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The Anointing Of The 22: Jim has brought some special gifts that will bond us all and we will never be the same again. Don't Touch The Props: Corey Feldman yells at a fan, admonishes the crowd and belittles his band. Just another Corey Feldman performance! 5 Years Later: 5 years on from the My Truth Documentary, we need to revisit the Corey Feldman crowd funding era by revisiting his money begging videos. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, YOU KNOW THAT!, NMAN!, PISS!, THIS IS A COREY FELDMAN SHOW!, REAL ONES!, SPECIALS GIFTS!, BOND!, KEEP IT SECRET!, KEEP IT SAFE!, HAPPY BIRTHDAY ZEN FELDMAN!, ADRIEN SKYE!, OATH!, PACT!, CONNECTION!, 22 NECKLACES!, FLATTERY!, CONNECTION!, COMMENTBACK KINGS!, GREGG!, BENTLEY!, COWBOY PIRATE BASS PLAYER!, FREAK OUT!, PROPS!, DON'T TOUCH THAT!, ROCK US DANNY!, ROCK AND ROLL HIGH SCHOOL!, SEQUEL!, THE RAMONES!, PSYCHEDELIC!, KILLED THE CROWD!, VIBES!, ANDY KAUFMAN!, GENIUS!, IN ON THE BIT!, MY TRUTH DOCUMENTARY!, COREY HAIM!, CROWD FUNDING!, GOFUNDME!, INDIEGOGO!, DONATIONS!, ASCENSION MILLENNIUM!, HIGH FIVE!, BALD GUY!, TOO POSITIVE!, REMINDER!, A LOOK BACK!, MY TRUTH!, CROWD FUND!, ALPHAS!, DREADFULMATT!, JOEYLASAGNA!, CAMPAIGN VIDEOS!, GOFUNDMES!, INDIEGOGO!, HINDSIGHT!, COREY HAIM!, JUSTICE!, ACTING!, MELODRAMATIC!, BOX SET!, ROTTEN HOUSE!, ROTTED SHELF!, HAUNTED!, GHOSTS!, JACOB MARLEY!, SCROOGE!, PITCH!, CAMERA!, WHISTLES!, TEETH!, EXPLAIN!, PERKS!, GRAPHIC DETAILS!, NUDITY!, UNCENSORED!, PREDATORS! You can find the videos from this episode at our Discord RIGHT HERE!
Rich and Jim sit down with Jay Weinberg, son of Max Weinberg and drummer for Slipknot and Suicidal Tendencies, as he shares his incredible musical odyssey from punk rock roots to international stages.Timed Highlights:[0:10] - Bruce Springsteen's unexpected tour invitation during college[0:25] - The Ramones' influence on Jay's drumming style[0:45] - Transitioning from hockey to professional drumming[1:10] - Touring experiences with Metallica and unique stage design[1:30] - Artistic expression beyond drumming - oil painting and creative process[1:50] - Global touring adventures, including a trip to Antarctica[2:05] - Family musical legacy and relationship with his father[2:25] - Designing custom drum equipment with SJC Drums[2:40] - Social media, community engagement, and building a massive following[2:55] - Discussing favorite bands, dishes, and life on the roadA must-listen for music fans, drummers, and anyone interested in the behind-the-scenes world of rock and roll.The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!Follow Rich:@richredmondwww.richredmond.comJim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.Follow Jim: @jimmccarthywww.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Cowww.itsyourshow.co
Comienza el día con un repaso cultural donde recordamos a Willy DeVille, el último concierto de Ramones en el Palace de Hollywood y celebramos los 60 años del lanzamiento de 'Help!', el disco de The Beatles con la canción más versionada de la historia. Después, el turista musical vuelve de conocer la profesión de fisioterapeuta y nos enseña todo lo que ha aprendido de reflexología podal. A continuación, conectamos al cantante puertorriqueño Bad Bunny con el productor japonés Nujabes, a través de sus colaboraciones. A las ocho conocemos la actualidad y una nueva palabra desde Aragón: 'zorrera'. Y, para terminar, charlamos con el periodista y escritor Alfonso Domingo sobre su libro 'Cabaret Iberia: Los golfos años 30'.Escuchar audio
Sofie och Jake från The Headlines tuffade upp från Malmö till Göteborg för att ta sig ett snack om bandets bakgrund och ambitioner, Myspace, Vånna Inget, The Clash, gigga som fan, Stry Terrarie och Sex Pistols. Vidare till Dålig Isolering, Golvad Grävling, lira på squats, de sju plattorna, Chips Kiesbye, Håkan Sörle, låtskapandet, Ramones, Good Charlotte, plakat-punk, tänkvärda shoutouts och en hel del annat.
Hoy os dejamos en La Gran Travesía un programa donde podréis escuchar a Sheryl Crow, los Ramones, Police, The Jam, Afghan Whigs, Elliott Smith, Tina Turner, The Clash, Iron Maiden, The Boys, Eddie and the Hot Rods... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Gin1975, Alberto Velasco, Poncho C, Francisco Quintana, Gastón Nicora, Con,, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Host Jason Schreurs welcomes Sarinn Blawatt, singer of Vancouver punk band Alien Boys, to talk about the culture of care. Having worked in harm reduction services for more than 15 years, Sarinn links their involvement in the punk scene and its empathic ethos to the important work they do in health care. http://alienboys.bandcamp.com Featured song clips: Alien Boys - "The Lever" from The Weight of it All (2023) Ramones - "I Wanna Be Sedated" from Road to Ruin (Sire Records, 1978) Dead Kennedys - "Drug Me" from Fresh Fruit For Rotting Vegetables (Cherry Red Records, 1980) Alien Boys - "Shrinkwrap" from The Weight of it All (2023) Photo: Bobbi Barbarich The SCREAM THERAPY BOOK is now available! Scream Therapy: A Punk Journey through Mental Health is a memoir-plus that has been heralded by New York Times best-selling authors. Like the podcast, it links the community-minded punk rock scene with the mental wellness of the punks who belong to it. ORDER A COPY OF THE BOOK! screamtherapyhq.com/book NEW SCREAM THERAPY MERCH STORE! http://screamtherapy.threadless.com About this podcast: Scream Therapy explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music clips: Submission Hold - "Cranium Ache" Render Useless - "The Second Flight of Icarus" Contact host Jason Schreurs - screamtherapypodcast@gmail.com
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
In this week's Suburban Underground Steve picked an entire show of songs about teenagers. In this show these artists will be heard: Sweet, Eddie & The Hot Rods, Old 97's, The Records, Ladytron, Camera Obscura, Alice Cooper, The New Pornographers, Crowded House, Sparks, Band Of Horses, Lucius, The Adverts, Gothic Tropic, T. Rex , Richard Cheese & Lounge Against The Machine, The Ramones. AI-free since 2016! On the Air on Bedford 105.1 FM Radio *** 5pm Friday *** *** 10am Sunday *** *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio *** Instagram: SuburbanUnderground *** #newwave #altrock #alternativerock #punkrock #indierock
"The K Pop band EXO claimed that one of their concerts in South Korea sold out in less than two seconds. It sounds impossible because you are not being told the entire story. It is a badge of honor for bands to sell out quickly. Other than EXO, who did legitimately sell out the fastest. We will tell you our pick."
What happens when a legendary radio insider meets a modern-day playlist curator? In this episode of Just Press Record, host Matt Zeigler brings together Laurie Kaye, the last person to interview John Lennon, and Kevin Alexander, the music-obsessed mind behind the On Repeat Records Substack. Together, they explore the emotional power of music discovery—from transistor radios under the covers to Substack playlists in your inbox. With stories that span from David Bowie and Mick Jagger to record store revelations and underground concerts, this episode is a love letter to curation, connection, and the soundtracks of our lives.
In this throwback episode, I'm joined by Bill Manspeaker of the outrageous Green Jellÿ for one of the most fascinating—and NSFW—interviews I've ever recorded. We dive deep into the band's wild history, including their Guinness World Record for the most band members (with over 900 members worldwide at the time of recording!), their chaotic appearance on The Gong Show, and the infamous moment Joey Ramone called them the worst band The Ramones ever played with. Bill shares behind-the-scenes stories about producing the Cereal Killer VHS and soundtrack one video at a time, and how the band once held the record for the highest-debuting rock single in UK chart history. We also explore the band's ties to Tool, their legal battle over the name Green Jellö, and their collaboration with Marvel Comics on Carnage Rules. Other unforgettable moments include recording “I'm the Leader of the Gang (I Am)” with Hulk Hogan, working with (or without) Metallica in regards to the breakdown in “Electric Harley House (Of Love),” working on music videos for 2Pac, Marilyn Manson, and “Weird Al” Yankovic, touring with KISS during their 1997 reunion, and performing at the Gathering of the Juggalos alongside Insane Clown Posse. And don't be alarmed, of course we discuss the cultural phenomenon known as “Three Little Pigs.” Head over to MyWeeklyMixtape.com to stream every song featured in this episode, browse the full archive of curated playlists, check out exclusive artist interviews, and discover even more music content designed for fans of all genres! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape Blusky: https://bsky.app/profile/myweeklymixtape.bsky.social TikTok: https://www.tiktok.com/@myweeklymixtape Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! Learn more about your ad choices. Visit megaphone.fm/adchoices
This month we appear to be teleporting between CBGB's, Studio 54, The 100 Club, The Berlin Wall and some kind of prog gig in a field in Cambridgeshire as we battle over our favourite songs of 1977!We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - David Bowie, Chic, Commodores, Elvis Costello, The Damned, Emerson, Lake and Palmer, Dean Friedman, Fleetwood Mac, Peter Gabriel, Heldon, Richard Hell, Billy Joel, Kiss, Fela Kuti, Bob Marley & The Wailers, Anthony Phillips, Pink Floyd, Plastic Bertrand, Iggy Pop, Queen, Ramones, Suicide, Talking Heads, Television, George Thorogood & The Destroyers, Johnny Thunders & The Heartbreakers, John Williams & The London Symphony Orchestra, Wire, Bill Withers, & X-Ray SpexFind all songs in alphabetical order here - https://open.spotify.com/playlist/4Gh83sLsD9mCpQAIliafVB?si=49b9628e338d4c77Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com
Pat welcomes author and college buddy Patrick Halferty to the show to discuss the Pittsburgh, PA music scene in the 80's and promote his book "Movie Star Parking at the White Tower and Other Stories."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"Often an actor will start a band once her or she is famous. However many actors start as musicians. Some saw great success. We have some surprising names this week."
David Arnoff's career kicked off with the photos for the Cramps' Songs the Lord Taught Us album. Since then, he has contributed to dozens of releases by artists including the Dream Syndicate, X, Ramones and the Gun Club.A collection of his work, Shot in the Dark, has been published in the U.S., U.K. and Spain. He has had solo exhibits in Berlin, London, Tokyo, Den Hague and Los Angeles, as well as group shows across the States and Paris.David's photos are in the collections of the Grammy Museum in LA, the Punk Rock Museum in Las Vegas and MOMA in NY.He has never photographed bands he doesn't like. David is the oldest angry young man in Chiswick, West London.
Hello everyone!We've been sent a great song from Daddy's friend, Bob Baker, celebrating our 200th episode. It's a parody of Jackie and Judy by The Ramones and it was recorded by Paulie and the Cogs from Chicago.Also Juno had her birthday party, a dog bit Robin's bum and we did our first play, Mayhem at the Museum, with drama club.Plus Joke of the Week, Farty Facts, Tickle Time and Tooth Update.We love you all!
Being mean to the god fathers of punk rock.
In this week's Suburban Underground, Steve picked two sets of songs about things found under the ocean. Here is the full list of artists played this week: The Dollyrots, The Killers, Wolf Alice, Daikaiju, Head Automatica, The Warning, The Fixx, Jacuzzi Boys, Computer Magic, Lloyd Cole, Oasis, Deep Sea Diver, Moss, The Ramones, Michelle Branch, Angst. AI-free since 2016! On the Air on Bedford 105.1 FM Radio *** 5pm Friday *** *** 10am Sunday *** *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio *** Instagram: SuburbanUnderground *** #newwave #altrock #alternativerock #punkrock #indierock
"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."
