Podcast appearances and mentions of King Crimson

OU812 (pronounced "Oh You Ate One Too") is the eighth studio album by American rock band Van Halen, released on May 24, 1988. It is the band's second album to feature vocalist Sammy Hagar, following the success of 5150. Van Halen began work on OU812 in September 1987 and completed it in April 1988, just a month before its release.

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Andy talks about new music he's been digging, approves of the musical guests on John Mulaney's Netflix show, plays an atypical song from a well known act, gets comments every time he wears a King Crimson shirt, and can't believe how many times Arcade Fire has played SNL compared to other bands. On Rachel's Chart Chat, the topic is the 1980 Yes album Drama. You can follow Rachel on Last.fm here.

L'artiste britannique Yungblud, figure montante du rock alternatif, se produira le 5 octobre prochain à Forest National et vient de sortir son nouveau single "Lovesick Lullaby", accompagné d'un clip vidéo. Jimmy Page est à nouveau poursuivi par l'artiste américain qui a écrit le titre "Dazed and Confused". Ecrit suite à l'accident de moto fatal de son ami Coluche, "Putain de Camion'' ce titre que Renaud ne veut plus chanter sur scène. Quatre anciens collaborateurs de Smokey Robinson ont intenté un procès à l'encontre du chanteur et producteur de musique, âgé de 85 ans, qu'ils accusent de comportements inappropriés. Pink Floyd pourrait bien décrocher son septième numéro un au Royaume-Uni avec la bande originale de son film ‘'Pink Floyd at Pompeii – MCMLXXII''. Chubby Checker, l'icône du twist de 83 ans, sera enfin intronisé au Rock and Roll Hall of Fame le 8 novembre prochain à Los Angeles. Mots-Clés : fans, billet, Livenation, auteur-compositeur-interprète, anglais, Idols, double album, star, punk, Doncaster, version originale, Jake Holmes, 1967, Yardbirds, États-Unis, morceau, scène, Jimmy Page, Led Zeppelin, coup de foudre, 1969, crédité, procès, 2010, procédure judiciaire, crédité, documentaire, Becoming Led Zeppelin, 1986, humoriste, écrire, livre, expérience, émotion, promo, accusations, viols, agressions physiques, privations, illégal, liberté, violence, sexe, création, travail hostile, femme, Frances, plaignate, travaillaient, femmes de ménage, film, remastering, 4K, négatifs originaux, mix audio, inédit, réalisé, Steven Wilson, rééditions, King Crimson, Jethro Tull, Yes, bande-son, CD, LP, Blu-ray, DVD, site, Official Charts, artiste, carrière légendaire, nommé. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Esta semana, Rebelión Sónica estará dedicado al concierto que efectuará el próximo martes 06 de mayo Beat, la banda de Adrian Belew, Tony Levin, Danny Carey y Steve Vai que interpreta el repertorio de principios de los 80 de King Crimson. Para celebrar el acontecimiento, tocaremos piezas de dos de los tres discos que la banda de Robert Fripp editó en aquellos años: “Discipline” de 1981 y “Three Of A Perfect Pair” de 1984. Cabe destacar que Beat cuenta con la aprobación de Fripp, quien incluso les sugirió el nombre con el que ahora están girando a nivel internacional. Durante el tour ‘Performing the Music of 80s King Crimson', el cuarteto estelar revivirá algunos de los temas incluidos en las placas "Discipline" (1981), "Beat" (1982) y "Three Of A Perfect Pair" (1984). El supergrupo hará una “reinterpretación creativa” -como los músicos han señalado- de las canciones de la etapa en la que Belew y Levin militaron en King Crimson, con la apertura del importante músico nacional Jorge Campos. Como es tradición, Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

Empezamos con una sobrecarga de Rock Progresivo en #4x4 de radio @rockaxisoficial. Nos preparamos para los shows de #TheAristocrats y #Beat con un clásico de #KingCrimson. Además, disfrutamos de lo nuevo de #JethroTull y #IQ. Lunes 10 y 22 Hrs en Rockaxis.Fm / Conduce @PabloCerda1

Send us a textGet Ready To Groove: Why Brass Camel Is The Band You Need To Know About Right Now!#newmusic #progrock #progfunk #camel #newalbum After successfully criss-crossing Canada three times on the strength of a word-of-mouth reputation and a hard-earned live following, Vancouver-based Brass Camel return with their second full-length record: Camel. Clocking in at 40 minutes across just six tracks, the album is an unapologetic artistic statement from a band whose sound resists easy classification—equal parts progressive rock ambition and deep-pocket groove, with no shortage of swagger, surprises, and soul.Their self-styled “prog-funk” sound may raise eyebrows on paper, but as multiple Grammy-winner Fantastic Negrito put it: “They sound like a funky Rush.” Or, as Big Sugar frontman Gordie Johnson (who also guests on the record as the group's Zappa-tinged “cat whisperer”) once declared, “Brass Camel…man, they're good worldwide.”Following their 2022 debut Brass, the band doubled down—both on the road and in the studio. Camel is the result of that momentum: two 11-minute bookends, four shapeshifting shorter tracks, and zero interest in playing it safe.Website: https://www.brasscamel.ca/epkInstagram: https://www.instagram.com/brasscamelFacebook: https://www.facebook.com/brassycamelApplemusic: https://music.apple.com/ca/artist/brass-camel/1629161926Spotify: https://open.spotify.com/artist/59HNn8uI1RIbWzmPUy5pFm?si=54e041a98f934c34&nd=1&dlsi=aa86680918574875Bandcamp: https://brasscamelband.bandcamp.com/Youtube: https://www.youtube.com/@UCx1fnIXz40ZxIBAWmmjXtjg TikTok: https://www.tiktok.com/@UCx1fnIXz40ZxIBAWmmjXtjg Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

