Podcasts about Fleetwood Mac

The spirit of Fleetwood Mac recently filled Festival Hall Petersfield as Petersfield sang along and danced the night away. Local musicians joined forces in a new collaboration, with Fleetwood Nights bringing the classic hits of one of the most loved bands of past decades to life. The performance had the audience on its feet as song after song got the crowd singing along. Regular listeners will know Paul Jupe — a farmer from Buriton and a “friend of Shine Radio”. The international award-winning country musician and songwriter, who often features on The Local Showcase, has recently joined the band. Among those enjoying the show was Jo Gray, who even managed to pop backstage for a quick chat… Find the group on social media for more and details of forthcoming shows.See omnystudio.com/listener for privacy information.

Send us a message, so we know what you're thinking! Linda Ronstadt has been described as the most successful and certainly the most durable and most gifted woman rock singer of her era. We look at her impact on music (and us!). Our "Album You Must Listen to Before You Die" is 10cc's “Sheet Music”, their 2nd album which announced to the world that they were a force to be reckoned with.  Did we like the album?  You bet! Plus, more on Jeff's current fixation with Bad Bunny's impact on America today. Lots of fun.  You're going to love it!  PS. We said we'd give you a link to Annie Liebovitz, but there's so much on-line that you can easily find stuff yourself.  Do it, You'll be pleased you did.  References: Lola, Fleetwood Mac, “Rumours”, Super Bowl #60, 1001 Albums You Must Hear before You Die, Robert Dimery, Sheet Music, Hipgnosis, Strawberry Studios, Lol Creme, Kevin Godley, Graeme Gouldman, Eric Stewart, The Gizmotron, Wall Street Shuffle, Mike McGear, Ella Fitzgerald, Billie Holliday, The Stone Poneys, Different Drum, Mike Nesmith, The Eagles, Jackson Browne, Waddy Wachtel, Warren Zevon, Neil Young, Judy Henske, “Heart Like a Wheel”, Anna McGarrigle, When Will I Be Loved, Dr Hook & The Medicine Show, Hasten Down the Wind, “Simple Dreams”, Blue Bayou, It's so Easy, Poor Poor Pitiful Me, Carmelita, Pirates of Penzance, la Boheme, The Great American Songbook, Nelson Riddle, Canciones de mi Padre, James Ingram, Somewhere out There, An American Tail, Bette Midler, All I Need to Know  Playlist Charlie Puth National Anthem Bad Bunny half time show Super Bowl food   

This week, I'm joined by actor, author, magician, mentalist, and songwriter Rob Zabrecky (Zabrecky, Possum Dixon & author of Strange Cures), who chose to discuss a music TV series close to both of our hearts: NEW WAVE THEATER. We also talk about the fantastical stories from Rob's life including his F.B.I. impersonating Uncle and convincing Sherman Hemsley of The Jeffersons to buy Black Flag's TV Party single, how truth will always out-weird fiction, going out on the road with Dead Milkmen, how it was not unusual to see Drew Barrymore making coffee while Ann Magnuson performed at the legendary L.A. art-weirdo venue Pick Me Up, trying to get Wall Of Voodoo's Stan Ridgway to produced Possum Dixon, Rob walking into Kenzo's Yogi Magic Mart in Baltimore and it changing his trajectory from music towards magic, the disappearing condom magic stage act of Possum Dixon and Peter Buck's take on seeing it live, performing in front of Penn & Teller, discovering New Wave Theater, Night Flight, Fear, Suburban Lawns, the weirdo bands that appeared on NWT who never made a record, the incredible life of host Peter Ivers, Peter opening for Fleetwood Mac in only a diaper, Peter Ivers super fan Jello Biafra, Peter writing the music for and singing "In Heaven" for David Lynch's Eraserhead, the dark world of NWT producer/director David Jove, the unsolved murder of Peter Ivers, Circle Jerks, the performance of "The Film We Never Made", the one-act play Rob wrote about Peter Ivers, who should be cast to play Peter Ivers, NWT's opening monologues and the Chris Genkle commercials, 45 Grave and more!So let's cut to the Ghost Host and hope they don't get beat up by a band on this week's Revolutions Per Movie!!!ROB ZABRECKY:https://www.officialzabrecky.com/https://www.youtube.com/channel/UCdkww86deyo5VU20uDJ3uvQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Send a textIntro: My Life Would Suck Without You by Kelly ClarksonAlbum 14: Imagine by John Lennon (1971)Song 1: Jealous GuySong 2: I Don't Wanna Be a Soldier MamaSong 3: Oh My LoveAlbum 13: Say You Will by Fleetwood Mac (2003)Song 1: What's the World Coming ToSong 2: IllumeSong 3: Everybody Finds Out

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

Time Travelin' Top 40 E223 Brandon Vogt with Alan Light new book "Don't Stop" on Fleetwood Mac's Rumours albumSee omnystudio.com/listener for privacy information.

