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Composer Andre Previn's 1995 opera “A Streetcar Named Desire” puts playwright Tennessee Williams' story onstage with an intense, mood-shifting score. Opera Theatre of St. Louis' new production is the first collaboration between its new artistic director, Patricia Racette — and its Principal Conductor, Daniela Candillari. St. Louis Public Radio's Jeremy Goodwin spoke with them about the show.
We found one of the most haunted and legendary bars in New Orleans, and the ghosts there never stopped partying. In this episode, we explore the wild history and lingering spirits of Cafe Lafitte in Exile, the oldest continuously operating gay bar in the United States. With reported hauntings from Tennessee Williams and Truman Capote, a ghost named Mr. Bubbles who may still be causing chaos on the dance floor. We get into the dramatic “Grand Exile” parade that turned this bar into a symbol of queer resilience, the emotional energy many believe fueled its hauntings, and the disco era traditions that still live on today. Book mentioned: Queer Hauntings: True Tales of Gay & Lesbian Ghosts by Ken Summers Watch the video version here. Have ghost stories of your own? E-mail them to us at twogirlsoneghostpodcast@gmail.com New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us! If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited and produced by Jaimi Ryan. Original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1957, Tennessee Williams returned to the Martin Beck Theatre with Orpheus Descending, a play he had spent nearly two decades trying to get right. Originally produced in 1940 as Battle of Angels, the drama had collapsed amid censorship battles, technical problems, and public outrage. Yet Williams could never leave it behind. In this episode, we trace the remarkable seventeen-year journey of the play, from its disastrous Boston tryout to its rebirth on Broadway under a new title. Along the way, we explore Williams's complicated relationship with success and failure, the creative partnership that shaped his work, and the cast and collaborators who helped bring Orpheus Descending to life, including Maureen Stapleton, Harold Clurman, Boris Aronson, Robert Loggia, Cliff Robertson, and Lois Smith. Featuring archival interviews and firsthand accounts, this is the story of one of Broadway's most ambitious productions, why audiences rejected it, and how its failure marked a turning point in the life of America's greatest playwright. -- Click here for a transcript with photos, videos, and a list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Theme music created by Blake Stadnik. Learn more about your ad choices. Visit megaphone.fm/adchoices
¡Ey tú, El Lunar con superpoderes de lector! ¿Preparado pa'un viaje dramático que parece una telenovela gringa con niebla y secretos familiares? Imagínate que los libros son como un teatro embrujado: luces tenues, sombras que bailan y diálogos que te clavan en el asiento. Hoy, te cuento la historia de Eugene O'Neill, el yanqui que se llevó el Nobel en1936, como un mago del escenario que saca fantasmas del sombrero pa' hablar de adicciones y amores rotos. ¡No te agobies, lo platico con puro sabor latino, como si estuviéramos en un cafecito con tamales y café, riéndonos de sus tragedias con acento irlandés! ¡Dale gas, que el telón sube!Tennessee Williams (made with Spreaker)"Crónicas Lunares di Sun" es un podcast cultural presentado por Irving Sun, que abarca una variedad de temas, desde la literatura y análisis de libros hasta discusiones sobre actualidad y personajes históricos. Se difunde en múltiples plataformas como Ivoox, Apple Podcast, Spotify y YouTube, donde también ofrece contenido en video, incluyendo reflexiones sobre temas como la meditación y la filosofía teosófica. Los episodios exploran textos y conceptos complejos, buscando fomentar la reflexión y el autoconocimiento entre su audiencia, los "Lunares", quienes pueden interactuar y apoyar el programa a través de comentarios, redes sociales y donaciones. AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC Síguenos en: Telegram: Crónicas Lunares di Sun Crónicas Lunares di Sun - YouTube https://t.me/joinchat/QFjDxu9fqR8uf3eR https://www.facebook.com/cronicalunar/?modal=admin_todo_tour Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram https://twitter.com/isun_g1 https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp https://mx.ivoox.com/es/s_p2_759303_1.html https://tunein.com/user/gnivrinavi/favorites ORTOLARRY: - NORTE 9 #175 ESQ. OTE 164. COLONIA MOCTEZUMA SEGUNDA SECCION. CDMX - NORTE 17# 211-A COLONIA MOCTEZUMA SEGUNDA SECCION C.P 15530 ALCALDIA VENUSTIANO Teléfonos: 5557860648, 5524158512. Whatsapp: 5561075125
Today, I'm thrilled to announce my interview with veteran actress Patricia Conolly, who has appeared in over 30 Broadway shows. Tune in to hear some of the stories of her legendary career, including acting with Laurence Olivier in THE BROKEN HEART, a note Tom Stoppard gave her during THE COAST OF UTOPIA, playing for Lauren Bacall in WAITING IN THE WINGS, understanding her part in THE HEIRESS, a mystical experience taking over for Geraldine Page in BLITHE SPIRIT, working with the APA company on YOU CAN'T TAKE IT WITH YOU, a kind gesture from Aaron Sorkin during TO KILL A MOCKINGBIRD, what Tony Randall asked her during JUDGMENT AT NUREMBERG, using an accent for THE FRONT PAGE, having dinner with Tennessee Williams, and so much more. Don't miss this in-depth conversation with a true theater legend.
Welcome to It's A Wonderful Podcast!A scintillating series on the Main Show in May as Morgan and Jeannine take a look at an incredible selection of highlights from the career of one of the defining actors of a shifting Hollywood, the immortal PAUL NEWMAN!A tight, tense, Tennessee Williams boiling pot melodrama on this week's show as Paul is the deeply troubled, alcoholic son of a supremely wealthy southern family, where generations clash, secrets are rife, and long standing emotions come bursting out in CAT ON A HOT TIN ROOF (1958) starring Newman alongside Elizabeth Taylor, Burl Ives & Judith Anderson!Our YouTube Channel for all our video content: (17748) It's A Wonderful Podcast - YouTubeThe It's A Wonderful Podcast Theme by David B. Music.Donate: https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon: https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE: https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast: https://twitter.com/ItsAWonderful1Morgan: https://twitter.com/Th3PurpleDonJeannine: https://twitter.com/JeannineDaBean_Keep being wonderful!!