It's another Tales Vinyl Tells! You've heard a lot of these before and they are so much fun to hear again! This is Episode 188: Come Along With Me And Let's Dig Some LPs! April 22, 2025 We loved sitting around after work in the late 60s and early 70s and checking out the new LPs that were flooding the market and heard on great radio stations like Mother-WMUM, KSAN, WSHE. The album cuts ranged from King Crimson and Captain Beefheart, a new Beatles, and we'd track from front to back. So many great cuts that just didn't find room on the air. Here on Tales Vinyl Tells, I remind you how great the album cuts were and still are. Moody Blues were bringing the eerie sound of a mellotron, Hendrix' candle was burning brightly, and Seals and Crofts were turning people on to the love in their music and their faith in Bahá'í. Man, we've got all that here with each episode. Donald Fagen and his music is here too, today. Hope you enjoy! I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today. My email is talesvinyltells@gmail.com. If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Heureux de partager avec vous trois excellentes nouvelles sorties ! Par respect pour son age canonique, commençons par HAWKWIND dont l'album "There Is Nos Space For Us" nous place immédiatement en orbite...Et ça fait du bien de nous éloigner de cette planète de plus en plus folle...Dave Brock (seul membre de l'équipage d'origine) navigue dans l'espace depuis 1970 avec un rythme toujours soutenu de parutions !  Toujours en Terre d'Albion, RICHARD ANTHONY BEAN publie le 3ème volet de sa trilogie consacrée à la mythologie grecque dont vous avez pu découvrir les deux premiers ici même au cours de l'année dernière. Et à mon humble avis, il nous a gardé le meilleur pour la fin ! Beaucoup innovations sonores sur cet album (presque) instrumental intitulé "The Beauty, The Strenght & The Divine" A écouter confortablement installé et en immersion dans la palette de sons de Maître Richard !  De ce côté ci de la Manche aussi nous avons des talents, notamment à Rennes dont la réputation n'est plus à faire ! DRAMA KING est le projet solo de l'artiste breton Kevin Gourdin issu de la scène punk rock. Ce projet est plus intimiste, ambiance Nick Cave et là encore, il est recommandé de vous  installer confortablement pour écouter cet album "Mud & Concrete" qui a des choses à dire ! Vous pourrez aussi en profiter version live, puisque Kevin défend son œuvre en tournée avec ses musiciens. Pour  nos auditeurs nantais, cela se passera au COLD CRACH à Rezé demain 25 avril, à ne pas manquer les amis !  Autre idée de sortie dans la cité des Ducs, LE FLORIDE accueille ce samedi 26 avril trois groupes de la scène métal. Pour vous en donner un avant-goût dans ce numéro : BLACK RADISH & THE TAINTED GOURDS, c'est du lourd ! A retrouver en concert samedi aux côtés de RIPLEY FROM MARS et MAANEN FACES, ambiance garantie ! Italie, 1974 : naissance d'un groupe baptisé IL CHERCHIO D' ORO...Ils ont cherché longtemps car hormis quelques 45t, il leur faudra attendre les années 2000 pour publier enfin leurs premiers albums pour le plus grand plaisir de nos oreilles impatientes ! Extrait ici de l'excellent "Pangea E Le Tre Lune" paru en 2023 : la classe du rock progressif italien aux accents de sons classiques et baroques... 20 ans auparavant, les suédois ANEKDOTEN sortaient "Gravity", pour les amateurs d'un néo-prog atypique, avec cordes et mellotron, quelque peu post-rock et très agréable au passage dans vos cages à miel ! Outre-atlantique, le duo brésilien FLEESH est réputé pour leurs savoureuses et délicates versions de pépites du rock progressif, alternant avec de belles productions d'albums personnels. Mais c'est en mode "cover" qu'on les retrouve ici avec une magnifique et poignante interprétation de l'ultime album de PINK FLOYD avec Roger Waters  : "The Final Cut". Issu de leur premier opus justement intitulé "Versions" en 2003.  Vous le savez tout à démarré dans LA décennie 70's ! Illustration avec le génial FRANCK ZAPPA pour un album toutefois plus consensuel avec le marché mais toujours d'une grande originalité : "Over-Nite Sensation" en 1973. Même remarque d'ailleurs pour les GENTLE GIANT et leur excellent "The Missing Piece" en 1977, ici avec un coup de jeune puisqu'en version remixée par un certain Steven Wilson... Enfin, un an plus tard le supergroupe U.K. réunissait quatre pointures (membres de Soft Machine, Curved Air, Roxy Music, Yes ou encore et King Crimson, excusez du peu !!) Résultat : un album éponyme visant à proposer une musique (ici encore) plus accessible et une belle carte de visite pour toutes ses musiques qui font le bonheur d'Amarok chaque jeudi soir sur les antennes de SUN !      Page Facebook de l'émission : AMAROK44

Steven Wilson wird am 3. November 1967 in Kingston upon Thames, südwestlich von London geboren und wächst ab dem sechsten Lebensjahr in Hemel Hempstead auf.Mit acht beginnt er, sich für Musik zu interessieren. Er bekommt Gitarren- und Klavierunterricht. Mit 12 beginnt er mit einem Multitrack-Tape-Recorder und einem Vocoder zu experimentieren. Beides hat ihm sein Vater gebastelt. Der ist Elektroingenieur.Da ihm die Musik der 80er zeitweise nicht viel gibt, vergräbt er sich in die große Alben der Jahre 1967 bis 1977. Er entdeckt Psychedelic, Prog, Kraut und Punk für sich und wird zum alles absorbierenden Supernerd.Bald gründet er mit verschiedenen Freunden verschiedene Bands. Mit denen veröffentlicht er erste Tapes.1987 tritt Wilson gleich mit zwei Band-Projekten in Erscheinung. Beide werden seinen Werdegang als Musiker maßgeblich prägen: No-Man, die Synth-Pop und Progressive Rock vereinen und Porcupine Tree, die gitarrenlastiger sind, mit Elementen aus Psych, Prog und Metal arbeiten.In den fast 40 seitdem vergangenen Jahren hat Wilson mit Blackfield, Continuum, Bass Communion, Storm Corrosion und als Solokünstler unzählige Alben veröffentlicht.Seinen Ruf als legitimer Erbe der großen Prog-Bands der 70er hat er nicht nur als meisterhafter Gitarrist, sondern auch als Remixer untermauert. In dieser Funktion hat er an Alben von Yes, King Crimson, Marillion, Jethro Tull Gentle Giant, Ultravox, ABC und vielen mehr gearbeitet.Mit „The Overview“ ist am 14. März sein achtes Soloalbum erschienen. Hosted on Acast. See acast.com/privacy for more information.