Johnny Townsend is an American singer, songwriter, and musician best known as the lead vocalist and co-founder of the Sanford-Townsend Band, the group responsible for the timeless 1977 hit “Smoke from a Distant Fire.” With his distinctive voice, melodic songwriting, and deeply personal life story, Johnny became one of the defining artists of the late-'70s soft rock and Southern rock era.Johnny Townsend was born and raised in Tuscaloosa, Alabama, where music became part of his life from an early age. Like many Southern musicians of his generation, his first experiences with singing came in church, where he discovered both his voice and his emotional connection to music. He also learned piano as a child and quickly developed strong musical instincts.Despite his passion for music, Townsend initially pursued a very different career path. He enrolled at the University of Alabama with the goal of becoming a doctor, studying pre-medicine and preparing for a stable professional future. At the same time, he continued performing with local bands, including a popular college group called The Magnificent 7, gaining confidence as a performer and songwriter.Johnny's life took a dramatic and unexpected turn when he suffered a serious medical emergency that left him in a coma for several weeks. When he eventually regained consciousness, he had lost much of his memory, including parts of his academic training. Though his memory gradually returned, the experience profoundly changed his outlook on life.Rather than returning to medical school, Townsend made the bold decision to follow his true passion — music. This moment became the defining turning point of his life and set him on the path to becoming a professional musician.Determined to build a career in music, Townsend moved to Los Angeles in the mid-'60s, where he immersed himself in the city's thriving music scene. There, he reconnected with fellow Alabama native Ed Sanford, a talented keyboardist and songwriter. The two quickly discovered a natural creative chemistry and began writing songs together.Their songwriting partnership proved highly successful. They secured a publishing deal and began writing songs for other artists, earning respect within the industry. Their shared Southern roots and melodic sensibilities helped define their sound, blending rock, soul, and pop influences.In the mid-'70s, Townsend and Sanford formed the Sanford-Townsend Band, bringing their songwriting partnership to the forefront as performers. Their breakthrough came in '77 with the release of “Smoke from a Distant Fire,” a song that showcased Townsend's expressive vocals and the band's polished production.The single became a major commercial success, becoming a staple of classic rock and soft rock radio. The song's emotional lyrics and memorable melody resonated with listeners and established the Sanford-Townsend Band as a major recording act.Following the success of the hit single, the band toured extensively, sharing stages with major artists of the era including Fleetwood Mac, Foreigner, and The Marshall Tucker Band. Townsend's stage presence and vocal ability made him the focal point of the group's live performances.Although the Sanford-Townsend Band never matched the commercial success of their breakthrough hit, Johnny continued building a respected and enduring career in music. He remained active as a performer, songwriter, and collaborator, working with various artists and forming new musical projects, including the Toler/Townsend Band.Townsend's commitment to music never faded. He continued touring, recording, and performing for audiences who appreciated his authentic voice and timeless songs.His music remains part of the soundtrack of the '70s, and his work continues to resonate with fans of classic rock, soft rock, and Southern rock around the world. Johnny Townsend's story stands as a powerful reminder that sometimes life's unexpected turns can lead to extraordinary destinations.

The Rage Select Podcast is a dish that's BEST SERVED COLD as Bryce and Jeff discuss Bryce's outer space adventures in Konfronto, Jeff's ruthless k-drama addiction, as well as ALL THE NEWS of the week! Check out Bryce and Jeff's new podcast about the Fleetwood Mac album Tusk on all the podcast apps or right here: https://twotusks.transistor.fm MP3 here - http://traffic.libsyn.com/rageselect/RageSelectEpisode633.mp3 RSS feed here - http://rageselect.libsyn.com/rss iTunes here - https://itunes.apple.com/us/podcast/rage-selects-podcast/id657490976 Email address for your questions: mail@rageselect.com FOLLOW Tessa on Instagram - https://www.instagram.com/tessamorrison FOLLOW Matt on Twitter! - https://twitter.com/spankzilla85 FOLLOW Brian Salisbury on Twitter! - https://twitter.com/JunkfoodCinema FOLLOW Jeff on Twitter - https://twitter.com/RageSelect FOLLOW Grant on Twitter - https://twitter.com/BaronVonGrant LIKE Rage Select on Facebook - https://www.facebook.com/RageSelect Listen to our podcast and if you enjoy it, SUBSCRIBE! Check out the full website at http://www.rageselect.com #rageselect #podcast

The Murder & Sinkhole Capital of the WorldVal Verde did it again.Producer Scotty has UPDATED THE OPEN and made it official: we have retained our rightful title as the Murder Capital of the World. And in a coordinated civic achievement, we have also been crowned the Sinkhole Capital of the World.The earth continues to open. We continue to broadcast.It's a standard morning inside the Rock & Roll RV. Whisp is doing impressions. Geoff is fielding complaints from the Val Verde Police Department. Art Spart is navigating traffic through roads that may or may not still legally qualify as roads.On this week's broadcast:Mushrooms in the RV. Geoff admits to doing mushrooms with Stinky the Dog.Ring Cameras & The Super Bowl. Whisp believes your doorbell now reports directly to someone.Rock News. Dee Snider cancels the Twisted Sister reunion tour.Metallica's “Unforgiven” Rankings. The matter is settled.“Legends Reloaded” Festival. Fleetwood Mac tributes. Sweaty Eagles. A legally delicate Tom Petty situation.Free Fish Day at the Val Verde Aquarium. Stan is warned.Name That Track. Win a family 18-pack courtesy of Burger Tools, Val Verde's only Home Improvement themed burger chain.Listen. Subscribe. Join the Rock Battalion at https://1089thehawk.com.Support the station at https://patreon.com/1089thehawk.Stay above ground. Hosted on Acast. See acast.com/privacy for more information.

Hoy en La Gran Travesía podréis escuchar algunas de las grandes canciones de los años 70, con Lou Reed, Pink Floyd, Iggy Pop, Lynyrd Skynyrd, The Who, Undertones, Fleetwood Mac, Deep Purple, Thin Lizzy... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Aida Borrallo, Eduardo Gutiérrez, Belén B, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

This week on Reelin' In The Years... The Featured Five Theme is songs used as background music during the Local On The 8s Segment on The Weather Channel... Music from a band that's named after the psychological concept of Primal Therapy... What band is comprised of members from Wilco, Soul Asylum, The Jayhawks, and others?... What is an Albert Flasher and what does it have to do with radio broadcasting?... A rarity by R.E.M. that was nearly used in the film, Batman Returns... New music from Robert Plant, Robin Trower, and Vance Joy... Deep cuts from Hot Tuna, Alejandro Escovedo, JD McPherson, The Record Company, The Doobie Brothers, Neutral Milk Hotel, Fleetwood Mac, Tears For Fears, and much more! For more info on the show, visit reelinwithryan.com