Welcome to The Twist, episode 327. Mark and Rick take on the news from a crazy week, finger wag the Supreme Court, dish on the Met Gala, and reveal some unknown facts about Tennessee Williams.
In this episode of '15 Mins of Fame,' we review Melbourne Theatre Company's 2026 staging of Tennessee Williams's The Glass Menagerie, a memory play sharpened with a contemporary, queer-tinged edge. The episode examines how direction, design and standout performances bring fresh life to this American stage classic, reminding us why Williams's work still matters over 80 years later. More Info: https://linktr.ee/noelanderson If you've got a show, a story, or a spark of an idea, get in touch — you might be my next guest.
Warwick Life host Scott Nerney talks with Tony Estrella Artistic Director of the Gamm Theatre about the upcoming show Cat On A Hot Tin Roof.Hear about this famous Tennessee Williams play involving family, personal struggles and the dynamic of planning to leave one's life behind. Characters like Big Daddy will come to life on the stage and why this play is special to the Gamm Theatre and Tony's tenure as Artistic Director. The play runs May 28th to June 28th at the Gamm Theatre 1245 Jefferson Blvd, Warwick. https://www.gammtheatre.org/ 401-723-4266Warwick Life highlights what's special in Warwick, Rhode Island and helps listeners get the most from this seaside community. Warwick Life is produced by Scott NerneyWrite to warwicklife@gmail.com
« Je ne veux pas de réalisme… Je veux… de la magie ! »Dans cet épisode, Victoire, Pascale et Jeanne comparent la célèbre pièce Un tramway nommé Désir de Tennessee Williams (1947) et son adaptation en film réalisée par Elia Kazan (1951).Blanche DuBois, ancienne aristocrate du Sud des Etats-Unis en pleine déchéance, débarque chez sa sœur Stella et son beau-frère Stanley Kowalski. Entre cette femme raffinée et pleine d'illusions, et cet homme brutal et animal, le choc est immédiat. Et dans le minuscule appartement de la Nouvelle-Orléans, la tension va monter et faire voler en éclats les apparences...Dès sa première mise en scène à Broadway, Un tramway nommé Désir suscite la fascination et le scandale. Mais adapter cette pièce au cinéma, à l'époque du Code Hays qui censure toutes les pulsions, a été un défi pour les producteurs. Au programme, on vous raconte : Comment Elia Kazan a-t-il traduit en images le théâtre de Tennessee Williams ? Comment ce film a-t-il consacré Vivien Leigh et révélé le jeune Marlon Brando ? Et comment la censure du cinéma des années 1950 a-t-elle modifié des éléments de la pièce ?Ecoutez cet épisode pour découvrir si on est Team Livre ou Team Film !Et vous, avez-vous lu ou vu Un tramway nommé Désir ?Recommandations :La Ménagerie de verre, une pièce de Tennessee Williams (1944)True Detective, Saison 1, une série créée par Nic Pizzolatto (2014)Autant en emporte le vent, réalisé par Victor Fleming et George Cukor (1939)En attendant Bojangles, écrit par Olivier Bourdeaut (2015)Die My Love, réalisé par Lynne Ramsay (2025)Vol au-dessus d'un nid de coucou, réalisé par Milos Forman (1975)
This week's episode features my very talented and amazing friend and collaborator Elizabeth Lail! We met when we got to work together on Five Nights at Freddy's 2 and had an absolute blast. Come listen to us chat about all the things: Vanessa's sequel looks, likening an audition to the "first pancake" of the batch, being her own costume designer for her self-tapes, the vital necessity of self-care while working, advice for aspiring actors and filmmakers, our love of Britney Spears, and so much more! If you want 10 more minutes of our conversation, be sure to join my Patreon for the extended episode! --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. --- Actor Elizabeth Lail Credits include: You, Five Nights at Freddy's 1 & 2, Gonzo Girl, Mack and Rita, Countdown, Once Upon A Time --- Elizabeth Lail is an actress from North Carolina. She studied at the University of North Carolina School of the Arts and will next appear in Season Four of the Night Agent on Netflix. Recently she was seen in Blumhouse's Five Nights at Freddy's 2 and Tennessee Williams' Not About Nightingales at the Williamstown Theater festival. She is most known as Guinevere Beck in Netflix's hit thriller You, and for her breakout role in Once Upon a Time as Princess Anna. She enjoys bird watching, long walks on the beach, and is a recent convert to pistachio matcha lattes. Elizabeth Lail Links: Instagram: @elizabethlail IMDb: Elizabeth Lail --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---
Donald Windhams Erinnerungen an seine Freundschaften mit Truman Capote und Tennessee Williams sind ein intimer Blick auf zwei der berühmtesten schwulen Schriftsteller der USA.
