Podcasts about sarchi chair

John Maytham is joined by Lisa Otto, Associate Professor and Deputy Director of the SARChI Chair in African Diplomacy and Foreign Policy at the University of Johannesburg. She recently penned a provocative piece titled “Afrikaner ‘refugees’ in US will neither be welcomed as martyrs nor fast-tracked to privilege.” Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Prof Ruth Hall, SARChI Chair and Professor at the Institute for Poverty, Land and Agrarian Studies (PLAAS), joins John Maytham to discuss the significance of SA changing its deeds process and what this means for Land reform.See omnystudio.com/listener for privacy information.

Dr Ayobami Popoola, Research Associate & Sarchi Chair for Inclusive Cities at UKZN, on World Cities Day, how to go about creating sustainable future Cities and on what to expect from the upcoming Youth Leading Climate and Local Action for Cities webinar.See omnystudio.com/listener for privacy information.

Prof. Chris Landsberg, SARChI Chair of African Diplomacy and Foreign Policy at the University of Johannesburg,joins Amy Maciver on the Afternoon Drive show to share his  insights on the latest GNU  developments and their implications for South Africa's political futureSee omnystudio.com/listener for privacy information.

SA has reported Israel to the ICC for its bombardment of Gaza. What are the diplomatic implications of this and what is the likely outcome of this move by SA? For a country that was considering not being part of the ICC and they have deliberately disobeyed an order by the ICC when Omar-Al Bashir was here, what should be made of this move by South Africa? To unpack this, we're joined by Prof. Chris Landsberg is professor and SARChI Chair of African Diplomacy and Foreign Policy at the University of Johannesburg (UJ), and Senior Associate at the UJ School of Leadership.See omnystudio.com/listener for privacy information.

South Africa is one of the toughest countries in the world to be an entrepreneur but as the country emerges from the economic shocks of the Covid-19 pandemic, there are encouraging signs of increased entrepreneurial activity and of more small businesses making it beyond the startup stage. The latest Global Entrepreneurship Monitor South Africa (GEM SA) report released recently, found that while South Africa's supportive environment for entrepreneurship is rated lower than global averages, there are positive signals in increased early-stage entrepreneurial activity and rising entrepreneurship rates among women and young people. Titled Fostering entrepreneurial ecosystem vitality, the GEM SA report was authored by Angus Bowmaker-Falconer with Natanya Meyer, associate professor in the SARChI Chair for Entrepreneurship Education at the University of Johannesburg. To discuss this Michael Avery is joined by Angus Bowmaker-Falconer, Research Fellow: Stellenbosch Business School; Natanya Meyer, associate professor in the SARChI Chair for Entrepreneurship Education: University of Johannesburg & Allon Raiz, CEO: Raizcorp

Hello and welcome back Young Activists, Join your host Simphiwe Masilo as she discusses the topic of the African Diaspora and how it relates to social cohesion with Ijeoma Opara! Ijeoma Opara is currently aPh.D.D Candidate in Political Science at Stellenbosch University, under the auspices of the SARChi Chair in Gender Politics. Her PH.D project looks into the construction of black femme postfeminist identity in South Africa. After being awarded the Mandela Rhodes Scholarship in 2017, she went on to complete her Masters in International Relations at the University of Cape Town, South Africa. She is also a freelance creative writer and research consultant with a keen interest in African politics, migration, and feminist studies. STAY TUNED, SHARE, AND FOLLOW US ON SOCIAL MEDIA @ACTIVATINGYOUTHACTIVISM. --- Send in a voice message: https://anchor.fm/activating-youth-activism/message

Guest: Prof Amanda Gouws is a SARChI Chair in Gender Politics and is with Stellenbosch University See omnystudio.com/listener for privacy information.

