Podcasts about The Story Prize

Patrick Ryan's short story collection The Dream Life of Astronauts was named one of the Best Books of the Year by the St. Louis Times-Dispatch, LitHub, Refinery 29 and Electric Literature, and was longlisted for The Story Prize. His debut collection of linked short stories, Send Me, was chosen for Barnes & Noble's Discover New Writers program. His work has appeared in The Best American Short Stories, the anthology Tales of Two Cities, and elsewhere. The former associate editor of Granta, he is the editor-in-chief of the literary magazine One Story. On this episode of Little Atoms he talks to Neil Denny about his new novel Buckeye. Hosted on Acast. See acast.com/privacy for more information.

Notes and Links to Andrew Porter's Work     Andrew Porter is the author of four books, including the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers”  selection, an IndieBound “Indie Next” selection, and the San Antonio Express News's “Fictional Work of the Year,” the short story collection The Disappeared (Knopf), which was longlisted for The Story Prize and the Joyce Carol Oates Prize, and the novel The Imagined Life, which was published by Knopf in April 2025. Porter's books have been published in foreign editions in the UK, Australia, and New Zealand and translated into numerous languages, including French, Spanish, Dutch, Italian, Bulgarian, and Korean. In addition to winning the Flannery O'Connor Award, his collection, The Theory of Light and Matter,  received Foreword Magazine's “Book of the Year” Award for Short  Fiction, was a finalist for The Steven Turner Award, The Paterson Prize  and The WLT Book Award, was shortlisted for the William Saroyan International Prize for Writing, and was selected by both The Kansas City Star and The San Antonio Express-News  as one of the “Best Books of the Year.” The recipient of a Pushcart Prize and fellowships from the James Michener-Copernicus Foundation, the W.K. Rose Foundation,  and the Helene Wurlitzer Foundation,  Porter's  short stories have appeared in The Best American Short Stories, One Story, Ploughshares, The Southern Review, The Threepenny Review, The Missouri Review, American Short Fiction, Narrative Magazine, Epoch, Story, The Colorado Review, Electric Literature, and Texas Monthly, among others. He has had his work read on NPR's Selected Shorts and numerous times selected as one of the Distinguished Stories of the Year by Best American Short Stories.  A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio.   Buy The Imagined Life   Andrew's Website   Andrew's Wikipedia Page   Book Review for The Imagined Life from New York Times   At about 1:30, Pete makes a clumsy but heartfelt comparison between The Imagined Life and Hemingway's Old Man and the Sea and Andrew shares feedback from readers of his novel At about 3:10, Andrew responds to Pete's question about the book's seeds and talks about “tinker[ing]” with the book's opening for years At about 4:45, Pete remarks on the book's first-person account, and Andrew and Pete discuss the book's opening and ideas of naivete and fallible parents At about 6:45, Pete asks Andrew, who expands about structuring the book and its connection to revision  At about 8:45, Pete compares the setting of the book, 1983 Fullerton, CA, to The Smashing Pumpkins' “1979,” and Andrew discusses similarities  At about 10:30, Pete reflects on the importance of the age given to the book's narrator and the two characterize the book's “father” and Andrew talks about using a 70s/early 80s atmosphere through the young narrator's lens At about 15:30, Pete summarizes an important character introduction and Andrew talks about the importance of an embarrassing faux pas by the narrator's father that might have "professional ramifications” At about 17:30, Andrew responds to Pete's question about the visits that Steven takes to speak with his father's former colleagues in the present-day At about 21:20, Andrew explains connections between Proust (“Proo-st”) and the father, who is obsessed in some ways with Proust's work; Andrew notes personal parallels between the father and Proust At about 24:10, Andrew gives background on Uncle Julian's connection to his brother and his family  At about 25:40, Andrew responds to Pete's questions about the importance of the book's cabana and complicated coupling  At about 27:40, Andrew reflects on Chau's relationship with Steven and the connection as a shared “escape from their home lives” At about 31:00, Andrew responds to Pete's questions about fleeting beautiful moments between father and son At about 32:25, Pete wonders about how Andrew picks character names At about 34:10, Andrew discusses the narrator's son, Finn, and his acting out in school as a function of his parents' marital shakiness  At about 35:30, Pete asks Andrew about a pivotal party and any “ruptures” in relationships that may have followed   At about 38:00, Andrew reflects on possible foreshadowing through letters and notes left behind by Steven's father  At about 40:40, Andrew discusses his mindset in writing an important and off-the-wall culminating scene At about 43:35, The two reflect on ideas of traumas and cycles and anger, especially with regard to Steven's recognition of same  At about 46:30, Pete compliments the ending of the book, ideas of legacy and wonderful book timing At about 47:30, Andrew reflects on his book's setting as key in exploring contrasts between Steven's life then and now, as well as with the world as a whole At about 48:30, Swatch Watch discourse! and vague Bel Biv Devoe reference!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 295 with Wright Thompson, a senior writer for ESPN, contributing writer to the Atlantic, and the New York Times bestselling author of Pappylandand The Cost of These Dreams. The Barn, a captivating story of the tragedy of Emmett Till's racist murder, is out in paperback on the day the episode airs, today, September 9.