Selección musical de Gustavo Iglesias, director de Bandeja de entrada.PINK FLOYD - Shine On You Crazy DiamondKING CRIMSON - 21st Century Schizoid ManYES - RoundaboutGENESIS - In The CageRUSH - Tom SawyerRADIOHEAD - Paranoid AndroidPORCUPINE TREE - Fear Of A Blank PlanetGLASS BEACH - CommatoseEscuchar audio

The Jazz Show takes a side-step this long weekend from its usual programming, Host Blind Mango Chutney calling a Rock Jazz theme. Blind Mango invites local vinyl collector Johnny Dambuster as special guest Selector —with the Rock Jazz theme being a much talked about concept between Blind Mango & the Dambuster for quite some time. The pair have a blast taking a deep dive & a somewhat wild ride into the Rock-Jazz milieu. First selections come from the early Rock' n' Roll period with key vocalists Big Mama Thornton & Big Maybelle. Things get a tad trippy with psychedelic selections from Hendrix, Les Paul, & Blood Sweat & Tears, unfolding later with some unlikely surprises, as Dambuster unearths some buried nuggets from Alice Cooper, Snakefinger (the Residents), & Throbbing Gristle. Plus The MC5 enter for a totally Sonic moment! - (It's all about the track's epic Drum intro, & the Saxophones mid track folks!). Blind Mango knocks it into the End-Zone with essential tracks from King Crimson, John McLaughlin, & Larry Coryell, ending the show on a total high with Charlie Hunter's great version of Nirvana's Come as You Are — all making for an eclectic, & indeed an *electric* mix of Rock-Jazz Vibes with a busy text machine keeping the Crew busy with ppl diggin' the show's selections. (A part 2 perhaps, guys?) DJ Sassy pops in to host the Jazz Gig Guide, & adds a refreshing beverage twist — & Miss Dom to present the Vinyl Fair Guide. Rock on Folks! With big thanks to our show sponsors: San Ray at 118 Ponsonby Road

Yves Jarvis returns to discuss his astounding new album, All Cylinders, artistic growth and personal maturity, musical colours and poetic symbolism, dynamic inspirations like Paul McCartney, Prince, Stevie Wonder, and King Crimson, employing multi-instrumentalism, the admirable autonomy of stand-up comedians, expressing every single thing, tour, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #965: Marlaena MooreEp. #942: Nap EyesEp. #899: GhostkeeperEp. #581: Yves JarvisEp. #488: Yves JarvisEp. #410: Chad VanGaalenSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Le festival Coachella a vibré ce week-end au son de Green Day, Lady Gaga, Weezer, Beth Gibbons (la chanteuse de Portishead), Charli XCX, The Misfits, Benson Boone et même l'homme politique Bernie Sanders, récapitulatif complet sur le site de Classic 21. À l'approche de la sortie mondiale du film ‘'Pink Floyd At Pompeii – MCMLXXII'', prévue pour le 24 avril, le groupe culte a partagé un extrait de la performance remasterisée en 4K du morceau "One Of These Days". Mariage en vue pour Mick Jagger, le chanteur des Rolling Stones fiancé à sa compagne, la danseuse Melanie Hamrick, 37 ans ? AC/DC a officiellement lancé sa tournée "PWR UP" à Minneapolis, marquant un grand retour sur le sol américain après neuf ans d'absence avec un nouveau line-up. Ioannis Vasilopoulos, artiste renommé pour ses pochettes emblématiques de Bon Jovi, Deep Purple, Sepultura ou encore King Crimson, est décédé à l'âge de 66 ans, ont annoncé ses proches. Neil Young, Joan Baez et Maggie Rogers se sont unis pour interpréter "Rockin' in The Free World" lors du rassemblement de Bernie Sanders contre l'oligarchie. Mots-Clés : version, mythique concert, ruines, amphithéâtre, romain, 1971, projection, IMAX, Liège, Bruxelles, étape, indécis, interview, magazine, Paris Match, demande en mariage, annonce officielle, heureux, Américains, réveiller, apathie politique, événement, formation inédite, Brian Johnson, Angus Young, guitare solo, Stevie Young, neveu, Malcolm, rythmique, Matt Laug, Alanis Morissette, batterie, Chris Chaney, Jane's Addiction, basse, remplaçant, Cliff Williams, né en Grèce, résident, États-Unis, pseudonyme, Dangerousage, figure, art visuel,monde du rock, metal,1980, Rainbow of Colours, Rockin' In The Free World, Power to the people, Take America back, couplets. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In Episode 302 of History in Five Songs with Martin Popoff, Martin relives his favorite top 10-second moments from progressive rock bands, highlighting magical and iconic passages that encapsulate the peak musical achievements of bands like Porcupine Tree and King Crimson. Porcupine Tree – “Fear of a Blank Planet” King Crimson – “Three of a Perfect Pair Genesis – “Abacab” Rush – “Tom Sawyer” Yes – “Close to the Edge” Learn more about your ad choices. Visit megaphone.fm/adchoices

