Podcasts about bajirao

Under Nana Saheb, the Maratha empire reached its largest expanse. He was the son and successor of Maratha emperor, Bajirao. He is considered an 1857 revolt hero. His fate is still unknown in history, and it is still unknown what happened to his mythical wealth, which is now estimated to be worth billions of dollars.See omnystudio.com/listener for privacy information.

In today's show, we play Saaz, Awaaz, and Andaaz presentation Rhythms of the legends with नितिन शंकर जी. It was an honor to listen to stories and hear melodious music from the rhythm master Nitin Shankar Ji on the latest episode of Saaz Awaaz and Andaaz. Nitin Shankar Ji is a legendary rhythmist who has remastered Sholay theme music with contemporary instruments and was the rhythm arranger for the 1942 love story Dilwale Dulhaniya le Jayenge, Devdas, Hum Dil de chuke sanam, Bajirao mastani, Kalank and many more. He learned tabla from the great maestro Ustad Alla Rakha Sahab and Zakhir Hussian Sahab and has worked with legendary composers like Sachin Dev Burman, Rahul Dev Burman, and Sanjay Leela Bhansali. This program was telecast live using Facebook Live with Nitin Ji joining from Mumbai and our bay area artists and a live audience in Pleasanton, CA. There is more to come in Part -2. *Saaz Aawaz Andaaz* (SAA) is a Unique Musical Initiative of the East Bay Karaoke (EBK) group with an objective to preserve Acoustic Music; Melody of Acoustic Musical Instruments & to motivate and encourage music lovers, especially the young generation. It was started by Mr. Vilas Thuse, a big fan, and connoisseur of Hindi cinema music. This program was conceived and organized by Vilas Da, with the notable music personality of the Bay Area, Raju Chidambaram, and the great team of Saaj Awaaz and Andaaz. You can support SAA with your kind contributions to the crowdfunded initiative. https://gofund.me/5c9f827b *SAA Team* Concept & Design: Vilas Da Program Director: Raju Chithambaram: Director of Technical & Sound Engineering: Vamsi Dhar: Marketing & Admin: Kanika Wah Audio-Visual Support: Abhijit Purandare Photography & Event Support: Chetan Wakade Videography & Event Support: Megha Thuse Creative Art & Event Support: Divya Raman: Event Management: Gayatri Seethamraju, Gitika Sharma, Priti Nagda:

In this episode, we have with us Ms. Sawani Shetye Malik, who is an Archaeologist and Goa specific historian. In this episode we have talked about How Parashurama created Goa, Goa Inquisition, Goa churches, Goa's restore temples, Goa's Christianity, Portuguese rule and their mentality. We also talked about the rule of Chhatrapti Shivaji Mharaj, Sambhaji Maharaj, and  Bajirao in Goa and their fight with Portuguese

TV STAR TARUN KHANNA ON HIS SERIALS RADHAKRISHN AND KASHIBAI BAJIRAO BALLAL AND NEPOTISM

GIVEAWAY ALERT! LISTEN TO THE EPISODE, ANSWER 3 SIMPLE QUESTIONS TO STAND A CHANCE TO WIN A TICKET TO AMRITA'S HERITAGE WALK IN NASHIK - https://forms.gle/xea2P2KFthjgbUPM7 WINNERS OF TALES OF HAZARIBAGH GIVEAWAY Poonam Pragya Yashaskar Shubham This week, The Musafir Stories speaks with Amrita Gangatirkar, researcher, filmmaker and the founder of travel experience company Nashik Heritage Trails (formerly Urban Serai) Today's destination: Old Nashik and Panchvati! Nearest Airport: Gandhinagar Airport, Nashiki, ISK Nearest Railway Station: Nasik Road Railway Station, NK Prerequisites - NA Packing - NA Time of the year - All year round, except monsoons Length of the itinerary: 3 hours Itinerary Highlights: Amrita takes us on a virtual walk around the heritage part of Nashik city - Panchavati and Old Nashik Panchavati is the heritage part of Nashik that is home to some of the most sacred temples and old neighborhoods. We start our walk with a visit to the Kalaram temple, a temple dedicated to Lord Ram. The temple and the deity are sculpted in black basalt stone, hence the name Kalaram. The temple also houses idols of Sita and Lakshman and is estimated to be built between the 7th-11th century originally and reconstructed during the 1780s. Nashik has a lot of influence from the Hindu epic of Ramayan, as is seen from the temples and the names of the neighborhoods. The next stop is the Goraram temple, built in white marble and hence the name - Goraram or fair Ram, also believed to be built in the 1780s. The temple architecture resembles that of a wada (residence) and is very unique. Another popular festival of Nashik is the Rangapanchami, celebrated a few days after holi, the festival of colors. The festival is very popular for the Rahad or the colored water pits! Another popular temple in the locality is Kapaleshwar temple, close to the banks of the Godavari. It is unique for the mixed architecture and use of domes in the construction of the temple. From here, we make a stop at the Godavari ghats and the popular kunds - Ramkund, Lakshman kund and Sitakund. The kunds are very significant as people perform final rites of their loved ones in these kunds. Another popular structure in this area is the Ahilya Devi Holkar bridge - learn more about the wonderful stories around this bridge. Our final stop in Panchavati is the Naroshankar temple and it's iconic Naroshankar bell, acquired during the battle at Vasai fort. On the other side of the river is the Old city of Nashik that is popular for its markets and the wadas in the alleys. The popular markets include textile market (kaapadpet), Vessel market (bhaandi bazar), Jewellery market (Saraf bazar), steel market. One can spend hours in these markets and narrow alleys watching the beautiful wada architecture. We make some stops at local homes and discover the architecture of these old homes. Our final stop of the walk is the Sarkar wada, now a government museum but that has been used as an administrative office, prison, a public library and a police station! At the end of the walk, make sure to binge on some good old Nashik Misal, jalebis, fafdas, dhoklas (thanks to the gujarati influence), sabudana vada. One of the popular eateries in the locality is Sayantara! Other options include the numerous forts in and around Nashik and the iconic wineries of Nashik! A great way to end your visit to Nashik with a visit to the wineries and vineyards Links: Link to Nashik Heritage Trails' facebook page: https://www.facebook.com/nashikheritagetrails/ Instagram: https://www.instagram.com/nashikheritagetrails Women who speak Heritage Podcast: https://open.spotify.com/show/7L3EXJBKfOskTSTOgP8RVO?si=5105790862f448dc Follow the Musafir stories on: Twitter : https://twitter.com/musafirstories?lang=en Facebook: https://www.facebook.com/themusafirstories/ Instagram: https://www.instagram.com/musafirstoriespodcast/?hl=en website: www.themusafirstories.com email: themusafirstories@gmail.com You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app. You can check out our website at http://www.ivmpodcasts.com/

Part of the International conference on Maharashtra in September 2021 - Makarand Sathe -Independent scholar, Pune Comparing Two Traditions: Workers' Theatre Movement and Rashtra Seva Dal Kalapathak to trace the circulation of the form of Tamasha in nineteenth and twentieth century Prior to 1842 Maharashtra did not have any theatre in the modern sense. There were many folk forms such as Tamasha, Lalit, Gondhal, Keertan, Powada, Dashavatar, of which Tamasha is the closest to modern theatre. It was a free-flowing form which was very conducive to rebellious and subversive socio-political content. Tamashas, that too of a specific type, had gained a lot of importance, during the period of Bajirao, the second. Debauchery and addiction had been rampant in the community, especially among the elites, i.e. Brahmins. Tamasha was dominated by then by the erotic. One of the reasons behind promoting the first Marathi play - Sita Swayanvar- in 1842 in the form of a mythological Yakshgan was to counteract the influence of Tamasha. Hundreds of mythological plays followed it Paradoxically every subversive theatre that followed, especially ones which were against Brahmanical upper class dominance, used Tamasha as form of expression - from Satyashodhaki Jalse and Ambedkari Jalse to Workers' theatre movement, Dalit theatre, Rashtrasevadal Kalapathak and experimental theatre. I would like to compare two such traditions, namely Workers' theatre movement, which called their theatre 'New Tamashas' (Nave Tamashe) and the Rashtrasevadal Kalapathak which called their plays 'National Tamashas' (Rashtriya Tamashe) and trace the circulation of the form of Tamasha in nineteenth and twentieth century. I propose to do so by comparing two plays written by two writer's belonging to these two traditions, Anna Bhau Sathe to the earlier and P. L. Drshpande to the latter. The name of the 'Rashtriya Tamasha' written by Deshpande was called 'Leader required' (Pudhari Pahije) to which Sathe had answered by a 'New Tamasha' titled 'We got the leader' (Pudhari Milala'). In short, the description of these two theatre traditions: When Marathi mainstream theatre was going through a dark period from 1930s to 1965, these two theatres flourished. As Mumbai began to develop into a new, prosperous, industrial centre, from late nineteenth century workers from the rest of Maharashtra began migrating to Mumbai in large numbers. Naturally the city was full of tremendous energy. But there were colliding interests and discordant politics. A powerful and vibrant working-class theatre was born out of all this intense activity and it followed the lines of the major workers' unions which were affiliated to the Communist Party of India. The most significant aspect of this movement was that even though the plays were created by playwrights who were not highly educated and were performed in front of thousands of workers who also were mostly uneducated, the themes were not dealt with superficially. Although ideologically articulated, it was well informed in its references to global politics. A parallel current of socio-political theatre also flourishing at the same time was the Rashtrasevadal Kalapathak which belonged to the Socialist Party. It was founded in 1946. Apart from their ideological differences from the Workers' theatre which clearly belonged to the communists, the major difference was that the writers and performers of Kalapathaks came from middle-class, high-caste backgrounds.

Humare app ko install karne ke liye iss link par click kare: https://bit.ly/3zDVXic Shanivaarvara prem ka mahal hai, yani Bajirao aur Mastani ke prem ka gavah. Isi mahal mein Bajirao ne, Mastani ke sath jevan ke khoobsurat pal guzaare the. Yeh mahal aaj bhi us gatha ko apne cine mein dabaye chupchaap khada hai. Darasal Bajirao ne apni prayasi aur patni Mastani ke liye yeh mahal banwaya tha. 290 saal purani yeh khoobsurat imarat aaj bhi logo ko apni aur aakarshit karti hai. Is mahal mein ek Mastani darvaza hai, kehte hai kabhi Mastani isi darvaze se ho kar, bahar nikalti thi. Chaar aur darvaze hai jinhe Delhi darvaza, khidki darvaza, Ganesh darvaza aur Narayan darvaza kaha jata tha. Yeh pura ilaka hi bahut khoobsurat hai, aaspaas kaafi hariyali hai. Yahan har din badi tadaat mein log ghumne ke liye aate hai Bajirao aur Mastani ke pyaar ki nishani is mahal ki sair hum aap ko karaenge aur khub sari baatein karenge aur aap dheere-dheere neend samate jaayenge. #insomniacure #neendnaaayetokyakare #insomniatreatment #neendaanekailaj #sleepdisorder #nindaanekeupay #sleepproblems#bedtimestoriesforadults #sleepstoriesforadults #AcchiNeendlaanekeliyekyakare #Acchineend #Insomniacure #neend #sleep #kahani #Relaxing #SleepBetter #Dreams #Khaawb #InmproveSleepCycle #DeepSleep #GehriNeendSona #NeendMeinLeen #SleepGoals #ChutkiMeinNeendAana #TurantNeendLaaneKiTrick --- Send in a voice message: https://anchor.fm/neend/message

एक समय था जब शनिवार वाड़ा पेशवाओं की शक्ति और ऐश्वर्य का केंद्र हुआ करता। फिर पता नहीं किस अभिशाप से, एक के बाद एक पेशवाओं की मौत से वह श्मशान बन गया। आखिरकार, एक रहस्यमय आग ने उसके गौरवशाली अतीत को हमेशा के लिए इतिहास बना दिया। पॉडकास्ट का खज़ाना मिलेगा Navbharatgold.com पर।

BAJIRAO PESHWE

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Rani Laxmi Bai was named Manikarnika Tambe and was nicknamed as Manu.She is also known as Jhansi Ki Rani, the queen who was fought against the British without any fear. She was born on 19th November 1828, in the town of Varanasi. Her father was Moropant Tambe and her mother Bhagirathi Sapre. Her father was the commander to the King of Peshwa, Bajirao of Bitoor district. The Peshwa called her "Chhabili" for her playful nature. She was educated at home and learned sports with her friends Nana Sahib and Tatya Tope like martial arts, horse riding, sword fighting, and more. She always preferred traveling on the horseback to using a palanquin. Her horses included Sarangi, Pavan, and Baadal.   She was married to the King of Jhansi and that's when she became Rani Laxmi Bai from Manikarnika. Later she adopted a boy and named him Damodar Rao. After the death of the King, the British Raj officers applied the Doctrine of Lapse, a policy according to which if any Indian ruler dies without leaving a natural male heir, his kingdom would automatically pass over to the British. As a result, the Britishers wanted to claim Jhansi to which Rani Laxmi Bai cried out "Main apni Jhansi Nahi doongi". That is when the fight against the Britishers started. She would tie her kid around her chest and fight on horseback.   There are novels, articles, and movies made in honor of her bravery. Even Netaji named the women regiment of the Indian army as Rani Jhansi regiment. The famous statue of Rani Laxmi Bai. She is an inspiration for all her countrymen. Support the show: https://www.patreon.com/chimesradio See omnystudio.com/listener for privacy information.

Hannah & Rose discuss the 2015 historical film Bajirao Mastani about Bajirao, prime minister of the Maratha empire in the 1700s, and his two wives. This film is directed by Sanjay Leela Bhansali with songs by Sanjay Leela Bhansali. It stars Ranveer Singh, Deepika Padukone, and Priyanka Chopra. Recommended for intermediate viewers. Rated for young … Continue reading "Episode 25: Bajirao Mastani"

Rahul daCunha divides his time between advertising, theatre and travel. On one hand he is running his ad agency, da Cunha Communications where he produces the famous Amul hoardings that have made India smile for 47 years. On the other side he writes, directs and produces plays like CLASS OF 84, PUNE HIGHWAY and ME, KASH & CRUISE. He is one of the founders of Rage Production and has been writing and directing plays for past 25 years. He is an extensive traveller and passionate photographer, 1. I am not Bajirao and Class of 84 are two milestones in Bombay. Please tell our listeners about these two plays 2. In one of your interviews with Hindustan Times, you mentioned “We didn’t have a voice of our own.” In the context of English theatre in Mumbai. What was the process of finding your voice? 3. Why do you think an English play in India is not as popular as the Amul girl hoarding. What are the learnings theatrewallahs can glean from the Amul hoardings? 4. Can you quickly tell us about, what the genesis of “Writer’s Bloc” and the playwrights to look out for? 5. 36 Ghante and the project of school children writing plays have been recent highlights. What next for you and Rage?

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Ranveer, Deepika and Priyanka elevate Bajirao Mastani to new heights, plus our look ahead to 2016. Featuring Uzma and Hani from the Bollywood Project podcast. WARNING: Contains spoilers. To skip the Bajirao discussion and all spoilers, skip ahead to 35:10. The Bollywood Project: http://bollyproject.com/ on Twitter: @BollyProject

New episode! We talk/rant about the upcoming award season, review two more songs from Bajirao and Dilwale, and disagree about Tamasha (whoops)! Songs played in the podcast ~ Tu Mere Paas (Wazir) ~Janam Janam (Dilwale) ~ Malhari (Bajirao Mastani) ~ Main Rahoon Ya Na Rahoon

New episode! We talk through the Neil Nitn Mukesh controversy (or embarrassment!), go back on forth on Dilwale and Bajirao clash and review the much awaited PRDP! Songs played in the podcast ~ DJ Wale Babu ~ Badshah,~Tum-Saath-Ho ~Tamasha~ Pinga ~ Bajirao Mastani ~ Guera ~ Dilwale ~ Jalte Diye ~ Prem Ratan Dhan Payo. Get back to us with opinions, complaints, requests and/or love on twitter @ masala_chaat or chaatmasalaradio@gmail.com

- How Tamasha surprises you with its freshness and originality despite having "the same story" - Ranbir Kapoor establishes himself as far and way the leading actor of Bollywood's new generation. - Not to be outdone, Deepika is on track to sweep 2015 with potentially THREE stellar performances in the year (Piku, Tamasha and Bajirao Mastani) - Dilwale's new songs with *amazing* picturization (*sarcasm) - Are Salman and SRK heading into "Rajnikant" mode? - New extended trailers for Bajirao and Wazir, plus lots more

In this episode of bollycast we talked about the following Trailers that came out in last five weeks:- Teasers of Shah Rukh Khan's Fan & Raees Teaser of Salman Khan's Sultan Trailer of Bajirao Mastani Trailer of Manjhi: The Mountain Man Kapil Sharma's Kis Kisko Pyaar Karoon Hosted by Anoop, Baloch & Sameer Get Bollywood movie news & funny reviews from Bolly fans like you. We are a team dedicated to bringing you Bollywood movie news and reviews in a fun and entertaining way. What separates us from other movie pages is that we are fans just like you. Please like us on www.facebook.com/bollycast Follow us on www.twitter.com/bollycast And can be visited