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2 episodes with clair wills
7 episodes with clair wills
7 episodes with clair wills
2 episodes with clair wills
Clair Wills was in her twenties when she learned she had a cousin she'd never met. It wasn't as though their families drifted apart. She'd never been told of this person's existence. It was shrouded in shame and secrecy, and she wanted to understand why. Her memoir Missing Persons may change how you think about your own family, and your family secrets. We spoke about Ireland's mother and baby homes, the stigma of illegitimacy, and how secrecy can shape a family and a society.
Rachel and Simon speak to the author and academic Clair Wills. She is the Regius Professor of English Literature at the University of Cambridge and the author of several non-fiction books. "That Neutral Island: A History of Ireland During the Second World War", published in 2007, won the PEN Hessell-Tiltman History Prize; "Lovers and Strangers: An Immigrant History of Post-War Britain" (2017) won the Irish Times International Non-Fiction Book of the Year and was shortlisted for the Orwell Prize. Her latest book, "Missing Persons, Or My Grandmother's Secrets" (2024), won Non-Fiction Book of the Year at the Irish Book Awards. We spoke to Clair about combining an academic career with writing for a broad audience, her insider/outsider perspective on Irish culture, and writing about her family and Ireland's Mother and Baby Homes in "Missing Persons". We have recently also overhauled our offer for those who support the podcast on the crowdfunding site Patreon. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via Amazon or Waterstones.You can find us online at alwaystakenotes.com, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
Clair Wills – Missing Persons, or My Grandmother's Secrets...with TRE's Selina MacKenzie
When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Born in a mother-and-baby home in 1950s Ireland, Mary grew up in an institution not far from the farm where Clair spent happy childhood summers. Yet Clair was never told of Mary's existence.How could a whole family―a whole country―abandon unmarried mothers and their children, erasing them from history?Clair's tells the story in the new book "Missing Persons: or, My Grandmother's Secrets."
Hvordan går det med prosjektet om å lese seg gjennom Europa? Vi tar en pust i bakken, oppsummerer og diskuterer bøker fra land som begynner på i. Stolthet og fordom – en litteraturpodkast lages av Ingrid Svennevig Hagen og Hilde Slåtto. I denne episoden snakker vi om: Den dunkle dottera av Elena Ferrante (oversatt av Kristin Sørsdal) Lost on me av Veronica Raimo (oversatt til engelsk av Leah Janeczko.) Gjenferdet inn av Isabella Hammad (oversatt av Bjørn Alex Herrmann) Min mormors hemmeligheter. Eller: Forsvunne personer av Clair Wills (oversatt av Sigrid Grande) Småting som dette av Claire Keegan (oversatt av Merete Alfsen)
When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Missing Persons, or My Grandmother's Secrets is a detective story, memoir and cultural history of Ireland's Mother and Baby homes. ‘Attending to the ways that the past ruptures and grows through the present', writes Seán Hewitt, ‘this is a history shaken by intimacy – a brave and rigorously humane book.' Wills was joined in conversation with Alice Spawls, editor of the LRB and co-editor of After Sex (Silver Press).Get the book: https://lrb.me/missingpersonsFind more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.
Clair Wills's investigation leads her back to the discovery that nearly thirty years ago a cousin of hers had been born in one of the Homes and her existence had been covered up.
In this episode, Kathy Sheridan is joined by British academic and author Clair Wills. In her new book Missing Persons, Or My Grandmother's Secrets, Wills brings the reader on an intimate journey through her family history and lays bare the brutal treatment of Ireland's unmarried mothers. The wheels were set in motion for this book in the early 90s, when Wills learned of her long lost cousin Mary, born in Bessborough mother and baby home in Cork in the 1950s. Bessborough was only a few miles down the road from where Wills had spent idyllic childhood summers on her grandmother Molly's farm. In this episode, she talks to Kathy Sheridan about the inherent shame and guilt that reinforced this culture of secret keeping in Ireland, the challenges of piecing together her family history and why, despite initial reservations, she felt compelled to tell their story. Hosted on Acast. See acast.com/privacy for more information.
