Podcasts about HarperCollins

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about Dolly Parton, copyrights, and HarperCollins. Then, stick around for a chat with Lisa Gardner! Lisa Gardner, a #1 New York Times bestselling thriller novelist, began her career in food service, but after catching her hair on fire numerous times, she took the hint and focused on writing instead. A self-described research junkie, she has transformed her interest in police procedure and criminal minds into a streak of internationally acclaimed novels, published across 30 countries. She's also had four books become TV movies (At the Midnight Hour; The Perfect Husband; The Survivors Club; Hide) and has made personal appearances on TruTV and CNN. Lisa lives in New Hampshire where she spends her time with an assortment of canine companions. When not writing, she loves to hike, garden, snowshoe and play cribbage. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every writer has imagined it: the book deal comes through, and suddenly a publishing house swoops in with a marketing team, a book tour, and a private jet waiting on the tarmac. (Okay, maybe not the jet.) But when the launch date arrives and the phone doesn't ring, a lot of authors are left wondering what went wrong.In this episode of Writing at the Red House, Kathi Lipp tackles one of the hardest — and most freeing — truths in publishing: your publisher is not your marketing department. Kathi talks with author and publisher Susy Flory, who now sits on both sides of the table, about what a publisher actually does, what belongs to the author, and why understanding the difference is the key to a launch that doesn't leave you crushed.Why This Conversation Matters for WritersIf you've ever felt abandoned after your launch week, confused about why your book isn't on a featured table at the bookstore, or overwhelmed by the idea that marketing is now your job on top of everything else in your life — this episode is for you. Kathi and Susy talk honestly about disappointment, unrealistic expectations, and the very real ways authors can connect with readers without a five-figure marketing budget.In This Episode, Listeners Will Learn:The actual job description of a publisher — produce the book, make it available, distribute it — and where that job endsThe difference between publicity (free, pitched, story-driven) and marketing (paid, transactional) — and why confusing the two sets writers up for disappointmentWhy publishers and agents are so focused on the size of your audience, and what that means for writers building a platform from scratchWhat "author-owned marketing" looks like in real life, and how to start it long before your book releasesWhy public speaking and teaching may still be the most effective connection tool an introverted writer hasHow to identify your unique advantages — the readers you can reach that your publisher never couldWhat can go wrong even with a great publisher, and how to hold your expectations with open handsThe question to ask before pitching yourself to another creator's audience (hint: it's not "here's what I want to talk about")Why setting aside your own marketing money matters — and what to ask your publisher before you sign the contractThe Heart of ItAs Kathi puts it, this isn't about being cynical — it's about being protected. There's a world of difference between being perpetually disappointed and being genuinely empowered. Your publisher loves your book. They chose it. But they don't know your people. You do.Susy reminds listeners that readers don't buy books from HarperCollins. They buy from you — the writer they know, trust, and want to hear from. And that relationship isn't a burden to dread. It's the whole point.Listen to this episode for a clear-eyed, encouraging look at what's actually yours to carry as an author — and how to carry it well.

Fun fact: Today's episode was delayed due to Tangletongue's external hard drive failing. Thankfully, the file she needed was recovered. The file needed was the Jinx Bleep. So that's how this episode goes.Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources: Today Is Monday, Which Means That Gandalf Gets To Lick a Graham Cracker | Know Your MemeIndoorOutdoorKat WebsiteIndoorOutdoorKat TikTokonly licks, no bites… (they aren't toxic to cats, but we don't underst... | cat | TikTokWoman Can't Believe Her Eyes After Urgent ‘Come Upstairs' Text From Fiancé - NewsweekMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

Peter McLaughlin was given a twin diagnosis 23 years ago: Lyme disease and leukemia on the same day. The doctors told him if he was lucky, he had 10 years. They didn't know what caused it and they didn't know how to cure it. So he went looking himself. What he found in the depths of his own psyche became the foundation of an entire life's work in hypnotherapy, past life regression, Havening, and subconscious reprogramming. He's been healthy for 23 years. And in this conversation, he shares what he learned along the way, including one of the most fascinating explanations I've ever heard for why we drink. We get into what hypnosis actually is and why the entertainment version of it has given most people completely the wrong idea. We talk about how trauma gets encoded in the nervous system as safe or not safe, and why that single distinction explains almost every self-sabotaging pattern people can't seem to break. We go into past life regression, what happens emotionally when someone encounters a lifetime they consciously have no memory of.  And we talk about alcohol. Specifically, why it's called spirits. What it actually does energetically when you drink. And how Peter uses future progression in hypnosis to help people feel, in their body, the 10-year contrast between two versions of their life, one that keeps drinking and one that doesn't.   IN THIS EPISODE  The twin diagnosis that sent Peter into the depths of his own subconscious, and what he found there What hypnosis actually is, why the entertainment version gets it completely wrong, and the everyday experience almost everyone has had that is genuinely hypnotic Why alcohol is called spirits, and what Peter believes is actually happening energetically when you drink How root cause healing differs from symptom management, and why going back to the origin of a pattern is the only thing that actually resolves it Past life regression: what it feels like from the inside, what happens emotionally, and why the most mundane past lives are often the most moving Havening: what it is, how it works, and why the magic isn't in the tapping The future progression technique Peter uses with clients, and why the 10-year contrast is so powerful Why other people don't give you love, they just trigger the feelings you're already capable of generating yourself The one book Peter recommends above all others, and why he reread it after his father died   Find Peter at blueskyhypnosis.com and on YouTube at Blue Sky Hypnosis, where his past life regression track has nearly a million views. Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage, meaningful monthly challenges, weekly coaching and more.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with The Love Songs of W.E.B. DuBois, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era. Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel's publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything. Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, The Age of Phillis. She was on the podcast on June 20, 2025 to discuss her book, Misbehaving at the Crossroad: Essays and Writing. You can find Honorée on Substack, Facebook, and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

We get answers this episode - and rather than enlightening, it's just frustrating.Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastWhat We Are Reading (Not Sponsored):Stages of Rot by Linnea SterteA Collective Bargain by Jane McAleveyCat Fact Sources: Tater Tot the Kitten | Know Your MemeKitty CrusAIDe - Nonprofit WebsiteKitty CrusAIDe (@kittycrusaide) | TikTokKitty CrusAIDe (@kittycrusaide) • InstagramRover - Meet Tater Tot, the Internet's Favorite Foster KittyWMTV 15 - Tater Tot, the kitten in splints that went viral, leaves lasting impact after his passingMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

Ellie White's 40s did not go gently. A pandemic upended her life in London and moved her to the Sussex countryside. She fell in love with the idea of becoming a mother for the first time at 43, found out she was pregnant, and very sadly lost her son at 22 weeks. Less than a year later, she had a miscarriage.  She saw a photo of herself on a hiking holiday in Switzerland and didn't recognize the woman looking back at her and knew she needed a change.  She started running. She ran the London Marathon. She trained as a health coach. And somewhere in the middle of all of that, at a birthday lunch when she was 47, she ordered a mocktail instead of champagne, just to see what would happen. She's been alcohol-free since.  Ellie is now a 5x certified coach specializing in wellness and alcohol-free living for women in midlife, and this conversation shows that a relationship with alcohol rarely changes in isolation.  It changes when everything else is changing, when life has pushed you far enough that you finally stop and ask what you actually want. We talk about grief, midlife hormonal changes and why alcohol makes every single one of them worse, what reinvention actually looks like for the women Ellie works with, and what it meant to lose her dog Maddie six months ago while alcohol-free, and to actually be present for all of it.   IN THIS EPISODE:  Losing a son at 22 weeks, then a miscarriage less than a year later, and what those losses set in motion How grief became the catalyst for a complete life overhaul, including retraining, running, and eventually eliminating alcohol The birthday lunch decision at 47 that changed her life, and why she describes it as her rebel side showing up How alcohol interacts with perimenopause hormones, progesterone, estrogen, cortisol, and sleep in ways most women don't realize What two months alcohol-free has looked like for one of Ellie's current clients The woman who went on a walk on the beach instead of a pub garden and accidentally joined a mermaid sea swimming group What it was like to lose her dog Maddie while alcohol-free, and why she's grateful she was sober to drive her to the vet that night   Find Ellie at elliewhitewellness.com and on Instagram @byelliewhite Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage, meaningful monthly challenges, weekly coaching and more.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

Patients, doctors and nurses are turning to AI for help identifying rare and undiagnosed diseases. WSJ reporter Alex Janin explains what makes AI good at playing medical detective, and how some people have used it effectively. Plus, the book publishing industry is in chaos, and AI is to blame. Journal reporter Anna Silman discusses the reckoning that authors, publishers and agents are facing over the use of AI in book writing. Belle Lin, a reporter for The Wall Street Journal Leadership Institute, hosts. Sign up for the WSJ's free Technology newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Children's fiction studio founder Jasmine Richards (Storymix), publisher Natalie Doherty (Puffin and HarperCollins Children's Books), and bestselling author Soman Chainani (The School for Good and Evil) on shaping an idea commercial enough to sell, what makes a children's book impossible to put down, and trusting the unconscious to write it.   You'll learn Why the most commercial idea is the one that centres its reader from the very first thought. How a single pithy log line can carry a book all the way from the slush pile to the playground. The counterintuitive trick of starting your story at chapter three. How to read what children are reading now so your pacing keeps up with theirs. What a publisher is really looking for when a manuscript lands on the desk — and why voice comes before plot. How the categories from early readers to YA actually break down on the bookshop shelf. The difference between weaving in a message and writing a book that feels worthy. The case for never self-censoring in a first draft, and saving the negotiation for later. How tiring out your conscious mind can unlock a freer, more instinctive way to draft. Why the goal of writing should be the writing itself, not the bestseller list.   Episode Links #050: Jasmine Richards — How to Pitch Commercial Children's Fiction & The Business of Children's Publishing #081: Natalie Doherty — The Magic of Writing for Children, Market Trends & Behind the Scenes of Publishing Children's Books #035: Soman Chainani — Writing Dark Tales for Children & Balancing Creative Work with Discipline   About the Guests Jasmine Richards is the author of over a dozen children's books, ranging from picture books to teen fiction. Her most recent novel, Keeper of Myths, was published by HarperCollins. She has over 15 years of experience as an editor, including roles at Hamish Hamilton, Puffin, and Dutton Books in New York. Jasmine is the founder of Storymix, a children's fiction studio, where she uses her unique experiences to develop new voices and inclusive stories. Natalie Doherty is a Publisher at Puffin, although during this interview she was at HarperCollins Children's Books. She's worked with award-winning and bestselling authors, including Tom Fletcher, Robin Stevens, R. J. Palacio, Tamzin Merchant, and Nazneen Ahmed Pathak. Before moving into editorial in 2010, she worked in Contracts and Rights at Hachette and holds a BA in Modern European Languages and an MA in Translation. Her recent middle-grade acquisitions include Simon Stephenson's The Snowman Code and Philippa Leathley's Inkbound. Soman Chainani's debut series, The School for Good and Evil, has sold more than 3 million copies, been translated into 30 languages across 6 continents, and became a major motion picture from Netflix starring Charlize Theron, Laurence Fishburne, Kerry Washington, and Michelle Yeoh, with Chainani as an executive producer. Each of the six books in the series — The School for Good and Evil, A World Without Princes, The Last Ever After, Quests for Glory, A Crystal of Time, and One True King — debuted on the New York Times Bestseller list. A graduate of Harvard University, Soman created his own fairy-tale major before going on to an MFA in film at Columbia University. He has made films that have played all over the world, and his writing awards include honors from Big Bear Lake, the CAPE Foundation, and the Sun Valley Writers' Fellowship. In Beasts & Beauty: Dangerous Tales, Soman reimagines old stories into fresh fairy tales for a new era. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Full episode description What might become possible if you stopped keeping an escape route—and devoted yourself completely to what you love? In this intimate and poetic conversation, Michael sits down with bestselling poet and author Allie Michelle, whose work explores love, loss, creativity, lineage, and the courage to remain fully human. Allie shares the moment she closed her businesses and committed herself entirely to writing—only to receive an unexpected book offer from HarperCollins. As she describes it: “You chose your art, and your art chose you back.” Together, Michael and Allie explore what it means to create in an age of constant distraction; why boredom may be the birthplace of art; and how the parts of ourselves we suppress often return through the people we love. Allie reflects on walking the Camino de Santiago without her phone, becoming “Freedom Wolf,” and moving from being a writer holding a pen to becoming “a pen in life's hand.” They also journey through the unsent words we carry, the courage required to keep the heart open, the wisdom of lineage, and the beauty of making something no one may ever witness—from a pianist playing alone in a forest to an Indigenous flower blessing offered at sunrise. This is a conversation about burning the boats, letting failure deepen the work, loving people beyond our projections, and singing your song even—and especially—when no one is listening. In this episode: Why distraction is the death of art and boredom its birthplace The danger of living like a personal brand How to recognize the work that is truly calling you What Allie learned from a samurai master Burning the boats and abandoning your escape routes Why failure is a comma, not a period The connection between suppressed identity and romantic attraction Reclaiming the wild, “feral” parts of ourselves The practice of identifying your unsent letters Creating as an offering rather than a performance Why sensitivity can become an artist's greatest instrument Honoring endings, impermanence, and the many lives we live Allie closes the episode with a breathtaking poem imagining a life lived in reverse—a reminder to find magic in the ordinary and return to the only moment we ever truly possess: Just here. Just now. Just this. Featured book: Don't Forget to Light the Candles by Allie Michelle. Michael Trainer has spent 30 years learning from Nobel laureates, neuroscientists, and wisdom keepers worldwide. He's the author of RESONANCE: The Art and Science of Human Connection (March 31, 2026), co-creator of Global Citizen and the Global Citizen Festival, and host of the RESONANCE podcast.Featured in Forbes, Inc, Good Morning America. Follow on YouTube

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Patricia Vila Buroni, Locutor: Tania Davila, y Editor: Aurora Fujishin - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

We're talking tattoos and body art this week! You might not have a tattoo, but odds are you've read a few thousand of them, as romance novels love a main character with a message…right on their skin. We talk about some of our favorite tattoo romances, about what tattoos represent, why they're so sexy, and why romance loves a tattoo artist. Every one of these books is a banger…enjoy filling your end of summer TBR with them.Come talk about your favorite romances with tattoos or about romance in general over on our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along, in two weeks, is Sarah's A Rogue By Any Other Name, the first in her casino series. This is one we've gotten a bunch of requests for, and so, it will be our final read along of the season. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksThe Montgomery Ink series by Carrie Ann RyanThe Duke with the Dragon Tattoo by Kerrigan ByrneTo Desire a Devil by Elizabeth HoytThe Magpie Lord by KJ CharlesDaring and the Duke by Sarah MacLeanThese Summer Storms by Sarah MacLeanMerry Inkmas by Talia HibbertRepeat by Kylie ScottWritten on his Skin by Simone StarkThree Dirty Secrets by Nikki SloaneUnder Her Skin by Adriana AndersPermanent Ink by Avon Gale and Piper VaughnSin & Ink by Naima SimoneReaper's Legacy by Joanna WyldeHard as it Gets by Laura KayeNotesTattoos have a long history tangled up with colonization, which is why for a long time they were thought to be stigmatizing. They are definitely more mainstream now, which means tattoo culture is changing which has caused its own clashes, but they also aren't thought of as class markers anymore.All about sextants.Merry Inkmas is actually Talia's second book, her first was Bad for the Boss, which is no longer in print. Jen reviewed both of those for The Book Queen when they were released.Check out the secret tattoos collection on our website.SponsorsEllie Devine, author of The Survival Guide to Alexander McBryde, available in print or ebook, or with your monthly subscription to Kindle Unlimited.E. Kennedy, author of Thornbird, available at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Harpercollins, publishers of Spellfire by Agatha WIllow, available in print or ebook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/8/10/0847-romance-tattoo If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Leafstar and Snookpaw learn to trust their instincts. In differnt ways. Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastWhat We Are Reading (Not Sponsored):Charlie the Caterpillar Written by Dom DeLuise;Illustrated by Christopher SantoroCat Fact Sources: Chick-fil-A Sauce Cat | Know Your MemeReddit Post History - KigbittiesTearHere.netMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

How can you tell where the real innovation in publishing is happening right now, and why is it emerging from the indie side first? How do you market your own book when you've spent 35 years marketing everyone else's? John Bond talks about Going Indie and what he's learned about authors who last. In the intro, my thoughts on writing with AI, Charles Dickens and encouragement for the 3-year-old dancing to K-Pop at the wedding, UK copyright law, The end of an era — Hugh Howey; Notre Dame, Paris; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why 2012 was a watershed moment for publishing in the UK Whether the snobbery around self-publishing has finally gone How to co-write a book with someone, and why there's no formula The pride swallowing involved in getting endorsement quotes for your own book The shadow economy of indie sales that no industry chart measures The hallmarks of writers who build a long-term career You can find John at wearewhitefox.com. Transcript of the interview with John Bond Jo: John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. So welcome back to the show, John. John: Thank you, Jo. Thanks so much for having me. Jo: You were last on the show in 2022. You've been on a couple of times, but just set the scene. Tell people a bit more about you and your long background in publishing. John: I suppose I could say I started as a marketing manager at Penguin back in the early 1990s in London, and that role eventually evolved into running sales and marketing, as it often does. I did that at Penguin and at HarperCollins. Then I ran one of the publishing divisions at HarperCollins, including 4th Estate, and published Hilary Mantel and Jonathan Franzen and Chimamanda Ngozi Adichie and others. I left that in 2011 and set up Whitefox in 2012, and it's a classic startup story. It was somebody I worked with at HarperCollins. We sat around a kitchen table, came up with an idea for a business, which was Whitefox, and that's grown into the creative agency that it is today. Jo: So back then, did you think, “I can do this better”? Was that the impetus, “I can do publishing better than Penguin and HarperCollins”? John: No, I thought we would solve a problem. There's something very attractive about that whole startup mentality and beginning something from scratch. I mean, I was in my early 50s. I'd had a long career in traditional publishing. On the plus side, I knew a lot of people, and I thought I could get meetings, people would reply to my phone calls or my emails. On the downside, I didn't necessarily have the energy of a 20 to 25-year-old. I knew a lot of people and I knew quite a lot of things, and I also knew what problems something like Whitefox could solve. We set up with this idea that if we could galvanise and organise the diaspora of freelancers in the publishing space and make them available to anybody that wanted to make a book, that that would be quite a powerful thing. These incredibly creative, wonderful people who were below the radar and were not particularly valued or managed or utilised properly. I thought if we could access that and make that available not just to traditional publishing people who know about these people, but to individual authors, businesses, brands, people that wanted to make a book, and if you added a layer of our expertise from traditional publishing, that could be quite powerful, I suppose. That's what I was thinking back then. Jo: It's funny, though. You said these wonderful freelancers who were not particularly valued or managed or utilised properly. That could also apply to a lot of authors in traditional publishing. John: Totally. Totally. But if I'm honest, I don't think I was thinking about that. What's really evolved since we started, even in that 2011, 2012 period, is so much has happened to independent writers, indie authors. The whole ecosystem has become much more vibrant, and what is accessible to those writers is much greater. I'd like to think we've played a part in that. What that's done is put power back into writers' hands, and that quickly became apparent in the business as a byproduct of what we'd set up. Jo: Yes, and 2012 I do think in the UK was a pivot point, because I got into self-publishing in 2006/2007 when the Americans did with the beginning of the Kindle and the iPhone. Really the American ecosystem grew first. I happened to be in Australia, and so I think I was able to escape the negativity of the vortex in the UK, which took a number more years to embrace self-publishing as a force to be reckoned with as opposed to an embarrassing thing in the corner for vanity press. Do you see 2012 as a changing point in UK publishing? John: I think we'd just come out of the Kindle moment, hadn't we? There were all sorts of conversations going on about how that was going to change things forever. I think no one quite knew what the upshot of that was going to be, but we knew that it was incredibly disruptive. In 2012, Penguin, as it was then, before Penguin Random House, had offered to buy Author Solutions for $115 million, presumably seen as some kind of defensive measure as to what the market was going to evolve into. I think it felt like a real period of change. In the UK, James Daunt took over running Waterstones, and he was then ultimately going to run Barnes & Noble. It felt like a bit of a watershed. I think we were lucky in that sense, that maybe in the UK and in London, what we were creating coincided with an opening up of opportunity and creativity, and people wanting access to more tools to be able to do things themselves. Getting this idea that you invest in your own talent and what that could mean for your ability to do things quicker, better. Some of it was happenstance, but lucky for us. As you say, we then became aware that in a sense a lot of these things had come to fruition earlier on the US side. In London, that whole idea of setting up something that wasn't a traditional rights-owning model, but where you wanted to be working with people creatively, felt actually really exciting and timely. Jo: And when you started to work with independent authors, probably a couple of years after that, you started to work with a lot more indie authors and things really started to change in terms of the business side. Did you feel any of the snobbery from the traditional industry? Like you mentioned, you have a lot of contacts, a lot of connections. I came to your wonderful launch party and there were just people from all over the industry. I wondered if you got any kickback, or if anyone raised their eyebrows a little bit at who you were choosing to work with? John: Oh, definitely. And I would say I really think that's gone. You may think differently, Jo, but from my perspective, I think there has been such an evolution in the nearly 15 years that we've been going. So any of that residual snobbery, looking down your nose at people that were going DIY, producing multiple books, learning from every single publication. We've spoken about this before. I remember you sat on the panel of a FutureBook conference in the UK, which was run by a trade magazine, with this idea of looking at the, in quotes, “digital future of the business.” It felt like there were a lot of things being talked about, but not a lot of action on the traditional side. I suppose some sort of awe that there was some magic going on with people who were making a success of self-publishing. But then quite a lot of people looking down their noses at things that shouldn't get through the gatekeepers. I do think that's gone. Or if it's not completely gone, I can see it on the way out of the door, because there's no room for that when agents are struggling to sell books to publishers because publishers are looking at the next indie author, the next Freida McFadden, the next Sarah J. Maas, the next Rebecca Yarros. So whoever it may be, or wherever they're publishing, whatever they're doing now, wherever they may be, knowing that a lot of those people will already be publishing and be on not their first, second, third or fourth, but potentially their 10th or 11th book. It's a race to see who can help those authors, as a traditional publisher would see it, amplify what they're doing. I think the idea that there's an us and them, if it did exist then, which it certainly did in certain publishing quarters, is gone. I used to go to those conferences, like the FutureBook Conference, and certain publishers would talk about publishing, and when they meant publishing, they meant a really tiny area of quite literary, traditional imprints. That's what publishing meant. They didn't even mean publishing to mean educational publishing, or children's publishing, or academic publishing, and certainly not Kindle or POD or whatever. So I think that's had to change for very good, sound, commercial, economic reasons. Jo: Yes, you're right. I definitely have heard, as we go to similar events sometimes, and you do hear agents used to talk a lot more about finding books very occasionally in a slush pile, or doing courses so you could meet people and do pitch events and all this. Now it's often build an audience on BookTok or whatever, and sell lots of books, and traditional publishing as an amplifier, as you said. That's how I always hear them pitch it now, the question of— What can traditional publishing still do when indie authors can do so much? It does seem to be, well, we can amplify you, we can get you into traditional press, we can get you in traditional bookstores, we can help you with film and movie deals, that kind of thing. So that's really interesting, because that's actually changed quite a lot. They don't now seem to say, “Oh, well, we can make sure we pay you,” or, “We are editorial success as such.” John: I think they don't say editorial success or quality or indeed marketing, because that was what used to be said. I think there's an understanding that a lot of indie writers are better marketeers of their own books than traditional publishers, and if you go into the publishing machine, then you'll get your slot. It lasts for a certain period of time and then that moves on to another book. Whereas obviously if you're writing your own book and you're marketing your own book, you're able to do that yourself 24/7 wherever you are in the world, and you will know more about your readers and your audience and how that evolves than a traditional publisher would. What they probably mean now is, as you said, as much as anything, distribution, or even physical distribution. Because to be part of that process, I think that is still where a large conglomerate is able to wield some muscle, with this idea that if you physically want to see your book in bricks and mortar retailers in X outlets around the world, that's potentially easier to do if that is your aim, via a traditional publisher. So it is constantly evolving, because it used to be that marketing was the silver bullet, and I don't think that's the case anymore. Jo: No. We'll come back to marketing, shall we? Struggling with marketing. So let's get into your book. You recently co-wrote Going Indie with James Silver, Publishing Your Book Your Way. Obviously you already knew a lot about indie authors, so I wonder, what did you discover in the process of researching the book and the interviews you did? And I was one of your interviews. Did anything come up that surprised you, since you're already pretty embedded in the world? John: I would say some of it was reinforcing what I knew. So how everything is so intertwined, how in some ways unlinear everything is. People are doing lots of things in a different order to the way that traditionally writers would perceive this relay race of a manuscript gets passed to an editor, an editor passes on. That's just not how it is or needs to be anymore. I still think there is—not even a misconception—but I think there's a received wisdom that when you're talking about self-publishing, you're talking about fiction. The majority of books that Whitefox produces are not fiction, they're non-fiction. Some of them are quite mainstream, some of them are quite niche. That idea of connecting to your audience and your followers, and being slightly more scientific about how you find readers in your non-fiction niche, I think is still unspoken about in a way, in that genre fiction tends to be what people automatically assume the conversation is about. This probably doesn't surprise you, but I was pleasantly surprised to have it confirmed to me quite how much swapping and sharing there is of skills and knowledge in that space. I'm not saying indie writing is egoless at all, but there's quite a lot of sharing of knowledge and what works, and collaboration, which I think is great to see. Again, if you've, as I did many years ago, come out of corporate conglomerate publishing, traditional publishing, there's less of that by the very nature of the kind of organisation. And look, we just talked about marketing a little while ago. I do think this whole idea that the cutting edge of experimentation, it's not traditional publishing, it's indie writers. They are looking at not just how to find readers, but how to fulfil orders, how to make commercial sense of what they're doing from the absolute outset and get-go of what they're doing. And just how now the lines are blurring between what would be classified as traditional digital publishers and the writers who are doing their own thing, or doing their own thing on behalf of a few other writers. Those lines have completely blurred. There used to be this traditional hardback, paperback, X number of books a year, a year after hardback there's a paperback. This is the model we have been doing for centuries, and people doing things on their own. I think that's blurring massively, and the Venn diagrams of people's areas of expertise are just overlapping massively. Jo: Well, I think you're right there, and certainly the hardback special editions with sprayed edges and foil. A lot of us now are doing that first and not putting out the other, or putting out the rest of it at the same time. I dare say probably there are more indie authors with sprayed edge hardbacks than there are traditionally published authors. John: I'm sure that's right. And what's interesting is if you go to a traditional book printer, they are loving the direct communication with writers, that's not coming through traditional channels and traditional relationships. It's great business, it's interesting. I think that's something that's even developed in the last couple of years, that cutting out of some of the middle men required. Jo: Yes, and in terms of supporting freelancers and small publishing houses and printers and stuff, the other thing I've heard is that indie authors pay upfront, or they pay quickly, compared to some of these big publishers who are asking for long lead times and steep discounting. So actually a lot of these independent businesses are doing better under indie author work than they were under traditional. John: I think that's right, and that's what I mean also about the sharing of information and this collaborative idea of sharing creative knowledge. I mean, I'm making it sound like a kind of 19th century cooperative, which it isn't. I'm not suggesting that for a second. It's this idea that there's a lot of people learning a lot of things and there's a keenness to share some of that information, because if you've developed your own readership for your unique creative product, some of those learnings are very exciting. The printers I've spoken to love working on those kinds of things, because they are also being challenged to come up with new ways of developing ever more innovative physical product. Jo: Yes, I think it's a fun, creative time for sure. Things like Kickstarter, which you came on and talked about crowdfunding years ago, and I've obviously done. I think, what am I on now? Seven? I've just done my seventh. John: Wow. Jo: It's so much fun. But now what's happening is traditional publishers are arriving on Kickstarter and all that kind of thing. So we really see a blurring. Let's come back to your book, so Going Indie. You co-wrote it. Now obviously there are lots of positive sides of collaboration, but in terms of any challenges with collaboration and co-writing and the writing process of doing this? Because I've done this several times and I've found it very challenging. So tell us about the collaborative writing process. John: We thought a lot about it before we took it on. What I would say, having done it, is I am assuming there is no formula for how you do this. At Penguin I worked with a married couple who were crime writers, and they wrote books together. They merged their names so it appeared to be one name. I could not tell you, and they didn't share what that process was, whether they were writing different chapters or … I don't know. So I can only speak from my own experience. James is an established journalist. He's great with deadlines. He was very good at chivvying me along when I needed to be persuaded to hit the deadlines that I'd promised. I write blogs, I write newsletters, I write content for our website, but this is my first book. I've never written anything of this length. So in a way it started with the structure. It started with this idea that we would play to what we perceived as our respective strengths in terms of writing. We absolutely were not each writing every third word or anything like that. It was a process of trust in different parts. I thought, James had done some research and will be better at writing that. He deferred to me on areas that he took to be my areas of expertise. We did every interview for the book together. We went over the notes from those before they became part of the interviews for the book. And some of the book's elements are diagrammatic, so those are very easy to collaborate on. I think we tried to be professionally, creatively constructive with each other. So it was raising an eyebrow rather than shouting at each other if we didn't agree about something. A lot of it was down to the editing, and I don't know what your experience was like with a co-writer, but a lot of it came down to: here is something which is quite baggy. How do we, between us, make this as tight as we possibly can? I don't mean copy editing or proofreading. I mean the actual sort of, how do we get this into a pithy, usable, practical but discursive book? We didn't ever set out for this to be a pure reference book at all. We wanted to take a snapshot of what was going on. So a lot of it was genuinely trying to do some research and get people to feed into what was going on from lots of different perspectives, which is why we wanted to get mainstream traditional publishers, we wanted to get agents, we wanted to get indie writers, we wanted to get people who have all sorts of experiences and perspectives. That's what makes it what it is, which is, here's what we think are some of the interesting discussion points of what's going on now. Jo: It is a fantastic snapshot. I think it's really interesting—and obviously you also have seen my book, Successful Self-Publishing, which is on its fourth edition—this is one of the difficult things with snapshot type books. So have you already thought about that? I know this one has just come out, but have you thought, “Oh no, in five years we have to do it again”? John: Well, I think we thought we're going to have to address AI, which we do in the book, and we really tried to caveat that with saying, look, so much may change so quickly, and here we are talking about what we know now. We obviously tried to set the context for where we are now, and we tried as much as possible to make something which would last as long as we can. I think what we did think was, we have tried to make it as international a perspective as possible. But at the same time, we are a London-based agency, and a lot of the views will be from people based in the UK. So I think what I would like to explore is something that looks at potentially somewhere like the US, where I think there'll be different people that would perhaps have different perspectives on different things. So I think we thought about potentially there being future iterations of the book, but not yet. Jo: Not yet. This is the challenge with non-fiction, of course. On that, I would say what you just said around the US and stuff, the successful UK authors all use the same systems as the US. So I wouldn't say that the US … I mean, we all have the US companies we all use. I say Kobo is obviously Canadian, but I would say that we use the same ways of doing things. Obviously you might interview a different author, but … John: That was all I meant. I meant interviewing. Because we've interviewed agents and authors and publishers and they are largely UK based. So it was the idea that maybe there are some perspectives on things rather than systemic. Jo: Differences. John: Yes. Just that. Jo: So then I guess another challenge, we've kind of nodded to it so far, is marketing. So let's talk about the challenges of getting this book out in terms of publishing and marketing. Because you've been on the inner circle side, trying to do that for other people's books, but your own book, this is a whole nother thing. So tell us about that. John: Well, how do you do it, Jo? I mean, honestly, I've loved some of it. I get how you become completely obsessed with your book and trying to make sure that you can get it into the hands of the people that you want to get it into the hands of. We've got some great endorsement quotes, which was a task that, how can I say this? I would call it pride swallowing. The idea that you really try and get people to say nice things about your book and, if they don't reply, you think, “How much do I pester them? How much do I annoy them by asking them again nicely?” And the absolute sheer unadulterated joy when they come back with something positive that you can use and utilise in some way. So that whole process of waiting for feedback, I suppose, and hoping that people are going to like what you've done and help you spread the word for it. We had a launch event, we've given books away. We've published the book as ebook and POD. I think one of the great things about that is it's enabled us to be completely adaptable and make changes right up until the last minute. That drove everybody in my team completely crazy because we were making changes up until the last minute. So, is the book definitely going to be available on publication date? What's it going to do? You know, all of that kind of stuff. Also, just getting this idea that I suppose you can never stop. Is that a very obvious thing to say to a writer? It probably is. You just can't stop, because if you go, “Right, well, I've done it,” complacency is the enemy. Just as soon as you've got that quote, or someone said that they're going to give you an opportunity to talk about it on a platform, it's just another day and you've got to keep thinking about how you can spread the word and tell people that it exists. Jo: Yes, well, I think that's right, and particularly non-fiction, which unless it's very timely and you must get it out right now. But other than that— Most books you just have to keep marketing for years. Then just as you say, when do you stop? Well, you kind of never stop unless you want to, unless you want to retire and just give up, basically. Dean Wesley Smith, who's a big writer in the US and a kind of a mentor of mine in past years, he talks about it as this massive sea of books. And when a book arrives, he pictures it coming down and landing on the water. So the day you launch, it's landed on the water, and then it begins to sink. Then there are all these other books coming down. It's like this rain of books, and your book is sinking as soon as it lands. And your job is to keep it afloat somehow. John: Keep it afloat. Jo: Yes. John: I think you're right, and it's such an interesting perspective for us, who work with a lot of people who have one book. You know, they've spent 10 years writing it. It's their life story. It's their memoir. It's their self-help book. It's their book that accompanies them on their speaking journey, or whatever. Then there are the people who are writing constantly and can't stop writing because they're exercising that creative muscle all the time and wanting to get better, and wanting to improve and learn and understand why this works and why that hasn't worked. Just getting a glimpse into what it must be like for that person for whom writing is not a hobby. I kept saying to myself, “This is not something you're doing as a hobby.” I want this book to be of value to people, and if I'm investing that time and effort into something that I want to get out there, you've got to commit to whatever it is you need to do to make sure you're not sinking. Jo: Yes. John: I will now not be able to get that image out of my head. Jo: Yes. I know there's people listening who don't have a mind's eye, which I always find fascinating, but for those of us with a mind's eye, you can now picture that and you will never forget it. The other thing, I guess, is that, having done a lot, over 40 books now, the inevitable thing is you cannot keep pushing all of those books back up to the surface. So when you do get the bug as such of writing, the most interesting thing for all of us is always the next book. It's always like, ooh, the next thing I'm doing, I'm very excited about. So you do have to pick your battles on marketing. So have you got the bug, do you think? Are you thinking of other books in general? Because as you said, you must be, I guess, in your 60s. John: I am. Jo: You could retire. John: I am. You were talking about that long career. I could. I mean, I really love doing it, and I would love to do more. I think one of the things that surprised me was just how many ideas came up while we were doing the book about tangents that one could take it. I have no desire to write a novel. I don't want to do that. I wouldn't be very good at that. I do think there are some interesting spaces around where there's a kind of intersection of creativity and learning, and how you can develop books that would help people who are trying to achieve different things in different sectors of publishing. So without getting too granular about it, this book doesn't really address brands who want to become publishers, and I think that is something that our business has developed into working with, not just individuals, but businesses and brands. I think there's definitely spin-offs of this book which are not about repeating what we've done so far. And this whole idea of what you've been doing for a long time, what we've been doing since 2011, 2012, it's evolving now at such a speed. I mean, who would have known what was going to come out of TikTok? As you talk about TikTok to Shopify, that whole kind of new ways of finding readers, of taking books to market. As you said, Kickstarter, crowdfunding. There's all sorts of things that I think will emerge, because in a funny sort of way traditional publishing at the moment feels quite conservative with a small c. I mean, the bestsellers. Dan Brown is number one in the bestseller list this week in the UK as I speak, who has been a bestseller forever. And obviously new writers come along the whole time, but the market feels a little bit as if it's waiting now for innovation. I think if that innovation's going to happen, it's probably going to happen in the indie space before it happens in mainstream publishing. So people are coming to us and thinking, does that represent a trend? Does that represent something which could be a way of looking at something a little bit deeper, doing some research around and creating something which is not a long book, not a massive thesis, but something which is indicative of something which could be useful for people. Jo: Just coming back on the Dan Brown is in the bestseller list. I think this is completely to do with the way that traditional publishing measures things. For many years, more than a decade, probably since the beginning of Kindle, certainly the beginning of Kindle Unlimited, there is a shadow economy, I call it, or a parallel economy. I would say that almost zero of my own personal sales are measured by any industry standards. Anyone who makes any money from Kindle Unlimited or Kickstarter or Shopify, or selling direct in any form, or selling books at conventions, none of this is measured by any traditional things. As you know, the New York Times list, for example, does not include Amazon sales in their bestseller list. So you've got indie authors in the UK who are incredibly successful who have to decide, say, someone like LJ Ross, for example, decides, “Okay, I'm going to set up a proper imprint with Gardners or whatever so that I can get in bookstores so that I can hit a Sunday Times list or something.” So I would say that seeing things like Dan Brown on a bestseller list has almost no meaning in the shadow indie economy. John: No, you're absolutely right. We're not even able to see audiobook sales. Jo: Yes, audio. Any kind of borrows, like Spotify. John: No, you're completely right. I suppose I was making a broader cultural point, that it doesn't feel like there's an enormous amount of innovation going on or risk taking within what I would call mainstream trade publishing. And there doesn't seem to be the need to be, because there will be more consolidation. Small companies will be bought by big companies, so there's growth through acquisition. There's still a hope that something will take off that is a surprise, and there's still an enormous reliance on established brands who, even through the traditional metrics of how you measure them, are probably selling less, but still at the top of the pile. I suppose that's what I was meaning. Jo: Yes, and I agree with what the industry looks at as signals. It's just, as we said, a lot of these signals are invisible. So coming onto innovation, at London Book Fair this year there were a lot of sessions on AI, and you mentioned AI briefly, and there is a chapter in Going Indie on generative AI. And of course there's a lot of negativity and drama and lawsuits and this, that and the other. But at the same time, at London Book Fair, a lot of traditional publishers talking about using it, and of course they always say, “Oh, we use AI only in marketing and business, not with the creative or editorial.” Everyone makes this distinction. What are your thoughts on what's happening and where's it going with AI? Is a lot of this stuff not happening in public and just going on behind closed doors? John: I think so. We do have a chapter in the book on AI. We've generated summaries of every chapter using AI, which we explicitly said in the book as well. We've got our Ten Commandments of what we think are useful guidelines. I think that there has to be an enormous amount being done, whether it's experimentation or speeding up for efficiency's sake, or things that slow you down, within mainstream publishing. There has to be more than just the guardrails around the creative process. And clearly when we're talking about metadata, book description, cover copy, presumably royalty calculations, presumably if you're trying to grow your newsletters. There has to be an enormous amount of activity going on. We're driven by the market, so we do not commission. Writers come to us and they either want to work with us and we want to work with them, or that doesn't happen. So we're in a sense seeing what the market is seeing, and that is a whole range of things. As I've said before, there's a lot of sweeping generalisations out there, which if you look back to that Kindle moment, we were talking a little while ago about what was going on in 2010/2011, about the enormous broad brush strokes that were being perceived as a result of Kindle. Kindle has affected some areas of publishing, it's affected some not at all. I think it will be absolutely fascinating when the sweeping generalisations stop and there becomes, I suppose, even more transparency. The thing that people are looking for, isn't it? A little bit less opaqueness as to what is really being done. Because everybody's being so careful about what they say they're doing and what they're not doing. I suppose ElevenLabs is the one where people are openly engaging on the audio side. I mean, everyone is being so careful and cautious. Jo: Me too. John: What do you think? We spoke a bit about AI within the book, and I'm interested to know what you think. Jo: Well, I've obviously been openly talking about it since 2016. I openly talk about using it, and I've got my Patreon community where we talk about how we're using it, and tips on how to use it. But then, because I have been writing and publishing since 2007, 2008, I'm very strong in my creative voice. I'm very strong in my understanding of what I consider to be my level of output, and what I publish under my own name is what I publish under my own name. John: Totally. Jo: So the problem is for people who are less confident, I think, in what they're doing creatively perhaps. I know some people feel like they're scared it will take over or something. When you're as strong-minded as me, it's not taking over anything. John: It's not going to take over anything. And the other side of the coin is how many people are finding Whitefox using ChatGPT. Jo: Mm. John: I'm thrilled that we are emerging, through very detailed briefing of AI, as something that is worth engaging with. Jo: Positive marketing. John: Yes, exactly. As you say, I think there's a lot of negativity, and I think it will settle down eventually. I think less hysteria. Jo: Yes, hopefully sooner rather than later. So as we come to an end, you've been in the publishing industry a long time and seen a lot of people who have disappeared, but also those who've lasted. I wondered if maybe you could comment on those who last, because I definitely feel like I'm in my 50s now, and I want to keep doing this. I'm pretty obsessed with— What are the hallmarks of people who have a long-term career? So reflections on that. John: Oh, that's such a good question. I think there's some common characteristics and themes. So I think authenticity, I think this idea of being continually curious. I think there are people who can't help but create, and this idea that once you've sort of expelled once, that's enough. I think there's people that just can't stop creating, whatever you do with it. But this idea that the more you do, the better you get, the more you evolve and keep an open mind. I think there's definitely entrepreneurial writers who love this idea of keeping their readers engaged, and how that conversation is something that evolves and that collaboration evolves, is fascinating. I think if you love that, and you listen, there's always an opportunity to keep building on what you do. I love the writers who we work with. I can think of a writer who we're working on his fourth novel at the moment, and he is a bundle of positivity. No matter the trials and tribulations, the things that have gone wrong, his expectations definitely not being met with his first book. He definitely has this idea that he wants to keep writing, he wants to get better, and he is getting better. It isn't a journey that has a beginning and an end. It's something that will continue for as long as he wants to write. Every single book that he has published, he has learned and gained confidence, gained a network of connections that he's utilised himself now to not make the first half a dozen mistakes he made on the first book. Who knows where it will end up? But certainly the satisfaction he's getting, and the sales he's getting, are growing as he becomes savvier and quicker to make the right choices and decisions. So I think that's my honest answer to that. I think there are definitely people who think, “Phew, I have really wanted to do this book. Now I can rest easy. I've done my book.” Then there are people who really, whatever their objective, whatever the definition of success is from the get-go, just can't help creating. I do love that and respect that. I don't think our book falls quite into that category, because I think it's a slightly different thing. I think there are people who are still making a success of what they do and redefining that as they go on, and who are really open to ideas and input from different people and are not closed off. I love working with those people. Jo: So where can people find Going Indie and everything you do online? John: Well, Going Indie is available online at all good bookshops. It's available at Amazon and anywhere you buy books online as ebook and POD. Our website is wearewhitefox.com, and you'll find information about not just our book there, but a lot of other things that we're doing on that site. Jo: Brilliant. Well, thanks so much for your time, John. That was great. John: Thank you so much, Jo. It's been a pleasure. The post Going Indie, Publishing Innovation, And The Challenges Of Book Marketing With John Bond first appeared on The Creative Penn.

Michael O'Brien was 33 years old, a father of two young daughters, a lifelong cyclist, and a corporate executive chasing the next version of success when a distracted driver in a Ford Explorer crossed into his lane and hit him head-on at 40 miles per hour in New Mexico. His trauma team had no idea how he survived. His first surgery took 13 hours. He needed 36 units of blood. The doctors told his wife he would probably never ride a bike again, would walk with trouble, and would face many more surgeries ahead. He's now, 25 years later, one of the most thoughtful voices in the mindfulness and presence space, and his framework for how to live isn't theoretical. It was pressure tested for 13 years inside a corporate career before he ever shared it publicly. We connected through our mutual friend Megan Swan, partly because Michael and I have both recently lost beloved pets who were more like family members than animals.  We talk about what it means to take mindfulness off the cushion and weave it into your real life, why microdosing presence throughout the day works better than a 10-minute morning streak on an app, how our phones are engineered to do exactly what a magician does with sleight of hand, and what our animals are really teaching us about how to show up for the moments we have.   IN THIS EPISODE:  What Michael's life looked like before the accident, including numbing with wine every night and chasing the THIS ONE fallacy The question his mentor shared way too early that stunned him The concept of labeling our lives and how it brings us more suffering Why Michael called July 11, 2001 his last bad day, and what that decision has meant for the 25 years since How to take your practice off the cushion versus leaving it there while the rest of your day burns How to microdose mindfulness and the science behind why it works  What dogs teach us about unconditional love, presence, and the length of a life What a nurse from his trauma room told him when she found him on Instagram 20 years later   Find Michael at michaelObrienshift.com and his free app Pause, Breathe, Reflect on the App Store. Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

Molly and Kristin speak with Sarah Kwak, a senior editor at Harvest an imprint of Harper Collins, to find out what the editing process is like. Sarah shares how she ended up at her current role, the focus Harvest has for cookbooks and what authors should keep mind regarding their proposal assembly before submission. She discusses her thoughts on comp titles, overcoming past book sales, multifaceted ways to grow a platform and what compels her to spend over two years working on a specific project. Finally, she talks about trends in the food world, the changes in the economy of publishing and her advice along with the books she is excited to release this year. [Originally aired 5/8/2024] Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea Nguyen Editor: Abby Cerquitella   Mentions Sarah Kwak Harvest an imprint of Harper Collins Episode 09: Cookbook Editing Tips from Jennifer Sit Episode 48: Abi Balingit on Learning as You Go Subscribe to our weekly Substack newsletter for more information about each episode and a peek at what's coming up   Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the show Mayumu by Abi Balingit The Book on Pie by Erin McDowell Jacques Pépin Art of the Chicken by Jacques Pépin Hot Sheet by Olga Massov and Sanaë Lemoine

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Patricia Vila Buroni, Locutor: Aurora Fujishin, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Patricia Vila Buroni, Locutor: Vania Lopez, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

After a catastrophic car crash in the parking lot of her hospital, Dr Olivia Ong became a paraplegic. But her obsession with learning how to walk again was stronger than her incomplete spinal cord injury.When Olivia Ong was 28 years old, she had the world at her feet.She had recently qualified as a doctor, something she had dreamed of since she was a child growing up in Malaysia.She had married a man she loved deeply, and they were busy building their future together.Then, everything changed after a car crashed into her in the parking lot of the hospital she worked in.Olivia now refers to herself as a 'walking paraplegic'.She spent years working hard to walk again, using simple exercise therapies she discovered in the United States.Back On My Feet: From Doctor to Patient is published by HarperCollins.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores medicine, university, love, faith, spinal cord injuries, paraplegia, car crashes, from doctor to patient, marriage, love, motherhood, pain specialist, rehab specialist, California, Project Walk, exercise therapy, surgery, wheelchair user, people living with disability, parenting with disability, accessibility.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Ana Florentino, Locutor: Hadassa Martinez, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Madeline Chandler, Locutor: Ana Florentino, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Madeline Chandler, Locutor: Viviana Arce, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Jeremías - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Madeline Chandler, Locutor: Stefany Tenorio, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Sofonías - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Irina Chan, Locutor: (Jose) Joaquin Alonso, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

Otterheart returns! Skyclan's attempt to find the Twoleg's family is successful, but communication is less so. Luckily, we have purse. Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources: Anya Boz Website - ABOUT | mysiteAnya Boz Website - ROOM GUARDIAN ORIGINS | mysiteAnya Boz (@anyaboz) • InstagramAnyaBoz on DeviantArtPersian Cat Room Guardian | Know Your MemeMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

JD completed the Epic Deca, which is 10 Ironman triathlons in 10 days across all six Hawaiian islands, and became one of three people in the world to ever finish it. He sold his house to fund it. He came home to a storage unit because he couldn't afford anywhere else to live. And he says the hardest part wasn't the race itself. JD is a military veteran, an engineer, a certified naturopathic practitioner, and an endurance athlete who has spent his life learning how to build the kind of mental fortitude that carries you through not just extreme physical challenges but the everyday ones that most of us are quietly battling. Depression doesn't leave after you climb the mountain, he says. It's how you cope with it that changes your life.  We get into how he prepared for the Epic Deca, why discipline is something earned through structure and systems rather than something you're given, how he breaks down terrifying goals into something actually executable, and what sustainable performance really means when you're also a father who wants to be able to run around at the park with his son. We also talk about writing his book, Hunger for More in Life, and one particular message he received from a reader that made every bit of it worth it.   IN THIS EPISODE:  What an Ironman endurance race entails, and what multiplying it by 10 across six Hawaiian islands looks like Why discipline is a byproduct of structure, not a personality trait you either have or don't The difference between motivation and discipline, and when to use each one What sustainable performance actually means, and why longevity is built in the connections you make along the way Why your goal probably isn't big enough if it doesn't scare you, and how to break it down so you can actually move How he applied the same engineering method he used to train for the Epic Deca to writing a book The reader message that made him understand why he wrote it   Find JD at HungryWarriorAcademy.com Book: Hunger for More in Life, available on Amazon Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

Stephen Dziedzic of the ABC returns to catch up on a remarkable month in Australian foreign policy. The conversation begins with China's submarine-launched ballistic missile test into the South Pacific. Stephen and Darren ask who Beijing was really signalling, what the test says about China's nuclear deterrent, and why Pacific governments responded much more strongly than they did to China's 2024 launch. They then turn to Australia's rapidly expanding Pacific integration agenda: the Nakamal Agreement with Vanuatu, the new Vuvale Union and Ocean of Peace Alliance with Fiji, and the wider web of Australian agreements across the region. The discussion examines why Fiji and Vanuatu struck such different bargains; whether Australia coerced Vanuatu; the risks of strategic overstretch; and what happens when Canberra eventually has to enforce one of the new agreements' red lines. Darren also offers an alliance-theory puzzle: these treaties appear designed less to deter a clear external threat than to institutionalise alignment and deny rival security access. The episode also covers Taiwan's decision to suspend spot purchases of PNG LNG after Port Moresby moved against Taiwan's representative office; the fragile stabilisation of Australia–China relations and an Australian variation on Kevin Rudd's “managed strategic competition”; and Narendra Modi's visit, including whether India now truly qualifies as a top-tier Australian security partner. Recommendations: Ezra Klein's interviews with Kevin Rudd and Maggie Haberman, and Sam Dalrymple's Shattered Lands. Australia in the World is written, hosted and produced by Darren Lim, with research and audio editing by Hannah Nelson and theme music composed by Rory Stenning. Relevant links Stephen Dziedzic's relevant ABC reporting Stephen Dziedzic and Lillyrose WelWel, “Vanuatu critical infrastructure to remain ‘free from militarisation' under Nakamal pact,” ABC News, 29 June 2026, https://www.abc.net.au/news/2026-06-29/australia-vanuatu-sign-strategic-pact-nakamal-agreement/106852624 Stephen Dziedzic, “Vanuatu deal a sign of what's to come in ‘permanent contest' for Pacific influence with China,” ABC News, 1 July 2026, https://www.abc.net.au/news/2026-07-01/how-vanuatu-deal-shapes-pacific-influence-contest-with-china/106863266 Lice Movono and Stephen Dziedzic, “Solomon Islands PM says ‘growing consensus' in support of regional security agreement,” ABC News, 3 July 2026, https://www.abc.net.au/news/2026-07-03/solomon-islands-pm-says-growing-consensus-for-security-deal/106874902 Stephen Dziedzic and Lice Movono, “Prime Minister Anthony Albanese signs Ocean of Peace Alliance with Fiji,” ABC News, 6 July 2026, https://www.abc.net.au/news/2026-07-06/albanese-signs-major-new-treaty-fiji/106882252 Stephen Dziedzic and Tom Lowrey, “‘Destabilising' Chinese ballistic missile test in Pacific prompts government concerns,” ABC News, 6 July 2026, https://www.abc.net.au/news/2026-07-06/china-test-ballistic-missile-south-pacific/106885076  Stephen Dziedzic, “China warns Australia over military alliance with Fiji that promises to ‘act to meet the common danger',” ABC News, 6 July 2026, https://www.abc.net.au/news/2026-07-06/china-warns-australia-over-alliance-with-fiji/106886394 Stephen Dziedzic and Tom Lowrey, “Pacific leaders criticise Chinese nuclear-capable missile test as ‘reckless',” ABC News, 7 July 2026, https://www.abc.net.au/news/2026-07-07/china-missile-nuclear-pacific-nauru-tuvalu/106887324 Stephen Dziedzic and Doug Dingwall, “Anthony Albanese says India a ‘top-tier security partner' for Australia as nations deepen defence ties,” ABC News, 9 July 2026, https://www.abc.net.au/news/2026-07-09/narendra-modi-arrives-in-melbourne/106894868 Tim Swanston and Stephen Dziedzic, “China demands Australia stop ‘exaggerating tensions' over South China Sea,” ABC News, 22 July 2026, https://www.abc.net.au/news/2026-07-22/china-australia-south-china-sea-philippines-tension/106946822 Stephen Dziedzic, “Chinese diplomats leave Labor conference in Adelaide after requesting Taiwan representatives be ejected,” ABC News, 23 July 2026, https://www.abc.net.au/news/2026-07-23/chinese-diplomats-leave-labor-conference-in-adelaide/106951960 Stephen Dziedzic, “Australia supplants China as Pacific's biggest lender,” ABC News, 28 July 2026, https://www.abc.net.au/news/2026-07-28/new-lowy-pacific-aid-map-australia-lending-investor/106967764 Stephen Dziedzic and Marian Faa, “Taiwan to stop buying PNG gas on spot market over ‘One China' spat,” ABC News, 29 July 2026, https://www.abc.net.au/news/2026-07-29/taiwan-to-stop-buying-png-gas-on-spot-market/106972968 Other links Siobhan McDonnell, “The Nakamal Agreement has been signed, but at what cost?”, Devpolicy Blog, 24 July 2026: https://devpolicy.org/the-nakamal-agreement-has-been-signed-but-at-what-cost/ Ezra Klein, “What Xi Jinping Wants (with Kevin Rudd)” The Ezra Klein Show, The New York Times, 14 July 2026, https://www.nytimes.com/2026/07/14/opinion/ezra-klein-podcast-kevin-rudd.html Ezra Klein, “How Trump Has Changed, With Maggie Haberman,” The Ezra Klein Show, The New York Times, 31 July 2026, https://www.nytimes.com/2026/07/31/opinion/ezra-klein-podcast-maggie-haberman.html Sam Dalrymple, Shattered Lands: Five Partitions and the Making of Modern Asia, HarperCollins, 19 June 2025, https://harpercollins.com.au/products/9780008466831

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Irina Chan, Locutor: Ingrid Matos, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Nahúm - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Mariandrea Belmont, Locutor: Rossana Hall, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

Tabitha Webb has packed a lot into one career. She launched her luxury fashion brand in 2013 and has built it into a label with an impressive fan base — Miranda Kerr, Pippa Middleton and Fearne Cotton among them. But fashion is only part of the story. Tabitha has also carved out a second life as a novelist, and her latest book Playing the Field is out this summer. In this episode of Midpoint, Gabby sits down with Tabitha to talk about building a business from scratch, reinventing yourself, and what it actually takes to juggle entrepreneurship with creativity. This is a r conversation about ambition, taking risks and backing yourself at every stage of life.Playing the Field by Tabitha Webb is available to buy now, published by HQ, HarperCollins (£9.99) Hosted on Acast. See acast.com/privacy for more information.

Nikki Goldstein was in a coma in the ICU at St Vincent's Hospital when she first 'met' Rabbi Eli Schlanger. When she woke, the pair embarked together on a project to share the wisdom, compassion and universality of several Jewish teachings.Although they were from very different worlds, when Nikki gained consciousness and met Rabbi Eli properly the two became fast friends.Then, they started writing a book together - based on the deep and expansive conversations they began having about hope, personal growth, spirituality and modern life.Rabbi Eli wanted Nikki's help to share seven ancient Jewish guidelines on living a good life, which he believed could be helpful to anyone, Jewish or not, who was looking for a way to live in a world that feels increasingly chaotic.While Nikki and Rabbi Eli didn't agree on everything all the time, they did both believe these teachings to be universal in their compassion and wisdom.The pair had just recorded their last conversation for the project in December last year, when Rabbi Eli was one of 15 people killed in the Bondi Beach terror attack.Nikki decided to honour his memory by finishing their book alone.Conversations with My Rabbi is published by HarperCollins.This episode of Conversations was produced by Meggie Morris. Executive producer is Nicola Harrison.It explores religion, faith, modern living, disconnection, hope, radical empathy, togetherness, multiculturalism, learning from others, spiritual, family, near-death experiences, autoimmune disease, anti-Semitism, terrorism, grief, tragedy, suffering, meaning of life, spiritual teachings, friendship, prayer, meditation, Judaism, secularism.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Rosanna Hall, Locutor: Renata Briseno, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Rosanna Hall, Locutor: Yvonne Ellis S, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

Christine Hentschel zu Sicherheit und Aktivismus in katastrophischen Zeiten Future Histories LIVE Das Gespräch mit Christine Hentschel ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 12. Juli 2026 auf Einladung des Hamburger Künstler*innenkollektivs Zollo entstanden. Shownotes Christine Hentschel Prof. Dr. Christine Hentschel an der Universität Hamburg: https://www.wiso.uni-hamburg.de/fachbereich-sowi/professuren/hentschel/team/hentschel-christine.html DFG Humanities Centre for Advanced Studies “Futures of Sustainability”: https://www.zukuenfte-nachhaltigkeit.uni-hamburg.de zur DFG-Forschungsgruppe "The Promise of Security in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/welcome.html Nina Perkowski zu Reimagining Security: Perkowski, N. (2025). Radical Imagination and Vernacular Security: Creating Spaces for Alternative Security Futures, International Political Sociology, Volume 19, Issue 4.  https://academic.oup.com/ips/article/19/4/olaf033/8255613 Garcés, M. (2024). Versprechen Können. Turia + Kant.  https://www.turia.at/titel/garces3.html zu Tadzio Müller und solidarischem Preppen: Müller, T. (2024) Zwischen friedlicher Sabotage und Kollaps. Wie ich lernte, die Zukunft wieder zu lieben. Mandelbaum. https://www.mandelbaum.at/buecher/tadzio-mueller/zwischen-friedlicher-sabotage-und-kollaps/ https://www.collapseclub.com/blog/five-elements-of-solidarity-prepping/ zur Letzten Generation: https://letztegeneration.org/ zu Just Stop Oil: https://juststopoil.org/ zu ‘Dernière Rénovation' (Riposte Alimentaire): https://en.wikipedia.org/wiki/Riposte_Alimentaire Christine Hentschel zu Endzeitaktivismus und Edgework:  Hentschel, C. (2023). Edgework in post/apokalyptischen Zeiten. Soziopolis.  https://www.soziopolis.de/edgework-in-post-apokalyptischen-zeiten.html zur Kollapsbewegung: https://taz.de/Kollapsbewegung-in-der-Klimakrise/!6110821/ zu Heat Strike: https://heatstrike.uk/ zu Les Soulèvements de la Terre: https://de.wikipedia.org/wiki/Les_Soul%C3%A8vements_de_la_Terre Bröckling, U. (2026). Invertierte Zukunft. Konturen der Zuspätmoderne. WestEnd, 23(1), 3–18. https://doi.org/10.5771/1860-2177-2026-1-3 https://www.inlibra.com/de/document/view/pdf/uuid/dd3d743d-12ac-3db9-8d17-af67ddb150ba?page=1&toc=5916333 Reckwitz, A. (2024). Verlust: Ein Grundproblem der Moderne. Suhrkamp Verlag. https://www.suhrkamp.de/buch/andreas-reckwitz-verlust-t-9783518588222 Folkers, A. (2022). Nach der Nachhaltigkeit: Resilienz und Revolte in der dritten Moderne. Leviathan 50, 239–262. https://doi.org/10.5771/0340-0425-2022-2-239 https://www.jstor.org/stable/27295246?seq=1 zu Mutual Aid: https://en.wikipedia.org/wiki/Mutual_aid Christine Hentschel und Susanne Krasmann über gegenwärtige „Collapse Awareness“: Hentschel, C., & Krasmann, S. (2024). Collapse awareness in the face of climate breakdown and urbicide. Critical Studies on Security, 14(1), 2–16. https://doi.org/10.1080/21624887.2024.2403795 https://www.tandfonline.com/doi/full/10.1080/21624887.2024.2403795 Vortrag von Christine Hentschel „Vom Retten der Welt zum Vorbereiten auf den Kollaps“ in der Ringvorlesung “Am Scheidepunkt: Zur Krise der Demokratie” in Frankfurt (22.01.2026): https://www.youtube.com/watch?v=tmn7g3vJPKg Marina Garcés zur postumen Kondition und Metapher der Nachspielzeit: Garcés, M. (2019). Neue radikale Aufklärung. Verlag Turia+ Kant. https://www.turia.at/titel/garces.html zu postapokalyptischem Umweltaktivismus: Cassegård, C., & Thörn, H. (2022). Post-Apocalyptic environmentalism. palgrave macmillan.  https://link.springer.com/book/10.1007/978-3-031-13203-2 Anaïs Maurer zur postapokalyptischen Agency im Pazifik & ‘fighting for what's left': Maurer, A. (2024). The ocean on fire: Pacific stories from nuclear survivors and climate activists. Duke University Press.  https://www.dukeupress.edu/the-ocean-on-fire zu climate change mitigation: https://climatepromise.undp.org/news-and-stories/what-climate-change-mitigation-and-why-it-urgent Jacob Blumenfeld zu Managing Decline:  Blumenfeld, J. (2024). Managing Decline. Cured Quail. https://www.academia.edu/121062536/Managing_Decline zu Climate Barbarism: Blumenfeld, J. (2023). Climate barbarism: Adapting to a wrong world. Constellations, 30, 162–178.  https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8675.12596 zu Christine Hentschels und Ursula Schröders Forschungsprojekt „Infrastructures of Protection. Planning for Catastrophes to Come“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp2.html zu Adaptation: https://climatepromise.undp.org/news-and-stories/what-climate-change-adaptation-and-why-it-crucial zum Forschungsprojekt „Extreme Adaptation to Climate Change“ im DFG-Exzellenzcluster CLICCS: https://www.cliccs.uni-hamburg.de/research/projects-themes/projects/a4-extreme-adaptation.html Lacbawan, M. (2025). Escaping the Climate Crisis: Speculative Wealth and the Selling of a Smart City. Journal of Business Anthropology, 14(2), 94-117. https://www.fis.uni-hamburg.de/en/publikationen/detail.html?id=13f172b2-6f23-44cc-adc7-31b42fb376b4 Rothe, D., Boas, I., Farbotko, C., & Kitara, T. (2024). Digital Tuvalu: state sovereignty in a world of climate loss. International Affairs, 100(4), 1491-1509. https://academic.oup.com/ia/article/100/4/1491/7710472 zu Muscular Adaptationism: Carton, W. & Malm, A. (2025). The long heat: climate politics when it's too late. Verso Books. https://www.versobooks.com/products/3317-the-long-heat?srsltid=AfmBOort8KE2C2ggxjCJE1Q7GTyEoyzLypZO0Wd75hcCmJUTuuW0zGa6 Joshua KaewnetarasForschung zu Wiederaufbau nach der Flutkatastrophe in Valencia: https://urban-future-making.hcu-hamburg.de/research/disrupted-mobilities Solar Geo Engineering: https://www.umweltbundesamt.de/presse/pressemitteilungen/unberechenbare-risiken-solares-geoengineering-keine Geoengineering: https://www.umweltbundesamt.de/en/topics/climate-energy/geoengineering zur Securitisation Theory: https://criticallegalthinking.com/2025/03/31/key-concept-securitization-copenhagen-school/ Schröder, U. (2026). Schutz in Krisenzeiten. Piper. https://www.piper.de/buecher/schutz-in-krisenzeiten-isbn-978-3-492-07396-7 zu Sicherheit im Anthropozän:  Rothe, D., Hentschel, C., & Schröder, U. (2025). Recomposing the climate-security nexus: A conceptual introduction. Geoforum, 159, 104195. https://www.sciencedirect.com/science/article/pii/S0016718524002562 Von Redecker, E. (2023). Bleibefreiheit. S. Fischer Verlag. https://www.fischerverlage.de/buch/eva-von-redecker-bleibefreiheit-9783596711260   zum Begriff der Infrastrukturen in der Sicherheitsforschung: Hentschel, C., Schröder, U., 2020. Democratising Security in Turbulent Times: An Infrastructural Lens. S+F 38, 191–194. https://doi.org/10.5771/0175-274X-2020-4-191 https://www.jstor.org/stable/pdf/27260104.pdf?refreqid=fastly-default%3Abf575832edd748b4b77595527737cd25&ab_segments=&initiator=&acceptTC=1 zu Nina Perkowskis Forschungsprojekt zu „Counter-Communities' Protection Practices and Security Utopias in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp8.html Staab, P. (2022). Anpassung. Leitmotiv der nächsten Gesellschaft. Suhrkamp, Berlin. https://www.suhrkamp.de/buch/philipp-staab-anpassung-t-9783518127797 Saito, K. (2026). Am Ende des Fortschritts. Überleben in den Ruinen des Kapitalismus. dtv. https://www.dtv.de/buch/am-ende-des-fortschritts-28534 Garcés, M. (2022). Critical Imagination. Artnodes.  https://www.academia.edu/73676938/Critical_Imagination zum Thüringen Projekt: https://verfassungsblog.de/wp-content/uploads/2025/06/Thueringen-Projekt_Abschlussbericht.pdf zu Verwaltung für Demokratie: https://verwaltung-fuer-demokratie.de/erste-hilfe-kit-demokratie/ zu Zukunftswerkstätten nach Robert Jungk: https://www.sowi-online.de/praxis/methode/zukunftswerkstatt.html_2 zu climate change boredom: Anderson, B. (2023). Boredom and the politics of climate change. Scottish Geographical Journal, 139(1–2), 133–141. https://doi.org/10.1080/14702541.2023.2197869 https://www.tandfonline.com/doi/full/10.1080/14702541.2023.2197869 Christine Hentschel zu „Apokalypse-Indifferenz“ (Günther Anders) im Kontext der Klimakrise: Hentschel, C. (2024). Im Angesicht der planetaren Zerstörung. Soziologische Perspektiven gegen die Indifferenz., in: Lessenich, S., Scheffer, T. (Eds.), Gesellschaften Unter Handlungszwang: Existenzielle Probleme, Normalität Und Kritik, IfS-Aus Der Reihe. Bertz + Fischer, Berlin, pp. 78–92. https://bertz-fischer.b-cdn.net/wp-content/uploads/2026/06/bertz-fischer-ifs-02-gesellschaften-unter-handlungszwang-9783865056528.pdf zu Verleugnung nach Alenka Zupančič: Zupančič, A.(2024) Disavowal. Polity Books. https://www.politybooks.com/bookdetail?book_slug=disavowal--9781509561193 Christine Hentschel zu affectiven investments in den Protesten gegen die Coronamaßnamen Hentschel, C.(2021) »Das große Erwachen«: Affekt und Narrativ in der Bewegung gegen die Corona-Maßnahmen. Leviathan 49, 62–85.  https://www.inlibra.com/de/document/view/pdf/uuid/1ed695c2-d459-32aa-a482-bf64a34a412c zur mobilisierenden Kraft von Wut bei Audre Lorde: Lorde, A. (1997). The uses of anger. Women's Studies Quarterly, 25(1/2), 278-285. https://americanstudies.yale.edu/sites/default/files/files/Lorde%20-%20The%20Uses%20of%20Anger.pdf zu Everyone hates Elon: https://www.everyonehateselon.com zu strategischem Hass nach Seyda Kurt: Kurt, S. (2023). Hass. Von der Macht eines widerständigen Gefühls. HarperCollins. https://www.harpercollins.de/products/hass-von-der-macht-eines-widerstandigen-gefuhls zum Begriff des Prozesses nach Rahel Jaeggi: https://www.fes.de/asd/buch-essenz/jaeggi-fortschritt-und-regression Jaeggi, R. (2023). Fortschritt und Regression. Suhrkamp. https://www.suhrkamp.de/buch/rahel-jaeggi-fortschritt-und-regression-t-9783518587140 White, J. (2024). In the long run: The future as a political idea. Profile Books. https://www.academia.edu/115206928/In_the_Long_Run_the_Future_as_a_Political_Idea_Profile_Books_2024_ Relevante Future Histories Folgen S04E07 | Kohei Saito, Christoph Sorg and Jan Groos on Creative Construction and the Struggle over Progress https://www.futurehistories.today/episoden-blog/s04/e07-creative-construction-and-the-struggle-over-progress/ S03E46 | Rahel Jaeggi zur Krise des Liberalismus, Fortschritt als Prozess und sozialistischem Utopisieren https://www.futurehistories.today/episoden-blog/s03/e46-rahel-jaeggi-zur-krise-des-liberalismus-fortschritt-als-prozess-und-sozialistischem-utopisieren/ S03E33 | Tadzio Müller zu solidarischem Preppen im Kollaps https://www.futurehistories.today/episoden-blog/s03/e33-tadzio-mueller-zu-solidarischem-preppen-im-kollaps/ S03E32 | Jacob Blumenfeld on Climate Barbarism and Managing Decline https://www.futurehistories.today/episoden-blog/s03/e32-jacob-blumenfeld-on-climate-barbarism-and-managing-decline/ S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/ S02E56 | Şeyda Kurt zu strategischem Hass https://www.futurehistories.today/episoden-blog/s02/e56-seyda-kurt-zu-strategischem-hass/ S02E38 | Eva von Redecker zu Bleibefreiheit und Demokratischer Planung https://www.futurehistories.today/episoden-blog/s02/e38-eva-von-redecker-zu-bleibefreiheit-und-demokratischer-planung/ — Future Histories Kontakt & Unterstützung: Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Website mit allen Folgen: www.futurehistories.today   Episode Keywords #ChristineHentschel, #JanGroos, #Interview, #FutureHistories, #FutureHistoriesLIVE, #Sicherheit, #Aktivismus, #Katastrophe, #Klimakollaps, #Zukunft, #SolidarischesPreppen, #Kollaps, #MutualAid, #Adaptation, #Mitigation, #ExtremeAdaptaion, #Klimaaktivismus, #Klimakrise 

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Jerry Pachon, Locutor: Saidy Tajak, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Jerry Pachon, Locutor: Erick Arce, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Sally Mingle, Locutor: Arlette Blackwell, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

No time to process your situationship ending! You have a town to run and a child to save!Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources: Polite Cat | Know Your Memeshout out to bruce the best landlord of all time - Instagram PostKhan Johns (@polite_cat_olli_official) • Instagram Music:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

Imagine going alcohol-free in a country where wine is heritage, champagne is identity, and the only framework anyone has ever offered you is either you're an alcoholic or you're fine. That's the world Lorraine was living in when she started her Dry January four years ago in Paris, and decided this time to actually ask herself why she was drinking rather than just white-knuckling a month off. What she found on the other side of that question completely changed her life, and now she's building something that didn't exist in France even two years ago: a real alcohol-free movement, with a daily flood of LinkedIn haters to prove it's working. We go deep into: the French moderation myth, the idea that sophisticated social drinking is somehow different from the drinking culture everywhere else, and why the real question to ask yourself has never been "do I have a problem" but "is this bringing me closer to the life I actually want to build?" We also talk about how Lorraine built her alter ego, Lolita, as a way to step into audacity when fear and self-doubt were still running the show, and why that concept is one of the most powerful tools for anyone trying to grow into a version of themselves they haven't fully met yet.   IN THIS EPISODE:  Why France has one of the most entrenched drinking cultures in the world and what makes it so hard to question The binary trap: either you're an alcoholic or you have no problem, and why the gray zone is where most people actually live What it felt like to go to parties sober in Paris and observe human behavior around alcohol for the first time The Matrix concept Lorraine shares with her clients and how to use it to step outside the cultural programming The neuroscience: cortisol spikes, amygdala activation, and why the day after drinking keeps you stuck in autopilot mode How she built her alter ego Lolita to launch her business when she still didn't fully believe she could The alcohol-free movement emerging in France right now, and why she keeps posting through the haters   Find Lorraine on Instagram: @thefrenchsober  Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

Fear isn't something to eliminate, it's a compass pointing to the next chapter of growth.In this episode, I spoke with Joze Piranian about his remarkable journey from living with a severe stutter to becoming a keynote speaker, comedian, and author. We explored his book Stop Holding Back: An Honest Guide to Turning Fear into Action, including the concept of the “inner stutter,” micro moments of bravery, and strategies for reframing fear in both personal and professional settings. Joze shared how repeatedly exposing himself to fear through speaking exercises, stand-up comedy, and even musical performance, and how it helped him build confidence, embrace vulnerability, and connect authentically with audiences. We also discussed actionable leadership lessons for navigating fear, practicing accountability, and fostering courage in teams, as well as how humor and performance can be powerful tools for personal growth. This conversation is packed with insights for anyone looking to move past self-doubt and take decisive action in life and business.Here are the highlights:● Overcoming the inner stutter. Inaction in the face of fear can be identified and addressed by recognizing self-limiting beliefs and creating repeated opportunities to confront discomfort.● Micro moments of bravery. Small, deliberate actions—like speaking up in social situations or taking on challenging tasks—build confidence incrementally and reshape one's relationship with fear.● Fear and action can coexist. Action does not require the absence of fear; performing while afraid strengthens resilience, decision-making, and personal growth.● Using humor and performance to grow. Incorporating elements like comedy, speaking exercises, or musical performance can help individuals embrace vulnerability, build confidence, and connect authentically with others.● Leadership lessons for navigating fear. Leaders can model courage, practice accountability, and foster a culture where confronting fear and taking action is normalized and encouraged.About the guest: Joze Piranian is a lifelong stutterer turned International Keynote Speaker, Author and Stand-up Comedian. Born and raised in Lebanon, Joze avoided speaking for over 25 years due to the fear of being judged for his stutter. Everything changed when he chose to confront that fear and transform it into his greatest strength. Today, Joze has delivered five TEDx talks and spoken for organizations including Google, Meta, Netflix, TikTok, and BlackRock. His journey is featured in the award-nominated documentary Words Left Unspoken and in his HarperCollins book Stop Holding Back: An Honest Guide to Turning Fear into Action, inspiring audiences worldwide to turn fear into action, through micro-moments of bravery Connect with Joze:Website: ⁠www.jozepiranian.com⁠ LinkedIn: ⁠https://www.linkedin.com/in/jozepiranian/⁠ Connect with Allison:Feedspot has named Disruptive CEO Nation as one of the Top 25 CEO Podcasts on the web. LinkedIn: ⁠https://www.linkedin.com/in/allisonsummerschicago/⁠ Website: ⁠https://www.disruptiveceonation.com/⁠ #CEO #leadership #startup #founder #business #businesspodcast

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Sally Mingle, Locutor: Tania Davila, y Editor: Vania Lopez - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Sally Mingle, Locutor: Aurora Fujishin, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Get Jeff's new book The Web We Weave Why We Must Reclaim the Internet from Moguls, Misanthropes, and Moral Panic Jeff Jarvis is a national leader in the development of online news, blogging, the investigation of new business models for news, and the teaching of entrepreneurial journalism. He writes an influential media blog, Buzzmachine.com. He is author of "Geeks Bearing Gifts: Imagining New Futures for News" (CUNY Journalism Press, 2014); "Public Parts: How Sharing in the Digital Age Improves the Way We Work and Live" (Simon & Schuster, 2011); "What Would Google Do?" (HarperCollins 2009), and the Kindle Single "Gutenberg the Geek." He has consulted for media companies including The Guardian, Digital First Media, Postmedia, Sky.com, Burda, Advance Publications, and The New York Times company at About.com. Prior to joining the Newmark J-School, Jarvis was president of Advance.net, the online arm of Advance Publications, which includes Condé Nast magazines and newspapers across America. He was the creator and founding managing editor of Entertainment Weekly magazine and has worked as a columnist, associate publisher, editor, and writer for a number of publications, including TV Guide, People, the San Francisco Examiner, the Chicago Tribune, and the New York Daily News. His freelance articles have appeared in newspapers and magazines across the country, including the Guardian, The New York Times, the New York Post, The Nation, Rolling Stone, and BusinessWeek. Jarvis holds a B.S.J. from Northwestern University's Medill School of Journalism. He was named one of the 100 most influential media leaders by the World Economic Forum at Davos. On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo All things Jon Carroll  Buy Ava's Art  Subscribe to Piano Tuner Paul Paul Wesley on Substack Listen to Barry and Abigail Hummel Podcast Listen to Matty C Podcast and Substack Follow and Support Pete Coe Hire DJ Monzyk to build your website or help you with Marketing

EPISODE 150 -  “CEDRIC GIBBONS: ARCHITECT OF HOLLYWOOD DREAMS” - 7/27/2026  This week, we're going behind the scenes of Classic Cinema to focus on an artist who had a huge impact on the visual storytelling of film.  You may not even know his name, but he is credited on over 1000 films. What would The Wizard of Oz be without the Emerald City?  What would The Women be without Mary Haines' divine apartment?   And what would the Oscar statuette be without this man's design? Of course, we're talking about celebrated Art Director CEDRIC GIBBONS — one of the most influential artists in film history.  He served at MGM as supervising art director for a record 32 years — from 1925 to 1956.  Winner of 11 Academy Awards, nominated for a total of 39, Gibbons created the look and tone we now think of as synonymous with that MGM sparkle. Join us as we discuss his life and career.   SHOW NOTES:  Sources: MGM Style: Cedric Gibbons and the Art of the Golden Age of Hollywood by Howard Gutner, Simon & Schuster, 2019   Cedric Gibbons and Dolores Del Rio: The Art Director and the Star of Flying Down to Rio in Santa Monica, Architectural Digest April, 1992 Architecture and Film Edited by Mark Lamster, Princeton Architectural Press, 2000 Cedric Gibbons, MGM Artist, 65: Retired Head of Department Dead, Designer of Oscar, Won 11 Academy Awards, The New York Times, July 27, 1960 Designs on Film:  A Century of Hollywood Art Direction by Cathy Whitlock,  HarperCollins, 2010 New Book on Famed MGM Art Director Cedric Gibbons Reveals Over 100 Never-Before-Seen Photos by Cathy Whitlock, The Hollywood Reporter October 16, 2019 TCM.com; oscars.org IMDBpro.com IBDB.com wikipedia.com brittanica.com Films Mentioned: Trilby (1915); Fields of Honor (1918); Earthbound (1920); Bunty Pulls the Strings (1921); A Blind Bargain (1922); In the Palace of the King (1923); The Rendezvous (1923); True As Steel (1924); Ben-Hur: A Tale of the Christ (1925); The Trail of '98 (1928); Our Dancing Daughters (1928); The Bridge of San Luis Rey (1929); Anna Christie (1930); Grand Hotel (1932); Red Dust (1932); The Merry Widow (1934); The Barretts of Wimpole Street (1934); A Tale of Two Cities (1935); Fury (1936); Marie Antoinette (1938); The Wizard of Oz (1939); The Women (1939); Pride and Prejudice (1940); Presenting Lily Mars (1943); Gaslight (1944); Meet Me in St. Louis (1944); The Clock (1945); The Picture of Dorian Gray (1945); The Yearling (1946); Body and Soul (1947); Little Women (1949); Madame Bovary (1949); An American in Paris (1951); Singin' in the Rain (1952); The Bad and the Beautiful (1952); Julius Caesar (1953); Somebody Up There Likes Me (1956); Summer and Smoke (1961); Period of Adjustment (1962) --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

NOTAS DEL PROGRAMA: - Aprende más sobre La Sinopsis de la Biblia. - Sigue La Sinopsis de la Biblia: Instagram | Facebook | YouTube - Administrador de Idioma Español: Arlette Blackwell - Ingeniera de Audio: Allison King - Administradora de Contenido: Bonnie Hartwig - Traductor: Sally Mingle, Locutor: Vania Lopez, y Editor: Stefany Tenorio - La Sinopsis De La Biblia escrito por Tara-Leigh Cobble, publicado por Harper Collins, 2022 DESCARGO DE RESPONSABILIDAD: La Sinopsis de la Biblia, Tara-Leigh Cobble y sus afiliados no son una iglesia, pastor, autoridad espiritual o servicio de consejería. Los escuchas y espectadores consumen este contenido de forma voluntaria y asumen toda la responsabilidad por las consecuencias y el impacto resultante.

When society says "it's just a pet," Beth Bigler says "your grief is valid and profound."As a double-certified Pet Loss Grief Counselor and founder of Honoring Our Animals, Beth is a pioneering voice in pet loss support, offering personalized care to individuals and families before, during, and after their beloved's transition. After the sudden death of her soulmate cat Arnie, she transformed her loss into a mission they began together: guiding guardians to honor their grief, connect with their beloveds, and integrate loss into their lives.Beth is the author of Honoring Our Animals: 365 Meditations for Healing After Pet Loss (Quarto/Wellfleet Press, 2025), the first daily grief companion created specifically for pet guardians, available worldwide and a go-to resource for therapists, veterinary clinics, and animal care organizations. Her second book is forthcoming from HarperCollins in 2027. She has been featured in Forbes, Psychology Today, The Sunday Times, USA Today, Business Insider, Daily Mail, and numerous television and radio outlets including KFI AM 640. Beth also built a 20-year career breaking ground as a writer, producer, and educator across stage, film, and television. Find her on Instagram @honoringouranimals.In this episode, we discuss the complexity of pet loss and grief that can follow. We discuss the societal judgment around grieving animals, why grief does not need to be justified or compared, and why loss of a pet can feel more painful than other losses for some.We hold space for the valid, complex emotions that can come with pet loss and remind listeners that there is no "one right way" to grieve. We touch on the beauty of bonding more deeply with certain animals and discuss the guilt that can arise when bringing a new pet after a loss. In addition, we discuss being able to hold space for both grief and love at the same time.We hope this episode can provide support, validation, compassion, understanding, and hope for those who need it.FOLLOW BETH:INSTA: @honoringouranimalsWEBSITE: www.honoringouranimals.comBOOK: Honoring Our Animals: 365 Meditations for Healing after Pet Loss STAY CONNECTED:INSTA: @trustandthriveTIKOK: @trustandthriveTHREADS: @trustandthriveFACEBOOK: bit.ly/FBtaramontEMAIL: trustandthrive@gmail.com

The last few years have brought a wave of romances with magical elements—not really paranormal, not really witches, not really contemporary — books where something is just slightly ✨magic✨. Today, we're talking about those books, how they work, what they're saying, and how they work in terms of character, plot and POV. We're also discussing how the books exist on the outer edges of the romance pool.If you want to talk more about these speculative romance novels, or about romance in general, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is an old school contemporary, Perfect by Judith McNaught. Sarah says it has the greatest all-is-lost moment in romance history. Read it to find out if she's right. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksA Love Song for Ricki Wilde by Tia WilliamsMy Date with a Pair of Gray Sweatpants by Cassie O. PeiaThe House of Now and Then by Edward UnderhillDo Your Worst by Rosie DananEvery Version of You by Natalie MessierThe Night Island by Jayne Ann KrentzThe Dead Romantics by Ashley Poston The Someday Garden by Ashley PostonLosing Sight by Tati RichardsonStruck Speechless by Tati RichardsonNotesThis year's men's World Cup actually broke the Own Goal record with 14 of them. Get ready for the Women's World Cup in Brazil next year in 2027! So these English fans made up a bunch of chants for a regular player, which is very charming. Speaking of soccer, Mamdani continues to show us all that politicians can just…help make people's lives better?Here's a handout Jen uses to teach the three genres that fall under the speculative fiction umbrella, and why magical realism isn't a catch-all or synonym for any writing with speculative elements.The pink dress question: how do you decide if your characters need to heal themselves in order to fall in love, or if falling in love is what heals them?Matthew Rhys and Matthew Macfadyen are in fact different people, but everyone's watching Widow's Bay.SponsorsLumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.Lucy Score author of The Dead Guy Next Door, the first in the Riley Thorn series, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.Harpercollins, publishers of Sleuths, by Samantha Moody, available in print, ebook and audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or your local independent bookstore.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/7/5/s0843 If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

I think I've seen this film before. And I didn't like the ending.Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastWhat We Are Reading (Not Sponsored):The Dead and the Dark by Courtney GouldRenegades #1: The Magic Awakens by Erin HunterCat Fact Sources: Bongo Cat | Know Your MemeBongo Cat - WikipediaStrayRogue - smack smackDitzyFlama Music Edit @StrayRogueStray Rogue on BlueSkyDaily Dot - Bongo Cat proves that the internet still loves catsBongo CatMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

It's our first in-studio podcast! Be sure to watch the version on the Euphoric youtube channel.  Jessa Frances De La Rosa accidentally became one of the first alcohol-free beverage consultants in the country, helped launch one of the first non-alcoholic bottle shops in the South, and built an entire career out of weaving together things that didn't obviously belong together, until they did. She's also a trauma-informed memoir writing coach, a shadow work practitioner, and someone whose story involves a divorce after 14 years, three kids, prior military service, a master's degree in creative writing in Scotland, the pandemic shutting everything down while she was across the ocean for the first time away from her children, and eventually painting a wall on Task Rabbit that led to the job that changed her life.  We talk about what the alcohol-free beverage world actually looks like now versus what it looked like when both of us first started paying attention to it, what shadow work actually is and why Carl Jung's most famous line might be the most important sentence you've ever read, why memoir writing is the rawest form of shadow work there is, and why awareness alone doesn't create change, community does. We also get into writing, because Jessa helps women write memoirs and I'm in the middle of writing my second book, and there's a conversation in here about resistance, accountability, and what it actually takes to write the thing your soul is calling you to write that I think every aspiring author in this community needs to hear.   IN THIS EPISODE:  What an alcohol-free beverage consultant actually is and how Jessa invented the role from scratch What walking into a non-alcoholic bottle shop in Charleston looked like when it first opened, and what it tells us about how far we still have to go with education Why mocktails with a bunch of sugar and a paper umbrella are missing the point entirely Carl Jung's famous line on the unconscious and why it applies directly to every complicated relationship with alcohol What shadow work actually is, the difference between awareness and integration, and why awareness alone can actually make things worse temporarily Why memoir writing takes you deeper than journaling ever could, and what it means to write as the child, the adult, and the witness simultaneously The childhood associations we form around alcohol before we ever take a single sip Rapid fire: the best alcohol-free drink she's ever tasted, the one book every aspiring memoir writer should read, and what her shadow would be in one word   Find Jessa at jessafrancis on Instagram, thecaimcircle.com, or getuntoxicated.com Join over 20,000 souls who tune into weekly newsletters on the competitive advantage you get alcohol-free. Get on the Euphoric newsletter. Apply to be our next Thought Leader to master premium selling and thought leader positioning to publish your book and deliver your keynote onstage.  Euphoric the Club is the premier space to lose the desire for alcohol as you surround yourself with successful women who don't drink (and the women who are becoming them). Euphoric the Club includes full access to all of my alcohol-free programs to make alcohol meaningless as your dreams take center stage.  If you know you're meant to help other people change their relationship with alcohol and create a profitable online brand, be sure to get on the waitlist for the Empowered AF Coach 5x Certification – and get 5x certified as a world class alcohol-free empowerment coach, subconscious change coach, success coach, NLP practitioner, and hypnosis practitioner and implement our 0 to $100k Coach Method™ as your build a profitable brand.  Profiling successful people who don't drink and where the alcohol-free lifestyle and entrepreneurship collide. Subscribe to the Euphoric AF YouTube channel. Read Euphoric: my HarperCollins bestseller on losing the desire for alcohol while getting high on your dream life. Be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today or grab your free chapter here.  Follow @euphoric.af on Instagram.  Please do rate, review, and subscribe so we can continue spreading our message far and wide!

SkyClan's rift is deepening and Leafstar is more uncertain than ever. Meanwhile, a flashback reveals that Stick may not be as cool and calm as he seems. Poor Onion.Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources: *Content Warning - Domestic Violence mentioned in sourcesWoman Yelling at a Cat | Know Your MemeWoman yelling at a cat - Wikipedia*Smudge the Cat | Know Your MemeSmudge - Table Cat (@smudge_lord) • Instagram Taylor Armstrong - Wikipedia*@lauraediez TikTok on RHOBH Backstory*The Tab - Archive - Dark Meme Origins of Woman Yelling at CatWhat is The Cat Meme, and Why Is That Woman Yelling?*Taylor Armstrong Reacts to *That* Famous Cat Meme from Her RHOBH Days (UPDATED) | Bravo*Music:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.