Podcasts about saroyan prize

Notes and Links to Toni Ann Johnson's Work     Toni Ann Johnson won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026).    In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize.    A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021.    Short fiction and essays have been published in The Emerson Review, Hunger Mountain, Fiction Magazine, Callaloo, The Los Angeles Times, and elsewhere.    A novel, Remedy For a Broken Angel, was published in 2014 and received a nomination for a 2015 NAACP Image Award for Outstanding Literary Work by a Debut Author.    Johnson is a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).      Buy But Where's Home?   “How But Where's Home? by Toni Ann Johnson Got Made” from Publisher's Weekly Toni Ann Johnson's Website At about 1:50, Toni Ann shouts out Crystal Wilkinson and her great work in talking about Toni's newest release, But Where's Home? and awards At about 3:25, Toni Ann speaks about working with real-life events as fodder for fiction  At about 7:40, Toni responds to Pete's questions about her book's structure, especially her inclusion of a novella At about 11:00, the two discuss the book's opening story and exposition  At about 13:30, Toni Ann expands on a real-life parallel in the story collection  At about 14:20, The two discuss Livia, the narrator's sister, and her feelings of marginalization and her efforts as girl to adjust  At about 17:30, Pete and Toni Ann talk about traumas informing one's own parenting, in relation to a deep quote in the book At about 20:00, Toni reflects on a character in the book as a "generational nemesis” and a contentious neighbor's links to the family's generations and changing dynamics   At about 22:00, Toni Ann reflects on ideas of “not seeing color” as a damaging ethic in American history  At about 25:00, Pete and Toni Ann discuss changing ways of talking about race over the decades  At about 26:15, Toni Ann expands on a meaningful family heirloom, a pen, in the collection At about 27:40, The two discuss empathy and sympathy for characters whose actions the readers may not condone At about 29:10, Pete asks Toni Ann about Maddie's response to her sexual assault, and how her words towards her mother come from her traumas  At about 31:55, Toni responds to Pete's laying out of a resolution made by Maddie in discussing the actions of the children of narcissistic parents At about 36:25, Pete remarks on the importance and skill of Toni Ann's ancillary characters and veins of ancestors running through the collection  At about 37:45, The novella's opening is discussed, with Maddie interested in getting Zeke's attention  At about 39:25, Pete and Toni Ann talk about Zeke as navigating racism and tropes in a conservative town At about 41:00, Muriel, Phil's lover, and the events that lead to Velma's “having her guard down” are discussed, as well as how Velma and Maddie interact  At about 44:45, a turnabout with mother and daughter is explored  At about 46:05, Pete cites important flashbacks and confrontations between Velma and Maddie At about 47:20, Franny, a character who is in multiple of Toni's works, is discussed as a reminder of home in Monroe, NY At about 49:00, Pete and Velma highlight ideas of innocence and the traumatic experiences of childhood for Velma  At about 50:25, the two discuss Olivia and Maddie's grievances towards their parents and guilt (or lack thereof) from Maddie At about 53:20, Toni Ann responds to Pete's questions about self-esteem and the significance of the collection's title At about 57:10, Toni Ann highlights “moments of levity” in the book    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 336 with Rachel Khong, whose debut novel, Goodbye, Vitamin, won the 2017 California Book Award for First Fiction, and was a Los Angeles Times Book Prize Finalist for First Fiction. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco's Mission district. Her second novel, Real Americans, was published by Knopf in April 2024, and was an instant New York Times bestseller. Her story collection, My Dear You, is out as of today, April 7.    The episode airs on April 7, Pub Day for My Dear You.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Lisa Lee's Work     Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”  Today, March 31, is Pub Day for her novel, American Han.   Buy American Han   Lisa Lee's Website   Review of American Han from Kirkus Reviews   At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book's unveiling At about 4:45, Lisa gives info on publishing and buying her book At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up At about 6:15, Lisa responds to Pete's question about her language and reading life in childhood and into young adulthood At about 9:00, Lisa cites Housekeeping by Robinson and Everett's Erasure as changing her perceptions of what writers At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable  At about 14L15, Lisa responds to Pete's questions about the meaning(s) of han At about 16:00, Pete sets the book's exposition, and Lisa expands on the narrator Jane's mindset at the beginning of American Han  At about 20:45, The two discuss the competitiveness within the family and expectations of Jane's mother  At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother  At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships  At about 26:05, Lisa responds to Pete's question about empathy/sympathy for her characters  At about 29:05, Lisa reflects on Pete's wondering about han and intergenerational traumas in the book, and expands upon differences in han's impact in contemporary Korea and among members of the Korean diaspora At about 33:30, Pete highlights a memorable scene that  At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator's sister, and his misogyny; Lisa speaks on Kevin's background and sense of han and sense of gender identity At about 40:15, Lisa and Pete discuss the book's timing and pacing and flashbacks At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter  At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address At about 45:40, The two reflect on children as the parents' “identity” At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin's horrific act shakes up the family  At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off” At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026). In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021.    She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).    The episode airs March 31 or April 1.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Lori Jakiela was a 2025 Rattle Poetry Prize Finalist for "Build a Bear." She is the author of eight books, including the memoir Belief Is Its Own Kind of Truth, Maybe, which received the Saroyan Prize for International Literature from Stanford University, was a finalist for the Community of Literary Magazines and Presses' Firecracker Award and the Housatonic Book Award, and was named one of 20 Not-To-Miss Nonfiction Books of 2015 by The Huffington Post. Her most recent book, All Skate: True Tales from Middle Life, was published by the great literary underground Roadside Press in 2025. A former international flight attendant, Jakiela directs the writing program at The University of Pittsburgh at Greensburg, teaches creative writing in the doctoral program at Pittsburgh Theological Seminary, and leads many community workshops. Find more here: https://www.lorijakiela.net/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write about a time you took something more literally than you probably should have. Include as many colors as possible. Next Week's Prompt: Write a poem that rallies against its own epigraph. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

In this week's episode, authors Kim Coleman Foote and Toni Ann Johnson talk about fictionalizing their families' difficult and messy history to create dark, heartfelt, and sometimes funny novels.Kim Coleman Foote is the author of the acclaimed novel, Coleman Hill, which blends fact and fiction about her family's Great Migration journey to suburban New Jersey, where Kim grew up. The novel was a finalist for the Carol Shields Prize and NAACP Image Award, among others, and was long-listed for the Center for Fiction First Novel Prize. Additional honors include literature fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and Kimbilio; residencies at Hedgebrook, Yaddo, and MacDowell; and a Fulbright Fellowship to Ghana, where Kim conducted fieldwork for her second novel, Salt Water Sister. Forthcoming from SJP Lit in 2027, the novel explores women's resistance to enslavement in the 1700s and a fight for reparations in the present day.Toni Ann Johnson is the winner of the Flannery O'Connor Award for short fiction for Light Skin Gone to Waste, which was selected for the prize and edited by Roxane Gay. The book, a work of autobiographical fiction based on Johnson's family, was also shortlisted for the Saroyan Prize and nominated for an NAACP Image Award for Outstanding Literary Work. Johnson's novella Homegoing (about the same family) won Accents Publishing's inaugural novella contest. Her novel Remedy for a Broken Angel earned an NAACP Image Award nomination for Outstanding Literary Work by a Debut Author. Her newest book, But Where's Home? is Johnson's third installment of the "Arrington Family" saga, and won the Screen Door Press Prize for fiction. Books:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

With characters situated in surreal, Twilight Zone-esque, yet all-too-familiar positions of oppression within our most venerable institutions, Nana Kwame Adjei-Brenyah's 2018 debut fiction collection, Friday Black, was praised as a "vivid, original'' portrait of ''America in all its racism, weirdness and abject consumerism'' (People). The winner of the PEN/Jean Stein Book Award and the Saroyan Prize and a finalist for the National Book Critics Circle's John Leonard Award for Best First Book, Adjei-Brenyah has contributed work to some of the country's most prestigious publications, including Guernica, Esquire, The New York Times Book Review, and The Paris Review. In Chain Gang All-Stars, his debut novel, he follows the gladiatorial fortunes of two women inmates who compete for their freedom in highly profitable and popular officially sanctioned prison death matches. Praised by George Saunders as ''a prodigiously talented writer, with a huge heart,'' Daniel Torday won the National Jewish Book Award for both his debut novel The Sensualist and his follow-up, The Last Flight of Poxl West. His other work includes the novel Boomer1 as well as articles and essays published in Esquire, n+1, Tin House, and The New York Times, among other publications. A professor of creative writing at Bryn Mawr College, Torday is also the winner of the Sami Rohr Choice Prize. The 12th Commandment delves into the sins, redemptions, and secrets of an Ohio-based Jewish-Islamic religious sect grappling with the murder of its prophet's son. (recorded 5/8/2023)

Join us for a reading by Lori Jakiela, who won the 2021 Wicked Woman Poetry Prize for her manuscript, How Do You Like It Now, Gentlemen?, and the contest judge, Nancy Naomi Carlson. Lori Jakiela is the author of the memoir Belief Is Its Own Kind of Truth, Maybe (2016), which received the 2016 Saroyan Prize from Stanford University. She is also the author of the memoirs Miss New York Has Everything, The Bridge to Take When Things Get Serious, and Portrait of the Artist as a Bingo Worker, as well as the poetry collections Spot the Terrorist! and How Do You Like It Now, Gentlemen? Her work has been published in The New York Times, The Washington Post, The Chicago Tribune, The Pittsburgh Post-Gazette, and more. Recently, actress Kristen Bell chose Jakiela's New York Times' Modern Love essay, "The Plain Unmarked Box Arrived," to perform on the Times' Modern Love podcast. Jakiela writes a monthly column, Stories of Our Neighbors, for Pittsburgh Magazine and directs the undergraduate Creative and Professional Writing Program at The University of Pittsburgh's Greensburg campus. She lives in her hometown of Trafford, PA, with her husband, the author Dave Newman, and their children. For more, visit her author website at http://lorijakiela.net. Nancy Naomi Carlson, twice an NEA literature translation grant recipient, has published eleven titles (seven translated). An Infusion of Violets (Seagull, 2019) was called “new & noteworthy” by The New York Times. An associate editor for Tupelo Press, her work has appeared in such journals as The American Poetry Review, The Georgia Review, The Paris Review, and Poetry. Learn more at www.nancynaomicarlson.com. Doritt Carroll, BrickHouse Books Poetry Editor, and Clarinda Harriss, BrickHouse Books Director and Editor-in-Chief, hosts this event. Read "Former 90s Supermodel Cindy Crawford Says People Shouldn't Worry About Aging" by Lori Jakiela. Read "Sequoia" by Nancy Naomi Carlson. Learn more about the Wicked Woman Poetry Prize. Recorded On: Thursday, October 14, 2021

In conversation with Nomi Eve, author of Henna House and The Family Orchard, Director of the Creative Writing MFA program, Drexel University. ''One of America's most important novelists and an international literary sensation'' (New York Times), Nicole Krauss is the bestselling author of the celebrated books Man Walks into a Room, The History of Love, Great House, and Forest Dark. She is the inaugural writer-in-residence at Columbia University's Mind, Brain, and Behavior Institute, and her other work has appeared in Harper's, Esquire, and the New Yorker. Krauss is the winner of the Saroyan Prize for International Literature and a finalist for the National Book Award, among many other honors. To Be a Man is a globe-hopping story collection that delves into the very nature of what drives men and women in their relationships. (recorded 11/10/2020)

