Podcasts about northern irish

John Lennox is a Northern Irish mathematician, bioethicist, and Christian apologist originally from Northern Ireland. He has written many books on religion, ethics, the relationship between science and God, and has had public debates with atheists including Richard Dawkins and Christopher Hitchens. Learn more about your ad choices. Visit megaphone.fm/adchoices

The real Brexit betrayal: Starmer vs the workers ‘This week Starmer fell… into the embrace of Ursula von der Leyen' writes Michael Gove in our cover article this week. He writes that this week's agreement with the EU perpetuates the failure to understand Brexit's opportunities, and that Labour ‘doesn't, or at least shouldn't exist to make the lives of the fortunate more favourable'. Michael makes the argument that ‘the real Brexit betrayal' is Labour's failure to understand how Brexit can protect British jobs and industries and save our manufacturing sector. Historian of the Labour Party Dr Richard Johnson, a politics lecturer at Queen Mary University writes an accompanying piece arguing that Labour ‘needs to learn to love Brexit'. Richard joined the podcast to discuss further, alongside Conservative peer Dan Hannan. Both Brexiteers, they disagree over the approach the government should take and what tools it should be using. (1:02) Next: the big appeal of bite-sized history Why are so many readers turning to short histories? The historian Alice Loxton writes in the magazine this week about the popularity of books with titles like ‘the shortest history of…', ‘a brief history of…' or ‘a little history of'. Some may argue these are designed to satisfy generations of distracted readers, but Alice defends them, saying ‘there is something liberating about how noncommittal they are'. Should we embrace the ‘short history'? Alice, author of Eighteen: A History of Britain in 18 Young Lives, joined the podcast to discuss further alongside Professor Simon Heffer – himself the author of A Short History of Power. (24:40) And finally: is being a bridesmaid ‘brutal'? A Northern Irish bride chose to have 95 bridesmaids when she married earlier this month. While it might be understandable to not want to choose between friends, Sophia Money-Coutts writes in the magazine this week that, once chosen, the reality of being a bridesmaid is brutal. Sophia joined the podcast to discuss further, alongside the journalist Francesca Peacock. (36:22) Hosted by William Moore and Gus Carter. Produced by Patrick Gibbons.

The real Brexit betrayal: Starmer vs the workers‘This week Starmer fell… into the embrace of Ursula von der Leyen' writes Michael Gove in our cover article this week. He writes that this week's agreement with the EU perpetuates the failure to understand Brexit's opportunities, and that Labour ‘doesn't, or at least shouldn't exist to make the lives of the fortunate more favourable'.Michael makes the argument that ‘the real Brexit betrayal' is Labour's failure to understand how Brexit can protect British jobs and industries and save our manufacturing sector. Historian of the Labour Party Dr Richard Johnson, a politics lecturer at Queen Mary University writes an accompanying piece arguing that Labour ‘needs to learn to love Brexit'.Richard joined the podcast to discuss further, alongside Conservative peer Dan Hannan. Both Brexiteers, they disagree over the approach the government should take and what tools it should be using. (1:02)Next: the big appeal of bite-sized historyWhy are so many readers turning to short histories? The historian Alice Loxton writes in the magazine this week about the popularity of books with titles like ‘the shortest history of…', ‘a brief history of…' or ‘a little history of'. Some may argue these are designed to satisfy generations of distracted readers, but Alice defends them, saying ‘there is something liberating about how noncommittal they are'.Should we embrace the ‘short history'? Alice, author of Eighteen: A History of Britain in 18 Young Lives, joined the podcast to discuss further alongside Professor Simon Heffer – himself the author of A Short History of Power. (24:40)And finally: is being a bridesmaid ‘brutal'?A Northern Irish bride chose to have 95 bridesmaids when she married earlier this month. While it might be understandable to not want to choose between friends, Sophia Money-Coutts writes in the magazine this week that, once chosen, the reality of being a bridesmaid is brutal. Sophia joined the podcast to discuss further, alongside the journalist Francesca Peacock. (36:22)Hosted by William Moore and Gus Carter.Produced by Patrick Gibbons. Hosted on Acast. See acast.com/privacy for more information.

Andrew Doyle is a Northern Irish playwright, journalist, and political satirist. | Pre-order Andrew's new book "The End of Woke" - https://geni.us/TheEndofWoke Follow Andrew on X - https://x.com/andrewdoyle_com SPONSOR. We're honoured to parter with Hillsdale College. Go to https://hillsdale.edu/trigger to enroll for free. SPONSOR.

Let us know what's on your mindPatrick Nelson's journey from trainee computer programmer to guiding Northern Ireland football through nearly two decades of transformation reveals how sport can change a nation's cultural landscape. As CEO of the Irish Football Association, he's witnessed firsthand the unifying power of football, particularly during Euro 2016 – what he calls "the best period of my working life."The newly christened Clearer Twist National Stadium at Windsor Park forms the backdrop for our conversation about football's remarkable ability to bridge divides in Northern Irish society. "Football happened on a Saturday, people got together, they played their games, they shook hands at the end and moved on," Patrick recalls of even the most challenging periods. This commitment to connection extends beyond football, with Patrick regularly meeting his counterparts at Ulster Rugby and Ulster GAA to strengthen cross-sport collaboration.While the disappointment of missing out on hosting Euro 2028 at Casement Park lingers, Patrick remains characteristically forward-focused. He's championing Belfast's role in the ambitious bid to host the 2035 FIFA Women's World Cup – a vision that would see "girls who are currently dreaming of wearing that green shirt turning out on that pitch in 10 years' time." Through personal anecdotes about his first football match (a remarkable 14-1 victory), his passion for skiing, and his direct management style, we glimpse the person behind Northern Irish football's impressive progress. Subscribe now to discover how sport continues to transform communities across the island of Ireland. Find out more about what we do day in day out at Sportforbusiness.comWe publish a daily news bulletin and host regular live events on a wide range of sporting subjects Subscribe to the podcast wherever you get your podcasts from and look forward to upcoming chats with with Olympic Medallist Aifric Keogh on her new role as Chair of the Athletes Commission at the Olympic Federation of Ireland, Dr Kieran Collins of TUD on Technology and Sport and more leaders willing to give of their time and insight.Our upcoming live events on Sports Leadership, the Business of Golf, Gaming and and plenty more are live on the Sport for Business website and we'd love to have you join us.

In this episode of Best Possible Taste, Ireland's longest-running food and drink podcast, Sharon Noonan talks to chef Paddy Lee, a fellow Northern Irish native with a fascinating culinary journey. The interview was recorded in the days following Paddy's standout dinner in St Mary's Church of Ireland in Dungarvan, part of the 2025 Waterford Festival of Food. Hosted by Sharon thanks to an invitation from Eunice Power, WFOF CEO, the dinner was an unforgettable experience in a truly unique setting. The episode was released on May 4th and includes a fun Star Wars comparison—likening Paul Flynn of The Tannery to Yoda, with Paddy stepping into the role of Luke Skywalker as he hones his skills in the kitchen! BEST POSSIBLE TASTE IS IRELAND'S LONGEST-RUNNING FOOD & DRINK PODCAST. Visit www.sharonnoonan.com for more info about Sharon Noonan and Best Possible Taste.

In this episode of The Tonight Show with Kieran Cuddihy:

Former champion boxer John Duddy from Derry and one-time construction worker Newry's own Ciaran Byrne share their unlikely paths to acting on stage and in film in part two of our first live podcast recording for Origin Theatre's 1st Irish Festival.The two friends delve into how their life experiences inform their performances, personal traumas from The Troubles, and the critical role of theater in post-conflict healing and education. Sharing compelling narratives throughout, Ciaran and John underscore the significance of their Northern Irish roots and the transformative power of storytelling, but don't stint on the Irish craic.Massive thanks to Origin's Theatre's artistic director Mick Mellamphy (who we featured in this 2023 episode) for envisioning our live podcast event and curating our stellar guest list, to the Northern Ireland Bureau for their generous support, to Bill Schultz for recording and editing the episodes, and to Jimmy and the crew at Ryan's Daughter for their above-and-beyond hospitality.LinksCiaran ByrneWebsiteIMDbXInstagramLinkedInFacebookJohn DuddyIMDbInstagramFacebookLinkedInOrigin TheatreWebsiteThe Northern Ireland BureauWebsiteEpisode Details: Season 7, Episode 15; Total Episode Count: 118

Petesy opens the show by teeing up the biggest stories of the week, then dives into an exclusive sit-down interview with rising Irish star Paul Hughes (06:17). Hughes kicks things off by sharing how it feels to headline his homecoming fight at the SSE Arena in Belfast. He and Petesy take a trip down memory lane, reminiscing about Paul's roots in the local amateur scene. The Irishman gets real about his hopes for a rematch with Usman Nurmagomedov, and lays out how he thinks that fight would play out (16:36). Next, Hughes gives his take on the rising talents of Europe. He breaks down the upcoming bout between fellow Irishman Ian Garry and Carlos Prates (32:02), reacts to Paddy Pimblett's shocking win over Michael Chandler (36:16), and talks sparring sessions with Ilia Topuria (37:36). To wrap things up, Hughes gets candid about the fallout from Conor McGregor's comments on his moment of respect with Khabib Nurmagomedov (43:03). He highlights how much his Northern Irish roots mean to him and how he stays focused on the positives, despite the noise. On the back end of the show, Petesy is joined by Andy Stevenson of Severe MMA (50:18). The two break down the importance of Paul Hughes's rise, Ian Garry's short-notice fight against Carlos Prates, and much more.

On the Saturday Morning with Jack Tame Full Show Podcast for Saturday 19 April 2025, Northern Irish acting legend, Hollywood royalty, and the man who has been in almost every major film franchise of the 21st century, Ciaran Hinds joins Jack to discuss the intimate character study of his new project The Narrow Road to the Deep North. Jack considers the legacy of the Blue Origin spacecraft against this week's discovery within Earth's very own Big Blue. Catherine Raynes reviews the latest novel from David Baldacci – the perfect long weekend read. For those sick of hot cross buns, chef Nici Wickes has an alternative Easter breakfast recipe. And as Food appreciation month approaches, sustainability expert Kate Hall reframes our view on food scraps. Get the Saturday Morning with Jack Tame Full Show Podcast every Saturday on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

In this episode of Equine Assisted World, Rupert Isaacson sits down with Dr. Helen Sharp, an equine journalist, academic, and co-founder of Groundwork EAS—an equine-assisted charity on the border between Northern Ireland and the Republic of Ireland. A leading voice in both equine media and trauma-informed equine work, Dr. Sharp brings a unique blend of artistry, horsemanship, and therapeutic insight to everything she does.She writes for The Irish Field and Farmers Journal, and her career spans journalism, community arts, equine bodywork, and academic research. She holds a PhD and has a background in sculpture and performance art, with her creative and research work shown around the world. As co-director of Groundwork, she serves veterans, trauma survivors, and neurodivergent individuals through programs that fuse nature, horses, and compassionate partnership.This powerful conversation traces her extraordinary journey from the Hebrides to heroin recovery, from performance art to equine-assisted leadership, and why horses continue to be the greatest teachers of all.

Which is an actual achievement: The Blue Origin all-female space flight? Or Rory McIlroy achieving Golf's Grand Slam winning the Masters? Blue Origin successfully completed its first all-female space flight with pop star Katy Perry, journalist Gayle King, and scientists like Aisha Bowe. Meanwhile, after 11 years of trying Rory McIlroy, a Northern Irish golfer, has achieved remarkable success in his sport, including winning the Masters in 2025 to complete the career Grand Slam. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Northern Irish golfer Rory McIlroy pulled off a nail-biting victory in the Masters tournament that concluded Sunday in Augusta, Georgia. CBC associate producer Zameer Karim and golf coach Dave Zibrick recap the tournament as we ask viewers what they thought of the finale.

The mission of law & disorder is to expose, agitate and build a new world where all of us can thrive. But how do we get there? How do we build a world many of us have only seen in our dreams? That's where we believe the artists come in. So, each week we feature an artist, holding down a weekly residency with us, helping us to imagine a different, more liberated world. Our Resistance in Residence Artist this week is Northern Irish actor Shaun Blaney. Shaun portrays Gerry Conlan in the production of In The Name Of The Sun, which will see its US premier at the San Francisco International Arts Festival in early May. More info: https://www.sfiaf.org/2025_green_shoot_productions — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Resistance in Residence Artist: Shaun Blaney appeared first on KPFA.

pWotD Episode 2902: Rory McIlroy Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 276,525 views on Saturday, 12 April 2025 our article of the day is Rory McIlroy.Rory Daniel McIlroy (born 4 May 1989) is a Northern Irish professional golfer who plays on the European Tour and the PGA Tour. He is a former world number one in the Official World Golf Ranking and has spent over 100 weeks in that position during his career. He is a four-time major champion, winning the 2011 U. S. Open, 2012 PGA Championship, 2014 Open Championship and 2014 PGA Championship. Along with Jack Nicklaus and Tiger Woods, he is one of three players to win four majors by age 25. McIlroy had a successful amateur career, reaching number one on the World Amateur Golf Ranking as a 17-year-old in 2007. Later that year, he turned professional and soon established himself on the European Tour. He had his first win on the European Tour in 2009 and on the PGA Tour in 2010. In 2011, at age 22, he became the youngest player ever to reach €10 million in career earnings on the European Tour. In 2012, he became the youngest player to reach $10 million in career earnings on the PGA Tour. In 2022, he became the first person to win the FedEx Cup three times, surpassing Tiger Woods' two. He won The Players Championship in 2019 and 2025. McIlroy has represented Europe, Great Britain & Ireland, and Ireland as both an amateur and a professional. He has played for Europe at the Ryder Cup in every edition from 2010 to 2023, with Europe winning in 2010, 2012, 2014, 2018 and 2023. For his achievements, he has twice been named RTÉ Sports Person of the Year, in 2011 and 2014.This recording reflects the Wikipedia text as of 01:58 UTC on Sunday, 13 April 2025.For the full current version of the article, see Rory McIlroy on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

"Olá Bom Dia ALEGRIA! Munson here with the Good Morning Portugal! show, livestream & podcast. Tudo bem?"Starting the show with the 'Bom Dia Daily' - 20 minutes of news, weather, language, culture & wellbeing in Portugal - by way of an introduction today to...Inês Parracho of Poderes da Baía (Powers of the Bay) who makes natural health products that utilise the unique seaweed found in the waters of Sao Martinho Do Porto Bay.Also with us, Rev. Treacy O'Connor, who met Portugal's President 'Marcelo' in Ireland.The reason...Glencree (www.glencree.ie) is dedicated to transforming violent conflict and building peaceful, inclusive societies across the island of Ireland, within Northern Ireland, between Ireland and the UK, and internationally.Established in 1974 in response to the conflict in Northern Ireland, Glencree played a key role in the peace process bringing together those in conflict for confidential dialogue and building relationships across divides.Today, we work with victims and survivors in Northern Ireland; women across marginalised communities who experience political conflict/violence; migrants, refugees and members of ethnic and faith minority communities; students and young adults north and south of the border; and policymakers, politicians, diplomats and civil society leaders who work to find solutions to sustainable peace.We also continue to share learnings in conflict and post-conflict societies internationally including Haiti. https://glencree.ie/events/herstory-exhibition/ About Herstory:Peace Heroines is an uplifting and inspirational project that explores a difficult and painful era of Northern Irish history through the empowering stories of 30 ordinary women who overcame extraordinary challenges and personal sacrifices to play a pivotal role in the peace process.Peace Heroines will inspire young people with authentic role models and equip them with the skills and confidence to take an active role in co-creating lasting peace.Research shows that achieving gender equality helps to prevent conflict and when women are involved in peacebuilding, the probability that violence will end increases by 24%. Peace agreements that involve women are 35% more likely to last at least 15 years.However, a report by UN Women revealed that only 4% of participants in peace processes were women.https://www.herstory.ie/peaceheroines Comments in the chat, pics & vids to WhatsApp (00 351) 913 590 303Get more at www.goodmorningportugal.com / Support the show and join the Portugal Club at www.gmpvip.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-good-morning-portugal-podcast-with-carl-munson--2903992/support.

Northern Irish writer Eoin McNamee has turned the spotlight on his own family in his new book, The Bureau. He talks about his late father setting up the first border bureau de change in Northern Ireland, tiger kidnappings on his family, his father getting involved in Ponzi schemes and his parents getting bankrupted twice.

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been a whirlwind few months for young Northern Irish defender Ruairi McConville. He made his international debut in November and then his senior club debut for Brighton at Carrow Road against Norwich City before signing for the Canaries on Deadline Day in January.  Our man Connor Southwell caught up with the 19-year-old to discuss life away on duty with his country, settling into life in Norfolk and future targets.  *** With thanks to our podcast sponsor - First Bus. ** Picture: Paul Chesterton/Focus Images Ltd *** You can also hear the Pink Un Podcast on Norwich's Community radio station, Future Radio 107.8FM. *** To get in touch with the podcast now and in future, send any comments and questions into the crew with an email to norfolksport@archant.co.uk or get in touch with us @pinkun on Twitter, where our direct messages are open. And if you're interested in sponsoring the pod, or placing an advert in one of our shows, email connor.southwell@newsquest.co.uk ALSO FIND US AT THE FOLLOWING: Subscribe: pinkun.com/podcast Twitter: twitter.com/pinkun Facebook: fb.me/thepinkun Instagram: instagram.com/the_pinkun Find more details on how you can sign up to Pink Un + here: https://www.pinkun.com/pinkunplus/ #ncfc #norwichcity #podcast #bhafc #brighton

A Northern Irish public transport service dubbed "The luas on wheels" has been proposed as a cost effective alternative to the Shannon Rail Link. The 'Glider' which is a rapid transit intercity bus system, with a light tram design and capacity for over 100 passengers in a single carriage, was first rolled out in Belfast in 2018 at a cost of €120m. Although the Government has set a target of providing rail connectivity to Shannon Airport by 2030, a delegation of elected representatives and officials are expected to visit Belfast to test the Glider's feasibility. Clonlara Independent Councillor Michael Begley is confident it can work here.

In this exciting episode of the Off Track Podcast, host Dave Neal sits down with the rising star of Northern Irish motorcycle racing, Scott Swann. As Scott makes his debut in the Bennetts British Superbike Championship (BSB) with the Send My Bag by IWR Racing Team, he shares his journey, passion for racing, and his goals for the season ahead.Scott's debut marks a major milestone in his career, and he opens up about the challenges, triumphs, and experiences that have shaped him as a competitor. Known for his exceptional talent and engaging personality, Scott brings a unique perspective on what it takes to succeed at the highest level of British motorcycle racing.This episode is a fantastic insight into Scott's journey and what fans can expect from this young Northern Irish talent in the world of superbike racing. It's a must-listen for fans of the BSB, motorcycle racing, and those interested in the next generation of motorsport stars.Don't miss this inspiring conversation as Scott Swann shares his incredible character and passion for racing with Dave Neal. Tune in now!Keywords: Scott Swann, Off Track Podcast, Bennetts British Superbike Championship, BSB debut, Send My Bag by IWR Racing Team, Northern Irish motorsport, young racing talent, motorcycle racing, superbike racing, motorsport podcast, Dave Neal, racing journey, British Superbike, motorsport talent, racing debut, Northern Irish rider, future of motorsportSend us a text Support the showWould you like early access to shows and the chance to ask questions of the guests? Well, you can, right here... https://www.patreon.com/join/9993138Off Track Merchandise: https://www.hmycustoms.co.uk/off-track-podcastRidinGraphics: https://www.instagram.com/ridingraphics/?hl=enhttps://www.facebook.com/demographics/?locale=en_GBFacebook: Off Track Podcast https://www.facebook.com/OffTrackTheMotorcycleRacingPodcast/ Instagram: @offtrackpodcastukhttps://www.instagram.com/offtrackpodcastuk/Twitter: @offtrack_https://twitter.com/OffTrack_ IG: @thedaveneal | Twitter: @daveneal | Facebook: Dave Neal

This week: St. Patrick's day! Past St. Patrick's day sessions, smelly leuters, non alcoholic beers, the history of Stone Island x football hooligans, Stella stigma, Panda Express, pepper sauce fountains, stinkin' festival armbands, the real facts about St. Patrick, weird traditions, bizarre Northern Irish newspaper headlines, core memories & much more.Sign up to Patreon⁠⁠⁠⁠⁠⁠ for access to exclusive episodes out every Thursday.⁠⁠patreon.com/TheBombSquadPod⁠⁠The Bomb Squad Pod live at the SSE Arena, Belfast: ⁠⁠⁠⁠TICKETS⁠⁠⁠⁠Follow @TheBombSquadPod on⁠⁠⁠⁠YouTube⁠⁠⁠⁠,⁠⁠⁠⁠Instagram⁠⁠⁠⁠,⁠⁠⁠⁠TikTok⁠⁠⁠⁠ &⁠⁠⁠⁠X⁠⁠⁠⁠.Hosted by:⁠⁠⁠⁠Colin Geddis⁠⁠⁠⁠ &⁠⁠⁠⁠Aaron McCann⁠⁠⁠⁠Produced & Edited by:⁠⁠⁠⁠Niall Fegan

Join me to find out more about researching your Northern Irish ancestors with Martin McDowell and Linda Kilby of the North of Ireland Family History Society. We discuss the resources available within the society and elsewhere (many more than you may think), events they run including an annual DNA summer school and a roadshow plus the services they offer for members and enquiries. A transcript of this interview is available on Substack: Journeys into Genealogy on Substack plus a second interview with Martin about the North of Ireland DNA project and a resources sheet full of useful links. 

Jay Rayner and the panel are in Newtownabbey celebrating the 300th episode of The Kitchen Cabinet. Joining Jay are chefs, cooks and food writers Melissa Thompson, Paula McIntyre, Rachel McCormack, and Jordan Bourke. Together, they explore the much-loved Northern Irish sweet treat, fifteens, and share the best ways to revolutionise a beef stew. They also debate the polemic culinary question - should stuffing be cooked inside or outside of the bird? Later on, Jay chats to Peter Hannan, the man behind the famous sugar pit bacon about how he makes his bacon taste so good. We also hear from local baker,  Shannon Holmes from Nanny Plums bakery, about the recipe, flavour and story behind the no-bake treat, the 'fifteen'. Producer: Daniel Cocker Assistant Producer: Dulcie Whadcock Executive Producer: Ollie Wilson A Somethin' Else production for BBC Radio 4

In the latest episode of Grounded: The regenerative farming podcast, Kyle and Stuart talk to Northern Irish farmer Bronagh O'Kane. Bronagh tried a few different career paths before falling in love with farming and taking on the family farm in Tyrone, Northern Ireland. She has since made a name for herself as a Soil Farmer of the Year runner up and Young Farmer of the Year. Last year she organised the Fields Good regenerative agriculture festival in Northern Ireland - the country's equivalent to Groundswell. Listen now to find out about the value of bringing a different perspective to farming, Bronagh's ‘girl crush' on Nicole Masters, her love of sheep, hopes for the future of agricultural policy in Northern Ireland and much more.This podcast is brought to you by Regenerate Outcomes.Regenerate Outcomes supports farmers to grow profits and improve crop and livestock performance by building functional soil.Receive one-on-one mentoring from experienced regenerative farmers to increase the productivity of your soil, cut costs and reduce external inputs.Baseline and measure changes in soil carbon to generate verified carbon credits which you can retain or sell for additional income. No cost to join. No cost to leave.For more information go to www.regenerateoutcomes.co.uk

Join us in the Queen's Quarter at the former derelict buildings that Anthony and Andrea Kieran transformed into Belfast's stunning five-star boutique hotel, Regency House.Their story intertwines personal histories with The Troubles (including when Anthony was the victim of two bombings in one day in South Armagh), their serendipitous meeting in Washington, D.C., his work for NASA, their decision to move to Belfast, their unplanned venture into the hospitality business, and the peak experience of welcoming President Bill Clinton and Senator George Mitchell to their hotel.Bringing a platter of Belfast Baps for us, Executive Head Chef Michael O'Connor tells of his early cooking experiences in West Belfast, surviving the high-pressure kitchens of London's top chefs, the role of locally sourced foods in driving Belfast's restaurant renaissance, and the challenge of creating just the right menu for Regency House. And he's taken a shot at fast food with his signature Braised Beef Shank Burger—which takes two-and-a-half days to prepare!With a unique blend of American and Northern Irish perspectives, a commitment to personalized hospitality and community investment, Andrea, Anthony, and Chef Michael offer an intimate look at Belfast's past, present, and future, one that's ever more welcoming to visitors.So, join us in the President's Suite of Belfast's beguiling boutique hotel, Regency House.LinksRegency HouseWebsiteInstagramFacebookLinkedInAnthony KieranLinkedInEpisode Details: Season 7, Episode 7; Total Episode Count: 110

The TSS Gang is here to rummage through the latest correspondence from the Listener Questions mailbag! On today's episode, we're putting teams on the panic-o-meter, we're uniting Irish and Northern Irish soccer, and we're asking how players know what time to turn up for the team bus!WE HAVE A YOUTUBE CHANNEL!We're posting all our episodes here! Smash the like and subscribe etc.!JOIN THE TSS+ PATREON!Check out our Patreon, which houses bonus podcasts, access to our exclusive Discord, blog posts, videos, and much more.Become a member today at patreon.com/totalsoccershow! Hosted on Acast. See acast.com/privacy for more information.

The TSS Gang is here to rummage through the latest correspondence from the Listener Questions mailbag! On today's episode, we're putting teams on the panic-o-meter, we're uniting Irish and Northern Irish soccer, and we're asking how players know what time to turn up for the team bus! WE HAVE A YOUTUBE CHANNEL! We're posting all our episodes here! Smash the like and subscribe etc.! JOIN THE TSS+ PATREON! Check out our Patreon, which houses bonus podcasts, access to our exclusive Discord, blog posts, videos, and much more. Become a member today at patreon.com/totalsoccershow! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight we are joined by Paul Nardi. where we go through his time at QPRWe ask about the differences between Belgian and English footballThe skills needed to adapt to goalkeeping in the ChampionshipHis highlights of the season so farThe relationship with the squadListen to Paul try and get to grips with a Northern Irish accent.Paul, Chris Andrew and Simon then gloss over Coventry, wax lyrical over Derby and look forward to visiting Portsmouth and the man with the massive bell. Hosted on Acast. See acast.com/privacy for more information.

In 2003, Northern Irish journalists outed Freddie Scappaticci as one of Britain's most notorious double agents. His code name was “Stakeknife.” For years he was in charge of finding and killing informants within the IRA, and was now accused of working with the Brits all along.   The story rocked those on both sides of The Troubles. High-ranking British officials were criticized for allowing their secret asset to kill and torture with impunity. And families of those killed for being alleged informants questioned whether they were executed to keep the IRA from suspecting Scappaticci was the real traitor.“Stakeknife” is the second season of the podcast “Cover” from BBC Sounds, Second Captains & Little Wing. Host Mark Horgan explores how British Army intelligence sanctioned Scappaticci's dirty work and the lengths taken to protect their valuable operative. He also brings us relatives of those murdered by Stakeknife to talk about the lifelong pain and stigma of having a loved one executed for being an informant - whether it was true or not.OUR SPOILER-FREE REVIEWS OF "STAKEKNIFE" BEGIN IN THE FINAL ELEVEN MINUTES OF THE EPISODE. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.

Fellatio Rites for the Ghost of John WesleyA Series in 17 parts, By Blacksheep. Listen to the Podcast at Steamy Stories. Jenna took a deep breath as she approached Oakwood Road Methodist Church."Are you sure you don't want me to come in with you?" Reverend Morris asked.She patted his shoulder. "I'll be fine Simon. You don't need to worry. It's the ghost of John Wesley, not Jack the Ripper. This is exciting! I hope he'll appear!""Right, well, I'll be sat in the car then. I hope you won't be too long. Remember, just turn and run the moment you feel in any way uncomfortable.""Reverend Morris, I think you're scared!""No I'm not! I can't help being concerned for the safety of the woman I love can I? Aren't you a tiny bit nervous?""I'm as cool as spring water," Jenna replied. "I was reading all about John Wesley last night. He was a true gentleman. I'm sure this won't take long."Reverend Morris nodded as he watched his wife enter the church. "Well if anyone can fix this, Jenna can. I don't know what she said to the Archbishop of Canterbury last week, but he changed his mind about the wall plaque faster than the Government does U-turns. I wonder what she said to him? Whatever it was, Justin Welby was impressed!"He reclined in his car seat. "I was so lucky to meet Jenna. Of course, it was God who delivered her to me. That fateful Sunday morning in the vestry, oh."Father Aiden was walking along the street. Many things were on his mind. He had some important decisions to make about his future in the priesthood. Briefly glancing up from his smartphone, his heart jumped as he spotted Jenna entering the Methodist church across the road."Holy Mother, " he muttered. A rush of excitement swept over him as he recalled the intimate encounter he'd enjoyed a few weeks ago. It was that which had spurred him to think about his future. He quickly crossed the road."Hello Father!"The priest almost dropped his phone. Someone was shouting at him from a parked car."Oh, Reverend Morris. Hello there." Damn, no chance of a repeat encounter, he thought. "I've just seen your wife going into the Methodist church.""Yes, I hope she won't be long. I'm just waiting for her.""Are you alright? You look a bit anxious, if you don't mind me saying.""It's a long story, Father. I think you'd better sit down in the passenger seat and I'll tell you. You've not heard about what's been going on in Oakwood Road church have you?"The priest looked confused. "Nope. Tell me more!" He opened the car door and sat down. I could do to unburden myself too.""Okay, well, this might sound a bit weird.""I can handle anything weird," Father Aiden replied."It's about ghosts. As a Catholic, what are your thoughts on them and have you ever seen one?"Father Aiden thought about his answer very carefully. "Hmm. In theory, billions of ghosts potentially exist because billions of human beings have "lost" their bodies through death. Strictly speaking, these disembodied souls are not ghosts because they have never become discernible to any living people. Only those few souls whose presence is seen or felt by others are truly ghosts. And their existence is real.""So you've seen one?""Yes. Two actually. Once in Ireland when I was a child and another when I was based in Liverpool. I was called upon to rid a family's home of a troubled spirit."Reverend Morris looked relieved. "That's good to know.""The Old Testament also has a few ghost stories. The most famous one is in 1 Samuel 28:8--20. Here the inspired writer tells how King Saul met with the ghost of the prophet Samuel." Father Aiden replied. "Have you seen a ghost?""Yes. And not just any ghost, but the ghost of John Wesley! He's haunting the Methodist church. That's why I'm here. Jenna's gone in there to try and help him return to, the other side.""Oh I see, then she must, wait, what?" Father Aiden did a double take."Thanks for coming' along Mrs. Morris," Reverend Ewing said, shaking Jenna's hand. "I know you probably think this whole thing is crazy.""Not at all! And call me Jenna. I'm a true believer. If my husband says that you and he saw John Wesley, then I know it's true. But why does John want to see me of all people?""Your hubby mentioned that your grandma is a Methodist?""Uh yeah. Bit of a tenuous link. Like Sir Henry Barrington-Smythe's horse.""Huh?""Oh, never mind. Figure of speech.""You Brits and your little quirks!" Reverend Ewing laughed. "I'm still getting used to 'em!""You said John usually appears in the vestry?""Uh-huh. Can be anywhere in the church, but he seems to like the vestry best.""Right, well go and wait in there and say a few prayers, and see if he appears. I'm not sure I can do anything, but I'll try my best."Jenna entered the vestry. Everything looked perfectly normal in there. She closed the door and looked around."It always comes back to the vestry," she smiled to herself as she recalled when she first got to know Reverend Morris.Suddenly, the row of gowns on the rail began to swing on their hangers. The temperature dropped, and Jenna rubbed her arms."Are you there, John?" She called out."Yes."She spun round. There was no sign of the spirit. "Hey, come on, show yourself at least. It's no fun talking to the invisible man.""My sincere apologies," John replied, and slowly faded into view. For the first time, Jenna was taken aback. "My God, you really are John Wesley, "He nodded and bowed. "Bless ye, for am so honored you hath come here. If I may be so bold to say, you be a lady of great beauty my dear.""Very kind of you to say, Mr. Wesley." Jenna said. "Why are you back in the land of the living? Aren't you happy in Heaven?""Ah yes," he began. "Happier than mortals can ever imagine. But you see, I feel compelled to return to this realm every All Hallow's Eve. I like to re-visit the places where I worshipped back when I was alive. And it was in this very place where this church now stands that I preached to crowds back in the autumn of 1778.""You've got a lot of places to visit in just one night," Jenna said. "I read all about you. You travelled all over England spreading the Word of the Lord. Plus you went to America, the colonies, when you were younger.""Indeed I did, yes. To my regret, I lingered a little too long here, for I found myself unable to return to the afterlife. The sun had started to rise, heralding All Saint's Day. Thus, I am trapped here in this church until next All Hallow's Eve. Only a tremendous release of positive energy could allow me to return before then.""Oh dear. May I ask why out of all the people in the world, you wanted to see me? What can I do? My gran is a Methodist. Is that the reason?""No Miss Jenna. It was your aura that attracted me. It's very strong. I believe God himself must've embodied you with some sort of innate goodness that allows you to help people.""You're making me sound like some kind of saint! I assure you I'm just a regular human being. I'm not particularly gifted in anything, although I do try to be a good person, "John had a rather dreamy expression on his face. "You remind me so much of Grace Murray, a lady I loved and lost, only you be far prettier than her."It was then that Jenna had an idea. A huge grin spread across her face. She'd read all about John Wesley's life and how unlucky he'd been in love. "A tremendous release of positive energy, you say? I think I know something which may cause that!"John put his hands together. "You do? Pray, do tell, my dear.""You need to experience an orgasm. What could be more positive than that?"He blinked. "I beg your pardon?""Oh you know, " She tried to think of a period-appropriate phrase so he'd understand. "The end act of carnal relations?"He blushed. "Oh. Miss Jenna I be a man of God. I don't see how, "Jenna sank to her knees. "Only one way to find out, John!" She paused. So he's a ghost. I've never pleasured a ghost before. Isn't he composed of just gas? He's quite cute, for someone who died in 1791! I wonder if,She reached out to touch him, and expected her hand to pass right through his body, but it didn't. He jolted at her touch."Don't worry John. I've done this before, many times in fact. It's a great honor to be able to do it to you. I'm sure this will help you."The moment of first contact had arrived. Jenna let one hand gently glide ever so slightly over John's thigh, encased in tight black breeches. Reaching out with the other hand, she ran it over his crotch, feeling an impressive bulge."Oh my! I feel strangely warmed yet again!" John sighed.Jenna fumbled with the buttons on his breeches, being more used to zippers. Something large and splendid lurked within. Either that or he had a Bible stuffed down there. "My God!" she gasped, as the Methodist's member was revealed. The short, slightly-built John Wesley was hung like a horse!"How on earth were you so unlucky in love?" Jenna exclaimed."Mostly the ladies deserted me long before I even reached the bedchamber," he mumbled."Well I'm not deserting you." She wrapped her lips around his cock head and swirled her tongue for a bit before plunging all the way down his shaft. He emitted a deep and low groan.Jenna slowly bobbed her head along his shaft over and over, with her hands grabbing his thighs for support. He moaned in pleasure with each and every stroke of her soft and warm mouth."Oh dear God," he whimpered. "Your mouth. It feels amazing."It was clear that poor John Wesley had never experienced a blowjob before, not in life, nor the afterlife, and Jenna instantly felt very generous to be giving him this incredible gift. His breathing was erratic, and she sensed that he had already reached a point of near-climax, and was doing everything he could to fight it off.Jenna's expert mouth slowly bobbed up and down his shaft. She then paused at the bottom and held his huge shaft completely inside her mouth, all the way to the back of her throat. She reached through his legs, grabbed his arse, and pulled him toward her in an attempt to get him even deeper into her throat."Uh!" he moaned. "I'm not going to last much longer. I fear I shall spend!"Outside the vestry, Reverend Ewing paced back and forth, wondering what the strange groaning noises were all about."The hell is going' on in there?" She said out loud.Jenna slowly slid her mouth back over his shaft and removed him from her mouth. She wore the naughtiest smile, and John could tell she was thoroughly enjoying this as much as he was. She took his cock into her mouth once more and slid her tongue back and forth along the underside of his shaft. He responded with another moan, louder and more urgent than before. She removed him once again from her mouth and looked toward him with a smile. the faint silver light surrounding John was more radiant than before."Are you ready to spend?" She asked, looking up at him from her knees. John was so overwhelmed, he couldn't speak. He simply nodded his head and grunted."Then I want you to come for me," she said. With that, she slid his wet cock back into her mouth. Once again she reached through his legs to grab his arse and pull him toward her, and she began to furiously fuck him with her mouth. He placed his hands on the back of her head and thrust himself into her mouth, over and over, filling the vestry with the wet sound of fellation.Jenna began moaning, and her muffled moans seemed to push John over the edge. With her mouth still filled with his cock, he stopped his thrusting and gave a loud groan. His body tensed and shook, and Jenna did everything she could to swallow his massive load, but it was too much. Some of his thick cum leaked from the corner of her mouth and splashed down the front of her pink top."Ah!" John sighed, his eyes closed in ecstasy. Thoroughly satisfied, he cried out in joy. "Thank you! Thank you so much!"Pleased to have completely drained him, she removed his cock from her mouth. His cum was delicious. Ghost cum tasted just as good as that from a living man.All at once, a pillar of light surrounded John."Ah! I'm free once more! You've freed me Jenna! I can't thank you enough! I can return and be at peace!" He began to rise up into the air. "I hope we shall meet again sometime! Farewell and God bless!"Jenna stood up and wiped her lips. "Godspeed, John! Oh! Just one more thing, next time you visit, can you bring your brother Charles along?"Reverend Ewing was about to knock on the vestry door, when it suddenly opened."Oh! Is everything alright?""Everything's fine. You can reopen your church. John's spirit is at peace once more.""For sure? He's really gone? But how?""I just said a prayer for him. Told him how much his teaching continues to inspire people to this day. That seemed to satisfy him and he just faded away.""Well thank you so much, Jenna," the reverend said, shaking her hand. "I'm so glad it's all over. It was really stressing me out! and I'm so happy that John is at peace in the Lord's kingdom again. Oh, what's that on your clothing?"Jenna looked down and was mortified at the huge globs of cum. "Oh dear. It's, candle wax. I didn't realize it had spilled. I must get going now, Reverend Ewing. Simon is waiting in the car and he'll be getting worried.""Of course. Thank you again, and give my regards to Simon!"When she'd gone, Reverend Ewing looked round the vestry. "Hmm, strange. There are no candles in here."The lecherous church warden meets his match.After peace was restored to Oakwood Road Methodist Church, and the spirit of John Wesley successfully liberated, Jenna and Reverend Morris turned their attentions to this weekend's Remembrance Sunday service. This was always a major event, and the people would be crammed into St. Michael's like sardines."I've finally completed this special sermon," Reverend Morris said, handing Jenna his iPad. "Have a read and tell me what you think. I included your suggestions about the importance of teaching the younger generation about those who died in wars. Also the bit about Winston Churchill being a flawed figure. Good suggestion, that. As human beings we are all flawed in some way.""It looks fantastic. Let me grab a coffee and settle down to enjoy this!""I hope it won't come across as too boring. You know I always get paranoid about my sermons. So many churchgoers dread a long sermon!""Your sermons are always fun and relevant, Simon, You're too hard on yourself."The mild-mannered vicar smiled. "Aww, thanks! Oh and I hope Norman Winstanley behaves himself this weekend. I had to have a quiet word with him during the Wednesday morning service.""The new churchwarden? What's he done wrong?""Well, as you know, he took over from dear old Albert who died last month. He'd previously been at St. John's, but sadly, that church has closed for good and is being demolished. Such a shame. It was a great church back in the day.""Very sad when a church dies. What are they building in its place?" Jenna asked."An Aldi supermarket. Anyways, about Norman. He's sixty-five and a terrible lecher, to put it plainly. Some say he's Sid James and Benny Hill cranked up to eleven. He didn't get nicknamed Carry On Norm for nothing."Jenna was immediately intrigued. How come I've never noticed this guy before? She thought. "Ooh. So he likes to ogle young women does he?""Yes, but not just young! I've seen him staring at the legs of older women too. Last Sunday, I caught him perving at Mrs. Wilcox when she was doing the flower arranging. And she's about eighty! Though I admit, she does have nice legs, for someone er, so mature.""Naughty boy. At least he's not ageist." Jenna said. "He needs to get on OnlyFans."Reverend Morris couldn't help but laugh. "You always try to see the best in everyone! Well just looking is one thing, but Norman has built up a bit of a reputation for being a qualified pincher of bottoms. I won't tolerate that sort of behavior. It's completely unacceptable. I'm surprised he's avoided getting into more trouble, to be honest.""Is he married?""No, widowed. Took early retirement too. Has far too much time on his hands. And we all know that the Devil makes work for idle hands, ""So true," Jenna nodded. "He makes bottoms for idle hands to pinch. "I don't think I've seen Norman. What does he look like?""Well he wears glasses and he's the spitting image of Frank Carson."Jenna blinked. "Who?""Heh, I keep forgetting the age gap between us. Frank was a Northern Irish comedian. He's dead now. My dad was and still is a massive fan of him. He used to go and see him on stage at Blackpool in the 1990s." Reverend Morris looked up a picture of the comedian on his phone and showed it to her."Ok. I'll keep an eye out for Norman this Sunday!""If he tries anything with you, tell me at once!""Oh don't worry. He wouldn't dare," Jenna replied, smirking to herself, an idea already forming in her mind. Naughty Norman. I can't have a churchwarden with wandering hands threatening Simon's church. I'd better get my hands on him before he causes any more trouble!As expected, the Sunday service was very well-attended. Jenna had arrived early, as she wanted to sit in a specific place right in the front pew. She chose to sit on the left side, in front of the organ. She'd chosen this spot because it was semi-hidden, due to a convenient pillar. More importantly, Norman the churchwarden would soon be standing here, just a few feet away, ready to direct people when it was time to take communion. For Remembrance Sunday, Jenna had chosen a smart, but conservative black dress and a silk scarf featuring a poppy pattern. She was wearing two paper poppy badges, and one of them was in a very intimate place."I hope this isn't disrespectful to the war dead," she thought to herself as she crossed her legs. "But it's necessary. This is for the good of the church's reputation. Very helpful that these self-adhesive poppy badges exist now. I just hope it doesn't drop off, "Before long, Norman Winstanley appeared and Jenna recognized him at once. Her husband's Frank Carson description had been spot on. The guy looked just like him. A full head of white hair, glasses and bushy eyebrows. A stocky build, with a beer gut. Norman looked very smart. He was wearing a dark grey suit with white shirt and maroon tie. He had big hairy hands. Jenna wondered if other parts of his body were hairy."Ah, that's him. Mr. Wandering Hands Winstanley," she said to herself. She should've been repulsed by this randy old boomer, like most women her age would be, but as usual, she found herself lusting after him and getting wet."I wonder if he wears y-fronts like Gordon? He looks the type." Of all the different types of underwear she'd seen men of this church wearing, y-fronts and boxer shorts were her favorite.Norman stood in his usual place, ready to direct the lost sheep, as he termed the congregation, to the pews, and then out again, when called for communion. St. Michael's had an efficient system whereby the congregation, one pew at a time, went up for communion, walked in a circle round the church and back to their seat. This system had been introduced during the pandemic, but had proved so successful, it had been kept on.Suddenly, the strains of the organ interrupted the quietness of the church, as Gordon began playing the opening hymn, O God Our Help in Ages Past.Everyone dutifully stood up, and it was then that Jenna caught Norman's eye. She noticed him staring and winked at him. He winked back at her. Immediately, she knew she had his full, undivided attention.Who's that tasty little filly? Norman thought. I haven't seen her before. Mind you, I've only been helping out here a week. Not many young lasses in this church. She's a pretty one. Mmm, I'd like to goose her!Look at him, undressing me with his eyes, Jenna smirked. Oh he's horny all right. I think he needs a lot more than a butt cheek to pinch. I bet his balls are as blue as a Smurf's arse.The hymn finished, and everyone sat down, as Reverend Morris began the usual start of the morning Eucharist."A very blessed welcome to all who have joined us today, for this, our special Remembrance Sunday service. We are gathered here today to reflect on those who gave their lives in the service of this country. At the same time, we reflect on those who are currently enduring the horrors of war. The people of Ukraine, Syria and Afghanistan. Let us pray, "Jenna bowed her head. At the same time, she crossed her legs and slid her dress up, exposing some creamy white thigh. Norman's eyes almost popped out of his head. She was sure she heard him utter a noise, rather like the whinny of a horse. At the same time, Gordon peered over the top of the organ, waiting for his cue to start playing the Gloria in Excelsis. His elevated position afforded him a perfect view of Jenna, when he spotted her sitting right at the front. He assumed she'd chosen to sit there for his benefit."Venus herself," he muttered, gazing at her flawless legs and remembering the last time they'd been wrapped round his body at the vicarage social. He felt his cock starting to throb. "God she makes me feel glad that I was born a man!"A cough brought him to his senses. Josh the curate was desperately trying to attract his attention as discreetly as possible."Oh, sorry!" Gordon whispered, fumbling with his music sheets. He started playing the Gloria.Jenna was getting excited just thinking about flashing her white panties. Her nipples were already erect and hard and she could feel that familiar warm, moist sensation between her legs. Slowly, she slid her dress up higher and uncrossed her legs, doing so in such a way that it was impossible to avoid a panty flash. She looked at Norman and raised an eyebrow. He let out an audible gasp and his face flushed a shade of red that looked as if his blood pressure had reached stroke-inducing levels. Fumbling in his pocket, he grabbed a handkerchief and wiped his face. Jenna noticed how his forehead and upper lip were glistening with sweat.No-Nut November might be a thing, but not in my world, Jenna thought. At this rate, poor Norman will have collapsed before I even get to unzip him. He was looking at her again and she noticed his bulge in his trousers that he tried covering with crossed hands. Communion was rapidly approaching, and in the middle of the offertory hymn, Norman suddenly rushed off to the gents. When he returned a few minutes later, Jenna noticed his flies were unzipped. She wondered whether he'd done this deliberately or forgotten to zip up after having a pee or a wank."So you want to play do you?" Jenna whispered and winked at him.Norman was holding an order of service booklet, and deliberately dropped it. As he squatted down to pick it up, the gap in his unzipped trousers widened, allowing Jenna a glimpse of his underwear. She was thrilled to have a peek at his pale blue y-fronts and the bulge contained within."Very nice!" She mouthed to him and blew a discreet kiss.It was time to take communion, and being sat at the front, Jenna had to go first. Calmly, she rose from the pew and walked past the organ. As she did, the poppy pinned to her dress fell out."Oh dear, she said, and bent down to pick it up. As she did, she ensured her dress rose up, revealing a flash of her panties. However it was Gordon who got the full eyeful. He leant over for a better look, and clumsily knocked a load of music books off the shelf at the side of the organ."Damn and blast it," he muttered, scrambling to pick them up.Jenna took communion and walked round the church and down the side aisle. As she approached her pew, Norman "helpfully" held out his hand to direct her, and she took the opportunity to squeeze past him. As she did, she felt a hand cup her right buttock and give a little pinch."You're a dirty old man, Mr. Winstanley," she said. "Luckily for you, I happen to be a dirty young woman." Quick as a whip, she slid her hand to his crotch and groped his bulge through his unzipped trousers."Ah, oh!" Norman jolted in surprise. Jenna sat down and smiled at him."I want to see more. Do you?"His nostrils flared, and he quickly backed off, squirming with arousal and bewilderment. Jenna wondered if she'd scared him off, but as the organ music resumed and communion ended, she saw him grab the order of service booklet again and hold it sideways against his crotch. Wondering where this would lead, she was ready to play. It was much more fun than her doing all the flashing. She raised her leg and slid a finger across her panties, pulling the material to the side, giving him a peek at her pubic hair.Norman felt like he was going to cum in his underpants, if this continued. His face was red and his breathing was shallow. He wondered just how much longer he could hold on, but hold on he did. This cheeky little filly was unlike any other woman he'd ever encountered. A wiser, less lecherous man would've backed off long ago, in this age of Me Too, mindful that he could be being led into a trap. But Norman was a shameless, seasoned groper and letch, and he wasn't going to back down now. Using the booklet to shield his crotch from other members of the congregation, a swift movement of his left hand freed his cock, and the top of it poked out from his blue underpants.Not looking down at himself, not acknowledging that his erect dick was visible, the churchwarden acted as if everything was normal. Jenna couldn't stop staring at his cock. It was more ram rod than sham rod. She licked her lips and made a gesture to him with a clenched fist moving up and down.What a delicious-looking cock he has! She was practically drooling like a dog in heat, in the same way he was drooling at the sight of her pubic bush. And speaking of which, she hiked up her dress and revealed the front of her panties. Attached to them was another paper poppy.Norman's jaw dropped.At the same time, Gordon craned his neck to peer over the top of the organ again and got a grandstand view of Jenna's poppy."Holy shit!" He spluttered. He quickly sat down on the stool, but not before knocking his books over a second time.Further along the front pew, sat four old ladies all in their nineties, notorious gossips of the church."I say Margaret, I think the organist is drunk. He's not quite himself. He was dreadfully out of time when he played the Gloria!""Well really. It's disgraceful. On Remembrance Sunday of all days. Oh my good gracious, Mavis! Look at that! The churchwarden's flies are undone!"Immediately, the four of them leant forward in unison to get a better look."Heaven's above, you can see his, concern! How shocking! Somebody should tell him!""Maud, it's times like this that I really envy the youth. They have those fancy telephones that take instant photos.""The last time I saw a man in such a state was in 1943, and I'd just turned eighteen. Those American G I blokes, such good times!"Jenna couldn't wait any longer. The service wouldn't end for another ten minutes. Removing the poppy from her panties, she adjusted her dress and rose from the pew. "Join me in the gents," she whispered, and pressed the poppy into Norman's hand. "Lest we forget!"Norman just nodded, stunned. He glanced down at the poppy. My God, what a precious object. He would treasure it forever. Carefully placing it in his shirt pocket, he zipped up his trousers and discreetly made his way to the toilets at the front of the church.The gents toilets were empty, and Jenna made her way past the row of urinals and into the end cubicle. Moments later, she heard the door open and Norman entered. He nervously glanced round."Pist, in here!" Jenna said, ushering him inside. She locked the cubicle door and closed the toilet lid."Who are you?" Norman spluttered. "You're a cunning little vixen! I want to take handfuls of you, you're amazing! You've got me well and truly foxed!""My name is Jenna," she replied. "And you're Norman, yes? Our new churchwarden?"He nodded."If you don't mind," she said looking up at him with lust-filled eyes, "I'd love to suck that hard cock of yours."Norman looked like all his Christmases and birthdays had come at once. "Oh Jenna, I'd love for you to suck me," he sighed. "I'd love to cum in your mouth. I'd love to watch you swallow all of my thick cum!"Jenna sat down on the toilet and unzipped his trousers, then unbuckled his belt. Wanting full, unobstructed access to the churchwarden's member, she pulled his trousers and y-fronts down to his ankles. Norman said nothing, he simply stood there, watching her work her magic. He never once wondered why such a young and attractive woman would want to suck his cock so willingly. It had been years, decades even, since a woman had wanted to pleasure him! He was actually getting a blowjob from a stunning redhead, for free!""What a lovely cock you've got, Norman. I could see how big it was when you gave me that cheeky little glimpse of it in the church service earlier!" She wasn't lying. He did indeed have a nice plump shaft, with big balls, and wiry white pubes."Some men are like fine wine, they get better with age!"Without hesitation, she impaled her mouth on his shaft. Taking him deep while stroking him, licking him, and sucking him. Norman put his hand on the back of Jenna's head.Jenna cupped his balls, feeling them throb and pulsate, she knew precisely when he was about to cum. At the same time, she ran her other hand up under his shirt, feeling his hairy paunch."That tickles!" Norman murmured, sighing and groaning.Back in the church, the service had nearly ended, much to Gordon's relief. He really needed a pee. Thanks to Jenna, he needed a wank too, but there wasn't time. Whilst the vicar was reading out a lot of notices, he had just enough time to pop to the gents, relieve himself and head back to the organ to play the recessional hymn."Mmm," Jenna murmured, her mouth full of cock. Suddenly, Norman heard someone else enter the toilets."Jenna, someone's come in!" He whispered."Mmm," was all she could reply, and continued sucking him.Gordon hurried to a urinal and unzipped his trousers. As he began to pee, a loud groan came from the end cubicle. He ignored it and continued relieving himself. The mystery bloke in the cubicle made several loud grunts. Gordon glanced round. "Bloody hell," he muttered. "That poor sod's got a bad case of constipation."He finished, zipped up, washed his hands and hurried out of the toilets, wondering who the unfortunate man was."Oh, Oh fuck!" Norman groaned, as his climax neared. "Jenna! I'm going to give you a lovely, big creamy surprise!""Give it to me, Norman!" She felt his cock quiver and his balls tightened in her hand and she got her first taste of his cum. Jet after jet of his thick seed squirted from his cock into Jenna's eager mouth. He took out his cock to allow her to swallow his load and, as she was doing so, he stroked it and managed to squirt a few more sticky blasts all over her face."Ah," Norman panted. "That was wonderful Jenna, I enjoyed that more than anything. I hope it was as enjoyable for you as it was for me! Did you like all my cum in that sweet mouth of yours?""Oh I loved that! Your cum tastes so good, Norman!" Jenna lowered her head and planted a kiss on his cock and then on his sweaty, hairy balls. Doing a dreadful attempt at a Northern Irish accent, she added, "It's the way you tell 'em!""Eh?" Norman said."My poor attempt at a Frank Carson impression," she replied. "My husband said you resemble him.""You, you're married?""Yes," Jenna said, standing up. "I'm the vicar's wife."A look of horror appeared on Norman's face. "Oh my God, ""Don't look so worried, Norman." She put her finger to his lips. "Our little secret, yes? Of course, you need to behave yourself from now on. A little birdy told me that you are quite liberal with those wandering hands of yours. No more bum pinching and goosing of any other ladies whilst you're in St. Michael's, is that understood?"He nodded, panic in his eyes."Say it out loud, in God's name. Because God knows everything.""In the name of God, I promise I'll keep my hands to myself," Norman said."That's my Norm," she replied, planting a kiss on his lips. "We'd better get out of here. Other chaps will be coming in. You go first.""R-right. Okay." Norman zipped up his trousers, fastened his belt, composed himself and hurried out of the cubicle. He opened the door and glanced round."There's no-one here. Quick, you dash into the ladies."Jenna ran past him. As she did, she pinched his arse. "Until next time then," she giggled.Norman breathed a sigh of relief and opened the main door that led back into the church. The service had ended and people were starting to file out of the pews. Norman wiped his forehead. His mind was spinning. Not looking where he was going, he almost walked into Gordon, who'd seen him leaving the toilets."Sorry," he muttered."No worries," Gordon replied. "Listen, there's a first aid kit and other medicine in the vestry. I can get you some Dulcolax tablets."Norman looked confused. "What?""No need to be embarrassed. All us older blokes get constipated from time to time. I couldn't help but overhear you in the gents earlier, and you seemed to be in bloody agony with your bowels!"To be continued.By Blacksheep, for Literotica.

"Killing and Starving children is not Jewish. Fighting antisemitism demands decoupling of Jews from Israel." Since many people don't have time to read full articles anymore, I want to start by linking to two poignant interviews I've had the privilege of conducting over the last few years: - Dr. Izzeldin Abuelaish, the first Palestinian doctor to work in an Israeli hospital: lost his wife to leukaemia aged just 43, leaving him with their 8 children. Just four months later,during the 2008-9 Gaza War, three of his daughters and one niece were killed. And yet Izzeldin has dedicated his life to using health as a vehicle for peace.  https://play.rtl.lu/shows/en/in-conversation-with-lisa-burke/episodes/n/1612726 - Bassam Aramin, Palestinian, and Rami Elhanan, Israeli, are members of The Parents Circle – Families Forum (PCFF), due to the most painful loss of their daughters at different times due to the intractable Israel and Palestine conflict. They have become 'brothers' and advocate constantly for solidarity and peace in their land. https://play.rtl.lu/shows/en/in-conversation-with-lisa-burke/episodes/n/2171062 Last week saw the 80th anniversary of the liberation of Auschwitz. It also saw the return of Palestinians to the north of Gaza. This juxtaposition of events hits hard. The 80th anniversary of the liberation of Auschwitz had 56 survivors of the camp in attendance; down from 200 survivors for the 75th anniversary. We are losing the voice of those who experienced violence, discrimination, hatred and genocide first hand in these camps of torture and death. Of course we must add it was not only Jews that suffered in these camps. Meanwhile, anti-semitism is on the rise since Hamas attacked Israel on 7 October 2023 and the ensuing war in Gaza and Lebanon. This sudden attack on 7 October was not out of nowhere of course. It follows in a line of attacks on both sides, and in the greater region, over decades, despite various ‘agreements', ‘accords', political handshakes… nothing has yet brought peace. On my show this week I have four strong and learned voices on the region, the culture and the law: - Dalia Hader, a Palestinian living in Luxembourg who is asking for petition signatures here so that the Government of Luxembourg discusses this topic in the chamber: “Luxembourg must sanction Israel for its policies in Palestine.” https://www.petitions.lu/petition/3231 - Martine Kleinberg, President, Jewish Call for Peace a.s.b.l. - Dr. Michel Erpelding, International lawyer specialising in this region - Dr. Engy Ali, President of MSF Luxembourg Dalia Hader, is a Palestinian from Jerusalem but grew up primarily in Amman, Jordan. Like so many Palestinians, families often move if they have a choice as it becomes untenable to ‘live' and raise a family in Israel / Palestine. Current records show the state of Palestine to have about 5.5 million inhabitants. The Palestinian diaspora is numbered at about 7.4 million. About one third of Palestinians living in Palestine are under the age of 15; only about 3% live to be over 65. We discuss one definition of genocide with Dr. Michel Erpelding, which targets the killing of children to minimise population growth. Access to care and medication Dr. Engy Ali, President of Médecins Sans Frontières, MSF Luxembourg, is specialised in Critical Care medicine and public health, working for over 20 years in the medical and humanitarian field; 12 years with Médecins Sans Frontières/Doctors without Borders. She has worked in Bangladesh, Kenya, Somalia, Nigeria, Lebanon, Syria, Egypt, Mali, Mauritania, Haiti, Liberia, DRC, Philippines, Pakistan, Gaza and Europe.   The MSF team in Gaza have lost 9 members since 7 October 2023. This loss is deeply felt by the MSF family as they dedicate their lives to giving access to health to all, equally. ‘Access to care and medication' is, according to Dr. Ali, the driving force of MSF. Dr. Ali reminds us that MSF has been present in Gaza for years. She herself was working Gaza in 2020, trying to organise medical evacuation programmes for complex trauma cases (but then Covid 19 happened.) “Our humanitarian action in Gaza is guided by our core humanitarian principles of neutrality and impartiality, but we do not stay silent about humanitarian crises as in Gaza. We publicly speak out and report attacks on healthcare facilities, shortages of medical supplies, and obstacles to access care, ensuring that humanitarian needs are recognized.” The testimonials you hear in this interview are from from Nadia Abo Mallouh, MSF medical coordinator from Rafah, and Abu Abed, Deputy Medical Coordiantor. Impunity reinforces antisemitism Martine Kleinberg, President of Jewish Call for Peace (JCP) has worked unceasingly to increase the clamour of Jewish voices that do not want to be connected with the direction of Israel's government and want to work with Palestinians for peace. This is a growing movement around the world with the Jewish Voice for Peace, and the Not in My Name refrain. https://jewishcallforpeace.lu Martine is herself trained in conflict resolution and prevention.  JCP is a founding Member of the European Jews for Palestine launched in October 2024, with more than 20 organisations in 14 European countries, a member of Global Jews for Palestine, and a Member of Luxembourg Collectives for Palestine. On 1 February Martine organised a conference to discuss: “Exploiting Memory: the Holocaust and the distortion of antisemitism” In organising this event, Martine faced cultural decision makers in Luxembourg who did not want their venue associated with such open conversations. Neimënster said no; the Culture Bar said yes. Neimenster said this event did not “correspond to their values…the title leads to negative interpretations against associations and institutions partnered with Neimënster. As a public establishment we remain a neutral entity and cannot be associated with this type of event” Martine is extremely clear in her own reckoning of what the Israeli government are doing to use Judaism as an instrument of war: “I refuse the instrumentalization of my Jewish identity for colonialist supremacist purpose, that has nothing to do with Judaism. My commitment is the solidarity with the oppressed and deconstruction of antisemitic prejudices.” Martine believes strongly that there is a “weaponization of the Holocaust memory and antisemitism by Israel, to gain impunity, which is destroying international law”. “Fighting antisemitism demands decoupling of Jews from Israel.” Martine Kleinberg is aghast on why almost no religious leaders, of all religions, cannot speak out with clarity that the violence against a trapped civilian population in Gaza is indefensible and wrong Does International Law have any power anymore? Michel Erpelding, is a legal scholar in the history of international law, with an additional degree in Middle Eastern studies, and works on international law particularly related to colonialism and individual rights. We speak about the definitions of international lawyers and the International Criminal Court of war crimes, crimes against humanity, genocide and apartheid.   Israel was viewed by the UN, well before 7 October 2023, as an occupying power in Gaza, and as such remained bound by international law to meet the essential needs of the civilian population. Israel can control water going into Gaza. It can exert decisive control over Gaza via land, air and sea. We explore the notion of ‘double standards' in political discourse when it comes to annexation (for example, Putin annexing Crimea; Netanyahu annexing East Jerusalem, the Golan Heights and the West Bank). Naturally the 7 October attacks by Hamas was the catalyst to this most recent war, but there is also the legal notion of ‘proportionality' in war. Dr. Erpeling and Dalia discuss why the Oslo Accords of 1995 did not work. “Oslo led to a clearer apartheid reality in the West Bank and Jerusalem” says Dalia, and goes on to say how certain Palestinian segregation means one cannot drive on certain roads, cannot visit certain parts of Palestine without the ‘right' passport, requires a certain number plate, will be held up for hours at check-points to be humiliated, and so the layers of discrimination continue. This un-ending story of war sits in a region where, fundamentally, humanity has been abandoned. And this humanity at its core, will find not much difference between Israelis and Palestinians, just like the Irish and Northern Irish, just like the Ukrainians and Russians. When the Ukraine war started, how often did we hear the line, “But they are our brothers and sisters?”  Humanity is a source of life and support. Borders, walls, check-points, active discrimination and suppression are not the acts of humans who, with a religion or not, know what is right in their heart. Let's end with a recent poll in the French newspaper La Tribune Dimanche, which showed that when 986 people aged between 16 and 24 were questioned about the Holocaust, one in five had never heard of it (18%), and almost one in five had heard of it without knowing more (17%). Let's try to remember what has gone before.  Let's try to break the circles of hatred in history. Get in touch  Contact Lisa on LinkedIn or via her website. Please subscribe, rate and review the podcast. Watch on RTL Play. Tune in to The Lisa Burke Show on Today Radio Saturdays at 11am, Sundays at noon, and Tuesdays at 11am.

In this episode of Mentioned in Dispatches, Dr Margaret Ward, Honorary Senior Lecturer in History at Queen's University Belfast, talks about her latest book Rebel Women: Cumann na mBan in Belfast and the Glens of Antrim, 1914–1924. In the interview, Dr Ward explores the remarkable contributions of Northern Irish women to the republican movement during one of Ireland's most turbulent periods. Highlighting the pivotal role of Cumann na mBan in Belfast and the Glens of Antrim, she discusses the challenges these women faced, their resilience in a male-dominated political landscape and the lasting impact of their activism on Irish history. Her book is published by Beyond the Pale.

Matthew Bannister on The Reverend Don Cupitt, the controversial theologian whose TV series “The Sea of Faith” asked in what form - if any - is Christian faith possible for us today?Phyllis Dalton, the Oscar winning costume designer who worked on classic films, including “Lawrence of Arabia”, “Doctor Zhivago” and “Oliver!”.Cecile Richards, the American activist who campaigned for women's right to have abortions.Michael Longley, the Northern Irish poet whose subjects included love, war and the natural world. Interviewee: Professor Catherine Pickstock Interviewee: Alexander Ballinger Interviewee: Laura Kusisto Interviewee: Paul MuldoonProducer: Gareth Nelson-DaviesArchive used:Sea of Faith, BBC TWO, 12/09/1984; Thinking Aloud: Religion, BBC TWO, 22/12/1985; Don Cupitt on the non-realist position on God, Podcast 20:, The Middle Way Society, YouTube 12/04/2014; Doctor Zhivago film promo, Warner Bros, 1965; Oliver! Film promo, (1968), Sony Pictures Entertainment, YouTube 07/10/2021; Phyllis Dalton, The British Entertainment History Project, www.historyproject.org.uk, 11/02/2000; Championing Choice, The Thread Documentary Series, Life Stories. 17/06/2022; Hundreds protest at Planned Parenthood, WPRI, YouTube 22/08/2015; Cecile Richards, Life Stories, YouTube uploaded 12/10/2022; Protesters outside Louisville's Planned Parenthood, Courier Journal, 22/08/2015; Letters to a Young Poet: Michael Longley, BBC Radio 3, 15/01/2014; Poet Michael Longley reads "Wounds" in UCD Library, University College Dublin Library, UCD YouTube Channel 16/08/2016; Michael Longley, "Ceasefire", The Arts Show, BBC TWO, 12/03/2014; Michael Longley interview, Where Poems Come From, BBC, 11/02/2024; Michael Longley, The Culture Cafe, BBC Radio 4, 18/02/2024

On 18th June 1994, Catholic pubgoers in Loughinisland, County Down, were watching a World Cup match when a loyalist paramilitary group burst in and murdered six civilians, wounding five others. To this day, no-one has been charged for the crime. Produced by journalists Trevor Birney and Barry McCaffrey, No Stone Unturned (2017) told the story of the massacre, revealing how the police had colluded in protecting the gunmen. When the film disclosed anonymous documents identifying the murder suspects, the Northern Irish police service (PSNI) arrested Trevor and Barry—and both of their homes were raided by armed police—to discover the source of the leak. Last December, a tribunal found that the PSNI and Met police also unlawfully spied on both journalists, long before the film was even produced. They join Alan and Lionel to tell their extraordinary story, and ask: could other journalists in the UK be under surveillance by the authorities?To read more about Northern Ireland's police spying scandal, head to www.prospectmagazine.co.uk/ideas/law/crime-and-justice/68906/northern-irelands-police-spying-scandal Hosted on Acast. See acast.com/privacy for more information.

In this month's bonus tie-in show we chose to discuss one of the arguable progenitors of the modern docu-drama, the Paul Greengrass-directed Bloody Sunday. Over the course of our conversation you will hear us talk about the incredible immediacy baked into this film, Paul Greengrass's journalistic background lending added realism to the movie and the many subtle ways in which the movie adds humanity and urgency to its otherwise slim narrative framework. We also talk a little bit about the Northern Irish history, the horror of watching an atrocity unfold in real time and much, much more! Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

We've yet another Northern Irish-based family brand to bring you, this time in the form of luxury bakehouse Bumble & Goose, whose care and handmade quality are second to none.There are few Founders more deserving of such success as Lynsey Bleakley, whose personal and entrepreneurial hurdles haven't halted her ambitions for a business she'll one day pass down to daughter Yazmin.Join us to discover the killer brands that Bumble & Goose supply, the dynamic between the family, and what makes this brand so scrumptious and special…This episode covers:How Lynsey has overcome adversity both personally and in businessThe mother-daughter relationship between Lynsey and YazminBumble & Goose's stellar growth, and how they're now being mentored by Coca ColaThe unwavering dedication to quality, ethics and handmade careBumble & Goose: https://bumbleandgoose.co.uk/https://www.linkedin.com/company/bumble-and-goose/Lynsey Bleakley: https://www.linkedin.com/in/lynsey-bleakley-508197189/Liz Willingham: https://www.instagram.com/lizzielean/https://www.linkedin.com/in/liz-willingham-09273a3/Leila Willingham: https://www.instagram.com/leilawillingham/https://www.linkedin.com/in/leila-willingham-821530a1/

Produced by Karl Hughes (https://twitter.com/karlhughes)Special featureInterview by Daniel Willcocks (https://www.danielwillcocks.com/)With Dan Soule (https://dansoule.com/)Dan was born and raised in Nottinghamshire, England, growing up in a small cathedral town called Southwell. At aged 19, he moved to Glasgow, Scotland and met his now wife, a Northern Irish girl. Hence, he now lives in Northern Ireland on the beautiful Antrim Coast, with his wife and two children, Cassie the cat and Jessie the dog Hosted on Acast. See acast.com/privacy for more information.

Last week the UK introduced an Electronic Travel Authorisation for visitors from non-European countries. There is significant concern on the impact this could have on the Northern Irish tourism industry. We hear from Joanne Stuart, CEO of the Northern Ireland Tourism Alliance.

Doctor John Bodkin Adams enters the frame. A Northern Irish doctor with a foreboding personality, and big aspirations to go with it. Life in Eastbourne as a GP is sweet, but when the unexpected death of patient ‘Bobbie Hullett' sparks a mysterious phone call to police, everything changes. What has been happening behind closed doors of Dr Adams' visits? Presented by Vinny Hurrell. Produced, edited and mixed by Vinny Hurrell. The Executive Editor is Andy Martin A BBC Northern Ireland Production

Episode Notes Welcome to This Korean Life, where we uncover the stories that shape the vibrant lives of expats and creatives in South Korea. In this episode, we're excited to feature Niall Ruddy, a Northern Irish expat who has called Korea home for the past 15 years. Niall has embarked on an inspiring new venture in Busan—a creative studio with a powerful mission. This inclusive space aims to showcase the talents of both local and international artists, especially those who are often overlooked by the mainstream.

What can you do to keep your voice in tip-top shape? As podcasters, we use our voices a lot. Chances are, that essential instrument of yours has temporarily abandoned you in the past. Whether the symptom stems from getting sick or from overuse, waking up to croaks, rasps, or silence is an awful feeling, especially if deadlines or interviews are looming. In this timely episode, Mary returns to the mic on the heels of her own voice loss to talk swollen vocal folds and slug tongue with Nic Redman, a vocal coach and voiceover artist who has spent almost 20 years helping professional speakers hone their voices. Nic is a font of healthy voice inspiration, sharing everything from the importance of hydration (and the truth about which beverages count) to warmups that will get your tongue trilling, your lips flapping, and your vocal cords folding. Come to terms with what you can and can't control about your listener's reaction to your unique voice and be reminded about what a privilege it is, literally and figuratively, to have a voice. This episode is packed with light science and exaggerated facial expressions you can practically see, all in the interest of keeping you talking for years to come. Join Nic and Mary for interactive vocal warmups and other voice health tips: Silly faces and weird noises that can help your voice even when you're sick Why you need to get out of your own head and stop self-editing your voice How to sound just as energized at the top of your episode as you do at the end The benefit of vocal warmups beyond just keeping your voice healthy Links worth mentioning from the episode: Podcasting For Business Conference - https://pfbcon.com/ Enter to win a ticket to the conference by sending your voice note - http://www.VisibleVoicePodcast.com/ Listen to Episode 70, How to Use Research and Reports to Guide Your Podcast with Megan Dougherty - https://www.organizedsound.ca/how-to-use-research-and-reports-to-guide-your-podcast-with-megan-dougherty-episode-70/ Engage with Nic: Learn more about Nic's work on her website - https://nicolaredman.com/ Listen to the Voice Coach podcast - https://nicolaredman.com/voice-coach-podcast/ Get your copy of Nic's book at www.onthemicbook.com Connect with her on Instagram - https://www.instagram.com/nicredvoice/ Connect with Mary! Leave a voicemail with your feedback at https://www.speakpipe.com/VisibleVoice or email visiblevoicepodcast@gmail.com Get the full transcript of the episode at http://www.visiblevoicepodcast.com Read up on more secrets with the Visible Voice Insights Newsletter https://www.organizedsound.ca/newsletter To learn more or work with Mary, check out https://www.organizedsound.ca Link up on LinkedIn https://www.linkedin.com/in/marychan-organizedsound/ Engage on Instagram @OrganizedSoundProductions https://www.instagram.com/organizedsoundproductions Show Credits: Podcast audio design, engineering, and edited by Mary Chan of Organized Sound Productions Podcast cover art by Emily Johnston of Artio Design Co. Show notes written by Shannon Kirk of Right Words Studio Post-production support by Kristalee Forre of Forre You VA Transcript with Audio Description: for this particular consultation. MARY: Yes. Thank you. NIC: The first thing is definitely hydration. That's easy, right? Just drink loads. Loads, and loads, and loads of extra fluids. People get a bit hung up on what you can and can't drink. The truth about hydration is it's very, very simple. All fluids count except alcohol. I'm really sorry if that's your tipple. Just chase that whiskey with water. > You can drink tea. It will still help you hydrate systemically within the body, which will hopefully, at some point, help the vocal folds and the mucus and the vocal folds. Even coffee, shock, horror, it's still fluid, it still counts as systemic hydration in the body. There are some elements of diuretic, i.e. it makes you go to the toilet a little bit more. But the actual more recent research about coffee is that you would have to drink an absolute tonne of it for it to actually have any effect on your voice.  So people can relax about coffee, espresso, martinis, whatever you need before you hit record, it's fine. I mean, of course, the caffeine might exacerbate reflux or the dairy might have an impact on the thickness in your mouth, but you can still just have your coffee for hydration. So, look, just hydrate loads. Because if you're coughing or if you're ill and creating more mucus that's thick, you will need the extra fluids to help counterbalance that. The first thing is hydration.  Two easy things, hydrate and rest. But we all know that rest is not easy. Sometimes it's a privilege to say that rest is easy…  MARY: Mhmm.  NIC: …shout out to anybody with a job or caregiving responsibilities or small people in their lives…  MARY: Yes.  NIC: …but if you can rest, that can really help because your body needs time to process the illness. And the more you can rest, the quicker you'll get over it. If you have to, like, record straight away, like, there's no getting over it. There are some rehab exercises you can do, but I say this with caution because obviously, if you have no voice, sometimes there's nothing to do but rest. As in rest your voice as well. I always say to people, manage the expectations of the person who's expecting you to record.  So if you can at any, any possibility delay it, push it back, you know, give yourself an extra day, because you do want to be on point. And it's better waiting a day and be slightly after deadline and sounding great than, you know, showing up half-cocked, as it were.  So that aside, if you do need to record, there's a group of exercises called, um, well, shorthand. We call them SOVT or Semi Occluded Vocal Tract Exercises. And they're designed to help release tension in the body, in the vocal tracts, regulate the breath flow, the airflow, so that the vocal folds vibrate nice and easily. And when they're swollen a little bit, if you're ill, or covered in extra thick mucus, these exercises are really good at just waking them up, encouraging them to close in a more consistent and easy way, which makes speaking better. So those exercises, although they have a big fancy name, are very simple. It's just gliding up and down your range with a partially occluded mouth space. For example… MARY: Yeah, I need an example. NIC: …Yeah. Oh, it's fine. I've got loads. Uh, this one > gentle lip trill is a nice one. MARY: Oh, I love those. Yes. NIC: Those do elude some people, though, so please don't worry, they're not for everybody. And a couple of nice other examples are big puffy TH sounds. So if you stick your tongue out and let your cheeks get nice and puffy like a hamster or a chipmunk and just go as if you're. > You've got your tongue right, like you're doing a TH sound, you know, like this. > So imagine you're just saying this, but you never get past the TH. > MARY: That's a good one. NIC: Okay. These. > That creates exactly the same environment as the lip chill does in your sort of throat area. And then the other ones you can do are any puffy fricatives, really. So these sounds like a puffy V. > You want to be aiming for a lovely feeling. Like the sound is all vibrating at the front of the mouth, rather than stuck at the back. So you don't want, like, >...  MARY: Yeah, that would hurt. NIC: ...you just want to. > Or a Z > or because different accents and different languages have different sound inventories, a puffy worse sound, like you're, you know, you're doing a trumpet with your mouth. > MARY: I can totally picture you doing that. That's awesome. NIC: What a great job I have. I'm glad there's no video. > I've got my face on the Internet doing this far too much. So it's a real free treat to not have my face in. So those exercises, I won't go into the science of it, but basically they put your larynx in a really happy, easy, free place, and they make it really easy for the vocal folds to close.  So if you're ill, what you might find when you glide up and down. And you could try this if you want you might find a few gaps in that glide. So you might end up with something that sounds like M. > Right? Which is because there's swelling because you've been coughing a lot or there's a lot of mucus and mucus in the way. But the thing to do is just keep gently gliding and keep gently gliding because what you'll find is your body, your incredible brain and body go, oh, that's weird. We usually make a sign there what's going on, you know, and I mean, this is not obviously the science, like the, there's real proper neuron stuff happening here. But this is how my brain processes it. It like sends everybody to work fixing basically inside.  So if I'm used to going, > and my body goes, > then my brain's going to go, whoa, we need to fix that. There's something wrong. And it starts helping you. And basically it encourages the vocal folds to close nicely and that will help you sound a little bit more healthy, vocally healthy, and get the mucus moving as well. MARY: Oh, I like that because yeah, so I lost the voice on Sunday, didn't do anything without it. Sunday, Monday, Tuesday, got a little bit of it back. And I was doing some of this stuff yesterday because I thought, oh, like, what's taking it so long?  So I like your idea of like, the brain needs to make this happen. And so I think that's why I was like, ooh, today, yay. I have this interview. My voice is actually working for once all week. So this is nice. NIC: Oh, that's good. The other things I would add to complement the sort of comfort whenever you're getting through this is, people often love steaming. So taking a, well I have this peculiar looking sort of ceramic inhaler with a tube that looks a little bit dodgy to be honest, but you fill it with hot water and you suck on it gently and it's a really nice soothing in the vocal tract.  And then the other thing you can do as well is the sort of. The newest modern day version of steaming is using a nebulizer, like a personal nebulizer. So a little handheld device. There's one internationally you can get that's called VocalMist. They use a 0.9% saline solution and you use that for 10 minutes. And what it does is it helps the mucus on the vocal folds and it reduces, here comes the science, it reduces phonation threshold pressure for up to one hour, i.e. and makes your vocal folds vibrate more easily for a period of time. So they're really good for supporting your health, your vocal wellness, if you're under the weather. MARY: Wait, how does a nebulizer work? When you were describing it, I was thinking of those neti pots for your nasal sinuses. But is that similar? NIC: Yeah. So it's like an electrical device. If you Google, like, handheld, handheld nebulizer, you'll see it's like a little white sort of rectangular cube, like box, > I suppose, with a little spout on it. And you screw off the top, and you put a little vial of saline, note 0.9%. Very important. That's the same makeup as the saline in your body, as your mucus and stuff. And then you turn it on, and it mists, turns it into a mist.  MARY: Oh. NIC: And the mist actually reaches your vocal folds, which, with steaming, they're not sure. The droplets of steam actually hit the vocal folds. These days, the droplets of steam are bigger than the drops of mist, so it soothes your throat when you steam, and it helps thin out the mucus in your mouth. It feels nice. It's like an internal hug. But they're not actually sure if it gets to the vocal folds anymore. Whereas the nebulizer, the science and the research today, it currently shows that the mist does reach your vocal folds and hydrates them from the outside in. So the mist is absorbed at a cellular level because it matches the chemical makeup of the mucus in there, and therefore it creates a friendlier environment for the vocal folds.  So they're really good if you can get your hands on one. In the interest of disclosure, if I've been out to a party and had a few too many whiskeys, sometimes the next morning, a little hit on the nebulizer really helps bring my voice back to life. > I've been on the karaoke, doing a bit of a Bon Jovi. MARY: Yeah, those are the hacks that most people are, like, looking for. What's the hack? NIC: But, like, not pretend. We're all perfect. I have an episode of my podcast, actually, called how to keep your voice healthy during a festive party season. Nice. Because that's when I lost my voice, was when I went to, so I used to do a podcast called the Voiceover Social Podcast. And we have meetups, and I went to the Christmas do. I was already a bit under the weather because I host that party. It was like chat, chat, chat, chat, chat, like a wedding. And then my husband to stand up, and he was doing a gig in the evening, and me and a load of the people from that went to the standup gig. And were chat, chat, chat, laugh, laugh, laugh, chat, chat, chat. And I woke up the next day and I had no voice. I had no voice for 10 days and I lost almost a five figure amount of money in that week anyway. > So that's why I have that podcast episode and that's why I have all the hacks. MARY: Yes. Things we learn from our mistakes. NIC: Exactly. Win, learn, never lose.  MARY: Yep. Okay, so let's get out of the sickness mindset, but into the, when we're just doing our regular thing. We're going to be recording a podcast episode. Vocal warmups,  NIC: my favourite.  MARY: Okay. Honesty on my end. Now, even as a professional myself, you know, I do voiceover stuff too. I worked in radio, I know all the things. But there are many days that I don't even do proper warmups and I feel like it has to do more with the podcasting side. Like if I do the voiceover work, I'm doing the warmups. But when it comes to podcasting, it's more slack, I think today we're, we're trying to record so many different things for our show that we're like, we're going to do one task and the next task and the next task and we don't do the warmups.  So not necessarily looking for that hack or shortcut, but what can we be doing to quickly warm up before we go and set up our microphone for our recordings? NIC: Yes, I'm a big fan of, I suppose what, you know, they would call it the personal training world, compound exercises. So, you know, doing things that, that work multiple areas or doing a couple of things at once. So the very least I do, and I'm, I'm with you, Mary, because sometimes I drop the ball, or sometimes as a voiceover, something comes in and they need it back now, you know, and you have to jump in the booth. There's always time. There's always time to do something if I'm really honest with myself. But sometimes I take it for granted.  So what I love is, for example, a really, really simple one is some nice big, gentle kind of luxurious shoulder rolls and what I call a chewy hum. So you get a hum on the go that gets your lips nice and buzzy, but then you chew your lips roaring like you're eating something. So, again this is audio related, so I'll describe it as much as I can, but big shoulder rolls and then >. MARY: Like you're. NIC: And again with the hum, you're aiming to feel a really nice buzz at the front of the face, not > at the back, it really helps to kind of close your eyes and imagine you're eating something dead yummy. > I find if we're going to put an intention behind this, so you're. And then you can glide up and down your range. > It's a really good one. Oh, that felt really nice, actually. MARY: Yeah, that was great. NIC: So what you're getting there is you're releasing the shoulders, which is great for nervous tension, great for when you're on a microphone, because we often. The shoulders do a lot of our communicative talking for us as well. They're up, they're down, you know, so given the shoulders, release is really nice for the voice. The humming gets the lips released. It also encourages the voice forward a little bit, if we're thinking a bit like, sort of image based with resonance. And it also gets the airflow regulated. And, um, it gets the vocal folds vibrating and woken up as well.  And then, of course, when you glide light up and down, you're increasing the variety. You're showing your voice the high notes and the low notes that it can reach. Because a lot of the time with podcasting things, sometimes people feel they don't sound as vocally varied as they thought they did when they listen back. So, they listen back and they go, oh god, I sound really monotone or dull or. I thought I sounded more excited about that or something. So a very easy glide like that just shows your body the range that it's capable of, so it gives you more options. So that's one really good exercise.  And then I'm also a big fan of exercises that help you go straight into either, you know, practising your intro or practising a few questions. So there's an exercise again, grateful there's no video right now. But if you stick your tongue out on your lower lip like this was called, slug tongue. That's what it was called when it was taught to me, as in my book. I think if you want a picture, stick your tongue out on your lower lip and you're letting your mouth kind of relax down. If you imagine your best sort of Macaulay Culkin shocked face. MARY: Ah, yes. NIC: And that your tongue out and then you're going to speak through days of the week. Well, the first thing you can do is speak days of the week, months of the year and count one to ten with your tongue out like this. Monday, Tuesday, Wednesday, Thursday, Friday, like that. But what you can do with that one is take the intro of your podcast and say it with that slug tongue hanging out. So you're like, hi, thank you so much for joining me, welcome to the Voice Coach Podcast. My name's Nic Redman and today we're going to be talking about warm ups. Then you can take your tongue in and go, Hi, thank you so much for joining me today. Welcome to the Voice Coach Podcast. My name is Nic Redman and today we're going to be talking about warm ups.  So you're taught you're sort of practicing your intro to get your vocal energy going. You're sticking your tongue out, which sort of makes it harder. So that kind of wakes up the energy of the voice a little bit. You know, it wakes up those other articulators because when you put your tongue back in and you speak, it's like, oh, my god, this is so easy now. So that's a really good one for practicing with your intro or your questions. And, this is the final one. I mean, you'll have to just stop me at some point, Mary, because I could go on forever. > Like, I literally wrote the book on this. MARY: Yes. NIC: If you put your finger, pointy finger, horizontally across your lips, as if you were doing a moustache mime, you know, in a sketch show,... MARY: Yes NIC: …but down, lower, in front, like between your lips, and then you're gonna go. > And then you're going to glide up and down your range. >  MARY: Yes. NIC: Really nice for loosening the lips, getting the breath going, getting the vocal folds and the range going. But you can also do that one with your intro. So. > Hi, thanks for joining me today, my name is Nic Redman and this is the Voice Coach Podcast >  And then you can go straight into it with a really big vocal energy. Because some of my podcast clients say by the end of it, I'm really warmed up, but the start always feels a bit low energy and I always end up going back to re-record my intro because I feel like it doesn't match. Do you know how relaxed I was at the end? So this is a really good one because the last thing you want to be doing as a podcast is having to re-record and edit stuff. I mean, who can be bothered? > So doing this, > oh thank you so much, > gets the energy going so you can go in with a bang. MARY: I love this. And also because when, when I do this work too, with people that they're, like, really stuck on this, I need to sound professional thing. And I'm like, warm ups is not about professional, it's about being fun. It is about going outside of your comfort zone. And so we need to act silly. This is a silly thing… NIC: Yeah.  MARY: …And I feel like a lot of podcasters don't realize that even when they are behind the mic, they don't have to put on that professional hat. You know, this isn't a broadcast radio, BBC, NPR, CBC-type show. This is something that is about you and your message and your voice.  And so when we connected over Instagram earlier this year, it was really about how as speakers, we're not able to control how someone reacts to our voice. So there's two parts of this, right? It's the, listeners has their own work to do to figure out what's bothering them, but also, you yourself as the speaker, you've got some work to do too. So, tell me more about this. Expand on it. NIC: Yeah. So one of the things that I come across most with podcast host clients who come to me for help, both independent and in corporate space, is this idea that they're constantly focused on how they sound.  MARY: Mhm.  NIC: You know, podcasting comes through the filter of the edit, the production, the sound effects, the intro, how it looks, how I'm presenting it, what is my logo, what is my image, what is my tile for, like for Spotify and everything. And the same happens with the voice. And people are like, how should I sound? What do I sound like? I need to sound professional, I need to sound engaging. And they come to me and they go, I think I sound to X or I don't think I sound Y enough. And that's the problem for me is this self monitoring and editing of the voice when you're using it, rather than focusing on that connection with the listener and going, doesn't matter how I sound, it matters how they feel. And it's about sort of changing that focus, you know, so we did connect about that whole, I cannot control how someone hears my voice.  Your audience may or may not be aware of the intricacies of Irish politics, right? But I'm a Northern Irish person of a particular religion, right? Technically, people may hear my voice and get really angry because I sound how I sound. Right? If they're from a particular part of Northern Ireland, for example. Now, I cannot do anything about that, in the same way that you might have a listener who has a teacher that they didn't like that sounded like you once. So in their head they carry this vocal baggage with them, this auditory baggage that they kind of listen through a lens with.  So I always say to people, listen, who cares? Because you literally have no idea who's listening to you and you cannot do anything about it. All you can do is be as yourself on the microphone as possible. Or as whoever you need to be on the microphone as possible. And your listeners will find you. And the ones who you annoy will not stick around. And they're not your people anyway. MARY: Yes, Exactly. NIC: Because when we're worrying too much about how we sign, we forget about what we're saying. And that's the point. And funny enough, this links to warm ups. Mary. Because the reason I think warm ups are important is, yes, it's about saving time in the edit and in the record. So, A, you save money, B, you save sanity and your relationship with your editor. > But also, if you warm up, then your voice is ready and you don't have to think about it. And you could focus more on the words. You can focus more on the impact that you're having and the connection you're trying to make with the listener.  So warming up is incredibly generous for your listener and also really good for your voice. Because you are saying, this is important to me. It's not about being professional. It's about caring about what you do and caring that the information that you're going to say is getting to the people in the way that it needs to, to make them feel in the way that you want them to. MARY: I love that tie back into the vocal warmups because that was one of my thoughts. And I'm sure, like, a lot of people too, is like, when you said, who cares? Because I say that too. I'm like, who cares what other people think? It's about how you want and want to feel in this moment. But them who cares? Is easier said than done. So tying it back into that vocal warmup piece is so key. So thank you so much for making that connection and for sharing that. NIC: Yeah. Because it's, warm ups help you get to know your voice and enjoy it. And you said fun. You said warm ups are about having fun. And I completely agree with that. And you know, if you've got a guest, do them with the guest, because you're darn right that guest is going to be nervous or excited. Like, do a few with them. Break the ice, record it, don't record it, doesn't matter. Sure, it's all content, let's be honest. But, like, it's really, really generous, important to do your warm up.  And I have to say, you're right, loving your voice and appreciating how you sound and not caring how other people think you sound is a big piece. And I don't say that lightly because I have done a lot of work with people on that. But remember that if you're. If you're making the step to do a podcast and put your voice out there, you clearly believe you have something to say that is bigger than your ego around your voice. MARY: Actually, this new client of mine said the exact same thing where she's like, this is the biggest fear I have is sharing my voice. Because she used to be a journalist, it was more about writing, and she, now that she's got her podcast out there, she's just like, oh, oh, I'm so embarrassed with my voice. So, what would you say to someone like that who's still embarrassed about their voice? NIC: I would say to them, remember what a privilege it is to have a voice, both literally and figuratively. I have worked with many people who have a big voice baggage for very legitimate reasons. You know, whether it's bosses, or family members, or social circles who have told them their voice is not valid or that they are not worthy of being heard. But we have to take responsibility for the fact that we have a voice in the first place.  So we have to step up to that fear and go, it's incredible that I have a platform, and it's incredible and a privilege that I have a voice to start with. So you just have to kind of give yourself a shake, do the silly warm ups, listen to yourself over, and over, and over again. And the more you listen, the more you'll get used to yourself and your sound and the more you'll hear the beauty in it.  And just remember how amazing is it the only thing we have in podcasting that is unique. The only thing. I'm sorry if you think your idea for podcasts is the most unique thing in the world… MARY: No. NIC: …It is not. It will have been done before. The only unique USP you have in podcasting is your voice. And that's the truth. MARY: Yeah, that's right. I say that a lot because your voice is like a thumbprint. Everyone's is unique. Like, I sound similar to my older sister, sure, but it is still me. The way I say something, the tone, the words I use, it is still you. And I love that you bring that to the table as well.  So you've been working in the podcasting space. You have your own show too. What have you seen that's changed or shifted at all in regards to voice in the podcasting scene? NIC: Thankfully, we're seeing a lot more diversity than we were.  MARY: Yeah. NIC: There's still a lot of work to be done with giving the underrepresented shows more space and more possibility to grow, I think. But there's definitely more diversity out there, which is really exciting. And luckily, a lot more women… MARY: Mhmm. NIC: …which is exciting. As someone who identifies very much as female, this is a really hard thing to be objective about. I say that slowly because I always get subjective and objective confused. And I have to really say it really slowly for my brain to. So, because I am such a podcast nerd, I obviously listen to loads of podcasts, but I also have my preferences. So, I feel like what I think is exciting in podcasting is probably because of the podcasts that I listen to. > MARY: That's right. NIC: But I just love that it's still an open forum. If you have a phone and access to the Internet, you can do a podcast in theory. So I just love the fact that it's still. I know there's a bit more, you know, chitter chatter about things becoming more commercial and it losing some of its grassroots charm, but the truth of it is, anybody can still do it, which is pretty cool. MARY: Yeah. Like you were saying, you have your own show, you have your own podcasting journey. And I've learned quite a lot from your over 80 episodes of your, the Voice Coach Podcast. They're great because they're. They're short and to the point. But what is your. What's been your biggest challenge of making the show for yourself? NIC: Oh, I mean, for me, it was starting as a weekly show and having to keep it up. So when I started that, the person who was producing, I had a team helping me with it. I was like, I'm going all in. And she was like, do weekly for a year and then see how you feel. So I did weekly for, yeah, a year, which was intense. MARY: Oh, yeah. NIC: I mean, even with somebody, you know, a decade's worth of experience and entire degrees in my subject, like, I, it was still like, okay, come on, I. Stay focused, stay strategized. Plan the next 10 episodes. Where are we going with this? What's happening? What's it linking to? What am I launching next? What are my people getting out of this? You know?  So it was keeping it focused and within, like, in line with the strategy and not just going, oh, god, I need an episode this week. I'll talk about hydration. Okay, so definitely keeping the consistency and the quality up, I think, was hard. And for me, when I first started, this was interesting, but I, and I think I reflected more on this when I wrote my book. When I first started the podcast, I think if I'm honest, I was doing it, it might, this is a bit weird, but I don't know if it's deep or whatever, but I felt like I was trying to prove things to my peers rather than serve my audience in a way. In the sense that I felt like I had to show all my academic research, all the links, all the facts, you know, make sure everyone knows I've got a master's degree in Vocal Pedagogy. I'm very well read, da da da. I'm very good. And I know this because of this book, and I know this because of this recent article. And I know this because of. I was like, my listeners don't care about that. They just want the fucking exercise, I feel like.  So as the show progresses towards, you know, the end of the year of weekly, I suddenly realise, obviously some of my peers listen and that's incredible and they're very complimentary about it. I love that. But it's for my clients. The podcast is for my clients. So I think keeping myself on track and remembering that I don't have to prove myself and my academic standing within this world was an interesting journey and I could just be myself and just do the work that I love doing for the people that I love doing it for was an interesting one.  And when I listened to the first one versus, you know, episode 80, whatever, I think you can really tell the difference in that, both my delivery and you know, at the start I was like, word for word scripting it and then reading it. I'm very good at reading something…  MARY: Right, exactly, yes. NIC: …as if I'm not reading something because that's being a voiceover,...  MARY: That's right. NIC: …so nobody could tell. But towards the end it was much more bullet points. > I wasn't scripting it anymore. So that was an interesting challenge. MARY: I love that mindset shift. I went through that too, where when I started the show and even my business in podcasting, because I worked in radio for 20 years, was downsized in 2018. And then I thought, maybe I'll try this podcasting thing. Is this a thing? And I went into it thinking, oh, I need to show that I have the experience. I know what I'm doing. I've, you know, I did this, I did that, and I didn't have the academics behind it.  And it feels like that societal hierarchy of if you have a university degree, you are better, you know, people will like you more or whatnot. And I didn't. I went to a two year radio program 20 years ago, like, that, that all gets into your head. And I did the same thing. I scripted a Lot. And sometimes I still do, depending on how busy I am and stuff. Because I am a voiceover artist, I can do that. But yeah, I think when you get to that point of, I'm serving my listeners for my clients, for my people. Yeah, they don't care. It's back to that. Who cares, part.  NIC: Yeah. And it's funny, you know, one of the things that people talk most about with my podcast is at the time I had a water bottle that was really squeaky when you took the lid off. And people still come up to me and go, and every time I listen to your podcast, when you take a drink, I take a drink, > you know, like, because I was like, you know, um, I can't be bothered editing this squeak. So every time I need to take a drink of water, I'm going to take a drink of water. We do it together. It's collective, you know, it's like a collective hydration experience. And people always come up to me and go, I've got a squeaky bottle. Or like, you know, it's like Pavlov's dog. Every time they hear a squeak noise, they have to take a drink. > So it's those imperfections that I think can also become the charm. MARY: Oh, I love that. Yeah. Because it's, it's an audio medium, so those squeaks work so well. So in that spirit and me still losing my voice, we're going to take a drink, everybody. NIC: Let's do it. Cheers. Or as we say in Ireland, sláinte.  > MARY: Yeah, so helpful. So, so helpful. I, I cannot wait for your show to come back because you're right, I do want just the little tips and the little tricks. So what, what are your podcasting plans? NIC: Oh, god, I have been mulling it over for far too long. I'm still mulling. I'm trying to decide whether I want to start a brand new show or whether I want to start, you know, do a limited series under the same banner as the Voice Coach Podcast. I'm not sure. I need to talk to some friends, some podcast friends and see what they think is the best thing to do. > But I have an idea because I'm working a lot more in corporate at the moment. MARY: Mhm. NIC: So, helping the people who host corporate podcasts to, um, be their best selves on the microphone and show up vocally as the experts and thought leaders that they want to be within their industry. So that's a really empowering, exciting side of the business that I'm moving into. So I'm wondering whether it might be themed or in that I'm not sure. MARY: Yes. NIC: Still mulling it over. Yeah. MARY: It's always going to be like what we were saying, who your listener is. What is that person wanting? Yeah. NIC: Yeah. Maybe they just want more tips. Mary, Mary, this is good market research for me. > Just need to get off my arse and onto the microphone and get the voice coach podcast going again. MARY: Well, like you said, you wrote the book on it, so you can talk about this endlessly. And I'm sure that it will be so, uh, valuable because I know the podcast as it is right now, now, it has been so valuable for me, so. NIC: Oh, thank you. That's so good to know. MARY: Yeah. Nic thank you so much for your time and your unofficial medical glasses off diagnosis with my voice. > NIC: Yes. Please see a medical professional and, uh, if not responsible for any pathologies, that maybe. There's my disclaimer. MARY: Exactly. NIC: Do seek professional help. MARY: Yes. NIC: If your voice changes for more than two weeks. > MARY: This has been so lovely. Thank you so much. NIC: Thank you. MARY: Oh, weren't those tips great? Yeah, the slug tongue she mentioned earlier, > like, those tongue twisters get easier after the slug tongue. > It's a great one to go hand in hand with the lion's roar that I tend to do. I do the trills and the lion's roar. And this is how you do a lion's roar. It has to do with the tongue and all the muscles in your mouth and your jaw. And so you stick the tip of your tongue behind the bottom front teeth. Okay, so the tip of the tongue is at the bottom of your front teeth. You're going to try and stick your tongue out as far as you can and open up your mouth wide like a lion. But that tip of your tongue is still stuck to the back of your lower teeth. Okay. And then you're just going to exhale with a wide mouth and you go. > You're going to make like a lion's roar face, like my eyes, close, my cheeks, wrinkle all of it. Because you're really stretching out the back of your throat as well when you do that. And I find it goes really hand in hand with that slug tongue.  Because then you're also working your tongue or trying to relax your tongue, and then the trills is trying to relax your lips. > That is a tough one. But if you can relax your lips, that's what that does.  So many great tips from Nic. And I'll be sure to also link her book in the show notes because she says it's got some good pictures if you're a visual aspect person so you can go that way and read her book and look at her pictures. But also in the show notes, I will link to her podcast because like I said, I do listen to her show. She's got some great short episodes with vocal tricks and tips. So get more vocal warm ups through Nic and her podcast. You'll love it.  All right, and also just a quick reminder, if you are still listening to this episode before November 1st, or at least the end of the day on November 1st, I still have my giveaway going for a ticket for you to join me at the Podcasting For Business Conference that's happening November 13th through 15th. But on the 14th, right in the middle of it, I'll be on a panel all about using your voice. It's called Your Voice, Using It, Shaping It And Protecting It. And I would love for you to join me at that conference. I'm giving away a free ticket to it. And this is how you enter.  What you need to do between now when this episode is published to, uh, the end of the day on November 1st, all you need to do is leave me a voice note from my website because I want you to share your voice. So go to VisibleVoicePodcast.com There's a purple button there that says send voice mail. Click on that and I want you to leave a 90 second voice note from your device. Quickly state your name, where you're calling from, Hello, Mary Chan, long time listener, first time caller. And two, say and complete the following sentence stems, The first time someone said something about my voice, it made me feel, dot, dot, dot, and then end with today, what I love about my voice is, dot, dot, dot. Okay? I say leave a 90 second voice note, but if it cuts you off, feel free to continue on the next one. It's fine, it's fine because I just want you to share your voice. I would love to hear what someone said to you the first time. You were like, oh, my voice. Okay, maybe I won't do that anymore. It's happened to a lot of people, so I just want to hear it. And I would love to hear how you transitioned, through that to today.  And then I will draw from all the entries for that free ticket to the podcasting for business conference. Again, it's happening on November 13th through 15th, and it is hosted by Megan Dougherty of One Stone Creative. She was a guest on this podcast. So if you haven't listened to that one yet, that one's just fun because she talks all about research and reports, it's episode number 70. Make sure you get on that because, ooh, actually the 2024 report because I interviewed her, for that episode last year, 2023. But the new 2024 report is coming out this same week. If you are listening to when this podcast first came out at the end of October. So, lots of podcasting reports and information that I'm gonna be delving into. So if you're not into the stats and all that stuff, don't worry, leave it with me. > So, yeah, good luck with winning those tickets with me. Just send me your voice note from my website, VisibleVoicePodcast.com.  On the next episode. I want to explore what it means to do less. There's so much overwhelm in the world these days. We're really, really busy in the world of podcasting in your own work, and then there's also your personal life and everything in between. And I've noticed when just talking to podcasters, to other people, just within my networking, creating a business and my friends and family, there is a lot happening and we are all trying to streamline and just do less. What does it mean if we did less and this specifically for a podcast? How do you do less around your show, yet still create episodes that you love? We're going to explore this, the next time, so join me then.  > > >

They’re always after his Lucky Charms! Higgins’s Northern Irish half-brother arrives in Oahu and it’s all light comedy despite what’s going on back home. Meanwhile, Magnum investigates an unfaithful wife and, wow, does the tone of this episode shift dramatically from moment to moment. Jason Snell, Philip Michaels and David J. Loehr.

They’re always after his Lucky Charms! Higgins’s Northern Irish half-brother arrives in Oahu and it’s all light comedy despite what’s going on back home. Meanwhile, Magnum investigates an unfaithful wife and, wow, does the tone of this episode shift dramatically from moment to moment. Jason Snell, Philip Michaels and David J. Loehr.