In this final installment of my interview with author and writing teacher Christopher Castellani, talked about how to stay connected to your creativity during turbulent times and then we got into some fun talk about the authors, books, morning beverages, and songs he's currently loving.- What he learned about Tennessee Williams while researching a novel that continues to inspire him- Making his first forays into writing for television- How he's getting less snooty with age and more excited to try new, more commercial creative endeavors/genres- The classic he recently read for the first time that knocked his socks off- The breakfast ritual he is absolutely devoted to- The Celine Dion song he loves that was originally written for Meatloaf!- Why he loves Monday morningsConnect with Christopher (and check if he's doing an event near you!) at christophercastellani.com.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week I'm delighted to be talking with five-time novelist Christopher Castellani. Christopher's newest book is “Last Seen,” which combines suspense, true crime, and magical realism to take the reader on a journey through the psyches and preoccupations of young men coming of age in twenty-first-century America.Christopher's first novel, “A Kiss from Maddalena,” chronicled the Italian-American immigrant experience and won the Massachusetts Book Award; its follow-up, “The Saint of Lost Things,” was a BookSense Notable Book; and the final novel in the trilogy, “All This Talk of Love,” was a New York Times Editors' Choice.His novel “Leading Men,” about the playwright Tennessee Williams and his longtime partner Frank Merlo, was a Los Angeles Times bestseller and is being developed into a movie for Searchlight Pictures.We covered:- What happened in fifth grade that made him decide to be a writer- Why he decided not to pursue the more stable path of becoming a writing professor- How being an author is a little like being a one man band- How he uses his books to make money–and it's not by selling more copies- The habit he started during the pandemic that he still does, and that has totally changed his relationship to reading- The nerdy 80s magazine he's still a subscriber toConnect with Christopher (and check if he's doing an event near you!) at christophercastellani.com.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
Numerosi scrittori, artisti e musicisti hanno trovato ispirazione in Marocco. Potremmo cominciare dal viaggio fondativo del pittore Eugène Delacroix nel 1832, la cui eco ancora risuona nel soggiorno a Tangeri di Henri Matisse, tra il 1912 e il 1913. Con Alessandro Tamburini ripercorriamo le trame letterarie tessute da numerosi scrittori: Paul Bowles naturalmente e poi ancora Mark Twain, Pierre Loti, Edmondo De Amicis, Edith Wharton, Jean Genet, Tennessee Williams, Truman Capote. Il Marocco fu spesso letto da questi autori nella chiave dell'orientalismo. Negli anni Sessanta e Settanta la Beat Generation (William S. Burroughs, Allen Ginsberg) utilizzò invece registri diversi: esilio, marginalità, libertà, sperimentazione. Ricordiamo quella stagione con Gianni De Martino, protagonista e storico della controcultura beat italiana. E le sonorità ipnotiche della musica marocchina lasciarono una traccia nei brani di Ornette Coleman, Brian Jones, Jimi Hendrix. Per lungo tempo le voci marocchine hanno avuto meno spazio nella costruzione e soprattutto nella circolazione internazionale di questa narrazione, che pure li riguardava da vicino, come spiega Karima Moual. Solo in tempi più vicini a noi una nuova generazione ha fatto sentire la propria voce, proponendo una visione del Paese forse meno poetica, ma più vera.
Numerosi scrittori, artisti e musicisti hanno trovato ispirazione in Marocco. Potremmo cominciare dal viaggio fondativo del pittore Eugène Delacroix nel 1832, la cui eco ancora risuona nel soggiorno a Tangeri di Henri Matisse, tra il 1912 e il 1913. Con Alessandro Tamburini ripercorriamo le trame letterarie tessute da numerosi scrittori: Paul Bowles naturalmente e poi ancora Mark Twain, Pierre Loti, Edmondo De Amicis, Edith Wharton, Jean Genet, Tennessee Williams, Truman Capote. Il Marocco fu spesso letto da questi autori nella chiave dell'orientalismo. Negli anni Sessanta e Settanta la Beat Generation (William S. Burroughs, Allen Ginsberg) utilizzò invece registri diversi: esilio, marginalità, libertà, sperimentazione. Ricordiamo quella stagione con Gianni De Martino, protagonista e storico della controcultura beat italiana. E le sonorità ipnotiche della musica marocchina lasciarono una traccia nei brani di Ornette Coleman, Brian Jones, Jimi Hendrix. Per lungo tempo le voci marocchine hanno avuto meno spazio nella costruzione e soprattutto nella circolazione internazionale di questa narrazione, che pure li riguardava da vicino, come spiega Karima Moual. Solo in tempi più vicini a noi una nuova generazione ha fatto sentire la propria voce, proponendo una visione del Paese forse meno poetica, ma più vera.
Rodcast host Rosemary Armao and Opinion Writer Jay Jochnowitz worry about intensifying efforts to discourage voting. That includes send in ICE to practice intimidation in airport before possibly using them at polling places and requiring documents many people don't have to prove citizenship. Also Actor Patrick White also talks about personifying playwright Tennessee Williams in an upcoming one-man show in Schenectady.
Capital District Playwright and actor Patrick White will take on the accent and persona of Tennessee Williams starting April 24 when the one-man play Youth a Distant Country opens at Schenectady's Mopco Improv Theater. White was inspired to. make a career in drama when he starred in Williams Glass Menagerie as a high school student He is thrilled to be portraying Williams in a play that is based on letters Williams wrote over 30 years to friends and family, starting when he was a teenager. It's a daunting task to fill 90 minutes on a stage by yourself. White is. working daily now to memorize -- line by line -- 52 pages of dialog. This is a segment from the podcast An Armao Beyond The Brink and Fighting Back. You can find the full version of the. interview on your favorite podcast platform.
Today on the Hudson Mohawk Magazine we hear about direct action ecological resistance. Then, we have some spring gardening tips. Later on, Rosemary Armao talks with Patrick White about his one man play on Tennessee Williams opening April 24 in Schenectady. After that, we hear about Share My Kitchen Table trains people to become activists from democracy. Finally, environmental justice organizer Bryan Parras speaks about changing the narrative about those who are affected by environmental racism. Co-hosts: Mark Dunlea; Joan Eason Engineer: Joan Eason
Nick Hennegan celebrates the birthday of writer Tennessee Williams - in his own words! Tennessee reads from his own plays and a short story. www.BohemianBritain.com
The day this episode comes out, March 26 2026, is the 115th birthday of renowned playwright Tennessee Williams. And to mark the occasion, we're heading into the Sewers archives to hear my 2020 interview with writer William V. Madison, whose career was inspired in part by a moving experience in college involving a Streetcar Named Desire. That brought William to a series of adventurous jobs, from working on Broadway shows to producing the news alongside Dan Rather, singing to Angela Lansbury, earning a nickname from Fidel Castro, and writing a biography of Madeline Kahn.
