Podcasts about The American Poetry Review

Major Jackson is a poet, author, and professor who is the recipient of fellowships from Guggenheim Foundation, National Endowment for the Arts, Academy of American Poets, Fine Arts works Center in Provincetown, and the Radcliffe Institute for Advanced Study at Harvard, he has been honored by the Pew Fellowship in the Arts, and the Witter Bynner foundation in conjunction with the Library of Congress, awarded the Pushcart Prize, has been published in American Poetry Review, the New Yorker, Paris Review, Orion Magazine, is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review, and is the Gertrude Conaway Vanderbilt Chair in the Humanities and Director of Creative Writing at Vanderbilt University. We touch on stewardship, curiosity being emblematic of being human, art in a time of upheaval, human expression, AI, art monsters, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Major JacksonEp 96 - Maggie SmithParnassusPeabody InstituteRobert FrostPhiladelphia Museum of ArtMarcel Duchamp“A Love Supreme”Ezra Klein & Rebecca Winthrop - ‘Rethinking Education'Humanities TennesseeMichaela Anne - “Is This What Mama Meant?”Hunter S ThompsonMichael RuhlmanClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Day 7: Keetje Kuipers reads her poem “Cremello Horse,” which first appeared in the magazine 32 Poems and was then published in Lonely Women Make Good Lovers (BOA Editions, 2025). Keetje Kuipers' fourth collection of poetry, Lonely Women Make Good Lovers, was the recipient of the Isabella Gardner Award. Her poetry and prose have appeared in American Poetry Review, New York Times Magazine, and Poetry, and have been honored by publication in the Pushcart Prize and Best American Poetry anthologies. Keetje has been a Stegner Fellow, NEA Literature Fellow in Creative Writing, and the Margery Davis Boyden Wilderness Writing Resident. She lives with her wife and children in Montana, where she is Editor of Poetry Northwest. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.   Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Rubén and Dion kick of the show by reading "Eating Together," by Li-Young Lee. Then they read from Rubén Quesada's new book, Brutal Campanion.Ruben Quesada, Ph.D is an award-winning poet and editor. He edited the groundbreaking anthology Latinx Poetics: Essays on the Art of Poetry, winner of the Gold Medal from the Independent Publisher Book Awards. His poetry and criticism appear in The New York Times Magazine, Best American Poetry, Ploughshares, Harvard Review, and American Poetry Review. He has served as poetry editor for AGNI, Poet Lore, Pleiades, Tab Journal, and as a poetry blogger for The Kenyon Review and Ploughshares. He currently teaches as Affiliate Faculty in the MFA in Creative Writing Program at Antioch University Los Angeles.Brutal Companion is a haunting and visceral collection of poems that explores themes of identity, sexuality, loss, and personal transformation. Drawing from his own experiences as a gay man, the poet delves unflinchingly into memories of desire, trauma, and self-discovery against the backdrop of an often unforgiving world. From intimate encounters and dreamlike visions to searing societal critiques, the poems paint a complex portrait of navigating life at the margins. Deeply sensory and evocative, Brutal Companion is a fierce meditation on survival and a testament to poetry's ability to wrest meaning and resilience from even the darkest places. We mention The Blessing by James Wright.

“I turn to the poem, I turn to the page for a sense of hope, how to move through life, how to get through a day,” says Danusha Laméris. “I have come to a place where I trust the poem more than I trust myself.” In our second conversation with the award-winning poet, (We also interviewed her in Episode 29 on “the understory”), she shares from her newest collection, Blade by Blade, and we talk about how a writing practice grows us, how it allows us to “salvage time,” and how it helps us see how connected we other with the past and with others.Danusha Laméris' first book, The Moons of August (2014), was chosen by Naomi Shihab Nye as the winner of the Autumn House Press Poetry Prize and was a finalist for the Milt Kessler Book Award. A Pushcart Prize recipient, some of her work has been published in: The Best American Poetry, The New York Times, Orion, The American Poetry Review, The Gettysburg Review, Ploughshares, and Prairie Schooner. Her second book, Bonfire Opera, (University of Pittsburgh Press, Pitt Poetry Series), was a finalist for the 2021 Paterson Poetry Award and the winner of the Northern California Book Award in Poetry. She was selected for the Lucille Clifton Legacy Award, and was the 2018-2020 Poet Laureate of Santa Cruz County, California. She is on the faculty of Pacific University's Low Residency MFA program. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe

Partridge Boswell is author of the 2023 Fool for Poetry Prize-winning chapbook Levis Corner House (Southword Editions, Munster Literature Centre) and Grolier Poetry Prize-winning collection Some Far Country Partridge is co-founder of Bookstock Literary Festival and teaches at Vallum Society for Education in Arts & Letters in Montreal. His poems have recently found homes in Poetry, American Poetry Review, Prairie Schooner, Poetry Ireland Review, Southword and The Moth. He lives with his family in Vermont and troubadours widely with the poetry/music group Los Lorcas, whose debut release Last Night in America is available on Thunder Ridge Records. Find more about the band here: https://loslorcas.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that includes a prank and ends with a question. Next Week's Prompt: Write a poem in which someone makes a mistake that leaves an impression. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Maggie Smith returns to Let's Talk Memoir for a conversation about letting imposter syndrome go, fiercely guarding your interior life, getting back to the core place where creativity thrives, rewriting a book from scratch, how writing feels in the body, swerving out of your creative lane, battling the sophomore slump, what it feels like to be watched, when ego gets in the way, fears of paralyzing failure, playing the long game, the best advice she ever got, staying agile and awake in the creative process, and her new book Dear Writer: Pep Talks & Practical Advice for the Creative Life.   Ronit's first interview with Maggie Smith: https://ronitplank.com/2023/04/11/lets-talk-memoir-episode-38-ft-maggie-smith/   Also in this episode: -the inner critic -assembling a book freestyle -tenacity and grit     Books mentioned in this episode: Meander, Spiral, Explode by Jane Allison The Art of Memoir by Mary Karr Truth is the Arrow, Mercy is the Bow by Steve Almond Greywolf Press series “The Art of…” books   Maggie Smith is the New York Times bestselling author of eight books of poetry and prose, including You Could Make This Place Beautiful: A Memoir (One Signal/Atria, 2023); My Thoughts Have Wings, illustrated by Leanne Hatch (Balzer+Bray/Harperkids, 2024); Goldenrod: Poems (One Signal/Atria, 2021); Keep Moving: Notes on Loss, Creativity, and Change (One Signal/Atria, 2020); and Good Bones (Tupelo Press, 2017). Smith's next book is Dear Writer: Pep Talks & Practical Advice for the Creative Life, forthcoming from One Signal/Atria in April 2025. Her poems and essays have appeared in the New York Times, The New Yorker, Poetry, The Nation, The Best American Poetry, The Paris Review, The Atlantic, AGNI, Ploughshares, Image, the Washington Post, Virginia Quarterly Review, American Poetry Review, The Southern Review, and many other journals and anthologies. In 2016 her poem "Good Bones" went viral internationally; since then it has been translated into nearly a dozen languages and featured on the CBS primetime drama Madam Secretary. Smith has received fellowships and awards from the National Endowment for the Arts, the Academy of American Poets, the Ohio Arts Council, the Sustainable Arts Foundation, and the Virginia Center for the Creative Arts.   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. The in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On Friday 2/21/25, we featured poet Rachel Richardson to launch her newest collection, Smother (W. W. Norton, 2025), joined by Dallas poets Nomi Stone and Tarfia Faizullah.Rachel Richardson is the author of Smother, just out from W. W. Norton, and two previous books of poems, Copperhead and Hundred-Year Wave, from the Carnegie Mellon Poetry Series. She has been a Wallace Stegner Fellow at Stanford and an NEA Fellow, and her poems have appeared in the New York Times, APR, The Yale Review, and elsewhere. She lives in the Bay Area and teaches in the MFA program at St. Mary's College of California. She is also currently in training as a wildland firefighter.Poet and anthropologist Nomi Stone is the author of three books, most recently the poetry collection Kill Class (Tupelo, 2019), finalist for the Julie Suk Award, and the ethnography Pinelandia: An Anthropology and Field Poetics of War and Empire, first prize in the Middle East Studies Award from the American Anthropological Association and three other national prizes. Winner of a Pushcart Prize, Stone's poems recently appear in The Atlantic, The Nation, Best American Poetry, POETRY Magazine, and American Poetry Review. Stone was most recently a Postdoctoral Researcher in Anthropology at Princeton and she is currently an Assistant Professor of Poetry at the University of Texas, Dallas.Tarfia Faizullah writes books and teaches poetry at UNT.⁠www.innermoonlightpoetry.com