Interview by Kris PetersAcclaimed musical innovator and six-time Grammy nominee, Steven Wilson, will bring his highly anticipated The Overview Tour to Australia this November. His arrival will follow a massive run of UK, European and American dates and celebrates the release of his eighth solo album, The Overview, out now via Fiction Records.Australian fans can expect a captivating live experience from one of contemporary music's most boundary-pushing, genre bending artists. Accompanied by accomplished and seasoned veterans including Nick Beggs on bass (Mute Gods, Steve Hackett), legendary jazz keyboardist, Adam Holzman (Miles Davis, Ray Manzarek), Craig Blundell on drums (Steve Hackett, Frost) and Randy McStine on guitars (Marco Minnemann, The Fringe) this world-class line up will bring the expansive, progressive soundscapes to life in a way that can only be experienced in a live setting.The Overview is a 42-minute conceptual journey inspired by the “overview effect” of astronauts viewing Earth from space, and marks a return to the long-form progressive style Steven Wilson redefined with the iconic Porcupine Tree and his earlier solo work. Featuring two ambitious tracks and immersive spatial audio production, The Overview blends progressive sprawl with cinematic electronics and lush, immersive vibes all wrapped in spatial audio wizardry.It's a bold addition to his repertoire which also includes six Grammy nominations, three consecutive UK Top 5 albums and a string of iconic remixes for artists including, Pink Floyd, The Who, King Crimson and Tears For Fears. The Australian tour promises to be a thrilling and dynamic experience. Expect a set packed with The Overview's mind-bending sprawl, alongside cuts from his acclaimed and peerless career.HEAVY had the pleasure of chatting with Wilson, in an enlightening chat that proves why the man is so highly regarded in the music industry. One of the questions we asked focused on the length of his songs and whether the global shortening of attention spans comes into his thinking when writing."The simple answer is I try not to think about the listener when I mark art," he answered honestly. "That sounds very selfish and self-indulgent, and it is, but I've always believed that artists - if I can pretentiously call myself that - should never be thinking about their audience when they create the art, I think by definition it is a selfish act, and you just hope that people want to go with you on that journey. You hope that people will give you the benefit of the doubt. I have a fairly loyal fan base that listen to everything I do. Even if they moan about it, and they complain it's not what they want they still go with me on that journey (smiles), which I think is something that I've built up over the years, that kind of loyalty. Also, I think there's a sense of providing the alternative. There's always been this notion in pop and rock of alternative music. Providing the alternative to whatever is the mainstream at the moment. The mainstream at the moment, as you suggested, is very immediate, short, synthesized pop music. Usually sung by female solo artists. That seems to be very much the prevalent, mainstream, pop formula. So here I am kind of providing the alternative to that. There are people that want that. There are people who want to engage on a deeper level and are prepared to sit and listen to a longer piece of music. So in that sense I see myself as the alternative to the mainstream, and there's always an audience for that."In the full interview, Steve runs us through his busy schedule, tells us what has changed since his last visit, his backing band and what they bring to the live show, The Overview and how fans responded, the conceptual story it is based on and how it transpired to verse, the balance of writing long compositions in the face of people's shortening attention spans, the musical atmosphere generated in his music and the process of bringing it to life, constructing set lists when so many of his songs are lengthy and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

En janvier 2024, le groupe de jazz fusion hongrois DJABE se produit avec l'anglais STEVE HACKETT (ex-GENESIS) dans un festival norvégien. Tout ce petit monde en profite pour se réchauffer en studio et produire ce bel ouvrage qu'est "Frya Artic Jam" qui vient tout juste de sortir et qui ouvre avec bonheur notre émission !  Autre belle et fraîche sortie, à peine un an après "Favorite Places", BRENDAN PERKINS (qui maîtrise tous les instruments de son album !) nous propose "Stories From The Old Church Lane", on adore les belles histoires !  Toujours en terres britanniques, KING CRIMSON, l'occasion de rendre hommage au regretté John Wetton sur un album paru en l'an de grâce 1974. Vive la délation ! On retourne en Norvège (territoire décidément prolifique du genre) pour donner l'antenne à un tout nouveau groupe qui s'est étrangement choisi pour nom SYKOFANT. Pourquoi ce nom dont l'origine grecque sycophante signifie "délateur professionnel" ? Cela reste dans les mystères afférents au monde du rock progressif...Mais écouter ce nouveau projet fort réussi !  Retour dans les 70's avec une nouvelle formation autour de Sonja Kristina qui conserve toutefois le nom de son groupe CURVED AIR mais pour une orientation plus "rock" avec la sortie de l'excellent "Air Cut". Dans la belle région de Bretagne se cache un groupe fantastique qui mériterait quand même plus d'exposition : SAQQARAH. Extrait ici du dernier album en date des vannetais et l'occasion de préciser qu'ils se montreront sur scènes cet été, d'abord à domicile le 8 août aux RENC'ARTS de Guidel puis le 15 du même mois au désormais célèbre festival MOTOCULTOR de Carhaix. Vous faites quoi cet été ? En revanche on n'est pas prêt de revoir MIKE OLDFIELD qui semble avoir pris sa retraite loin là-bas dans les Caraïbes...Mais il nous reste une belle et grande discographie, comme par exemple la surprenante 3ème mouture de son célèbre Tubular Bells sortie à la fin des 90's ! Plongée dans les balbutiements du rock progressif italien avec les napolitains OSANNA, qu'on retrouve avec leur tout 1er album en 1971 avant leur grandiose "Palepoli"... On ne peut certes pas inclure THE BEATLES dans l'univers du rock progressif mais mais mais...leur période psychédélique de 1967 nous laisse quand même des titres qui ont toute leur place dans ce programme et puis de toute façon...je fais ce que je veux !! Pour refermer le rideau sur ce numéro, le groupe EDENYA qui annonce un nouveau single pour les prochains jours, histoire de patienter jusqu'au nouvel album que j'attends avec impatience et que j'espère découvrir (et partager) avant la fin de la saison. Côté live, on pourra certainement écouter leur nouvel opus au festival CRESCENDO le 17 août à Saint Palais sur Mer  ! Vous faites quoi cet été ?  Page Facebook de l'émission : AMAROK44

English drummer talks about time displacement and how he created seminal beats for psych rock outfits like Yes and King Crimson.