The Tennessee Williams and New Orleans Literary Festival has a special performance to mark its 40th Anniversary: We Have Not Long to Love: A Celebration of Tennessee Williams, a one-night-only immersive theatrical experience directed by acclaimed director and choreographer Rob Ashford. The performance will take place March 27 within the beautiful grounds of the historic BK House and Gardens in the heart of the French Quarter. This unique performance weaves together several works by Tennessee Williams including "Sweet Bird of Youth," "Orpheus Descending," "A Streetcar Named Desire" and "Suddenly Last Summer," inviting audiences to move through the historic property as the stories unfold around them. Bringing Williams' stories to life is an extraordinary cast including Michael Server-is Cerveris; Christine Ebersole; Marin Ireland; Jennifer Laura Thompson; Ansel Elgort; Froy Gutierrez; Jennifer Nettles; Harriet Harris; Micaela Diamond; Sam Rechner; Abbey Lee, and Leslie Castay.This week, Kelly Massicot and magazine editor Reine Dugas team up to talk with director Rob Ashford, along with stars Christine Ebersole, Abbey Lee, Jennifer Nettles and Michaela Diamond, to get an inside look at the immersive play experience.
El 26 de marzo de 1911 nació Tennessee Williams, un destacado dramaturgo estadounidense. En 1948 ganó el Premio Pulitzer de teatro por Un tranvía llamado Deseo, y en 1955 por La gata sobre el tejado de zinc.
“It is the woman who has to speak, and it's not only the woman Anaïs who has to speak, but I who have to speak for many women.” So says the Cuban-French essayist and novelist in this 1966 reading from the first volume of “The Diary of Anais Nin,” presented in commemoration of Women's History Month by poet Steven Reigns, Chair of the Anaïs Nin Foundation (produced by Brian DeShazor). Warm remembrances for the March birthdays of Alexandra Billings, the first female transgender actor to portray “Mama Rose” in “Gypsy,” and gay playwright Tennessee Williams, recalling his first meeting with Marlon Brando (courtesy of the Pacifica Radio Archives). More queer milestones include the birthday of ACT-UP, its Bisexual Health Awareness Month, and International Transgender Day of Visibility is March 31st (a Rainbow Rewind written by Sheri Lunn and produced by co-host Brian DeShazor). And in NewsWrap: India's anti-trans proposal sparks protests, New South Wales acts to stop dating app ambushes, Olympics “sex testing” plan outrages human rights advocates, Trump's new visa rules call neutral “X” passports “gender fraud,” California and New York lead U.S. states fighting Health and Human Services for trans kids' care, and more international LGBTQ news reported this week by Melanie Keller and John Dyer V (News Editor Ebony Joseph, News Producer Brian DeShazor). All this on the March 23, 2026 edition of This Way Out! Join our family of listener-donors today at thiswayout.org/donate/.
Louisiana is rich when it comes to the depth of our culture, our food, our traditions. But one aspect of our identity that many festivals have been trying to highlight is that of our vast contributions to the literary world at large. Whether native Louisianians or those who have found creative outlets along our bayous and centuries-old streets... from Tennessee Williams to James Lee Burke, Anne Rice and Ernest Gaines, Louisiana has been the inspiration to many a great writer. April 10-12, the 10th Annual Books Along the Teche Literary Festival will be a highlight of our contribution to the greater literary good, while honoring the Cajun roots of the area and shining a light on the towns and waterways that are the foundation of Louisiana. This week, festival Co-Chair Deb Lindsey shares some insight into what festivalgoers can expect when they head down along the Teche!
Do you have any thoughts or ideas about the show? Send us a text! Hello Creators,In this special bonus episode, we're taking part in Podcaston 2026, where thousands of shows spotlight a charity they believe in. Ours is the Entertainment Community Fund, formerly the Actors Fund. They've been supporting the entertainment community since 1882, with practical help that can change everything when life gets shaky: emergency financial assistance, mental health support, housing resources, career coaching, and more. If you work in the performing arts, or you love someone who does, this is one to know.How to Support: entertainmentcommunity.orgFollow them on InstagramTo fit the performing arts theme, I asked our acting community on Instagram to inspire the readings, a soothing collection of favourite monologues from classic plays. You'll hear voices wrestling with betrayal and self-respect, the shock of beauty on a scrappy stage, the clarity of a calling, the dreamlike logic of memory, the moment a “doll” becomes a person again, and a king who remembers he is made of the same dust as everyone else. It's a calm, spoken-word listen designed for winding down, easing insomnia, and giving your nervous system something steady to follow.If it helps you rest, please subscribe, share it with a friend, support the Entertainment Community Fund via the links, and leave a review with the monologue that stayed with you.Sweet dreams,Florence xSupport the showOur Links:Subscribe to our Newsletter!www.sleeplesscreativespodcast.co.ukOur producerInstagramLinkedinDo you want to feature as one of our Guest Readers in your own special episode? If you work or study in the Performing Arts or Creative Industry in any capacity, we would love to have you.Applications open on 1st September every year, follow us on Instagram to keep up with the announcements!Sleepless Creatives is hosted by Florence St Leger, and produced by Canary Studios.The opening theme is Reflection by Birds of Norway.
This week's podcast is a little different as we hear from Louisiana Life magazine editor Reine Dugas – not in her capacity as editor, but instead for her work with the Tennessee Williams & New Orleans Literary Festival. The festival is in its 40th year in New Orleans and promises to bring a lot of exciting events starting March 25. For more information, a full schedule and tickets, click here.