Send us a textThis episode navigates the intricate relationship between poetry and politics, featuring insights from poet Bianca Stone. We discuss the nuances of non-didactic poetry, the historical implications of literary voices, and how poetry serves as a vessel for personal and collective experiences. Bianca Stone is a Vermont-based poet. Stone's newest book is What is Otherwise Infinite, (Tim House 2022). She is the host of Ode and Psyche podcast. Stone's poems, art, book reviews, and essays have appeared in a variety of magazines including The New Yorker, Poetry Magazine, American Poetry Review, The Brooklyn Rail, and many others. She returned to Vermont in 2016. Bianca houses the Ode & Psyche Podcast.• Examining the tension between political and poetic expression• The impact of didacticism on modern poetry• The philosophical discourse surrounding poetry through Plato's lens• Individual voices in poetry reflecting collective narratives • Analyzing Larry Levis's poem on Lorca• The importance of ambiguity and interpretation in poetry Explore this thought-provoking dive into the complex world of poetic expression and its implications for understanding our human experience. Musis by Bitterlake, Used with Permission, all rights to BitterlakeThe Obvious PodcastA podcast presented by the Associated Builders and Contractors Florida East-Coast...Listen on: Apple Podcasts SpotifySupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf

In this edition of Madison Book Beat, host Andrew Thomas speaks with Steven Duong on his debut poetry collection At the End of the World There is A Pond (Norton 2025)."Tell all the truth but tell it slant." Taking Emily Dickinson's dictum as a guiding principle, poet Steven Duong delivers a collection startlingly clear, formally innovative, and consistently funny. At the End of the World There is a Pond is divided into four sections–The Jumpers, The Swimmers, The Sinkers, The Floaters--and throughout each Duong explores themes of addiction, mental health, climate change, diaspora, and popular culture.from "Anatomy":“there's no / point in writing nature poems anymore, / not unless you drown the verses in smoke / & oil & organophosphates–the Anthropocene / demands a new syntax” Steven Duong  is a writer from San Diego. His poems have appeared in the American Poetry Review, Guernica, and the Yale Review, among other publications, and his short fiction is featured in Catapult, The Drift, and The Best American Short Stories 2024.The recipient of fellowships and awards from the Academy of American Poets and the Iowa Writers' Workshop, he is currently a creative writing fellow in poetry at Emory University. He lives in Atlanta, Georgia. Photo courtesy of W.W. Norton and IfeOluwa Nihinlola

Donald Platt is the author of eight volumes of poetry, most recently Swansdown (Grid Books, 2022). His poems have appeared in many journals, including The New Republic, Nation, American Poetry Review, Paris Review, and Poetry, as well as in The Best American Poetry 2000, 2006, and 2015. He is a recipient of two fellowships from the National Endowment for the Arts, three Pushcart Prizes, the Paumanok Poetry Prize, the “Discovery”/The Nation Prize, two Verna Emery Poetry Prizes, and the Center for Book Arts Chapbook Prize. He's been a professor in Purdue University's English Department since 2000. Find the Swansdown here: https://www.grid-books.org/donald-platt As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem in which something is overfilled. Include as many tactile details as possible. Next Week's Prompt: Think of a word that transports you back to childhood, and give the poem that title. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Nadia Colburn joins Let's Talk Memoir for a conversation about by tuning into our bodies to discover what we need to say, creating different cultural conversations about surviving trauma, tapping into our subconscious, coming out of secrets, how poetry can help us access material, not needing to share work until we're ready, what we learn from being in community with other writers, and her signature online course Align Your Story for Women.   Also in this episode: -mitigating shame  -how our bodies remember -meditation and dreamwork    Books mentioned in this episode: -The Diary of Anne Frank by Anne Frank -The Body Keeps the Score by Bessel van der Kolk  -Trauma and Recovery by Judith Lewis Herman -Educated by Tara Westover -Nothing Holds Back the Night by Delphine de Vigan  -The work of Annie Ernaux   Nadia Colburn is the author of the poetry books "I Say the Sky" and "The High Shelf", and her poetry and prose have appeared in more than eighty publications, including The New Yorker, American Poetry Review, The Kenyon Review, Spirituality & Health, Lion's Roar, Los Angeles Review of Books, and The Yale Review. She holds a Ph.D. in English from Columbia University, is a yoga teacher and serious student of Thich Nhat Hanh and is the founder of Align Your Story Writing School, which brings traditional literary and creative writing studies together with mindfulness, embodied practices, and social and environmental engagement. The school has a community of over 30,000 mindful writers. Nadia is passionate about helping her students reclaim their stories, come out of secrets, listen to their bodies, and embrace and step into their full creative voices, on and off the page. Nadia lives in Cambridge, Massachusetts, with her husband and two children. She is currently at work on a full-length memoir on pregnancy and early motherhood. Find her at nadiacolburn.com, where she offers meditations and free resources for writers. Connect with Nadia: Website: https://nadiacolburn.com/ Facebook: https://www.facebook.com/alignyourstory Instagram: https://www.instagram.com/nadia.colburn/ Free 5-Day Meditation & Writing Challenge: https://nadiacolburn.com/free-mindful-writing-challenge/ Free Resource Library for Writers: https://nadiacolburn.com/free-resources/ "I Say the Sky" on Amazon: https://www.amazon.com/Say-Sky-Poems-Contemporary-Poetry/dp/081319864X "I Say the Sky" from Kentucky Press: https://www.kentuckypress.com/9780813198637/i-say-the-sky/ 7-Day "I Say the Sky" Companion Meditation and Writing Challenge (free with book order -- just input book order number): https://nadiacolburn.com/7-day-new-year-practice/ Align Your Story for Women (Nadia's signature online course): https://nadiacolburn.com/align-your-story/   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches and edits memoir and is working on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Welcome to Off The Bricks poets and poetry lovers! Today we have an interview with Alessandra Lynch regarding her fifth book of poetry, Wish Ave, published by Alice James Books in 2024. She is the author of four other poetry collections: Pretty Tripwire, Daylily Called It a Dangerous Moment, It was a terrible cloud at twilight, and Sails the Wind Left Behind. Her work has appeared in the American Poetry Review, The New England Review, The Kenyon Review, Ploughshares, and other journals. Alessandra serves as Butler University's poet in residence where she teaches in the undergraduate and MFA programs. you can find her books and other information on her website. www.alessandralynch.com