In Episode 302 of History in Five Songs with Martin Popoff, Martin relives his favorite top 10-second moments from progressive rock bands, highlighting magical and iconic passages that encapsulate the peak musical achievements of bands like Porcupine Tree and King Crimson. Porcupine Tree – “Fear of a Blank Planet” King Crimson – “Three of a Perfect Pair Genesis – “Abacab” Rush – “Tom Sawyer” Yes – “Close to the Edge” Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early ‘80s, The Police guitarist Andy Summers and King Crimson mastermind Robert Fripp formed an unexpected partnership—blending avant-garde progressive rock with stadium-ready new wave. Despite their vastly different styles, the duo released I Advance Masked (1982) and Bewitched (1984), crafting intricate soundscapes that pushed musical boundaries. Surprisingly, Summers wasn't even a King Crimson fan when they first collaborated. In a recent Guitarist interview, he revealed that he and Fripp had a “cosmic connection” dating back to their teenage years in England. Their journey—from crossing paths in local music scenes to creating two groundbreaking albums—remains one of rock's most fascinating stories. Now, previously unheard recordings from their sessions have surfaced in Mother Hold the Candle Steady, part of the Complete Recordings reissue. Summers admits he was “knocked out” revisiting these lost tracks, questioning why they were left behind in the first place. In this video, we explore how this unique collaboration came to life, why it still resonates, and how their experimental approach influenced generations of guitarists. Plus, we dive into the latest discussions surrounding Fripp, King Crimson, and the ongoing legacy of progressive rock.

"The percentage you're paying is too high pricedWhile you're living beyond all your meansAnd the man in the suit has just bought a new carFrom the profit he's made on your dreams"Sound familiar, please join me for the ultimate distraction, Music. Joiniing us on this week's 2 hour musical journey are Warren Zevon, Zephyr, ZZ Top, Genesis, Joe Cocker, Janis Joplin, King Crimson, The Rolling Stones, Kinks, Velvet Underground, Knack, Grand Funk Railroad, Porcupine Tree, Humble Pie, Jethro Tull, Led Zeppelin, Robin Trower and Traffic. 

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we're discussing every album by King Crimson from 1969 to 1974. Led by the legendary (and partially insane) Robert Fripp, King Crimson is one of the pioneers of prog rock, as well as one of the wildest and most influential bands of all time. This era of the band chronicles some of the most memorable albums in all of prog rock. But be warned, this is not a band that welcomes everyone. The insanity is real.Closing track” One More Red Nightmare” from Red (1974)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Mike on Instagram @pandermonkeyAlex on Bluesky @octatron3030Tom on Instagram @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteMike's Picks:In the Court of the Crimson King (1969) — Best AlbumRed (1974) — Personal FavoriteLarks' Tongues in Aspic (1973) — Worst Album, Least FavoriteAlex's Picks:Red (1974) — Best Album, Personal FavoriteIslands (1971) — Worst Album, Least FavoriteAlbums we discussed this episode…In the Court of the Crimson King (1969)In the Wake of Poseidon (1970)Lizard (1970)Islands (1971)Larks' Tongues in Aspic (1973)Starless and Bible Black (1974)Red (1974)

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"Seem like every time you stop and turn aroundSomething else just hit the groundBroken cutters, broken saws, broken buckles, broken lawsBroken bodies broken bones, broken voices on broken phonesTake a deep breath feel like you're chokin'Everything is broken."Well, not quite everything, please join me for 2 hours of fixing, joining us are Pat Metheny, Laura Nyro, The Doors, Rascals, Beatles, Chambers Brothers, Joe Farrell Quartet, War, Traffic, Dr. John, King Crimson, Love, John Lennon, J. Geils Band, Tim Buckley, Leon Russell, Ian Hunter & Bob Dylan.

"As I was walking down the street one dayA man came up to me and asked meWhat the time was that was on my watchYeah... and I said, Does anybody really know what time it is?Joining us to welcome Daylight Saving Time were Gil Scott-Heron, The Who, Strawbs, Moody Blues, Michael  Jackson, Joe Jackson, Tom Petty, Bob Welch, Dave Mason, The Alan Parsons Project, Led Zeppelin, King Crimson, Talking Heads, Dire Straits, Cyndi Lauper,  Bob Dylan,  Marvin Gaye, Flo & Eddie, Iron Butterfly, Stevie Wonder,  The Bee Gees, Derek & The Dominos,  Dire Straits, Pink Floyd and Chicago Transit Authority.

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Adam's next pick, King Crimson's "Red". Released in 1974, it was their seventh studio album, and the last King Crimson album until the group was re-formed by bandleader Robert Fripp in 1981. The album has been cited as an important work in both progressive rock and heavy metal, influencing a multitude of other artists, such as Kurt Cobain. But what will the boys think of the album? Will they describe it as "One More Red Nightmare" or will it influence them as well? Come along and find out!

Welcome to Live From Progzilla Towers Edition 553. In this All Request edition, we heard music by Rush, Andrew Lloyd Webber, Dave Kerzner & Sonic Elements, Geordie Greep, Godspeed You! Black Emperor, Kayak, Marillion, Rick Wakeman, Cybotron, Wendy Carlos, Van Der Graaf Generator, Robert Fripp, King Crimson, The Cure, RPWL, Opeth, Schnauser, Wally, Tiles, The Staves & Transatlantic.