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Host Jason Blitman talks to Patrick Ryan about his new novel, Buckeye, which is this month's Read with Jenna Book Club selection. They talk about writing inspirations, father-son relationships, and Ryan's love for pinball. Jason is then joined by Guest Gay Reader, Rabih Alameddine (The True True Story of Raja the Gullible (and His Mother)) his perspective on dealing with trauma, devotion, and forgiveness. Patrick Ryan is the author of the novel Buckeye. He is also the author of the story collections The Dream Life of Astronauts (named one of the Best Books of the Year by the St. Louis Times-Dispatch, LitHub, Refinery 29, and Electric Literature, and longlisted for The Story Prize) and Send Me. His work has appeared in The Best American Short Stories, the anthology Tales of Two Cities, and elsewhere. The former associate editor of Granta, he is the editor of the literary magazine One Story and lives in New York City.Rabih Alameddine is the author of the novels The Wrong End of the Telescope; Angel of History; An Unnecessary Woman; The Hakawati; I, the Divine; Koolaids; the story collection, The Perv; and one work of nonfiction, Comforting Myths. He has won the PEN/Faulkner Award for Fiction and was a finalist for the National Book Award. He received the Dos Passos Prize in 2019 and a Lannan Award in 2021.Support the showBOOK CLUB!Sign up for the Gays Reading Book Club HERE September Book: The Sunflower Boys by Sam Wachman SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Notes and Links to Ruben Reyes, Jr.'s Work     Ruben Reyes Jr. is the son of two Salvadoran immigrants. He completed his MFA in fiction at the Iowa Writers' Workshop. He is a graduate of Harvard College where he studied History and Literature and Latinx Studies. His writing has appeared in The Boston Globe, The Washington Post, AGNI, BOMB Magazine, Lightspeed Magazine, LitHub, and other publications. His debut story collection, There is a Rio Grande in Heaven, was a finalist for The Story Prize, and longlisted for the the PEN/Faulkner Award for Fiction, the Carnegie Medal for Excellence, the Aspen Words Literary Prize, and the New American Voices Award. Archive of Unknown Universes is his first novel. Originally from Southern California, he lives in Queens.   Buy Archive of Unknown Universes   Ruben's Website   Book Review for Archive of Unknown Universes from Washington Post, by Bilal Qureshi   At about 1:45, Ruben describes the experience of having his first novel out in the world At about 3:30, Ruben talks about feedback he's received about the novel At about 4:35, Ruben shares publishing information and shouts out “local indies” and Bookshop.org as good places to buy the book, and he shares a story about his book tour for his story collection At about 6:10, Ruben talks about his writing timeline and how he wrote his novel and his story collection at around the same time, allowing him flexibility and variety  At about 9:00, Ruben responds to Pete's questions about how feedback and the writing community worked during the pandemic At about 11:00, Ruben reflects on seeds for his novel, particularly the “turning point” that was his 2018 research trip to El Salvador At about 12:30, Ruben talks about the importance of oral histories he did on this 2018 research trip At about 13:25, Pete asks Ruben about the book's dedication and how he viewed the specific and universal  At about 16:15, Pete shares the book's profound epigraphs, and shares the book's exposition; Ruben responds to Pete's questions about the book's structure and his rationale in starting the book with a letter At about 19:25, Ruben reflects on writers and their views on a “perfect novel” At about 20:45, Ruben and Pete describe the book's pivotal machine, The Defractor, and fun with different “Interlocutors” for the machine  At about 23:40, Pete provides background information on Ana and Luis, important characters in the books At about 25:20, Ruben and Pete discuss the importance of Archbishop Oscar Romero and his coverage in the novel At about 28:00, Ruben reflects on how the “What if?” question is so resonant in literature and outside At about 28:50, Ruben and Pete talk about setting the tone for the start of the relationship between Rafael and Neto and an early scene at Havana's Malecon  At about 30:40, Pete reflects on traumas so understatedly and profoundly rendered  At about 32:00, Ruben talks about Ana's and Luis' relationship  At about 33:40, Pete wonders about an important decision made by Neto, and Ruben expands on research he did that showed how youth was largely in control during the Salvadoran Civil War At about 35:50, Ruben expands on what demands and hopes the revolutionaries/guerrillas had in the Salvadoran Civil War At about 39:05, The two discuss the book's parallel storyline At about 41:55, Ruben and Pete reflect on the fiery passions of youth and what makes relationships works and connections At about 44:15, The two discuss similarities and differences between Neto and Rafael  At about 46:10, Ruben homes in on how queerness was seen/embraced in the 70s, as shown through Rafael and Neto At about 47:30, Pete highlights a profound quote as he and Ruben talk about “grasping the lost threads of history” and how Ruben's book connects to ideas of silences and traumas and "reclaiming history” At about 49:40, Ruben shouts out Leisy Abrego's “On Silences” and its argument about silences as “intergenerational” in the Salvadoran diaspora        You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he's @chillsatwillpodcast, or on Twitter, where he's @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 286 guest Hannah Pittard is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of noir, horror, and crime fiction, as some of the best ways to match the zeitgeist and crazy timeline that is 2025. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 292 with Joan Silber, a novelist and short story writer. She won the 2017 National Book Critics Circle Award in Fiction and the 2018 PEN/Faulkner Award for Fiction for her novel Improvement. Her latest novel, Mercy, is her 10th book of fiction. This episode drops today, September 2, Pub Day for Mercy. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Joan Silber's Work    Joan Silber was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied writing with Grace Paley. She moved to New York after college and has made it her home ever since. She holds an M.A. from New York University. She's written ten books of fiction--most recently, Mercy, out in fall 2025.  Secrets of Happiness was a Washington Post Best Book of the year and a Kirkus Reviews Best Fiction of the Year.  Improvement won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award.  She also received the PEN/Malamud Award for Excellence in the Short Story.  Her other works of fiction include Fools, longlisted for the National Book Award and finalist for the PEN/Faulkner Award, The Size of the World, finalist for the Los Angeles Times Prize in Fiction, and Ideas of Heaven, finalist for the National Book Award and the Story Prize.  She's also written Lucky Us, In My Other Life, and In the City (to be reissued by Hagfish in 2026), and her first book, Household Words, won the PEN/Hemingway Award. She's the author of The Art of Time in Fiction, which looks at how fiction is shaped and determined by time, with examples from world writers.  Her short fiction has been chosen for the O. Henry Prize, Best American Short Stories, and the Pushcart Prize.  Stories have appeared in The New Yorker, Tin House, The Southern Review, Ploughshares, Zyzzyva, and other magazines. She's been the recipient of an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the New York Foundation for the Arts. For many years Joan taught fiction writing at Sarah Lawrence College and in the Warren Wilson MFA Program for Writers.  Joan lives on the Lower East Side of Manhattan, with Jolie, her rescued street dog from Taiwan, and she travels as often as she can, with a particular interest in Asia. Buy Mercy   Joan Silber's Website   Joan Silber's Wikipedia Page   Boston Globe Review of Mercy   At about 2:55, Joan talks about responses about her new novel and how uncertainty is always  At about 3:45, Joan talks about places to buy her new novel and upcoming book events At about 5:05, Joan traces her early relationship with reading and writing and talks about early inspirations like Louisa May Alcott At about 6:55, Joan responds to Pete's question about the catalysts for her writing career, and she references the wonderful Grace Paley and her generative teaching methods At about 8:35, Joan talks about contemporary writers and influences like Charles Baxter, Andrea Barrett, and Margo Livesy At about 9:50, Pete bumbles through a vague comparison in complimenting Joan on her depiction of New York in the 1970s and gives some exposition of the book, especially regarding the book's main protagonist, Ivan  At about 11:25, Joan reflects on Ivan and Eddie as “intellectuallizing” their drug adventures  At about 12:35, Joan responds to Pete asking about Eddie and his mindset and personality  At about 14:45, the two trace the book's inciting incident, involving Eddie and Ivan indulging in drugs to an extreme  At about 17:30, Joan expands on her initial thoughts for the book, and on the secret that Ivan keeps to himself, as well as how she views Ivan in a “complicated” way At about 18:45, Joan responds to Pete's question about whether or not she “sit[s] in judgment of [her] characters” At about 20:20, Pete highlights Ivan and asks Joan's about Eddie “hav[ing] his own kingdom” in Ivan's life, especially with regard to his atonement for Alcoholics Anonymous At about 21:50, Pete traces Astrid/Ginger's career arc, as Ivan sees her rise and connects to Eddie, and Joan expands on why her film being done in Malaysia is connected to real-life regulations in China At about 23:30, Pete asks Joan about how she gets into the mindset to write about “What if?” At about 24:50, Chapter Two is discussed, with a new narrator in Astrid, and her tragedies and triumphs At about 26:10, Joan talks about the movie that takes place in the book, with Astrid as a star; Joan expands upon the “circle” of heroin/opioids in the novel At about 28:30, Joan discusses the “echo in the title” about heroin as the “drug of mercy” At about 29:00, Joan gives background on her choice in including Cara as a character who is a “bystander” to Eddie's abandonment  At about 30:15, Joan and Pete discuss the whys of Cara leaving and getting on the road At about 31:40, Joan talks about Chapter Three as a previously-published chapter/standalone, and how she likes “getting her characters in trouble” At about 32:00, Joan explains how she “follows” Nini into the next chapter, based on a previous quote, and how Joan's own travels influenced her writing about the Iu Mien of Thailand and Laos At about 35:00, Joan describes how Nini's injury in Southeast Asia serves as a vessel for a description of opium's uses/the way it's viewed in a variety of ways around the world  At about 36:15, Pete and Joan discuss the roles of anthropologists and their roles At about 38:30, Cara's chapter is highlighted, with Cara's relationship with her previously-absent father discussed   At about 41:00, Pete asks Joan to discuss the book's title-its genesis and connections to the book's events and characters  At about 42:30, Joan differentiates between mercy and forgiveness  At about 43:00, Pete compliments Joan's work in tracing a long but coherent storyline and her depiction of New York At about 44:10, Joan discusses an exciting upcoming project  At about 45:20, Pete and Joan discuss youth and innocence and aging as key parts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 293 with Melissa Lozada-Oliva, a Guatemalan-Colombian-American writer. Her chapbook peluda explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories is BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! The episode airs on September 2, today, Pub Day.    This episode airs today, September 2, Pub Day.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