Queer poet and writer Cass Donish was born and raised in the Greater Los Angeles Area. They are the author of the poetry collections Beautyberry and The Year of the Femme, winner of the Iowa Poetry Prize, as well as the nonfic­tion chapbook, On the Mezzanine. Their work has appeared in The American Poetry Review, Denver Quarterly, The Gettysburg Review, Guernica, The Iowa Review, The Kenyon Review, Poem-a-Day, VICE, and elsewhere. Donish received an MA in cultural geography from the University of Oregon, an MFA in poetry from Washington University in St. Louis, and a PhD in English and creative writing from the University of Missouri. They live in Columbia, Missouri. A trigger warning. Please note that this interview, because of the subject matter and themes of Cass' new book, touch on suicide. If you are having suicidal thoughts please reach out for support resources in your area. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Episode 133: Delicious Disorientation    Three poems by Christopher Brean Murray cleverly dropped us all into a wonderful sense of disorientation that we relished navigating. Our discussion touched on time travel, dreamscapes, masterful language and wordplay, and we explored the importance of trusting the speaker in poetry that leans into surrealism. Samantha pointed us to other texts that play with time, perception, and reality, and we spent a little time considering accessibility in poetry. Doom scrolling, misinformation, and disinformation all make appearances in conjured landscapes that brought pointillism to mind. Jason reminds us of the risk of expecting more of the same from a poet when as a reader you've fallen hard for an earlier work. It was hard to end our discussion as it was so rich and rewarding. After enthusiastically voting “yes” for the first two poems, we ended on a cliffhanger with the third. (Update: the third poem was ultimately a “no” for us, but the discussion will show how much we appreciated it.)    Links you might like:  Tobias Wolff "Bullet in the Brain"  Tracy Chevalier, "The Glassmaker"     At the table: Kathleen Volk Miller, Jason Schneiderman, Samantha Neugebauer, Dagne Forrest, Lisa Zerkle, Divina Boko, Jess Fielo (sound engineer)  Christopher Brean Murray's book, Black Observatory (Milkweed Editions), was chosen by Dana Levin as the winner of the 2022 Jake Adam York Prize and was listed by The New York Public Library as one of the Best Books of 2023. Murray served as online poetry editor of Gulf Coast, and his poems have appeared in American Poetry Review, Copper Nickel, New Ohio Review, and other journals. He lives in Houston, TX.   

Ellen Bass joins the Hive in anticipation of her appearance at UCSC for the Morton Marcus Memorial Poetry Reading on November 7. Full details about the event can be found here. Poems by Ellen which she reads in this episode: Laundry, Because, Black Coffee, Any Common Desolation, and Bringing Flowers to Salinas Valley State Prison About Our Guest: Ellen Bass is a Chancellor Emerita of the Academy of American Poets. Her most recent book, Indigo, was published by Copper Canyon Press in 2020. Other poetry collections include Like a Beggar (Copper Canyon Press, 2014)—which was a finalist for The Paterson Poetry Prize, The Publishers Triangle Award, The Milt Kessler Poetry Award, The Lambda Literary Award, and the Northern California Book Award—The Human Line (Copper Canyon Press, 2007), and Mules of Love (BOA Editions, 2002), which won The Lambda Literary Award. She co-edited (with Florence Howe) the first major anthology of women's poetry, No More Masks! (Doubleday, 1973). Her poems have frequently appeared in The New Yorker and The American Poetry Review, as well as in The New York Times Magazine, The Atlantic, The American Poetry Review, The New Republic, The Kenyon Review, Ploughshares, The Sun and many other journals and anthologies. She was awarded Fellowships from the Guggenheim Foundation, The National Endowment for the Arts and The California Arts Council and received the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review'sLarry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, and four Pushcart Prizes. Her non-fiction books include Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (HarperCollins, 1996), I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse(Harper Collins, 1988, 2008), which has sold over a million copies and has been translated into twelve languages. Ellen founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, CA jails. She currently teaches in the low residency MFA writing program at Pacific University. Maggie Paul is the author of Scrimshaw (Hummingbird Press 2020), Borrowed World, (Hummingbird Press 2011), and the chapbook, Stones from the Baskets of Others (Black Dirt Press 2000). Her poetry, reviews, and interviews have appeared in the Catamaran Literary Reader, Rattle, The Monterey Poetry Review, Porter Gulch Review, Red Wheelbarrow, and Phren-Z, SALT, and others. She is a poet and non-fiction writer in Santa Cruz, California. Maggie's print interview with Ellen Bass can be found here.

Eddie and Chris are joined by three-time guest Aimee Nezhukumatathil for a conversation about the intersection of food, faith, family, and parenthood, based around her latest collection of essays, Bite by Bite: Nourishments and Jamborees. Aimee is the author of multiple volumes of poetry, including Miracle Fruit, Oceanic, and Lucky Fish, as well as several books of essays, World of Wonders (and her most recent, Bite by Bite). Her work has appeared in multiple magazines including Poetry magazine, Ploughshares, FIELD, and American Poetry Review, and she is the first poetry editor for Sierra, the story-telling arm of the Sierra Club.Aimee is also professor of English and Creative Writing in the University of Mississippi's MFA program where she received the faculty's Distinguished Research and Creative Achievement Award.We're delighted to have her back on The Weight!Resources:Learn more about Aimee on her website Follow her on Facebook, Instagram, and YouTubeBuy her books, including Bite by BiteListen to her previous episodes on The Weight: World of Wonders and Finding Beauty in the Chaos

Thom Francis welcomes poet Alina Pleskova who shared her work at a special reading sponsored by the Hudson Valley Writers Guild, Trailer Park Quarterly, and Hobo Camp Review at The Linda on August 5, 2023. Alina Pleskova is a poet, editor, and Moscow-born immigrant turned proud Philadelphian. Her first full-length collection, Toska, is now available from Deep Vellum. She co-edits bedfellows magazine and is a 2020 and 2022 Leeway Foundation grant awardee, as well as the author of the chapbook, What Urge Will Save Us (Spooky Girlfriend Press, 2017.) Her writing has appeared in American Poetry Review, swamp pink, Peach Mag, the tiny, and elsewhere. On August 5, 2023, Alina was one of the poets who, along with Rebecca Schumejda, Kenning JP Garcia, Erren Geraud Kelly, and Victorio Reyes Asili, shared their work at The Linda, WAMC's Performing Arts Studio, as part of a night of poetry and spoken word presented by the Hudson Valley Writers Guild and online literary journals Hobo Camp Review, and Trailer Park Quarterly. That night, Alina read from her recent collection of poetry, Toska. According to Deep Vellum, her publisher's website, the title of the book derives from “the Russian word which denotes a melancholic longing without a singular cause, longing for a better world than the late-stage capitalist hell we live in,”. Local poet Dan Wilcox wrote on his blog about the reading, "She is clearly the center of her poems, but in the sense of a person surrounded by images in the world, as opposed to some self-absorbed philosophical ponderings; an example would be her poem “I Forgot What I Returned For” about being in an airport on her birthday. I particularly liked this line from one of her poems “I want the class war to start but everyone is too tired;”"

My guest this week is Dr. Nadia Colburn, a poet and author of a new book of poetry entitled I Say the Sky (affiliate link).  Topics we discussed included: Developing greater interest in poetry later in life Turning to poetry as a spiritual or devotional practice The ability of poetry to express or point to things that are difficult to capture The emotional connection that poetry can inspire Presence that exists outside of traditional narrative Readings from Nadia's books Wanting to live and yet forgetting we're alive right here and now Mistaking the world for a task Making the body more spacious so it can contain more The ongoing life of the past into the present The dialogue between writing and meditation Letting go of the desire to show that we're good and acceptable Nadia's description and evocation of the experience of anxiety in her poem “Anxiety” The missingness of poetry, according to Kieran Setiya Nadia Colburn, PhD, is also the author of The High Shelf. Her poetry and prose have appeared in more than 80 publications, including the New Yorker, American Poetry Review, Kenyon Review, Spirituality & Health, Lion's Roar, and the Yale Review. Nadia holds a PhD in English from Columbia University. She is the founder of Align Your Story writing school, which brings traditional literary and creative writing studies together with mindfulness, embodied practices, and social and environmental engagement. Learn more about Nadia at her website, where you can also find meditations and other free resources.

