Podcasts about Ramones

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Untold Story of Amboog-a-Lard and the Making of “A New Hope” with Chad Steinhart, Dan Fontana, & John Somerlade //////// One of our most anticipated episodes is finally here! For the first time, three-quarters of the “A New Hope” Amboog-a-Lard lineup, Chad Steinhart (keyboards), Dan Fontana (guitar/vocals), and John Somerlade (drums), join the podcast to share the full story of the band.From their late 1980s roots in Coral Springs, FL, and influences like KISS, Iron Maiden, Metallica, and Anthrax, to rehearsal spaces and local venues including Club Soda (Coral Springs), The Treehouse and The Button South (Hallandale), Reunion Room and The Edge (Ft. Lauderdale), and Washington Square and the Cameo Theater (Miami Beach), as well as guidance from TCA Management (John Tovar and Frank Callari), this episode covers it all. The band talks about the origins of their name, lineup changes, album artwork, the making of their 1993 album “A New Hope” (recorded at Studio 13 in Deerfield with Jeremy Staska, mastered at Criteria Studios in Miami, and recently remastered at TyFy Studios in Orlando by Dan Fontana), several close calls being signed by major labels like Atlantic, Capitol, and Island Records, and stories from opening for Overkill, Exodus, Anthrax, Corrosion of Conformity, and punk legends The Ramones, as well as sharing the stage with countless local bands of the era including Malevolent Creation, Raped Ape, Cynic, Saigon Kick, Marilyn Manson, and The Itch, and their relationship with Glenn Richards, South Florida radio DJ on 103.5 WSHE.The band also shares stories about Jeordie White, the band's bassist who later joined Marilyn Manson (though he does not appear in this episode), along with untold anecdotes from their early days. For anyone who experienced the South Florida metal and alternative scene of the late 1980s and early 1990s, this episode is pure nostalgia. For those discovering it now, it is packed with rich history and behind-the-scenes stories never shared before.

Welcome to Episode 120: PET SEMATARY, where we have a very LIVELY chat about being dead, and staying dead. We discuss many topics including: “Where did Gage get that top hat? The first thing we think about when we hear the word Zelda is definitely NOT a video game. Also, how Jud is ultimately to blame for the whole damn mess!! So crank up the Ramones and meet us down where the ground is sour…Consider supporting on Patreon

It's time once again to bow down to the ferocious ladies of rock! Our 8th episode in a series dedicated to women who bring the fury with style and passion. This time, we are paying tribute to the '90s and the Riot Grrrl movement of that decade. A movement all about women being empowered to express anger, rage, and frustration like never before. Piss off a man; you can fight it out and then go have a pint at the pub. Piss off a woman, and you will pay for it 10-fold. These are ladies that play loud and heavy with attitude and… balls? What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. These ladies bring it, and you owe to yourself to check them out! We hope we turn you on to something new!Songs this week include:Motor Dolls – “Little Brother” from Burning Memories (1996)Jucifer – “Long Live The King” from Calling All Cars On The Vegas Strip (1999)Jack Off Jill – “Swollen” from Sexless Demons And Scars (1997)Lunachicks – “Bitterness Barbie” from Jerk Of All Trades (1995)Sugarsmack – “Venus” from Tank Top City (1998)Sleater-Kinney – “Stay What You Are” from Call The Doctor (1996)7 Year Bitch – “Hip Like Junk” from Viva Zapata! (1994)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

There are Pearl Jam crowds in the United States that are so passionate about the band that the shows in these places become can't miss. However, you take the enthusiasm of any North American crowd and it will pale in comparison to the fans in South and Latin America. While Brazil, Chile and Mexico are known for having strong participation, it's the Argentinians that are the ones who started it all. This episode goes back to the first time Pearl Jam played in South America on tour in 2005, and the first show in Buenos Aires where the crowd that sang the incredible guitar melodies that defined the concert experience down there. At recent shows, the band knows exactly what they are gonna get out of these uber impassioned crowds, but back when they toured the continent for the first time, they had no idea what was coming. Eddie Vedder's experience with these crowds came back in 1996 when The Ramones went down there on their final tour run. Pearl Jam had yet to play there, but when Johnny Ramone died in 2004, it took only 14 months before they made their first visit. And what they saw was nothing short of incredible. Fans singing melodies to big hits such as Jeremy, Do The Evolution, Even Flow and Corduroy, but also singing loudly on deeper stuff like MFC and Breakerfall. If this show proves anything, it's that this band would have a long lasting relationship with the country and bring some of the theatrics to other venues all over the world. We'll dig into an incredible version of Black and talk about the strong connection that the crowd has made with it throughout the years, and a ripping 11-minute version of Rearviewmirror with one of the best bridge sections you'll ever hear. Lots of crowd discussion, as well as a little talk on the recent Rock 'n' Roll Hall of Fame induction featuring Soundgarden. We'll talk about what it means to finally see them in, and plead our case for another legendary Seattle band to be next. Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

"Video may have killed the radio star but streaming and individual choices in music killed the video. Paramount Global has begun shutting down Mtv channels in Europe and reports are that soon it will come to the United States. Mtv is 44 and it looks like it may not make it to 45. "

Ce 13 novembre, Marjorie Hache propose dans Pop-Rock Station deux heures où rock, punk et explorations arty se répondent. Ramones, Nick Cave, Beth Ditto, Deep Purple ou The Hives ouvrent la voie avant un moment de mémoire autour d'Eagles Of Death Metal et du 13 novembre, dix ans après les attentats de Paris et Saint-Denis qui ont fait 132 morts et des centaines de blessés. Pop-Rock Station et RTL2 adressent alors une pensée aux victimes et à leurs proches. L'album de la semaine, "Cosplay" des Londoniens de Sorry, revient avec "Jive", morceau qui illustre leurs détours entre pop et art rock. Sum 41 revient avec "Landmines", suivi par un détour avec The Easybeats, New Order et un passage par le sludge metal avec Kylesa qui revisite "Come As You Are" de Nirvana. Les découvertes se poursuivent avec The Beths. Le long format du jour met en avant la collaboration Charli XCX / John Cale pour la bande originale des "Hauts de Hurlevent". La soirée glisse ensuite vers Foo Fighters, Electric Six, Daft Punk, Homer Banks, avant de s'achever avec David Bowie. AC/DC - Back In Black The Hives - The Hives Forever Forever The Hives Eagles Of Death Metal - Complexity Beth Ditto - Fire Deep Purple - Highway Star Nick Cave - To Be By Your Side Procol Harum - A Whiter Shade Of Pale Sorry - Jive Ramones - Sheena Is A Punk Rocker Sum 41 - Landmines The Easybeats - Friday On My Mind Wet Leg - Mangetout Kylesa - Come As You Are New Order - 60 Miles An Hour Prince - Dance 4 Me The Beths - Til My Heart Stops The Doors - Soul Kitchen Suicidal Tendencies - You Can't Bring Me Down Foo Fighters - Asking For A Friend The Runaways - Cherry Bomb Electric Six - Danger ! High Voltage Charli XCX - House (Feat. John Cale) Nine Inch Nails - As Alive As You Need Me To Be Daft Punk - Robot Rock Homer Banks - (If Loving You Is Wrong) I Don't Want To Be Right The Ting Tings - That's Not My Name David Bowie - The Width Of A Circle Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bill Dickson in conversation with David Eastaugh  https://rousers.bandcamp.com/album/1979-sire-session Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until Reynolds issued their “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981.  Reynolds corrects this oversight today with the release of the demos that the original Rousers lineup—vocalist Jeff Buck­land, rhythm guitarist Bill Dickson, bassist John Hannah, lead guitarist Tom Milmore, and drummer Jerid O'Connell—cut for Sire in the label's basement studio on New York's Upper West Side in 1979.  Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors.  With nods to Duane Eddy (“Ram Rod,” “Movin' N Groovin'”), the sweat-soaked charm of originals like “Be My Girl” and “Product of the USA,” and a rip-it-up cover of Wilson Pickett's “If You Need Me,” Rousers 1979 Sire Session is the missing chapter of NYC punk's golden age, finally pressed to wax.  Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and re­stored in 2024. Mixing duties were split between Bob Stander (Parchessi Studio) and Ed Stasium himself, ensuring pe­riod-authentic crunch meets modern punch. The result is 13 tracks of grease-slicked melody and garage-pop swing, crowned by the kinetic rave-up “Bumblebee Rock” and the shoulda-been-hits “Lonely Summer” and “Be My Girl”—a song that splits the difference between Tommy James stomp and Marshall Crenshaw shimmer.

In this episode Toby sits down with the legend Brett Gurewitz for a part 2! He talks about their first European tour, Epitaph 2025, the sound of punk being more diverse, Drain, the year punk broke, the importance of the Punk O Rama compilations,selling out ,still pressing vinyl, streaming services and artist revenue, Ramones being his gateway to punk, how the band started, being a wild kid, partying hard and not doing well in school, putting out records while still in high school living at home, long boarding, Bad Religion, transcendental meditation at 14, hobbies, curating his social media, what punk means to him and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

When Ben Gillies was 15 he began touring around the world in his band called Silverchair. After the band broke up, Ben had to work through anxiety and addiction to make an entirely new life for himself.Silverchair toured America, supporting the Ramones and the Red Hot Chilli Peppers. They played on the roof of the Radio City Music Hall during the MTV awards.And when they weren't working, they were back at high school, at Newcastle High.Silverchair made 5 albums together, all of which debuted at Number 1 on the Australian charts.But being a teenager rock god wasn't all roses, and through the years, and especially after the break-up of the band, Ben had to work through anxiety and addiction to make a good life for himself as a grown up.This episode explores Silverchair, teenagers, rock music, guitar, male friendship, record deal, live music, mental health, fame, touring, Newcastle, money, anxiety, family, recoveryTo binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Randy and Aaron discuss last week's interview with Mark Leadon about Ramones cover bands.

Patti Smith gilt als "Godmother of Punk", auch dank ihres 1975 erschienenen Albums "Horses". Bis heute gilt das Album als eines der einflussreichsten der Rockgeschichte. "Ungezügelter Rock, aber mit Köpfchen – das war die Idee hinter 'Horses'", so beschreibt Meilensteine-Host Frank König das Debütalbum von Musiklegende Patti Smith. Dass dieses Album in den Meilensteinen besprochen wird, haben sich auch viele der Podcast-Hörer gewünscht – zurecht. Als Patti Smith im November 1975 ihr Album "Horses" rausbringt, mit dem rohen und "garagigen" Rocksound hat die Welt von Punkbands wie den Sex Pistols, The Clash oder den Ramones noch nichts gehört. Neben der Musik wurde Patti Smith selber auch stark von Dichtern und Künstlern der Beat Generation beeinflusst. Sie selber kommt eigentlich auch aus der Dichtkunst und der Malerei, wodurch sich schnell erklärt, warum vor allem ihre Texte so stark sind. Inzwischen ist "Horses" Teil des US-Kulturerbes und wurde auch in die Rock'n'Roll-Hall-Of-Fame aufgenommen. Große Rockstars, das waren damals fast ausschließlich Männer. Für junge Frauen, die sich für Rock und ähnliche Spielarten interessierten, gab es keine wirklichen Vorbilder, an denen sie sich orientieren konnten. Für viele junge Musikerinnen wurde Patti Smith eben zu genau diesem Vorbild. Sie hat gezeigt, dass man auch als Mädchen oder Frau rocken kann und darf. Sängerin Viv Albertine von The Slits hat in einem Interview gesagt, Patti Smith sei ihre eigene Seele, die sichtbar gemacht wurde. "Ich habe noch nie eine Frau wie sie gesehen. Sie ist meine Seele, die sichtbar geworden ist, all das, was ich tief in mir verberge und nicht ans Licht bringen kann [...]. Ich möchte mich nicht wie sie kleiden oder ihren Stil kopieren, aber sie gibt mir das Selbstvertrauen, mich auf meine eigene Weise auszudrücken", sagte Viv Albertine, Punk-Musikerin im Interview mit dem "Far Out" Magazine. Nachdem Katharina Franck "Horses" von Patti Smith gehört hatte, "war alles anders", erklärt die Musikerin im Meilensteine-Podcast: "Patti Smith hat mich auf einen neuen Weg gebracht, der aber schon als Sehnsucht in mir drin war." Im Podcast sprechen Frank König, Katharina Franck und Katharina Heinius auch über konkrete Beispiele, wie die Kunst von Patti Smith auch den Weg in die Musik der Rainbirds geschafft hat, zum Beispiel in dem Songzyklus "Sea Of Time" vom zweiten Album der Rainbirds. Patti Smith versteht sich selber eher als Lyrikerin als als Musikerin. Für sie ist die Musik ein Medium, mit dem ihre Texte mehr Menschen erreichen können, erklärt Katharina Heinius im Meilensteine Podcast. Erste Konzerte von Patti Smith fanden im New Yorker Szeneclub "CBGB" statt, wo sie von Clive Davis entdeckt worden ist. Patti Smith hat einen Plattenvertrag über sieben Alben bekommen, was sehr ungewöhnlich war, und damit ein Beweis, wie groß das Vertrauen in ihr Talent war. Patti Smith hat mit ihrem Album "Horses" Generationen von Musikern, und vor allem Musikerinnen, beeinflusst, inspiriert und ermutigt, selbst zum Instrument zu greifen und darüber hinaus. Meilensteine Gast Katharina Franck hat selbst über den Einfluss von "Horses" auf ihr – nicht nur musikalisches Leben – einmal geschrieben, dass die Musik von Patti Smith (in diesem Beispiel der Song "Birdland") ihr gezeigt hat, dass "sich auch andere Menschen fremd fühlen in der Welt und man sich seinen Platz darin selber nehmen muss". Und sowas schaffen mit Sicherheit nur ganz wenige Künstlerinnen. __________ Über diese Songs vom Album "Horses" wird im Podcast gesprochen (21:30) – "Gloria"(35:55) – "Redondo Beach"(44:25) – "Birdland"(01:02:32) – "Land"__________ Alle Shownotes und weiterführenden Links zur Folge "Horses" findet ihr hier: https://1.ard.de/patti_smith_horses __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show's emotional peak arrives when Paul sings I've Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without cheapening either one.From there we chase the thread of discovery. Remember when The Doors felt brand new again in 1980? A radio deep dive, Apocalypse Now, and a greatest hits record turned Hello, I Love You and Riders on the Storm into fresh obsessions for a new generation. We map that rush forward and backward: how L.A. Woman and Morrison Hotel still punch, how Mr. Mojo Risin' became every teenager's riddle. Along the way, we decode the stories behind The Rolling Stones' Get Off of My Cloud and Neil Diamond's Cracklin' Rosie, and how fame, loneliness, and late-night singalongs sneak into pop myth.Then we give American Beauty the close listen it deserves. From Box of Rain's tenderness to Ripple's campfire wisdom and Truckin's road-scarred grin, we talk sequencing, sunshine daydream codas, and the tradition behind I Know You Rider. We round out the tour with U2's Boy—lean, urgent, and still startling—and a Ramones reappraisal that finds great songs beneath Phil Spector's glossy wall. Through it all, one idea keeps returning: artists adapt, listeners evolve, and the best songs keep meeting us where we are.If that resonates, hit play, follow the show, and share it with a friend who loves live music and music history. Leave a review to tell us which song hit you differently this time—we'll feature our favorite takes on a future episode.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Chat GPT finally replaces Ryan.

