinematography, how Neil came into the CSN fold and how they came to regret it, the album Trans, Neil's Geffen & Reprise Record years, the video store music collection, when artists play unreleased music on tour, the power of the song 'Powderfinger', Neil and his relationship to Grunge, Tom seeing Neil Young live at the Roxy, the Robert Pollard/Neil Young parallels, letting an artist go where they need to go and more!So let's put on our 3-D glasses and watch Neil Young rust before our very eyes on the 100th & 181st episode of Revolutions Per Movie!THE BEST SHOW:https://foreverdogpodcasts.com/podcasts/the-best-show/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

PROG SYNDICATE Nº 6 1974 1- TRITONS 1º PARTE-ESTAMPAS-VARIACIONES SOBRE UN TEMA DE TCHAIKOVSKY – FUSION 2- GOING UP TO PEOPLE AND TINKLING – HATFIELD & THE NORTH 3- THE GATES OF DELIRIUM – YES 4- THE LAMB LIES DOWN ON BROADWAY – GENESIS 5- STARLES – KING CRIMSON

PROG SYNDICATE Nº 6 1974 1- TRITONS 1º PARTE-ESTAMPAS-VARIACIONES SOBRE UN TEMA DE TCHAIKOVSKY – FUSION 2- GOING UP TO PEOPLE AND TINKLING – HATFIELD & THE NORTH 3- THE GATES OF DELIRIUM – YES 4- THE LAMB LIES DOWN ON BROADWAY – GENESIS 5- STARLES – KING CRIMSON

This week we're discussing every album by Creedle. If you haven't heard of this band, don't worry, no one has. However, we urge you to change that today. Creedle is one of the most criminally underrated and underappreciated prog bands that exists. If you're a fan of Mr. Bungle, King Crimson, Secret Chiefs 3, or just crazy music in general, then they are an absolute must listen.   Intro/Band Overview 00:00 Half Man Half Pie 13:24 Silent Weapons for Quiet Wars 34:40 When the Wind Blows 53:28 Outro 1:16:00   ----------------------------------------------------------------------------------------------------------   Patreon https://www.patreon.com/everyalbumever   Merch https://pandermonkey.creator-spring.com/   Mike's EP: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Alex on Bluesky @octatron3030 Tom on Instagram @tomosmansounds   History Tom's stuff: Music on Spotify, Apple Podcast on Spotify, YouTube Substack Website   ----------------------------------------------------------------------------------------------------------   Mike's Picks: Silent Weapons for Quiet Wars (1994) -- Best Album, Personal Favorite Half Man Half Pie (1992) -- Worst Album, Least Favorite   Alex's Picks: When the Wind Blows (1996) -- Best Album, Personal Favorite Half Man Half Pie (1992) -- Worst Album, Least Favorite   Albums we discussed this episode... Half Man Half Pie (1992) Silent Weapons for Quiet Wars (1994) When the Wind Blows (1996)

KING CRIMSON LEGENDARY SINGER JAKKO JAKSZYK LAUNCHES VIDEO FOR ‘SON OF GLEN' TITLE TRACK FROM FORTHCOMING ALBUM: ZOOM SPECIAL EVENT ON INTERVIEWING THE LEGENDS WITH RAY SHASHO Jakko M. Jakszyk, perhaps most recently known as lead singer and second guitarist in King Crimson, is proud to announce his new solo album ‘Son Of Glen' – set for release on June 27th, 2025. The record is a companion piece of sorts to his acclaimed memoir ‘Who's The Boy With The Lovely Hair', that was released in October 2024 and explores many of the themes and the subjects that the book touches upon. To coincide with this announcement, you can now hear the stunning 10-minute-long title track here: https://www.youtube.com/watch?v=s1Qkf47KzhY ‘Son Of Glen' will be available as a Limited CD Digipak, Gatefold LP & as Digital Album. PLEASE WELCOME SINGER/SONGWRITER/MUSICIAN/RECORD PRODUCER/ACTOR/BEST KNOWN AS A MEMBER OF PROG ROCK LEGENDS KING CRIMSON … JAKKO JAKSZYK  TO INTERVIEWING THE LEGENDS … PURCHASE THE NEW SOLO ALBUM BY JAKKO M. JAKSZYK ‘Son Of Glen' AT https://jakkomjakszyk.lnk.to/SonOfGlen-Album   ALSO PURCHASE Who's The Boy With The Lovely Hair? The Unlikely Memoir of Jakko M Jakszyk by Jakko M. Jakszyk | Oct 1, 2024 available at amazon.com   FOR MORE INFORMATION ABOUT JAKKO JAKSZYK VISIT https://www.facebook.com/jakkomjakszyk/ facebook https://www.instagram.com/jakkojakszyk/ instagram https://kingmakerpublishing.com/jakko-m-jakszyk/ kingmaker publishing https://insideoutmusic.bandcamp.com/album/son-of-glen-24-bit-hd-audio bandcamp     Discography Albums Year  Performer  Title      1982 Jakko         Silesia         1987 The Lodge Smell of a Friend          1987 The Kings of Oblivion   Big Fish Popcorn          1988 Dizrhythmia        Dizrhythmia 1990 Tom Robinson/Jakko M. Jakszyk   We Never Had It So Good     1991 64 Spoons Landing on a Rat Column      1994 Jakko         Mustard Gas and Roses         1995 Are My Ears on Wrong?         1997 Jakko M. Jakszyk         The Road to Ballina      2002  21st Century Schizoid Band Official Bootleg V.1       2003  Live in Japan (CD & DVD)    Iceni 2003  Live in Italy        Arcàngelo 2006 Pictures of a City – Live in New York       2006 Jakko M. Jakszyk         The Bruised Romantic Glee Club    2008 The Tangent        Not as Good as the Book        2009 Jakko M. Jakszyk         Waves Sweep the Sand          2011 Jakszyk, Fripp & Collins  A Scarcity of Miracles – A King Crimson ProjeKct 2014 King Crimson      The Elements of King Crimson 2014 Box          2015 Live at the Orpheum The Elements of King Crimson 2015 Box 2016 Live in Toronto November 2015 Radical Action to Unseat the Hold of Monkey Mind The Elements of King Crimson 2016 Box Dizrhythmia        Dizrhythmia Too          2017 King Crimson      The Elements of King Crimson 2017 Box Live in Chicago 2018 Live in Vienna The Elements of King Crimson 2018 Box Audio Diary 2014-2017 Meltdown: Live in Mexico City 2019 KC50 The Elements of King Crimson 2019 Box Audio Diary 2014-2018 2020 Jakko M. Jakszyk         Secrets & Lies 2025   Jakko Jakszyk     Son of Glen            Support us on PayPal!

Guitarist/vocalist Jakko Jakszyk joins Roie Avin and Geoff Bailie to talk about his new solo album Son of Glen, how his book inspired the new music, King Crimson, and more. Son of Glen is out on June 27th, 2025.

This week we're discussing every remaining album by legendary prog rock band King Crimson. This episode tackles 1981 - 2003, where KC mainstays Adrian Belew and Tony Levin first join the group. Despite some moments that are a bit dated (specifically in the production), Robert Fripp and company continue to surprise us with their sheer audacity in their songwriting. Maybe these albums aren't perfect, but they sure are impressive.   Intro/Overview 00:00 Discipline 11:13 Beat 27:15 Three of a Perfect Pair 36:39 THRAK 50:18 The ConstruKction of Light 1:11:34 The Power to Believe 1:26:42 What are they up to now? 1:39:13   ----------------------------------------------------------------------------------------------------------   Patreon https://www.patreon.com/everyalbumever   Merch https://pandermonkey.creator-spring.com/   Mike's EP: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Alex on Bluesky @octatron3030 Tom on Instagram @tomosmansounds   History Tom's stuff: Music on Spotify, Apple Podcast on Spotify, YouTube Substack Website   ----------------------------------------------------------------------------------------------------------   Mike's Picks: Discipline (1981) -- Best Album THRAK (1995) -- Personal Favorite The Power to Believe (2003) -- Worst Album, Least Favorite   Alex's Picks: The ConstruKction of Light (2000) -- Best Album, Personal Favorite Beat (1982) -- Worst Album, Least Favorite   Albums we discussed this episode... Discipline (1981) Beat (1982) Three of a Perfect Pair (1984) THRAK (1995) The ConstruKction of Light (2000) The Power to Believe (2003)

