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Ram Nitin enters the Permit Room and talks about Mad Square, working under Vijayendra Prasad, his mother, copying in school, acting, engineering life, Ranbir Kapoor, Rockstar, the Tamasha monologue and much more!Submit your Short Film: https://tinyurl.com/24sj6xekOpen your Upstox Demat Account: https://tinyurl.com/5n7jbk5cLearn with Upstox Courses: https://tinyurl.com/bbnujjenCheck out Mana Diamonds: https://tinyurl.com/2f88p7kyCheck out Hirize Developers: https://tinyurl.com/mtzarsscJoin the Permit Room Film Club: https://www.youtube.com/channel/UC7QQMEVKnaHfCA_vMYUT2vA/joinChapters:00:00 - Sangeeth Shobhan pranking Ram3:22 - Working under Vijayendra Prasad16:26 - His mom introduced cinema to him25:02 - Copying in school33:12 - Engineering life in Vizag39:49 - Getting into movies after Vizag45:52 - How did Sangeeth Shobhan and Vishnu Oi help him?50:49 - Is comedy acting tough?52:25 - Shoutout to Sai Krishna Reddy for gifting us shoes53:27 - Member questions1:10:55 - Drinking career1:15:47 - Why is Rockstar so good?1:21:59 - Using Notebooklm for research1:26:39 - Speaking great English1:29:58 - Reciting the Tamasha monologue1:35:42 - Movies to Mars1:40:57 - What internal conflict did he go through recently?1:48:52 - Does he do mimicry?1:56:00 - Are actors under scrutiny?2:07:54 - How do actors date?2:11:15 - Advice for aspiring actors2:13:19 - Four aspects
Saadat Hasan Manto - Tamashaਤਮਾਸ਼ਾ- ਸਆਦਤ ਹਸਨ ਮੰਟੋSaadat Hadan Manto is regarded as one of the most sensitive writers of all time. Born in Samrala (Ludhiana), he is known as the only writer who wrote about the hard realities of society that no one ever talked about..As famously he has written, "A writer picks up his pen only when his sensibility is hurt.",Manto is best known for his famous short stories about the partition of India, in 1947, which he opposed. Tamasha is a short story of same saga....The cover art of this audiobook has been made by Artist Gurdish Pannu and Dr. Ruminder has given voice to this punjabi short story. #punjabipodcast #famouspodcast #emotionalstory #moralstory #trendingpodcast #lifemotivation #trendingshortstory #motivational #trendingaudiobooks #punjabishortstories #listenaudiobooks #artistgurdishpannu #lifestyle #viral #videos #trending #trendingonspotify #life #audiolibrary #story #punjabiaudiobooks #punjabi #punjab #shortstories #punjabifolk#popularstories #famous #audiobook #punjabiculture #family #punjabimaaboli #motherhood #punjabistories #writer #punjabibooks #punjabiculture #ਪੰਜਾਬੀ #punjabifolk
Wasanii wa Muziki Afrika na Duniani kote wanakutana visiwani Zanzibar kufurahia uzuri na Upekee wa Muziki, wageni mbalimbali hukusanyika kushuhudia Tamasha la Sauti za Busara kila ifikao mwezi Februari.