When Clair was in her twenties, she learned she had a cousin she never met. Born in a mother and baby home in 1950's Ireland, her cousin grew up in an institution not far from where Clair grew up. Clair Wills, cultural historian and author, joined Pat in studio today to discuss her latest book.
Cambridge Professor Clair Wills researches her own Irish family history and explores the ripple effects of unplanned pregnancies through the generations in her new book 'Missing Persons or My Grandmother's Secrets'
Expanding on her recent Winter Lecture, Clair Wills talks to Tom about the stories people tell about abortions – stories conditioned by tradition, coerced by the courts, compelled by politics and shared in solidarity. They discuss some of the radical reframings and reimaginings of abortion in art, literature and private life.Find further reading, including the lecture, on the episode page: lrb.me/clairwillspodWatch the lecture on YouTube: lrb.me/abortionplotSubscribe to Close Readings: lrb.me/closereadings Hosted on Acast. See acast.com/privacy for more information.
Clair Wills talks to Tom about Netherne psychiatric hospital, where her mother and grandparents worked, and which became a national centre for art therapy. Wills asks how asylums such as Netherne – ‘total institutions' as Erving Goffman described them – became normalised, and considers the role of art in revealing people's experiences of them. They also discuss Wills's related piece about the scandal of the Irish Mother and Baby Homes, published in the LRB in May.Find further reading on the episode page: lrb.me/willspodSubscribe to the LRB from just £1 per issue: https://mylrb.co.uk/podcast20bMusic by Kieran Brunt / Produced by Anthony Wilks See acast.com/privacy for privacy and opt-out information.
The battered and exhausted Britain of 1945 was desperate for workers – to rebuild, to fill the factories, to make the new NHS work. From all over the world, thousands of individuals – including many Irish emigrants – took the plunge. Most assumed they would spend just three or four years in the UK, sending much of their pay back home, but instead large numbers stayed and transformed the country. Recorded at Printworks, Dublin Castle, on 1st October 2017.Clair Wills teaches at Princeton University in the USA. Her books include Dublin 1916: The Siege of the GPO and The Best Are Leaving: Emigration and PostWar Irish Culture.Elaine Sisson is a cultural historian, writer, and lecturer, at Dún Laoghaire Institute of Art, Design and Technology. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
The battered and exhausted Britain of 1945 was desperate for workers – to rebuild, to fill the factories, to make the new NHS work. From all over the world, thousands of individuals – including many Irish emigrants – took the plunge. Most assumed they would spend just three or four years in the UK, sending much of their pay back home, but instead large numbers stayed and transformed the country. Recorded at Printworks, Dublin Castle, on 1st October 2017.Clair Wills teaches at Princeton University in the USA. Her books include Dublin 1916: The Siege of the GPO and The Best Are Leaving: Emigration and PostWar Irish Culture.Elaine Sisson is a cultural historian, writer, and lecturer, at Dún Laoghaire Institute of Art, Design and Technology. See acast.com/privacy for privacy and opt-out information.
The Northern Irish author of Cal and Grace Notes, Bernard MacLaverty talks to Anne McElvoy about his novel Midwinter Break plus Clair Wills on her research into post war immigration to Britain and the differing expectations and experience of migrants and European refugees. The daughter of Irish immigrants - she now teaches at Princeton University in USA. Joining in the discussion Will Jones, who researches the politics of migration and is working on developing the idea of matching markets which would match refugee preferences with state priorities. Anne also hears from Catherine Nixey a young historian with a tale to tell of who did for the pagans. Nixey claims that the old story of Roman paganism dying of its own accord and Christianity moving into a void is one told by the victors. The Christians in fact annihilated belief systems across the Empire in a concerted attack on their philosophy, buildings and artworks. Midwinter Break by Bernard MacLaverty is out now in hardback. Clair Wills book is called Lovers and Strangers: An Immigrant History of Post-War Britain. William Jones, Centre of International Public Policy, Royal Holloway University of London The Darkening Age by Catherine Nixey out now in hardback. Producer: Jacqueline Smith
With Thea Lenarduzzi and Lucy Dallas – Alexander van Tulleken on what makes popular science books – including Neil deGrasse Tyson's Astrophysics for People in a Hurry – so popular, and is there a hidden danger in making science the subject of water-cooler conversations?; Clair Wills joins us in the studio to discuss the forgotten stories of Punjabi migrants who came to England in the 1950s and early 60s, and introduces us to the fascinating, genre-blending works they composed and performed in pubs; and finally, the TLS's History editor David Horspool explains how Oliver Cromwell’s embarrassingly messy attempts to conquer the Caribbean in the mid-17th century nonetheless set the stage for modern overseas expansion – as well as giving us an early instance of fake news See acast.com/privacy for privacy and opt-out information.
Clair Wills of Princeton University discusses her new book Lovers and Strangers, which explores the lives of people from across the globe who moved to Britain after the Second World War See acast.com/privacy for privacy and opt-out information.
Professor Clair Wills (Queen Mary, University of London)
Professor Clair Wills (Queen Mary, University of London)
Frank McGuinness speaks of his experience of adapting Brian Friel’s Dancing At Lughnasa for the screen, with Meryl Streep in the leading role. Friel has appeared to shy away from film for most of his distinguished career but was deeply influenced by the wider revolutions in acting, writing and directing across all media during the 1960s when modern sensibility took shape. Friel’s writing may have been influenced by Tennessee Williams and Arthur Miller but it also owes a debt to powerful films such as Kurosawa’s Rashomon. By reducing the role of the narrator and repositioning the climactic dance sequence, McGuinness attempted to translate what he regarded as a ‘male’ play into ‘a woman’s movie’.
Frank McGuinness speaks of his experience of adapting Brian Friel’s Dancing At Lughnasa for the screen, with Meryl Streep in the leading role. Friel has appeared to shy away from film for most of his distinguished career but was deeply influenced by the wider revolutions in acting, writing and directing across all media during the 1960s when modern sensibility took shape. Friel’s writing may have been influenced by Tennessee Williams and Arthur Miller but it also owes a debt to powerful films such as Kurosawa’s Rashomon. By reducing the role of the narrator and repositioning the climactic dance sequence, McGuinness attempted to translate what he regarded as a ‘male’ play into ‘a woman’s movie’.
Over the last three decades Bill Whelan has been at the heart of many exciting moments of extraordinary innovation in Irish music across the genres from traditional to rock. Here he documents and considers his varied career to date, from jobbing session musician in the early 1970s to Grammy Award winner in 1997. Donal Lunny and Andy Irvine are recalled as seminal influences on his music during the Planxty years while the founding of Windmill Lane Studios in the 1980s is seen as a landmark moment in the evolution of Irish music across the spectrum. Whelan reflects on Riverdance from inception to global reception. At a time of rapid cultural change he welcomes the creative possibilities brought on by recent immigration to Ireland and argues for the importance of a robust Irish musical tradition.
Over the last three decades Bill Whelan has been at the heart of many exciting moments of extraordinary innovation in Irish music across the genres from traditional to rock. Here he documents and considers his varied career to date, from jobbing session musician in the early 1970s to Grammy Award winner in 1997. Donal Lunny and Andy Irvine are recalled as seminal influences on his music during the Planxty years while the founding of Windmill Lane Studios in the 1980s is seen as a landmark moment in the evolution of Irish music across the spectrum. Whelan reflects on Riverdance from inception to global reception. At a time of rapid cultural change he welcomes the creative possibilities brought on by recent immigration to Ireland and argues for the importance of a robust Irish musical tradition.