Drummer Sean St Germain of Rickshaw Billie's Burger Patrol talks about their recent tour, having a sense of silliness on-stage, the origins of the band name and the formation of the band, early shows in Austin, TX, Canadian Rednecks and other funny accents of the NE Coast, Sean's recent fascination with King Crimson, some of their favorite towns to play in the states, his early bands and how he started to play the drums, and sweet things to come in 2025!

Uma breve (e autoral como sempre) biografia sobre os anos do final de King Crimson nos '70 e a gloriosa chegada de Discipline nos '80. A playlist das músicas citadas está aqui. A transcrição do episódio está aqui.  

En este episodio hemos escuchado y comentado la música de Haunted; Magic Shoppe; King Crimson; Nektar; Blue Lake; Tal Wilkenfeld; Recuerdo a Jamie Muir.

King Crimson rounds out their jazz metal trilogy as a trio This is the clearest, heaviest and arguably most King Crimson that King Crimson will ever be Join us for 1974's Red @progfrogpod helloprogfrog@gmail.com 

King Crimson takes it to the stage and improvises some surprisingly enjoyable music. Also some unsurprisingly unenjoyable music Join us for 1974s Starless and Bible Black @progfrogpod helloprogfrog@gmail.com 

We drop in on a newly reformed King Crimson as they embark on a trilogy of jazz metal classics with 1973's Lark's Tongue in Aspic @progfrogpod helloprogfrog@gmail.com 

For this months episode we head back to 1971 for a batch of epicly long prog epics, peppered with the occasional bit of folk rock, powerpop, metal, jazz, and afrobeat. Our longest playlist yet, and lots of fun along the way! We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Badfinger, The Beach Boys, Black Sabbath, David Bowie, Can, Caravan, Neil Diamond, Nick Drake, Emerson, Lake & Palmer, Flower Travelin' Band, The Flying Burrito Brothers, Focus, Hampton Grease Band, Jimi Hendrix, The Hollies, Billy Joel, King Crimson, Mahavishnu Orchestra, Nazz, Harry Nilsson, The Norman Haines Band, Osibisa, Pink FLoyd, The Rolling Stones, Pharoah Sanders, Nancy Sinatra & Lee Hazlewood, Stephen Stills, Traffic, Van Der Graaf Generator & The WhoFind all songs in alphabetical order here - https://open.spotify.com/playlist/36GaQbyuHTepSEAQkXubCN?si=24673026411f4e51Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

On today's installment of ROTY 1970, Steve and Chris begin their trek through the bottom of their 393 song playlist of the most-streamed songs of the year. Our Spotify 1970 Playlisthttps://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

While we're on a brief hiatus from making all-new episodes, we thought it would be fun to compile all the moments where Paul asks his guests "What Was The First Record You Ever Bought?" and put them in a couple of "clip shows." Last week was part one, so here's part two, featuring Shannon Shaw (from Shannon & The Clams), Joey Santiago (from Pixies), Julian Lage, Steve Perry, Slash, The Heavy Heavy, Ben Folds, John Densmore (The Doors), and bass ace Tony Levin (King Crimson, John Lennon and more). The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

A special Delaware episode. Chris Haug from Delaware Music History Archive joins the crew to discuss the DMHA and local cassette tapes. Sounds from Woz, Toxic Holocaust, MC Iziah, Silk & Satin, Union, Clevinger, Network 34, Boysetsfire, High Karate, Infection, King Crimson (a live recording from Wilmington, DE in 1972), and Batz Without Flesh.

A special Delaware episode. Chris Haug from Delaware Music History Archive joins the crew to discuss the DMHA and local cassette tapes. Sounds from Woz, Toxic Holocaust, MC Iziah, Silk & Satin, Union, Clevinger, Network 34, Boysetsfire, High Karate, Infection, King Crimson (a live recording from Wilmington, DE in 1972), and Batz Without Flesh.

Interview with Kevin Shields Of Detention. Detention was one of the first and best bands of the ‘80s New Jersey hardcore punk explosion. Their wonderfully tasteless “Dead Rock 'n Rollers” single became the college radio cult classic of 1983. The song's 97 seconds of primal Ramones-style speed-punk mocked the demise of Jimi Hendrix, Janis Joplin, John Lennon, Keith Moon, Elvis Presley, Jim Morrison, Sid Vicious, John Belushi, and John Bonham — who “played the drug game and couldn't maintain.” They even foretold the drug-related heart attack of Jim Carroll, famous for “All The People Who Died,” screaming, “What are you waiting for? Do it!” Saving the best for last, “Dead Rock 'n Rollers” raised the obvious question: “Why couldn't it be Barry Manilow?” The Detention story goes back to Central Jersey, to the Shields family home in Hillsborough Township, about 20 minutes from the “culture capital” of New Brunswick. Kevin Shields, the fourth of five sons, grew up listening to his older brothers' sophisticated record collection of hippie music that ranged from Blue Cheer to King Crimson. Kevin recalls: “Early on, I knew that rock ‘n roll was something special. I was fascinated.”  “I enlisted in the Coast Guard when I was 17. I was out on my own. I was always a music guy and realized music was getting stale with Genesis and whatnot. I read all the magazines, and the ads in the back, so I sent money to these labels, and came home with albums like Never Mind the Bollocks and Rocket to Russia, and singles by the Slickee Boys and MX-80 Sound. But the coup d'grace was when we stationed in Alameda and I went wild in San Francisco. I went to the Mabuhay Gardens like three nights a week, seeing all the legendary West Coast bands: DKs, DOA, Black Flag. I got thrashed on the education of seeing live bands.”   When Kevin returned home in 1981, he was inspired to make music. “Detention came about because I decided to be a player not a spectator,” he explains. “The easiest way was to recruit my family, so I turned to my brothers. I bought a bass, but I didn't know how to play it. My brother Paul suggested I get in touch with this guitarist Rodney Matejek. He showed me how to play simply, and within months we started coming up with riffs, and what would become songs came very quickly.”  The band — Kevin, Rodney, frontman Paul Shields, and drummer Daniel Shields — played their first show at Raritan Manor on the Somerville Circle, hosted by a young Matt Pinfield in his first radio DJ gig at WRSU (Rutgers). It was a noisy and chaotic affair, with people rolling on the floor — until police arrived and stopped the mayhem. “We were given 100 bucks, and we promised never to play there again,” Kevin says with a grin.  Kevin offers some backstory: “Rob Roth, god bless his pointed head, he had a vision. He got us into the studio in Roselle Park, and he paid for it. All we had to do was get good recordings of the two songs, including the B-side “El Salvador.” It came out great. My brother Paul certainly had the lungs for the job! Those 500 copies got us gigs and got us a lot of notice.” In 1985, Detention released a self-produced self-titled album before disbanding. Kevin's Info https://www.leftfordeadrecords.com dead-rock-n-rollers    

Hunter is back at the helm for this episode of Punks in Parkas - bring us an hour of music from his teenage brain!Hear tracks from the likes of King Crimson, Tame Impala, Chicago and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Mondays from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Send us a textThis week we dig into the 1973 self-titled debut by Bad Company. Coming off of the success of Free, Paul Rodgers hooked up with Mott the Hoople guitarist Mick Ralphs, and along with former Free drummer Simon Kirk, and King Crimson bassist Boz Burrell, formed what may be the most American-sounding British band ever: Bad Company. Rodgers soulful and powerful voice and Ralphs crunchy guitars punctuate songs about the old west, ballads about sea birds, and tunes about physical love that don't take much work to interpret. Bad Company was a monster hit, topping the charts in US and reaching # 3 in the UK. It is not an album full deep thought and self reflection, but that doesn't matter because it is and album of catchy licks and high octane fun that helped define the radio-freindy heavy rock of the 1970's.Visit us at www.tappingvinyl.com.

Send us a textFrench-Brazilian Guitar Virtuoso Releases Two Singles#progrock #guitarist #paganini #newmusic #virtuoso If not now, then when? Just before celebrating his 60th anniversary, French-Brazilian guitar player, composer, producer and film-maker Marcelo Paganini will digitally release two singles on the 20th of November 2024.The first single Marcelo Paganini will release is his short orchestral overture “Poder Paralelo”. It is just 49 bars. It lasts only about one minute. Perfect for the short attention span audience of the current times. It is the first movement of his first symphony “Belo Horizonte” that he wrote 20 years ago, when his friend Andre Dequech told him about a composition contest. Award nominee sound engineer John Chapman did the audio mixing in Hollywood, California, USA. Marcelo Paganini conducted by himself the Budapest Scoring Orchestra in Budapest, Hungary on October the 23rd for the recording. 3 cameras captured the performance and the video will also be released on the 20th of November. There will also be an “making of” short film documentary produced and directed by Marcelo Paganini that will be released next year on the film festival circuit.Buy the Music: https://marcelopaganini.bandcamp.com/track/poder-paraleloInstagram: https://www.instagram.com/marcelopaganini.ic/Facebook: https://www.facebook.com/p/Marcelo-Paganini-100043967236194/Youtube: https://www.youtube.com/user/MarcelloPaganiniThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Yes had achieved chart success in the U.S. beginning with their third LP, The Yes Album. Original keyboard player Tony Kaye would be let go after that album, with former Strawbs keyboard player Rick Wakeman joining in mid-1971. Both the albums Fragile and Close to the Edge would be considered both fan and critical favorites, with a successful tour a triple-album live album and concert film in Yessongs. However, during that tour drummer Bill Bruford left for King Crimson and was replaced by Alan White, and Jon Anderson and Steve Howe began working on new music that would become one of the band's most controversial albums - Tales from Topographic Oceans.