Danusha Laméris, a poet and essayist, was raised in Northern California, born to a Dutch father and Barbadian mother. Her first book, The Moons of August (2014), was chosen by Naomi Shihab Nye as the winner of the Autumn House Press Poetry Prize and was a finalist for the Milt Kessler Book Award. Some of her work has been published in: The Best American Poetry, The New York Times, Orion, The American Poetry Review, The Kenyon Review, Ploughshares, Poetry, and Prairie Schooner. Her second book, Bonfire Opera, (University of Pittsburgh Press, Pitt Poetry Series), was a finalist for the 2021 Paterson Poetry Award and recipient of the Northern California Book Award in Poetry. She was the 2018-2020 Poet Laureate of Santa Cruz County, California, and is currently on the faculty of Pacific University's low residency MFA program. Her third book, Blade by Blade, is forthcoming from Copper Canyon Press.

Amish Trivedi is the author of three books. His most recent is FuturePanic (Co•Im•Press, 2021). His poems have appeared in The American Poetry Review, Denver Quarterly, Tupelo Quarterly, and others. Trivedi earned an MFA from Brown University and a PhD in English and Critical Theory from Illinois State University. He's an assistant professor in the Department of English at the University of Delaware.Links:Read this episode's poems (along with several others):"Green Boots" at The Brooklyn Rail"Watch the Corners" at Black Sun Lit"Number Nine" and "Dying" at The Kenyon ReviewAmish Trivedi's websiteAmish Trivedi above/ground press AWP offsite reading 2023

Amish Trivedi is the author of three books. His most recent is FuturePanic (Co•Im•Press, 2021). His poems have appeared in The American Poetry Review, Denver Quarterly, Tupelo Quarterly, and others. Trivedi earned an MFA from Brown University and a PhD in English and Critical Theory from Illinois State University. He's an assistant professor in the Department of English at the University of Delaware.Links:Read this episode's poems (along with several others):"Green Boots" at The Brooklyn Rail"Watch the Corners" at Black Sun Lit"Number Nine" and "Dying" at The Kenyon ReviewAmish Trivedi's websiteAmish Trivedi above/ground press AWP offsite reading 2023

U.S. Poet Laureate and fellow meditator Ada Limón joins me today on Our Mindful Nature to chat about her Signature Project, 'You Are Here, Poetry in Parks.' Y'all this was a dream conversation for me - full of presence, hope and truth. Full of poetry and beauty even as we discuss climate crisis and environmental activism. Together, we delve into the origins of ‘You Are Here: Poetry in Parks', its deep connections between nature and poetry, and its aim to foster mindfulness and presence. Ada shares thoughts on the power of small actions amid climate crises, the inclusivity of the project's installations in national parks, and the importance of everyday nature. We also talk about the power of realizing that You. Are. Here. “'You Are Here: Poetry in the Parks' aims to deepen our connection to nature through poetry,” said Limón. “I believe the way we respond to this crucial moment on our planet could define humanity forever. In conceiving of my signature project, I wanted something that could both praise our sacred and natural wonders and also speak the complex truths of this urgent time. Above all, this project is about rising to this moment with hope, the kind of hope that will echo outwards for years to come.”   At the end, as a mini practice, Ada reads her stunning poem Sanctuary.Ada Limón is the twenty-fourth US Poet Laureate and the author of The Hurting Kind, as well as five other collections of poems. These include The Carrying, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award, and Bright Dead Things, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. Limón is a recipient of a Guggenheim Fellowship, and her work has appeared in the New Yorker, the New York Times, and American Poetry Review, among others. Born and raised in California, she now lives in Lexington, Kentucky.Learn more about You Are Here: Poetry in Parks: https://www.nps.gov/orgs/1207/3-6-24-poetry-in-parks.htmFind Ada's book You Are Here; Poetry in the Natural World here: https://milkweed.org/book/you-are-hereThe Methow people were the first people to hear the sounds of Methow Valley, Washington that are included in today's episode. Thank you to Nick McMahan for today's nature field recordings, sound design, and editing; and thank you to Brianna Nielsen for production and editing support. Find them at:nickmcmahan.cominstagram.com/brianna_podcastproSign up for my newsletter at https://merylarnett.substack.com/ to receive free mini meditations each week, creative musings, and more.Watch on YouTube, Make a donation, or learn more about my free offerings and live classes by visiting merylarnett.cominstagram.com/merylarnettyoutube.com/@ourmindfulnature

In this episode I talk with Nadia Colburn. Nadia is the author of the poetry books, I Say the Sky and The High Shelf, and her poetry and prose have appeared in more than eighty publications, including The New Yorker, American Poetry Review, The Kenyon Review, Spirituality & Health, Lion's Roar, and The Yale Review. She holds a Ph.D. in English from Columbia University, is a yoga teacher and serious student of Thich Nhat Hanh, and is the founder of Align Your Story Writing School, which brings traditional literary and creative writing studies together with mindfulness, embodied practices, and social and environmental engagement. The school has a community of over 30,000 mindful writers. Nadia lives in Cambridge, Massachusetts, with her husband and two children. Stay tuned as we listen to Nadia read some poems from her book and talk about, among many other things: The relationship between Buddhist / meditation practice and writing. Poetry and literature as a companion or an offering as a mirror to yourself. Literature as a place where people can speak truths that are sometimes uncomfortable but not talked about all the time. Writing as therapy and healing. And much more! Sit back and enjoy the flow of conversation and poetry with the delightful Nadia Colburn.   Buy the book (Amazon affiliate link): I Say the Sky   Learn more about Nadia: https://nadiacolburn.com   Free writing and meditation resources: https://nadiacolburn.com/free-resources/   Free 5-day meditation and writing challenge:  https://nadiacolburn.com/free-mindful-writing-challenge/   Nadia Colburn Instagram: https://www.instagram.com/nadia.colburn/   Nadia Colburn Facebook: https://www.facebook.com/alignyourstory/     Become a patron to support this podcast and get special member benefits, including a membership community and virtual sangha:https://www.patreon.com/EverydayBuddhism   Join the Everyday Sangha: Join the Everyday Sangha   Join the Membership Community: https://donorbox.org/membershipcommunity   Register for the next Introduction to Buddhism course (virtual-Zoom), beginning Thursday, August 29, 2024! Register NOW to get the first readings and reflections in your email, before the class! https://www.everyday-buddhism.com/p/introduction-to-buddhism-course-and-registration-1/   If this podcast has helped you understand Buddhism or help in your everyday life, consider making a one-time donation here: https://donorbox.org/podcast-donations   Support the podcast through the affiliate link to buy the book, Everyday Buddhism: Real-Life Buddhist Teachings & Practices for Real Change: Buy the book, Everyday Buddhism   Support the podcast and show your support through the purchase of Everyday Buddhism merch: https://www.zazzle.com/store/everyday_buddhism   NOTE: Free shipping on ALL (unlimited) items (Everyday Buddhism merch or gifts from other stores) if you join Zazzle Plus for $19.95/year: https://www.zazzle.com/zazzleplus

Tyranny comes in many forms. But Leah Umansky uses her art—poetry—to remind us that whether the tyrant is personal, societal, or political—resistance is possible.   Leah Umansky is a poet, writer, artist and writing coach. She has been an educator for over 15 years and teaches 8th and 10th grade English at a private school in New York. She is also the author of three collections of poetry: “OF TYRANT,” “The Barbarous Century,” “Domestic Uncertainties,” and two chapbooks, “Straight Away the Emptied World” and the Mad-Men inspired “Don Dreams and I Dream.” She is also the creator of “STAY BRAVE,” a monthly newsletter for women-identifying creatives on bravery in the creative life. Her writing has been widely published in such places as The New York Times, The Academy of American Poets' Poem-A Day, USA Today, POETRY, Guernica and American Poetry Review.  She has also been the host and curator of the NYC-based poetry series. “COUPLET,” since 2011 and is a graduate of the MFA Program in Poetry at Sarah Lawrence College. See omnystudio.com/listener for privacy information.