This lecture examines how contemporary Irish playwrights depict and how they engage the cinematic and narrative patterns we’ve come to associate with American movies. Donal O’Kelly’s Catalpa (1995), Martin McDonagh’s The Cripple of Inishmaan (1996), Marie Jones’s Stones in His Pockets (1999), and Geraldine Hughes’s Belfast Blues (2003) grapple with the effects of Hollywood on their characters and on Irish society. Despite frequently depicting individuals thwarted in their pursuit of big screen success, these plays maintain a surprising optimism about Hollywood. This suggests the American film industry provides a productive tool for exploring Irish identity and history in a moment of rapidly changing, globalized popular culture.
This lecture examines how contemporary Irish playwrights depict and how they engage the cinematic and narrative patterns we’ve come to associate with American movies. Donal O’Kelly’s Catalpa (1995), Martin McDonagh’s The Cripple of Inishmaan (1996), Marie Jones’s Stones in His Pockets (1999), and Geraldine Hughes’s Belfast Blues (2003) grapple with the effects of Hollywood on their characters and on Irish society. Despite frequently depicting individuals thwarted in their pursuit of big screen success, these plays maintain a surprising optimism about Hollywood. This suggests the American film industry provides a productive tool for exploring Irish identity and history in a moment of rapidly changing, globalized popular culture.
This lecture explores forms of popular culture that developed in Ireland during the Second World War. Comparisons are drawn with Britain, where radio and cinema assume tremendous importance in the war years. In Ireland the major developments are in amateur drama, reading groups, beginnings of film and journalism. Particular attention is focused on the very specific relationship between high and popular culture which develops in both Britain and Ireland at this time due to the fact that many 'high cultural' writers are taking on mediated jobs in radio broadcasting. Consideration is also given to the role of The Bell and other cultural movements in strengthening the consensus on behalf of neutrality in Ireland.
This lecture explores forms of popular culture that developed in Ireland during the Second World War. Comparisons are drawn with Britain, where radio and cinema assume tremendous importance in the war years. In Ireland the major developments are in amateur drama, reading groups, beginnings of film and journalism. Particular attention is focused on the very specific relationship between high and popular culture which develops in both Britain and Ireland at this time due to the fact that many 'high cultural' writers are taking on mediated jobs in radio broadcasting. Consideration is also given to the role of The Bell and other cultural movements in strengthening the consensus on behalf of neutrality in Ireland.
James Joyce’s works abound in references to popular culture. They depict such works as part of the very fabric of modern consciousness. Frequently, Joyce deploys allusions to popular entertainment as a means of underlining the debasement and vulgarity of contemporary existence. But also crucially, in the manner of Walter Benjamin, he depicts popular culture as a site of resistance and the very basis by which his characters may contest the enervating effects of capitalism and of political imperialisms.
James Joyce’s works abound in references to popular culture. They depict such works as part of the very fabric of modern consciousness. Frequently, Joyce deploys allusions to popular entertainment as a means of underlining the debasement and vulgarity of contemporary existence. But also crucially, in the manner of Walter Benjamin, he depicts popular culture as a site of resistance and the very basis by which his characters may contest the enervating effects of capitalism and of political imperialisms.
This lecture examines W.B. Yeats’s not inconsiderable body of writing for the newspapers which ranges from literary journalism to letters to the editor. Attention will focus on the tensions between his clear commitment to journalistic practice and his own avowed hostility to ‘the Ireland of the newspapers’.
This lecture is focused primarily on the pre-revolutionary period in Ireland and looks at the cultural and visual significance of the image of the boy within Irish nationalist discourse.
This lecture examines W.B. Yeats’s not inconsiderable body of writing for the newspapers which ranges from literary journalism to letters to the editor. Attention will focus on the tensions between his clear commitment to journalistic practice and his own avowed hostility to ‘the Ireland of the newspapers’.
This lecture is focused primarily on the pre-revolutionary period in Ireland and looks at the cultural and visual significance of the image of the boy within Irish nationalist discourse.
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