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My guest on this week's Book Club podcast is the historian Jane Rogoyska, whose new book Hotel Exile: Paris in the Shadow of War tells the bloody story of the Second World War through the lens of Paris's Hotel Lutetia – following a cast of exiled intellectuals through the febrile 1930s, the increasing horrors of the war and occupation, through to the devastating aftermath as waves of prisoners returned from the camps. She tells me how she came to this unusual approach, how the connections between her cast of characters proliferated, how close Samuel Beckett came to a concentration camp – and about falling a little bit in love with Walter Benjamin. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.
Philosopher and religion scholar Tad DeLay (author of Future of Denial) drops a guest essay on us this week, and it's a barn-burner. Tad brings together Wilhelm Reich, Walter Benjamin, Lacan, Althusser, and Adorno — yeah, the whole squad — to lay out a series of theses on how reactionary consciousness actually works, from repressed sexuality to theological cover stories for raw materialism. He makes the case that white evangelicalism is basically a half-century-old improvisation around whiteness and anticommunism, and that Trumpism is its perfected form — an ecumenical fascism where confessing the dear leader functions like a sinner's prayer. Along the way he unpacks Frank Wilhoit's devastating one-line definition of conservatism, explains why charging evangelicals with hypocrisy is a category error (they simply don't care what they believe), and uses Lacanian psychoanalysis to show how shame, guilt, and anxiety keep the whole machine running. Fair warning: Tad doesn't let liberals off the hook either — the essay's conclusion forces all of us to sit with the moral compromises we've made and what it means to keep breathing in hell. Tad DeLay, PhD is a philosopher, religion scholar, and interdisciplinary critical theorist. He has written four books, including his latest, Future of Denial: The Ideologies of Climate Change. He is a philosophy professor and lives in Grand Rapids. ONLINE LENT CLASS: Jesus in Galilee w/ John Dominic Crossan What can we actually know about Jesus of Nazareth? And, what difference does it make? This Lenten class begins where all of Dr. John Dominic Crossan's has work begins: with history. What was actually happening in Galilee in the 20s CE? What did Herod Antipas' transformation of the "Sea of Galilee" into the commercial "Sea of Tiberias" mean for peasant fishing communities? Why did Jesus emerge from John's baptism movement proclaiming God's Rule through parables—and what made that medium so perfectly suited to that message? Only by understanding what Jesus' parables meant then can we wrestle with what they might demand of us now. The class is donation-based, including 0, so join, get info, and join up here. This podcast is a Homebrewed Christianity production. Follow the Homebrewed Christianity, Theology Nerd Throwdown, & The Rise of Bonhoeffer podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our Substack - Process This! Get instant access to over 50 classes at www.TheologyClass.com Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices
Neste episódio conduzimos uma instigante viagem pelos labirintos da memória e da nostalgia da infância, cruzando experiências pessoais, cultura pop e grandes reflexões filosóficas para compreender por que tantas vezes desejamos voltar ao passado. Entre diálogos com pensadores como Walter Benjamin e Friedrich Nietzsche, referências a Em Busca do Tempo Perdido e conexões com obras como Ratatouille, Brilho Eterno de uma Mente sem Lembranças e Stranger Things, refletimos sobre como cheiros, músicas, filmes e imagens despertam lembranças involuntárias e revelam que recordar não é simplesmente reviver, mas reconstruir o passado a partir do presente. Ao abordar infância, memória coletiva, arte, ditadura, cultura dos anos 80 e 90 e o medo de esquecer quem fomos, o episódio convida o ouvinte a perceber que a nostalgia pode ser mais do que saudade: pode ser também uma forma crítica e sensível de compreender a si mesmo e o tempo em que vive.
Why I Listened to 2,000 Minutes of Tchaikovsky Last YearWe are living in the age of "frictionless" music. The algorithms know what we want before we do, the dopamine is cheap, and the content is served to us on a silver platter. But as Charles Bukowski once said of classical music: "It washes the crap right out of me."Lately, it feels like there's a lot of crap to wash out.In this episode, I'm stepping away from the "business" of music to talk about the Aura and the Sublime. I'm breaking down why I spent more time with a 19th-century Russian composer than anyone in the Top 40, and why I believe the "smoothness" of modern digital life is actually making us bored, exhausted, and artistically numb.In this episode, we explore:The "Loss of Aura": Why music feels less valuable when it stops being a "hunt" and starts hunting you.The Sublime vs. The User-Friendly: Lessons from Walter Benjamin and Theodore Adorno on why great art should be a little bit terrifying.The Tchaikovsky Antidote: How complex, uncomfortable, and "loud" art reminds us that we aren't the center of the universe.Breaking the Algorithm: Why the most successful artists of the future will be the ones who refuse to be "mathematically certain."If you've been feeling a specific kind of creative exhaustion lately, this one is for you. It's time to stop trying to conquer the mountain and let the mountain conquer us.RESOURCES & LINKS
