Podcasts about The Story Prize

Commonwealth Poetry Podcast

Play Episode Listen Later Sep 10, 2024 64:34

Elizabeth Strout is the author of the novel Tell Me Everything, available from Random House. Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

spotify new york times sea maine pulitzer prize abide bookshop random house anything is possible booker prize elizabeth strout pen faulkner award tell me everything orange prize olive kitteridge strout story prize first fiction oh william my name is lucy barton los angeles times art seidenbaum award

Next stop Mauritius with Commonwealth Short Story Prize winner Reena Usha Rungoo

Play Episode Listen Later Aug 4, 2024 41:06

In this fortnight's episode Gyles and Aphra Brandreth meet Mauritian-American writer Reena Usha Rungoo. Her short story, Dite, recently won the Commonwealth Short Story Prize for Africa. A writer, scholar, teacher, speaker, and mother. She is an assistant professor of literature at Harvard University. Exploring poetry and literature from Mauritius, from traditional Sega music to exploring the oral tradition of sirandane.Poems this episode include a reading of lyrics from Le Morne by Cassiya.

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Parenting in the age of AI, with Helen Phillips

Shakespeare and Company

Play Episode Listen Later Jul 31, 2024 52:34

So much has been written about the imminent transformation that Artificial Intelligence will bring to our world. But it is often hard to get much of a sense of what that will mean on a personal level—for our work, for our leisure and, perhaps most importantly of all, for our families. What improvements will result? What new tensions will arise? What devastation will be wrought? In HUM, Helen Phillips takes these questions and masterfully dramatises them in the lives of a financially struggling family of four. As we spend time with mother May, father Jem, and kids Lu and Cy, we not only experience the very real, very claustrophobic presence of this invasive, dehumanising technology, but are also forced to reckon with the truly thorny question of whether some of the gifts it offers—foremost among them reassurance concerning the wellbeing of those we love—are a worthy altar upon which to sacrifice…well, pretty everything else. Just as with her much celebrated 2019 novel THE NEED, in HUM Helen Phillips has once again used the lens of deeply compelling speculative fiction to help us better understand the world as it changes around us. *Helen Phillips is the author of six books, including the novel The Need (Simon & Schuster, 2019; Chatto & Windus, 2019), which was long-listed for the National Book Award and named a New York Times Notable Book of 2019. Her novel HUM is forthcoming in August 2024 (Simon & Schuster/Marysue Rucci Books). Helen's short story collection Some Possible Solutions (Henry Holt, 2016) received the 2017 John Gardner Fiction Book Award. Her novel The Beautiful Bureaucrat (Henry Holt, 2015), a New York Times Notable Book of 2015, was a finalist for the New York Public Library's Young Lions Award and the Los Angeles Times Book Prize. Her collection And Yet They Were Happy (Leapfrog Press, 2011) was named a notable collection by The Story Prize and was re-released in 2023. She is also the author of the children's eco-adventure book Here Where the Sunbeams Are Green (Delacorte Press, 2012).Helen has received a Guggenheim Foundation Fellowship, a Rona Jaffe Foundation Writer's Award, the Italo Calvino Prize in Fabulist Fiction, the Iowa Review Nonfiction Award, and the DIAGRAM Innovative Fiction Award.Her work has been featured on Selected Shorts, at the Brooklyn Museum, and in the Atlantic Monthly and the New York Times, among others. Her books have been translated into Chinese, French, German, Italian, Korean, Lithuanian, Polish, and Spanish.A graduate of Yale and the Brooklyn College MFA program, she is an associate professor at Brooklyn College. Born and raised in Colorado, she lives in Brooklyn with artist/cartoonist Adam Douglas Thompson, their children, and their dog.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Maurice Carlos Ruffin on Writing Politically Charged Topics

The 7am Novelist

Play Episode Listen Later Jun 24, 2024 30:16

Today, we get to hear from Maurice Carlos Ruffin whose novel, THE AMERICAN DAUGHTERS, was released in February. We'll be talking about how to write politically charged topics. Watch a recording here. The audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform.To find Ruffin's latest novel and many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page.Maurice Carlos Ruffin is the recipient of the 2023 Louisiana Writer Award and the Black Rock Senegal Residency. He also wrote The Ones Who Don't Say They Love You, which was published in August 2021. It was the 2023 One Book One New Orleans selection, a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence and longlisted for the Story Prize. The book was also selected to represent Louisiana at the 2023 National Book Festival. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. It was longlisted for the 2021 DUBLIN Literary Award, the Center for Fiction Prize, and the Aspen Words Literary Prize. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi. Ruffin is part of the Artist Network of Narrative 4, an organization dedicated to aiding the educational opportunities of young people. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Morgan Talty

I'm a Writer But

Play Episode Listen Later Jun 18, 2024 66:20

Morgan Talty live-comments on his own Goodreads review, then discusses his debut novel, Fire Exit, as well as why he enjoys interacting with his online reviewers, the expectations people bring to indigenous fiction, being an objective reader of his own work, building emotion around an idea, balancing darkness with tenderness, Alice Munro, writing from the perspective of a white man, and more! Morgan Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts & Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a Finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the 2023 Mark Twain American Voice in Literature Prize, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

PRIDE Upcoming/Up & Coming feat. Kimberly King Parsons, KB Brookins, and Santiago Jose Sanchez

Gays Reading

Play Episode Listen Later Jun 18, 2024 58:15 Transcription Available

In the final PRIDE installment of Upcoming/Up & Coming, Jason and Brett talk to debut* authors Kimberly King Parsons (We Were the Universe), KB Brookins (Pretty), and Santiago Jose Sanchez (Hombrecito). They talk about the theatre of parenthood, queer representation in books and media, and using writing to better understand your own story. *Debut-ish! Kimberly's debut novel and KB's debut memoir.Kimberly King Parsons is the author of Black Light, a collection of stories that was long-listed for the National Book Award and the Story Prize. In 2020, she received the National Magazine Award for fiction. Born in Lubbock, Texas, she lives in Portland, Oregon, with her partner and children. We Were the Universe is her first novel.KB Brookins is a Black, queer, and trans writer and cultural worker from Texas. They are the author of Freedom House and How to Identify Yourself with a Wound. Brookins has poems, essays, and installation art published in Academy of American Poets, Teen Vogue, Poetry Magazine, Prizer Arts & Letters, Okayplayer, Poetry Society of America, Autostraddle, and other venues. They have earned fellowships from the National Endowment for the Arts, PEN America, Equality Texas, and others.Santiago Jose Sanchez (they/them), a Grinnell College assistant professor of English and a graduate of the Iowa Writers' Workshop, is a queer Colombian American writer. Santiago's writing has appeared in McSweeney's, ZYZZYVA, Subtropics, and Joyland and been distinguished in Best American Short Stories. They are the recipient of a Truman Capote Fellowship from the University of Iowa and an Emerging LGBTQ Voices Fellowship from Lambda Literary.Gays Reading is sponsored by Audible. Get a FREE 30-day trial by visiting audibletrial.com/gaysreading**BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

Maurice Carlos Ruffin — Faculty Series — LSU and Randolph

MFA Writers

Play Episode Listen Later Jun 18, 2024 41:37

The pod team is still on vacation! In the mountains! Without recording equipment! The Season 5 premiere will be in your feed soon. Until then, enjoy this conversation with Maurice Carlos Ruffin, author of three books and faculty member twice over. Maurice Carlos Ruffin, author and faculty member at two MFA programs, joins Jared for this special episode about Maurice's multi-year journey from corporate lawyer to professional writer (with plenty of rejection in between), the role of a creative writing professor in guiding students' work, and the criticality of retaining joy in our writing, despite the challenges of publication, deadlines, and stories that just aren't working. Finally, Maurice offers advice on what makes someone a successful MFA student, and where emerging writers should devote their energy. Maurice Carlos Ruffin is the author of The Ones Who Don't Say They Love You, which was published by One World Random House in August 2021. It was a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize, among others. A New Orleans native, Maurice is a professor of Creative Writing in the MFA program at Louisiana State University and a faculty member in Randolph College's low-residency M.F.A. program. Find him at his website, mauricecarlosruffin.com, and on Twitter @MauriceRuffin. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

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926. Kimberly King Parsons

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Play Episode Listen Later Jun 12, 2024 102:51

Kimberly King Parsons is the author of the debut novel We Were the Universe, available from Knopf. The official June pick of the Otherppl Book Club. Parsons is the author of Black Light, a collection of stories that was long-listed for the National Book Award and the Story Prize. In 2020, she received the National Magazine Award for fiction. Born in Lubbock, Texas, she lives in Portland, Oregon, with her partner and children. We Were the Universe is her first novel. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimberly King Parsons, "We Were the Universe" (Knopf, 2024)

Burned By Books

Play Episode Listen Later Jun 12, 2024 37:33

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimberly King Parsons, "We Were the Universe" (Knopf, 2024)

New Books Network

Play Episode Listen Later Jun 12, 2024 37:33

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kimberly King Parsons, "We Were the Universe" (Knopf, 2024)

New Books in Literary Studies

Play Episode Listen Later Jun 12, 2024 37:33

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kimberly King Parsons, "We Were the Universe" (Knopf, 2024)

New Books in Literature

Play Episode Listen Later Jun 12, 2024 37:33

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone? Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe (Knopf, 2024) is an ambitious, inventive novel from a revelatory new voice in American fiction--a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take. Kimberly King Parsons is the author of We Were the Universe, a novel the New York Times calls “a profound, gutsy tale of grief's dismantling power,” and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Recommended Books: Chelsea Bieker, Mad Woman Ryan Chapman, The Audacity Sheila Heti, Alphabetical Diaries Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Live from Exile in Bookville in Chicago with Kimberly King Parsons!

I'm a Writer But

Play Episode Listen Later Jun 11, 2024 61:29

We're live from the beautiful Fine Arts Building in downtown Chicago at Lindsay's favorite bookstore, Exile in Bookville! Kimberly King Parsons talks about her debut novel, We Were the Universe, a mother's right to disassociate, drugs, horny moms, “a quick squirt,” her painstaking sentence-making, Garielle Lutz, her favorite music, deserving her novel's ending and more! Plus audience questions! Kimberly King Parsons is the author of the forthcoming novel We Were the Universe and the short story collection Black Light, which was longlisted for the National Book Award and the Story Prize. A recipient of fellowships from Yaddo and Columbia University, Parsons won the 2020 National Magazine Award for “Foxes,” a story published in The Paris Review. She lives in Portland, Oregon with her partner and children. Learn more about your ad choices. Visit megaphone.fm/adchoices

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925. Morgan Talty

Let's Deconstruct a Story

Play Episode Listen Later Jun 9, 2024 98:36

Morgan Talty is the author of the debut novel Fire Exit, available from Tin House. Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maurice Carlos Ruffin [Host: Drew Hawkins]

The Lives of Writers

Play Episode Listen Later May 3, 2024 74:51

On today's episode of The Lives of Writers, Drew Hawkins interviews Maurice Carlos Ruffin.Maurice Carlos Ruffin is the author, most recently, of the historical novel, The American Daughters. He is also the author of The Ones Who Don't Say They Love You, which was longlisted for the Story Prize and was a finalist for the Ernest J. Gaines Award for Literary Excellence, and We Cast a Shadow, which was a finalist for the PEN/Faulkner Award, the PEN Open Book Award, and the Dayton Literary Peace Prize and was longlisted for the Center for Fiction First Novel Prize and International Dublin Literary Award. A recipient of an Iowa Review Award in fiction, he has been published in the Virginia Quarterly Review, AGNI, the Kenyon Review, The Massachusetts Review, and Unfathomable City: A New Orleans Atlas. Drew Hawkins is a writer and journalist in New Orleans. He's the producer and host of Micro, a podcast for short but powerful writing. You can find his work on NPR, The Guardian, Scalawag Magazine, HAD, and elsewhere.Today's episode is brought to you in part by the podcast Micro, where today you can hear Maurice read on the new episode, available wherever you listen to podcasts like this one.____________Full conversation topics include:-- book tour -- a previous life as a lawyer and restaurant-owner-- becoming a writer-- overcoming imposter syndrome-- paces of production and practice-- distraction as being useful-- the reading you do while writing-- approaching novels and/or stories-- New Orleans-- the new novel THE AMERICAN DAUGHTERS-- research-- knowing who you are -- writing as a man about women -- jumping through time and sound-- POV-- freedom and loss-- a forthcoming book_______________Podcast theme music by Mike Nagel, author of Duplex and Culdesac. Here's his music project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton, author of Home Movies.

Clare Beams

I'm a Writer But

Play Episode Listen Later Apr 9, 2024 58:23

Clare Beams (The Garden) discusses the fascinating medical history behind her new novel, writing a “ghost story,” crafting a sympathetic villain and an unlikable main character, finding inspiration and darkness by re-reading The Secret Garden as an adult, and more! Clare Beams's new novel, The Garden, will be published by Doubleday in April of 2024. It has been longlisted for the 2024 Joyce Carol Oates/New Literary Project Prize and featured on anticipated lists at LitHub and Bookshop.org. Her novel The Illness Lesson, published in February of 2020 by Doubleday, was a New York Times Editors' Choice and was longlisted for the Center for Fiction First Novel Prize. It was named a best book of 2020 by Esquire and Bustle and a best book of February by Time, O Magazine, and Entertainment Weekly. Her story collection, We Show What We Have Learned, was published by Lookout Books in 2016; it won the Bard Fiction Prize, was longlisted for the Story Prize, and was a Kirkus Best Debut of 2016, as well as a finalist for the PEN/Robert W. Bingham Prize, the New York Public Library's Young Lions Fiction Award, and the Shirley Jackson Award. Her short fiction appears in One Story, n+1, Ecotone, Conjunctions, The Common, Kenyon Review, Hayden's Ferry Review, Electric Literature's Recommended Reading, and The Best American Nonrequired Reading, and has received special mention in The Pushcart Prize and twice in The Best American Short Stories. She has received fellowships from the National Endowment for the Arts, the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, MacDowell, and the Sustainable Arts Foundation, and was a finalist for the 2023 Joyce Carol Oates/New Literary Project Prize. Clare lives in Pittsburgh with her husband and two daughters and currently teaches in the Randolph MFA program. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 62: Author Jonathan Corcoran

Bookstore Explorer

Play Episode Listen Later Apr 2, 2024 38:02

This week, we're joined by author Jonathan Corcoran to discuss his new memoir, No Son of Mine, and his lifelong love of bookstores! In addition to No Son of Mine, Corcoran is the author of the short story collecction The Rope Swing, which was a finalist for the Lambda Literary Awards and long-listed for The Story Prize. His essays and stories have been published and anthologized widely, including in Salvation South, Still: The Journal, Best Gay Stories, and the Oxford University Press textbook, How Writing Works.Books We Talk About: Sugar Run by Mesha Maren, The Prettiest Star by Carter Sickels, Black Tickets by Jayne Anne Phillips, and Fierce Attachments by Vivan GornickSmall Ways To Live Well from The Simple ThingsGet a six week suggestion box of things to note and notice this spring.Listen on: Apple Podcasts Spotify

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"Let's Deconstruct a Story" featuring Cara Blue Adams

Play Episode Listen Later Mar 1, 2024 44:07

Hi Everyone, I'm thrilled to host Cara Blue Adams today on the podcast. We talked about her stellar short story, "Vision," available from Joyland Magazine. I met Cara years ago at the Kenyon Writers Workshop (which I highly recommend by the way...) so it was great fun to reconnect on the podcast. Cara's work was recommended by Vincent Perrone, who is a part owner of the co-op bookstore, Book Suey, in Hamtramck, MI, so he joined us for the podcast as well. See his bio below, and please consider buying from Bookshop or even directly from Book Suey to support local bookstores! Enjoy the show and see you on April 1st! Kelly Cara Blue Adams is the author of the interlinked story collection You Never Get It Back (University of Iowa Press, 2021), named a New York Times Editors' Choice and awarded the John Simmons Short Fiction Prize, judged by Brandon Taylor, who calls it “a modern classic.” The collection was shortlisted for the Mary McCarthy Prize and longlisted for the Story Prize. Over twenty-five of her stories appear in magazines like the Granta, The Kenyon Review, Epoch, American Short Fiction, and Electric Literature, and her nonfiction appears in Bookforum and The Believer. She has received the Kenyon Review Short Fiction Prize, the Missouri Review William Peden Prize, and the Meringoff Prize in Fiction, along with a 2018 Center for Fiction Emerging Writer fellowship and selection as a Pushcart Prize Notable. She has also received support from the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, the VCCA, the Lighthouse Works, the Kimmel Harding Nelson Center for the Arts, and the New York State Council on the Arts. Cara earned a B.A. in English Language and Literature from Smith College and an MFA from the University of Arizona. Originally from Vermont, she has lived in Boston, Tucson, Montreal, Maine, South Carolina, and Baton Rouge. She is a former coeditor of The Southern Review. Currently, she is an associate professor in the MFA program at Temple University and lives in Brooklyn and the Hudson Valley. Purchase Cara's book at Book Suey (link above) or Book Shop or Amazon. My co-host: Vincent James Perrone is the author of the poetry collection, Starving Romantic (11:11 Press, 2018), the microchap, Travelogue For The Dispossessed (Ghost City Press, 2021), and a contributor to the anthology, Collected Voices in the Expanded Field (11:11 Press, 2020). His recent and forthcoming work can be found in Pithead Chapel, New Flash Fiction Review, TIMBER, Storm Cellar, and A Common Well Journal. Vincent lives in Detroit where he teaches at Wayne State University. He reads for Conduit and is a member-owner of the co-op bookstore, Book Suey. #shortstories #creativewriting #joylandmag #kenyonreview #booksuey

Tessa Hadley on Ivan Turgenev's FIRST LOVE

The Windham-Campbell Prizes Podcast

Play Episode Listen Later Feb 28, 2024 31:49

Tessa Hadley (winner of a 2016 Windham Campbell Prize for Fiction) joins Michael Kelleher for the final episode of this winter mini-season to talk about Ivan Turgenev's First Love, translated by Isaiah Berlin. Reading list: First Love by Ivan Turgenev, tr. by Isaiah Berlin • The Odyssey by Homer • "A Nest of Gentlefolk" by Ivan Turgenev • Anna Karenina by Leo Tolstoy Tessa Hadley is the author of three previous collections of stories and eight novels. She was awarded the Windham-Campbell Prize for Fiction, the Hawthornden Prize, and the Edge Hill Short Story Prize and has been a finalist for the Story Prize. She contributes regularly to The New Yorker and reviews for The Guardian and the London Review of Books. She lives in Cardiff, Wales. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

books reading guardian fiction wales new yorker first love cardiff london review isaiah berlin story prize manuscript library ivan turgenev tessa hadley beinecke rare book windham campbell prize michael kelleher hawthornden prize

Love in the Time of Creative-Writing Classes, with Brandon Taylor

Shakespeare and Company

Play Episode Listen Later Feb 14, 2024 51:11

Our guest this week is Brandon Taylor, whose new book The Late Americans is a stark retooling of the campus novel for the 21st century. Taking a university town in Iowa as his canvas, Taylor depicts the lives of a loose group of friends and associates: Seamus, Fyodor, Ivan, Noah and Fatima—students of writing and dance—as time barrels them towards the end of their studies and the harsh realities of the so-called “real” world beyond. The novel lives in Taylor's delicate and perceptive handling of the complicated interplay of money, class, race, art and sex—the bonds each of these can form between us and the divides they create. It is a book rich in ideas and reflections about contemporary life, contemporary America in particular, but these would all be for nothing without the meticulously wrought human comedy—in all its beauty and ugliness—at its core.Buy The Late Americans: https://www.shakespeareandcompany.com/books/the-late-americansBrandon Taylor is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He was the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Inspiration for Writing: In the Presence of the Ancestors

The Perkins Platform

Play Episode Listen Later Feb 7, 2024 30:00

Wun Tsun Tam Mellon Professor of the Humanities in the Department of African American and African Diaspora Studies at Columbia University, Edwidge Danticat joins us to discuss her work and particularly the design and intent in her course, "Writing in the Presence of Ancestors.” Edwidge received her B.A. in French Literature from Barnard College and her Master of Fine Arts in Creative Writing from Brown University. She is the author of seventeen books, including Breath, Eyes, Memory, an Oprah Book Club selection, Krik? Krak!, a National Book Award finalist, The Farming of Bones, an American Book Award winner; the novels-in-stories, The Dew Breaker, Claire of the Sea Light, and The Art of Death, a National Book Critics Circle finalist for Criticism. She has written seven books for children and young adults, a travel narrative, After the Dance, and a collection of essays, Create Dangerously. Edwidge is a 2009 MacArthur Fellow, a 2018 Ford Foundation Art of Change Fellow, a 2018 winner of the Neustadt Prize, a 2019 winner of the Saint Louis Literary Award, a 2020 United States Artist Fellow, a 2020 winner of the Vilceck Prize, and a 2023 winner of the PEN/Malamud Award for Excellence in the Short Story. Her story collection, Everything Inside, was a 2020 winner of the Bocas Fiction Prize, The Story Prize, and the National Book Critics Circle Fiction Prize. Her essay collection We're Alone is forthcoming from Graywolf Press in Fall 2024, and a novel, The Once and Future Dead, from Knopf in 2025. Tune in for this special broadcast on Wednesday, February 7 @ 6pm EST!

"Let's Deconstruct a Story" featuring Leigh Newman

Let's Deconstruct a Story

Play Episode Listen Later Feb 1, 2024 62:39

Hi Everyone, We had so much fun discussing Leigh Newman's short story, "An Extravaganza in Two Acts," available here from Electric Literature. You are going to learn so much about writing historical fiction. Leigh is a hoot! The conversation moved at a clip, so I have some discussion notes for you below. Also, check out the bonus question one of my earlier guests, award-winning author and Pulitzer-prize nominated journalist Desiree Cooper, sent to Leigh after we recorded the podcast. We have a new Let's Deconstruct a Story Facebook page and Instagram page. I'd love to see you there. Please like or follow it if you have a chance, and feel free to post questions, comments, or suggestions for future guests. Here's a link to the podcast on Apple, Spotify, and Audible. Next month, I'll be talking to Cara Blue Adams about her short story, "Vision," available here. You might consider buying Cara Blue Adams' book, You Never Get it Back, from Bookshop because my co-host for that podcast, Vincent Perrone, is part owner of Book Suey in Hamtramck, and all sales that roll through Bookshop next month will support his store. Happy reading! Kelly PS: Do you have trouble sleeping? If so, I highly recommend Nothing Much Happens, Bedtime Stories for Grown-ups by Kathryn Nicolai. Apparently, Kathryn also lives in Michigan. I don't know her, but I'm obsessed with these bedtime stories because they are designed to put you to sleep, and her voice is very soothing, but they are also wonderful. If you are in the mood for delightful, feel-good stories, check them out here. PSS: I have to give one television show a plug...I was listening to a podcast featuring a former classmate from Kenyon, and she suggested a Swedish show called The Restaurant. IT IS SO GOOD. It's winter here in Detroit, and bleak bleak bleak, so I figured, like me, you might want to light some candles and curl up with a good drama. This one is cutting into my reading time, which is the highest praise from me. Let me know what you think!! Leigh Newman: Leigh Newman's collection Nobody Gets Out Alive (Scribner) was long-listed for the National Book Award for Fiction and The Story Prize. Her stories have appeared in the Paris Review, Harper's, Best American Short Stories 2020, Best American Mystery and Suspense 2023, Tin House, McSweeney's Quarterly Concern, One Story and Electric Literature, and have been awarded a Pushcart prize and an American Society of Magazine Editors' fiction prize. Still Points North (Dial Press), her memoir about growing up in Alaska, was a finalist for the National Book Critic Circle's John Leonard prize. In 2020, she received the Paris Review's Terry Southern Prize for “humor, wit, and sprezzatura." Newman's essays and book reviews have appeared in The New York Times, Bookforum, Vogue, O The Oprah Magazine, and other magazines. When not writing, she looks after her two dogs, two kids, and one cat. Goals include: goats and more chickens. Podcast Host: Kelly Fordon's latest short story collection, I Have the Answer (Wayne State University Press, 2020), was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her 2016 Michigan Notable Book, Garden for the Blind (WSUP), was a Michigan Notable Book, an INDIEFAB Finalist, a Midwest Book Award Finalist, an Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection, Goodbye Toothless House (Kattywompus Press, 2019), was an Eyelands International Prize Finalist and an Eric Hoffer Finalist. It was later adapted into a play by Robin Martin and published in The Kenyon Review Online. She is the author of three award-winning poetry chapbooks and has received a Best of the Net Award and Pushcart Prize nominations in three different genres. She teaches at Springfed Arts in Detroit.

Highlights - RICK BASS - Author & Environmentalist - “Why I Came West”, “For a Little While”

Play Episode Listen Later Sep 28, 2023 11:43

"I grieve the changes to the four seasons that are happening here in Montana. One of the great things about this place is having four distinct seasons, and now they're tilted. Some are short, some are long, and some don't exist anymore. And that's unsettling, to say the least. It's not a fear of what's coming. It's a grief for what's gone away. I'm mindful of the pressure that we are putting on the generations who follow us and the mandate to have fun, to be fully human, to be joyous, to celebrate, and to enjoy being in the midst of nature's beauty."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com.www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

texas west portland atlantic mississippi maine montana tickets new yorker esquire environmentalists guggenheim nea pushcart prize paris review national book critics circle award best american short stories story prize rick bass henry awards

RICK BASS - Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While”

Play Episode Listen Later Sep 28, 2023 42:09

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "I grieve the changes to the four seasons that are happening here in Montana. One of the great things about this place is having four distinct seasons, and now they're tilted. Some are short, some are long, and some don't exist anymore. And that's unsettling, to say the least. It's not a fear of what's coming. It's a grief for what's gone away. I'm mindful of the pressure that we are putting on the generations who follow us and the mandate to have fun, to be fully human, to be joyous, to celebrate, and to enjoy being in the midst of nature's beauty."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - RICK BASS - Author & Environmentalist - “Why I Came West”, “For a Little While”

One Planet Podcast

Play Episode Listen Later Sep 28, 2023 11:43

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.We want the climate refuge to be really big. We want it to store a ton of carbon. We want it to be a focal point for increased scientific and artistic inquiry. We've brought in the world's leading climate scientists, and they've analyzed it, and they're proposing studies that should happen there. We've brought in our country's leading artists and they have experienced it and responded to it in their own way. We've had performance artists come and play music in the forest. So we want to establish the nation's first climate refuge. There is no such designation. We want it to be in Black Ram. This forest that almost got erased, a forest that was a thousand years old and almost went away. But we're getting a second chance. We saved it. Now we want to preserve it for another thousand years to study it, but we don't want to stop there. We want the government to establish a series of climate refuges all along the northern tier of the United States. What we think of as a necklace of green, a curtain of green. And from there to go around the globe, across northern Europe and northern Asia, and back around to Alaska. The amount of carbon that can be kept safely sequestered there is extraordinary. The numbers are almost unbelievable."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

RICK BASS - Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While”

Play Episode Listen Later Sep 28, 2023 42:09

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "Be specific. Show, don't tell. And it comes back to the five senses. If it's something we can touch, taste, scent, see, hear, then we're going to engage more deeply in the dream. And if it's an abstraction like beautiful or terrible, that's a kind of shorthand, and we lose a little bit of our connection with the reader every time we use an abstraction because beautiful is going to mean something slightly different to every different reader. And then you put another abstraction on that, terrible say, that's going to mean something different. Abstraction by abstraction, a degree at a time, two or three degrees at a time, finally you're 180 degrees away from the reader. Whereas if it's something specific, a yellow-handled phillips screwdriver with a bit of oil and the handles worn smooth from where the protagonist's father had done kitchen repair in their home 75 years before, falling off a ladder at the age of nine and breaking his neck...The specificity allows us to believe in the dream of the story. And that's what we as writers want the reader to be. We want to believe in the dream of the story. When we're not being specific as writers, it's because we are groping and grasping for the story. I think the best writing is the most specific writing, and there's this phenomenon as a writer when your story sags and you can't quite figure out what's gone wrong. You go back and look at it and wherever your best writing is, that's where the secret heart of the story is. That's where the story was trying to come up from below. And when you subconsciously were most engaged with it, you could see it, you could taste it, you could smell it, you could feel it, you could hear it.William Carlos Williams said, 'No ideas, but in things.' He said in five words what I just spent five minutes blathering about. No ideas, but in things. Don't tell me what something is. Show it to me. The meaning and the idea is in the image or in the sound, or in the taste."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - RICK BASS - Author & Environmentalist - “Why I Came West”, “For a Little While”

Spirituality & Mindfulness · The Creative Process

Play Episode Listen Later Sep 28, 2023 11:43

"Be specific. Show, don't tell. And it comes back to the five senses. If it's something we can touch, taste, scent, see, hear, then we're going to engage more deeply in the dream. And if it's an abstraction like beautiful or terrible, that's a kind of shorthand, and we lose a little bit of our connection with the reader every time we use an abstraction because beautiful is going to mean something slightly different to every different reader. And then you put another abstraction on that, terrible say, that's going to mean something different. Abstraction by abstraction, a degree at a time, two or three degrees at a time, finally you're 180 degrees away from the reader. Whereas if it's something specific, a yellow-handled phillips screwdriver with a bit of oil and the handles worn smooth from where the protagonist's father had done kitchen repair in their home 75 years before, falling off a ladder at the age of nine and breaking his neck...The specificity allows us to believe in the dream of the story. And that's what we as writers want the reader to be. We want to believe in the dream of the story. When we're not being specific as writers, it's because we are groping and grasping for the story. I think the best writing is the most specific writing, and there's this phenomenon as a writer when your story sags and you can't quite figure out what's gone wrong. You go back and look at it and wherever your best writing is, that's where the secret heart of the story is. That's where the story was trying to come up from below. And when you subconsciously were most engaged with it, you could see it, you could taste it, you could smell it, you could feel it, you could hear it.William Carlos Williams said, 'No ideas, but in things.' He said in five words what I just spent five minutes blathering about. No ideas, but in things. Don't tell me what something is. Show it to me. The meaning and the idea is in the image or in the sound, or in the taste."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

RICK BASS - Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While”

Play Episode Listen Later Sep 28, 2023 42:09

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - RICK BASS - Author & Environmentalist - “Why I Came West”, “For a Little While”

Spirituality & Mindfulness · The Creative Process

Play Episode Listen Later Sep 28, 2023 11:43

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

RICK BASS - Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While”

One Planet Podcast

Play Episode Listen Later Sep 27, 2023 42:09

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.We want the climate refuge to be really big. We want it to store a ton of carbon. We want it to be a focal point for increased scientific and artistic inquiry. We've brought in the world's leading climate scientists, and they've analyzed it, and they're proposing studies that should happen there. We've brought in our country's leading artists and they have experienced it and responded to it in their own way. We've had performance artists come and play music in the forest. So we want to establish the nation's first climate refuge. There is no such designation. We want it to be in Black Ram. This forest that almost got erased, a forest that was a thousand years old and almost went away. But we're getting a second chance. We saved it. Now we want to preserve it for another thousand years to study it, but we don't want to stop there. We want the government to establish a series of climate refuges all along the northern tier of the United States. What we think of as a necklace of green, a curtain of green. And from there to go around the globe, across northern Europe and northern Asia, and back around to Alaska. The amount of carbon that can be kept safely sequestered there is extraordinary. The numbers are almost unbelievable."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - JIM SHEPARD - Award-winning Author of The Book of Aron, Project X, The World to Come, Like You'd Understand, Anyway

Play Episode Listen Later Sep 20, 2023 11:39

"In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination. I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

JIM SHEPARD - Author of The Book of Aron, Project X, The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston

Play Episode Listen Later Sep 20, 2023 48:09

How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination.I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

JIM SHEPARD - Author of The Book of Aron, Project X, The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston

Play Episode Listen Later Sep 20, 2023 48:09

How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination.I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - JIM SHEPARD - Award-winning Author of The Book of Aron, Project X, The World to Come, Like You'd Understand, Anyway

Film & TV Â· The Creative Process

Play Episode Listen Later Sep 20, 2023 11:39

"In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination. I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

JIM SHEPARD - Author of The Book of Aron, Project X, The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston

Play Episode Listen Later Sep 20, 2023 48:09

How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."It's a thrill to work with actors you admire. And I got to work with Casey Affleck, Vanessa Kirby, and Katherine Waterston and their wonderful actors. The whole business of film runs on compliments because then if you compliment people, you don't have to pay them. And so I got to be on the set in the Carpathians when they were filming, and I got a steady diet of, 'Oh my God, you're such a good writer. This is such a good screenplay!' And I was just basking in it. As a fiction writer, you don't get that very often. So, I was just happy to have a little narcissistic warm bath and float around in that for a while and imagine myself as Casey Affleck's favorite writer, which I think I was for 30 minutes or something like that.Cinema is not very good at interiority. Cinema is good at behavior, at action, at allowing us to figure out through exterior signals what's going on...is very appealing to me. So as soon as you tell me that this was the biggest tsunami ever, I'm like, I want to know more about that. And that kind of childlike wonder about the visual is often what drives me to sit down and do a story in the first place. So I start with a much more visual and a much more spectacular, and I'm sure cinema drove me in that direction in the first place."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Highlights - JIM SHEPARD - Award-winning Author of The Book of Aron, Project X, The World to Come, Like You'd Understand, Anyway

Film & TV Â· The Creative Process

Play Episode Listen Later Sep 20, 2023 11:39

"It's a thrill to work with actors you admire. And I got to work with Casey Affleck, Vanessa Kirby, and Katherine Waterston and their wonderful actors. The whole business of film runs on compliments because then if you compliment people, you don't have to pay them. And so I got to be on the set in the Carpathians when they were filming, and I got a steady diet of, 'Oh my God, you're such a good writer. This is such a good screenplay!' And I was just basking in it. As a fiction writer, you don't get that very often. So, I was just happy to have a little narcissistic warm bath and float around in that for a while and imagine myself as Casey Affleck's favorite writer, which I think I was for 30 minutes or something like that.Cinema is not very good at interiority. Cinema is good at behavior, at action, at allowing us to figure out through exterior signals what's going on...is very appealing to me. So as soon as you tell me that this was the biggest tsunami ever, I'm like, I want to know more about that. And that kind of childlike wonder about the visual is often what drives me to sit down and do a story in the first place. So I start with a much more visual and a much more spectacular, and I'm sure cinema drove me in that direction in the first place."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

864. Lauren Groff

Play Episode Listen Later Sep 10, 2023 63:41

Lauren Groff is the bestselling author of the novel The Vaster Wilds, available from Riverhead Books. Groff is a three-time National Book Award finalist and the New York Times bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, and Matrix, and the short story collections Delicate Edible Birds and Florida. She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. Groff 's work regularly appears in The New Yorker, The Atlantic, and elsewhere. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

spotify new york times matrix atlantic monsters stitcher google podcasts new yorker bookshop arcadia national book award fates templeton furies national book critics circle award groff lauren groff riverhead books story prize vaster wilds delicate edible birds

856. Jamel Brinkley