Tom's next guest is the acclaimed author Nicole Krauss. She is the author of four novels, including the international bestsellers Forest Dark, Great House, The History of Love, and her debut novel, Man Walks Into a Room. She’s been a finalist for the National Book Award and the Orange Prize, and she a winner of the Saroyan Prize and the Prix du Meilleur Livre Étranger in France. Last week, on Election Day as it turns out, Harper Collins published Krauss's first collection of short stories. It’s called To Be a Man: Stories. In it, we are introduced to a dazzling array of characters in locales that span the globe from Israel, to Japan, Switzerland, and both coasts of the United States. Nicole Krauss is doing a number of virtual events in which she’ll talk about her new short-story collection. Tonight, she’ll be online with the Free Library of Philadelphia at 7:30. Tomorrow, the Harvard Bookstore in Cambridge, Massachusetts, will host an event at 7:00. And she’ll be at an event sponsored by the American Jewish University in Los Angeles, California, next Wednesday afternoon at 3:00. [Ticketing fees for the online events cover the purchase of Ms. Krauss's new book.] Nicole Krauss joins Tom on Zoom…

A decrepit house in Greendale, Mississippi once belonged to Billie James’s father, a renowned black poet who died unexpectedly when she was four years old. Her mother dies of cancer. Then years later, her paternal grandmother dies and leaves Billie the old Mississippi Delta house. At age 34, Billie returns to the house, encounters the locals, and learns that on the day her father died, she went missing. She doesn’t want to leave Mississippi until she finds out what happened, but someone doesn’t want Billie to know the truth. Told from several perspectives, The Gone Dead (Ecco, 2019) is a story about family and memory, justice for those who were never given a chance, and some of the wounds caused by racism in America. Chanelle Benz has published work in Guernica, Granta.com, The New York Times, Electric Literature, The American Reader, Fence and others, and is the recipient of an O. Henry Prize. Her story collection The Man Who Shot Out My Eye Is Dead was named a Best Book of 2017 by The San Francisco Chronicle and one of Electric Literature’s 15 Best Short Story Collections of 2017. It was also shortlisted for the 2018 Saroyan Prize and longlisted for the 2018 PEN/Robert Bingham Prize for Debut Fiction and the 2017 Story Prize. The Gone Dead was a New York Times Book Review Editor’s Choice and a Tonight Show Summer Reads Finalist. It was long-listed for the 2020 PEN/Hemingway Award for Debut Novel and the 2019 Center for Fiction First Novel Prize. It was also named a best new book of the summer by O, The Oprah Magazine, Time, Southern Living, and Nylon. Benz currently lives in Memphis where she teaches at Rhodes College. Whenever possible, she loves to listen to true crime and history podcasts. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices

A decrepit house in Greendale, Mississippi once belonged to Billie James’s father, a renowned black poet who died unexpectedly when she was four years old. Her mother dies of cancer. Then years later, her paternal grandmother dies and leaves Billie the old Mississippi Delta house. At age 34, Billie returns to the house, encounters the locals, and learns that on the day her father died, she went missing. She doesn’t want to leave Mississippi until she finds out what happened, but someone doesn’t want Billie to know the truth. Told from several perspectives, The Gone Dead (Ecco, 2019) is a story about family and memory, justice for those who were never given a chance, and some of the wounds caused by racism in America. Chanelle Benz has published work in Guernica, Granta.com, The New York Times, Electric Literature, The American Reader, Fence and others, and is the recipient of an O. Henry Prize. Her story collection The Man Who Shot Out My Eye Is Dead was named a Best Book of 2017 by The San Francisco Chronicle and one of Electric Literature’s 15 Best Short Story Collections of 2017. It was also shortlisted for the 2018 Saroyan Prize and longlisted for the 2018 PEN/Robert Bingham Prize for Debut Fiction and the 2017 Story Prize. The Gone Dead was a New York Times Book Review Editor’s Choice and a Tonight Show Summer Reads Finalist. It was long-listed for the 2020 PEN/Hemingway Award for Debut Novel and the 2019 Center for Fiction First Novel Prize. It was also named a best new book of the summer by O, The Oprah Magazine, Time, Southern Living, and Nylon. Benz currently lives in Memphis where she teaches at Rhodes College. Whenever possible, she loves to listen to true crime and history podcasts. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices

MFA Fiction Candidates Peter Williams and Zeke Perkins interview Chanelle Benz during her visit to UKY. Chanelle Benz has published work in Guernica, Granta.com, The New York Times, Electric Literature, The American Reader, Fence and others, and is the recipient of an O. Henry Prize. Her story collection The Man Who Shot Out My Eye Is Dead was published in 2017 by Ecco/HarperCollins. It was named a Best Book of 2017 by The San Francisco Chronicle and one of Electric Literature’s 15 Best Short Story Collections of 2017. It was also shortlisted for the 2018 Saroyan Prize and longlisted for the 2018 PEN/Robert Bingham Prize for Debut Fiction and the 2017 Story Prize. Her novel The Gone Dead was published by Ecco/HarperCollins in June 2019 and was a New York Times Book Review Editor’s Choice and a Tonight Show Summer Reads Finalist. It was named a best new book of the summer by O, The Oprah Magazine, Time, Southern Living, and Nylon. She currently lives in Memphis where she teaches at Rhodes College.

Watch the video here. A ''fiction pioneer, toying with fresh ways of rendering experience and emotion'' (NPR), Nicole Krauss is the bestselling author of the acclaimed novels Man Walks into a Room, The History of Love, and Great House. Named one of Granta's Best Young American Novelists and The New Yorker's ''20 Under 40,'' she is the winner of the Saroyan Prize for International Literature and a finalist for the National Book Award, among many other honors. In Forest Dark, Krauss interweaves the disparate paths of an older lawyer and a young novelist searching for transcendence in an Israeli desert.  Nathan Englander is the author of the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank, a Pulitzer Prize finalist and winner of the Frank O'Connor International Short Story Award. In addition to his widely anthologized short fiction, he is the author of the novel The Ministry of Special Cases, a play titled The Twenty-Seventh Man, and works that have appeared in The New Yorker and The Washington Post, among other places. In his new novel, Englander illustrates the Israeli–Palestinian conflict via a political thriller that hinges on the complicated relationship between a guard and his secret prisoner. (recorded 9/14/2017)

Nicole Krauss has been hailed by the New York Times as 'one of America's most important novelists'. She is the author of the international bestsellers, Great House, which was a finalist for the National Book Award and the Orange Prize, and The History of Love, which won the Saroyan Prize for International Literature and France's Prix du Meilleur Livre Étranger, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book of the Year. In 2007, she was selected as one of Granta's Best Young American Novelists, and in 2010 she was chosen by the New Yorker for their 'Twenty Under Forty' list. Her fiction has been published in the New Yorker, Harper's, Esquire, and Best American Short Stories, and her books have been translated into more than thirty-five languages. Her latest novel is Forest Dark. Kamila Shamsie is the author of six previous novels: In the City by the Sea; Kartography (both shortlisted for the John Llewellyn Rhys Prize); Salt and Saffron; Broken Verses; Burnt Shadows (shortlisted for the Orange Prize for Fiction) and A God in Every Stone, which was shortlisted for the Baileys Prize, the Walter Scott Prize for Historical Fiction and the DSC Prize for South Asian Literature. Three of her novels have received awards from Pakistan's Academy of Letters. Kamila Shamsie is a Fellow of the Royal Society of Literature and in 2013 was named a Granta Best of Young British Novelist. Her latest novel, Home Fire has been longlisted for the 2017 Man Booker Prize. See acast.com/privacy for privacy and opt-out information.

Sheila Melvin is a regular contributor to the International Herald Tribune and Caixin, though her work has appeared in many other publications. She writes principally on the arts in China. Her books include Rhapsody in Red: How Western Classical Music Became Chinese, a co-authored work which was short-listed for the Saroyan Prize in 2005 and The Little Red Book of China Business. Melvin is now working on a book that explores China's quest to become a cultural superpower.

Sheila Melvin is a regular contributor to the International Herald Tribune and Caixin, though her work has appeared in many other publications. She writes principally on the arts in China. Her books include Rhapsody in Red: How Western Classical Music Became Chinese, a co-authored work which was short-listed for the Saroyan Prize in 2005 and The Little Red Book of China Business. Melvin is now working on a book that explores China's quest to become a cultural superpower.