Slushies, waves abound in this lively discussion of a poem by Martha Silano and two more by Jane Hilberry. The way stream of consciousness can crest and fall, sound waves, the missed and caught waves in real life (including runs of luck or the lack of it), not to mention the different ways in which we experience poetry– the gang rides wave after wave. We regularly find that our process of reading poetry aloud causes one or more of us to experience a poem anew. Sometimes it provides clarity that wasn't there when it was confined to the silence of the page. Sometimes it brings up questions. As always, we were grateful to have the trust of two amazing poets willing to share our discussion of their work. (We were going to call this episode “In Bed with Marion & Kathy” and we'll let you find out why by having a listen!)   At the table: Kathleen Volk Miller, Marion Wrenn, Jason Schneiderman, Angelique Massey, Lisa Zerkle, Dagne Forrest, Vivian Liu (sound engineer) Martha Silano's six books include This One We Call Ours, winner of the 2023 Blue Lynx Poetry Prize, and available from Lynx House Press. She is also the author of Gravity Assist, Reckless Lovely, and The Little Office of the Immaculate Conception, all from Saturnalia Books. Martha's poems have appeared in Poetry, The Paris Review, American Poetry Review, The Missouri Review, and elsewhere. She enjoys birdwatching, botanizing, and hanging out with her kids and cats. Learn more about her work at marthasilano.net.   The Luck of It   What counts is that my car, when it gets broken into, what's gone  is replaceable, like that leather jacket my friend Alison threw at me  when she left for California. Please take it! (I got a new one for Christmas).   Once, when I left it unlocked, someone spent the night in my Hyundai.  All in all, I was happy to offer a place of refuge, especially on account  of nothing stolen, not the extra pair of socks, not my maroon hat or hand sani,    the only tip off being the empty bottle of Sprite. Sprite! I mean, you're kidding me. My husband jokes how I get so excited  about the crumb that drops on my plate from that giant chocolate croissant    in the sky, tells me I'm like a housefly with a tiny chunk of pizza  it can't believe it's had the good fortune to land on. And look! It's even got a little dab    of pepperoni juice! It seems I set the bar low,  and maybe he's right, though when I ran track,  the field part kind of scared me. In tenth grade, when Suzanne Glester    broke the state record in the high jump,  I could barely keep myself from looking away  as her contorted body landed in a heap on a thick mat    that never seemed thick enough. Honestly,  I'm just glad I'm not the guy on Next Door  who posted about the lonely chicken: I see her wandering around.    Seems like she need another little hen.  Do any of you have one you'd like to re-home?  Or the woman who shared someone's been racing their car    up Juneau. making a hair pin turn onto Seward Park Avenue.  It literally rattles our windows. I'm tempted to respond I feel your pain,  but having rattling windows means you live in a home? I guess what I'm trying to say    is that when two guys were about to kick in  our basement window, I happened to stroll by with a bag  of dirty Huggies for the bin. Yep, a load of dirty diapers saved us.  Jane Hilberry is just weeks into retirement after a happy 35-year teaching career at Colorado College that began with Medieval and Renaissance literature and ended up in Creativity & Innovation. So far retirement involves mostly sleeping and swimming, but she aspires to write poems, paint, and make small objects for sheer delight. Her books of poems include Still the Animals Enter and Body Painting (Red Hen Press) and a chapbook co-authored with her father, Conrad Hilberry, titled This Awkward Art:  Poems by a Father and Daughter (Mayapple Press). Paintings and small objects can be found on Instagram @jhilberry. I might have planned badly   My friends are ga-ga over their grandkids, over the moon!   Pictures on their phones of the toddler pushing the vacuum,  the dog sleeping wrapped around the child.     My god, I was driven.  I translated every word of Beowulf,  working out each noun's case ending, nominative, accusative, genitive,  dative, or a vestigial instrumental.  I spent my twenties    in a library carrel until 2 a.m. closing. I could regret it now,  but there was no stopping that one, whoever she was.  Baby, I'm going to be seventy soon, and eighty.    Coastal Cali   At the intersection, a stream of newly washed  Benzes and Bentleys.  A man in a camel coat surveys  a café patio:  "I'm dressed inappropriately,” he says. He's crew for Hollywood Medium.  Against the roar  of leaf blowers, Que tiempo hace hoy plays on someone's radio.  It's breezy, seventy-five.     Meanwhile, at the water,  surfers lift and fall, surge and sink.  The dark triangles  of their heads and shoulders move like fins  in undulating circles, till one rises, twists and vees,  rides the wave into a bloom of foam.     What is this world?  wrote Chaucer, What asketh man to have?  Xanax for the rough days.  I can't identify the flora— Yarrow?  Ice plant? —or remember the gods of the sea. Zephyr? Poseidon?  No one here calls it the sea.

AE Hines is the author of Adam in the Garden (Charlotte Lit Press, 2024) and Any Dumb Animal (Main Street Rag, 2021). He has won the Red Wheelbarrow Prize and Palette Poetry's Love and Eros Prize, and has been a finalist for the Montreal International Poetry Prize. His poems have been widely published in such journals as The Southern Review, Rattle, The Sun, Prairie Schooner and Alaska Quarterly. And his literary criticism can be found in American Poetry Review, Tupelo Quarterly, Rain Taxi, and Northwest Review. He received his MFA from Pacific University, and resides in Charlotte and Medellín, Colombia. More at www.aehines.net --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

In her fourth collection, Driftless Area-based poet Nikki Wallschlaeger further proves herself as a singular poet of astonishing emotional depth and formal range. Hold Your Own is a steadfast search for peace, self-acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women. It was published in May 2024 by Copper Canyon Press.Nikki joins host Sara Batkie for a conversation about getting the right rhythm, the joys of working with books every day, and the natural beauty of her home state.Nikki Wallschlaeger's work has been featured in The Nation, Brick, American Poetry Review, Witness, Kenyon Review, Poetry, and others. She is the author of the full-length collections Waterbaby (Copper Canyon Press, 2021), Houses (Horseless Press 2015), and Crawlspace (Bloof 2017), as well as the graphic book I Hate Telling You How I Really Feel (2019) from Bloof Books. She is also the author of an artist book called “Operation USA” through the Baltimore-based book arts group Container, a project acquired by Woodland Pattern Book Center in Milwaukee.