Filippo D'Angelo"Marthe, storia diuna prostituta"Joris-Karl HuysmansPrehistorica Editorewww.prehistoricaeditore.itTraduzione a cura di Filippo D'Angelo.Finalmente nelle mani dei lettori italiani Marthe, storia di una prostituta di Joris-Karl Huysmans, nella sontuosa traduzione di Filippo D'Angelo, che impreziosisce l'edizione con una postfazione d'autore.Orfana dall'età di quindici anni, Marthe lavora come operaia in una fabbrica di perle finte, nella Parigi di fine Ottocento. L'illusione di un destino migliore le spalanca le porte di una casa chiusa, gettandola in una vita fatta di eccessi, disgusti, umiliazioni. Proverà a estirparsi da quell'esistenza grazie a un ingaggio come cantante ottenuto in un teatro popolare e alla relazione con Léo, un giovane scrittore che ignora tutto del suo passato.Pubblicato nel 1876, questo primo romanzo di Huysmans esplora le speranze e i disinganni di due giovani in conflitto con la società spietata che li circonda. Scritto in uno stile già maturo e inconfondibile, fatto di metafore eccentriche e di immagini vividissime tratte dal quotidiano, Marthe, storia di una prostituta immortala le atmosfere e gli ambienti che, tra Baudelaire e Toulouse-Lautrec, fecero di Parigi, secondo la definizione di Walter Benjamin, la capitale del diciannovesimo secolo.Huysmans nacque a Parigi nel 1848 da una famiglia di origine olandese, ed è per richiamare queste sue origini nordiche che germanizzò il suo nome George-Charles in Joris-Karl. Frequentò studi piuttosto irregolari e per vivere divenne funzionario del Ministero degli Interni, mentre il suo amore per la Letteratura lo indusse a scrivere fin dal 1876 romanzi di impronta Naturalista. Nel 1880 entrò a far parte dell'esclusivo Gruppo di Medan, a cui faceva da capo Zola che lo considerava il suo allievo prediletto. Nel corso di pochi anni si sentì attratto dagli atteggiamenti estetizzanti dei simbolisti (fu amico di Mallarmé) che finì per codificare nel romanzo Controcorrente del 1884, prima di attraversare una profonda crisi mistica e abbracciare la religione cattolica, fino alla morte sopraggiunta nel 1907 (Parigi).Nato a Genova nel 1973, Filippo D'Angelo ha insegnato letteratura francese nelle Università di Limoges, Grenoble e Parigi 3. Oltre a traduzioni di autori francesi classici e contemporanei, ha pubblicato il romanzo La fine dell'altro mondo (Minimum fax, 2012) e La città del tempo (Nottetempo, 2024).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin's work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin's work. In Nguyen's revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin's complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin's work demonstrated a holistic philosophical project, and he takes the reader through the latter's early critical engagement with anarchist praxis and Kantian thought, through to Benjamin's ‘Marxist' turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress'. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle', which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin's historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into. Duy Lap Nguyen's book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen's book, then, provides a holistic account of Benjamin's often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today's political economy. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
The world's leading philosophers and psychologists were based in Germany and Austria during the rise of Hitler. They studied the darkest chapter of human history while trying to make sense of it and survive it themselves. Their teachings are an urgent alarm for us today: fascists seek endless conflict through domination, and it will never be enough. Drawing on George Orwell's analysis of Hitler, we see that while democracy offers the radical concept of "having a good time," fascism preys on a neurotic, broken need for "struggle, danger, and death." It is an addiction to conflict, often first learned in the childhood home, according to Erich Fromm, that views empathy not as a virtue, but as a target. Walter Benjamin, before losing his own life to suicide to avoid the concentration camps, pointed out that fascists seek pleasure in their own demise. It is the fleeting, hollow glee of a bully kicking over a sandcastle because he doesn't know how to build one. Joy is how we win. The hate-fueled fascist high is a non-renewable resource. It requires a constant supply of new enemies to sustain a house of cards built on lawlessness and corruption. True joy, born of community, love, and creation, is sustainable energy, even in the unlikeliest of places, as our heroes who came before us also showed us. Stay safe. Stay defiant. And find some joy today: it's the best revenge. For our bonus episode this week, we sit down for a special Self Care Q&A with Vatican reporter Colleen Dulle, author of Struck Down, Not Destroyed: Keeping the Faith as a Vatican Reporter! To listen to the bonus, subscribe to our Patreon at the Truth-Teller level or higher. We are extremely grateful to our listeners who are keeping us afloat during very difficult economic circumstances. Every bit of support helps give us the freedom to tell the truth, so thank you again for making Gaslit Nation possible! Show Notes: Help Bring 5-Year-Old Liam Home https://www.gofundme.com/f/help-bring-5yearold-liam-home?attribution_id=sl:0f9224c0-2c25-4831-a70f-1357729d5d8c&lang=en_US&ts=1769049480&utm_campaign=fp_sharesheet&utm_content=amp17_control&utm_medium=customer&utm_source=copy_link Part I of Our Conversation with Colleen Dulle: MAGA's Vatican Cold War: https://gaslitnation.libsyn.com/magas-vatican-cold-war A Recent Gaslit Nation Salon Excerpt Giving the Bigger Picture of U.S. China-Panic Chaos under Trump from the Pentagon's Perspective: https://gaslitnation.libsyn.com/stay-sane-with-us-join-the-gaslit-nation-salon "An observer arrested in South Minneapolis. Photo by Richard Tsong-Taatarii/The Minnesota Star Tribune" https://bsky.app/profile/amreports.bsky.social/post/3mcxlw4ijx42p "Interesting scoop from Anna Giaritelli, who has good sources inside DHS. It suggests Noem and Lewandowski (seemingly still serving as a Special Government Employee despite having timed out months ago) are trying to push out the CBP Commissioner (former Border Patrol) because he's not harsh *enough.