In the spotlight is Vauhini Vara — writer, journalist, editor, fiction writer, essayist and playwright. Her debut novel, The Immortal King Rao, was a finalist for the Pulitzer Prize. Her story collection, This is Salvaged, was longlisted for The Story Prize and the Mark Twain American Voice in Literature Award. A nonfiction book, Searches: Selfhood in the Digital Age, was published earlier this year.She began her journalism career as a technology reporter at the Wall Street Journal and later launched, edited and wrote for the business section of the New Yorker's website. Since then, her writing has also appeared in The New York Times Magazine, The Atlantic, Wired, and elsewhere. She is a Businessweek contributing writer and can sometimes be found working as a story editor at the New York Times Magazine.   Learn more about Vauhini Vara here: https://www.vauhinivara.com/ Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no       Write to Mike Consol at novelistspotlight@gmail.com 

Notes and Links to Adnan Virk's Work       Adnan Virk is an Emmy Award-winning broadcaster who is currently a host on MLB Network, NHL Network, and Amazon Prime Canada. Virk has been on television since September 2002 and worked almost nine years at ESPN, where he was a host primarily on their baseball and college football coverage, while also filling in on ESPN Radio. Virk's podcast Cinephile ran for eight years, totaling 336 episodes from 2016 to 2024. A graduate of Ryerson University and a Toronto native, Adnan lives with his wife Eamon and their four boys, Yusuf, Adeen, Shazz, and Maaz, in New Jersey. Buy Cinephile   Adnan's Instagram   Cinephile Podcast   At about 2:30, Adnan provides background on working with Mango Publishing and the process of seeing the book to publication At about 4:50, Adnan and Pete reminisce over their struggles and triumphs in high school and college intramurals At about 5:50, Adnan shares exciting feedback from readers, while sharing some favorite stories of his and talking about  At about 7:00, Adnan shares how his son's middle name is “Scorsese” and talks about an important “informal quiz” that Adnan's future took to solidify the relationship  At about 9:00, The two reflect on the death of McCluskey in The Godfather  At about 9:30, The two fanboy over the wondrous Dekalog movie series At about 13:20, Adnan traces the iconic night where he announced the Best Picture mixup at the 2017 Oscars At about 16:40, Adnan discusses his interview with Monica Bellucci At about 18:15, Pete and Adnan share their thoughts on the  At about 19:00, Adnan responds to Pete's leading question about Scorcese's Silence and reflects on the “special” movie and unique moviegoing experience   At about 21:50, the two reflect on Mahershala Ali's profound quote on “experiencing” a movie At about 22:35, Adnan responds to Pete's questions about formative moviegoing experiences At about 25:10, the two discuss the wondrous Raging Bull At about 26:40, Pete asks Adnan what movie he can quote at will  At about 28:00, Adnan reflects on movies he enjoyed when he first saw them and then later changed his opinion At about 28:50, Adnan mentions Hoffa in riffing on underrated/underappreciated movies  At about 30:00, Adnan talks about his fun in writing a sort of miscellaneous last chapter of Cinephile  At about 31:15, Adnan talks about Big Night and Raging Bull as great “brother” movies    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 291 with second time guest Ruben Reyes, Jr. His debut story collection, There is a Rio Grande in Heaven, was a finalist for The Story Prize. Archive of Unknown Universes is his first novel, an inventive and original one, and it was published in July 2025.    This episode airs on August 29.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Lydi Conklin is the author of the debut novel Songs of No Provenance, available from Catapult Press. It was longlisted for the Center for Fiction First Novel Prize.   Conklin has received a Stegner Fellowship, four Pushcart Prizes, a Rona Jaffe Foundation Writers' Award, a Creative Writing Fulbright in Poland, and fellowships from MacDowell, Yaddo, Hedgebrook, and elsewhere. Their fiction has appeared in The Paris Review, One Story, and American Short Fiction. They have drawn cartoons for The New Yorker and Narrative Magazine. Their story collection, Rainbow Rainbow, was longlisted for the PEN/Robert W. Bingham Award and The Story Prize. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠How to Write a Novel,⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠Brad's email newsletter⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Jahmal Mayfield's Work      Jahmal Mayfield writes gritty crime novels that touch on large social issues. He was born in Virginia but currently resides in New Jersey. In addition to writing, he serves as the director of a nonprofit program that provides employment support to people with disabilities. Mayfield is a husband and father of two young adults who are both embarrassed by his frequent forays down the rabbit holes of YouTube to view old 90s hip hop videos. SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?”    Buy Smoke Kings   Jahmal's Website   Book Review for Smoke Kings from Washington Post, by E.A. Aymar   At about 2:00, Pete and Jahmal fanboy over Nas and talk “classic” hip hop At about 3:40, Jahmal talks about “three phases” of his reading and writing life At about 4:45, Jahmal talks about being “a reader first, and a writer second,” and responds to Pete's question about what he has gotten from his favorite writers At about 6:00, Jahmal responds to Pete's musings about At about 7:40, Jahmal expands upon “lean[ing]” into a certain character to use him as a caricature and the reasoning behind the choice At about 8:25, Jahmal and Pete discuss the wonderful crime fiction community  At about 10:25, The two reflect on Kimberly Jones' viral video and profound speech and righteous rage At about 12:30, The two share much about the book's exposition and dynamic opening scene At about 13:25, Jahmal gives background on Jackson Keeler's wonderful editing and how the opening came about At about 14:45, Jahmal shares how he referenced real historical racist tragedies that informed the racist crimes referenced in the book At about 15:45, Jahmal provides background on the book's main characters and their rationale in seeking revenge  At about 17:10, the two discuss the character of Mason, the PI and his arc and treatment At about 19:30, Jahmal explains how he aimed to have two characters serve as “counterweights” to Mason At about 20:55, Jahmal and Pete reflect scene  At about 23:15, Jahmal responds to Pete's question about the book's title, also riffing on the evolution of the title and how he tried to “honor the spirit of Kimberly Jones” At about 25:00, The two discuss the book's parallel storylines and Jahmal talks about how the book's structure came late in the process At about 27:50, Pete wonders about Mason and how he views his job At about 29:15, The two discuss the escalating levels of violence within the Smoke Kings and the different ways they view their mission At about 31:20, Jahmal responds to Pete's comments on Joshua, the brother of the murdered Darius, as taking a step back; Jahmal remarks on how/why he “kinda sidelined" him At about 33:00, Jahmal gives background on Elizabeth and her character as representative   At about 35:35, Jahmal talks about the significance of the names of the white supremacist characters and their characteristics  At about 37:55, Jahmal reflects on a tagline for the book, “Before you embark on a journey of revenge, dig two graves At about 39:45, The two reflect on Colin Kaepernick's protests and how it connects to ideas of racial justice At about 43:10, Jahmal responds to Pete's questions about the systematic versus the individual, in connection to the book At about 46:30, Jahmal gives some previews of his future writing path    You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 287's Hannah Pittard is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 290 with second time guest Ruben Reyes, Jr. His debut story collection, There is a Rio Grande in Heaven, was a finalist for The Story Prize. Archive of Unknown Universes is his first novel, an inventive and original one, and it was published in July 2025.    The episode airs today, August 26.    Please demand action from your local congressperson in seeking a ceasefire in Gaza by going to https://act.uscpr.org/a/letaidin. 

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Andrew Porter is the author of four books, including the short story collection The Theory of Light and Matter, which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days, which was a Barnes & Noble “Discover Great New Writers” selection, an IndieBound “Indie Next” selection, and the San Antonio Express News's “Fictional Work of the Year,” the short story collection The Disappeared, which was longlisted for The Story Prize and the Joyce Carol Oates Prize, and the novel The Imagined Life. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's show is a fun and fascinating consideration of all the ways we're shaped by technology and how we are technological beings, more and more with each passing year. Grant and Brooke share their earliest internet, email, and social media interactions, and connect with guest Vauhini Vara, whose new book, Searches, explores our online footprints, how technology shapes us, and how we both exploit and get exploited by big tech—like Google, YouTube, and social media companies. A truly interesting consideration of how far we've evolved alongside technology. Vauhini Vara began her journalism career as a technology reporter at The Wall Street Journal and later launched, edited and wrote for The New Yorker. Her latest book is Searches, a work of journalism and memoir about how big technology companies are changing our understanding of our selves and our communities. Her debut novel, The Immortal King Rao, was a finalist for the Pulitzer Prize, and her story collection, This is Salvaged, was longlisted for The Story Prize and the Mark Twain American Voice in Literature Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Groff is a three-time National Book Award finalist and The New YorkTimes–bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won The Story Prize, the ABA Indies' Choice Award, France's Grand Prix de l'Héroïne, and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. Her work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida.   Learn more about your ad choices. Visit megaphone.fm/adchoices

You may not be familiar with Dorian McNamara yet … but his story, You (Streetcar at Night), is the winner of the 2025 CBC Short Story Prize. If you've spent time in Toronto, you'll know its trademark red streetcars. Dorian grew up on those streetcars, which is why he chose one as the backdrop for his story of a young transgender person reflecting on their first relationship. Dorian and Mattea Roach talk about reflecting on transition, what he loves about Halifax and what winning this prize means for him. You can read Dorian's winning story here. 

CBC's Rose Murphy caught up with short story prize winner, Dorian McNamara, in Tokyo.

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do our personal lives influence the art we make?JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers' room of House of Cards, adapting the creator's vision.BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity's Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Anna Noyes's debut novel is The Blue Maiden and was a New York Times Editors' Choice, with starred reviews from Publishers Weekly and Forward. Her short story collection, Goodnight, Beautiful Women, was a finalist for the Story Prize and the New England Book Award, as well as a New York Times Editors' Choice. She holds an MFA from the Iowa Writers' Workshop. She lives in New York, on Fishers Island. We talked about witches, familial relationships, giving up on the novel you think you are writing and writing the one you are meant to create, the publishing industry, historical fiction, living on an island, and Shirley Jackson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Groff reads her story “Between the Shadow and the Soul,” from the December 16, 2024, issue of the magazine. Groff has published five novels, including “Fates and Furies” and “The Vaster Wilds,” which came out last year. Her second story collection, “Florida,” won the Story Prize and was a finalist for the National Book Award in 2018. Groff was named one of Time's 100 Most Influential People this year.

Paul Yoon reads his story “War Dogs,” from the October 28, 2024, issue of the magazine. Yoon is the author of five books of fiction, including the novels “Snow Hunters” and “Run Me to Earth,” and the story collection, “The Hive and the Honey,” a winner of the Story Prize, which was published last year.

Elizabeth Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. Her new novel is Tell Me Everything. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this special episode, recorded live at the Edinburgh International Book Festival, Adam Biles was joined by novelists Lauren Groff and Neel Mukherjee for a wide-ranging discussion that takes the temperature (and the pulse!) of the book industry, from bookshops, to publishers, to prizes, to festivals... Enjoy!Buy The Shakespeare and Company Book of Interviews: https://www.shakespeareandcompany.com/books/the-shakespeare-and-company-book-of-interviewsBuy The Vaster Wilds: https://www.shakespeareandcompany.com/books/the-vaster-wilds-3Buy Choice: https://www.shakespeareandcompany.com/books/choice-2*Lauren Groff is a three-time National Book Award finalist and The New York Times–bestselling author of the novels The Monsters of Templeton, Arcadia, Fates andFuries, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won The Story Prize, the ABA Indies' Choice Award, France's Grand Prix de l'Héroïne, and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. Her work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida.Neel Mukherjee won the Writers Guild of Great Britain Award for best fiction in 2010 for his debut novel A Life Apart. His second novel, The Lives of Others, was shortlisted for the Man Booker Prize and the Costa Novel Award, and won the Encore Award. His novel, A State of Freedom, was a New York Times '100 Notable Books of the Year' and heralded as 'Stunning ... a marvel of a book, shocking and beautiful, and it proves that Mukherjee is one of the most original and talented authors working today' (NPR). Choice, a novel as triptych, is his latest book.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Elizabeth Strout is the author of the novel Tell Me Everything, available from Random House. Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fortnight's episode Gyles and Aphra Brandreth meet Mauritian-American writer Reena Usha Rungoo. Her short story, Dite, recently won the Commonwealth Short Story Prize for Africa. A writer, scholar, teacher, speaker, and mother. She is an assistant professor of literature at Harvard University. Exploring poetry and literature from Mauritius, from traditional Sega music to exploring the oral tradition of sirandane.Poems this episode include a reading of lyrics from Le Morne by Cassiya. 

So much has been written about the imminent transformation that Artificial Intelligence will bring to our world. But it is often hard to get much of a sense of what that will mean on a personal level—for our work, for our leisure and, perhaps most importantly of all, for our families. What improvements will result? What new tensions will arise? What devastation will be wrought? In HUM, Helen Phillips takes these questions and masterfully dramatises them in the lives of a financially struggling family of four. As we spend time with mother May, father Jem, and kids Lu and Cy, we not only experience the very real, very claustrophobic presence of this invasive, dehumanising technology, but are also forced to reckon with the truly thorny question of whether some of the gifts it offers—foremost among them reassurance concerning the wellbeing of those we love—are a worthy altar upon which to sacrifice…well, pretty everything else. Just as with her much celebrated 2019 novel THE NEED, in HUM Helen Phillips has once again used the lens of deeply compelling speculative fiction to help us better understand the world as it changes around us. *Helen Phillips is the author of six books, including the novel The Need (Simon & Schuster, 2019; Chatto & Windus, 2019), which was long-listed for the National Book Award and named a New York Times Notable Book of 2019. Her novel HUM is forthcoming in August 2024 (Simon & Schuster/Marysue Rucci Books). Helen's short story collection Some Possible Solutions (Henry Holt, 2016) received the 2017 John Gardner Fiction Book Award. Her novel The Beautiful Bureaucrat (Henry Holt, 2015), a New York Times Notable Book of 2015, was a finalist for the New York Public Library's Young Lions Award and the Los Angeles Times Book Prize. Her collection And Yet They Were Happy (Leapfrog Press, 2011) was named a notable collection by The Story Prize and was re-released in 2023. She is also the author of the children's eco-adventure book Here Where the Sunbeams Are Green (Delacorte Press, 2012).Helen has received a Guggenheim Foundation Fellowship, a Rona Jaffe Foundation Writer's Award, the Italo Calvino Prize in Fabulist Fiction, the Iowa Review Nonfiction Award, and the DIAGRAM Innovative Fiction Award.Her work has been featured on Selected Shorts, at the Brooklyn Museum, and in the Atlantic Monthly and the New York Times, among others. Her books have been translated into Chinese, French, German, Italian, Korean, Lithuanian, Polish, and Spanish.A graduate of Yale and the Brooklyn College MFA program, she is an associate professor at Brooklyn College. Born and raised in Colorado, she lives in Brooklyn with artist/cartoonist Adam Douglas Thompson, their children, and their dog.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today, we get to hear from Maurice Carlos Ruffin whose novel, THE AMERICAN DAUGHTERS, was released in February. We'll be talking about how to write politically charged topics. Watch a recording here. The audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform.To find Ruffin's latest novel and many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page.Maurice Carlos Ruffin is the recipient of the 2023 Louisiana Writer Award and the Black Rock Senegal Residency. He also wrote The Ones Who Don't Say They Love You, which was published in August 2021. It was the 2023 One Book One New Orleans selection, a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence and longlisted for the Story Prize. The book was also selected to represent Louisiana at the 2023 National Book Festival. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. It was longlisted for the 2021 DUBLIN Literary Award, the Center for Fiction Prize, and the Aspen Words Literary Prize. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi. Ruffin is part of the Artist Network of Narrative 4, an organization dedicated to aiding the educational opportunities of young people. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Morgan Talty live-comments on his own Goodreads review, then discusses his debut novel, Fire Exit, as well as why he enjoys interacting with his online reviewers, the expectations people bring to indigenous fiction, being an objective reader of his own work, building emotion around an idea, balancing darkness with tenderness, Alice Munro, writing from the perspective of a white man, and more! Morgan Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts & Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a Finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the 2023 Mark Twain American Voice in Literature Prize, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final PRIDE installment of Upcoming/Up & Coming, Jason and Brett talk to debut* authors Kimberly King Parsons (We Were the Universe), KB Brookins (Pretty), and Santiago Jose Sanchez (Hombrecito). They talk about the theatre of parenthood, queer representation in books and media, and using writing to better understand your own story. *Debut-ish! Kimberly's debut novel and KB's debut memoir.Kimberly King Parsons is the author of Black Light, a collection of stories that was long-listed for the National Book Award and the Story Prize. In 2020, she received the National Magazine Award for fiction. Born in Lubbock, Texas, she lives in Portland, Oregon, with her partner and children. We Were the Universe is her first novel.KB Brookins is a Black, queer, and trans writer and cultural worker from Texas. They are the author of Freedom House and How to Identify Yourself with a Wound. Brookins has poems, essays, and installation art published in Academy of American Poets, Teen Vogue, Poetry Magazine, Prizer Arts & Letters, Okayplayer, Poetry Society of America, Autostraddle, and other venues. They have earned fellowships from the National Endowment for the Arts, PEN America, Equality Texas, and others.Santiago Jose Sanchez (they/them), a Grinnell College assistant professor of English and a graduate of the Iowa Writers' Workshop, is a queer Colombian American writer. Santiago's writing has appeared in McSweeney's, ZYZZYVA, Subtropics, and Joyland and been distinguished in Best American Short Stories. They are the recipient of a Truman Capote Fellowship from the University of Iowa and an Emerging LGBTQ Voices Fellowship from Lambda Literary.Gays Reading is sponsored by Audible. Get a FREE 30-day trial by visiting audibletrial.com/gaysreading**BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

The pod team is still on vacation! In the mountains! Without recording equipment! The Season 5 premiere will be in your feed soon. Until then, enjoy this conversation with Maurice Carlos Ruffin, author of three books and faculty member twice over. Maurice Carlos Ruffin, author and faculty member at two MFA programs, joins Jared for this special episode about Maurice's multi-year journey from corporate lawyer to professional writer (with plenty of rejection in between), the role of a creative writing professor in guiding students' work, and the criticality of retaining joy in our writing, despite the challenges of publication, deadlines, and stories that just aren't working. Finally, Maurice offers advice on what makes someone a successful MFA student, and where emerging writers should devote their energy. Maurice Carlos Ruffin is the author of The Ones Who Don't Say They Love You, which was published by One World Random House in August 2021. It was a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize, among others. A New Orleans native, Maurice is a professor of Creative Writing in the MFA program at Louisiana State University and a faculty member in Randolph College's low-residency M.F.A. program. Find him at his website, mauricecarlosruffin.com, and on Twitter @MauriceRuffin. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

Kimberly King Parsons is the author of the debut novel We Were the Universe, available from Knopf. The official June pick of the Otherppl Book Club. Parsons is the author of Black Light, a collection of stories that was long-listed for the National Book Award and the Story Prize. In 2020, she received the National Magazine Award for fiction. Born in Lubbock, Texas, she lives in Portland, Oregon, with her partner and children. We Were the Universe is her first novel. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

We're live from the beautiful Fine Arts Building in downtown Chicago at Lindsay's favorite bookstore, Exile in Bookville! Kimberly King Parsons talks about her debut novel, We Were the Universe, a mother's right to disassociate, drugs, horny moms, “a quick squirt,” her painstaking sentence-making, Garielle Lutz, her favorite music, deserving her novel's ending and more! Plus audience questions! Kimberly King Parsons is the author of the forthcoming novel We Were the Universe and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Talty is the author of the debut novel Fire Exit, available from Tin House. Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of The Lives of Writers, Drew Hawkins interviews Maurice Carlos Ruffin.Maurice Carlos Ruffin is the author, most recently, of the historical novel, The American Daughters. He is also the author of The Ones Who Don't Say They Love You, which was longlisted for the Story Prize and was a finalist for the Ernest J. Gaines Award for Literary Excellence, and We Cast a Shadow, which was a finalist for the PEN/Faulkner Award, the PEN Open Book Award, and the Dayton Literary Peace Prize and was longlisted for the Center for Fiction First Novel Prize and International Dublin Literary Award. A recipient of an Iowa Review Award in fiction, he has been published in the Virginia Quarterly Review, AGNI, the Kenyon Review, The Massachusetts Review, and Unfathomable City: A New Orleans Atlas. Drew Hawkins is a writer and journalist in New Orleans. He's the producer and host of Micro, a podcast for short but powerful writing. You can find his work on NPR, The Guardian, Scalawag Magazine, HAD, and elsewhere.Today's episode is brought to you in part by the podcast Micro, where today you can hear Maurice read on the new episode, available wherever you listen to podcasts like this one.____________Full conversation topics include:-- book tour -- a previous life as a lawyer and restaurant-owner-- becoming a writer-- overcoming imposter syndrome-- paces of production and practice-- distraction as being useful-- the reading you do while writing-- approaching novels and/or stories-- New Orleans-- the new novel THE AMERICAN DAUGHTERS-- research-- knowing who you are -- writing as a man about women -- jumping through time  and sound--  POV-- freedom and loss-- a forthcoming book_______________Podcast theme music  by Mike Nagel, author of Duplex and Culdesac. Here's his music project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton, author of Home Movies.

Clare Beams (The Garden) discusses the fascinating medical history behind her new novel, writing a “ghost story,” crafting a sympathetic villain and an unlikable main character, finding inspiration and darkness by re-reading The Secret Garden as an adult, and more! Clare Beams's new novel, The Garden, will be published by Doubleday in April of 2024. It has been longlisted for the 2024 Joyce Carol Oates/New Literary Project Prize and featured on anticipated lists at LitHub and Bookshop.org. Her novel The Illness Lesson, published in February of 2020 by Doubleday, was a New York Times Editors' Choice and was longlisted for the Center for Fiction First Novel Prize. It was named a best book of 2020 by Esquire and Bustle and a best book of February by Time, O Magazine, and Entertainment Weekly. Her story collection, We Show What We Have Learned, was published by Lookout Books in 2016; it won the Bard Fiction Prize, was longlisted for the Story Prize, and was a Kirkus Best Debut of 2016, as well as a finalist for the PEN/Robert W. Bingham Prize, the New York Public Library's Young Lions Fiction Award, and the Shirley Jackson Award. Her short fiction appears in One Story, n+1, Ecotone, Conjunctions, The Common, Kenyon Review, Hayden's Ferry Review, Electric Literature's Recommended Reading, and The Best American Nonrequired Reading, and has received special mention in The Pushcart Prize and twice in The Best American Short Stories. She has received fellowships from the National Endowment for the Arts, the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, MacDowell, and the Sustainable Arts Foundation, and was a finalist for the 2023 Joyce Carol Oates/New Literary Project Prize. Clare lives in Pittsburgh with her husband and two daughters and currently teaches in the Randolph MFA program. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're joined by author Jonathan Corcoran to discuss his new memoir, No Son of Mine, and his lifelong love of bookstores! In addition to No Son of Mine, Corcoran is the author of the short story collecction The Rope Swing, which was a finalist for the Lambda Literary Awards and long-listed for The Story Prize. His essays and stories have been published and anthologized widely, including in Salvation South, Still: The Journal, Best Gay Stories, and the Oxford University Press textbook, How Writing Works.Books We Talk About: Sugar Run by Mesha Maren, The Prettiest Star by Carter Sickels, Black Tickets by Jayne Anne Phillips, and Fierce Attachments by Vivan GornickSmall Ways To Live Well from The Simple ThingsGet a six week suggestion box of things to note and notice this spring.Listen on: Apple Podcasts Spotify

Tessa Hadley (winner of a 2016 Windham Campbell Prize for Fiction) joins Michael Kelleher for the final episode of this winter mini-season to talk about Ivan Turgenev's First Love, translated by Isaiah Berlin. Reading list:  First Love by Ivan Turgenev, tr. by Isaiah Berlin • The Odyssey by Homer • "A Nest of Gentlefolk" by Ivan Turgenev • Anna Karenina by Leo Tolstoy Tessa Hadley is the author of three previous collections of stories and eight novels. She was awarded the Windham-Campbell Prize for Fiction, the Hawthornden Prize, and the Edge Hill Short Story Prize and has been a finalist for the Story Prize. She contributes regularly to The New Yorker and reviews for The Guardian and the London Review of Books. She lives in Cardiff, Wales. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

Our guest this week is Brandon Taylor, whose new book The Late Americans is a stark retooling of the campus novel for the 21st century. Taking a university town in Iowa as his canvas, Taylor depicts the lives of a loose group of friends and associates: Seamus, Fyodor, Ivan, Noah and Fatima—students of writing and dance—as time barrels them towards the end of their studies and the harsh realities of the so-called “real” world beyond. The novel lives in Taylor's delicate and perceptive handling of the complicated interplay of money, class, race, art and sex—the bonds each of these can form between us and the divides they create. It is a book rich in ideas and reflections about contemporary life, contemporary America in particular, but these would all be for nothing without the meticulously wrought human comedy—in all its beauty and ugliness—at its core.Buy The Late Americans: https://www.shakespeareandcompany.com/books/the-late-americansBrandon Taylor is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He was the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Lauren Groff is the bestselling author of the novel The Vaster Wilds, available from Riverhead Books. Groff is a three-time National Book Award finalist and the New York Times bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, and Matrix, and the short story collections Delicate Edible Birds and Florida. She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. Groff 's work regularly appears in The New Yorker, The Atlantic, and elsewhere. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices