Podcast appearances and mentions of Meryl Streep

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, the pair introduces the concept of the new show, including the segment, "What's the Jangle," in which they discuss two tidbits of Jewish entertainment news. We hear how "The Real Pain" creator Jesse Eisenberg is willing to go under the knife to donate a kidney to a perfect stranger. And we learn about two brave Hollywood actresses -- Meryl Streep and Sigourney Weaver -- who haven't joined the boycott Israel movement and are signed on to work with Israeli director Joseph Ceder in his upcoming thriller. Next, we get to "The Main Screening," a segment in which the duo discusses two films: the newly released Natalie Portman project, "Arco," and 2024's "Thelma" starring 96-year-old June Squibb. Hear which films get the seal of approval from our team and which was a split decision on this week's The Reel Schmooze. The Reel Schmooze can be found wherever you get your podcasts. IMAGE: Jordan Hoffman (courtesy) / Israeli actress, director, producer Natalie Portman arrives for the screening of the film 'Arco' at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 16, 2025. (Bertrand GUAY / AFP)See omnystudio.com/listener for privacy information.

Chaque samedi dans CLAP !, Laurie Cholewa revient sur l'actualité du Septième art, en compagnie d'invités.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jess here. Sarina and I discuss audiobook narration this week and explain how narrators get hired, paid, and dish some inside baseball on audiobook production. Transcript Below!Your subscription = good podcast karma. Sign up now to support the Podcast!SPONSORSHIP MESSAGEHey, listeners, did you know that we review first pages sent in by supporters every month on the pod? It's just one more reason you should be supporting Hashtag AmWriting, which is always free for listeners and ad free too. Please note that we will never pitch you the latest in writer supplements or comfy clothes for lap-topping. The good news is we're open for First Page submissions right now. If you've got a work in progress and you'd like to submit the first page for consideration for a Booklabs First Pages episode, just hit the support button in the show notes and you'll get an email telling you all the details. Want to hear a Booklabs episode. Current ones are for supporters only but roll your pod player back to September 2024 and there they'll be.EPISODE TRANSCRIPTIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, welcome to the Hashtag AmWriting Podcast. I'm your host, Jess Lahey, and this is the podcast about getting all the words done, writing all the things, writing, short things, long things, proposals, queries, poetry, all the things. But today, Jess and Sarina are bringing you the book nerdery stuff, the best stuff. This is The Publishing Nerd Corner. I love this new segment. I'm super excited about it, but first, my name is Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. You can find my journalism out there various places, including The New York Times. And you can find my newsletter at jesslahey.substack.com.Sarina BowenAnd I'm Sarina Bowen, the author of many contemporary novels. My new one is called Thrown for a Loop, and it drops on November 4, and it also will be published that same day as an audio book.Jess LaheyWhoo so...Sarina BowenAnd that is what...Jess LaheyYeah, we're going to talk about audiobooks today, because Sarina knows so much about this—because she has to, like, hire her own narrator sometimes and stuff like that. All I know is, I narrated my own audiobook, and it was super fun, and I loved it. But we want to talk about all the aspects of how audiobooks work—all of it. There's lots of fun stuff to talk about. Where would you like to start, Sarina?Sarina BowenThat is a good question. So, most of the time, if you are selling your book to a big publisher, audio rights will be included in your contract, and your publisher is therefore responsible for making the audiobook. You might be consulted about the choice of narrators, and that audio will magically appear finished on your publication date. But if you are a self-published author, then the existence or not of your audiobook is completely under your control. Audio has been the shining star of publishing for the last decade in that it is the growth story. I'm not sure how that has worked the last couple of years, but audio was one of the only areas of traditional publishing that demonstrated double-digit growth for much of the last decade. A lot of that has to do with the popularity and availability of streaming as a way that people listen to these books. Obviously, the technology shift made a huge difference, but so did things like cellular networks that work well and buffer easily. So...Jess LaheyCan I add one little, tiny thing? There's been another reason that I think that audio has done so well, and that's the acceptance within the education world—thanks to researchers like, for example, Dan Willingham and other people who study the brain and how we process and learn—that audiobooks are reading. From a processing perspective, from a learning perspective, listening to audiobooks is reading, and anyone who is telling you otherwise is not looking at the science. And so, this has been an incredible way—when you look at kids, for example, neurodivergent kids, dyslexic kids, kids who need another way to take in the information. It used to be that audio was like, “Oh no, that's cheating,” and it is absolutely not cheating. So, I think that acceptance within the education world has been so great. And, you know, yes, it is a small part of the growth, but I do want to put that plug in there.Sarina BowenYeah. So, the way that, traditionally, audiobooks have been made is that a narrator goes into a booth and reads the book after having prepped it a bit in terms of maybe reading the whole book, maybe reading parts of the book, understanding what they're going to bring to the table. If it's fiction, then they'll be looking to see what are the major voices, because audio narrators change their delivery to indicate voices. And one thing that's interesting about the trend where we are in audio right now is that it's very trendy for a nonfiction author to read their own work if they're comfortable with it. That is widely done in nonfiction.Jess LaheyAnd it was one of my favorite parts of my process. And I have to say, nothing affected me more on an emotional level. I cried at the end of narrating both books. I had to pause at the very end—at the last couple, the last paragraph. It was such a moving experience for me to narrate my own book. And I have to say, it wasn't a slam dunk that they were going to let me do that. I, you know, I worked really hard to be able to do that, because for some people, that's just not their bag—it's not something that comes naturally to them. But it was, for me anyway, my favorite part of the process.Sarina BowenYeah, so if you had written a novel, though, we wouldn't be—Jess LaheyNo.Sarina Bowen—having that same conversation.Jess LaheyI'm not an actor. I don't have the chops for that.Sarina BowenWell, a lot of authors of novels don't understand this. It's not that they don't understand how their own book should sound and be delivered—it's that what they don't understand is that the way that novel audio sounds in 2025 is a specific trend in the way that readers want their books delivered. The books are very much acted. It wasn't always this way. There were times when audio really sounded more like somebody just reading—and that's okay. Like, there's lots of room for style in terms of the way that audio fiction works. But right now, the trend in audio fiction is very much a performance. And one way that you can see this—and it continues to expand as a trend—is the trend toward something called duet audio, which means, for example, in romance, if there's a male hero and a female heroine—and the way that most of my books work is that if the chapter is in the POV of a man, then the male narrator reads it. But of course, when he comes to a line of dialogue delivered in the heroine's voice, he softens his tone a bit to indicate that she's speaking, but he reads the whole chapter.Jess LaheyThey're always amazing—that's amazing to me when readers can do that. I mean, Davina Porter is the one that comes to mind—like, in the Outlander books, when she switches whose voice she's reading. She switches whose voice—it's down to the accent—and you don't for a second think, “Oh, that's the same person reading all of this.” And some of the narrators you use, Sarina, in your books—the same thing. My brain absolutely believes that I'm hearing a female voice versus a male voice. It's a really incredible talent.Sarina BowenYeah. In fact, if this is of interest to you, there is a book called Thank You for Listening by Julia Whelan.Jess LaheyIt's so good!Sarina BowenWho is one of the few who's been very successful as both an author and a narrator, and her book is a little bit of inside baseball about narrators. And it's a delight.Jess LaheyIt's fun. It's really fun.Sarina BowenOkay, so what I was just describing, though—where he reads a chapter and then she reads a chapter—we refer to that as dual narration (D-U-A-L). But there's a new trend called duet, whereby in the same book, he would read the chapter, but if there was a line of dialogue from a woman, the female narrator would read that line.Jess LaheyWhich is more similar to me in terms of how it feels with, like, ensemble narration. Like, for example, Lincoln in the Bardo had a full cast of many characters, and every part was someone different, and those actors would chime in with their parts. So, same—similar idea.Sarina BowenWell, sometimes, sometimes a “full cast” audiobook just means that there are lots of very short chapters or segments. But to have every single line of dialogue cut in is really different than just saying a book has a full cast.Jess LaheyThat's true. Actually, that's true.Sarina BowenSo the thing about duet specifically is that the engineering part of it—the post-production—is really expensive because the engineer has to cut together this script, and actually preparing the script is also a lot of work. So it's a pretty big deal to make a duet book. It's more expensive. The cost of making a one-POV narrator book or a dual book is between, let's say, $300 and $600 per finished hour.Jess LaheyWhat do you mean by that, Sarina?Sarina BowenSo, if you look at Audible right now, you can see the lengths of all of my audiobooks down to the minute. So it might say eight hours and thirty minutes. That means the finished length of that book is eight hours and thirty minutes. And the cost of making that book will be 8.5 times some number between $300 and $600. But if I did that book as duet, then it might be $1,000.Jess LaheyOkay, all right.Sarina BowenSo, every audiobook I've ever made cost between, like, three grand and seven grand. And if I were doing duet, then I would be hitting numbers more like $10,000.Jess LaheyAnd make no mistake—there are stars in the audiobook world who, like celebrities in films, can earn more per finished hour for their books. And that demand is really important because they have a vibe. There are fans of particular narrators who will listen to anything that narrator reads.Sarina BowenYeah, like my kids and I used to listen to audio narrated by Meryl Streep, and I'm sure she broke the curve for how much that cost per finished hour. But you should also know that the finished hour is not the same as how long it takes the narrator to do the job. So, if I'm paying a narrator $350 a finished hour, he is spending more time on that book, and his actual pay per hour is lower—like 150 bucks or whatever. It depends on his ratio of how fast he can narrate a book. And also, narrators' voices get tired. They can't narrate forty hours a week—although, actually, some of them probably do—but, you know, it's a hard job. So, if you're thinking, “I'm not going to pay someone $350 an hour to narrate my book,” you should know that it doesn't really work that way, and that really is the price for a reason.Jess LaheyAnd they're fun—just for some fun inside baseball things. Like, for both of my books, narration hours when we worked—our starting time in the morning was pushed up a little bit because no one wants to get an audiobook narrator right after they woke up. Your voice is not primed. Your voice has gunk in it. So, we would start later. You really could only go—you know, with my first book, I think we went until, like, three in the afternoon or something. You have to take a break for lunch, and then after you eat lunch, you get all these weird secretions, and it takes time to get back into it. There's just some weird stuff that I didn't count on—like it was better for me to be hungry (except then my stomach would make noises, which the microphones would pick up) than to stop and eat and have to get back in the groove. Because when you're in the groove, you kind of don't want to stop. There was just so much more to it than I ever anticipated. It was a blast, but it took me almost a whole week. We had scheduled five days for The Gift of Failure—it's like 78,000, 80,000 words, or something like that. We scheduled five full days; we ended up taking four. And I didn't have pickups for that book, but I did have pickups for The Addiction Inoculation. There was a lot more scientific language in that book that we had to do some pickups for. So, yeah, it's—Sarina BowenPickups means edit.Jess LaheyYeah. So, there were a couple days where I came in—and so I actually did The Addiction Inoculation during COVID. I was at a studio here locally in Vermont with my director, the producer of the audio in one ear of my headphones, and my producer from Harper in my other ear, in New York or wherever she was. We were working in a sound booth in Vermont. And, you know, in the evening, that producer would go over the audio and make sure that all of the words were pronounced correctly and everything was good. And then the next day, we would do pickups along with the new work as well.Sarina BowenRight. So, the editing that happens is really down to the word. Like, the engineer will sit there and, you know, go right into that space between the two words that you said and put the new thing in. And when a professional narrator is in the booth, they operate in a way that's called punch and roll, which means that they will stop when they make an error, go back—looking at that visual sine wave of the audio on their screen—find the pause between the words, go right to that spot, and then roll forward by hitting record again and then speaking the word that they meant to say.Jess LaheySome audiobook narrators use a clicker too. It's a way of being able to see on the wave where you, you know, might need to go back and figure something out.Sarina BowenYeah. So, um, there's a lot that goes into this. Humans make a lot of noises that we're trying not to hear. Like, some engineers will go in and dampen the breath sounds.Jess LaheyYeah. Yep.Sarina BowenYou know, they'll go in and take out the “heeeeh.”Jess LaheyActually, I had to change my clothes. My sweater was making too much noise. It turns out when I narrate, I use my arms a lot—so I actually had to learn how to narrate with my arms resting on the armrests but only using my lower arms. So, I look like the robot in Lost in Space with my little—my little—and also, my hair had to be up because my hair made noise too. And you can't wear jewelry, you know, like bracelets and things like that also make noise.Sarina BowenYep. And narrators all have stories like, “I can't eat Indian food before I narrate,” or “When I go in the booth after lunch, I strap pillows around my midsection.” Like all this stuff to make sure that the sound quality works. So, that brings us to a difficult topic in how audiobooks are made, which is that a lot of books are flooding the market with AI voices. And everybody's heard AI voices before—for example, if you've ever been on TikTok and you hear that weird, artificial female voice reading the—I don't even know how to explain it—but that's primarily why I never go on TikTok, because I cannot stand that artificial voice.Jess LaheyI listened to—I listened to an article yesterday with The New York Times that was AI-generated that was better than those awful TikTok voices, but still, you know—still AI.Sarina BowenYeah. So, I am not going to spend our time discussing whether those voices are good or not, but it has really gotten messy. At the beginning of AI narration, some platforms said, “No way, no how. We will never have one.” And then a lot of platforms suddenly allowed for it. So, there's lots of AI narration in the world, and it's causing real havoc, especially among people whose livelihoods are being affected by a drop in audio work. I really believe that the readers of my books care very much about the delivery, and it's hard for me to think that an AI voice could carry the kind of emotion that romance readers are looking for in an audiobook. So, I hope—I hope that audio listeners continue to demand quality, because it's a big deal.Jess LaheyAt least right now, your listeners—you know, they love Teddy Hamilton. Or, you know, there are audiobook narrators who are very specifically—people get excited when they see a particular narrator's voice attached to your work. And I think—and again, in Thank You for Listening, there's that good—she goes into great detail on that whole inside baseball of narrator fans. And like, Teddy Hamilton has fans—has a fan base. And I hope that persists, because I think there's real value in that. I hope there's real value in that, and I hope people continue to value it.Sarina BowenYeah, and I don't think that's going away anytime soon. People really aren't clamoring to see AI Meryl Streep on the screen at the movies—and, you know, paying a movie ticket price for that. And I believe that in narration land, yeah, it's the people coming up that will suffer the most—the newer narrators who don't have a fan base yet and are struggling to get work. So, yeah—anyway, that is one thing. And we could talk about how to get your book done in AI production now, but I think we won't, because...Jess LaheyYeah.Sarina BowenBecause that's, you know, not—you can figure that out yourself if that's interesting to you. But, um, I believe that humans are still the way to go here.Jess LaheyThere was an interesting note. So, when I said that I worked really hard to get the chops to narrate my own audiobook—I mean, I went to go work for Vermont Public Radio. I recorded these commentaries. And these commentaries that my producer taught me how to record—there was a really interesting note she gave me, which is that these commentaries are really short, like just a couple of minutes—less than three minutes. And one of the things she taught me is that when I'm reading these commentaries, if at the end I look up at my producer and smile and make eye contact with my producer that it makes the narrator be even more connected to the listener. And she's absolutely right. You could hear a difference in the commentary when I was making eye contact with my producer, and I find that fascinating and intangible and magic. There is a magic in that that I hope we do not lose with AI.Sarina BowenYes, absolutely—and that is a fantastic place to close this episode.Jess LaheyAbsolutely.Sarina BowenLet's not lose that magic.Jess LaheyIf there are things you would like us to talk about when it comes to the nerdery of publishing—in the Publishing Nerd Corner—if you're a huge fan of publishing nerdery, I also would love to recommend that you go over and follow Jane Friedman immediately, because she is such a great writer about the nerdery stuff in publishing. But we will continue to talk about it. If there are things you would like to know about, please let us know.But until next week, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

In the conclusion to their Mike Nichols miniseries, Phil and Emily welcome Joe Reid (Vulture, This Had Oscar Buzz) to unpack Angels in America: Part Two Perestroika.The trio dives deep into how Nichols translated Tony Kushner's monumental stage play into one of HBO's most ambitious miniseries exploring its themes of prophecy, identity, queer resilience, and the intersection of politics and spirituality in 1980s America. They discuss the legacy of Angels as both a masterpiece of television and a cultural turning point for the medium itself, its sweeping performances from Meryl Streep, Al Pacino, and Mary-Louise Parker, and how Nichols closed out his career redefining prestige TV.This episode caps a thoughtful look back at Nichols' 2000s work, from Wit to Angels in America, examining how he brought cinematic intimacy to television storytelling. Hosted on Acast. See acast.com/privacy for more information.

"Celebrities provide an escape from the mundane. They are photographed so we can worship them—so they are worthy of our worship." -- David LaChapelle "A photographic portrait is a picture of someone who knows he is being photographed." -- Richard Avedon   In this episode Antonio and Ward take on the world of celebrity portraiture — from the classic work of masters like Irving Penn, Avedon, and Karsh to modern takes by photographers such as Platon and Tyrell Hampton. Their discussion starts with Oscar Isaac's recent GQ shoot and spirals into a larger conversation about what it means to photograph fame: whether we're seeing the real person or a performance crafted for the camera. They weigh how much control the celebrity, the photographer, and the publication each have in shaping these images, and how context — from lighting to location — turns a portrait into a cultural artifact. The two also reflect on why celebrity portraits endure long after the marketing fades, comparing timeless images like Audrey Hepburn's portrait by Irving Penn and Platon's unnerving shot of Vladimir Putin. Along the way, they contrast authenticity and artifice, recalling famous stories behind iconic portraits — from Churchill's scowl to Meryl Streep's unretouched close-up.    Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Ra đời 30 năm trước, Những cây cầu quận Madison (The Bridges of Madison County, 1995) để lại dấu ấn khó phai về chuyện tình ngắn ngủi giữa bà nội trợ Francesca và nhiếp ảnh gia Robert. Không gian phim quê mùa, tiết tấu chậm rãi nhưng bùng nổ cảm xúc nhờ màn hóa thân xuất sắc của minh tinh Meryl Streep và bàn tay đạo diễn Clint Eastwood. Tóm tắt truyện phim Bộ phim chuyển thể từ tiểu thuyết cùng tên (có tựa đề khác là Tình yêu giữa trắng và đen) của nhà văn Mỹ Robert James Waller phát hành năm 1992. Câu chuyện mở ra chuyện tình lãng mạn của Francesca, bà nội trợ Mỹ gốc Ý sống tại miền quê Iowa những năm 1960. Bà đem lòng yêu Robert, một nhiếp ảnh gia tạp chí danh tiếng National Geographic. Robert tình cờ ghé thăm khu vực để sáng tác ấn phẩm ảnh có những cây cầu gỗ mái che tại địa hạt Madison. Chuyện tình chỉ kéo dài bốn ngày nhưng ám ảnh Francesca suốt cả cuộc đời cho đến khi bà qua đời. Tiểu thuyết được coi là một trong những tác phẩm thành công nhất thế kỷ 20 ngang ngửa với Chuyện tình (Eric Segal, năm 1970) với sức tiêu thụ 50 triệu ấn bản toàn cầu. Giới phê bình nhận xét tiểu thuyết này lãng mạn hóa một chuyện tình có thực, tuy nhiên, nhân vật trong tiểu thuyết hoàn toàn hư cấu. Những lựa chọn then chốt Hollywood không thể đứng yên trước sức hút nam châm của tiểu thuyết của Robert James nhằm chế biến thành tác phẩm màn bạc triệu đô. Đáng chú ý, Clint Eastwood đóng ba vai trò chủ đạo: nhà sản xuất, đạo diễn khiêm diễn viên chính cho bộ phim. Clint Eastwood gây bất ngờ nhất khi xoay mình sang thể loại phim không phải thế mạnh vốn có. Ông từng giành giải Oscar cho phim cao bồi Unforgiven (Không dung thứ) năm 1993. Điểm mấu chốt thứ hai, biên kịch Richard LaGraveese cũng là người chắp bút kịch bản cho hàng loạt phim tình cảm ăn khách như The mirror has two faces (Chiếc gương hai mặt), P.S I love you (Tái bút anh yêu em), Paris, Je t'aime (Paris tôi yêu em). Thứ ba, gương mặt “chọn mặt gửi vàng” chính là siêu sao Meryl Streep, từng đoạt 2 giải Oscar (tính tại thời điểm bộ phim ra mắt). Meryl không ngại bất cứ thử thách vai diễn khó khăn nào, cho dù vai diễn Francesca đòi hỏi sự giằng xé nội tâm dữ dội. Ngân sách phim rất khiêm tốn (chỉ 22 triệu đô), ba quyết định then chốt (đạo diễn, biên kịch, diễn viên chính) kèm theo tiếng vang của tiểu thuyết đã giúp nhà sản xuất gặt hái thành công thương mại 182 triệu đôla. Meryl Streep được đề cử Oscar cho Nữ diễn viên chính xuất sắc nhất. Bí mật chôn vùi hơn ba thập kỷ Tiết tấu phim rất chậm rãi như hành trình khám phá cuốn hồi ký Francesca ngược thời gian. Mở màn ở thực tại những năm 1990, khi hai người con, Michael và Carolyn đoàn tụ ngôi nhà vùng nông thôn Iowa sau khi bà mẹ Francesca qua đời. Họ thực sự sốc khi biết rằng bà mẹ yêu cầu hỏa táng và rắc tro từ trên cây cầu gỗ Roseman, chứ không phải chôn cạnh người cha Richard quá cố của họ. Bí mật sáng tỏ khi họ khám phá chiếc hộp bí ẩn gồm sổ tay, ảnh chụp Francesca tại cây cầu gỗ và những lá thư của người đàn ông xa lạ có tên Robert Kincaid. Sau đó, phim lội ngược dòng thời gian về năm 1965 với chuyện tình 4 ngày của Francesca với người đàn ông Robert khi cả chồng con đi vắng xa nhà. Cuốn hồi ký mô tả cuộc tình sâu đậm giữa Francesca và Robert, dường như họ muốn bỏ trốn cùng nhau. Một mặt, bà băn khoăn về mối quan hệ lâu dài giữa bà và Robert. Mặt khác, Francesca cảm thấy trách nhiệm với cuộc hôn nhân thiếu cảm xúc, hối tiếc nếu bỏ lại những đứa con vị thành niên và người chồng chung thủy. Sau khi Richard qua đời, Francesca tìm cách liên lạc với Robert nhưng chỉ biết ông không còn làm ở tạp chí National Geographic. Ba năm sau khi chồng bà mất, Robert cũng qua đời và để lại hết kỷ vật cho bà, tro của ông rải xuống sông trên cây cầu Roseman. Câu chuyện cảm động, đầy tính nhân văn, lay động trái tim Michael và Carolyn. Họ thực hiện đúng lời nguyện ước của bà mẹ trên cây cầu nảy nở tình yêu giữa Francesca và Robert. Điểm nhấn cảm xúc và cao trào Đạo diễn Clint Eastwood chọn phong cách cổ điển trong cách kể chuyện và kết thúc. Ông phơi bày được sự khác biệt giữa chồng Richard và người tình Robert chỉ nhờ không khí trên bàn ăn. Một người hầu như chỉ tập trung ăn và một người tìm cách trò chuyện với Francesca. Nhờ vậy, chuyện tình của họ trở nên sống động và thuyết phục nhờ diễn xuất tinh tế của Meryl Streep. Phổ diễn xuất của bà chuyển tải sắc nét của tâm trạng đang yêu và khoảnh khắc xao động gặp lại người tình Robert dưới cơn mưa. Ít người biết rằng Meryl Streep không phải lựa chọn đầu tiên cho vai này. Hai minh tinh người Pháp và Ý, Catherine Deneuve và Isabelle Rosellini từng đến thử vai, cũng được nhà sản xuất ưng ý. Tuy nhiên, Clint Eastwood kiên định mời bằng được Meryl Streep cho vai diễn linh hồn của bộ phim. Tài năng của Meryl Streep không phụ niềm tin của đạo diễn. Ấn tượng nhất phim là trường đoạn Francesca ngồi trên xe trong cơn mưa ngắm Robert cố ý treo sợi dây chuyền bạc như lời cầu hôn. Cái tài của đạo diễn đẩy nhân vật vào sự lựa chọn khắc nghiệt nhất: Bỏ đi hay ở lại ? Đôi tay bà run rẩy muốn mở cửa xe bỏ trốn, nhưng cảm xúc trào dâng khiến bà bật khóc. Lý trí và cảm xúc trong Francesca đạt tới điểm bùng nổ dữ dội. Quyết định ở lại cùng chồng con không phải lựa chọn dễ dàng nhưng đầy tính nhân văn. Bà chọn cái chết hỏa táng và rắc tro cùng với người tình. Đó là câu trả lời muộn màng cho lời cầu hôn của nhiếp ảnh gia Robert. But the closer Robert gets, the clearer he can see that she is crying. And he stops. Without any words, he realizes what taking her with him would mean. With just a glance, he sacrifices her. With their eyes locked in the middle of Main Street - in front of the whole town - they smile and say goodbye. For a moment, I didn't know where I was. And for a split second, the thought crossed my mind that he really didn't want me - that it was easy to walk away. Khi Robert tiến lại gần hơn, anh càng thấy rõ hơn cô đang khóc và anh dừng lại. Với cái nhìn đó, anh đã hy sinh cô ấy. Ánh mắt họ khóa chặt lấy nhau trên giữa con phố, nơi họ mỉm cười và chào tạm biệt. (Francesca tự sự): Thực tại, tôi không thể biết mình đang ở đâu. Trong một giây phút ngắn ngủi, ý nghĩ chợt nảy ra trong đầu tôi rằng anh ấy thực sự không muốn tôi. Có thể dễ dàng bỏ đi vậy sao ? Tính khái quát và thực dụng kiểu Mỹ Hôn nhân có thể là nơi chôn vùi cảm xúc nhưng “miền đất hứa” tình cảm phải đối diện với thực tế khắc nghiệt và sự toàn vẹn. Đạo diễn Clint Eastwood khắc họa được cuộc chiến tranh tâm lý phức tạp của Francesca : không có máu đổ, không có tiếng súng nhưng dai dẳng, đeo bám cả cuộc đời. Cụ thể, bà nội trợ vùng Iowa phải lựa chọn giữa tình cảm và lý trí, giữa gia đình và người tình, giữa trách nhiệm và sự nuông chiều bản thân. Bộ phim phản ánh tính cách Mỹ, sự thực dụng kiểu Mỹ khi tường thuật lại một chuyện tình tuổi trung niên. Họ chỉ được phép chọn một lựa chọn duy nhất giữa muôn vàn lựa chọn. Trên tất cả, họ hiểu được điều quan trọng nhất trong cuộc sống tại từng thời điểm. Tuổi đời 30 năm của Những cây cầu quận Madison giúp khán giả yêu chậm, sống chậm để nhận ra triết lý tinh tế mà đạo diễn gửi gắm. (Theo Variety, Wikipedia, Roger Ebert)

Ra đời 30 năm trước, Những cây cầu quận Madison (The Bridges of Madison County, 1995) để lại dấu ấn khó phai về chuyện tình ngắn ngủi giữa bà nội trợ Francesca và nhiếp ảnh gia Robert. Không gian phim quê mùa, tiết tấu chậm rãi nhưng bùng nổ cảm xúc nhờ màn hóa thân xuất sắc của minh tinh Meryl Streep và bàn tay đạo diễn Clint Eastwood. Tóm tắt truyện phim Bộ phim chuyển thể từ tiểu thuyết cùng tên (có tựa đề khác là Tình yêu giữa trắng và đen) của nhà văn Mỹ Robert James Waller phát hành năm 1992. Câu chuyện mở ra chuyện tình lãng mạn của Francesca, bà nội trợ Mỹ gốc Ý sống tại miền quê Iowa những năm 1960. Bà đem lòng yêu Robert, một nhiếp ảnh gia tạp chí danh tiếng National Geographic. Robert tình cờ ghé thăm khu vực để sáng tác ấn phẩm ảnh có những cây cầu gỗ mái che tại địa hạt Madison. Chuyện tình chỉ kéo dài bốn ngày nhưng ám ảnh Francesca suốt cả cuộc đời cho đến khi bà qua đời. Tiểu thuyết được coi là một trong những tác phẩm thành công nhất thế kỷ 20 ngang ngửa với Chuyện tình (Eric Segal, năm 1970) với sức tiêu thụ 50 triệu ấn bản toàn cầu. Giới phê bình nhận xét tiểu thuyết này lãng mạn hóa một chuyện tình có thực, tuy nhiên, nhân vật trong tiểu thuyết hoàn toàn hư cấu. Những lựa chọn then chốt Hollywood không thể đứng yên trước sức hút nam châm của tiểu thuyết của Robert James nhằm chế biến thành tác phẩm màn bạc triệu đô. Đáng chú ý, Clint Eastwood đóng ba vai trò chủ đạo: nhà sản xuất, đạo diễn khiêm diễn viên chính cho bộ phim. Clint Eastwood gây bất ngờ nhất khi xoay mình sang thể loại phim không phải thế mạnh vốn có. Ông từng giành giải Oscar cho phim cao bồi Unforgiven (Không dung thứ) năm 1993. Điểm mấu chốt thứ hai, biên kịch Richard LaGraveese cũng là người chắp bút kịch bản cho hàng loạt phim tình cảm ăn khách như The mirror has two faces (Chiếc gương hai mặt), P.S I love you (Tái bút anh yêu em), Paris, Je t'aime (Paris tôi yêu em). Thứ ba, gương mặt “chọn mặt gửi vàng” chính là siêu sao Meryl Streep, từng đoạt 2 giải Oscar (tính tại thời điểm bộ phim ra mắt). Meryl không ngại bất cứ thử thách vai diễn khó khăn nào, cho dù vai diễn Francesca đòi hỏi sự giằng xé nội tâm dữ dội. Ngân sách phim rất khiêm tốn (chỉ 22 triệu đô), ba quyết định then chốt (đạo diễn, biên kịch, diễn viên chính) kèm theo tiếng vang của tiểu thuyết đã giúp nhà sản xuất gặt hái thành công thương mại 182 triệu đôla. Meryl Streep được đề cử Oscar cho Nữ diễn viên chính xuất sắc nhất. Bí mật chôn vùi hơn ba thập kỷ Tiết tấu phim rất chậm rãi như hành trình khám phá cuốn hồi ký Francesca ngược thời gian. Mở màn ở thực tại những năm 1990, khi hai người con, Michael và Carolyn đoàn tụ ngôi nhà vùng nông thôn Iowa sau khi bà mẹ Francesca qua đời. Họ thực sự sốc khi biết rằng bà mẹ yêu cầu hỏa táng và rắc tro từ trên cây cầu gỗ Roseman, chứ không phải chôn cạnh người cha Richard quá cố của họ. Bí mật sáng tỏ khi họ khám phá chiếc hộp bí ẩn gồm sổ tay, ảnh chụp Francesca tại cây cầu gỗ và những lá thư của người đàn ông xa lạ có tên Robert Kincaid. Sau đó, phim lội ngược dòng thời gian về năm 1965 với chuyện tình 4 ngày của Francesca với người đàn ông Robert khi cả chồng con đi vắng xa nhà. Cuốn hồi ký mô tả cuộc tình sâu đậm giữa Francesca và Robert, dường như họ muốn bỏ trốn cùng nhau. Một mặt, bà băn khoăn về mối quan hệ lâu dài giữa bà và Robert. Mặt khác, Francesca cảm thấy trách nhiệm với cuộc hôn nhân thiếu cảm xúc, hối tiếc nếu bỏ lại những đứa con vị thành niên và người chồng chung thủy. Sau khi Richard qua đời, Francesca tìm cách liên lạc với Robert nhưng chỉ biết ông không còn làm ở tạp chí National Geographic. Ba năm sau khi chồng bà mất, Robert cũng qua đời và để lại hết kỷ vật cho bà, tro của ông rải xuống sông trên cây cầu Roseman. Câu chuyện cảm động, đầy tính nhân văn, lay động trái tim Michael và Carolyn. Họ thực hiện đúng lời nguyện ước của bà mẹ trên cây cầu nảy nở tình yêu giữa Francesca và Robert. Điểm nhấn cảm xúc và cao trào Đạo diễn Clint Eastwood chọn phong cách cổ điển trong cách kể chuyện và kết thúc. Ông phơi bày được sự khác biệt giữa chồng Richard và người tình Robert chỉ nhờ không khí trên bàn ăn. Một người hầu như chỉ tập trung ăn và một người tìm cách trò chuyện với Francesca. Nhờ vậy, chuyện tình của họ trở nên sống động và thuyết phục nhờ diễn xuất tinh tế của Meryl Streep. Phổ diễn xuất của bà chuyển tải sắc nét của tâm trạng đang yêu và khoảnh khắc xao động gặp lại người tình Robert dưới cơn mưa. Ít người biết rằng Meryl Streep không phải lựa chọn đầu tiên cho vai này. Hai minh tinh người Pháp và Ý, Catherine Deneuve và Isabelle Rosellini từng đến thử vai, cũng được nhà sản xuất ưng ý. Tuy nhiên, Clint Eastwood kiên định mời bằng được Meryl Streep cho vai diễn linh hồn của bộ phim. Tài năng của Meryl Streep không phụ niềm tin của đạo diễn. Ấn tượng nhất phim là trường đoạn Francesca ngồi trên xe trong cơn mưa ngắm Robert cố ý treo sợi dây chuyền bạc như lời cầu hôn. Cái tài của đạo diễn đẩy nhân vật vào sự lựa chọn khắc nghiệt nhất: Bỏ đi hay ở lại ? Đôi tay bà run rẩy muốn mở cửa xe bỏ trốn, nhưng cảm xúc trào dâng khiến bà bật khóc. Lý trí và cảm xúc trong Francesca đạt tới điểm bùng nổ dữ dội. Quyết định ở lại cùng chồng con không phải lựa chọn dễ dàng nhưng đầy tính nhân văn. Bà chọn cái chết hỏa táng và rắc tro cùng với người tình. Đó là câu trả lời muộn màng cho lời cầu hôn của nhiếp ảnh gia Robert. But the closer Robert gets, the clearer he can see that she is crying. And he stops. Without any words, he realizes what taking her with him would mean. With just a glance, he sacrifices her. With their eyes locked in the middle of Main Street - in front of the whole town - they smile and say goodbye. For a moment, I didn't know where I was. And for a split second, the thought crossed my mind that he really didn't want me - that it was easy to walk away. Khi Robert tiến lại gần hơn, anh càng thấy rõ hơn cô đang khóc và anh dừng lại. Với cái nhìn đó, anh đã hy sinh cô ấy. Ánh mắt họ khóa chặt lấy nhau trên giữa con phố, nơi họ mỉm cười và chào tạm biệt. (Francesca tự sự): Thực tại, tôi không thể biết mình đang ở đâu. Trong một giây phút ngắn ngủi, ý nghĩ chợt nảy ra trong đầu tôi rằng anh ấy thực sự không muốn tôi. Có thể dễ dàng bỏ đi vậy sao ? Tính khái quát và thực dụng kiểu Mỹ Hôn nhân có thể là nơi chôn vùi cảm xúc nhưng “miền đất hứa” tình cảm phải đối diện với thực tế khắc nghiệt và sự toàn vẹn. Đạo diễn Clint Eastwood khắc họa được cuộc chiến tranh tâm lý phức tạp của Francesca : không có máu đổ, không có tiếng súng nhưng dai dẳng, đeo bám cả cuộc đời. Cụ thể, bà nội trợ vùng Iowa phải lựa chọn giữa tình cảm và lý trí, giữa gia đình và người tình, giữa trách nhiệm và sự nuông chiều bản thân. Bộ phim phản ánh tính cách Mỹ, sự thực dụng kiểu Mỹ khi tường thuật lại một chuyện tình tuổi trung niên. Họ chỉ được phép chọn một lựa chọn duy nhất giữa muôn vàn lựa chọn. Trên tất cả, họ hiểu được điều quan trọng nhất trong cuộc sống tại từng thời điểm. Tuổi đời 30 năm của Những cây cầu quận Madison giúp khán giả yêu chậm, sống chậm để nhận ra triết lý tinh tế mà đạo diễn gửi gắm. (Theo Variety, Wikipedia, Roger Ebert)

A new The Devil Wears Prada 2 trailer? Count us in! The teaser has dropped, and we’re breaking down every delicious glimpse at a movie we’ve been counting the days to see. Plus, Miles Teller appeared on Travis Kelce’s podcast, and things got very “bros bro-ing.” He’s also been coy about whether he and his wife will attend Travis’ wedding to Taylor Swift — and we’re unpacking the drama between Keleigh and Taylor, which might explain the messy invite situation. And Dakota Fanning went on Andy Cohen’s show to spill on modern dating, proving it’s no easier for gorgeous celeb women than it is for the rest of us.OTHER EPISODES YOU MIGHT LIKE: The Devil Wears Prada 2 Set Drama & Why A Celeb Baby Is Causing ControversyEvery Celebrity Involved In The Fallout Surrounding Taylor Swift’s New AlbumHow Two Famous Sisters Escaped The Child-Star Curse & The Rom-Coms Coming Your WayTHE END BITS Our podcast Watch Party is out now, listen on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our brand new Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Em Vernem Executive Producer: Monisha Iswaran Audio Producer: Scott StronachBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Meryl Streep & Anne Hathaway are back in the office elevator and back together after we got a sneaky little teaser of what we can expect in the sequel of the movie. Plus, what’s the latest from Big Brother?See omnystudio.com/listener for privacy information.

Welcome to Celebrity Spotlight Radio, your #1 source for breaking Hollywood news! Get ready for the reveal you've been waiting 19 years for! In this video, we dive deep into the electrifying announcement of The Devil Wears Prada 2, officially presented by 20th Century Studios. Join us as we dissect the brand-new, short-but-sweet teaser trailer that shows Meryl Streep's iconic Miranda Priestly and Anne Hathaway's sophisticated Andy Sachs reuniting in a truly unforgettable elevator scene. Miranda's classic quip, "Took you long enough," isn't just a line – it's a brilliant nod to the nearly two-decade wait for this highly anticipated sequel!We'll discuss Anne Hathaway's previous doubts about the film ever happening and how this trailer proves dreams do come true! Plus, get the full scoop on the returning cast, including Emily Blunt as Emily Charlton and Stanley Tucci as Nigel, along with a star-studded list of new additions like Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, and more! We'll even touch on the rumors swirling around Sydney Sweeney's potential involvement.Discover the creative team returning, including director David Frankel and writer Aline Brosh McKenna, ensuring the sequel maintains the beloved spirit of the original. From the fashionable streets of New York City to the sleek offices of Runway Magazine, we explore what fans can expect from this cinematic event based on Lauren Weisberger's world. Mark your calendars because The Devil Wears Prada 2 hits theaters on May 1, 2026! Don't miss a single detail – watch the full video, check out the teaser trailer linked in the pinned comments, and let us know your thoughts in the comments below! Is it everything you've dreamed of? We think so!The Official Movie Teaser - The Devil Wears Prada 2 - https://youtu.be/9c-DrMe8o5Q?si=iXIecqmpALppbzZ_Subscribe Today! I thank You for the kind support.✅ Subscribe to My YouTube Channel  @CelebritySpotlightRadio  Don't forget to like

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

WE HAVE A TRAILER FOR THE DEVIL WEARS PRADA 2, PEOPLE! WE HAVE A TRAILER! Watch it here. Plus, Prince William has some words of encouragement for Robert Irwin and Harry Potter fans get a huge treat on Broadway! ☕ A fresh peek at The Devil Wears Prada 2 ☕ Prince William reaches out to Robert Irwin ☕Tom Felton makes his broadway debut ☕ A huge new gig for Adele ☕ We chat to the man behind the latest true crime thriller LISTEN: Check out Mamamia's interview with Patrick Mcmanus about Devil in Disguise: John Wayne Gacy on True Crime Conversations here. Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Our podcast Watch Party is out now, listen on Apple or Spotify. THE END BITS Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Hey there! LTNS!Today we take a look at a pair of films that deal with the creation of a film, but the catch is that the source material is notoriously difficult to adapt. Consequently the crux of the story we see involves the difficulty the creators are having putting the thing together. We start with ADAPTATION (2002), directed by Spike Jonze. We've got a terrific ensemble cast including Nicolas Cage, Chris Cooper, Meryl Streep and more. Cage is a man who suffers from anxiety and depression, and he can't get his act together to write an adaptation of the book The Orchid Thief. His twin brother shows up and decides that he wants to write a movie script. Hijinks ensue. Now that we've seen the struggles with the script writing process, move on to Part 2, where we observe the struggles with the filmmaking side of things.

On the penultimate regular season episode of The Catered Quiz, communications expert Brad Ford joins the show to answer questions about The Simpsons and the Marvel Cinematic Universe. We also talk about working together, traveling together and Meryl Streep.  

Susan Orlean is the best selling author of seven books including The Orchid Thief and The Library Book, and has been a staff writer at The New Yorker since 1992. On stage at the Vancouver Writers Fest, she talks about being curious about the world, and how that's led her to the most unexpected stories. She tells the stories behind her stories of the American Man at Age 10, being portrayed by Meryl Streep, becoming the patron saint of pandemic drinking, and why ending her marriage made her think of a tire driving over a nail. Her new memoir is titled Joyride.

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marvin's Room - a 1996 American drama film directed by Jerry Zaks, starring Meryl Streep, Leonardo DiCaprio, Diane Keaton, Robert De Niro, Hume Cronyn, Gwen Verdon and Hal Scardino. Additional topics include:The Michael trailerRyan Murphy's All's Fair on HuluCole's French DipThe deaths of Diane Ladd and Lee TamahoriJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

This episode originally aired on December 14, 2023. Sarah meets Meryl Streep and hates high heels. Plus, she offers first-hand advice to a parent whose son wets the bed, helps someone detach from a romantic relationship with self-compassion, and unpacks the traumas and joys of summer camp. You can leave a voice memo for Sarah at speakpipe.com/TheSarahSilvermanPodcast.Follow Sarah Silverman on Instagram @sarahkatesilverman. And stay up to date with us @LemonadaMedia on Twitter, Facebook, and Instagram. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.See omnystudio.com/listener for privacy information.

Welcome back to this How to Fail episode where we journey through the archive to revisit some of the best bits. This week we're keeping it light and taking a look at some of the funniest and most entertaining embarrassing moments on How to Fail. You'll hear from Phoebe Waller-Bridge, originally released in July 2018. Phoebe talks about trying to impress Meryl Streep and her body sort of malfunctioned… involving an apple crumble! Then we hear from Dan Levy, from his original episode in January 2024. Dan talks about his birthday cake failure from his childhood and the humiliation at his knee-jerk response. I hope this episode brings some light to your day and reminds us that everyone experiences embarrassment at some point! Listen to Phoebe Waller-Bridge's full episode of How to Fail here: https://link.chtbl.com/Xr_yQtIZ Listen to Dan Levy's full episode of How to Fail here: https://play.megaphone.fm/b0cje4y2thgpbbpms2q64w

Following our Robert Redford tribute episode, we couldn't pass up the opportunity to dive into one of his movies that was mentioned, especially as it celebrates it's 40th anniversary. Amber and Andrew discuss the beauty of the African plains, the surrounding dangers, and the romanticism of hair washing in Sydney Pollack's superb 1985 drama, Out of Africa!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! Check out our YouTube Channel and subscribe now!www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Book Vs. Movie: “A Series of Unfortunate Events” The 1999 Daniel Handler (Lemony Snicket) Book Vs the 2004 Jim Carrey FilmToday we are joined by special guest co-host, Andrea Engstrom of Lil Habit. We dip our toes into the Edward Gorey-esque world of the Baudelaire orphans to continue our long-standing tradition of covering Halloween-y books and movies. In this episode, we discuss:Who is Lemony Snicket? And why?The differences between the book and movie.The cast includes: Jim Carrey, Jude Law, Liam Aiken, Emily Browning, Timothy Spall, Catherine O'Hara, Meryl Streep, and Kara and Shelby Hoffman as Sunny, the biter.Follow us on the socials!You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

Book Vs. Movie: “A Series of Unfortunate Events” The 1999 Daniel Handler (Lemony Snicket) Book Vs the 2004 Jim Carrey FilmToday we are joined by special guest co-host, Andrea Engstrom of Lil Habit. We dip our toes into the Edward Gorey-esque world of the Baudelaire orphans to continue our long-standing tradition of covering Halloween-y books and movies. In this episode, we discuss:Who is Lemony Snicket? And why?The differences between the book and movie.The cast includes: Jim Carrey, Jude Law, Liam Aiken, Emily Browning, Timothy Spall, Catherine O'Hara, Meryl Streep, and Kara and Shelby Hoffman as Sunny, the biter.Follow us on the socials!You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

Listen to this PREVIEW of the 27th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Andrew Carden about two performances from movies we love to watch in the fall season that didn't earn Oscar nominations: Mia Farrow ("Hannah and Her Sisters") and Meryl Streep ("Death Becomes Her"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Hannah and Her Sisters" - Orion Pictures

Clint Eastwood y Meryl Streep en Los Puentes de Madison. See omnystudio.com/listener for privacy information.

BOO! In this SPOOKTACULAR Halloween Special of Tubi or Not Tubi, we conduct a meticulous deep dive of a personal podcast fave: 2016's All Hallows' Eve starring the Meryl Streep of Tubi herself: Lexi Giovagnoli! Join us as we conduct a deep dissection into the incomparable, dangerously imaginative entity unofficially known as: The Lexi Giovagnoli Cinematic Universe.

EPISODE 111 -  “CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” - 10/27/25 When DIANE KEATON passed away on October 11, 2025, she left behind an incredible legacy of important films and stunning performances that were some of the best of the era. Her youthful effervescence, her fashion style, everything about her belied mortality.  Most people think of her masterful, Oscar-winning performance in Annie Hall, (1977) but her career is so much more than that one role. Over the past five decades, her filmography is a study in contrasts: farce, heart wrenching dramas, rom-coms with a twist — she's taken risks, playing complicated women (even in the lighter faire), and made some really interesting choices. In this episode, we're going to take a look at some of the films Diane Keaton made that don't always get the spotlight they deserve. Watching these films, whether for the first time or a revisit, you realize just how bold and varied her work was. Whether in a quiet drama focusing on an intimate character study, a quirky comedy, or something completely unexpected, Diane Keaton always brought a mix of honesty, humor, and heart that was entirely her own.  So, today we honor the life and legacy of the multifaceted Diane Keaton. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Play It Again, Sam (1972), starring Woody Allen, Diane Keaton, & Tony Roberts; Looking For Mr, Goodbar (1977), starring Diane Keaton, Tuesday Weld, William Atherton, Richard Gere, Richard Riley, Allen Fienstein, Tom Berenger,  Priscilla Pointer, & LaVar Burton; Interiors (1978), starring Diane Keaton, Mary Beth Hurt, Kristin Griffith, Geraldine Page, E.G. Marshall, Richard Jordan, Sam Waterston, & Maureen Stapleton; Shoot The Moon (1978), starring Diane Keaton, Albert Finney, Dana Hill, Karen Allen, Peter Weller, Tracy Gold, Tina Yothers, & Viveka Davis; Marvin's Room (1996), starring Diane Keaton, Meryl Streep, Leonardo Di Caprio, Robert DeNiro, Gwen Verdon, Hume Cronyn, & Hal Scardino; Sometime's Gotta Give (2003), starring Diane Keaton, Jack Nicholson, Keanu Reeves, Amanda Peet, Frances McDormand, & Jon Favreau; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before he was Tywin Lannister in Game of Thrones or the commanding presence of The Jewel in the Crown, Charles Dance was a boy from Worcestershire whose father died when he was three and whose mother built a new life for the family, remarried to their lodger. A childhood marked by loss, a stammer and humble beginnings gave little hint of the commanding actor he would become.In this episode of Full Disclosure, James O'Brien sits down with the Emmy-nominated actor to trace an extraordinary journey from working-class Devon to the stages of the Royal Shakespeare Company and Hollywood sets alongside Meryl Streep, Arnold Schwarzenegger and Maggie Smith. Dance reveals how two eccentric mentors in rural Devon taught him to speak, act and think like an actor, and why, even now at 79, he still considers himself a “working actor” rather than a star.It's an intimate, reflective conversation about identity, perseverance, class, craft and the enduring magic of the stage- told with the wit and humility of a man who's seen it all and still can't quite believe his luck.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which of these Latin phrases means 'Love conquers all'? Question 2: What do people mean when type the letters 'IDC' in a message on the internet? Question 3: What do people mean when type the letters 'BRB' in a message on the internet? Question 4: December 26th is traditionally known as Boxing Day but it is also which Saint's Holy Day Question 5: Which of the following describes Charles Darwin? Question 6: Which director directed Harry Potter and the Deathly Hallows – Part 2? Question 7: Which actor played Meryl Streep's son in the 1996 film 'Marvin's Room' before starring in 'The Beach'? Question 8: What is the term for a period of unusually warm weather in the autumn? Question 9: Which of these quotes is from the film 'Goldfinger'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are talking about the film Death Becomes Her starring Meryl Streep and Goldie Hawn. Death of youth and beauty can be all consuming and leave us feeling invisible. In the absence of death (immortality) what purpose does living actual serve? Join us in discussing all things becoming of death.Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

On today's AGT Podcast Jason and Nivine talk about the trip to Bella's wedding, Jason tries to explain the world's best baseball player to Nivine, and Nivine talks about getting jealous when Jason watches TV. And Nivine hired Jason for her fall fashion video, Nivine can't breathe in her wedding dress and Meryl Streep and Future look-a-like. Book Jason on Cameo: https://www.cameo.com/jasonnash?qid=1760990844&aaQueryId=a65e05ef6a0fd4b54626b54ec1d1f281 Learn more about your ad choices. Visit podcastchoices.com/adchoices

The passing of the gorgeous and talented Robert Redford got me thinking about Out of Africa. Redford stars with Meryl Streep in Sydney Pollack's film adaptation of Karen Blixen's memoir of the same name.  It's about Blixen's life in Kenya and her love affair with Denys Finch-Hatton. Today, this term evokes romance and elegance on safari. In this podcast, I give a bit of history of the book and the film and some anecdotes about the making of the movie here in Kenya, as well as discuss the notion of  "Out of Africa" on safari today. Enjoy! www.tintrunksafari.com Instagram: @tintrunksafari

Welcome Back Everyone! Thank You for joining us once again!   1st Film: Johnnie's Pick Masterminds (1997) Directed by: Roger Christian Starring: Patrick Stewart, Vincent Kartheiser, Brenda Fricker and Bradley Whitford 2nd Film: Director Choice - Wes Anderson  Fantastic Mr Fox (2009) Directed by: Wes Anderson Starring: George Glooney, Meryl Streep, Bill Murray and Jason Schwartzman Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Time Stamps: Masterminds -  Rate and Review - 00:33:20 Fantastic Mr. Fox - Review and Rate  -  00:53:10

"It was curtains!” In this week's episode, we dissect A Prairie Home Companion, a film released on June 9, 2006 , starring Lindsay Lohan, Garrison Keillor, Meryl Streep, Lily Tomlin, and Maya Rudolph. Join us as we discuss backstage chaos, black coffee, murderous angels, baked bean jubilees, fake labor, penguins, bad jokes, and more!Notable Mentions + References in This Episode:Country Bear JamboreeMyScene Goes Hollywood: The Movie Lindsay Lohan MyScene DollConfessions of a Broken Heart (Daughter to Father) - Lindsay LohanHold On, I'm Comin - Jevetta & Jearlyn SteeleGoodbye to My Mama - Meryl Streep & Jane FondaRed River Valley/In The Sweet By And By (“A Prairie Home Companion”)Les Misérables (2012)Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Want us to dissect one of your favorite childhood movies? Send us a DM or email us at inhindsightpod@gmail.com.Thanks for listening!

Front Row Classics welcomes author and journalist, Jennifer O'Callaghan to discuss one of Alfred Hitchcock's seminal masterpieces. Jennifer recently penned a book called "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age". The book chronicles the origins, production and legacy of a film that remains one of the most beloved in the Hitchcock canon.  "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age" is available from Citadel wherever books are sold.  Jennifer O'Callaghan is a freelance writer and journalist. She has worked as a reporter for Metro News, The Sundance Channel, Shaw TV, and CKUA radio in news, entertainment, and lifestyle beats. She has also appeared as a red-carpet reporter for the web entertainment site MyBroadway.com, and as host on Paradetown USA on NYC-TV. She has interviewed celebrities including Will Ferrell, Meryl Streep, and Cameron Diaz, and appeared as a featured model on The Today Show and The View. She currently lives in Toronto and can be found online at JenniferOCallaghan.com.

This week on After Reality, I'm catching up after fall break and sharing a few family updates—then diving into some unexpected news that stirred up a few emotions. Let's just say, Taylor Swift has been my soundtrack lately.From there, I unpack the latest Bachelor drama, including Nicole's bold “power villain” move on Mel Owen's season, with a little help from the sharp minds at Game of Roses.And to wrap things up, I celebrate the incomparable Diane Keaton with a touching Meryl Streep tribute and reflect on how Diane's timeless spirit continues to inspire me. Hosted on Acast. See acast.com/privacy for more information.

One survived Arctic warfare training in polar bear territory, the other made it through a Milan fashion show featuring Meryl Streep. Together, Brad and David have faced danger in the face and lived to tell the tale. Back stateside, the real entertainment begins. From "Trump 2028" hats to AI-generated sombreros on congressional leaders, the President's trolling game reaches operatic heights. Ultimately, JD Vance acts as mediator and offers a ceasefire agreement: no more sombrero memes if Democrats vote to reopen the government.Then Pope Francis, speaking from his impenetrable fortress guarded by Swiss pikemen where your huddled masses definitely aren't welcome, lectures America about the audacity of monitoring its borders. The verdict? If you lock your doors at night, you don't get to demand a nation leave its borders unguarded. If you don't live here, your opinion is as worthless as a Vatican visitor's pass.

This week, Louis is joined by comedian Brendan Scannell to discuss Taylor Swift's new album, The Life of a Showgirl, as well as The Rock's A24 debut in The Smashing Machine. Jesse Williams also joins to discuss his new Amazon series, Hotel Costiera, his experience with Steve Martin, Martin Short and Meryl Streep on Only Murders in the Building, as well as his memories of the late Richard Greenberg and his the Tony-winning play, Take Me Out. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every Wednesday, we share our thoughts on a newer entertainment property, and currently, that's Only Murders in the Building. This week's episode took a Lost turn by showing us flashbacks from Oliver's formative years in Brooklyn. Plus, Meryl Streep returns, after a fire in Loretta's apartment that is hand-waved away much too quickly. We're sure it will be back.Next Wednesday, we'll continue with season 5, episode 7. We'll be back tomorrow with our weekly roundup.

Enquêtrice de la fabrique des images Murielle Joudet le répète à l'envi : « Il faut prendre les actrices au sérieux, restituer avec justice et justesse leur importance dans nos vies, prendre en compte comment certaines ont su manœuvrer pour continuer d'apparaître telles qu'en elles-mêmes, y compris dans des films où le regard masculin est apparemment tout-puissant. Sans pour autant tomber dans l'illusion de leur liberté absolue car, bien sûr, l'industrie est là, souveraine. » Dans son troisième livre plein d'esprit, La seconde femme, elle dresse huit portraits de comédiennes qu'elle observe « jusqu'à plus soif » pour comprendre ce que Nicole Kidman, Meryl Streep, Brigitte Bardot ou son idole Bette Davis réussirent à imposer au système dans le deuxième acte de leur carrière – à force de travail, de bâtons de dynamite ou de simple désertion.Ces derniers temps, Murielle Joudet a aimé Monte-Cristo version Pierre Niney, Max Mad : Furiosa, Joker 2, Bridget Jones 4, France de Bruno Dumont, The Substance de Coralie Fargeat, Anora de Sean Baker ou Spring breakers d'Harmony Korine. Des coups de cœur éclectiques, qui se comptent chaque année sur les doigts d'une main. « Habituellement, confie-t-elle, on peut écrire le texte dans sa tête pendant la projo, on sait exactement ce qu'on pense du film à la sortie et la plupart des œuvres font de moi une critique snob et blasée. Mais une ou deux fois par an, un film me désarme complètement. »En conséquence, cette spectatrice exigeante préférera toujours « voir cinquante fois un chef-d'œuvre plutôt qu'une fois une œuvre plaisante », selon la formule de la cinéaste et écrivaine Catherine Breillat, femme « scandale » à laquelle Joudet consacre en 2023 un recueil d'entretiens, Je ne crois qu'en moi, sacré meilleur ouvrage français sur le cinéma par le Syndicat de la critique.Dans ce troisième et dernier épisode, Murielle Joudet réaffirme ses envies d'enquêtes sur la fabrique des images, en « calmant ses envies de style, sans chercher l'éclat à tout prix ». Tout en rappelant l'existence d'un collectif qui ne manquera pas de fédérer des vocations : « Pigistes en pyjama ».L'autrice du mois : Murielle JoudetNée en 1991 à Paris, Murielle Joudet est critique de cinéma dans la presse (Le Monde), à la radio (sur France Inter pour Le masque et la plume), en ligne (dans le podcast Sortie de secours ou via l'émission Dans le film sur le site Hors-Série) ou pour la Cinémathèque française. Elle a publié quatre ouvrages qui documentent avec rigueur des façons de défier les conventions, en tant que femme, dans l'industrie du 7e art : Isabelle Huppert – vivre ne nous regarde pas (Capricci, 2018), Gena Rowlands – on aurait dû dormir (Capricci, 2021), La seconde femme – ce que les actrices font à la vieillesse (Premier Parallèle, 2022) et un recueil d'entretiens avec la cinéaste Catherine Breillat, Je ne crois qu'en moi (Capricci, 2023). Elle vit et travaille à Paris. Enregistrement juillet 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Harpe, flûte, clarinette, cor, basson, xylophone, timbales et gong Xavier Thiry Illustration Sylvain Cabot

Have a message for Karena? She'd love to hear from you and share your comment or question on air!Leave Karena a voicemail: https://www.speakpipe.com/KarenaDawnWhat if fear wasn't an enemy to conquer, but a source of fuel for creativity? In this powerful episode of The Big Silence, Karena sits down with actor, teacher, and Committed Impulse founder, Josh Pais. From growing up in New York's gritty Alphabet City to starring in over 150 films and shows alongside legends like Robert De Niro, Meryl Streep, and Joaquin Phoenix, Josh's story is one of resilience, presence, and creative freedom. He opens up about his new book, Lose Your Mind, how anxiety can become fuel instead of a roadblock, and why the unknown is the most powerful space for growth. Whether you're an artist, entrepreneur, or simply trying to quiet the self-judgment in your head, Josh's wisdom will shift the way you experience fear and creativity.How can we reframe fear as a source of creative energy?Josh reveals how fear, anxiety, and even sadness aren't enemies to suppress but sensations to ride — opening the door to authentic expression, connection, and freedom.(00:01:00) From Ninja Turtles to NeuroscienceHow Josh's father, a physicist who worked with Einstein, influenced his view of emotions as atomic vibrations.Early struggles with anxiety and why suppressing fear disconnects us from authenticity.How Committed Impulse grew from actor training into a tool for anyone stepping into the unknown.(00:11:30) The Four Access Points to PresenceJosh's simple framework: “I'm back,” body awareness, breath, and environment.Why tuning into sensation creates connection, from courtroom lawyers to surgeons in the OR.How these tools help shift from self-judgment into creativity.(00:20:00) Feeling Without FixingWhy any sensation, even anxiety, shifts in 7–12 seconds when fully felt.Josh guides Karena through noticing “atomic” sensations in her body.Why honoring sadness, joy, and fear unlocks energy instead of draining it.(00:27:30) Growing Up in Alphabet CityJosh's childhood surrounded by artists, danger, and addiction in Lower Manhattan.How play and imagination became his lifeline.The decision to step away from drugs and lean into creativity as a survival tool.(00:34:50) Lessons from LegendsStories from working with De Niro, Streep, Joaquin Phoenix, and more.Why the most powerful acting lesson he ever learned was simply: “Just talk to the person.”Josh's mantra before every scene: “I don't know what's going to happen.”Guest ResourcesFollow Josh Pais on InstagramGet his new book Lose Your MindLearn more about Committed Impulse trainingIf this episode moved you, please consider supporting The Big Silence Foundation and exploring our resources:Connect with The Big Silence CommunityOrder: The Big Silence Memoir audiobook

Juliet and Amanda return this week with a packed episode—now on video—to break down the latest in celebrity news and pop culture buzz. First up, they discuss the recent celebrity separation between Nicole Kidman and Keith Urban (1:30). Then, it's time to celebrate—Selena Gomez and Benny Blanco are officially married (10:18)! Next, they touch on some quick hits, including Meryl Streep turning heads at Milan Fashion Week in full Miranda Priestly mode (12:52), Jennifer Garner making business moves with a baby food IPO (16:29), and Rihanna welcoming her new baby girl, Rocki (19:45). To wrap things up, the ladies unpack the controversy around 'The Tell' by Amy Griffin (29:15), share the latest Leo DiCaprio updates and press (), and finish with a round of Follow-Up and Feedback (48:02). Hosts: Amanda Dobbins and Juliet LitmanProducers: Jade Whaley, Belle Roman, and Jon Roemer Learn more about your ad choices. Visit podcastchoices.com/adchoices

La gasolina, el diésel y la luz bajan en septiembre, pero la inflación repunta al 2,9%. La cesta de la compra sube un 40% en cuatro años. Andalucía permite desgravar 100€ en el IRPF a familias con celíacos, quienes gastan 80€ más al mes. Se revela que Meryl Streep es la suegra de Mark Ronson. CADENA 100 aborda los tópicos profesionales. Los informáticos se quejan de peticiones triviales; los profesores se asocian a las vacaciones; los fotógrafos reciben comentarios sobre su trabajo; y los carteros son percibidos con una "bola de cristal". Se debate sobre la moda de Rosalía de teñirse las axilas. Los oyentes eligen "Ya nada volverá a ser como antes" como la canción favorita de 'El Canto del Loco'. La borrasca Gabriel se traslada a Baleares, con lluvias en Alicante y Baleares. En 'Buenos días, Javi y Mar', María gana 50€ en un juego. Se reproduce música de Aitana y Zoiro, Benson Boone, 4 Non Blondes y David Guetta. Los profesionales continúan compartiendo "san benitos": pediatras ...

No you’re not seeing double, Miranda Priestly aka Meryl Streep and Anna Wintour have been spotted together at a major fashion show, as more is revealed about the new Devil Wears Prada. And, from a star-studded guest list to a sky full of helicopters we’ve got all the details from Selena Gomez and Benny Blanco’s. Plus, all the easter eggs you may have missed and the unexpected fall-out happening on instagram after the wedding of the century THE END BITS Our new podcast Watch Party is out now, listen to our deep-dive into The Summer I Turned Pretty on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our brand new Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Ksenija Lukich Executive Producer: Monisha Iswaran Audio Producer: Scott Stronach Mamamia studios are styled with furniture from Fenton and Fenton.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Complimenti ai nostri ragazzi della pallavolo, lo sport del weekend. A Cassino la fabbrica più grande d'Europa di contrabbando di sigarette. Lewis Capaldi ha suonato da ALDI. Lewis Hamilton e il suo cane Roscoe. Meryl Streep si è presentata alla sfilata di Dolce & Gabbana.