*" https://bsky.app/profile/reichlinmelnick.bsky.social/post/3mcyd34k2v225 Immigration officers assert sweeping power to enter homes without a judge's warrant, memo says https://apnews.com/article/ice-arrests-warrants-minneapolis-trump-00d0ab0338e82341fd91b160758aeb2d The Stolen Wealth of Slavery: A Case for Reparations https://www.gaslitnationpod.com/episodes-transcripts-20/2024/02/28/reparations-now 'That's Our Territory': Trump Uses Davos Speech to Push for Greenland https://time.com/7354005/trump-davos-speech-greenland/ You've Got to Read George Orwell's Review of 'Mein Kampf' https://www.esquire.com/news-politics/politics/a45897365/george-orwell-reviews-hitler-mein-kampf/ Police charge Trump campaign manager with assault https://www.pbs.org/newshour/politics/police-charge-trump-campaign-manager-with-assault#:~:text=Police%20in%20Jupiter%2C%20Florida%2C%20released,provided%20by%20Jupiter%2C%20Florida%20police. Ex-Trump campaign manager Corey Lewandowski accused of sexual assault https://www.theguardian.com/us-news/2017/dec/27/ex-trump-campaign-manager-corey-lewandowski-accused-of-sexual-assault
ESPELEOLOGIA (s.f.) “é o estudo das cavernas, de sua gênese e evolução, do meio físico que elas representam, de seu povoamento biológico atual ou passado, bem como dos meios ou técnicas que são próprias ao seu estudo”. Na Raphus Press, no canal RES FICTA, os episódios de “Espeleologia” são comentários sobre questões que escapam do livro, envolvendo discussões teóricas mais amplas de poéticas e formas narrativas.Bibliografia do episódio de hoje: “Aesthetics and Politics”, Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukács, Fredric Jameson (Verso, 2007); “Um capítulo da história da modernidade estética”, Carlos Eduardo Jordão Machado (organização) (Editora Unesp, 2016); “A alma e o caos: 100 poemas expressionistas”, João Barrento (Relógio d'Água, 2001); “A Poesia do Expressionismo Alemão”, João Barrento (Presença, 1989).O livro “Um capítulo da história da modernidade estética”, organizado por Carlos Eduardo Jordão Machado, pode ser adquirido pela Amazon ou no link da Editora Unesp: https://www.livrariaunesp.com.br/um-capitulo-da-historia-da-modernidade-estetica-2-edicao-debate-sobre-o-expressionismo-carlos-eduardo-jordao-machado-editora-unesp-9788539305193/p Conheça a revolucionária narrativa onírica, "O Outro Lado": https://www.catarse.me/outrolado_latepledgeConheça a revolucionária narrativa onírica e expressionista de “O Outro Lado:Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html
In this episode we are joined by Wassila Abboud to discuss her essay, "The Dining Table and the Drone." Our conversation begins with her meditations on grief in Lebanon. We explore how people often name today's grief through the language of past griefs — and what this transference between past and present reveals about the psyche under domination. From there, we turn to Walter Benjamin's "angel of history" and why Abboud argues this analogy fails to capture Lebanon's relationship to catastrophe. We discuss why so many returns cluster around 1982, how that year fractured grief itself, reshaping collective memory, political imagination, and the vocabulary of resistance. We examine the paradoxical meaning of ceasefire, the choreography of repeated displacement, and the temporal logic of domination that ensures catastrophe is always waiting just beyond its declaration. Our conversation also situates Lebanon's grief in relation to Gaza's present devastation, asking what it reveals about the impossibility of stability in a regional order sustained by capital accumulation and the extraction of life. We trace the sequence of events between 1978 and 1982 — from Operation Litani to the Camp David Accords and Israel's full-scale invasion of Beirut — not simply as military maneuvers but as the crystallization of a regional order that fractured Lebanon's political landscape and redefined resistance. Wassila Abboud is a cultural worker and writer researching between Beirut and Amsterdam. Her work engages with critical theory, philosophy, and culture and takes on both a speculative and materialist approach, examining the conditions of past and present historical struggles. (Follow her on IG: @wassila_) If you like what we do and want to support our ability to have more conversations like this. Please consider becoming a Patron. You can do so for as little as a 1 Dollar a month at patreon.com/millennialsarekillingcapitalism
ArTEEtude. West Cork´s first Art, Fashion & Design Podcast by Detlef Schlich.
Starting from the observation that we increasingly treat the body as a maintenance problem, a fitness project, or an optimisation surface, the episode unfolds a deeper thesis: real thinking has weight. It needs fatigue, rhythm, resistance, time, and gravity.Together, Detlef and Sophia revisit philosophers who literally thought on their feet — Nietzsche, Kierkegaard, Walter Benjamin, and Merleau-Ponty — and contrast embodied thinking with AI's frictionless, tireless cognition.At the heart of the episode lies a simple but radical sentence:“AI thinks without weight. Humans think with gravity.”The conversation moves from philosophy to everyday life, from West Cork landscapes to the ethics of limits, and from abstraction to movement as “epistemic hygiene.”The episode closes with a new song by Los Inorgánicos:“The Body Is Not a Side Project” — a minimal, rhythmic reminder that gravity needs a body.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBand"The Niles Bittersweet Song" WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations
The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
We're still talking about Walter Benjamin's 1931 essay about collecting. In this episode, Aaron @Two2SportsCards jumps on the mic to discuss the Benjamin quote that most resonated with Aaron and his collecting: “… ownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them.”The Shallow End is hosted by Dave Schwartz @Iowa_Dave_Sportscards
ArTEEtude. West Cork´s first Art, Fashion & Design Podcast by Detlef Schlich.
As AI-generated images, voices, and narratives become indistinguishable from the real, we enter a cultural and epistemological crisis:What happens when truth can no longer rely on perception?In this instalment, I explore:• Deepfake ethics and societal mistrust• AI humanoid robotics entering daily life• A historical lineage from early storytelling to modern media manipulation• Walter Benjamin's concept of the “aura” and its technological dissolution• The future of artistic authenticity• The role of criticality and media literacy in the post-verification ageThe episode concludes with a new piece by Los Inorgánicos,“Signal Without Source.”This topic invites reflection across disciplines —from culture and art to ethics, AI governance, and cognitive science.#AIethics #PostTruth #CulturalTheory #WalterBenjamin #ArtAndTechnology #PhilosophyOfMedia #DetlefSchlich #Arteetude #DigitalCulture #CriticalThinking #HumanoidRobotics #DeepfakeSocietyDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBand"The Niles Bittersweet Song" WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations
Hueck, Carsten www.deutschlandfunkkultur.de, Fazit
Straffbarhetsåldern har varit 15 år i över 100 år. Regeringen vill sänka den till 13 år för de som begår grova brott. Har barn som begår grova brott ett större ansvar för sina handlingar? Lyssna på alla avsnitt i Sveriges Radios app. Åldersgränsen på 15 år har utgått ifrån den mognad som anses krävas för att kunna ta ansvar för brottsliga handlingar. Barn under 15 år kan begå brott, men de ska inte straffas utan i stället ska socialtjänsten ta ansvar. Om åldersgränsen nu sänks, innebär det en ny syn på barns mognad? Har barn som begår grova barn ett större ansvar för sina brott än barn som snattar?Regeringen och Sverigedemokraterna vill sänka straffbarhetsåldern för barn som begår grova brott, från 15 år till 13 år. Bakgrunden är den grova kriminaliteten där barn under 15 år har varit inblandade i mord och mordförsök. Vilken betydelse har det om ansvaret för barn som begår grova brott överförs från socialtjänsten till rättsväsendet? Är det en ny syn på straffets funktion? Argumentet för sänkt straffbarhetsålder är att man behöver skydda samhället, ge brottsoffren stärkt upprättelse och bättre förutsättningar att bryta kriminella mönster för de barn som begår grova brott. Förslaget från regeringen har möt massivt motstånd från en rad remissinstanser. Experterna pekar bland annat på att det inte kommer ha några positiva effekter på brottsligheten och eller på de barn som begår grova brott. Är fängelse för barn, som begår grova brott, en logisk följd av den ändrade syn på straff som vi ser nu från politiken? Vad är det som avgör om lagen får legitimitet?Medverkande: Magnus Hörnqvist, professor i kriminologi vid Stockholms universitet, Alva Stråge, forskare i filosof vid Göteborgs universitet, Bengt Sandin historiker och professor emeritus på Tema barn vid Linköpings universitet:Programledare: Cecilia Strömberg Wallin Producent: Marie Liljedahl Veckans tips: Böcker: Trollkarlarnas tid : filosofins stora årtionde 1919-1929 - Walter Benjamin, Ernst Cassirer, Martin Heidegger, Ludwig Wittgenstein - Wolfram EilenbergerHäng city - Mikael YvesandTV-serie:Adoloscence - Philip Bartantini
In 1931, German philosopher Walter Benjamin wrote an essay about collecting. Nearly a century later, that essay is as applicable today as it was then.The Shallow End is hosted by Dave Schwartz @Iowa_Dave_Sportscards (IG)
When everything can be reproduced, why do we still crave the original? The psychologist Paul Bloom and the philosopher Walter Benjamin offer up some insight! ... Check out my new book! It's called: The Last Human: How Technology is Changing What it Means to be Humanhttps://www.amazon.com/Last-Human-Technology-Changing-Means/dp/1069510831/
ArTEEtude. West Cork´s first Art, Fashion & Design Podcast by Detlef Schlich.
In this episode, Detlef explores a provocative question:Why does creativity hurt the human body — but not the machine?This episode dives into:⚡ Burnout in the creative world⚡ The myth of the suffering artist⚡ Flesh vs. Electricity⚡ AI as poison AND remedy⚡ The artist as curator of boundariesFrom burnout in the creative process to the myth of the “suffering artist,” Detlef examines how pain became prestige — and why AI challenges that narrative. With insights from Walter Benjamin, Bernard Stiegler, Donna Haraway, and Shoshana Zuboff, the episode asks whether AI is a threat… or a liberation from endless labour.Is the artist still a worker — or a curator of boundaries?The episode closes with the industrial new track by Los Inorgánicos:“Work. Exhaust. Collapse. Repeat.”A mantra for a system that demands more than the body can give.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBand"The Niles Bittersweet Song" WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations
ArTEEtude. West Cork´s first Art, Fashion & Design Podcast by Detlef Schlich.