What is our relationship with our bodies? Our past? The planet? The rest of humanity? We speak with Nadia Colburn about how she weaves together a yoga practice, mindfulness, writing, and activism to explore these questions. “Our writing, our living, our experiencing is deeper when we can come from a bigger perspective and bring all the awarenesses,” she says. We speak about common obstacles to creative practice, ways to include the body, how teaching affects her writing practice and how she came to write her most recent collection of poems. Writer, yogi, activist and teacher Nadia Colburn is author of two books of poetry, The High Shelf and I Say the Sky and her poetry and creative nonfiction have been published in The New Yorker, American Poetry Review, Spirituality & Health, and dozens of other journals. She's been a professor at MIT, Lesley, and Stonehill College, and she is currently the writer-in-residence at Northeastern's Center For Spirituality, Dialogue and Service. She's also the founder of the Align Your Story School for writers which combines a traditional academic background with a more holistic, mindful approach. Nadia ColburnI Say the Sky This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe

Day 13: Séamus Isaac Fey reads his poem “Edwin says I deserve to be loved with precision” which appears in their new collection decompose (Not a Cult Media, 2024).  Séamus Isaac Fey (he/they) is a Trans writer living in LA. Currently, he is the poetry editor at Hooligan Magazine, and co creative director at Rock Pocket Productions. His debut poetry collection, decompose, is out with Not a Cult Media. His work has appeared in American Poetry Review, Poet Lore, The Offing, Sonora Review, and others. He loves to beat his friends at Mario Party. Find him online @sfeycreates. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 12: Fatimah Asghar reads their poem “The Ocean is Trynna Fuck,” originally published in the American Poetry Review, 2023.  Fatimah Asghar is an artist who spans across different genres and themes. They have been featured in various outlets such as TIME, NPR, Teen Vogue and the Forbes 30 Under 30 List. They are the author of If They Come For Us  and When We Were Sister, which was longlisted for the National Book Award and won the Carol Shield's Prize. Along with Safia Elhillo they co-edited an anthology for Muslim people who are also women, trans, gender non-conforming, and/ or queer, Halal If You Hear Me. They are the writer and co-creator of the Emmy-nominated Brown Girls, and wrote and directed the short films Got Game and Retrieval. They are also a writer and co-producer on Ms. Marvel on Disney +, and wrote Episode 5, Time and Again, which was listed as one of the best TV episodes of 2022 in the New York Times and Hollywood Reporter.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Jeff Alessandrelli is most recently the author of the novel  And Yet (Future Tense Books, 2024). His work has previously been published in The American Poetry Review, Fence, New American Writing, Lit Hub, BOMB, Gulf Coast, Prairie Schooner, and elsewhere. In addition to his writing, he also directs and co-edits the nonprofit book press/record label Fonograf Editions. He's at  https://jeffalessandrelli.net/ Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Day 3: Leslie Sainz reads her poem “At the Center of the Story & Utterly Left Out”, originally published in The Common (2023).  Leslie Sainz is the author of Have You Been Long Enough at Table (Tin House, 2023), a finalist for the 2024 Audre Lorde Award. The daughter of Cuban exiles, her work has appeared in the Academy of American Poets' Poem-a-Day, the Yale Review, Kenyon Review, American Poetry Review, and elsewhere. A three-time National Poetry Series finalist, she's received fellowships from the National Endowment for the Arts, CantoMundo, and the Stadler Center for Poetry & Literary Arts at Bucknell University. Originally from Miami, she lives in Vermont and works as the managing editor of New England Review. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

The podcast team is on vacation! In the meantime, we invite you to listen to one of our favorite episodes from Season 3. Wishing you all a great summer, friends. As the editor-in-chief of Peach Mag, Rachelle Toarmino is consistently focused on the work of others. She chats with Jared about her own writing career, including finding and using playfulness in her poetry, coping with MFA faculty turnover through collective cohort support, and how learning a second language opened her mind to poetic craft. Rachelle Toarmino is a poet, editor, and educator from Niagara Falls, New York. She is the author of the poetry collection That Ex (Big Lucks Books, 2020) and the chapbooks Comeback (Foundlings Press, 2021), Feel Royal (b l u s h, 2019), and Personal & Generic (PressBoardPress, 2016). Her poems and essays have appeared or are forthcoming in American Poetry Review, Bennington Review, Electric Literature, Literary Hub, Pretty Cool Poetry Thing, Metatron Press, Shabby Doll House, Salt Hill Journal, and elsewhere. She is also the founding editor-in-chief of Peach Mag and an editorial advisor to Foundlings Press. She lives between Buffalo and Western Massachusetts, where she is an MFA candidate in poetry at UMass Amherst. Find her on Twitter @rchlltrmn and at her website rachelletoarmino.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Jeff Alessandrelli is most recently the author of the novel And Yet (Future Tense Books, 2024). His work has previously been published in The American Poetry Review, Fence, New American Writing, Lit Hub, BOMB, Gulf Coast, Prairie Schooner, and elsewhere. In addition to his writing, he also directs and co-edits the nonprofit book press/record label Fonograf Editions. He's at https://jeffalessandrelli.net/. Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Writing and mindfulness together can help us come into more aligned stories about who we are, both individually and collectively.  In today's interview, Nadia Colburn is here to share about the art of writing, poetry, her path of following her interests back to her purpose [not as planned!].  Now she's blending so many elements of who she is including her talents, passions, and her personal life story to help others do so much of the same.Flowing through points on finding one's voice, taking words beyond the words and into the body, writing for creative expression and attention, the rise {again} of poetry, using meditation as a writing tool for block removal and creative access, and so much more!Her latest publication, poetry book 'I Say the Sky' weaves in Nadia's own journey of mindfulness, writing, healing trauma, along with noticing the injustices and the environmental destruction around us, and how they all come into this process of awakening individually but also collectively.   And, from there, coming to a place of peace, acceptance and, ultimately, also, a place of greater action.ABOUT NADIA:  Nadia Colburn is the author of the poetry books 'I Say the Sky ' and 'The High Shelf', and her poetry and prose have appeared in more than eighty publications, including The New Yorker, American Poetry Review, The Kenyon Review, Spirituality & Health, Lion's Roar, and the The Yale Review.  She holds a Ph.D. in English from Columbia University, and a BA from Harvard, is a kundalini-trained yoga teacher, a serious student of Thich Nhat Hanh and is the founder of Align Your Story Writing School, which brings traditional literary and creative writing studies together with mindfulness, embodied practices, and social and environmental engagement. The school has a community of over 30,000 mindful writers. Nadia lives in Cambridge, Massachusetts, with her husband and two children. MORE ON NADIA ::: buy 'I Say the Sky' book here & receive a 7 day meditation and writing challenge! :: her website [https://nadiacolburn.com/] - free meditations and resources for writers and more!:: free 5 day mindful writing challenge_______________________________________________REBEKKA'S LINKS :*NEW* MEDITATE IN MAY - FREE 30 DAY SUPPORT :: here*NEW* MEDITATE NOW - FREE VIDEO + WORKBOOK :: here

In this edition of Madison Book Beat, host Andrew Thomas speaks with poet Daniel Khalastchi about hist new collection The Story of Your Obstinate Survival (2024, University of Wisconsin Press).The Story of Your Obstinate Survival is a propulsive collection. It's very funny, uncannily mundane and starkly surreal. The poems are a collision of juxtapositions and images, each one brimming with a vigor and vitality that demands re-reading, reading aloud, and maybe even setting to music. The lyrical wordplay will stop you in your tracks, either with laughter or with an appreciation for the delightfully weird scenes unfolding before you. The poems speak to an obstinate persistence, to enduring beyond a routinely felt sense of an ending.Daniel Khalastchi is an Iraqi Jewish American. A graduate of the Iowa Writers' Workshop and a former fellow at the Fine Arts Work Center in Provincetown, he is the author of four books of poetry—Manoleria (Tupelo Press), Tradition (McSweeney's), American Parables (University of Wisconsin Press, winner of the Brittingham Prize in Poetry), and The Story of Your Obstinate Survival (University of Wisconsin Press). His work has appeared in numerous publications, including The American Poetry Review, The Believer Logger, Colorado Review, Denver Quarterly, Electric Lit, Granta, The Iowa Review, Poetry Northwest, and Best American Experimental Writing. Daniel has taught advanced writing, literature, and publishing courses at Augustana College, Marquette University, and the University of Iowa, most recently as a Visiting Assistant Professor at the Iowa Writers' Workshop. He currently lives in Iowa City where he directs the University of Iowa's Magid Center for Writing. He is the cofounder and managing editor of Rescue Press.Author photo courtesy of University of Wisconsin Press