We've covered King Gizzard and King Crimson as well as Freddie King and Carole King... We've discussed Operation Mindcrime (1 and 2!!!)... We followed the life of the Seventh Son of the Seventh Son... We've even discussed throwbacks to 80s speed metal with Lords of the Trident... But nothing could have prepared us for... THE HORROR!!!!!! That's right, today, we're listening to the album equivalent of a haunted house. It's got curses, it's got ghouls, and it's got SCREAMS galore!!!!!!!Show Links:Video Essay about Fascism and the R-Word: https://youtu.be/J6k7N7el160?si=19wr72wYmwSLXZhuFull Livestream of the episode: https://youtube.com/live/T4upPFGLYb8?feature=shareOUR DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/2stA2P7pTC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/flyoverstatepark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠EVERYTHING ELSE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/FlyoverStatePark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

OU812 (pronounced "Oh You Ate One Too") is the eighth studio album by American rock band Van Halen, released on May 24, 1988. It is the band's second album to feature vocalist Sammy Hagar, following the success of 5150. Van Halen began work on OU812 in September 1987 and completed it in April 1988, just a month before its release.

Andy talks about new music he's been digging, approves of the musical guests on John Mulaney's Netflix show, plays an atypical song from a well known act, gets comments every time he wears a King Crimson shirt, and can't believe how many times Arcade Fire has played SNL compared to other bands. On Rachel's Chart Chat, the topic is the 1980 Yes album Drama. You can follow Rachel on Last.fm here.

Send us a textGet Ready To Groove: Why Brass Camel Is The Band You Need To Know About Right Now!#newmusic #progrock #progfunk #camel #newalbum After successfully criss-crossing Canada three times on the strength of a word-of-mouth reputation and a hard-earned live following, Vancouver-based Brass Camel return with their second full-length record: Camel. Clocking in at 40 minutes across just six tracks, the album is an unapologetic artistic statement from a band whose sound resists easy classification—equal parts progressive rock ambition and deep-pocket groove, with no shortage of swagger, surprises, and soul.Their self-styled “prog-funk” sound may raise eyebrows on paper, but as multiple Grammy-winner Fantastic Negrito put it: “They sound like a funky Rush.” Or, as Big Sugar frontman Gordie Johnson (who also guests on the record as the group's Zappa-tinged “cat whisperer”) once declared, “Brass Camel…man, they're good worldwide.”Following their 2022 debut Brass, the band doubled down—both on the road and in the studio. Camel is the result of that momentum: two 11-minute bookends, four shapeshifting shorter tracks, and zero interest in playing it safe.Website: https://www.brasscamel.ca/epkInstagram: https://www.instagram.com/brasscamelFacebook: https://www.facebook.com/brassycamelApplemusic: https://music.apple.com/ca/artist/brass-camel/1629161926Spotify: https://open.spotify.com/artist/59HNn8uI1RIbWzmPUy5pFm?si=54e041a98f934c34&nd=1&dlsi=aa86680918574875Bandcamp: https://brasscamelband.bandcamp.com/Youtube: https://www.youtube.com/@UCx1fnIXz40ZxIBAWmmjXtjg TikTok: https://www.tiktok.com/@UCx1fnIXz40ZxIBAWmmjXtjg Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