Rich Embury is back again with another flashback to the '70s, '80s, and '90s rock and metal scene! Rock History, and Classics from Bryan Adams / KISS / Dokken / Foo Fighters / TNT / Tesla / Yngwie J. Malmsteen / Ramones / Aerosmith / Black Sabbath / Led Zeppelin / Greg Kihn Band / […]

Welcome to Four Records! Each episode we feature one guest as they go over four records at four different times in their life. This week Forrest speaks with Jim Ruland; co-writer of Keith Morris's My Damage, Bad Religion's Do What You Want, and most re...

EDITOR'S NOTE: Yes, the original file was wonky. As of 6pm EST, it's all fixed. Enjoy! Welcome to Four Records! Each episode we feature one guest as they go over four records at four different times in their life. This week Forrest speaks with Jim Ruland; co-writer of Keith Morris's My Damage, Bad Religion's Do What You Want, and most recently The Rumors of My Demise with Evan Dando. Jim has a bi-monthly column in Razorcake Magazine and posts weekly on his Substack, Message from the Underground. For more info please check out his website at JimRuland.net.  Jim Ruland's Four Records:   0-10: Village People - Crusin' Teenage: Ramones - End of the Century Twenties: Smog Town - Furher's of the New Wave Recent Record: Drain - Living Proof   Listen on Podbean   Listen on YouTube   Listen on Spotify   LIsten on Apple Podcasts   Listen on Amazon Music   Listen on iHeartRadio   Follow us Instagram   Email: fourrecordspodcast@gmail.com   Opening song: Rad Skulls – Loud as Shit   Closing song: Lucas Perea – Underneath Ashes   www.DyingScene.com

It's a very special BONUS episode of Baxie's Musical Podcast with Naoko Yamano from Shonen Knife! For the last 44 years Japan's Shonen Knife has released some of the most wonderfully joyful punk rock songs ever recorded! Whether they're singing about candy bars, kitty cats, banana chips, or playing covers of classic favorites from The Ramones—it is simply impossible to listen to any of Shonen Knife's 22 albums and have a crummy day! No wonder Kurt Cobain listen Shonen Knife amongst his Top 50 albums! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

We're joined by Nancy Barile, award-winning author of "I'm Not Holding Your Coat", an insightful chronicle of her life as an OG Philadelphia/Boston punk who lived through the golden age of hardcore music as it evolved in real time before her eyes. The Ramones, Bad Brains, Misfits, Minor Threat, Black Flag... You name it, she saw it. We talk about the legendary brawl in Kensington, booking the infamous "Gathering of the Tribes" show, cold calling CBGBs to get bands booked, and bumping elbows with just about every legendary figure in hardcore punk, and much more. Her husband, the late great Al Barile of SSD, was a pioneer of the straight edge movement and a name brought up often on HardLore throughout the years. He sadly passed away in April of 2025, and we talk all about their chance meeting, his impact on us, and share stories of Al through the years and look back at his perception of how straight edge and hardcore music have grown since his early days in SSD. An incredibly informative and cathartic conversation and an episode we've wanted to make happen for a long time. Thank you Nancy for joining us and all of you for watching/listening. RIP Al Barile. ________________ Edited by Steven Grise (@iamoneonenineseven) • Title sequence by Nicholas Marzluf (@marzluf) HardLore: A Knotfest Series Join the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes: https://patreon.com/hardlorepod Join the HARDLORE DISCORD: https://discord.gg/jA9rppggef Cool links: HardLore Official Website/HardLore Records store: https://hardlorepod.com Try AG1 and AGZ at DrinkAG1.com/HARDLORE to receive a free frother. Get 15% OFF @manscaped + Free Shipping with promo code HARDLORE at MANSCAPED.com! #ad #manscapedpod FOLLOW NANCY: INSTAGRAM | https://www.instagram.com/nancybarile/ FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/ FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe #HARDLORE #HARDCORE_______________________00:00:00 - Start 00:00:57 - Hello Welcome 00:03:48 - Discovering Punk in It's Infancy 00:15:56 - Catholic School, The Who, McDonald's 00:18:22 - Connecting with Students Through Punk 00:26:53 - Ramones at University of PA 00:31:02 - The Misfits in 1981 00:34:35 - Managing the Sadistic Exploits 00:43:14 - Meeting Al Barile 00:56:15 - Pardon This Interruption 00:58:54 - Kenmore Square 01:05:01 - The Bad Brains & Homophobia 01:09:41 - Black Flag, SOA, And Kensington Brawl 01:23:43 - Exiting Hardcore Before the Late 80's Boom 01:33:31 - Straight Edge's Evolution 01:43:10 - Remembering Al Barile & Celebrating His Legacy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rocket to Russia by the Ramones turned 48! We also had brand new stuff from the Urban Voodoo Machine, and Mala Vista. Plus some rhythm & blues, country, punk rock and some requests.

"At least three record companies have extended million dollar contracts to people who create AI music. The US Copyright office has said it will begin extending protection those who use AI as a tool. The PROs will extend licensing. We will tell you what is going on."

Rocket to Russia by the Ramones turned 48! We also had brand new stuff from the Urban Voodoo Machine, and Mala Vista. Plus some rhythm & blues, country, punk rock and some requests.

Tim explains how he was so cool and different in high school.

A leather jacket, an iconic eagle logo, and a three-chord blur that changed everything—tour manager Monte A. Melnick joins us to reveal how the Ramones became an institution without ever chasing the charts. From booking chaos and van miles to Sire Records deals and night-after-night precision, Monty shares the systems and scrapes that kept the band loud, fast, and on time.We go inside the job nobody sees: shows and hotels, wrangling crews, negotiating with agents, and surviving mismatched arena bills where batteries and ice picks rained from the crowd. Monte explains why the Ramones doubled down on headlining their own rooms, how CBGB's gave them a lab to refine short, no-solo songs, and why minimalism was a deliberate design, not a limitation. He walks through Joey's rise from drums to the mic, Dee Dee's volcanic creativity and volatility, Tommy's drum architecture to Marky's transition, and Johnny's iron will that protected the brand.If you've ever wondered how a band with modest sales became a global touchstone, this conversation connects the dots: discipline over myth, craft over chaos, and a road team that made it all possible. Listen, share with a fellow Ramones fan, and leave a review to tell us your favorite track—and why it still hits.Learn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

I do think of my formative years a lot – and I think this started to happen more when my parents died in 2022. Music started to become huge for me around 1976 when I was 8 and started playing the cello…but I did have some music differences of opinion let's say as I got a bit older and started to  listen to “bang and thump music” as my dad used to call it  – I really struggled to reconcile what I now know is a beautiful instrument with the Ramones, who were changing my life and pulling me in the other direction – it was like I had an alter ego. I mean, it's not a big deal in the whole scheme of things, but you know, each to their own.  Anyway, I just devoured more and more music – bands like Killing Joke, Siouxsie, Au Pairs, Minutemen, Husker Du - and as I found more and more stuff through, mainly listening to Peel and other local radio – like Steve Barker's On The Wire and Tony Michaelides on Piccadilly or just taking a chance based on whether I liked the sleeve, I started to get into more of the avant garde, off kilter, skrunky, weird – Neubauten, Alien Sex Fiend, Bush Tetras, The Fall, Butthole Surfers and then there was a bit of a lightbox moment with Tackhead's Hard Left around 86, I think before Public Enemy came along and changed things again. There was also another band who completely flummoxed, intrigued and excited me - and that was Fini Tribe. There was the underground and there was Fini Tribe. I had no idea how to describe them. They didn't sound like anyone else. I had no idea what they looked like. And I didn't know much about them. And I had no idea what to expect. And of course, we lived in an age of genre obsession – still do - so they were real genre party poopers. So, by the time I was listening to Splash Care or Detestimony, there were frequent shouts of “turn that shit off”. I was very used to this. Especially from the fella that liked Dire Straits. But Fini Tribe awakened an excitement in me – listening to them was like Alice Through The Looking Glass stepping into another world that felt as distant and exciting to me as when I got those first Killing Joke records… I never got to see them live so to now have a wonderful compilation of their 1982-1987 years called The Sheer Action of Fini Tribe, diligently and lovingly brought to life by the band with tracks I've never heard before including some live tracks, well, it's well worth the wait. This is such an exhilarating and fascinating insight with Christopher Connelly and Davie Miller.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

ATTENTION ghosts, ghouls, and goblins: For your spooky listening pleasure, the annual Dark Nation Radio HALLOWEEN SPOOKTACULAR is back from the grave and ready to party—three full hours of creepy, freaky, and very cheeky tunes for the living and living impaired! Among the tricks and treats are tracks from The Cramps, Type O Negative, Voltaire, Siouxsie, Zombie Girl, Twin Temple, God Module, Bauhaus, The Ramones, Concrete Blonde, The Creepshow, The Brickbats, Groovie Ghoulies, Ghoultown, Blitzkid, The Cryptkeeper Five, The Young Werewolves, The Tomb Tones and, of course, Bloodsucking Zombies From Outer Space. Don't listen alone! DJ cypher's Dark Nation Radio HALLOWEEN SPOOKTACULAR 26 October 2025 Voltaire, “The Skeleton Dance” The Young Werewolves, “Zombie Prom” The Tomb Tones, “My Girlfriend's a Zombie” The Creepshow, “Zombies Ate Her Brains” Twin Temple, “Satan's a Woman” The 69 Cats, “Cocaine Werewolf” The Cramps, “I Was a Teenage Werewolf” The Brickbats, “Mr. Halloween” Kat Robichaud, “Ouija Board” Concrete Blonde, “Bloodletting” Jace Everett, “Bad Things” Zombie Girl, “Go Zombie” Epileptic Hillybillys, “I'm the Wolf-Man” Izzy Reign, “Spooky Scary Skeletons” Switchblade Symphony, “Witches” The Cryptkeeper Five, “I Put a Spell On You” Rocket to Memphis, “Zombie Rumble” The Deep Eynde, “The Haunting” Raygun Cowboys, “One of Them Tonight” Ramones, “Pet Sematary” Rezurex, “Graveyard Girl” MXMS, “Gravedigger” Penis Flytrap, “Cemetery Girl” Groovie Ghoulies, “Graveyard Girlfriend” DieMonsterDie, “Gravedigger Girl” Voltaire, “Zombie Prostitute” Disney, “Disney's Haunted Mansion” SPF1000, “Haunted House” Rasputina, “Transylvania Concubine” Dead Elvis w/ Thee Gravemen, “Munster Boogie Woogie” Type O Negative, “Black #1” Blitzkid, “Werwulf” God Module, “Devil's Night” Shiv-R, “Buried” Ghoultown, “Drink With the Living Dead” The Rosedales, “Ghoulfriend” Bloodsucking Zombies From Outer Space, “Graveyard Blues” Siouxsie & the Banshees, “Spellbound” Oingo Boingo, “Dead Man's Party” Faderhead, “Halloween Spooky Queen” Kill Van Helsing, “The Corpse is Cool” Scarlet & the Spooky Spiders, “Zombie Werewolf” Deathwatch Beetle Repairman, “The Carny of Mr. Dark” Scary Bitches, “Lesbian Vampyres From Outer Space” Serpenteens, “(Please Be My) Zombie Bride” Bauhaus, “Bela Lugosi's Dead” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

(00:00:00) Ramones - Pleasant Dreams / 1981 (00:30:27) Archspire - Relentless Mutation / 2017 (00:57:14) Kiss - Music From the Elder / 1981

Ozzy, Bowie, Petty, Fleetwood, Uncle Ted......just to name a few that Mitch Schneider has represented. Stories from working with these artists to seeing New York Dolls, Ramones, Blondie, Iggy Pop in NY in the 70s to LA in the 80s. Stories upon stories. Enjoy these 2 hoursSRO PRwww.sropr.com “Las Vegas Mixtape” columns at Vegas 411 https://vegas411.com/?s=MixtapePATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

Dan & Billy welcome Naomi Carmack, the host of Dope Nostalgia, to put Halloween Music Videos to the ultimate test—THE NOSTALGIA TEST! “Other people's kids are so creepy.” -Naomi This Spooky Season episode takes Dan, Billy, and their guest Naomi Carmack down a very weird music video path. 5-years ago, Dan & Manny put another five videos to the ultimate test, and so Dan had to really go searching for some real nostalgic gens this time. They dig into videos from The Backstreet Boys, the Ramones, Ozzy Osbourne, Rob Zombie, and DJ Jazzy Jeff & The Fresh Prince. Their spooky conversation covers everything from creepy children, Backstreet never really being gone, the power of Ozzy's absolute insanity, low budget videos vs high budget videos, the Emo spirit of late-80s Ramones, and what exactly is Dragula? Also, they do a deep dive into the Will Smith video for “Nightmare on my Street” and Dan points out the odd Winnie the Pooh bedtime getup that Will Smith is wearing in the video, and is that a shot of his underwear (watch the episode to see this still shot)? All this and more! So, grab your favorite goblins, pour yourself a big glass of something foggy, and get ready to jam out with your favorite nerds.   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Naomi Carmack is the host and creator of Dope Nostalgia, a vibrant podcast that celebrates the unforgettable sounds, styles, and pop culture icons of the 90s. A professional singer for many years, Naomi brings her performer's passion and insider's insight to every episode. With her signature mix of humor, heart, and deep fandom, she takes listeners back to the days of mixtapes, neon jackets, and dial-up dreams. Each episode dives into interviews with beloved artists, one-hit wonders, and behind-the-scenes legends who shaped a generation. Whether she's reminiscing about boy bands, New Jack Swing, or grunge, Naomi keeps the retro vibes alive—one dope conversation at a time.   www.dopenostalgia.com    Approximate Rundown 00:00 Introduction and Guest Introduction 02:16 Naomi's Podcast Journey 03:19 Favorite Episodes and Guests 05:24 Backstreet Boys' 'Everybody' Music Video 15:02 Ramones' 'Pet Cemetery' Music Video 23:35 Ozzy Osbourne's 'Bark at the Moon' Music Video 33:20 A Joy to Watch 33:40 Unanimous Pass and Casual Chat 34:53 Rob Zombie's Music Video 36:59 Analyzing Rob Zombie's Lyrics 46:06 Will Smith's Nightmare on My Street 51:03 Nostalgia and Will Smith's Career 01:01:44 Wrapping Up and Final Thoughts   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Chip and Jeff are back from HELL and are super excited to chat about trick-or-treating, top-tier costumes, and all things Halloween. They also discuss Australians, Yakov Smirnoff, Dice Man, battling monsters, great unexpected kid costumes, when the candy runs out, The Ramones, “Airplane!,” Goose vs Geese, The Beths, Chappie, Flo and Mel from “Alice,” celeb siblings, top-grossing horror movies of the 80s and 90s, Jeff's 50-mile trail run, and so much more!

What happens when punk rock meets modern faith trends? In this episode, the hosts dive deep into the cultural and spiritual dynamics shaping contemporary Christianity. From the consumer-driven "revival" narrative—marked by increased Bible sales and app downloads—to the troubling intersections of faith and political ideologies like Christian nationalism, they explore what genuine spiritual renewal really looks like. Highlighting the concept of cruciformity, they discuss how the church's role in society should reflect Jesus' teachings of love, justice, and humility, rather than power and control. Through thoughtful conversation, they unpack the transformative power of prayer, emphasizing honesty over performance and exploring how trusting in a good and generous Father reshapes our understanding of faith. Drawing parallels to cultural icons like the Ramones, the episode also touches on how creative expressions and subcultures can challenge the status quo, much like the radical message of Jesus. Join the discussion as the hosts navigate the tension between cultural issues and the theology of the Kingdom of God. What does it mean to live out a faith rooted in service and sacrifice in a world driven by consumption and division? We encourage you to engage in the conversation—share your thoughts in the comments or connect with us on social media as we continue to wrestle with these big questions together. CHAPTERS: 00:00 - Intro 02:32 - Christian Revival 10:20 - Michael Gorman's 10 Theses 12:51 - Thoughts on Christian Nationalism 21:02 - Fear of Leaving the System 31:50 - The Lord's Prayer as Resistance 34:30 - God Knows Your Needs 36:59 - Ask, Seek, Knock 38:34 - God Gives Good Gifts 41:06 - Understanding God's Knowledge 42:52 - Fatherhood vs. Jesus's Analogy 47:25 - Objections to Prayer 50:25 - Foundations of Prayer 51:53 - Blank Check Prayer 56:36 - Jesus's Teachings on Prayer 1:02:48 - God's Knowledge of Our Needs 1:06:25 - The Father's Awareness of Our Needs 1:10:45 - Thank You 1:14:14 - Support the Podcast 1:14:52 - Outro As always, we encourage and would love discussion as we pursue. Feel free to email in questions to hello@voxpodcast.com, and to engage the conversation on Facebook and Instagram. We're on YouTube (if you're into that kinda thing): VOXOLOGY TV. Our Merch Store! https://www.etsy.com/shop/VOXOLOGY?ref=shop_sugg_market Learn more about the Voxology Podcast Subscribe on iTunes or Spotify Support the Voxology Podcast on Patreon The Voxology Spotify channel can be found here: Voxology Radio Follow us on Instagram: @voxologypodcast and "like" us on Facebook Follow Mike on Twitter: www.twitter.com/mikeerre Music in this episode by Timothy John Stafford Instagram & Twitter: @GoneTimothy

Garza sits down in-person with Tommy Victor. Vocalist, guitar player & founder of New York, NY heavy metal band PRONG. Also currently the guitar player for DANZIG. https://prongmusic.comSPONSORS: Sweetwater - https://imp.i114863.net/rnrmVB00:00 - Black Sabbath & Heavy Music Influence04:05 - Nearly 40 Years of Prong05:27 - Catholic School07:50 - Nearly Becoming an Accountant12:23 - Working in Radio14:58 - Driving Cabs & Bike Messenger16:50 - Working at CBGBs21:49 - Mean Streets of New York27:44 - 80s Post Punk/Goth29:55 - Getting Into Bass35:57 - Ramones & Downpicking45:39 - Prong Early Days53:25 - Pioneering Groove Metal // Bad Brains56:38 - Riff: Prove Me Wrong58:02 - Experimenting on Albums59:49 - Rude Awakening1:03:37 - Favorite Prong Riffs1:08:26 - Cleansing vs The Cleansing1:11:23 - Hooks & Songwriting1:13:11 - No Lyrics in CD Booklets1:15:10 - Working w/ Glenn Danzig1:25:50 - Dealing w/ Business1:34:31 - Almost Quitting Music1:56:45 - Staying on Top & Inspiration2:04:28 - Tommy's Parents' Feelings on Prong2:07:48 - Running & Exercise2:10:18 - Guitar rundown: Schecter Devil-FR2:14:03 - Guitar Swap2:17:55 - Floyd Rose Tremolo2:20:03 - New Rush Drummer

"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."