Today's poem features a failed resurrection and a response that spirals through all the customary stages of grief.Hilda Doolittle was born on September 10, 1886, in Bethlehem, Pennsylvania. She attended Bryn Mawr College, where she was a classmate of Marianne Moore. Doolittle later enrolled at the University of Pennsylvania, where she befriended Ezra Pound and William Carlos Williams.H.D. published numerous books of poetry, including Flowering of the Rod (Oxford University Press, 1946); Red Roses From Bronze (Random House, 1932); Collected Poems of H.D. (Boni and Liveright, 1925); Hymen (H. Holt and Company, 1921); and the posthumously published Helen in Egypt (Grove Press, 1961). She was also the author of several works of prose, including Tribute to Freud (Pantheon, 1956).H.D.'s work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement, even as her voice had outgrown the movement's boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt. Neglect of H.D. can also be attributed to her time, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. As Alicia Ostriker said in American Poetry Review, “H.D., by the end of her career, became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language.”H.D. died in Zurich, Switzerland, on September 27, 1961.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Todd Davis is the author of seven books of poetry. His most recent collections are Coffin Honey and Native Species. His book Ditch Memory: New and Selected Poems is forthcoming from Michigan State University Press in August of 2024. He has won the Midwest Book Award, the Foreword INDIES Book of the Year Bronze and Silver Awards, the Gwendolyn Brooks Poetry Prize, the Chautauqua Editors Prize, and the Bloomsburg University Book Prize. His poems appear in such journals and magazines as Alaska Quarterly Review, American Poetry Review, Gettysburg Review, Iowa Review, Missouri Review, North American Review, Orion, Southern Humanities Review, and Western Humanities Review. He is an emeritus fellow of the Black Earth Institute and teaches environmental studies at Pennsylvania State University's Altoona College.Links:Read "For a Stray Dog near the Paper Mill in Tyrone, Pennsylvania" in 32 PoemsRead "Burn Barrel" at BroadsidedDitch Memory: New and Selected Poems, forthcoming in August 2024"A Nature Poet Grapples with Life at the Edge of the Climate Crisis," an interview in Allegheny FrontTodd Davis' websiteBio and Poems at the Poetry FoundationTwo poems in North American ReviewThree poems at Terrain.org"Salvelinus fontinalis," a video poemPodcast archive for Notes from the Allegheny Front

Jordan chats with Dorothea Lasky (The Shining) about interpreting a horror classic in her latest poetry collection, her love for horror, and why playfulness and horror aren't incompatible—and might in fact be inextricably connected. MENTIONED:The Shining by Stephen KingThe Shining (1980)Bernadette Mayer's "Memory" projectDorothea Lasky is the author, most recently, of The Shining (October 2023), and Animal, published in 2019 in the Bagley Wright Lecture Series. She is also the author of Milk (Wave Books, 2018), Rome (Liveright/W.W. Norton, 2014), Thunderbird (Wave Books, 2012), Black Life (Wave Books, 2010), and AWE (Wave Books, 2007). She is also the author of six chapbooks. Born in St. Louis in 1978, she has poems that have appeared in American Poetry Review, Boston Review, Columbia Poetry Review, Gulf Coast, The Laurel Review, MAKE magazine, Phoebe, Poets & Writers Magazine, The New Yorker, Tin House, The Paris Review, and 6x6, among other places. She is the co-editor of Open the Door: How to Excite Young People About Poetry (McSweeney's, 2013), co-author of Astro Poets: Your Guides to the Zodiac (with Alex Dimitrov, Flatiron Books, 2019) and is a 2013 Bagley Wright Lecturer on Poetry. She holds a doctorate in creativity and education from the University of Pennsylvania, is a graduate of the MFA program for Poets and Writers at the University of Massachusetts-Amherst, and has been educated at Harvard University and Washington University. She has taught poetry at New York University, Wesleyan University, and Bennington College. Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City. Hosted on Acast. See acast.com/privacy for more information.

On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher education at all. Sam Herschel Wein (he/they) is a lollygagging plum of a poet who specializes in perpetual frolicking. They have an MFA from the University of Tennessee (2021-2023) and were the recipient of a 2022 Pushcart Prize. They have published 3 chapbooks, most recently Butt Stuff Flower Bush from Porkbelly Press, and are the co-founder and editor of Underblong Journal. They have recent work in American Poetry Review, The Cincinnati Review, and Gulf Coast, among others. Find them on social media @samforbreakfast and at their website, samherschelwein.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

In conversation with Airea Dee Matthews Referred to by Nick Cave as ''exquisitely crafted fire bombs of incandescent rage,'' Nam Le's 36 Ways of Writing a Vietnamese Poem is a debut collection of verse that both honors and shatters the tropes of diasporic literature. Le is also the author of The Boat, a short story collection that takes readers to such places as New York City, Tehran, his birth country of Vietnam, and Australia, where he was raised and now lives. Winner of the Dylan Thomas Prize, the Australian Prime Minister's Literary Award, and a Pushcart Prize, this work has been widely anthologized, translated, and taught. Le has also contributed writing to a wide array of publications, including Zoetrope, The American Poetry Review, The Paris Review, Bomb, Boston Review, and One Story. Airea Dee Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulcra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Her latest work, Bread and Circus, addresses themes of income inequality, commodification, and conventional economic theories through poetry, prose, and imagery. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 3/14/2024)

Planet Poet-Words in Space – NEW PODCAST!  LISTEN to my WIOX broadcast (aired February 13th, 2024) featuring award-winning poets Carey Salerno and Stacy L. Spencer, who are on the show to celebrate the 50th anniversary of Alice James Books, an important Press solely dedicated to poetry. Visit: Sharonisraelpoet.com. Visit Alice James Books Carey Salerno is the executive director and publisher of Alice James Books. She is the author of Shelter (2009) and Tributary (2021), and her poems, essays, and articles about her work as a publisher can be found in places like American Poetry Review, NPR, The New York Times. She has poems forthcoming in the Alaska Quarterly Review, Los Angeles Review, and ONLY POEMS. Salerno serves as the co-chair for LitNet: The Literary Network and occasionally teaches poetry and publishing arts at the University of Maine at Farmington. In 2021, she received the Golden Colophon Award for Independent Paradigm Publishing from CLMP for the leadership and contributions of Alice James Books in indie literature. Stacy L. Spencer is a poet, fiction writer, and nonprofit consultant. After attending the Interlochen Arts Academy where she studied with Jack Driscoll, she graduated from Amherst College and received her doctorate from the University of Michigan in American Studies. At Amherst she won the Collin Armstrong Poetry Prize. Her positions in New York City nonprofits, where she focused on fundraising, include Barnard College, The Public Theater, the Apollo Theater, and the Museum of the City of New York. She has also taught arts management at the Lubin School of Business at Pace University. Since 2016 Stacy has served on the board of Alice James Books. Her poems have appeared in Thimble Literary Magazine, Topical Poetry, and Detroit Lit Mag. Stacy is currently writing a novel. 

Jane Wong joins Let's Talk memoir for a conversation about the challenge of reflection in memoir, writing that teems with the specific and particular, capturing the experience of being a chinese american woman on the page, writing about exes and domestic violence, keeping ourselves safe while creating, constellations in our lives, avoiding sentimentality, and her new memoir which she calls a love song to her mother, Meet Me Tonight in Atlantic City. Also in this episode: -how she's never funny in poems -the super secret Jane Wong's been keeping -finding your people   Books mentioned in this episode: Seeing Ghosts by Kat Chow Tastes like War by Grace M. Cho Crying in H Mart by Michelle Zauner Dictee by Theresa Hak Kyung Cha The Grave on the Wall by Brandon Shimoda  Jane Wong is the author of the debut memoir, Meet Me Tonight in Atlantic City, out now from Tin House (2023). She is also the author of two books of poetry: How to Not Be Afraid of Everything from Alice James (2021) and Overpour from Action Books (2016).    She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and Want: Women Writing About Desire (Catapult).   A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard's Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, UCross, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. She grew up in a Chinese American restaurant on the Jersey shore and lives in Seattle.   Connect with Jane: Website: https://janewongwriter.com/ Get Jane's Book: https://tinhouse.com/book/meet-me-tonight-in-atlantic-city/ Instagram: https://www.instagram.com/paradeofcats   — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Mary-Alice Daniel was born near the Niger/Nigeria border and raised in England and Tennessee. A cross-genre writer, she has published work in New England Review, Iowa Review, American Poetry Review, Prairie Schooner, The Yale Review, and several journals and anthologies. Mass for Shut-Ins, her first book of poetry, won the Yale Younger Poets Prize and was released in March 2023. Selecting her manuscript, Rae Armantrout called it “Flowers of Evil for the 21st century.” Daniel's transcontinental memoir, A Coastline Is an Immeasurable Thing (Ecco/HarperCollins 2022), was People's Book of the Week and one of Kirkus Review's Best Nonfiction Books of the Year. An alumna of Yale University and the University of Michigan's Writers' MFA, she turns to her third and fourth books, supported by fellowships from Brown University and Cave Canem. Holding a PhD from USC, she is recalled to California for the third time as the 2024 Mary Routt Endowed Chair of Writing at Scripps College. In the 117th volume of the Yale Series of Younger Poets, Mary-Alice Daniel confronts culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals animate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, the poems stray inside speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It engineers an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

In their latest collection of poems, Cave Canem Poetry Prize winner Brionne Janae dives into the deep, unsettled waters of intimate partner violence, queerness, grief, and survival. This event took place on July 6, 2023. “I've decided I can't trust anyone who uses darkness as a metaphor for what they fear,” poet Brionne Janae writes in this stunning new collection, in which the speaker navigates past and present traumas and interrogates familial and artistic lineages, queer relationships, positions of power, and community. Because You Were Mine is an intimate look at love, loneliness, and what it costs to survive abuse at the hands of those meant to be “protectors.” In raw, confessional, image-heavy poems, Janae explores the aftershocks of the dangerous entanglement of love and possession in parent-child relationships. Through this difficult but necessary examination, the collection speaks on behalf of children who were left or harmed as a result of the failures of their parents, their states, and their gods. Survivors, queer folks, and readers of poetry will find recognition and solace in these hard-wrought poems—poems that honor survivorship, queer love, parent wounds, trauma, and the complexities of familial blood. Get Because You Were Mine from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Brionne Janae is a poet and teaching artist living in Brooklyn. They are the author of Blessed are the Peacemakers (2021), which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017). Janae is the recipient of the St. Botoloph Emerging Artist award, a Hedgebrook Alum, a proud Cave Canem Fellow, and a 2023 National Endowment of the Arts Creative Writing Fellow. Their poetry has been published in Best American Poetry (2022), Ploughshares, the American Poetry Review, the Academy of American Poets Poem-a-Day, the Sun Magazine, jubilat, and Waxwing among others. Janae is the co-host of the podcast The Slave is Gone. Off the page they go by Breezy. Amber Flame is an interdisciplinary artist whose work garnered residencies with Hedgebrook, Vermont Studio Center, and more. Her first poetry collection, Ordinary Cruelty, was published through Write Bloody Press. Flame is a recipient of Seattle Office of Arts and Culture's CityArtist grant and served as Hugo House's 2017-2019 Writer-in-Residence for Poetry. Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets' Poem-a-Day Series, Poetry Magazine, PANK, Up the Staircase Quarterly, Winter Tangerine Review, and elsewhere. She is recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award, 2020 Mass Cultural Council Poetry Fellowship, and 2023 Vermont Studio Center Residency. JR Mahung is a Belizean-American poet from the South Side of Chicago and one half of the Poetry duo Black Plantains with Malcolm Friend. They teach, write, and study in Amherst, MA. JR is a 2016 Pushcart Prize nominee, a 2017 Emerging Poet's Incubator Fellow, and the 2018 Individual World Poetry Slam representative for the Boston Poetry Slam. Tweet them about rice and beans @jr_mahung. Cynthia Manick is the author of No Sweet Without Brine, editor of The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry, winner of the Lascaux Prize in Collected Poetry, and author of Blue Hallelujahs. She has received fellowships from Cave Canem, Hedgebrook, MacDowell Colony, and Château de la Napoule among other foundations. Watch the live event recording: https://youtube.com/live/oQzdrRc6y7k Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

In this episode, we read and discuss a poem that provides a powerful meditation on the longest night of the year. To learn more about Alex Dimitrov, please visit his website (https://www.alexdimitrov.com/poems). Thanks to Copper Canyon Press (https://www.coppercanyonpress.org/authors/alex-dimitrov/) for granting us permission to read this poem from Love and Other Poems. During our conversation, we briefly allude to "Love," Dimitrov's wonderful poem that he continues to write each day. To read the original poem, you can check the American Poetry Review (https://aprweb.org/poems/love0); and to read Dimitrov's additional lines on Twitter, you can follow him at @apoemcalledlove on Twitter (https://x.com/apoemcalledlove?s=20).

Tune in for the second half of our special two-part podcast featuring Major Jackson, who shared selections from his new book Razzle Dazzle: New & Selected Poems (https://wwnorton.com/books/9781324064909) (W.W. Norton & Co, 2023) at a recent event at APR's home base, the Philadelphia Ethical Society. Major Jackson is the author of six books of poetry, including_ The Absurd Man_ (2020),_ Roll Deep_ (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn _(2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: _Best American Poetry 2019, Renga for Obama, and Library of America's Countee Cullen: Collected Poems. He is also the author of A Beat Beyond: The Selected Prose of Major Jackson _edited by Amor Kohli. A recipient of fellowships from the Academy of American Poets, Fine Arts Work Center in Provincetown, John S. Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers' Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in _American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares, Poetry, Poetry London, and World Literature Today. Major Jackson lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review.

In today's flashback, an outtake from Episode 627, my conversation with author and poet Megan Fernandes. Her books include The Kingdom and After, Good Boys, and I Do Everything I'm Told. It first aired on March 1, 2020. Megan's work has appeared in a variety of publications, including The New Yorker, The American Poetry Review, Tin House, Ploughshares, Guernica, McSweeney's. She is an Associate Professor of English and the Writer-in-Residence at Lafayette College.  *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Molly talks with author Ananda Lima about her book, "Mother/land".   Order "Mother/land" from an independent bookseller at this link: https://bookshop.org/a/10588/9781625570260 or at Amazon right here https://amzn.to/3F82UgN About Mother/land MOTHER/LAND is focused on the intersection of motherhood and immigration and its effects on a speaker's relationship to place, others and self. It investigates the mutual and compounding complications of these two shifts in identity while examining legacy, history, ancestry, land, home, and language. The collection is heavily focused on the latter, including formal experimentation with hybridity and polyvocality, combining English and Portuguese, interrogating translation and transforming traditional repeating poetic forms. These poems from the perspective of an immigrant mother of an American child create a complex picture of the beauty, danger and parental love the speaker finds and the legacy she brings to her reluctant new motherland. #Poetry #Latinx Studies. About the author Ananda Lima's poetry collection Mother/land (Black Lawrence Press, forthcoming 2021) is the winner of the Hudson Prize. She is also the author of the chapbooks Translation (Paper Nautilus, 2019, winner of the Vella Chapbook Prize), Amblyopia (Bull City Press – INCH series, 2020), and Tropicália (Newfound, forthcoming in 2021 winner of the Newfound Prose Prize). Her work has appeared or is upcoming in The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Poetry Northwest, The Common, and elsewhere. She has an MA in Linguistics from UCLA and an MFA in Creative Writing in Fiction from Rutgers University, Newark.

Ruben Quesada