I denne uges udsendelse kigger vi på en række kvindelige rekorder, bl.a. at danske Annika er den første kvinde i 27 år der har lavet årets bedst sælgende album i Danmark og at engelske PinkPantheress er den første kvinde nogensinde der vinder prisen for bedste producer ved Brit Awards. Vi anbefaler desuden den nye, spændende single fra den danske gruppe Blæst, og så koger vi i den grad over af begejstring for den soulede engelske sangfugl Olivia Dean. Derudover præsenterer vi en spansk airplayliste fra 1995, vi kommer med vores personlige bud på hvem der i år bør optages i Rock And Roll Hall Of Fame, vi afslører vinderen af vores (svære) konkurrence fra afsnit 76, og så kommer vi også lige forbi fiskefileter og bakskuld, æblemænd, tvivlsomme TV 2-programmer, et konfirmationsshow, filmen Prêt-à-porter, Hanne Boels succes i Spanien og Andys tvivlsomme teori om lighederne mellem The Human League og Fleetwood Mac. Playliste: ABBA - Dancing queen Kim Wilde - You keep me hanging on Babylon Zoo - Spaceman Nordstrøm - Berlin The Minds Of 99 - Hjertet følger med Blæst - Forever Olivia Dean - Man I need Olivia Dean - So easy (To fall in love) Sam Fender and Olivia Dean - Rein me in Creamy - Æblemand kom indenfor Annika - Der så meget jeg ikke fortæller PinkPantheress - Illegal Sade - Hang on to your love Ini Kamoze - Here comes the hotstepper Hanne Boel - All it takes The Human League - Tell me when Nirvana - The man who sold the world Simple Minds - She's a river

"I've seen fire and I've seen rainI've seen sunny days that I thought would never endI've seen lonely times when I could not find a friendBut I always thought that I'd see you again"Please come along with me in my Wayback Machine as we head back to the 1970's and Sunny Skies. Joining us are Joe Jackson, Howard Tate, The Little River band, Traffic, Jackson Browne, Genesis, Jay Ferguson, Exile, Rod Stewart, Deep Purple, Fleetwood Mac, Cat Stevens, Jefferson Airplane, Bruce Springsteen, Don McLean, Billy Joel, Janis Joplin, Chicago, Gino Vannelli, Gerry Rafferty and James Taylor.

Bienvenidos, bienvenidas, a una nueva edición de A Altas Horas, con el mejor indie nacional e internacional... o el que más nos gusta. Contenido variado y cierre especial que nos va a llevare de Florece + The Machine hasta Fleetwood Mac... Sonarán: - Maella - Clouds - Sleepazoid - NEW AGE - PVA - Send - THE NORTH - Blood Orange - Flowerbabe - DARK FANTASY - Niños Bravos - No puedo parar - Fleetwood Mac - Tusk ¡Échanos un oído!

Bienvenidos, bienvenidas, a una nueva edición de A Altas Horas, con el mejor indie nacional e internacional... o el que más nos gusta. Contenido variado y cierre especial que nos va a llevare de Florece + The Machine hasta Fleetwood Mac... Sonarán: - Maella - Clouds - Sleepazoid - NEW AGE - PVA - Send - THE NORTH - Blood Orange - Flowerbabe - DARK FANTASY - Niños Bravos - No puedo parar - Fleetwood Mac - Tusk ¡Échanos un oído!

Our 1977 series continues with an absolute banger of a album. Russ and Lauren from the Beer's Al podcast and Jaxfuneatsdrinks.com join Dayton to discuss favorite tracks, duds, behind the scene shenanigans and Rumours. https://jaxfuneatsdrinks.com/Send a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcast https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

Novedades suculentas en esta sesión de Turbo 3. Abrimos con Cora Yako y el último avance de su próximo y esperado disco, 'Mil pequeños cortes'. Y, ya que hablamos de discos que causan expectación, estrenamos (junto a 180 Grados de Virginia Díaz) lo nuevo de Ginebras, 'Vueltas', canción que formará parte del álbum que la banda ha grabado junto a Víctor Cabezuelo (Rufus T. Firefly) y Manuel Cabezalí (Monstruo Laberinto, Havalina) como productores. Además, escuchamos dos temas del EP que acaban de lanzar U2 como "respuesta inmediata a los acontecimientos actuales e inspirada en las muchas personas extraordinarias y valientes que luchan en primera línea por la libertad". Y también: novedades de Bestia Bebé -estrenamos un avance del próximo disco de los argentinos-, Los Invaders -estreno del nuevo y bailable cañonazo de la banda valenciana-, Heidi Curtis -te gustará si te gustan los Fleetwood Mac de 'Rumours'- y Fai Laci -nuevo fichaje de Easy Eye Sound, el sello de Dan Auerbach de The Black Keys-.Playlist:CORA YAKO - Firmar la pazGINEBRAS - VueltasRUFUS T. FIREFLY - La plazaMONSTRUO LABERINTO - GloomDEPECHE MODE - John the Revelator (Live in Mexico City)U2 - American ObituaryU2 - Song Of The FutureTHE SMASHING PUMPKINS - Siva (Live In Detroit, 1996)FANGCLUB - So EasyDINOSAUR PILE-UP - I've Felt BetterGIRL TONES - VolcanoFAI LACI - Have You Nothing Left To SayBESTIA BEBÉ - El AtrevidoCAMIONERO - Guerrero atípicoHOSTIA PEDAGÓGICA - Vendo manualTHE MOLOTOVS - Rhythm Of Yourself [Disco Gourmet de la semana]DAVID BOWIE - Rebel RebelDAVID BOWIE - Golden YearsGLEN HANSARD - Didn't He RambleCRUZ BECKHAM - For Your LoveHEIDI CURTIS - SirenFLEETWOOD MAC - The ChainLOS INVADERS - TonteríasLOS INVADERS - SentimentaloideL'IMPÉRATRICE - EntropiaEscuchar audio

A conversation about Kim Simmonds' autobiography, “Street Corner Talking” with Debbie Lyons Simmonds (wife and personal manager of Kim Simmonds) and Robert Schaffner (author of “Fleetwood Mac in Chicago - The Legendary Chess Blues Session”).  To purchase the book, go to www.savoybrown.com or through other major literary retailers.

I saw bassist Victor Krummenacher, one of my favorite music people, perform twice within three weeks last fall: with Camper Van Beethoven to end perhaps their last-ever tour in Washington, D.C.; and with the Third Mind, the improvisatory band also featuring Dave Alvin, in Milwaukee. Both shows were fantastic. Now Krummenacher has a new album, the cinematic Block Out the Sun, and is reflecting on the inevitable artistic collision between one's personal life and what's happening in the outside world. He also discusses an upcoming album collaboration between most of the Third Mind and former Fairport Convention singer (and Caropop guest) Iain Matthews; the recently announced Record Store Day release of Camper Van Beethoven's version of Fleetwood Mac's Tusk; Krummenacher's vision of a possible Camper future; and that David Lowery song that quotes something hostile that Krummenacher allegedly said to the Camper frontman when the band was first breaking up. (Photo by Jesse Sykes.)

How do you write one of the most beautiful songs ever recorded in just 30 minutes? For Christine McVie, it was a midnight miracle that came in a dream.In this episode of the Behind The Song podcast, Janda gets into the magic creation of "Songbird" and how it kept Fleetwood Mac together when everything else was breaking apart.

In this episode of "Seeing Them Live," host Charles welcomes back Paul Peterson, a retired technology manager and lifelong audiophile who hosts the podcast 'An Avid Listener.' Together, Charles and Paul explore the complex world of bands performing with significantly changed lineups. The conversation was sparked by Paul's recent concert experiences, including seeing Alan Parsons and the Doobie Brothers with almost entirely new members, which led him to question what makes a band authentic and what concertgoers are really seeking when they buy tickets based on a famous name.Charles and Paul examine numerous examples of lineup changes with varying outcomes. They contrast successful transitions like AC/DC replacing Bon Scott with Brian Johnson and Iron Maiden swapping Paul Di'Anno for Bruce Dickinson, with more questionable situations like Grand Funk Railroad touring without Mark Farner, the Beach Boys performing with only Mike Love, and Queen continuing with Adam Lambert. The discussion reveals how fans often purchase tickets unaware of major personnel changes, raising questions about transparency and the power of brand names in the music industry.Paul encourages listeners to research bands before attending concerts and seek experiences that offer more than nostalgia. He emphasizes the value of artists sharing stories and offering unique performances rather than simply recreating studio recordings, praising innovative approaches like Steely Dan performing entire albums in sequence and intimate acoustic sets from aging rockers. While lineup changes are inevitable, the key is transparency and delivering an experience that justifies the ticket price—whether through musical excellence, storytelling, unique venues, or discovering new bands at smaller, more intimate settings.BANDS: AC/DC, Alan Parsons, Beach Boys, Beatles, Black Sabbath, BoDeans, Brian Auger, Doobie Brothers, Duke Tomato and the All Stars, Eagles, Emerson Lake and Palmer, Flaming Lips, Fleetwood Mac, Gov't Mule, Grand Funk Railroad, Grateful Dead, Heart, Iron Maiden, James Gang, Johnny Reno and the Sax Maniacs, Led Zeppelin, Led Zeppelin Two, Motley Crue, Pink Floyd, Queen, Rolling Stones, Scorpions, Steely Dan, Super Tramp, The Doors, The Who, Toto.VENUES: Arcadia, Auditorium Theater, Candlestick Park, Chicago Stadium, City Winery, Empty Bottle, Fitzgerald's, Hollywood Bowl, House of Blues, Living Room, Riot Fest, Shea Stadium, The Sphere. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

A listener threw down the gauntlet and we answered: Wax Wars, the ultimate rock album face-off. We're talking full-catalog giants and needle-drop staples—Fleetwood Mac versus Eagles, Zeppelin versus Floyd, The Who versus Queen, Clash versus Ramones, U2 versus R.E.M., and more—decided by a mix of song strength, cultural impact, and those stubborn memories that never leave. The fun isn't just in who wins; it's in how certain records force you to choose between a perfect side and a perfect song, between a life-changing first listen and the album that still works anywhere, anytime.We chart why Dark Side demands a full ride while Zeppelin IV shines in any shuffle. We revisit how Bohemian Rhapsody re-entered pop culture through a movie and stayed for good. We trace the shockwave of Nevermind, the summer-long dominance of Synchronicity, and the way Back in Black turned grief into an indestructible anthem machine.By the end, you'll have a fresh lens on classics like Abbey Road, Let It Bleed, Revolver, Pyromania, Blizzard of Ozz, and Elephant. You'll also hear why some albums are built for the long arc while others are engineered for constant replay. Jump in, keep score with us, and then tell us where we blew it and where we nailed it. If you enjoyed this battle, follow the show, share the episode with a friend who loves vinyl debates, and leave a quick review to help more music nerds find us.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Everyone knows the chart-toppers, but sometimes the real magic is buried in the album. In this bonus episode of the Behind The Song podcast, Janda breaks down classic rock deep cuts that really strike a chord, even if they weren't big hits. From Queen to Fleetwood Mac, this is a list of underrated love songs that you don't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Word on Pop Culture Podcast is joined by Ivy Sweeden, who reveals her fantasy concert setlist for Fleetwood Mac. You can check out her playlist on Spotify ⁠here

Delighted to be joined by comedian and adult mascot of Scotland's national teams, Ray Bradshaw! Ray has "won awards and stuff" - get tickets for his tour at raybradshaw.com (absolute site)Can you remember transfer rumours from 2010? Who did Thomas Tuchel manage pre Dortmund? Which songs have been used by Sky Sports in their Premier League & Scottish Premiership coverage? Have you heard of Fleetwood Mac? Listen on for all this and more football trivia drivel. Join our Patreon to access our back catalogue of over 60 episodes! Patreon.com/CareerWeGoExtraTimeGot a round you'd like us to try? Email: hello@careerwego.com Hosted on Acast. See acast.com/privacy for more information.

Lots on the show this week. Whilst I was away seeing Sprints on Sunday, on the show we had album anniversaries, reviews of the new Cribs album, our review (and pictures) from the Shame show from last week, and a live session with Canadian electro-glam punk four piece Trashwyre, recorded at Toronto's Raven Underground.Music this week by Fleetwood Mac, The Cribs, PVA, Coach Party, Chalk, Dead Air, Goodbye, Tooth, Nubiyan Twist, Bootie Brown, Bloodworm, Robo, SPRINTS, Franz Ferdinand (Amyl and the Sniffers), Dutch Baby, Revzed, Trashwyre.Cover image: Shame at the Phoenix Concert Theatre, 23 January, 2026 by Sam Ciampa.Find this week's playlist here. Try and support artists independently through buying their music, merch, going to shows! Bandcamps/websites linked above.Touch that dial and tune in live! CFRC 101.9 FM in Kingston or cfrc.ca⁠, Sundays 8-9:30 PM! Full shows in the linked archive for 3 months from broadcast.Like what we do? ⁠Donate⁠ to help keep our 102-year old radio station going!Get in touch with the show: email ⁠yellowbritroad@gmail.com⁠, IG @⁠⁠yellowbritroad⁠⁠.PS: submissions, cc ⁠music@cfrc.ca⁠ if you'd like other CFRC DJs to spin your music on their shows as well.

Hocus Focus Mix met Fleetwood Mac, The Killers, Paul Kalkbrenner, The Magician, Years and Years,  Hugel, David Guetta, Kehlani & Daecolm

Fleetwood Mac's album hit number one on this day and is Kelly Clarkson's talk show really ending?

When Lenise Bent entered the L.A. audio engineering scene in the late ‘70s, she didn't mind that it was primarily a male dominated industry. Through a chance meeting with Leon Russell at his home studio, she was swept away with the studio atmosphere, the sound, and it was her curiosity about the recording console and gear that captured her spirit and sent her down the path of becoming a recording engineer. She was determined to work with the best equipment, the best studios, and the best musicians. And she did. She's credited on some of the best sounding albums that were ever recorded, including Steely Dan's “Aja”, Supertramp's “Breakfast In America”, Marc Jordan's “Mannequin”, Blondie's “Autoamerican”, and “Tusk” by Fleetwood Mac, just to name a few. Here to discuss her incredible journey as a pioneering audio engineer is none other than Lenise Bent.

Percussionist Lenny Castro has made a career out of being an ingredient that makes everything he touches better. He's been one of the most in-demand musicians of the last 50 years and was even an official member of Toto for many decades. Would classics like "Africa" and "Rosanna" be what they are without him? Doubtful. He's also the best thing about Christopher Cross's "Ride Like the Wind" and ONJ's "Physical". We also discuss a bunch of his session work with people like Stevie Wonder, Robert Palmer, and Fleetwood Mac. He's "mostly" retired now but keeps getting pulled in because he's so good and even just completed a tour with John Mayer. He's the best and we're lucky to hear from him. Enjoy!  The Hustle Podcast | creating podcasts | Patreon

What makes a podcast worth coming back to again and again? What turns a single episode into something listeners want to sit with, revisit, and recommend? Today, we continue with another installment of Jonathan Howard's Obsession-Worthy Podcast series, using Song Exploder as a case study to explore what makes a podcast truly re-listenable. We take a closer look at an episode, breaking down Fleetwood Mac's Go Your Own Way, focusing less on the song itself and more on how the story is told. We explore how clear structure, intentional editing, and listener-first decisions build trust. We talk about why strong questions don't need to be heard to be felt, and how letting listeners experience uncertainty, decision-making, and emotional stakes keeps them engaged. If you interview guests or tell stories on your show, this episode offers a lasting reminder: obsession-worthy podcasts are designed with the listener in mind. Where could you let your listeners hear the moment something clicked?This episode includes brief music excerpts used for educational and commentary purposes. We do not own the rights to the music featured.Episode Highlights: [07:41] What makes this episode obsession-worthy? [11:31] Breaking down Fleetwood Mac's “Go Your Own Way”[22:12] An emotional opening and the songwriting process[28:00] Applying creative processes beyond music[30:09] Exploring song lyrics and personal storytelling[35:16] Storytelling elements in podcasting[41:01] Asking better questions and interview techniques[43:04] Podcast evaluations and community building[46:02] What's coming nextLinks & Resources: The Podcasting Morning Chat: www.podpage.com/pmcJoin The Empowered Podcasting Facebook Group:www.facebook.com/groups/empoweredpodcasting⁠Empowered Podcasting Conference Course with Recordings: https://ironickmedia.com/courses/epc2025/Empowered Podcasting Conference 3: Use discount code ‘Podfest26' to get your ticket for under $200: https://empoweredpodcasting.comApplication To Submit Your Show For Evaluation: https://docs.google.com/forms/d/e/1FAIpQLSc8-Xv6O6lrNPcPJwj3N0Z5Osdl-5kHGz_PiAU45U57S-XgoA/viewform?usp=headerSong Exploder “Go Your Own Way” https://songexploder.net/fleetwood-macRemember to rate, follow, share, and review our podcast. Your support helps us grow and bring valuable content to the podcasting community.Join us LIVE every weekday morning at 7 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠ https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w⁠⁠Live on YouTube: ⁠https://youtube.com/@marcronick⁠Brought to you by⁠ ⁠iRonickMedia.com⁠⁠ Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you!--- Send in your mailbag question at:⁠ https://www.podpage.com/pmc/contact/⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Chat? Send me a message on PodMatch, here: ⁠https://www.podmatch.com/hostdetailpreview/1729879899384520035bad21b⁠

Fleetwood Mac makes their return back to Ranking Tracks. This time around I learned perhaps the most surprising fact about any album (or in this case any song) I have ever reviewed! What could it be?

The Rage Select Podcast is SUS AF this week as Bryce and Jeff discuss the alluring temptaions of The Traitors, Jeff's 2025 video game backlog, as well as ALL THE NEWS of the week! Check out Bryce and Jeff's new podcast about the Fleetwood Mac album Tusk on all the podcast apps or right here: https://twotusks.transistor.fm MP3 here - http://traffic.libsyn.com/rageselect/RageSelectEpisode628.mp3 RSS feed here - http://rageselect.libsyn.com/rss iTunes here - https://itunes.apple.com/us/podcast/rage-selects-podcast/id657490976 Email address for your questions: mail@rageselect.com FOLLOW Tessa on Instagram - https://www.instagram.com/tessamorrison FOLLOW Matt on Twitter! - https://twitter.com/spankzilla85 FOLLOW Brian Salisbury on Twitter! - https://twitter.com/JunkfoodCinema FOLLOW Jeff on Twitter - https://twitter.com/RageSelect FOLLOW Grant on Twitter - https://twitter.com/BaronVonGrant LIKE Rage Select on Facebook - https://www.facebook.com/RageSelect Listen to our podcast and if you enjoy it, SUBSCRIBE! Check out the full website at http://www.rageselect.com #rageselect #podcast

If you're lucky enough to get old, think of all you've gained. First off, you're alive, which is better than the alternative 100% of the time. Secondly, you can use all of the wisdom and knowledge you've collected over a lifetime of experiences, and you can use it to find ways for you and others around you to be happy. In this already ridiculous year of 2026, we're working hard to stay positive, and music is almost always the key. Thankfully our good friend Dustin Prince feels the same way, and was more than up for helping us count down our favorite songs about that touchy but important subject. Picks 10-6 are revealed here in Top Ten Songs About Aging Part 1 of 2. Go see Dustin playing around Los Angeles with the Kevin West Band!https://kevinwestmusic.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. On January 1st we gave you double the Wolffings with cousins Chris and Justin helping out in Emergency Pod 23. Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

SeanGeek and FastFretFingers are joined by Tim Durling—author, podcaster, and fellow Maritimes native—for a wide-ranging conversation that blends podcasting, music history, and the ever-changing relationship between creativity and technology.The episode kicks off with shared Maritimes and Acadian roots, recording setups, and the small-world podcast connections that brought Tim onto the show. From there, the discussion moves into podcasting strategy, including YouTube's RSS distribution, audience growth, and why casual, conversational interviews often work better than rigid formats.Music takes center stage as Tim digs into his deep knowledge of classic rock, touching on Rush and Triumph reunion news, KISS concert myths, Whitesnake's evolving sound, and why certain 80s bands endured while others disappeared. The conversation also wrestles with the impact of grunge on rock music in the 1990s, oversaturation in the hair-metal era, and the recurring cycle of musical trends.The group explores originality versus formulaic music, modern radio, and whether today's hyper-polished sound will eventually collapse like past genre bubbles. Tim brings a radio professional's perspective, balancing skepticism with optimism about authentic artists still breaking through.The episode wraps with Tim's journey as an author, including his unexpected deep dive into 8-track tapes, successful Kickstarter publishing, and his growing catalog of album-by-album rock books, from Y&T to his current Fleetwood Mac project.Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksWe are a part of the Boneless Podcast Network: https://boneless-catalogue-player.lovable.app/Merch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

On today's show, the Apollo Theater switches gears, the classic lineup of Fleetwood Mac plays together for the last time, & Neil Young gets fed up with Spotify.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history04:13 Music award ceremonies that were held on this date in music history05:42 Albums released on this date in music history 06:45 Singles released on this date in music history 07:17 Podcast advertisement 07:51 Birthdays of music artists on this date in music history 09:16 Passings of music artists on this date in music history 10:40 What's on tomorrow's episode

Holy hell, somebody done showed up a little late to the top-albums-of-2025 party. List week = missed week. NBD, better late than never, right? RIGHT? It's the sixth annual big episode, where Jay and Deon discuss their favorite twenty-two vinyl releases of this past year. That be eleven each, because Lickers go to eleven while these other suckaz be stuck on ten. LLR goes deep. LLR goes long. LLR wishes what you just read was code for something way cooler, but it isn't. It's just really long. The flippin' Free Bird of podcats.Dig this list? What did they miss? Let ‘em know your favorite long player releases in the year of our Lord 2025, it's never too late to share what sonically inspires you. Lightnin' Licks Radio Podcast's one big beautiful twenty twenty-five year in review episode SAMPLE SOURCES include: NPR, Beastie Boys, James Todd Smith. John Ussery, Prince Paul, Frukwan, Method Man, Brothers Johnson. Harry Shearer, Larry David, Cheryl Hines, Lynyrd Skynyrd, Kankles McTaco Tits, Elton John, The Time with Prince. Jeremy Gan, Josh Heath Scott, Jim DeRogatis, Anthony Fantano. Molly Sanborn, Matt O'Leary, Eli Enis, Ian Cohen. A Tribe Called Quest, Bon Iver, Justin Vernon, Missy "Misdemeanor” Elliot, Nicole “Lady” Wray, Tropical Fuck Storm, The Bee Gees, The sisters Haim. Calvin Harris, The Beatles… always. Kaytranada. Janet Jackson, De La Soul, Kelly Moonstone, Quelle Chris. Uncle Tupelo, Wilco, The AutumnDefense. NewDad, Aesop Rock, Blockhead. Verity Den, …And You Will Know Us by the Trail of Dead. Winter, Debby Friday. Water From Your Eyes, This Is Lorelei. Greg Freeman, Richmond Fontaine, Poison, The Darkness, KISS, Jimmy Jam and Terry Lewis, Aerosmith. Lael Neale, The Cars, Weakened Friends, Buckethead. Liquid Mike, The Rentals. Pile, Cody Maresec, YUM! The Smith Westerns, Whitney, Billy Nomates, Sleaford Mods. Fleetwood Mac, Eric Gale, Faces, Ry Cooder, Randy Weston. Pines, Greet Death, Christian Science Reading Room. Momma. Chris Keys (a lot), Amosdoll, Atlys, The Zombies. Cozy Cole, Andy Cohen, Raúl "El Gordo" De Molina, Tommy Chong, James Austin Johnson, Tim Robinson (YOU CAN'T DO THAT!), and lastly - and certainly least… Swamp Thing. Alternate links to the uninterrupted 2025 EOY mixtape will be available in short order,Have a great year!LLR's Top 22 albums of 2025 SPOTIFY PLAYLISTHear the mix via Soundcloud here!Part 1(Deon) : Intro _ Liquid Mike – AT&T _ HAIM – Everybody's Tryin' to Figure Me out! _ Pile – Bouncing in Blue _ NewDad – Entertainer _ Kelly Moonstone – Nananabooboo _ Weakened Friends – Queen of Town _ This Is Lorelei – Mouth Man _ The Autumn Defense – More Than I Can Say _ KAYTRANADA featuring TLC – DO IT! (Again) _ Debby Friday – Lipsync _ Greet Death – Love Me When You Leave Part 2(Jay) : Greg Freeman – Gulch _ Lael Neale – Down on the Freeway _ Aesop Rock – Full House Pinball _ Momma – Last Kiss _ Bon Iver – S P E Y S I D E _ Billy Nomates – Nothin' Worth Winnin' _ Lady Wray – Best of Us _ Whitney – Damage _Verity Den – Wet Glass _ Winter - The Beach _ Tropical Fuck Storm – Stepping on a Rake.Lickers drink champagne and shop at Electric Kitsch.Please act kindly to our neighbors and be patient with those who serve us. Let some light in. Good will prevail. Cheers and later.Dedication: Rob Ervin 1961 - 2025

We start by talking about “songs that are factually incorrect”, with artists like U2, Alanis, Journey, Fleetwood Mac, Toto, ABBA and Pitbull being taken to task. Christopher and Tom have a ton of fun ranting about these “egregious” errors. Speaking of U2, we feature at 1985 interview with bassist Adam Clayton as he and his mates come to grips with the growing popularity of the band. Adam talks about playing for screaming fans (not ideal) and comparisons between U2 and Bruce Springsteen. The remainder of the episode includes other artists from the ‘80s. Some highlights: Ian Astbury of The Cult talks about spending five years of his youth in Canada – and how he didn’t much care for it. Brian Ferry of Roxy Music discusses the importance of solo work Roland Gift talks about Fine Young Cannibals and his acting career Montreal’s The Box discuss marrying politics and music And we try to find at least ONE interesting moment in what could be the most boring interview in our archives… Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

We have a very special guest for our season 3 premiere! Thanks to Emma, we got to chat with “Jennifer Juniper: A Journey Beyond The Muse” author Jenny Boyd about her time as a model in swinging London, San Fransisco during the Summer of Love, with the Beatles in India, and on the road with Fleetwood Mac at the height of their fame. We also got to talk about her earning her doctorate, exploring the creative process in her thesis “Musicians in Tune”/“Icons of Rock,” her work in the addiction recovery field, and an exciting new project. It's well and truly a journey beyond being a muse. Thank you Jenny for joining us this week!Plus, Emma gives a life update on her growing family and how she found her midcentury dream home! “Jennifer Juniper: An Interview with Jenny Boyd” is available now wherever you stream your podcasts

In our annual check-in with renowned mastering engineer Kevin Gray, he reflects on a very busy 2025 that included his Rhino High Fidelity versions of Fleetwood Mac and Lindsey Buckingham and Stevie Nicks' long-out-of-print Buckingham Nicks. How did Gray and fellow mastering engineer Chris Bellman feel about Rhino releasing separate versions of Buckingham Nicks mastered by each of them? Gray also discusses the Rhino High Fidelity John Coltrane: 1960-1964 Mono box, for which he revisited some albums he'd previously mastered in stereo. Gray's RHF version of T. Rex's Electric Warrior followed the label's reel-to-reel tape release of that album—which should sound better? Of course, we had to address the hullabaloo sparked by Gray's comments on Caropop a year ago criticizing the One Step pressing process. Was he surprised? Does he feel vindicated? Other topics covered: Gray's Blue Note Tone Poet work with producer Joe Harley; the jazz albums Gray is recording and releasing on his Cohearent Records label. What's in store for 2026?

Stanley Simmons: From Viral Moment to Americana Revival | Evan Stanley & Nick Simmons Interview In this episode of Caught on the Mike, host Mike sits down with Evan Stanley and Nick Simmons, the folk-Americana duo behind Stanley Simmons, for a conversation about creativity, connection, and finding the right sound at the right time. Though they've known each other their entire lives—and grew up immersed in music history as the sons of Paul Stanley and Gene Simmons of KISS—they never intended to collaborate. That changed after a spontaneous viral Instagram video revealed an undeniable vocal chemistry, what they describe as a “third voice,” and sparked the formation of Stanley Simmons. The conversation explores the making of their debut single “Body Down,” a song rooted in Americana, folk, blues, and classic songwriting traditions, while feeling distinctly modern. Evan and Nick discuss writing 41 songs in just 11 months, working with legendary producer Rob Cavallo (Green Day, Fleetwood Mac, Paramore), and how early bedroom demos evolved into a full-length album. They also reflect on creating music without chasing trends, navigating legacy without leaning on it, and why they believe music is medicine—a form of resilience, expression, and connection in uncertain times. If you're a fan of Americana music, folk revival, singer-songwriters, roots rock, or artists like Fleetwood Mac, Crosby Stills Nash & Young, Noah Kahan, and Harry Styles, this episode offers a thoughtful look at two artists building something honest and enduring.

Esta semana, en nuestras Islas de Noche, nos centramos en el rock clásico que a mediados de los 70 daba ya muestras de agotamiento creativo pese al éxito de la fórmula, que, por otra parte, ya empezaba a pasar de moda. Con todo, en esa encrucijada gloriosa que supuso la mitad de la década, los grandes, que aún seguirían llenando estadios durante décadas pese a su evidente decadencia, todavía fueron capaces de sacarse de la manga grandes canciones -e incluso aún algún disco notable más-. Eso sí, de aquí en adelante ya nada volvió a ser lo mismo. Suenan: LED ZEPPELIN - "Night Flight" ("PHYSICAL GRAFFITI", 1975) / THE WHO - "Dreaming From The Waist" ("WHO BY NUMBERS", 1975) / THE KINKS - "No More Looking Back" ("SCHOOLBOYS IN DISGRACE", 1975) / ROY WOOD - "Any Old Time Will Do" ("MUSTARD", 1975) / GRAND FUNK RAILROAD - "Bad Time" ("ALL THE GIRLS IN THE WORLD BEWARE", 1974) / BEAU BRUMMELS - "Singing Cowboy" ("BEAU BRUMMELS", 1975) / DANNY KIRWAN - "Second Chapter" ("SECOND CHAPTER", 1975) / FLEETWOOD MAC - "Come a Little Bit Closer" ("HEROES ARE HARD TO FIND", 1974) / WINGS - "Letting Go" ("VENUS AND MARS", 1975) / ROLLING STONES - "Luxury" ("IT'S ONLY ROCK AND ROLL", 1974) / CHAPMAN-WHITNEY - "Showbiz Joe" ("STREETWALKERS", 1974) / TRAFFIC - "Something New" ("WHEN THE EAGLE FLIES", 1974) / Escuchar audio

Dave and Chuck the Freak talk about reusable Trader Joe's shopping bag, guy who collects Hawaiian shirts, what do you use Craigslist for?, medical resident caught hiding camera in private staff area, store owner accused of hiding a camera in women's bathroom, paraglider fell nearly 500ft into ocean, road rage incident between neighbors, huge bear that was finally removed from crawl space moved under another house, bear discovered candy store, fur store closes after 136 years in Detroit, the guy with the blue fur coat, photoshopped billboard of Dave & Chuck, Mike Tomlin steps down after 19 years as Steelers coach, man worked as a flight attendant as fantasy football loss punishment, Timothy Busfield turned himself in, Kiefer Sutherland arrested, Scott Adams died, update on the Disney employee knocked over by boulder at Indian Jones ride, Fleetwood Mac's Landslide finally charts thanks to Stranger Things, Michael Jordan once got showed up by Kenny Rogers, woman with handcuffs on shot deputy, man slips out of handcuffs and shoots deputy, woman arrested after threatening people with skillet, man arrested driving drunk, guy touching himself in front of window, guy seen jerking while driving, man developed condition after getting tattoo, old man at airport tried to push dead wife in wheelchair through security, Dave's garage door opened by itself, woman lives in spider-infested apartment, monkey still on loose in St. Louis, Are You Dead? App, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 1: The creator of the famous Dilbert comic strip, Scott Adams, has passed away. The Fresh Prince of Belair house is for sale. For the first time in 25 years, California is drought free - so enjoy the beautiful weather this week guilt free! Our relationships with our dogs have really evolved since the first dog park was established in Berkeley. San Francisco will be represented in the Puppy Bowl this year. Is there any cool way to pick up after your dog? Hour 2: Thank you, Live Nation. Celebrity bad behavior continues: Timothy Busfield has turned himself in with his wife, Melissa Gilbert, by his side. Meanwhile, Kiefer Sutherland was arrested for allegedly assaulting his rideshare driver. A memorial will be held this weekend in Golden Gate Park for Claude, the Bay Area's late albino alligator. Ed Sheeran is probably thrilled about the new Heinz French fry box. Eye glasses just got smart, actually. GenZ already can't imagine life without Chat GPT. (49:33) Hour 3: It's time for the generations to battle it out in the hopes of bringing us all closer together… hmm. Steiny is back for his third and final appearance. Can he be Sarah & Vinnie's first ever 3-peat? Today's challenger is a 25 year baker from Sales. Will today's loser be sour? The astronaut dealing with a medical issue comes home today. Would a TV about two astronauts stuck at the space station be incredibly interesting or boring? Do tasers work on mermaids? These sports are shockingly dangerous. Let's talk about guacamole. (1:32:21) Hour 4: The enthusiasm for BottleRock is unmatched. Taylor Swift is where she belongs, on the Billboard Hot 100 at least. Fleetwood Mac's ‘Landslide' is charting… for the first time?! US Vinyl sales rose for the 19th consecutive year. Here's who's leading the charge. The toughest Kiss, Marry, Kill we've had yet. A little sports update from Vinnie. How do we get our hands on an elite passport? And when the heck did that happen? (2:11:29)

The enthusiasm for BottleRock is unmatched. Taylor Swift is where she belongs, on the Billboard Hot 100 at least. Fleetwood Mac's ‘Landslide' is charting… for the first time?! US Vinyl sales rose for the 19th consecutive year. Here's who's leading the charge. The toughest Kiss, Marry, Kill we've had yet. A little sports update from Vinnie. How do we get our hands on an elite passport? And when the heck did that happen?

This week, our "Classic Conversations" take over until early spring, as Frank and I bring you an episode that originally aired in late September, 2023--Fleetwood Mac! Next week, perhaps our best "Debut Album"--it's "Boston" from fall '76. Plenty of great Classic episodes will run through the winter and early spring. Enjoy!!

Today begins a new calendar week in 2026! And that means another episode of our new "70s Rock Daily" Podcast!! Thanks for listening-and remember, our longer-form "Classic Conversations" featuring Rock Expert Frank Aust returns tomorrow for the winter and early spring. Fleetwood Mac will be our Featured Artist to start things off. Enjoy!

On Monday afternoon, Hugh Jackman and Kate Hudson stopped by the Vogue offices for a live conversation about their new film, Song Sung Blue which comes out Christmas Day. The project, inspired by the real-life story of Mike and Claire Sardinia—a Wisconsin couple who form a Neil Diamond tribute band is based on the documentary of the same name, which director Craig Brewer first encountered at a festival and later adapted for the screen. “I realized that everyone is living an extraordinary life,” Jackman shared to Chloe and Vogue's Deputy editory Taylor when reflecting on why he chose to take the role of Mike.After earning a Golden Globe nomination for her role as Claire, Kate speaks candidly about rediscovering her voice, crediting Sia (who she worked with on the film Music) with inspiring her to sing more freely. She recalls being pushed onto the microphone at her 16th birthday by her mother, Goldie Hawn, to perform “That's What Friends Are For,” with Quincy Jones in attendance. “He told me to get into the studio,” Hudson remembers.Plus, Hugh and Kate discuss what it's been like singing at bars across the world, what their tribute band would be (hint: Fleetwood Mac mentioned!), and answer a fun question from none other than Anna Wintour about whether or not they should adapt this film as a theater production.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Takin’ A Walk with Mike Campbell: The Heartbreakers’ Guitar Legend on Tom Petty, Fleetwood Mac, and Rock History Join host Buzz Knight for an unforgettable replay interview with Mike Campbell, the legendary guitarist and Rock & Roll Hall of Fame inductee who spent four decades as Tom Petty’s right-hand man in Tom Petty and The Heartbreakers. This essential replay episode captures Campbell’s incredible journey through rock and roll history, from crafting iconic guitar riffs to his work with Fleetwood Mac, Don Henley, and countless other music legends. In this deep dive music history interview podcast, Mike Campbell shares behind-the-scenes stories from The Heartbreakers’ most celebrated albums, his songwriting partnership with Tom Petty, and the creative process behind classic rock anthems that defined generations. Discover how this guitar virtuoso helped shape the sound of American rock music, his experiences recording with legendary producers, and his transition to Fleetwood Mac following Lindsey Buckingham’s departure. Whether you’re a Tom Petty fan, guitar enthusiast, classic rock devotee, or music history buff, this episode delivers intimate insights from one of rock’s most respected musicians. Mike Campbell discusses his vintage guitar collection, studio techniques, touring life, and the enduring legacy of The Heartbreakers. Like this show? Leave us a review here. Review Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.