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kiss of the Spider Woman - a 1985 drama film directed by Héctor Babenco, starring William Hurt, Raul Julia, and Sônia Braga.Additional topics include:Mérida MexicoSigourney Weaver and Meryl Streep in a movie togetherThe deaths of Henry Jaglom and Claudia CardinaleJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Alan's guest this week is Perrie Edwards - the Little Mix superstar stepping into her solo era with her debut album Perrie (out September 26). Perrie shares her earliest holiday memories, decadent Dubai trips (with a slightly creepy face cake!), and why Portugal and Japan feel like home. She chats about her foodie loves (and hates - oysters and snails are out), filming music videos abroad, and pulls out her best Meryl Streep acting!Of course, there are laughs galore - from Perrie's Paris school trip romance, to Alan and Perrie's oysters ad. ⏰ Timestamps
00.00 Intro00.15 Perrie and Alan both have deaf dogs00:48 Alan lost Rita in the park02:49 Perrie's new album and changing it06:35 Rita and the pig's ear07:04 Perrie can't smell07:31 Perrie travelling to make music videos08:24 Would Perrie like to act?09:47 Perrie is Meryl Streep. Supermarket ads10:30 Perrie's earliest holiday memory and where did you go on holiday?10:45 Perrie's holiday romance in Paris on a school trip12:50 Perrie loves Portugal and Japan Because that's where we've got our place. And it's like my 14:14 Alan and Perrie's audition tape15:44 Perrie's most decadent holiday - Dubai and the slightly creepy face cake18:00 Why Perrie can't complain21:44 Portugal Alex golfs while Perries spas23:52 Seeing Ant in Portugal25:21 Alan filmed Last One Laughing in Elstree where they filmed Wicked26:56 Perrie is a foodie but doesn't like snails27:36 Perrie doing the yes challenge in Vegas28:20 Perrie hates Oysters.28:55 Perrie and Alan's oysters ad29:50 Where does Perrie want to be when she's 100 year old. Here comes some more acting!31:27 Making our descent and the quick-fire round!#PerrieEdwards #LifesABeachPodcast #AlanCarr #PerrieAlbum #DubaiHoliday #Portugal #Japan #TravelStories #ComedyPodcast #HolidayFails #chattyman Learn more about your ad choices. Visit megaphone.fm/adchoices

Woofy, set, go! This week, Jane and Brandon tackle the gritty legal drama that deigns to ask all too prescient questions like, who can claim full custody of a clown-cum-basketball playing dog? Think Kramer Vs Kramer, but Meryl Streep and Dustin Hoffman are locked in a broom closet somewhere and there's a dog playing both their parts and the script is a lot worse. This one is gonna make you laugh, cry, and ask yourself, “would I be brave enough to let my dog shoot hoops with the local ramshackle junior high school basketball team?” Listeners, we present to you our coverage of 1997's Air Bud! Hosted on Acast. See acast.com/privacy for more information.

In episode 1936, Jack and Miles are joined by host of HeidiWorld: The Heidi Fleiss Story and the upcoming podcast JennaWorld, Molly Lambert, to discuss… We Are One Vote Away From Congressional Action On The EPSTEIN FILES, Ezra Klein Should Actually Just Shut Up And Stop Talking, Disney Decides To Bring Back Jimmy Kimmel Now That Everybody Hates Them, Okay... Maybe Flying Cars Are A Bad Idea and more! We Are One Vote Away From Congressional Action On The EPSTEIN FILES Ezra Klein Should Actually Just Shut Up And Stop Talking Disney Decides To Bring Back Jimmy Kimmel Now That Everybody Hates Them Did Jimmy Kimmel Really Cost Disney $3.87B? We Ran the Numbers—And the Internet's Claim Falls Apart 400 Celebs Sign Open Letter Backing Jimmy Kimmel, Including Tom Hanks, Meryl Streep, Jennifer Aniston Jimmy Kimmel’s Cancellation Is Somehow Being Felt in a Galaxy Far, Far Away as Disney Reportedly Delays 'Star Wars' Trailer FCC Chairman Says His “Easy Way Or The Hard Way” Comment About Jimmy Kimmel Wasn’t Meant As A Threat To Pull Licenses If ABC Didn’t Fire Him Flying cars crash into each other mid-air in China 11 Years Later, Elon Musk Is Floating the Flying Car Scam Again Elon Musk says the Tesla Roadster is still delayed with no release in sight—but now he’s talking about making Peter Thiel’s flying car a reality The Biggest Problem With Flying Cars Is on the Ground How the FAA Is Keeping Flying Cars in Science Fiction Flying cars straight out of ‘The Jetsons’ are finally a reality — and several people own them now The Flying Car Is Finally Here. It’s Slightly Illegal. How the inventors of a new generation of aircraft are outsmarting the feds. Flying cars have arrived. Here’s how people feel about them. Flying cars and supersonic flights? Trump turns on boosters for new-age tech Dude, where’s my (flying) car? Trump Clears the Way for a Dystopian Air Taxi Future Trump Administration Seeks Pilot Projects for Air Taxis LISTEN: The Carneddau by Orions BelteSee omnystudio.com/listener for privacy information.

MUSICAvril Lavigne announced the release of her first official wine, "Banshee Complicated" with Banshee Wines, named after her 2002 breakout single "Complicated." https://www.gmanetwork.com/news/lifestyle/food/959387/avril-lavigne-to-release-limited-edition-wine-complicated/story/ Aerosmith will announce details this Wednesday of their new song, “My Only Angel,” featuring Yungblud. They posted a video on Instagram with the caption, “We're back. Big news tomorrow (Wednesday).” This will be their first new song since their last album, 2012's Music From Another Dimension! https://www.instagram.com/p/DOrXJEREiTB/?hl=en Drummer Matt Cameron says Soundgarden is "over halfway done" with the final Soundgarden album to feature vocalist Chris Cornell, who died in 2017. https://blabbermouth.net/news/matt-cameron-on-soundgardens-final-recordings-with-chris-cornell-were-definitely-over-halfway-done-with-it RIP: At the Gates vocalist Tomas Lindberg has died at the age of 52, following complications related to his ongoing cancer treatment. https://loudwire.com/at-the-gates-tomas-lindberg-dead-52/Remember that file-sharing service LimeWire? They're the ones who bought the Fyre Fest brand. https://consequence.net/2025/09/limewire-acquires-fyre-fest-brand/TV"America's Got Talent" semifinal results at 8:00 p.m. on NBC.• Episode 5 of "South Park" Season 27 at 10:00 p.m. on Comedy Central.• The fourth season premiere of "The Morning Show" on Apple TV+.• The series finale of "The Summer I Turned Pretty" on Amazon. If you're a pasta lover, Kristen Bell has a hack that can help stabilize your blood sugar, make you feel fuller longer, and prevent overeating and weight gain. https://youtu.be/0lRHC9YLTi4 GTA 6 gearing up for gigantic launch … Grand Theft Auto 6 is set to release in May 2026 – and Rockstar Games is already getting ready for a record-breaking debut. The company went so far as to describe it all as "the largest game launch in history." Behind the scenes, they're hiring a bunch of people to scale things up to handle the demand, especially considering this is the first new entry in the franchise in over a decade. MOVING ON INTO MOVIE NEWS:Colin Farrell and Margot Robbie appeared on The Today Show on Tuesday to promote their new movie, A Big Bold Beautiful Journey. https://x.com/mrbrphotos/status/1968020788436734088· A Joni Mitchell biopic is in the works, and rumor has it that it'll star Anya Taylor-Joy and Meryl Streep as Joni at different points in her life. Cameron Crowe admitted that there's not much he can say about the upcoming film yet, but confirmed it will be made next year in 2026 — "Soon I'll be able to speak more definitively about who's in it and how we're gonna do it and everything," he said. https://ultimateclassicrock.com/meryl-streep-anya-taylor-joy-joni-mitchell-biopic-casting/ AND FINALLYNeed a good cry? This list will get you going:https://www.self.com/story/best-movies-to-make-you-cryAND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed Sheeran says his wife will get to pick the tracks of his final album, AFTER he dies. Cardi B is on a headlining tour with a new album out this Friday. A Joni Mitchell biopic is on the way! Anya Taylor Joy and Meryl Streep are heavily rumored to be portraying her. The box office is full of variety and hits! Vinnie's got some delightful fast facts, and a game! Can Bob end her losing streak?

This is a reminder to mark your calendar to come meet Sarah at Thirdlove on Fillmore on October 3rd! The biggest winner at the Emmys was The Boys and Girls Club of America. Thanks, Nate Bargatze! Sean Penn didn't hold back in the Charlie Sheen documentary. We're just days away from a new Survivor season! Is Sarah a total hypocrite? What to watch on TV tonight: ‘South Park' has a new episode, ‘The Morning Show' premiers, ‘Gen V' starts its second season, and ‘Elio' comes to Disney+! Pasta, what's not to like? Uhh… the blood sugar spike. Mel Brooks, 99 years old, is reflecting on his favorite from one of his films. Stuff we learned in school that we absolutely didn't need. Zyns are an alternative to chewing tobacco, but skip both if you can. Getting a #1 hit is the ultimate music achievement: Do you remember these huge songs that could never quite get the top spot? The Robert Redford tributes are rolling in. Here's stuff you can't do at Disneyland. It's crazy to think smoking at 12 years old used to not be all that strange. The Whole Foods in Santa Cruz has (finally) reopened! Newborn circumcision rates are falling - please enjoy this spirited discussion on the topic.Ed Sheeran says his wife will get to pick the tracks of his final album, AFTER he dies. Cardi B is on a headlining tour with a new album out this Friday. A Joni Mitchell biopic is on the way! Anya Taylor Joy and Meryl Streep are heavily rumored to be portraying her. The box office is full of variety and hits! Vinnie's got some delightful fast facts, and a game! Can Bob end her losing streak?