It's another Tales Vinyl Tells! You've heard a lot of these before and they are so much fun to hear again! This is Episode 188: Come Along With Me And Let's Dig Some LPs! April 22, 2025 We loved sitting around after work in the late 60s and early 70s and checking out the new LPs that were flooding the market and heard on great radio stations like Mother-WMUM, KSAN, WSHE. The album cuts ranged from King Crimson and Captain Beefheart, a new Beatles, and we'd track from front to back. So many great cuts that just didn't find room on the air. Here on Tales Vinyl Tells, I remind you how great the album cuts were and still are. Moody Blues were bringing the eerie sound of a mellotron, Hendrix' candle was burning brightly, and Seals and Crofts were turning people on to the love in their music and their faith in Bahá'í. Man, we've got all that here with each episode. Donald Fagen and his music is here too, today. Hope you enjoy! I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today. My email is talesvinyltells@gmail.com. If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Yves Jarvis returns to discuss his astounding new album, All Cylinders, artistic growth and personal maturity, musical colours and poetic symbolism, dynamic inspirations like Paul McCartney, Prince, Stevie Wonder, and King Crimson, employing multi-instrumentalism, the admirable autonomy of stand-up comedians, expressing every single thing, tour, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #965: Marlaena MooreEp. #942: Nap EyesEp. #899: GhostkeeperEp. #581: Yves JarvisEp. #488: Yves JarvisEp. #410: Chad VanGaalenSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

In Episode 302 of History in Five Songs with Martin Popoff, Martin relives his favorite top 10-second moments from progressive rock bands, highlighting magical and iconic passages that encapsulate the peak musical achievements of bands like Porcupine Tree and King Crimson. Porcupine Tree – “Fear of a Blank Planet” King Crimson – “Three of a Perfect Pair Genesis – “Abacab” Rush – “Tom Sawyer” Yes – “Close to the Edge” Learn more about your ad choices. Visit megaphone.fm/adchoices

English drummer talks about time displacement and how he created seminal beats for psych rock outfits like Yes and King Crimson.

In Episode 302 of History in Five Songs with Martin Popoff, Martin relives his favorite top 10-second moments from progressive rock bands, highlighting magical and iconic passages that encapsulate the peak musical achievements of bands like Porcupine Tree and King Crimson. Porcupine Tree – “Fear of a Blank Planet” King Crimson – “Three of a Perfect Pair Genesis – “Abacab” Rush – “Tom Sawyer” Yes – “Close to the Edge” Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early ‘80s, The Police guitarist Andy Summers and King Crimson mastermind Robert Fripp formed an unexpected partnership—blending avant-garde progressive rock with stadium-ready new wave. Despite their vastly different styles, the duo released I Advance Masked (1982) and Bewitched (1984), crafting intricate soundscapes that pushed musical boundaries. Surprisingly, Summers wasn't even a King Crimson fan when they first collaborated. In a recent Guitarist interview, he revealed that he and Fripp had a “cosmic connection” dating back to their teenage years in England. Their journey—from crossing paths in local music scenes to creating two groundbreaking albums—remains one of rock's most fascinating stories. Now, previously unheard recordings from their sessions have surfaced in Mother Hold the Candle Steady, part of the Complete Recordings reissue. Summers admits he was “knocked out” revisiting these lost tracks, questioning why they were left behind in the first place. In this video, we explore how this unique collaboration came to life, why it still resonates, and how their experimental approach influenced generations of guitarists. Plus, we dive into the latest discussions surrounding Fripp, King Crimson, and the ongoing legacy of progressive rock.

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we're discussing every album by King Crimson from 1969 to 1974. Led by the legendary (and partially insane) Robert Fripp, King Crimson is one of the pioneers of prog rock, as well as one of the wildest and most influential bands of all time. This era of the band chronicles some of the most memorable albums in all of prog rock. But be warned, this is not a band that welcomes everyone. The insanity is real.Closing track” One More Red Nightmare” from Red (1974)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Mike on Instagram @pandermonkeyAlex on Bluesky @octatron3030Tom on Instagram @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteMike's Picks:In the Court of the Crimson King (1969) — Best AlbumRed (1974) — Personal FavoriteLarks' Tongues in Aspic (1973) — Worst Album, Least FavoriteAlex's Picks:Red (1974) — Best Album, Personal FavoriteIslands (1971) — Worst Album, Least FavoriteAlbums we discussed this episode…In the Court of the Crimson King (1969)In the Wake of Poseidon (1970)Lizard (1970)Islands (1971)Larks' Tongues in Aspic (1973)Starless and Bible Black (1974)Red (1974)

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to Live From Progzilla Towers Edition 553. In this All Request edition, we heard music by Rush, Andrew Lloyd Webber, Dave Kerzner & Sonic Elements, Geordie Greep, Godspeed You! Black Emperor, Kayak, Marillion, Rick Wakeman, Cybotron, Wendy Carlos, Van Der Graaf Generator, Robert Fripp, King Crimson, The Cure, RPWL, Opeth, Schnauser, Wally, Tiles, The Staves & Transatlantic.

Drummer Sean St Germain of Rickshaw Billie's Burger Patrol talks about their recent tour, having a sense of silliness on-stage, the origins of the band name and the formation of the band, early shows in Austin, TX, Canadian Rednecks and other funny accents of the NE Coast, Sean's recent fascination with King Crimson, some of their favorite towns to play in the states, his early bands and how he started to play the drums, and sweet things to come in 2025!

En este episodio hemos escuchado y comentado la música de Haunted; Magic Shoppe; King Crimson; Nektar; Blue Lake; Tal Wilkenfeld; Recuerdo a Jamie Muir.

King Crimson rounds out their jazz metal trilogy as a trio This is the clearest, heaviest and arguably most King Crimson that King Crimson will ever be Join us for 1974's Red @progfrogpod helloprogfrog@gmail.com 

We drop in on a newly reformed King Crimson as they embark on a trilogy of jazz metal classics with 1973's Lark's Tongue in Aspic @progfrogpod helloprogfrog@gmail.com 

King Crimson takes it to the stage and improvises some surprisingly enjoyable music. Also some unsurprisingly unenjoyable music Join us for 1974s Starless and Bible Black @progfrogpod helloprogfrog@gmail.com 

On today's installment of ROTY 1970, Steve and Chris begin their trek through the bottom of their 393 song playlist of the most-streamed songs of the year. Our Spotify 1970 Playlisthttps://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

While we're on a brief hiatus from making all-new episodes, we thought it would be fun to compile all the moments where Paul asks his guests "What Was The First Record You Ever Bought?" and put them in a couple of "clip shows." Last week was part one, so here's part two, featuring Shannon Shaw (from Shannon & The Clams), Joey Santiago (from Pixies), Julian Lage, Steve Perry, Slash, The Heavy Heavy, Ben Folds, John Densmore (The Doors), and bass ace Tony Levin (King Crimson, John Lennon and more). The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

A special Delaware episode. Chris Haug from Delaware Music History Archive joins the crew to discuss the DMHA and local cassette tapes. Sounds from Woz, Toxic Holocaust, MC Iziah, Silk & Satin, Union, Clevinger, Network 34, Boysetsfire, High Karate, Infection, King Crimson (a live recording from Wilmington, DE in 1972), and Batz Without Flesh.

A special Delaware episode. Chris Haug from Delaware Music History Archive joins the crew to discuss the DMHA and local cassette tapes. Sounds from Woz, Toxic Holocaust, MC Iziah, Silk & Satin, Union, Clevinger, Network 34, Boysetsfire, High Karate, Infection, King Crimson (a live recording from Wilmington, DE in 1972), and Batz Without Flesh.

Interview with Kevin Shields Of Detention. Detention was one of the first and best bands of the ‘80s New Jersey hardcore punk explosion. Their wonderfully tasteless “Dead Rock 'n Rollers” single became the college radio cult classic of 1983. The song's 97 seconds of primal Ramones-style speed-punk mocked the demise of Jimi Hendrix, Janis Joplin, John Lennon, Keith Moon, Elvis Presley, Jim Morrison, Sid Vicious, John Belushi, and John Bonham — who “played the drug game and couldn't maintain.” They even foretold the drug-related heart attack of Jim Carroll, famous for “All The People Who Died,” screaming, “What are you waiting for? Do it!” Saving the best for last, “Dead Rock 'n Rollers” raised the obvious question: “Why couldn't it be Barry Manilow?” The Detention story goes back to Central Jersey, to the Shields family home in Hillsborough Township, about 20 minutes from the “culture capital” of New Brunswick. Kevin Shields, the fourth of five sons, grew up listening to his older brothers' sophisticated record collection of hippie music that ranged from Blue Cheer to King Crimson. Kevin recalls: “Early on, I knew that rock ‘n roll was something special. I was fascinated.”  “I enlisted in the Coast Guard when I was 17. I was out on my own. I was always a music guy and realized music was getting stale with Genesis and whatnot. I read all the magazines, and the ads in the back, so I sent money to these labels, and came home with albums like Never Mind the Bollocks and Rocket to Russia, and singles by the Slickee Boys and MX-80 Sound. But the coup d'grace was when we stationed in Alameda and I went wild in San Francisco. I went to the Mabuhay Gardens like three nights a week, seeing all the legendary West Coast bands: DKs, DOA, Black Flag. I got thrashed on the education of seeing live bands.”   When Kevin returned home in 1981, he was inspired to make music. “Detention came about because I decided to be a player not a spectator,” he explains. “The easiest way was to recruit my family, so I turned to my brothers. I bought a bass, but I didn't know how to play it. My brother Paul suggested I get in touch with this guitarist Rodney Matejek. He showed me how to play simply, and within months we started coming up with riffs, and what would become songs came very quickly.”  The band — Kevin, Rodney, frontman Paul Shields, and drummer Daniel Shields — played their first show at Raritan Manor on the Somerville Circle, hosted by a young Matt Pinfield in his first radio DJ gig at WRSU (Rutgers). It was a noisy and chaotic affair, with people rolling on the floor — until police arrived and stopped the mayhem. “We were given 100 bucks, and we promised never to play there again,” Kevin says with a grin.  Kevin offers some backstory: “Rob Roth, god bless his pointed head, he had a vision. He got us into the studio in Roselle Park, and he paid for it. All we had to do was get good recordings of the two songs, including the B-side “El Salvador.” It came out great. My brother Paul certainly had the lungs for the job! Those 500 copies got us gigs and got us a lot of notice.” In 1985, Detention released a self-produced self-titled album before disbanding. Kevin's Info https://www.leftfordeadrecords.com dead-rock-n-rollers    

Hunter is back at the helm for this episode of Punks in Parkas - bring us an hour of music from his teenage brain!Hear tracks from the likes of King Crimson, Tame Impala, Chicago and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Mondays from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

"Does my crush love me? I really need to know.""Do you think we're living in the most advanced civilization that has ever inhabited Earth?""King Crimson was at their peak with Wetton, David Cross and Bruford, but Taylor Swift is a billionaire. STEFAN - have you heard Mozart's newly discovered 'A Very Little Night Music'?""What's your opinion of Jordan Peterson's work?""Is statism collapsing?""Is your book available in hardcover?""What's your favorite heavy metal band?""is the traditional Catholicism the most based thing on the Earth?""What happened to your YouTube channel?""Do you think these problems with NAP can be resolved?"The Non-Aggression Principle (NAP), is a libertarian ethical stance that argues that aggression—defined as the initiation of force or fraud against another person's property or person—is inherently immoral. While the principle has intuitive appeal, it faces significant philosophical, practical, and ethical challenges that undermine its universality and application."1. Ambiguity in Defining "Aggression""Subjectivity of Aggression: The NAP relies on a clear definition of "aggression," yet many actions can be interpreted as aggressive or non-aggressive depending on perspective. For instance:"If someone refuses to vaccinate during a pandemic, is that an act of aggression by endangering others' health, or is forcing them to vaccinate aggression?"Pollution from a factory might harm others, but is it aggression if the harm is indirect and unintended?"This ambiguity makes it difficult to apply the NAP consistently."2. Lack of a Mechanism for Collective Action"Addressing Collective Problems:"The NAP is highly individualistic and struggles to address issues that require collective solutions, such as environmental protection, public health, or infrastructure."For example:"Climate change results from aggregate actions that harm others, yet enforcing emissions reductions could be seen as an initiation of force against individuals or corporations."Public goods like roads, education, and defense require taxation, which the NAP might label as aggression, leaving no clear path to fund or manage such necessities."3. Assumes Absolute Property Rights"Property Rights Are Not Universally Agreed Upon: The NAP assumes that property rights are fundamental and self-evident, yet property systems are human constructs that vary across cultures and contexts."For example:"Indigenous communities often view land as communal rather than private, making the enforcement of private property rights in such contexts potentially aggressive."Historical Injustice: Many property holdings result from historical aggression (e.g., colonization, slavery). The NAP offers no clear guidance on addressing these injustices because enforcing reparations could violate the principle."4. Fails to Account for Power Imbalances"Inequality and Coercion:"The NAP does not account for systemic power imbalances that can lead to de facto coercion without overt aggression."For example:"A worker "choosing" between starvation and accepting exploitative labor conditions may not face physical aggression, but their choices are constrained by economic coercion."Corporate monopolies can dominate markets and restrict freedom without violating the NAP, yet they create conditions of harm or dependency."5. Incompatibility with Emergency Situations"Moral Exceptions: The NAP struggles with situations where initiating force might be morally justified or necessary to prevent greater harm."For example:"Breaking into a cabin to survive in a blizzard technically violates the NAP but might be considered ethically justifiable."Preventive action, such as disarming someone threatening violence, could be seen as aggression under the NAP, even if it avoids greater harm."6. Over-Simplification of Ethics"Moral Complexity: Ethical decision-making often involves balancing competing values, such as individual rights, collective welfare, and justice. The NAP reduces morality to a single principle, ignoring the complexity of real-world dilemmas."Utilitarian Concerns: Following the NAP rigidly could lead to suboptimal outcomes, such as allowing preventable suffering or harm if addressing it would require "aggression.""7. Practical Limitations"Enforcement Dilemmas: Even within a system governed by the NAP, enforcing the principle requires some authority to define and address aggression. For instance:"Resolving disputes over property boundaries or contractual breaches might involve coercive mechanisms, contradicting the NAP."A purely voluntary system lacks a practical means of ensuring compliance or protecting vulnerable individuals from exploitation or harm."8. Historical and Theoretical Criticism"Historical Evidence: Societies that have operated on principles akin to the NAP (e.g., laissez-faire capitalism) have often resulted in significant inequality, exploitation, and harm, suggesting that the principle is insufficient for creating equitable or stable societies."Philosophical Counterarguments: Thinkers like Karl Marx or John Rawls argue that focusing solely on individual rights and property ignores the broader social and structural forces that shape human relationships and justice."While the Non-Aggression Principle provides a simple and appealing ethical framework, its oversimplification of complex moral and social issues renders it problematic in practice. It fails to account for ambiguous definitions of aggression, systemic power imbalances, collective action needs, and situations where initiating force might prevent greater harm. Ultimately, the NAP's rigid adherence to individual rights and property neglects the interconnected and nuanced realities of human society.""when next bitcoin roundtable?"GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022

Tom and Julie watch clips of the Steamboat Willie horror movie, Jeremy Piven self help, a guy who can't play King Crimson's Fracture, and more! Plus Brett recalls a scene from the movie Quills and taste tests communion wafers! CLIPS FROM THIS EPISODE: -Steamboat Willie https://www.youtube.com/watch?v=PXGy5E-8a7Q -Jeremy Piven Self Help https://www.instagram.com/reel/C6FX061tsTj/?igsh=MTc4MmM1YmI2Ng%3D%3D -Terlingua Rock Tumbler https://www.instagram.com/reel/C6FX061tsTj/?igsh=MTc4MmM1YmI2Ng%3D%3D -Failure to Fracture https://www.youtube.com/watch?v=x5LPldcjeH0  JOIN THE DOUBLE THREAT FAN GROUPS  *Discord https://discord.com/invite/PrcwsbuaJx  *Reddit https://www.reddit.com/r/doublethreatfriends  *Facebook https://www.facebook.com/groups/doublethreatfriends   DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat   TOTALLY EFFED UP T-SHIRTS  https://www.teepublic.com/user/dttfu   SEND SUBMISSIONS TO  DoubleThreatPod@gmail.com   FOLLOW DOUBLE THREAT  https://twitter.com/doublethreatpod  https://www.instagram.com/doublethreatpod   DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat   Theme song by Mike Krol  Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices