Podcasts about Ramones

In this week's Suburban Underground, Steve picked two sets of songs about things found under the ocean.  Here is the full list of artists played this week: The Dollyrots, The Killers, Wolf Alice, Daikaiju, Head Automatica, The Warning, The Fixx, Jacuzzi Boys, Computer Magic, Lloyd Cole, Oasis, Deep Sea Diver, Moss, The Ramones, Michelle Branch, Angst. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Hoy os dejamos en La Gran Travesía una nueva playlist con las 50 canciones más destacadas del año 1988. Es simplemente una playlist, sin comentarios añadidos, y donde podréis escuchar a Bruce Springsteen, Joan Jett, Ramones, Peter Gabriel, Joy Division, AC/DC, Bob Marley, Talking Heads, Queen, Police, Motörhead, John Lennon, Ozzy Osbourne, Iron Maiden, Depeche Mode... y muchos más. Y aquí tenéis la lista con los 500 temas más destacados de la década de los 80. https://www.ivoox.com/500-mejores-canciones-80_bk_list_5787084_1.html También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Leo Giménez, Gin1975, Alberto Velasco, Poncho C, Francisco Quintana, Gastón Nicora, Con,, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."

Spike is back on the Strano podcast! An honest talk about a world gone bananas, food that drives us nuts, music that made our lives tastier, gratitude... and a bunch of other things!

Brand new episode! Enjoy and subscribe for more!!!     Advertise with us: https://www.podbean.com/wandeepsessionads     Donate us on PayPal:  https://www.paypal.me/iamquantom  Follow our social media: https://instagram.com/iamquantom   https://www.instagram.com/technocollectiverecords/   https://www.instagram.com/wandeepsessionofficial/   https://soundcloud.com/quantomofficial   https://www.youtube.com/channel/UC3-KJIB3z5jM4WpBI-TKoTQ   Follow our Spotify Playlist:  https://open.spotify.com/playlist/4i4M6A9QvdIAgOStjjWQPr TAG #wandeepsession on IG Follow our group on Telegram for more music:  https://t.me/wanderlustrecords   Buy new VA "Tunnel Vision" EP on Beatport: https://www.beatport.com/release/tunnel-vision-vol-i/4152894   If you want to have a guestmix in our session, just send us link with 1h of your mix (WAV) including tracklist.
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Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode, Liam sits down with legendary photographer and journalist Maggie St. Thomas. With a camera in hand, Maggie has spent decades capturing raw, unfiltered moments from music's most chaotic corners — from the grime of LA's underground punk scene to the haze-filled green rooms of hip hop royalty.We talk about her new book Subject: Punk, her childhood surrounded by music and mayhem, photographing the Ramones, Sublime, and yes — smuggling weed in a trench coat to photograph Snoop Dogg for High Times.Maggie also opens up about her time working in a crematorium, the emotional weight of documenting vulnerable artists, and why punk isn't just a sound — it's a way of being. Check out Maggie's work via this link

In this electric episode, Brad Zerbo and Jaytriot take you on a guided tour of New York's punk revolution, from the grimy floorboards of CBGB to the thunderous rise of hardcore. They celebrate the Ramones' groundbreaking speed and raw down-picking that inspired Metallica's Kirk Hammett, while recounting personal stories of brushing shoulders with Joey and Johnny Ramone. The hosts spin tracks from Richard Hell, Television, Patti Smith, Blondie, Talking Heads, the Dead Boys, and the Dictators, showcasing how each band shaped punk's sound and look. Jay shares memories of CBGB shows in the late ‘90s and near visits to the Twin Towers days before 9/11, adding a poignant edge to the nostalgia. They wrap up with a nod to Agnostic Front and the hardcore scene that followed. From anecdotes about infamous CBGB bathrooms to the heartbreak of its closure, this episode is a loving tribute to a cultural movement that was loud, fast, and defiantly real.

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ración doble de The Hives para empezar este Viernes Eléctrico: los escuchamos en la sintonía con su ya mítico 'Come On!' y también con 'Paint A Picture', adelanto del disco que los suecos publicarán a finales de agosto, 'The Hives Forever Forever The Hives' -álbum del que nos hablará su vocalista, Howlin' Pelle Almqvist, este sábado en El Típico Programa de Radio 3-. Además, te ofrecemos dos bloques especiales en esta sesión: primero, una selección de discos de rock publicados en el año 2000, y después, un puñado de jugosas covers, con Yeah Yeah Yeahs versionando a Ramones o Red Hot Chili Peppers versionando a Stevie Wonder.Playlist:THE HIVES - Paint A PictureTHE HIVES - Hate To Say I Told You SoTHE WHITE STRIPES - Hello OperatorTHE BLACK KEYS - Have Love Will TravelTHE OFFSPRING - Original Prankster (feat. Redman)GREEN DAY - WarningTHE KINKS - Picture BookOASIS - Fuckin' in the BushesBLUR - B.L.U.R.E.M.I.QUEENS OF THE STONE AGE - The Lost Art Of Keeping A SecretPJ HARVEY - This Is LoveRAGE AGAINST THE MACHINE - Kick out the JamsPEARL JAM - Gods' DiceTHE DANDY WARHOLS - Bohemian Like YouLINKIN PARK - Points of AuthorityLIMP BIZKIT - Take A Look AroundPAPA ROACH - Last ResortDISTURBED - Down with the SicknessTHE PRESIDENTS OF THE UNITED STATES OF AMERICA - Ça plane pour moiBLINK-182 - Dancing With MyselfNEW FOUND GLORY - Blitzkrieg BopYEAH YEAH YEAHS - Sheena Is A Punk RockerFIDLAR - SabotageFOO FIGHTERS - Have A Cigar (feat. Brian May)RED HOT CHILI PEPPERS - Higher GroundFRANZ FERDINAND - The FallenTHE RAPTURE - Get Myself Into ItMILES KANE - Coup De GraceFOALS - My NumberGORILLAZ - Dare (feat. Shaun Ryder & Roses Gabor)Escuchar audio

"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."

De första svenskar som lyckades exportera garagerock – flera år innan Union Carbide, Hives och Hellacopters gjorde succé – var The Nomads. De träffades på Vasalundsskolan i Solna där Niklas "Nix" Vahlberg blev imponerad av Hans Östlund som var så cool att han redan spelade i ett band (Sewer Rats). Niklas var glad över att äntligen få en vän som gillade punk. När Ramones spelade på Jarlateatern 1977 hade han inte haft någon att gå med. Niklas snälla morfar skjutsade dit honom så att han i alla fall kunde stå utanför och beundra publiken. "Bara det var fascinerande", minns Niklas hemma hos Strage där han och Hans Östlund berättar om sina 44 slamriga år i The Nomads. De pratar bland annat om att sälja sin första singel på pubar i Solna, om att upptäcka sextiotalets underjordiska garagerock, om att få fans i England och Frankrike i mitten av åttiotalet, om att turnera med Ramones och Iggy Pop, om USA-satsningen 1994 (då de gjorde ett klubbgig i Seattle samma kväll som Nirvana fyllde en arena och alla stans coola rockband såg Nomads i stället), om att kompa den psykedeliske pionjären Roky Erikson, om nollnolltalets garagerockrevival och om att dödsstäda skivsamlingar. Hosted on Acast. See acast.com/privacy for more information.

On June 5, 1975, on the seedy stage of CBGB on the Lower East Side of Manhattan, a band named Talking Heads took the stage for the first time. Unlike the Ramones, for whom they were opening, they weren't sporting black leather jackets or edgy haircuts. David Byrne and Chris Frantz had met at art school a few years before, and the bassist, Tina Weymouth, had only learned to play her instrument six months prior. But within a few weeks, Talking Heads would be plastered on the cover of the Village Voice, well on their way to utterly transforming the downtown New York music scene. After Jerry Harrison joined Talking Heads in 1977, the band would go on to radically alter rock music's relationship to avant-garde art and performance. In his new book, Burning Down the House, Jonathan Gould tells the story of how Talking Heads experimented their way to a singular musical style over the course of eight studio albums and one incredible concert film, Stop Making Sense, and he discusses their enduring influence despite having disbanded more than 30 years ago.Go beyond the episode:Jonathan Gould's Burning Down the House: Talking Heads and the New York Scene That Transformed RockRead about the origin of Stop Making Sense—and then watch it, of courseCheck out the new “Psycho Killer” music video starring Saoirse Ronan, made in honor of the 40th anniversary of the first Talking Heads performanceTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."

The "Wanted! The Outlaws" compilation from 1976 was a huge launching pad (or relaunching pad) for Waylon and Willie. And, it did for country what The Sex Pistols or Ramones did for punk music.Sterling Drake joins us to talk about this game changing compilation and his new album “The Shape I'm In.”  Plenty of other discussion including short sleeved pearl snaps, Bro Country vs. Real Country (and some anti Rascal Flatts sentiment), who are the modern country outlaws, women are outlaws too, and Tompall Glaser deserves more discussion.Check out Sterling Drake at:  https://sterlingdrakemusic.com/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Ce mercredi, Marjorie Hache ayant pris quelques jours de repos laisse sa place à Alexis pour deux heures de Pop-Rock Station riche en découvertes et en classiques. Le programme s'ouvre sur les nouveautés avec The Hives, Sports Team, Beth Ditto en solo, et Tahiti 80, de retour avec un dixième album. Le choix de Francis Zegut s'arrête sur "Beat The Drum" de Death Machine. L'album de la semaine reste "Idols" de Yungblud, dont on savoure ce soir "Lovesick Lullaby". Genesis offre le live du jour avec "Land of Confusion" capté en 2007. La reprise de la soirée est assurée par Stevie Nicks avec "Rooms On Fire", tandis que le long format nous transporte dans l'univers sombre et élégant d'A Perfect Circle avec "The Package", extrait de "Thirteenth Step". Parmi les autres temps forts, des classiques de Radiohead, The Stranglers, Dire Straits, New Order, The Ramones, Deep Purple ou encore Iggy Pop avec The Stooges. Une soirée variée, entre énergie brute et poésie mélodique. The Hives - Paint A Picture Aerosmith - Walk This Way (Album Version) Red Hot Chili Peppers - Fight Like A Brave Janis Joplin - Move Over Sports Team - Sensible Stevie Ray Vaughan - Pride And Joy Tahiti 80 - Heartbeat Yungblud - Lovesick Lullaby Otis Redding - My Girl Beth Ditto - Fire Death Machine - Beat The Drum Dire Straits - Six Blade Knife Ty Segall - Buildings Fiona Apple - Heart Of Gold Radiohead - Jigsaw Falling Into Place Two Door Cinema Club - Bad Decision Julien Baker & Torres - Bottom Of A Bottle Ramones - Blitzkrieg Bop New Order - 60 Miles An Hour Genesis - Land Of Confusion (Live Over Europe 2007) The Stooges - I Wanna Be Your Dog Suicidal Tendencies - Institutionalized Roberta Lips - En Plein Coeur Mano Negra - King Of Bongo Norman Greenbaum - Spirit In The Sky Stevie Nicks - Rooms On Fire Aldous Harding - The Barrel A Perfect Circle - The Package Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today on another encore edition of the Rarified Heir Podcast, we are talking to musician Kristi Callan, daughter of acting lifer, K Callan. Active since 1956, K has had many lives – in the theater, on television, in commercials and movies. In 2019, she co-starred in the hit film, Knives Out, in the 70s she was Cousin Liz in a famous episode of All in the Family, in the 90s she was Martha Kent on the beloved series, Lois and Clark: The New Adventures of Superman, she's pitched Sanka and Anacin and is also the author of several books on acting and the life of an actor that might be her most well-known endeavor. And she's still going strong in 2025. Kristi talks to us about growing up with a very understanding mom who was nurtured her and her sister's interest in music while growing up in Los Angeles in the 1970s. In fact, music fans will know Kristi's various music projects from hither and yon in bands like Wednesday Week, The Roswells Sisters, a Cheap Trick cover band, Cheap Chick and a newer project The Dime Box Band. In fact, her musical world and her mother's acting career once intersected perfectly on a transatlantic flight involving The Ramones, who were fans of her mother's. We also hear about long lost LA venues like The Starwood and the Music Machine as well as perhaps one band you have never heard of, Goat Deity with future member of Paisley Underground darlings, The Dream Syndicate. We go the extra mile for your muso's on this episode. So if movies like Joe or The Onion Field or American Gigolo are your thing, or possibly TV shows like James at 16, St. Elsewhere or It's a Living float your boat, get ready for a walk down memory lane on this episode. The Rarified Heir Podcast, everyone has a story. Kristi has several of her own and more of her mother as well.  

From his homeland in New Zealand to the Big Apple, to Boston, where he formed one of the most influential bands, Galaxie 500, to the sophisticated sounds of Luna with his now wife Britta Phillips, Dean Wareham has accomplished so much in his forty-plus-year career. Settling in New York in the mid to late 1970s, the veteran musician caught some of the most anarchic acts of the decade, such as The Ramones, and Richard Hell and the Voidoids, before relocating to the city's sister scene in Boston to attend HU, where he met his future friends, and bandmates Naomi Yang, and Damon Krukowski, and the rest is, well you get the idea.  With one foot forward, a swift wind of whispering words left in his wake, Wareham doesn't look back. His poetic prolificacy is pure, passionate, and personal, and nothing is more liberating than keeping the tonal truck running. For this season premiere of The Self Portrait Gospel Podcast, we're honored to have Wareham on to tell his sonic story, while simultaneously exploring the past, present, and future of music and melodic memory. We touch on our shared obsession with Dylan, his new album "That's The Price Of Loving Me," returning to his home in LA, and certain events that have taken place, the legacy of Galaxie 500/Luna, and much more.

Claude & Jobst im Gespräch mit Thorsten. Wir reden über Kathleen Hanna, eigene Religionen, Ramones, Ideal & Spider Murphy Gang, Bedienstete auf den Philippinen, first world Problems, gutes Essen auf den Philippen, veganes Sinegan mit Tamarind-Sauce, ein Konzert mit Die Negation, die Eltern waren record collector, dann kam Public Enemy, ein bekiffter Metal-Gitarrist, Immi von Fluid to Gas kam vorbei, Misfits in der Schulband, Fanzines, Heresy & Napalm Death, die Punks vor Karstadt in Limburg, eine Devillock cool finden, Deviated Instict auf einer Mode-Bomberjacke, ein Freiheitsgefühl dank Skateboard-Fahren, Sigurd legte oft Lethal Aggression auf, das Kalkwerk in Limburg, eine Ausbildung zum Bürokaufmann, Alkohol nicht gut vertragen, ein Infest-Pullover sorgt für Ärger, Notwist & Schwarze Feuer in Limburg, Die Radierer und die Limburger Pest, Wirtschaftswunder bei Biolek, ein Restaurant-Besuch mit Tod, das erste Tattoo in Manila, eine Tribal-artige Flamme, die Demos von Bubonic Plague, Proben im Partykeller, Cover von Slapshot & Red Hot Chili Peppers, das erste Konzert mit Acid Rain Dance, Growing Concern und Acid Rain Dance, das Schönste ist wenn ne Band ne Einheit ist, Tour mit Ratos de Porao, Karaoke Til Death, angestellt als Tätowierer, In Memoriam Tattoo in Koblenz, Philipp Loi, zum ersten Mal selbständig, Geld immer Scheiße finden, Polomski Tattoo, Tattoos weglasern, sehr eitel gewesen sein, negatives Umfeld, "This is a drama free zone", Gesichtstattoos, Kunsthandwerker & Dienstleister, "Music for Psychedelic Experience", gute Tools in der Baghavad Gita, Spiritualität hat nix mit Esoterik zu tun, Yoga & Mantren singen, Veil & Baby Gopal, gern ne Vegan Straight Edge Band gründen wollen, ein Mix aus Blumfeld & Sonic Youth, Morph auf Moving Magnet, don´t bring musicians into punk, Bubonix 2.0, das Kein-Kultur-Festival, verletzt am Juzi Göttingen, mehrstündige Touren mit Gravelbike, sich aufgehoben fühlen, uvm.Drei Songs für die Playlist1) Ein Lieblingssong vom 15-jährigen Thorsten: IDEAL - Herrscher2) Ein Lied, das Thorsten gern beim Tätowieren hört: JON HOPKINS - Deep in the Glowing Heart 3) Ein aktueller Lieblingssong: AURORA - Runaway

Green Noise Records is proud to present Prime Primitive: 1976–1977, a vital archival release from legendary New York City punk band Testors, available May 30, 2025. Capturing the essence of the band's earliest studio and live recordings, this LP offers a long-overdue look at one of the rawest and most uncompromising acts to emerge from the original NYC punk underground. Founded by Sonny Vincent in 1975, Testors took shape in the grimy backrooms and sweat-soaked stages of Max's Kansas City and CBGB—two epicenters of the East Village scene that gave rise to the Ramones, Richard Hell, the Heartbreakers, and Television. Testors stayed firmly committed to the fire and fury of pure rock'n'roll, leaving behind a trail of scorched earth and unforgettable shows—including a tour with the Dead Boys that spread their chaotic energy nationwide. Far from lacking recorded material, Testors had a wealth of songs and studio sessions, but due to their fiery temperament and their desire to burn every bridge in sight they simply rejected the compromises demanded by record companies. Their often violent, stripped-down sound helped shape the American punk blueprint that thousands of bands would follow. Testors erupted on the New York scene at the epicenter of the punk rock explosion. Absolutely one of the best raw, catastrophic, and shocking bands to ever grace the stages of Max's Kansas City and CBGB's during the mid-70's punk heyday, Their incendiary sound consisted of dueling guitar noise and Sonny Vincent's street poetry. Testors created music that stands the test of time. Painfully delicate, unabashed, unrepentant, explosive, and savagely persuasive. Their earliest recordings are considerably tougher, louder and more desperate than any other music made at that time (or since) and after you let it latch onto your soul, you're forever indebted to New York's toughest, rawest, REALest punk band for the rest of your fucking life. It's a crime against history that the Testors never got their due: a band like this could and should have changed everything. Prime Primitive captures Testors the way they were meant to be heard—on vinyl, no CDs, no digital downloads, no AI. Just the real-deal slab,  in an exclusive silver foil jacket for true believers to have and to hold. Adding to the celebration, a newly unearthed video titled Testors – 1979—featuring rare 16mm footage of the band and candid backstage moments with Testors, the Dead Boys, and Johnny Thunders at Irving Plaza—will be available via the Green Noise Records YouTube channel. Directed and edited by Robert Luttrell, with words and music by Sonny Vincent, the video offers a raw visual snapshot of an era that refuses to fade. Prime Primitive is a sonic time capsule of Testors at their most volatile and vital. Side A compiles nine of their early studio recordings from 1976–77—taut, feral tracks that hiss with desperation and attitude—while Side B delivers five ferocious live cuts that find the band tearing through their set with unhinged intensity. All tracks were newly remastered for this release by Timothy Stollenwerk (Stereophonic Mastering) in close collaboration with Sonny Vincent, ensuring maximum punch, grit, and clarity. Every song was written, arranged, and produced by Vincent, whose compositions and streetwise lyrics remain as bracing now as they were nearly fifty years ago. These aren't just recordings—they're artifacts of a cultural explosion, finally given the fidelity and sequencing they always deserved. D I S C O V E R Bandcamp:https://sonnyvincenttestors.bandcamp.com/Instagram:https://www.instagram.com/sonnyvincent77/Label:https://store.greennoiserecords.com/products/testors-prime-primitive-1976-1977-new-lpFacebook 1:https://www.facebook.com/sonnyvincentprivatepage.1?mibextid=ZbWKwLFacebook 2:https://www.facebook.com/p/Sonny-Vincent-100057660871484 Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low.

DJ Jesse Luscious digs into the decades-long career of The Dwarves, new tunes from Dollar Store, Alien Boys, TRAP GIRL, & Mari Kattman, classics from M.I.A., Social Distortion, Neurosis, More Fiends, Ministry, Ramones, Snuff, Severance Package, Witch Hunt, Menace, Sham 69, The Business, The Dead Milkmen, Zorn, Big Black, The Meatmen, Swingin' Utters, Cockney Rejects, Big D and the Kids Table, & Mr Blobby, and the Luscious Listener's Choice! M.I.A.- Modern Way Alien Boys- Punching Concrete Dollar Store- Creator Social Distortion- Another State Of Mind Snuff- A Smile Gets A Smile Ramones- I Love You Severance Package- Protest Song Swingin' Utters- Undertaker, Undertake Menace- Carry No Banners Sham 69- Ulster (Single Version) Cockney Rejects- I'm Forever Blowing Bubbles Business- Saturdays Heroes Dwarves- Detention Girl Dwarves- Flesh Tantrum Dwarves- Motherfucker (Edit) Dwarves- Unrepentant/We Must Have Blood (edit) Dwarves- Everybody's Girl Dwarves- Salt Lake City Dwarves- Nobody And Me Rancid- Life Won't Wait Big D And The Kids Table- Bender Big Black- The Model Ministry- The Land Of Rape And Honey Mari Kattman- Sharp Shooter Mr. Blobby- Mister Blobby Meatmen- Dance To The Music (edit) Dead Milkmen- Grandpa's Not A Racist (He Just Voted For One) Trap Girl- Caged (edit) Zorn- G.O.R.N. Witch Hunt- Septa Death More Fiends- More Fiends Theme Neurosis- To What End?

Mickey Leigh talks about his brother Joey Ramone, Johnny Ramones and the Ramones as a whole with Jeff Frumess.JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Inside the unfolding disaster at the Costa Rican surf favourite, Pavones, with secretary for the local community association, Dominique Pavones. See omnystudio.com/listener for privacy information.

Full disclosure here, and it’s sort of controversial. I’ve never been a Beach Boys fan. It’s just never really worked for me. As a kid, it just seemed to be a parent’s version of what rock and roll is supposed to be. The fact they had a song called “Be True To Your School” was enough evidence for me to not buy that Endless Summer collection that came out around the same time as I was discovering The Ramones and Sex Pistols. That’s not to say that I don’t have respect for the band, especially Brian Wilson, who passed away on June 11. The fact that so many of my favorite bands revered Wilson (including the Ramones) gave me some new insight. In fact, I always have said that I love the bands influenced by The Beach Boys more than the actual band. Plus, I have developed an appreciation for Pet Sunds, although I’m still not prepared to call it the greatest album ever. But I pulled it out after hearing the news of Brian’s death, and I also played the version of Smile that came out in 2011. That may be my favorite album by them, but is it […]

Full disclosure here, and it's sort of controversial. I've never been a Beach Boys fan. It's just never really worked for me. As a kid, it just seemed to be a parent's version of what rock and roll is supposed to be. The fact they had a song called “Be True To Your School” was enough evidence for me to not buy that Endless Summer collection that came out around the same time as I was discovering The Ramones and Sex Pistols. That's not to say that I don't have respect for the band, especially Brian Wilson, who passed away on June 11. The fact that so many of my favorite bands revered Wilson (including the Ramones) gave me some new insight. In fact, I always have said that I love the bands influenced by The Beach Boys more than the actual band. Plus, I have developed an appreciation for Pet Sunds, although I'm still not prepared to call it the greatest album ever. But I pulled it out after hearing the news of Brian's death, and I also played the version of Smile that came out in 2011. That may be my favorite album by them, but is it […]

"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."

The theme for June 2025 was "Punk." Who else to talk to than Charlotte's original punk, who was there at the birth of the Punk scene in NYC in the late 70's and photographed everyone from Lou Reed to The Ramones to Andy Warhol? Tim talks with Mitchell Kearney after his talk at Creative Mornings on June 6, 2025 at Uptown Charlotte's VAPA Center.

Send us a textHi everybody and welcome to Attendance Bias. I am your host Brian Weinstein. Get ready for some venue whiplash; after three nights at the largest indoor venue on the tour in Chicago, Phish leaves the second city to arrive in New York. More specifically, July 22 and 23 at Forest Hills Stadium in Forest Hills, Queens; home to The Ramones, Simon and Garfunkel, and Peter Parker. If you've listened to Attendance Bias for any amount of time, you've probably heard me mention that I live in Forest Hills, so today's episode is a homecoming; I don't think I've ever lived closer to any music venue. Before these shows, I've never been able to walk to a Phish concert from my front door. And who would be the best guest in the world to give a preview of this venue and this neighborhood? None other than my wife, Michela Ratto. Michela has been on Attendance Bias once before, and while I mostly give background information and context about this venue that is new to the Phish world, she gives plenty of tips and tricks to help any listeners coming to these two shows, filling everyone in on what to expect.We cover a lot in today's episode; the history of the Forest Hills Tennis Stadium, what the neighborhood is like, the best ways to get there, and of course we give our takes on the controversial headlines about the stadium that crop up ahead of every summer concert season. Ironically, this is the longest episode of this venue preview series, but there are no music clips, since Phish has not only never played the stadium before but they've never played the entire borough of Queens!So join Michela and I to get the inside scoop on the Forest Hills Stadium, our theories as to why Phish chose to play the smallest New York City venue they've played in years, and where to get the best food once you get inside on July 22 and 23rd. 

"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."