Get ready to rock, roll, and raise your devil horns as the Vinyl Boyz dive into the electric soundtrack that taught a generation to never stick it to the man—the School of Rock Original Motion Picture Soundtrack. Released in 2003 alongside the cult-classic film starring Jack Black, this album is a headbanging blend of classic rock anthems and original tracks that capture the spirit of rebellion and the soul of rock 'n' roll. From The Who’s thunderous “Substitute” and AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)” to Jack Black’s powerhouse vocal performance on “School of Rock,” this album doubles as both a love letter to classic rock and a beginner’s guide to the genre. With tracks from Cream, Stevie Nicks, The Ramones, and Led Zeppelin (yes, they cleared a song for this!), the soundtrack honors the legends while igniting a passion for guitar riffs and freedom of expression. Whether you were a kid who wished Dewey Finn was your substitute teacher or just someone who believes rock will never die, this soundtrack hits all the right notes. Tune in as we kick off Week 2 of our 8-Week Soundtrack Summer, spinning one of the most fun and empowering compilations in movie music history. Let’s rock!!!!
"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."
Brand new episode! Enjoy and subscribe for more!!! Advertise with us: https://www.podbean.com/wandeepsessionads Donate us on PayPal: https://www.paypal.me/iamquantom Follow our social media: https://instagram.com/iamquantom https://www.instagram.com/technocollectiverecords/ https://www.instagram.com/wandeepsessionofficial/ https://soundcloud.com/quantomofficial https://www.youtube.com/channel/UC3-KJIB3z5jM4WpBI-TKoTQ Follow our Spotify Playlist: https://open.spotify.com/playlist/4i4M6A9QvdIAgOStjjWQPr TAG #wandeepsession on IG Follow our group on Telegram for more music: https://t.me/wanderlustrecords Buy new VA "Tunnel Vision" EP on Beatport: https://www.beatport.com/release/tunnel-vision-vol-i/4152894 If you want to have a guestmix in our session, just send us link with 1h of your mix (WAV) including tracklist. Email: tcrpublishing@outlook.com Note that WAN DEEP SESSION™ is the original and very first successful Techno show in the Czech Republic & only the #1 in your techno collection. © Techno Collective Records a division of Wanderlust Records Ltd. 2017-2025 All Rights Reserved
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In this episode, Liam sits down with legendary photographer and journalist Maggie St. Thomas. With a camera in hand, Maggie has spent decades capturing raw, unfiltered moments from music's most chaotic corners — from the grime of LA's underground punk scene to the haze-filled green rooms of hip hop royalty.We talk about her new book Subject: Punk, her childhood surrounded by music and mayhem, photographing the Ramones, Sublime, and yes — smuggling weed in a trench coat to photograph Snoop Dogg for High Times.Maggie also opens up about her time working in a crematorium, the emotional weight of documenting vulnerable artists, and why punk isn't just a sound — it's a way of being. Check out Maggie's work via this link
In this electric episode, Brad Zerbo and Jaytriot take you on a guided tour of New York's punk revolution, from the grimy floorboards of CBGB to the thunderous rise of hardcore. They celebrate the Ramones' groundbreaking speed and raw down-picking that inspired Metallica's Kirk Hammett, while recounting personal stories of brushing shoulders with Joey and Johnny Ramone. The hosts spin tracks from Richard Hell, Television, Patti Smith, Blondie, Talking Heads, the Dead Boys, and the Dictators, showcasing how each band shaped punk's sound and look. Jay shares memories of CBGB shows in the late ‘90s and near visits to the Twin Towers days before 9/11, adding a poignant edge to the nostalgia. They wrap up with a nod to Agnostic Front and the hardcore scene that followed. From anecdotes about infamous CBGB bathrooms to the heartbreak of its closure, this episode is a loving tribute to a cultural movement that was loud, fast, and defiantly real.
In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."
De första svenskar som lyckades exportera garagerock – flera år innan Union Carbide, Hives och Hellacopters gjorde succé – var The Nomads. De träffades på Vasalundsskolan i Solna där Niklas "Nix" Vahlberg blev imponerad av Hans Östlund som var så cool att han redan spelade i ett band (Sewer Rats). Niklas var glad över att äntligen få en vän som gillade punk. När Ramones spelade på Jarlateatern 1977 hade han inte haft någon att gå med. Niklas snälla morfar skjutsade dit honom så att han i alla fall kunde stå utanför och beundra publiken. "Bara det var fascinerande", minns Niklas hemma hos Strage där han och Hans Östlund berättar om sina 44 slamriga år i The Nomads. De pratar bland annat om att sälja sin första singel på pubar i Solna, om att upptäcka sextiotalets underjordiska garagerock, om att få fans i England och Frankrike i mitten av åttiotalet, om att turnera med Ramones och Iggy Pop, om USA-satsningen 1994 (då de gjorde ett klubbgig i Seattle samma kväll som Nirvana fyllde en arena och alla stans coola rockband såg Nomads i stället), om att kompa den psykedeliske pionjären Roky Erikson, om nollnolltalets garagerockrevival och om att dödsstäda skivsamlingar. Hosted on Acast. See acast.com/privacy for more information.
On June 5, 1975, on the seedy stage of CBGB on the Lower East Side of Manhattan, a band named Talking Heads took the stage for the first time. Unlike the Ramones, for whom they were opening, they weren't sporting black leather jackets or edgy haircuts. David Byrne and Chris Frantz had met at art school a few years before, and the bassist, Tina Weymouth, had only learned to play her instrument six months prior. But within a few weeks, Talking Heads would be plastered on the cover of the Village Voice, well on their way to utterly transforming the downtown New York music scene. After Jerry Harrison joined Talking Heads in 1977, the band would go on to radically alter rock music's relationship to avant-garde art and performance. In his new book, Burning Down the House, Jonathan Gould tells the story of how Talking Heads experimented their way to a singular musical style over the course of eight studio albums and one incredible concert film, Stop Making Sense, and he discusses their enduring influence despite having disbanded more than 30 years ago.Go beyond the episode:Jonathan Gould's Burning Down the House: Talking Heads and the New York Scene That Transformed RockRead about the origin of Stop Making Sense—and then watch it, of courseCheck out the new “Psycho Killer” music video starring Saoirse Ronan, made in honor of the 40th anniversary of the first Talking Heads performanceTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.
"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."
The "Wanted! The Outlaws" compilation from 1976 was a huge launching pad (or relaunching pad) for Waylon and Willie. And, it did for country what The Sex Pistols or Ramones did for punk music.Sterling Drake joins us to talk about this game changing compilation and his new album “The Shape I'm In.” Plenty of other discussion including short sleeved pearl snaps, Bro Country vs. Real Country (and some anti Rascal Flatts sentiment), who are the modern country outlaws, women are outlaws too, and Tompall Glaser deserves more discussion.Check out Sterling Drake at: https://sterlingdrakemusic.com/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
Today on another encore edition of the Rarified Heir Podcast, we are talking to musician Kristi Callan, daughter of acting lifer, K Callan. Active since 1956, K has had many lives – in the theater, on television, in commercials and movies. In 2019, she co-starred in the hit film, Knives Out, in the 70s she was Cousin Liz in a famous episode of All in the Family, in the 90s she was Martha Kent on the beloved series, Lois and Clark: The New Adventures of Superman, she's pitched Sanka and Anacin and is also the author of several books on acting and the life of an actor that might be her most well-known endeavor. And she's still going strong in 2025. Kristi talks to us about growing up with a very understanding mom who was nurtured her and her sister's interest in music while growing up in Los Angeles in the 1970s. In fact, music fans will know Kristi's various music projects from hither and yon in bands like Wednesday Week, The Roswells Sisters, a Cheap Trick cover band, Cheap Chick and a newer project The Dime Box Band. In fact, her musical world and her mother's acting career once intersected perfectly on a transatlantic flight involving The Ramones, who were fans of her mother's. We also hear about long lost LA venues like The Starwood and the Music Machine as well as perhaps one band you have never heard of, Goat Deity with future member of Paisley Underground darlings, The Dream Syndicate. We go the extra mile for your muso's on this episode. So if movies like Joe or The Onion Field or American Gigolo are your thing, or possibly TV shows like James at 16, St. Elsewhere or It's a Living float your boat, get ready for a walk down memory lane on this episode. The Rarified Heir Podcast, everyone has a story. Kristi has several of her own and more of her mother as well.