Grand Tamasha is Carnegie's weekly podcast on Indian politics and policy co-produced with the Hindustan Times, a leading Indian media house. For five years (and counting), Milan has interviewed authors, journalists, policymakers, and practitioners working on contemporary India to give listeners across the globe a glimpse into life in the world's most populous country.For the past two years, in anticipation of the show's holiday hiatus, we've published an annual list of our favorite books featured on the podcast over the previous twelve months.In keeping with this tradition, here—in no particular order—are Grand Tamasha's top books of 2024.Savarkar and the Making of HindutvaBy Janaki Bakhle. Published by Princeton University Press.Accelerating India's Development: A State-Led Roadmap for Effective GovernanceBy Karthik Muralidharan. Published by Penguin Viking India.The Identity Project: The Unmaking of a Democracy (published in the United States and the UK as The New India: The Unmaking of the World's Largest Democracy)By Rahul Bhatia. Published by Context (South Asia); Little, Brown (UK); and PublicAffairs (United States).In this special bonus episode, Milan talks about why he loved each of these books and includes short clips from his conversations with Janaki, Karthik, and Rahul.This is the final episode of our twelfth season. Thanks to our listeners to being such loyal followers of the show. We're excited to kick off our thirteenth season in mid-January after taking a short holiday break.Episode notes:1. Milan Vaishnav, “Grand Tamasha's Best Books of 2023,” Carnegie Endowment for International Peace, December 19, 2023.2. Milan Vaishnav, “Grand Tamasha's Best Books of the Year,” Carnegie Endowment for International Peace, December 20, 2022.3. “Identifying the New India (with Rahul Bhatia),” Grand Tamasha, September 25, 2024.4. “A Blueprint for India's State Capacity Revolution (with Karthik Muralidharan),” Grand Tamasha, May 22, 2024.5. “Savarkar, In His Own Words (with Janaki Bakhle),” Grand Tamasha, March 27, 2024.
This week on The Sound Kitchen you'll hear the answer to the question about Quincy Jones. There's “The Listener's Corner” with Paul Myers, Erwan Rome's “Music from Erwan”, and of course, the new quiz and bonus questions too, so click the “Play” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winners' names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.The RFI English team is pleased to announce that Saleem Akhtar Chadhar, the president of the RFI Seven Stars Listening Club in District Chiniot, Pakistan, won the RFI / Planète Radio ePOP video contest, in the RFI Clubs category. Bravo Saleem! Mubarak ho!There are just two days left for you to be a part of our New Year's Day show – get your New Year's resolutions and/or wishes to me by this coming Monday, 16 December. Send them to me at thesoundkitchen@rfi.frErwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!We have a new RFI Listeners Club member to welcome: Zahurul Islam Joy from Rajshahi, Bangladesh. Welcome, Zahural!This week's quiz: On 9 November, I asked you a question about the American composer and musician Quincy Jones, who died earlier that week.You were to re-read our article “Tributes roll in for beloved musician and producer Quincy Jones, who died at 91”, and send in the answer to this question: What is the name of the legendary Frenchwoman with whom Jones studied in Paris in 1957?The answer is: Nadia Boulanger, arguably the single most important composition teacher of the 20th century. In addition to the quiz question, there was the bonus question: What is the best way to flatter a mother-in-law?Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Pradip Chandra Kundu from West Bengal, India. Pradip is also this week's bonus question winner. Congratulations, Pradip!Also on the list of lucky winners this week are RFI Listeners Club members Zenon Teles, the president of the Christian - Marxist – Leninist - Maoist Association of Listening DX-ers in Goa, India, and Ataur Rahman Ranju, the president of the Alokito Manush Cai International Radio Listeners Club in Rangpur, Bangladesh. Rounding out the list of this week's winners are RFI English listeners Shatrudhan Sharma from Rajasthan, India, and Mahfuz from Cumilla, Bangladesh.Here's the music you heard on this week's programme: “Tamasha” by Aamer Shafiq, Farhan Bogra, Shiraz Khan, and Sparlay Rawail, performed by Khumaariyan; “No Bones at All” by Quincy Jones, performed by the Quincy Jones Ensemble conducted by the composer; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and the traditional Mexican huasteco “La Huasanga”, performed by Xochicanela.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate.After you've listened to the show, re-read our article “France's support for Syrian transition hinges on respect for minority rights”, which will help you with the answer.You have until 20 January to enter this week's quiz; the winners will be announced on the 25 January podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.
Uhusiano baina ya lugha na utamaduni, mila na mirathi ya jamii kwa jumla huenda ukafahamika angalau kwa wepesi, iwapo tutazingatia mambo kadhaa ikiwemo lugha na matumizi yake, tabia, utu, utamaduni, mila,mitindo na mengineo. Watu wa kabila la washi mashariki mwa DRC wameandaa tamasha la kutambulisha utamaduni wao, ambalo ni msimu wa pili na limepangwa kufanyika desemba 6 hadi 8 huko Bukavu. Katika makala haya mtangazaji wako Ali Bilali anakuletea sehemu hii ya tatu na ya mwisho ya maandilizi ya makala haya. unaweza kusikiliza sehemu ya kwanza kubonyeza hapa (sehemu ya kwanza) Lakini pia sehemu ya pili kwa kubonyeza hapa (Sehemu ya pili) Asante kwa kuendelea kuwa muaminifu kwa radio yako na kwa mtangazaji wako asiependa makuu unaweza kumfollow kwa kubonyeza hapa Billy Bilali
Makala haya Ali Bilali anazungumza na msanii Oliver wa nyimbo za asili ya washi wahavu mashariki mwa DRC kuelekea tamasha la Bushi ama Festival de Bushi.
Dj Mozz ni mmoja wa vijana, wenye jina kubwa katika sekta ya burudani nchini Australia.
Natalia Gul is a Dj, Stand-up comedian and head of event company, The Jungle Pk. The Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon: https://www.patreon.com/thepakistanexperience To support the channel: Jazzcash/Easypaisa - 0325 -2982912 Patreon.com/thepakistanexperience And Please stay in touch: https://twitter.com/ThePakistanExp1 https://www.facebook.com/thepakistanexperience https://instagram.com/thepakistanexpeperience The podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikh Facebook.com/Shehzadghias/ Twitter.com/shehzad89 Join this channel to get access to perks: https://www.youtube.com/channel/UC44l9XMwecN5nSgIF2Dvivg/join Chapters 0:00 Introduction 1:30 Natalia's Accident Story, Sastay Nashay and Dirty Washrooms 22:30 Shaadi, Scams and Making Money 32:30 Advertisements, PTV and Stand up Comedy 40:30 People commenting online 48:15 How Natalia got into dj-ing and Rave Culture 55:50 LSD, Psychedelics and People being unhappy 1:02:36 Be whoever you want to be and Ego Death 1:09:00 Shroom Trips 1:15:30 Poverty in Pakistan 1:18:30 How to be positive and love 1:21:00 Learning to make relationships work 1:30:00 Boys Sleepover, Tamasha and Too Hot to Handle 1:36:52 Audience Questions and the power dynamics of Comedy
We conclude our Kapoor series with the heir of the Kapoor dynasty - Ranbir. We discuss his versatility, his chameleon like ability to get into his character's skin, his dancing skills, the manchild description he is often labeled with, and his impressive filmography. For once, we pick the exact same ice cream flavor for an actor, and are inordinately proud of ourselves. Films discussed are Jagga Jasoos, Barfi, Tamasha and Bombay Velvet. Please share your thoughts on Ranbir. Which of his performances and movies do you love or hate? Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram and Twitter Pitu is @pitusultan on Instagram Beth is @bethlovesbolly on Twitter Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan
Big Tamasha in Haryana - BJP and Congress | Yogi Demolishes Akhilesh and Rahul | Baba Ramdas
Kundi la H_art the Band kutoka Kenya, lili kuwa mjini Sydney kwa tamasha yao ya miji 5 mikuu ya Australia.
Wana jumuiya wa Afrika wanao ishi mjini Sydney wamepata sababu yakufanya mtoko, ambao unajumuisha kila mwanachama wa familia.
Wakaaji wa Sydney wana jiandaa kuhudhuria moja ya tamasha kubwa ya mwaka wa 2024, inayo andaliwa na kampuni ya Beast from the East Entertainment.
In what is undoubtedly our most publicized episode, we -- Dhruv, Sanjeet (!), Varun, Aryan, and Prithwish -- discuss the three Imtiaz Ali - A.R. Rahman collaborations that make up the most “sufiyana” phase of the director's filmography. We first discuss the exhilaration and exasperation of glorifying Ruminess in “Rockstar” (2011); then the exhilaration and exhaustion of Indianizing Stockholm Syndrome in “Highway” (2014); then, finally, the exhilaration and excessiveness of stylizing storytelling in “Tamasha” (2015). Listen to the full episode to learn not only what we like/dislike about these individual films (disagreements and civil arguments aplenty) but also what we think of how Ali uses Rahman's music in all three of these films to guide us through his soul-searching narratives. TIME CODES Matargashtiyan: [00:00 - 07:00] "Rockstar" (2011): [7:00 - 53:05] Understanding filmmaking: [53:05 - 57:00] "Highway" (2014): [57:00 - 01:04:20] Can an Imtiaz character consume Petrol?: [01:04:20 - 01:05:15] Back to "Highway": [01:05:15 - 01:35:00] “Tamasha” (2015): [01:35:00 - 02:21:00] Khatam kahaani?: [02:21:00 - 02:30:26] Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can follow us on Instagram at: Dhruv: https://www.instagram.com/terminalcinema/ Sanjeet: https://www.instagram.com/pixel_baba/ Varun: https://www.instagram.com/varunonfilm/ Prithwish: https://www.instagram.com/little.lord_fauntleroy/ Aryan: https://www.instagram.com/aryantalksfilm/ You can also follow us on Letterboxd at - Dhruv: https://letterboxd.com/aterminalcinema/ Sanjeet: https://letterboxd.com/Sanjeet_Singh/ Varun: https://letterboxd.com/varunoakbhakay/ Prithwish: https://letterboxd.com/prito98/ Aryan: https://letterboxd.com/aryantalksfilms/
Born in Rawalpindi in 1942, playwright and author Swadesh Deepak made Ambala his home. He lived there until 2006, when one day he stepped out of his house for a walk and never returned. His play “Court Martial” is said to have had over 5000 shows across the country and yet Deepak shunned fame. Battling Bipolar disorder he stepped away for treatment, keeping little contact with the outside world. His return to the world of letters was momentous with an autobiographical account of his illness, Maine Mandu Nahin Dekha, and the play Sabse Udaas Kavita. He went on to win the 2004 Sahitya Akademi Award. Swadesh Deepak has not been found to this date. #swadeshdeepak #courtmartial #sahitya #hindi #audio #story #stories #storytelling
In this episode of the North Carolina Food and Beverage Podcast, Max and Matt dive into the story of Tamasha, North Carolina's latest culinary sensation. They are joined by the restaurant's visionary duo, owner Mike Kathrani and Chef Bhavin Chhatwani. The podcast explores Tamasha's inception, from Kathrani's leap from hair salon entrepreneurship to the restaurant industry, to Chhatwani's illustrious career as a Michelin-starred chef. Listeners will get a behind-the-scenes look at the challenges and triumphs of launching a modern Indian restaurant in Raleigh, the evolving local food scene, and the passionate individuals making it happen. They also cover the restaurant's participation in a local Iron Chef challenge, their aggressive approach to building a comprehensive wine and whiskey program, and the philosophy of treating guests with utmost reverence, deeply rooted in Indian culture. Get your tix to Bubbles & Bagels here On the mic this week: @trujillo.media @weisswine Join our Facebook family: @NCFandBPod Follow us on Instagram: @ncfbpod Support our Sponsors: Welcome SYSCO as our Title Sponsor!! Drink better coffee - get Carrboro Coffee Roasters Here
Gwiji wa Muziki kutoka Benin Bi Angélique Kidjo ana tarajiwa kuwa na tamasha kubwa ndani ya Sydney Opera House usiku wa Jumatano 6 Machi 2024.
On this season's final episode of Just A Filmy Game Show, Antariksh is joined by comedians Rahul Subramanian and Kumar Varun (from Random Chikibum) to compete in the ultimate Bollywood Gameshow to find out who amongst them is the ‘Biggest Bollywood Deewana!' They talk about attending Aamir Khan's daughter's wedding, their favourite Bollywood films and actors, tons of Andaaz Apna Apna references, and tons more. You're going to be doubled over in laughter throughout the episode. On the games front, they play games where they try to recognize songs from their 2nd verses, sing songs of Abhishek Bachchan, and try to determine movies in 11 questions! Tune in for the ultimate Bollywood face-off and find out who emerges victorious! Follow Antariksh on Instagram: https://www.instagram.com/antariksht/ Follow Kumar Varun on Instagram: https://www.instagram.com/randomvarun/ Follow Rahul Subramanian on Instagram: https://www.instagram.com/rahulsubramanic/ Follow this channel: https://www.youtube.com/@IVMPop Follow IVM POP on Instagram! : https://www.instagram.com/ivmpop/ This Show is Available across audio Platforms: Spotify | Gaana | Apple Podcasts | Google Podcasts The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.
Back in 2019, we started the Grand Tamasha podcast on a whim. India's 2019 general elections were around the corner, and we sensed that there might be a (temporary) marketplace for a weekly audio podcast focused on Indian politics and policy for diehards hoping to keep up with the campaign action. Nearly five years later, the podcast has become a weekly fixture and the marketplace has turned out to be more welcoming that we had imagined.For Milan, one of the joys of doing a podcast week-in and week-out is the ability to read some of the best new books on India and speak with their authors—from journalists to historians, and political scientists to novelists. Last year, we published our first annual list of our favorite books featured on the podcast in 2022. As the current year comes to an end and we prepare for a mini-podcast hibernation for the holidays, here—in no particular order—are our Grand Tamasha top books of 2023 (drumroll, please):Shadows at Noon: The South Asian Twentieth CenturyBy Joya Chatterji. Published by Yale University Press, Penguin Random House India, Vintage.Migrants and Machine Politics: How India's Urban Poor Seek Representation and ResponsivenessBy Adam Michael Auerbach and Tariq Thachil. Published by Princeton University Press.Age of ViceBy Deepti Kapoor. Published by Riverhead, Juggernaut.Making Bureaucracy Work: Norms, Education and Public Service Delivery in Rural IndiaBy Akshay Mangla. Published by Cambridge University Press.In this episode, Milan talks about why he loved each of these books and includes short clips from his conversations with Joya, Adam and Tariq, Deepti, and Akshay. Think of this final episode of our tenth season as our little holiday present to you—our listeners.
In this episode of Desi Talkies, our hosts Ananya & Aneesa talk about Sarmad Khoosat's Zindagi Tamasha (2019), released publicly on YouTube on August 4, 2023. Despite being approved by the censorship board, the film was unlawfully denied a theatrical release in Pakistan in 2019. Four years later, Sarmad Khoosat released this film for the public and therefore, fueled conversation about how art in Pakistan deserves an audience. With the censorship issues revolving around Zindagi Tamasha, our hosts talk about the flaws and hypocrisy within censorship laws in Pakistan. Ananya & Aneesa carry out their in-depth film discussion with a scene-by-scene analysis, casting breakdown, narrative analysis, and cinematographic opinion. Listen to the full episode for more background on Zindagi Tamasha and to hear our Desi Talkies rating and review! --- Support this podcast: https://podcasters.spotify.com/pod/show/desitalkies/support
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This time Vidar was taken on a journey from the rugged gangways of Tilbury docks to the grandeur of Queen Victoria's Palace unveiling the culture of British Asian history in the late 19th century with Tanika Gupta's revised new production of her play The Empress at the RSC's Swan theatre on Saturday 19 August at 1pm with description by Professional Audio Describers Julia Grundy and Gethyn Edwards. About The Empress It is 1887, the year Queen Victoria celebrates her Golden Jubilee. Sixteen year old Rani Das, ayah (nursemaid) to an English family arrives at Tilbury docks after a long voyage from India, to start a new life in Britain. On the boat from India, Rani, an ayah (nursemaid) befriends a lascar (sailor), an Indian politician and a royal servant destined to serve the Queen. Full of hopes and dreams of what lies ahead, they each embark on an extraordinary journey. Will their expectations come true or will they have to forge a different path in their new country? Spanning 13 years over the ‘Golden Era' of Empire, this story blends the experiences of Indian ayahs and lascars who worked on the ships carrying trade goods, alongside the first Indian politician to be elected as a Member of Parliament. This epic story reveals how socially diverse the Asian presence was in nineteenth century Britain. Directed by Pooja Ghai, Artistic Director of Tamasha, Tanika Gupta's The Empress will take you from the rugged gangways of Tilbury docks to the grandeur of Queen Victoria's Palace, whilst unveiling the long and embedded culture of British Asian history. The Empress continues at the RSC Swan Theatre until 18 November and will transfer to London's Lyric Hammersmith Theatre for four weeks only from 4 to 28 October. To find out more about access at the royal Shakespeare Company, including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access Image: RNIB Connect Radio Bright Green 20th Anniversary Logo
Tamasha ya Africultures hutoa fursa nyingi kwa wajasiriamali kukutana na kupata wateja wapya.
Wanachama wa jumuiya yawa Kenya wanao ishi jimboni Victoria, hivi karibuni walishiriki katika tamasha ya tamaduni zao.
Join Fabeha Syed on this episode of Urdunama as we delve deep into the concept of "tamasha" or spectacle. From Imtiaz Ali's storytelling to the nuances of human behavior, Fabeha guides us through the many meanings of "tamasha". It's not just about entertainment; it's about the myriad ways we perform for the world and even for ourselves, often forgetting our true essence.Tune in!
The St. John's Morning Show from CBC Radio Nfld. and Labrador (Highlights)
We speak with Azal Dosanjh, writer and director of a new play that pays tribute to a well-known playwright from India.
This week, Antariksh is joined by hilarious standup comedians, writers and podcasters - Noel Cordeiro and Gaurav Pawar, in a complete laugh riot of an episode.They try to guess movies from plot summaries, name movies and songs of John Abraham and Preity Zinta respectively, and play a new game called 'Dialogues in Distress'. Do tune in for plenty of fun and frolic. Check out Noel and Gaurav's podcast: YouTube: https://www.youtube.com/@theRMP Spotify: https://open.spotify.com/show/5m5PDlIA6qQEXgrPjy36uY?si=b59d7e72e8b748dc Subscribe to IVM POP on YouTube: https://www.youtube.com/channel/UChLpZtmxPs2nb6Xq7IXFOug Follow Antariksh on Instagram: https://www.instagram.com/antariksht/ follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Follow Noel on Instagram: https://www.instagram.com/1professional_amateur/ Follow Gaurav on Instagram: https://www.instagram.com/gaurav.v.pawar/ This Show is Available across audio Platforms: Spotify | Gaana | Apple Podcasts | Google Podcasts See omnystudio.com/listener for privacy information.
Mwanzoni mwa mwezi huu wa April dunia iliadhimisha Siku ya Kimataifa ya michezo kwa maendeo na amani, nchini Sudan Kusini kwa siku mbili mfululizo maelfu ya wananchi walikusanyika kusherehekea tamasha la utamaduni la amani lililoandaliwa na Ujumbe wa Umoja wa Mataifa nchini Sudan Kusini UNMISS kwa kushirikiana na Wizara ya Utamaduni ya jimbo la Kaskazini la Bahr El Ghazal.Maelfu ya wananchi walikusanyika kwa ajili ya sherehe hizo katika mji wa Aweil, wakitazama na kushiriki kuimba na kucheza nyimbo na ngoma za kitamaduni. Leah Mushi anasimulia hali ilivyokuwa
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women's everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski' and ‘assli' reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman's experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion. Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women's Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings). Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the blessings (though it sometimes feels like a curse) of hosting Grand Tamasha, Carnegie's weekly podcast on Indian politics and policy, is that our host Milan Vaishnav ends up reading a ton of books and interviewing many authors. In what we hope will become an annual holiday tradition, Milan has made a list of his top three India reads of the year, based on some of the books we've highlighted on the show's recently wrapped eighth season. Our Grand Tamasha top three books of 2022 (drumroll, please): Desperately Seeking Shah Rukh: India's Lonely Young Women and the Search for Intimacy and IndependenceBy Shrayana Bhattacharya. Published by HarperCollins India.The Progressive Maharaja: Sir Madhava Rao's Hints on the Art and Science of GovernmentBy Rahul Sagar. Published by Hurst/HarperCollins India.The Newlyweds: Rearranging Marriage in Modern IndiaBy Mansi Choksi. Published by Atria/Icon/Penguin Viking. In this episode, Milan talks about why he loved each of these books and includes short clips from his conversations with Shrayana, Rahul, and Mansi. Think of this bonus episode as our little holiday present to you, our listeners. We'll see you in January.
Shahidha Bari looks at the voices of women emerging from new writing in novels, plays and histories. Zenobia, Mavia, and Khadijah are Arabian queens and noblewomen who feature in the new book by Emran Iqbal El-Badawi which looks at the way female rulers of Arabia were crucial in shaping the history of the region. Hannah Khalil's new play at the Sam Wanamaker Playhouse at the Globe in London imagines a writers room of women weaving the tales that will last Scheherazade for 1,001 nights. And, Abdul Shayek's new production at the Tara Theatre in London is based on the testimony of women who survived Bangladesh's war of independence, a subject familiar in the writings of Tahmima Anam, including her novel A Golden Age. Queens and Prophets - How Arabian Noblewomen and Holy Men Shaped Paganism, Christianity and Islam by Emran Iqbal El-Badawi is published in December 2022 Hakawatis: Women of the Arabian Nights is co-produced by Tamasha and runs at the Sam Wanamaker Playhouse at Shakespeare's Globe from December 1st 2022 to January 14th 2023. Amma runs at the Tara Theatre in Earlsfield, London from November 30th to December 17th 2022. You can hear Tahmima Anam discussing her latest novel about a tech start up The Start Up Wife in this episode of Free Thinking https://www.bbc.co.uk/programmes/m000wc3p On the Free Thinking programme website is a collection of discussions about women in the world from goddesses to Tudor families, women warriors to sisters, witchcraft to artists' models https://www.bbc.co.uk/programmes/p084ttwp Producer: Ruth Watts
Ni miaka tisa tangu, Tamasha ya Muziki na Tamaduni za Afrika ilipo anzishwa mjini Melbourne, Victoria.
ਤਮਾਸ਼ਾ- ਸਆਦਤ ਹਸਨ ਮੰਟੋ Tamasha - Saadat Hasan Manto Saadat Hadan Manto is regarded as one of the most sensitive writers of all time. He was born in Samrala (Ludhiana)and he is known as the only writer who wrote about the hard realities of society that no one ever talked about. The raw and rough situation that every individual, every family and every local society faced is beautifully portrayed in his stories. As famously he has written, "A writer picks up his pen only when his sensibility is hurt.", Manto is best known for his famous short stories about the partition of India, in 1947, which he opposed. Tamasha is a short story of same saga, narrating about the harsh realities of that time. The cover art of this audiobook has been made by the artist Gurdish Pannu and Dr. Ruminder has given voice to this famous punjabi short story. #india #partition #punjbaiaudiobooks #partitionofindia #1947 #punjabishortstory #emotionalstory #manto #trendingonspotify #tamasha #nawazuddinsiddiqui #trendingpodcast #nawazuddin #artfilm #podcast #motivational #world #cities #artistgurdishpannu #amritsar #lahore #drruminder #punjabishortstories #saadathasanmanto
Long in discussion, our collab episode (series??) with Hamnawa is finally here! Recent podcast guest and smart guy Zeerak returns to talk about the July playlist of Hamnawa. Also, if you thought he just puts together some songs he likes and is done with it, such simple approaches are 100% not the Zeerak way and the level of complexity is a delight to hear. Check the link below for the playlist! Things discussed in this episode: 00:00 Intro, refresher on what Hamnawa is and how it works, YouTube vs Spotify releases 05:58 The Stunners Universe 11:40 “Tamasha” by Dijay Khalifa & superdupersultan - Language barrier not a hindrance 14:46 “Shub Deep Singh Sidhu” by Kh44ki - Sidhu Moosewala, India Pakistan's strong hiphop connections 23:29 Why is there so much hip-hop in Hamnawa 24:56 “EKDOUTEENCHAAR” by Rozeo's, his versatility, Instagram's place in the music scene 30:35 Outro LINKS: Hamnawa's July Playlist: https://open.spotify.com/playlist/5BEHZ9JCGLHCblzRJN3bya Hamnawa's Instagram: https://www.instagram.com/hamnawa_net/ Support the podcast by becoming a monthly patron on Patreon (https://www.patreon.com/tprpod) or send a one-off token on Ko-fi (https://ko-fi.com/tprpod)! Find all our previous episodes on SoundCloud, Spotify & Apple Podcasts and follow us all on Twitter! Links to everything below! SoundCloud: https://soundcloud.com/tprpodSpotify: https://open.spotify.com/show/6PvTahp... Apple Podcasts: https://podcasts.apple.com/us/podcast... Instagram: https://www.instagram.com/tprpod/Twitter: https://twitter.com/TPRPod Ali: https://twitter.com/themaholupperRizwan: https://twitter.com/RizwanTakkharSarkhail: https://twitter.com/Sarkhail7Khan
Be part of our community by joining our Facebook group: https://www.facebook.com/groups/thoughtbehindthings In tonight's conversation with our special guests, Aamir Ibrahim and Saif Ali. What has Aamir's journey been like? When and how did he join Mobilink? How was Jazz launched? How did his career progress? When did they acquire WARID and how did it convert into JAZZ? How has Jazz evolved over time? What are their goals to make Pakistan digital? What was the merger advantage and what other initiatives do they have on the go? Why is customer engagement important to them and when can we expect a super-app? What is the "Jazz World" and "Tamasha" app? Why are they interested in local content development? How did they end up raising Pakistan's largest series A with $37m raise? How is Jazz adding value to this? Will they maximize the potential of digital? Can we expect friction costs to reduce? How can this reduce corruption? How are they enabling trade? Why retail? Why is their partnership valuable? Who provides the inventory? Eventually, can Dastgyr become the main source of supply? Was it risky to announce it during this time? What is the next step? Why has 5G not been introduced in Pakistan yet? How can the internet situation in Pakistan be improved? Luxury Vs. Necessity and Spectrum. Why did they partner with Nayatel and why is our internet so unstable? How does Aamir envision the Pakistan of 2050? Catch this and so much more in tonight's episode. Do not forget to subscribe and press the bell icon to catch on to some amazing conversations coming your way! Connect with us: • https://www.instagram.com/thoughtbehindthings • https://www.instagram.com/muzamilhasan Saif Ali (Executive Director - Dastgyr) https://www.linkedin.com/in/saifali1/? Aamir Ibrahim (CEO - Jazz): https://www.linkedin.com/in/aamir97/ One8nine Media: https://www.youtube.com/channel/UC6akyz6EpkwyzBmKh0L2rSQ --- Support this podcast: https://anchor.fm/syed-muzamil-hasan-zaidi3/support