The United Nations' General Assembly has overwhelmingly voted to condemn Russia's invasion of Ukraine and demand its immediate withdrawal, with 141 in favor, 5 against, and South Africa and 34 other countries have abstained. For more on this, here is Professor Chris Landsberg, SARChI Chair in African Diplomacy and Foreign Policy at the University of Johannesburg, UJ

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms. Other interviews by Isabel Machado with Howard Philips Smith: Southern Decadence in New Orleans Unveiling the Muse The Lost History of Gay Carnival in New Orleans Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.  Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging. Dr. April Sizemore-Barber is Associate Professor of the Practice in Women's and Gender Studies at Georgetown University. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book's four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?). Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington. Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women's, gender, and sexuality studies at Tufts University. Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Online seminar 15 April 2021 The coronavirus pandemic has had far-reaching effects on urban lives and livelihoods. Some of these are likely to prove temporary as the vaccine is rolled out and the recovery gathers momentum. However, there are bound to be more profound changes too, depending on the shape and speed of the recovery. In the future, will dense economic nodes and large cities struggle to compete against outlying centres and more dispersed urban regions? Will digital technologies reinforce many of the existing urban divides? Or can opportunities be created to rethink and reinvent our cities to be more inclusive and productive? In short, how will the urban landscape be altered in the period ahead? In this webinar, world renowned economic geographer Michael Storper discusses the impact the pandemic and its economic, fiscal, social and political fallout on metropolitan areas. His paper, co-authored with Richard Florida and Andrés Rodriguez-Pose, analyses the effects of Covid-19 on countries at the intra- and inter-regional geographic scales. They look at four main forces: the social scarring caused by the pandemic; the lockdown as a forced experiment; the need to secure the urban built environment against future risks; and changes in the urban form and system. At the macro scale, they argue that Covid-19 is unlikely to alter the winner-takes-all economic geography and spatial inequalities of the global city system. At the micro scale, however, they suggest that it may bring about a series of short-term and some longer-running changes in the structure and morphology of cities, suburbs, and metropolitan regions. The extent of these changes will depend on the severity and duration of the pandemic. After the talk two prominent South African urbanists, Mr Kuben Naidoo and Dr Geci Karuri-Sebina, offer reflections and implications for South Africa. 

PROFESSOR MICHAEL STORPER Distinguished Professor of Regional and International Development at UCLA, Professor of Economic Geography at the London School of Economics, and Professor of Economic Sociology at Sciences Po in Paris. DISCUSSANTS: Kuben Naidoo, Deputy Governor, South African Reserve Bank Dr Geci Karuri-Sebina, Wits University FACILITATOR: Prof Ivan Turok, SARCHI Chair in City-Region Economies at UFS and HSRC For more information: http://www.hsrc.ac.za/en/events/seminars/cities-in-a-post-covid-world

Guest: Prof Nico Steytler | SARChl in Multilevel government, law and development at the Dullah Omar Institute at UWC During a parliamentary Q&A session Minster in the Presidency, Khumbudzo Ntshavheni revealed that out of 2,747 senior municipal officials, only 1 500 met minimum competency levels. Only 128 of the country's 248 chief financial officers achieved minimum competency levels. And only 53% of all municipal senior managers met minimum competency levels. Prof Nico Steytler, SARChI Chair in Multilevel Government, Law and Policy at the Dullah Omar Institute discusses what this means for delivery of services on a local government level. See omnystudio.com/listener for privacy information.

The African Union is reviewing country contributions and searching for alternative funding methods as it strives to claim its independence by not relying on foreign donors. Several alternative forms of funding have been proposed that could see ordinary Africans in some countries paying the AU bill. On other issues that will be discussed at the summit, Sakina Kamwendo spoke to Chris Landsberg, Professor and SARChi Chair of African Diplomacy and Foreign Policy at the University of Johannesburg.

The African Union is reviewing country contributions and searching for alternative funding methods as it strives to claim its independence by not relying on foreign donors. Several alternative forms of funding have been proposed that could see ordinary Africans in some countries paying the AU bill. On other issues that will be discussed at the summit, Sakina Kamwendo spoke to Chris Landsberg, Professor and SARChi Chair of African Diplomacy and Foreign Policy at the University of Johannesburg.