“Takes All Kinds”—An American Public Affairs Discussion and Demonstration of Journalistic Theatre Actor and playwright Dan Hoyle and his director, celebrated director/actor Aldo Billingslea, provide an inside look at the creation of their widely acclaimed new solo performance piece “Takes All Kinds.” Dan's blog reminds the viewer that ”I'll be disappearing into these different characters and stories and you'll be glad to journey there with me. They've been traveling with me these last couple years. I think they'll stay with you too.” With “Takes All Kinds,” Hoyle and Billingslea use journalistic theater and embodied storytelling to portray powerful, funny and complex people caught in the social and political currents roiling our society. They create portraits of everyday Americans through moving and funny true stories of American democracy: school board showdowns in Florida, grassroots organizers in Atlanta, barber shops in Las Vegas, deprogrammers of violent extremists in Missouri and more. In this mostly offstage oriented “talk-back” presentation, listeners and observers will have an opportunity to explore with Hoyle and Billingslea how thousands of hours go into a little over an hour show. The artists' view reveals (somewhat) the amazing mystery of live transformative theatrical narrative that has everyone laughing and pin-drop listening with the next moment. And always has the audience talking as they depart. Yes—it's about politics, but could experiencing public affairs embodied theatre journalism bring people something they needed more than they realized? “Stunning…something almost supernatural happens,” according to the San Francisco Chronicle. Currently based at the Marsh Theatre, “Takes All Kinds” has toured elsewhere in California plus New York City, Charleston and Chicago, and will be heading to Idaho, Florida and more in 2026. About the Speakers Oakland-based Dan Hoyle is an actor and writer whose immersion research theater work has been hailed as "riveting, funny and poignant" (The New York Times) and "hilarious, moving and very necessary" (Salon). His solo shows, all originated at The Marsh in San Francisco, have played across the country at The Public Theater, Culture Project, Baltimore Center Stage, Berkeley Rep, Cleveland Playhouse, Mosaic Theater Company, Oregon Shakespeare Festival, Portland Center Stage, Playmakers Rep, Painted Bride, Pure Theater and abroad in India, Ireland, Wales, Mexico, Canada and Nigeria. Aldo Billingslea (director) is a professor of theater at Santa Clara University (SCU). SCU's associate provost for diversity and inclusion, and served as the vice president of the 100 Black Men of Silicon Valley; he's a board member of TheatreWorks Silicon Valley, theatre program director for The222.org in Healdsburg, California.As an academic, he is a professor of American theatre from the Black perspective, acting styles, Shakespeare, and seminars on August Wilson. Billingslea is a lifelong professional actor featured in more than two dozen Shakespeare plays, productions of August Wilson's Gem of the Ocean, Ma Rainey's Black Bottom, and Fences, Arthur Miller's Death of a Salesman, Tennessee Williams' A Streetcar Named Desire, and Lorraine Hansberry's The Sign in Sydney Bernstein's Window. He also worked at the American Conservatory Theater, the Aurora Theater, California Shakespeare Theater, Lorraine Hansberry Theater, and the Marin Shakespeare Theater. An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W. Smith Learn more about your ad choices. Visit megaphone.fm/adchoices
In Episode 284 of Outside The Round, host Matt Burrill sits down with rising artist Cassidy Daniels to talk about her unique journey through the music industry, including her experience on The Road and working within the world of Taylor Sheridan and the Yellowstone universe. Cassidy shares what it's like balancing life between Nashville, Texas, and Los Angeles while building her career as both a songwriter and performer. The conversation dives into her upcoming music, time in the studio with collaborators like John Osborne, and the creative vision behind her next album. Cassidy also reflects on growing up as an Army brat, the importance of trusting your instincts in the music business, and the support system that keeps her grounded while navigating touring, social media, and the fast-paced entertainment industry. It's an honest look at authenticity, resilience, and carving your own path while chasing big dreams. Follow on Social Media: Cassidy Daniels: @cassidydanielsmusic Matt Burrill: @raisedrowdymatt Outside The Round: @outsidetheround Raised Rowdy: @raisedrowdy Chapters (00:00:00) - Outside The Round With Matt Burrill(00:01:48) - Gretchen Wilson on Her New Tour(00:05:29) - The Road: Adam Sanders and Channing Wilson(00:09:07) - Adam Levine on Coming to Nashville At 16(00:13:54) - Taylor Sheridan At The Auburn Rodeo(00:17:06) - Taylor Sheridan on Working With Taylor Sheridan(00:19:57) - When You're Still the Girl(00:22:09) - Cassidy Daniels on The Road and His(00:26:50) - Flip Flops on Crystals(00:30:54) - Cassidy on His Love Life(00:34:03) - Wild Greg and Little Bit at Micro Wrestling(00:36:41) - MicroWrestling Federation(00:37:33) - Tennessee Williams on Being in Texas(00:40:37) - The Real Reason I Did The Road(00:45:30) - Ronstadt on Working With Lynyrd(00:48:54) - Army Brat Songs(00:51:18) - Cassidy Daniels on His New Album(00:55:40) - On Jono and the Love Junkies(00:58:04) - Cassidy Daniels: Stick to Your Gut
Today, I'm thrilled to announce my interview with star of stage and screen Jonathan Cake, who is currently starring in DEATH OF A SALESMAN. Tune in to hear some of the stories of his legendary career, including his collaboration with Fiona Shaw on MEDEA, touring as a young actor with the National Youth Theater, how he first encountered DEATH OF A SALESMAN, bringing Tennessee Williams' BABY DOLL to the stage, joining the Royal Shakespeare Company, how AND JUST LIKE THAT changed the way he dresses, working with an American company on CYMBELINE, why he turned down RICHARD III, a memorable incident while performing DOUBT, what he thinks about onstage intimacy, changing his look for THE PHILANTHROPIST, what he's learned from his podcast STAGE DOOR JONNY, working with Ethan Coen on ALMOST AN EVENING, performing in the Globe Theatre, starring in FUENTE OVEJUNA after the pandemic, balancing being a father with being an actor, the challenges of starring in CORIOLANUS in the Park, and so much more. Don't miss this thoughtful conversation with a master craftsman.
Acteur Minne Koole speelt in de voorstelling 'A Streetcar Named Desire' de rol van Stanley Kowalski, een ruwe en dominante echtgenoot. Deze intense, emotioneel geladen herinterpretatie van Tennessee Williams' klassieker is een voorstelling voor een nieuwe generatie: verleidelijk en gevaarlijk zinderend, maar ook onverbiddelijk in haar blik op mannelijkheid en huiselijk geweld. Koole was eerder te zien in de speelfilm 'Niemand in de Stad', die hem een Gouden Kalf-nominatie opleverde, en series als 'Dirty Lines', 'Oogappels' en 'De Ring'. Presentatie: Bo Fasseur
It's National Clam Chowder Day and National Chocolate Covered Nuts Day, so we're stirring up a tasty mix of history, birthdays, and music. Today we jump back to Entertainment from 1979, plus wild factoids like the first dancing monkey, the first Black man sworn into the U.S. Congress, and Oregon becoming the first state to tax gasoline.Birthday spotlights include Jim Backus (Mr. Magoo), Faron Young, George Harrison, Carrot Top, Téa Leoni, Daniel Powter, Sean Astin, and Rashida Jones. We also remember playwright Tennessee Williams.Intro - God did good - Dianna Corocan https://www.diannacorcoran.com/Clam Chowder - St. Leroy IIDo you thnk I'm sexy - Rod StewartGolden tears - Dave & SugarBirthdays - In da club - 50 Cent https://www.50cent.com/Hello Walls - Feron YoungI got my mind set on you - George HarrisonBad day - Daniel PowterWhiskey talkin - Donny Lee https://www.donnyleemusic.com/ Country underground radio countryundergroundradio.comHistory & Factoids about today websitecooolmedia.com
In this conversation, David Bryan speaks with Steve & Rick Simone-Friedland about their recent play, 'Kind Stranger,' which is adapted from Tennessee Williams' memoir. They discuss their creative process, the challenges of performing a one-person show, and the importance of queer narratives in theater. The duo reflects on their personal and professional relationship, the audience's reception of their work, and their plans for future productions.Kind Stranger depicts the poignant journey of Tennessee Williams as the legendary playwright recounts his life, art, and love affairs. Witness his wit and unflinching honesty as he writes his last chapter, revealing how his plays were his life and his life was his plays. Adapted directly from his memoir and using only his words, Kind Stranger could be the last original Tennessee Williams play.Steve and Rick Simone-Friedland, a married couple, went into the project wanting to use the words and humor of one of the greatest American Playwrights as the foundation of this play.Fresh from a successful but all too brief opening in New York, Rick (actor) and Steve (director/writer) are currently actively working toward bringiing 'Kind Stranger' to audiences in other cities.Steven Simone-Friedland (Adaptation & Direction) is an independent, freelance filmmaker residing in Los Angeles, California. He has directed, written, produced and edited a number of short film and television projects including [sic], Togetherness, and Sunday Cup of Coffee which was awarded the CineEast's. Golden Eagle Award, the Herman Kass Fellowship in Filmmaking, the Rita Morrison Best Director's Award, and the AMPAS Award in Motion Picture Production. As an editor, Steven edited the feature documentary, The Yes Men Are Revolting and Donner Pass, and the television pilots, Group & Techno 3. When not pursuing film & tv projects, Steven serves as series editor on such Bravo shows as Real Housewives of Atlanta, Salt Lake City, Orange County and Dubai, Vanderpump Rules, Below Deck, Family Karma, MTV's Siesta Key and HBO's Queen of Versailles Reigns Again. Steven's Los Angeles theater directing credits include critically acclaimed productions of Ourselves Alone, Oleanna, Betrayal, Scenes of an American Life, and Imagining Rachel, which received its World Premiere at the 2022 Edinburgh Fringe Festival. Steven is a graduate from Northwestern University's theater department and received his MFA in filmmaking at UCLA.Rick Simone_Friedland - Concept & PerformanceEmmy Award© winner, Rick Simone-Friedland, is known to television audiences for his work on, Married People, Just the Ten of Us, A Year in the Life, Life Goes On, KC Undercover, and as Joe Pistone in the Discovery Series Mob Scene. Theatre audiences may know Rick from roles in George C. Wolfe's production of The Me Nobody Knows, Ken Page's production of Elegies for Angels, Punks and Raging Queens, or as Bruno in The Theatre West production of Moose On The Loose. Rick recently completed filming roles in the films How Do You Fall Out of Love With Country Music, Boystown, and Some Sorta' Queerarhttps://www.kindstrangerplay.com/
Send a textWe unveil our March Warner Archive slate and dig into how fresh 4K scans, original nitrate elements, and careful audio work can change the way classic films feel. Along the way, we share stories behind Astaire and Rogers, Lana Turner's rise, Bogart's pre-stardom turns, and Minnelli's delicate craft.• Why The Gay Divorcee matters to the Astaire and Rogers legacy• How a 4K nitrate scan restores RKO's sound and sheen• Honky Tonk's rare surviving MGM negative and its glow-up• Ann Sheridan's star power and Bogart's supporting spark in It All Came True• The Man Who Came to Dinner's full restoration and ensemble brilliance• Tea and Sympathy's coded themes and CinemaScope mono reality• What's inside the Bogart and Tennessee Williams collections• Scooby's All-Star Laff-A-Lympics finally complete in HDAmazon March Blu-ray pre-order linksYou will need to scroll down to find each of the various films.HUMPHREY BOGART 4-Film CollectionTENNESSEE WILLIAMS 4-Film Collection The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Hershey Felder: Pianist and Performer, “The Piano and Me” Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. Recorded January 23, 2026. Complete 31-minute Radio Wolinsky podcast. Delroy Lindo: Oscar Nominated Actor and Theatre Director, 2008 Delroy Lindo, actor and theatre director, in conversation with Richard Wolinsky in the KPFA studios in November 2008 while directing August Wilson's play, Joe Turner's Come and Gone at Berkeley Rep. Actor and director Delroy Lindo was born in London and moved to the United States at the age of 16, eventually coming to San Francisco where he studied acting at ACT at the age of 24. In his early career, he focused on the stage, winning a Tony nomination in 1988 his role in the original Broadway production of August Wilson's Joe Turner's Come and Gone. From there, he moved toward television and film, and performed in three Spike Lee films, including Do The Right Thing and Malcolm X, along with Get Shorty, Romeo Must Die and other films. More recently, he received acclaim for his role in Spike Lee's Da 5 Bloods in 2018 and has been nominated for an Academy Award for his role as Delta Slim in the Ryan Coogler film, Sinners. In the interview, he discusses his work directing Joe Turner's Come and Gone, as well as his views on directing and acting, and the work of August Wilson. Review of the Streetcar Project's production of Tennessee Williams' “A Streetcar Named Desire” at ACT Toni Rembe Theatre through February 1, 2026. The post Bookwaves/Artwaves – January 29, 2026: Hershey Felder – Delroy Lindo appeared first on KPFA.
This week, we're diving into A.C.T.'s striking and unconventional production of A Streetcar Named Desire. In this episode, it's just us talking through our experience with this super unique rendition of Tennessee Williams' classic.We discuss the bold directorial choices, performances, design elements, and how this production reimagines a familiar story in a way that feels fresh, challenging, and very intentional. From moments that surprised us to ideas that sparked conversation long after the curtain call, we break down what stood out and how this version differs from more traditional stagings.It's a thoughtful, reflective episode about risk-taking in theatre and what happens when a classic is approached from a new perspective.____
The ecommerce industry over the last decade has relied upon the kindness of strangers, to paraphrase Tennessee Williams. People who, on the path of their career, share their discoveries, painful lessons, and future musings with the rest of their peers. One such person is our guest Todd Hassenfelt, Sr. Director, Global Digital Commerce Strategy & Execution at Colgate-Palmolive, who brings both his wealth of knowledge and optimistic perspective to this conversation about focusing, deprioritizing, and driving change management in what will no doubt be another truly transformative year in commerce.
Good morning. There is deep sadness in Tehran and other Iranian cities today as more that 2,500 dead are mourned and it appears that the regime is in control of the streets again. It looks as though the brave attempt of the protestors to bring about change has ended in nothing but more cruel repression. It must be easy to lose heart, not just here but in so many places of the world, and to think that things will always go on in much the same way. So it is good to remind ourselves that things can change. I did not think Apartheid would end without civil war but in 1994 a democratic government was elected in South Africa. I did not think the cold war would end in my lifetime but in 1989 the Berlin wall came tumbling down, whilst in 1979 in Iran the Shah was toppled suddenly and surprisingly. But for those suffering it always seems so long. In the last book of the Bible, written when Christians were being killed for their faith, the author pictures them sheltering under the altar, crying out ‘How long O Lord?' – how long before justice is established. A cry that goes up every day. In response to this cry Jesus told one of his surprising stories. A woman who had a legal case against someone kept pestering a hard hearted judge. The judge had no sympathy for the woman and kept sending her away. Eventually he could stand it no longer and granted what she wanted. Jesus told the story to urge us not to give up. However hopeless things appear we are not to cease to pray and work for a world which is just. We are not simply to resign ourselves to things always being as they are now. I love the words of the American playwright Tennessee Williams. He said: I've met many people that seemed well-adjusted, but …I'm not sure I would want to be well-adjusted to things as they are. I would prefer to be racked by desire for things better than what they are, even for things which are unattainable, than to be satisfied with things as they are. Those words always bring to my mind one of the Beatitudes of Jesus ‘Blessed are those who hunger and thirst that right might prevail'. Hunger and thirst are strong words but they reflect the longing of those not only in Iran but in so many places of the world where people are suffering - and the longing of those who stand in solidarity with them.
New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.
After months of political wrangling, parts of the long-awaited Epstein files have been released by the US Justice Department. The trove consists of thousands of documents related to the late sex-offender. Pictures include the former US President Bill Clinton, Andrew Mountbatten-Windsor - Britain's former prince, musicians Mick Jagger and Michael Jackson. Being named or pictured in the files is not an indication of wrongdoing. The justice department did not release all existing files, and the published ones were heavily redacted, prompting frustrated reactions from survivors of Epstein's abuse.Also: the US carries out dozens of strikes against the Islamic State group in Syria. Anti-government youth protesters in South Korea are taking cues from the American right's MAGA movement. Italy announces a fee for tourists to visit the Trevi Fountain in Rome. Putin vows revenge on Ukraine after an oil tanker was blown up in the Mediterranean Sea. Palestinians tell the BBC they were sexually abused in Israeli prisons. And how a lost radio play by Tennessee Williams was found more than four decades after his death, and has now been heard for the first time.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk
The surviving accused gunman in the Bondi Beach attack is charged -- and an Australian investigative reporter reveals disturbing allegations about the father-and-son suspects. We'll talk to an artist who is painstakingly recreating one of the Bamiyan Buddha statues that was destroyed by the Taliban over two decades ago. After corruption allegations are levelled against the Quebec Liberal Party, their new leader Pablo Rodriguez says he's resigning. Our guest tells us the next leader needs to right the ship -- fast. Olympic skater Kaitlyn Weaver says that as a Canadian, and a queer woman, she's proud of Skate Canada's decision to no longer host major events in Alberta.A Kansas man rents out an entire store to display his late wife's sprawling collection of holiday figurines. He says sharing her passion for Christmas with others is the best gift he could hope for. Before “A Streetcar Named Desire” or “Cat on a Hot Tin Roof”, Tennessee Williams was a student in Iowa trying his hand at a novel new format: the radio play. And now, nearly 90 years later, that gothic drama has been published. As It Happens, the Wednesday Edition. Radio that knows he was a great dramatist -- and this is a "Stella!" example.