Green Noise Records is proud to present Prime Primitive: 1976–1977, a vital archival release from legendary New York City punk band Testors, available May 30, 2025. Capturing the essence of the band's earliest studio and live recordings, this LP offers a long-overdue look at one of the rawest and most uncompromising acts to emerge from the original NYC punk underground. Founded by Sonny Vincent in 1975, Testors took shape in the grimy backrooms and sweat-soaked stages of Max's Kansas City and CBGB—two epicenters of the East Village scene that gave rise to the Ramones, Richard Hell, the Heartbreakers, and Television. Testors stayed firmly committed to the fire and fury of pure rock'n'roll, leaving behind a trail of scorched earth and unforgettable shows—including a tour with the Dead Boys that spread their chaotic energy nationwide. Far from lacking recorded material, Testors had a wealth of songs and studio sessions, but due to their fiery temperament and their desire to burn every bridge in sight they simply rejected the compromises demanded by record companies. Their often violent, stripped-down sound helped shape the American punk blueprint that thousands of bands would follow. Testors erupted on the New York scene at the epicenter of the punk rock explosion. Absolutely one of the best raw, catastrophic, and shocking bands to ever grace the stages of Max's Kansas City and CBGB's during the mid-70's punk heyday, Their incendiary sound consisted of dueling guitar noise and Sonny Vincent's street poetry. Testors created music that stands the test of time. Painfully delicate, unabashed, unrepentant, explosive, and savagely persuasive. Their earliest recordings are considerably tougher, louder and more desperate than any other music made at that time (or since) and after you let it latch onto your soul, you're forever indebted to New York's toughest, rawest, REALest punk band for the rest of your fucking life. It's a crime against history that the Testors never got their due: a band like this could and should have changed everything. Prime Primitive captures Testors the way they were meant to be heard—on vinyl, no CDs, no digital downloads, no AI. Just the real-deal slab, in an exclusive silver foil jacket for true believers to have and to hold. Adding to the celebration, a newly unearthed video titled Testors – 1979—featuring rare 16mm footage of the band and candid backstage moments with Testors, the Dead Boys, and Johnny Thunders at Irving Plaza—will be available via the Green Noise Records YouTube channel. Directed and edited by Robert Luttrell, with words and music by Sonny Vincent, the video offers a raw visual snapshot of an era that refuses to fade. Prime Primitive is a sonic time capsule of Testors at their most volatile and vital. Side A compiles nine of their early studio recordings from 1976–77—taut, feral tracks that hiss with desperation and attitude—while Side B delivers five ferocious live cuts that find the band tearing through their set with unhinged intensity. All tracks were newly remastered for this release by Timothy Stollenwerk (Stereophonic Mastering) in close collaboration with Sonny Vincent, ensuring maximum punch, grit, and clarity. Every song was written, arranged, and produced by Vincent, whose compositions and streetwise lyrics remain as bracing now as they were nearly fifty years ago. These aren't just recordings—they're artifacts of a cultural explosion, finally given the fidelity and sequencing they always deserved. D I S C O V E R Bandcamp:https://sonnyvincenttestors.bandcamp.com/Instagram:https://www.instagram.com/sonnyvincent77/Label:https://store.greennoiserecords.com/products/testors-prime-primitive-1976-1977-new-lpFacebook 1:https://www.facebook.com/sonnyvincentprivatepage.1?mibextid=ZbWKwLFacebook 2:https://www.facebook.com/p/Sonny-Vincent-100057660871484 Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low.
Mickey Leigh talks about his brother Joey Ramone, Johnny Ramones and the Ramones as a whole with Jeff Frumess.JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!https://www.patreon.com/Frumess
Inside the unfolding disaster at the Costa Rican surf favourite, Pavones, with secretary for the local community association, Dominique Pavones. See omnystudio.com/listener for privacy information.
Full disclosure here, and it’s sort of controversial. I’ve never been a Beach Boys fan. It’s just never really worked for me. As a kid, it just seemed to be a parent’s version of what rock and roll is supposed to be. The fact they had a song called “Be True To Your School” was enough evidence for me to not buy that Endless Summer collection that came out around the same time as I was discovering The Ramones and Sex Pistols. That’s not to say that I don’t have respect for the band, especially Brian Wilson, who passed away on June 11. The fact that so many of my favorite bands revered Wilson (including the Ramones) gave me some new insight. In fact, I always have said that I love the bands influenced by The Beach Boys more than the actual band. Plus, I have developed an appreciation for Pet Sunds, although I’m still not prepared to call it the greatest album ever. But I pulled it out after hearing the news of Brian’s death, and I also played the version of Smile that came out in 2011. That may be my favorite album by them, but is it […]
Full disclosure here, and it's sort of controversial. I've never been a Beach Boys fan. It's just never really worked for me. As a kid, it just seemed to be a parent's version of what rock and roll is supposed to be. The fact they had a song called “Be True To Your School” was enough evidence for me to not buy that Endless Summer collection that came out around the same time as I was discovering The Ramones and Sex Pistols. That's not to say that I don't have respect for the band, especially Brian Wilson, who passed away on June 11. The fact that so many of my favorite bands revered Wilson (including the Ramones) gave me some new insight. In fact, I always have said that I love the bands influenced by The Beach Boys more than the actual band. Plus, I have developed an appreciation for Pet Sunds, although I'm still not prepared to call it the greatest album ever. But I pulled it out after hearing the news of Brian's death, and I also played the version of Smile that came out in 2011. That may be my favorite album by them, but is it […]
"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."
The theme for June 2025 was "Punk." Who else to talk to than Charlotte's original punk, who was there at the birth of the Punk scene in NYC in the late 70's and photographed everyone from Lou Reed to The Ramones to Andy Warhol? Tim talks with Mitchell Kearney after his talk at Creative Mornings on June 6, 2025 at Uptown Charlotte's VAPA Center.
Send us a textHi everybody and welcome to Attendance Bias. I am your host Brian Weinstein. Get ready for some venue whiplash; after three nights at the largest indoor venue on the tour in Chicago, Phish leaves the second city to arrive in New York. More specifically, July 22 and 23 at Forest Hills Stadium in Forest Hills, Queens; home to The Ramones, Simon and Garfunkel, and Peter Parker. If you've listened to Attendance Bias for any amount of time, you've probably heard me mention that I live in Forest Hills, so today's episode is a homecoming; I don't think I've ever lived closer to any music venue. Before these shows, I've never been able to walk to a Phish concert from my front door. And who would be the best guest in the world to give a preview of this venue and this neighborhood? None other than my wife, Michela Ratto. Michela has been on Attendance Bias once before, and while I mostly give background information and context about this venue that is new to the Phish world, she gives plenty of tips and tricks to help any listeners coming to these two shows, filling everyone in on what to expect.We cover a lot in today's episode; the history of the Forest Hills Tennis Stadium, what the neighborhood is like, the best ways to get there, and of course we give our takes on the controversial headlines about the stadium that crop up ahead of every summer concert season. Ironically, this is the longest episode of this venue preview series, but there are no music clips, since Phish has not only never played the stadium before but they've never played the entire borough of Queens!So join Michela and I to get the inside scoop on the Forest Hills Stadium, our theories as to why Phish chose to play the smallest New York City venue they've played in years, and where to get the best food once you get inside on July 22 and 23rd.
Friday, August 16, 1974, was a hot summer day in New York City…it was 31 degrees, but the humidity made it feel a lot hotter…and if you were down in the Bowery amidst all the concrete, it was hotter still...and it smelled. But what happened that night, when a bunch of punks took the stage at a scussy dive bar called "CBGB's", would change music forever. This is the story of the original Ramones. Learn more about your ad choices. Visit megaphone.fm/adchoices