"Does my crush love me? I really need to know.""Do you think we're living in the most advanced civilization that has ever inhabited Earth?""King Crimson was at their peak with Wetton, David Cross and Bruford, but Taylor Swift is a billionaire. STEFAN - have you heard Mozart's newly discovered 'A Very Little Night Music'?""What's your opinion of Jordan Peterson's work?""Is statism collapsing?""Is your book available in hardcover?""What's your favorite heavy metal band?""is the traditional Catholicism the most based thing on the Earth?""What happened to your YouTube channel?""Do you think these problems with NAP can be resolved?"The Non-Aggression Principle (NAP), is a libertarian ethical stance that argues that aggression—defined as the initiation of force or fraud against another person's property or person—is inherently immoral. While the principle has intuitive appeal, it faces significant philosophical, practical, and ethical challenges that undermine its universality and application."1. Ambiguity in Defining "Aggression""Subjectivity of Aggression: The NAP relies on a clear definition of "aggression," yet many actions can be interpreted as aggressive or non-aggressive depending on perspective. For instance:"If someone refuses to vaccinate during a pandemic, is that an act of aggression by endangering others' health, or is forcing them to vaccinate aggression?"Pollution from a factory might harm others, but is it aggression if the harm is indirect and unintended?"This ambiguity makes it difficult to apply the NAP consistently."2. Lack of a Mechanism for Collective Action"Addressing Collective Problems:"The NAP is highly individualistic and struggles to address issues that require collective solutions, such as environmental protection, public health, or infrastructure."For example:"Climate change results from aggregate actions that harm others, yet enforcing emissions reductions could be seen as an initiation of force against individuals or corporations."Public goods like roads, education, and defense require taxation, which the NAP might label as aggression, leaving no clear path to fund or manage such necessities."3. Assumes Absolute Property Rights"Property Rights Are Not Universally Agreed Upon: The NAP assumes that property rights are fundamental and self-evident, yet property systems are human constructs that vary across cultures and contexts."For example:"Indigenous communities often view land as communal rather than private, making the enforcement of private property rights in such contexts potentially aggressive."Historical Injustice: Many property holdings result from historical aggression (e.g., colonization, slavery). The NAP offers no clear guidance on addressing these injustices because enforcing reparations could violate the principle."4. Fails to Account for Power Imbalances"Inequality and Coercion:"The NAP does not account for systemic power imbalances that can lead to de facto coercion without overt aggression."For example:"A worker "choosing" between starvation and accepting exploitative labor conditions may not face physical aggression, but their choices are constrained by economic coercion."Corporate monopolies can dominate markets and restrict freedom without violating the NAP, yet they create conditions of harm or dependency."5. Incompatibility with Emergency Situations"Moral Exceptions: The NAP struggles with situations where initiating force might be morally justified or necessary to prevent greater harm."For example:"Breaking into a cabin to survive in a blizzard technically violates the NAP but might be considered ethically justifiable."Preventive action, such as disarming someone threatening violence, could be seen as aggression under the NAP, even if it avoids greater harm."6. Over-Simplification of Ethics"Moral Complexity: Ethical decision-making often involves balancing competing values, such as individual rights, collective welfare, and justice. The NAP reduces morality to a single principle, ignoring the complexity of real-world dilemmas."Utilitarian Concerns: Following the NAP rigidly could lead to suboptimal outcomes, such as allowing preventable suffering or harm if addressing it would require "aggression.""7. Practical Limitations"Enforcement Dilemmas: Even within a system governed by the NAP, enforcing the principle requires some authority to define and address aggression. For instance:"Resolving disputes over property boundaries or contractual breaches might involve coercive mechanisms, contradicting the NAP."A purely voluntary system lacks a practical means of ensuring compliance or protecting vulnerable individuals from exploitation or harm."8. Historical and Theoretical Criticism"Historical Evidence: Societies that have operated on principles akin to the NAP (e.g., laissez-faire capitalism) have often resulted in significant inequality, exploitation, and harm, suggesting that the principle is insufficient for creating equitable or stable societies."Philosophical Counterarguments: Thinkers like Karl Marx or John Rawls argue that focusing solely on individual rights and property ignores the broader social and structural forces that shape human relationships and justice."While the Non-Aggression Principle provides a simple and appealing ethical framework, its oversimplification of complex moral and social issues renders it problematic in practice. It fails to account for ambiguous definitions of aggression, systemic power imbalances, collective action needs, and situations where initiating force might prevent greater harm. Ultimately, the NAP's rigid adherence to individual rights and property neglects the interconnected and nuanced realities of human society.""when next bitcoin roundtable?"GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022

**** There is a wild 50% off strore wide sale for all my vinyl and merch until the end of the year! https://shorturl.at/FXgkf This was one of the most entertaining chats Ive had in ages tbh. I had no real idea who or what Eric was about before this and it turns out we would get along famously. Plus he lives here. Wild.  What a fun hang this was. I tell you what, a huge part of it was that it was in my studio and thus NOT on zoom and guess what? the human connection is WAY better without digital mitigation. Who would have thought? I hope you enjoy this as much as I did.  He's a really badass musician and started very very young. His first main gig was with Adrian Belew !! I mean WHAT? I trust you know Adrian who plays in King Crimson and Talking Heads (Remain in Light anyone?? ooof!!!) He's the drummer of the excellent Dr Dog and he's worked with so many cool folks like Daniel Rossen, Nels Cline oh and you know Taylor Swift.... to name but a few. Wild knowledge of music and a bright mind.  Enjoy

ABOUT TONY LEVIN: Tony Levin is one of the most accomplished bass players in the history of rock music. He is also an author and true innovator. Whether it be his solo music, collaborations or as a member or recording with others. His most notable bass playing albums and tours have been with: Peter Gabriel, King Crimson, John Lennon, Pink Floyd, Lou Reed, Alice Cooper, Buddy Rich, Peter Frampton, Carly Simon, Judy Collins, Paula Cole, James Taylor & more.... ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom and Julie watch clips of the Steamboat Willie horror movie, Jeremy Piven self help, a guy who can't play King Crimson's Fracture, and more! Plus Brett recalls a scene from the movie Quills and taste tests communion wafers! CLIPS FROM THIS EPISODE: -Steamboat Willie https://www.youtube.com/watch?v=PXGy5E-8a7Q -Jeremy Piven Self Help https://www.instagram.com/reel/C6FX061tsTj/?igsh=MTc4MmM1YmI2Ng%3D%3D -Terlingua Rock Tumbler https://www.instagram.com/reel/C6FX061tsTj/?igsh=MTc4MmM1YmI2Ng%3D%3D -Failure to Fracture https://www.youtube.com/watch?v=x5LPldcjeH0  JOIN THE DOUBLE THREAT FAN GROUPS  *Discord https://discord.com/invite/PrcwsbuaJx  *Reddit https://www.reddit.com/r/doublethreatfriends  *Facebook https://www.facebook.com/groups/doublethreatfriends   DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat   TOTALLY EFFED UP T-SHIRTS  https://www.teepublic.com/user/dttfu   SEND SUBMISSIONS TO  DoubleThreatPod@gmail.com   FOLLOW DOUBLE THREAT  https://twitter.com/doublethreatpod  https://www.instagram.com/doublethreatpod   DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat   Theme song by Mike Krol  Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's podcast, we explore which artists in 1982 adapted to the changing musical climate and which stayed true to their own style—with results ranging from mixed on King Crimson's Beat to the absolutely exceptional All the Best Cowboys Have Chinese Eyes by Pete Townshend. Learn more about your ad choices. Visit megaphone.fm/adchoices