In this week's episode, Detlef dives deep into a provocative question:Has art become a form of self-enslavement?Through the lens of Walter Benjamin's concept of the aura, Franco “Bifo” Berardi's critique of digital labour, and Bob Black's playful abolition of “work”, Detlef and Sophia explore what it means to create in an age where the market is saturated and artists often can't live from their labour.Detlef reflects on his own workflow — generating 500 images, 300 videos and selecting 100 for the WAW “Nile's Bittersweet Song” clip — and how AI has shifted his relationship to creativity:from pressure → to flow,from scarcity → to abundance,from perfection → to play.The episode blends philosophy, art theory, AI practice, and personal experience, ending with a brand-new Los Inorgánicos song inspired by Walter Benjamin's aura.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBand"The Niles Bittersweet Song" WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" runs along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations
Dear, surviving, audient: how is it hanging?WeI sympathize.If you were looking to art as an answer, hoping for some revolutionary frameworks, or just plain ol' solace inside -- -- I'm afraid most of the pod's going to tell you to keep looking.In this one we watched 2 "political" movies released this year: Ari Aster's Eddington and Paul Thomas Anderson's One Battle After Another.More generally, the 2 movies raised the question of what it means to involve politics in a movie. Jake took this as an excuse to geek out on Grad school vibes and do a deep dive into Walter Benjamin's attempts to save aesthetics from the khaki schmattes of Communism.Who said Marx Grudge?Benjamin does brandish an interesting, rather Derridian, analytic tool in the distinction between allegory and the symbol; which I will anger Jake and summarize here as analogous (allegorical?!) to a movie whose special effects are shot on set with actual props, and the one where the effects are all programmed in (as CGI). Like shooting props, the allegory foregrounds its technicity, while the symbol will claim the harmony of form-function and content. Except the symbol doesn't work anymore. Like the pathetic attempt poor Andy had to suffer through, where the reinvented "Superman" is called-upon to white-wash the Gaza genocide (still a western debacle). The symbol rang so hollow it gave Andy bowel issues. (Editor's note:) We will NOT be getting into that.Of course, the allegory's very apparatus makes it susceptible to Capitalist manipulations. This is where we take a more specific tack on Anderson's film: shot and directed, deliberately, in my opinion, as a post-fascist account of how pathetic and hopeless revolutions are, how revolutionaries are either posers or self-deceiving cucks.And here is Anderson's genius, in recognizing the capitalist tentacles have already infiltrated all discourse -- which is a panicked, exhausted discourse these days (on "the left") -- "over-technicizing" allegory into social media reels and internet memes. His account gives the melancholia of a post-fascist winner looking back at history: disjointed, often accompanied by a (never happy or energetic or really calm) soundtrack, the characters are mostly isolated with superficial thoughts and relationships... it is the sad sigh of a fulfilled Sklavenmoral.There was more tossed around, of course. Fair warning.STARS: Marx Grudge (grudgingly); Beast & Sovereign... but really, all the Stars were there: the Il vaut mieux with differance; the Pervs R' Us with melancholy, the WWJD with 'Manifest Destiny'...P.S. We have an official email address (5startossers@gmail.com), for you, dear audient, to vent; a kind of a complaint/feedback box. We will collect the complaints (/corrections/disputes) to an episode where we address your mirror of our stupidities. 5ST
Participants: John Steppling, Hiroyuki Hamada, Jennifer Matsui and Dennis Riches. Topics covered: Walter Benjamin's essay “Capitalism as Religion,” America's Venezuela problem, “The Diplomat,” Dicky Cheney's legacy, Mayor Mamdani, government workers not being paid, the failing flailing empire—Venezuela, Sudan, Nigeria, Palestine, Ukraine, China, the “big short guy” shorts AI, the non-investigation of the Charlie Kirk assassination. See Aesthetic Resistance on Substack for the links related to this episode. Music track: “How Long Blues” by Leroy Carr (public domain).
Modern scholarship identifies a series of “temporal turns” in Jewish studies stemming from the early 1900s, 1945, and the present notion that “time is running out.” Homo Temporalis: German-Jewish Thinkers on Time follows thinkers who watched catastrophes unfold but imagined a new world rising from their ashes. Martin Buber, Walter Benjamin, Hannah Arendt, and Paul Celan shaped our understanding of the Humanities by dedicating their thought to temporal concepts such as Living-presence (Erlebnis), Now-time, Natality, and Breath-turn. Their message was a necessary one for those interested in the modern study of religion, critical thinking, political thought, and post-1945 literature. They all shared a deep understanding of time as the most important component of modern life and “ontological egalitarianism.”
Dos propuestas que usan la fuerza de nuestras piernas para pensar, leer, o admirar la creación artística mediterránea. El escritor Javier Morales publica "Caminar con Gary Snyder y otros poetas" (Tundra edit.) un ensayo en el que explica las reflexiones mientras camina por Cercedilla, el Monte del Pardo y la Sierra de Guadarrama. Sus caminos citando a escritoras y autoras conectan mucho con el proyecto El Grand Tour que desde hace 11 ediciones impulsa Clara Garí desde la Nau Côclea, en Camallera, muy cerca del mar, caminar como práctica artística. Hablamos de sus sensaciones al caminar citando al mismo Gary Snyder, Mary Oliver o Walter Benjamin. Mientras escuchamos la música de: SALVADOR SOBRAL + SILVIA PÉREZ CRUZ- El corazón por delante; ROKIA TRAORÉ- Obiké; ASIAN DUB FOUNDATION- Flyover; MOUSS ET HAKIM- les mains d’or ; MOMI MAIGA- Kairo; NICKODEMUS- Cleopatra In New York; EL NAAN- Cuando el ruido regreseEscuchar audio
Participants: John Steppling, John Bower, Hiroyuki Hamada, and Dennis Riches. Topics covered: Operation Midway Blitz in Chicago, the purpose of public assassinations, Walter Benjamin's essay “Capitalism as Religion,” America's Venezuela problem, “The Seventh Seal” and other films about returning soldiers, TV series “The Devil in Disguise”. See Aesthetic Resistance on Substack for the links related to this episode. Music track: “Goodbye Pork Pie Hat” by Charles Mingus (public domain).
Marseille im Sommer 1940: Tausende Flüchtlinge drängen sich in der überfüllten Hafenstadt – unter ihnen Lisa und Hans Fittko, die vor den Nazis geflohen sind, und der Philosoph Walter Benjamin. Gemeinsam mit dem Amerikaner Varian Fry suchen sie nach einem Weg, Europa zu verlassen. Als alle offiziellen Routen versperrt sind, entdeckt Lisa Fittko einen gefährlichen Pfad über die Pyrenäen. Ihre Begegnung mit Walter Benjamin erzählt von Mut, Zufall und der Suche nach einem Ausweg in einer Zeit, in der jede Entscheidung über Leben und Tod entscheidet.Das Folgenbild ist ein das Gemälde “Angelus novus” von Paul Klee aus dem Jahr 1920.…….KAPITEL(00:00) Intro: "Ein klopfen an der Tür"(2:30 Quizfragen & Einstieg(8:36) Historischer Kontext: Historischer Kontext: 22. Juni 1940(11:28) Lisa Fittko(17:20 ) Walter Benjamin(25:58 ) Varian Fry(37:33) Neue Fluchtroute(42:58) Flucht von Benjamin Walter mit Lisa Fittko(54:31) Walter Benjamins Tod(1:05:26) Der Engel der Geschichte(1:11:32) Fazit, Literatur und Ende……WERBUNGDu willst dir die Rabatte unserer weiteren Werbepartner sichern? Hier geht's zu den Angeboten!……LITERATURFittko, Lisa: Mein Weg über die Pyrenäen. Erinnerungen 1940/41, 1985.Wittstock, Uwe: Marseille 1940, 2024.…….PREMIUMJetzt His2Go unterstützen für tolle Vorteile - über Steady!Klick hier und werde His2Go Hero oder His2Go Legend…….UNTERSTÜTZUNGFolgt und bewertet uns bei Spotify, Apple Podcasts, Podimo oder über eure Lieblings-Podcastplattformen.Wir freuen uns über euer Feedback, Input und Vorschläge zum Podcast, die ihr uns über das Kontaktformular auf der Website, Instagram und unsere Feedback E-Mail: kontakt@his2go.de schicken könnt. An dieser Stelle nochmals vielen Dank an jede einzelne Rückmeldung, die uns bisher erreicht hat und uns sehr motiviert.…….COPYRIGHTMusic from https://filmmusic.io: “Sneaky Snitch” by Kevin MacLeod and "Plain Loafer" by Kevin MacLeod (https://incompetech.com) License: Creative Commons CC BY 3.0 https://creativecommons.org/licenses/by/3.0/Hier bekommt ihr die Tickets zur "His2Go - Live Tournee" Hosted on Acast. See acast.com/privacy for more information.
In this episode of Explaining History, Nick is joined by acclaimed author Anne Weber to discuss her new book Sanderling (Indigo Press, 2025) — a deeply personal and philosophical exploration of family, identity, and the shadow of Germany's past.Through the story of her great-grandfather Florens Christian Rang — a theologian, lawyer, and close friend of figures such as Walter Benjamin and Martin Buber — Weber examines four generations of her family to ask profound questions:What does it mean to be German, then and now?How can one man's moral convictions coexist with his son's later embrace of Nazism?How do history and guilt pass through families and nations alike?Weber and Nick discuss Rang's life and writings, the moral tensions of Germany's unification and imperial period, and how Weber's narrative approach — blending travelogue, reflection, and history — reveals how the past extends into the present.The conversation also turns outward: to Europe's shared colonial legacies, the persistence of national myths, and the uneasy balance between remembrance and denial.“It's a little bit like discovering your father was a serial killer,” Weber says, describing the weight of Germany's historical consciousness. Yet through her writing, she transforms that burden into a journey of understanding — and of reckoning.
El pensador, narrador i poeta Walter Benjamin va morir entre l'Albera i el mar, al vilatge de Portbou l'any 1940. La catedràtica en llengua i literatura Caritat Oriol, portbouenca i enamorada de la seva vila, li ha dedicat un llibre en el qual parla de la vida d'aquest gran personatge, però també dels milers de persones que van travessar aquestes terres fugint de la catàstrofe.
What happens when original artworks become endless copies? German philosopher Walter Benjamin called it the death of "aura," and his concept predicted our digital age. He describes "aura" as the energy that encases an object. In the '20s, Benjamin experimented with hashish under medical supervision, and his thinking while on drugs evolved to a theory of art history.
Art historian T.J. Clark began his academic career with two groundbreaking works on the art of mid-nineteenth century France, expounding materialist theory of art that has remained his watchword for five decades, with books on Poussin, Cézanne, Picasso and modernism. Those Passions: On Art and Politics (Thames and Hudson) distils a lifetime's work through a series of case studies, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, exploring how art has always responded to the often chaotic and dangerous circumstances of its creation. Clark was joined in conversation about his life and work by Caroline Arscott, Emeritus Professor of the History of Art at the Courtauld Institute. More from the Bookshop: Discover our author of the month, book of the week and more: https://lrb.me/bkshppod From the LRB: Subscribe to the LRB: https://lrb.me/subsbkshppod Close Readings podcast: https://lrb.me/crbkshppod LRB Audiobooks: https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk
What might an imagination curriculum look like? How is learning the art of interruption a key part of that? This week's guest is Barbara Leckie, professor at Canada's Carleton University, author of Climate Change Interrupted: Representation and the Remaking of Time, and host of the podcast Commons Sense. Barbara's work moves between Victorian literature, climate communication, and environmental humanities, and she is one of the most creative thinkers I know.Our conversation begins with a drawing exercise (join us!) and moves into Barbara's frameworks of interruption, re-storying, and nonlinear time. We talk about why climate “alarms” so often fail to generate action, what it means to think beyond linear narratives of progress, and how love for the world and for one another might be the most powerful climate response. Barbara also shares how stories hold communities together and how tending to our imaginations - both personal and collective - is vital for attention and care.Mentioned in this episode:Barbara Leckie's book: Climate Change Interrupted: Representation and the Remaking of TimeHer essay Loving the World Could Address the Climate Crisis and Help Us Make Sense of Changes to Come (The Conversation)Hannah Arendt's idea of amor mundi (love of the world)A Walter Benjamin sample Ursula Franklin's idea of the potluckBarbara's podcast: Commons SenseRobin Wall Kimmerer on stonesJane Hirshfield 3 pebblesInvitation:Barbara's invitation: take a stone, any stone, and spend time meditating on it. Consider its origins, its weight, its place in the wider world, and how it connects you to histories, ecologies, and futures beyond your own.Ideas? Visions? Imaginaries? Email rebekaryvola@gmail.com.This episode was edited by Angela Ohlfest, typographer from Simon Walker, music from Cosmo Sheldrake.
Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.Our mailbag runneth over! Unsurprisingly, we received so many excellent questions from subscribers for our most recent episode that we decided to answer even more of them. Once again religion seemed to be on the minds of listeners, and we take up charismatic Christians and the evolution of both the religious right and the Republican Party, as well as the role of Christian Zionism in U.S. policy toward Israel. But that's not all: other topics include leftist theory bros; Roy Cohn, Donald Trump, Jeffrey Epstein, and the politics of sexual blackmail; Gore Vidal at 100, and more.Sources:Hal Lindsey, The Late Great Planet Earth (1970)Daniel G. Hummel, The Rise and Fall of Dispensationalism: How the Evangelical Battle over the End Times Shaped a Nation (2023)Wilson Carey McWilliams, "The Bible in the American Political Tradition," in Redeeming Democracy in America, ed. Patrick Deneen & Susan McWilliams (2011)The Correspondence of Walter Benjamin and Gershom Scholem, 1932–1940, ed. Gershom Scholem (1992)Cedric Robinson, Black Marxism: The Making of the Black Radical Tradition, (1938)Phil Christman, Why Christians Should Be Leftists (2025)Sam Tanenhaus, Buckley: The Life and the Revolution That Changed America (2025)Nicholas von Hoffman, Citizen Cohn: The Life and Times of Roy Cohn (1988)Christopher M. Elias, Gossip Men: J. Edgar Hoover, Joe McCarthy, Roy Cohn, and the Politics of Insinuation (2021)Gore Vidal, United States: Essays 1952-1992 (1993)
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Welcome. In this episode Matt and Corbin talk about Abbas Kiarostami's 2010 brainscrew "Certified Copy," a movie about two strangers hanging out in the Italian countryside. Topics include: Binoche's performence, an anchor in a storm, Kiarostami as a natural candiate for digital cinema owing to his particular unfussiness, and Walter Benjamin. So much Walter Benjamin. Matt's recc. Corbin's recc is available on your music streaming application of choice. Our next episode is about "Hugo." Watch it here.
Spencer Leonard discusses Walter Benjamin's "On the Concept of History" with Douglas Lain. He raises the question, "Can a Marxist be an historian?"Support Sublation Media on Patreonhttps://patreon.com/dietsoap
In this episode, I step back from the hype and headlines around generative AI to reflect on something deeper: what's actually happening to our experience of art, creativity, and meaning when machines start making things that feel human. I draw from the work of 1930s philosopher Walter Benjamin—who never saw a chatbot or image model in his life, but somehow understood the psychological and cultural impact of machine-made creativity with stunning clarity. What's lost when everything becomes a copy Why “aura” and authenticity still matter The shift from ritual to exhibition in creative work What the Jason Allen AI art controversy reveals about our values How new forms of creative labor are emerging—and what that means for writers, artists, educators, and makers Why transparency might matter more than purity in a world of machine collaboration This isn't a takedown or a celebration of AI. It's a reflection. A pause. A reminder that we're not just building tools—we're reshaping what it means to be human. If you're a teacher, a marketer, a business leader, a parent, or just someone trying to stay grounded in a rapidly changing world—this one's for you. Resources Mentioned: Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction The 2022 Colorado State Fair AI art controversy Stephen Marche's AI-assisted novella Death of an Author Artwork- James Allen's - Théâtre D'opéra Spatial Stay Connected: Want more thoughtful takes like this? Subscribe to the Substack → https://bobhutchins.substack.com Or find me on LinkedIn → linkedin.com/in/bobhutchins Let's keep asking better questions. —Bob Hutchins
Benjamin Studebaker and Douglas Lain discuss Elon Musk's new political party, Trump's Big Beautiful Bill, and Walter Benjamin's On the Concept of History.Support Sublation Media:https://patreon.com/dietsoap
This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com Our guest is American media theorist Douglas Rushkoff. He is the author of such seminal books on digital culture and networked communication as Cyberia (1994), Media Virus (1995), and Coercion (1999); and numerous further titles including, Program or Be Programmed (2010/2025) and Survival of the Richest: Escape Fantasies of the Tech Billionaires (2022). He is also the host of Team Human and a professor of Media Theory and Digital Economics as CUNY/Queens. On this episode, Doug speaks with us about the evolution (and devolution) of digital culture across web 1, 2, 3, and beyond via a synthesis of media theory, psychedelic thinking, and practical wisdom for navigating our contemporary networks. Names cited: Adam Curtis, Alex Garland, Allan Kaprow, Amazon, Art Bell, AT&T, Bernie Madoff, CNN, Cyberia, CVS, Dan Rather, Daniel Dennett, David Bowie, David Hershkovitz, David Lynch, Donna Haraway, Douglas Rushkoff, Elon Musk, Emmanuel Levinas, Francis Bacon, Genesis P-Orridge, Jake Tapper, Jeff Bezos, Jeffrey Epstein, Jesse Armstrong, Joe Rogan, John Brockman, John Perry Barlow, Joseph Chaikin, Kamala Harris, Lauren Sanchez, Louis Rossetto, Ludwig Wittgenstein, Madonna, Marjorie Taylor Greene, Marshall McLuhan, Martin Buber, Martin Heidegger, Media Virus, Michael Jackson, Milton Friedman, Naomi Klein, Naomi Wolf, Neil Simon, New Models, New York Times, Norbert Wiener, Orit Halpern, Paper Magazine, Peter Thiel, Pierre Teilhard de Chardin, Present Shock, Ray Kurzweil, Richard Dawkins, Robert Anton Wilson, Ross Douthat, Skinny Puppy, Spinoza, Star Trek, Team Human, Temple of Psychic Youth, The Long Boom, The Process Church, The Simpsons, Vanessa Machado de Oliveira, Walter Benjamin, William S. Burroughs, Wired Magazine
The history of Tanzimat in the Ottoman Empire has largely been narrated as a unique period of equality, reform, and progress, often framing it as the backdrop to modern Turkey. Inspired by Walter Benjamin's exhortation to study the oppressed to understand the rule and the ruler, Talin Suciyan reexamines this era from the perspective of the Armenians. In exploring the temporal and territorial differences between the Ottoman capital and the provinces, Suciyan brings the unheard voices of Armenians into the present. Drawing upon the rich archival materials in both the Archives of the Armenian Patriarchate of Constantinople and the Ottoman Archives, Suciyan uses these to show the integral role Armenians played in all aspects of Ottoman life and argues that accounts of their lives are vital to accurate representation of the Tanzimat era. In shedding much needed light on the lives of those who were vulnerable, disadvantaged, and otherwise oppressed, Suciyan takes a significant step toward a more inclusive Ottoman history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The history of Tanzimat in the Ottoman Empire has largely been narrated as a unique period of equality, reform, and progress, often framing it as the backdrop to modern Turkey. Inspired by Walter Benjamin's exhortation to study the oppressed to understand the rule and the ruler, Talin Suciyan reexamines this era from the perspective of the Armenians. In exploring the temporal and territorial differences between the Ottoman capital and the provinces, Suciyan brings the unheard voices of Armenians into the present. Drawing upon the rich archival materials in both the Archives of the Armenian Patriarchate of Constantinople and the Ottoman Archives, Suciyan uses these to show the integral role Armenians played in all aspects of Ottoman life and argues that accounts of their lives are vital to accurate representation of the Tanzimat era. In shedding much needed light on the lives of those who were vulnerable, disadvantaged, and otherwise oppressed, Suciyan takes a significant step toward a more inclusive Ottoman history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
This episode is available as a youtube video with reference images, visual gags, and other additional content at https://www.youtube.com/watch?v=WpPZKdXGOUY The gang discusses how aesthetics took over political life thanks to the influence of Ed Bernays and mass media, and what that means for the information age. We use the works of Walter Benjamin and Guy Debord to help us answer the question: Can you still make real art?
“In the analysis, the place where you face the experience of otherness, of foreignness, of the unconscious that goes through you, it doesn't appear as knowledge. Of course, in an analysis, you get a lot of knowledge, but it's not an important aspect of an analysis. I think that in the analysis, and that's the idea of using that word ‘transmission' instead of ‘teaching', what you receive is something that the analyst doesn't have. When you receive some knowledge from a teacher, you receive the knowledge the teacher has. When you transmit something, or when you receive something that has been transmitted by the analyst or by the psychoanalytical setting, is something that the other doesn't have. It's a kind of void. It's a kind of fire. It's like the baton that every runner passes to others in a relay race. It is something more difficult to be grasped with words, is something elusive to words, but it does exist.” Episode Description: We begin with describing the 'necessary foreignness' of psychoanalysis, "It is from both a foreign perspective and foreign listening that makes it possible to notice the concealed underpinnings, to discover the new, and to express the unexpressed." We consider the clinical asymmetry that allows for the patient's unbridled freedom to think and speak the unspeakable. Educationally, Mariano discusses the essential transmission of analytic experience as contrasted with the teaching of knowledge - a distinction between science and mystery. He shares his thoughts on eclectisism, hypothesis testing and risk. We close with recognizing that the "anachronistic method of psychoanalytic listening is the most authentic way of being contemporary." Our Guest: Mariano Horenstein, PhD is a training and supervising analyst who belongs to the IPA, FEPAL (Latin American Psychoanalytical Federation), and the international research group "Geographies of Psychoanalysis". He is an IPA Board member and a former chief editor of Calibán, the official Journal of FEPAL. Former Training Director of APC (Argentina). His articles have been translated into Portuguese, English, Farsi, French, Russian, Italian, Portuguese and German. Author of four books :Psychoanalysis in Minor Language, The Compass and the Couch. Psychoanalysis and its Necessary Foreignness, Funambulistas. Travesía adolescente y riesgo and Artists, Writers and Philosophers on Psychoanalysis. From the Couch. He has received international awards as M. Bergwerk (about the clinic forms of Evil), Lucien Freud (about Psychoanalysis and Culture); Elise Hayman Award for the study of Holocaust and Genocide (given by the IPA); A. Garma (given by the Spanish Association of Neuropsychiatry); the FEPAL Award and Carolina Zamora Award (given by Madrid Psychoanalytical Association). http://www.marianohorenstein.com/ Recommended Readings: Horenstein, Mariano, The compass and the couch. Psychoanalysis and its necessary foreignness, Mimesis, Milan, 2018. Horenstein, Mariano, Artists, writers and philosophers on Psychoanalysis. From the couch, Routledge, London, 2024. Horenstein, Mariano, Psicoanálisis en lengua menor, Viento de Fondo, Córdoba, 2015. Preta, Lorena (ed), Dislocated subject, Mimesis, Milan, 2018. Preta, Lorena (ed), Geographies of Psychoanalysis, Mimesis, Milan, 2015. Preta, Lorena, The brutality of things. Psychic transformations of reality, Mimesis, Milan, 2019. Wohlfarth, I., Hombres del extranjero. Walter Benjamin y el Parnaso judeoalemán, Taurus, CDMX, 2014.
&y & &ers smoke a joint and read Walter Benjamin's On the Concept of History Read along: https://www.marxists.org/reference/archive/benjamin/1940/history.htm Song: Johnny Thunders - You Can't Put Your Arms Around a Memory For the full ep subscribe to our bonus feed at Patreon.com/poddamnamerica
For the full episode support the show at http://patreon.com/theantifada&y & &ers smoke a joint and read Walter Benjamin's On the Concept of HistoryRead along: https://www.marxists.org/reference/archive/benjamin/1940/history.htm Song: Johnny Thunders - You Can't Put Your Arms Around a Memory
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