On this week's Queer Cinema Catchup, Joe and Allison are once again joined by the excellent Nick and Joseph of Fish Jelly to delve into another Tennessee Williams' adaptation. This time it's the 1964 film 'The Night of the Iguana' directed by John Huston and starring Richard Burton, Ava Gardner, Deborah Kerr, and Sue Lyon. Together explore the complex themes of desire, spirituality, and salvation and share their thoughts on the performances, particularly praising Ava Gardner and Deborah Kerr, while critiquing some of the casting choices. They also touch on the queer subtext, Tennessee Williams' broader oeuvre, and how the film compares to other adaptations of his works. Closing thoughts include reflections on what could be improved and the lasting impact of the film.00:14 Introducing the Movie: The Night of the Iguana00:45 Plot Summary and Key Characters02:13 Initial Reactions and Movie Context04:38 In-depth Analysis and Comparisons07:03 Character Dynamics and Performances11:26 Symbolism and Themes17:03 Production Insights and Behind the Scenes36:39 Maxine's Jealousy and Misunderstandings37:22 Hannah's True Motives38:05 Shannon's Realism and Hustling38:33 Philosophical Reflections40:16 Maxine's Confrontation with Miss Judith40:47 Miss Judith's Obsession with Charlotte46:19 Hannah's Love Experiences48:44 The Iguana and Symbolism52:00 Differences Between the Play and the Movie54:38 Queer Themes and Interpretations57:26 Tennessee Williams' Legacy01:11:49 Behind the Scenes Drama01:12:39 Dysentery and Filming Anecdotes01:13:49 Emily Dickinson's Poem and Its Interpretation01:15:13 Themes of Death and Connection01:16:33 Reception and Oscar Nominations01:21:41 Potential for Remakes and Character Analysis01:29:39 Final Thoughts and Ratings01:32:08 Upcoming Reviews and Recommendations Hosted on Acast. See acast.com/privacy for more information.
"The Venus flytrap, a devouring organism, aptly named for the goddess of love." ― Tennessee Williams, Suddenly Last Summer "The first screenplay Griffith wrote was Cardula, a Dracula-themed story involving a vampire music critic. After Corman rejected the idea, Griffith says he wrote a screenplay titled Gluttony, in which the protagonist was "a salad chef in a restaurant who would wind up cooking customers and stuff like that, you know? We couldn't do that though because of the code at the time. So I said, 'How about a man-eating plant?', and Roger said, 'Okay.' By that time, we were both drunk." - wikipedia
For the James Beard Award–winning writer and culinary historian Michael W. Twitty, kitchens provide a multitude of significant purposes that stretch far into the past and carry through to the present. Beyond being places where people cook, share, and eat food, they also serve as vital spaces in which to gather in community, to grieve and process trauma, to teach and learn, to dance, to heal, and to experience Black love and joy. Twitty's multilayered cooking draws on his family roots, his personal history, and his deep culinary knowledge of the American South. His latest title, the cookbook Recipes From the American South (Phaidon), brings his skill as a home cook and historically informed recipe-maker to the fore, allowing ingredients and dishes to transform into cultural and temporal touchpoints. On this episode of Time Sensitive, Twitty reflects on what researching and uncovering his ancestry has taught him about Southern cooking and himself, and shares why, for him, food functions as a tangible form of cultural reclamation and emotional healing.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Michael W. Twitty[7:43] Saidiya Hartman[8:43] Their Eyes Were Watching God (1937) and Mules and Men (1935) by Zora Neale Hurston[9:42] Gonze Lee Twitty[16:50] Brer Rabbit [14:33] National Museum of African American History and Culture[19:42] “Amazing Grace”[29:22] Gullah Geechee[54:04] Recipes From the American South (2025)[54:56] Southern Discomfort Tour[1:03:44] Koshersoul: The Faith and Food Journey of an African American Jew (2023)[1:03:44] Rice: A Savor the South Cookbook (2021)[1:03:44] The Cooking Gene: A Journey Through African-American Culinary History in the Old South (2018)[1:07:52] Ryan Coogler[1:19:17] James Hemings[1:19:17] Edith Fossett and Fanny Hern[1:19:17] Ursula Granger[1:19:31] Gage & Tollner[1:19:31] John Birdsall[1:19:31] Tennessee Williams[1:19:31] Truman Capote
SEASON 3 EPISODE 147: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: We have been burying the lede here. Trump. Is. Suing. Murdoch. Trump and Murdoch are at war. Over Jeffrey Epstein. The two worst people in the country, probably the world, at each other's throats, until further notice. Weeks, months, years. Amid rumors Murdoch's people at the Wall Street Journal are upworking ANOTHER Trump-Epstein/Epstein-Trump/Trumpstein story. And that Murdoch is preparing a Defcon scenario in which he turns Fox News against Trump. Because if Trump is stupid enough to try to put Murdoch out of business, Murdoch will have no choice but to try to put Trump out of business. Trump also seems to be doing everything else he can think of to make sure the Trumpstein story never leads the headlines again. Attacks his own people again. Left a paper trail inside the DOJ and FBI of Pam Bondi searching for thousands of Trump references inside an evidence pit the size of The New York Public Library. Changing the story of the latest plot against him for the sixth time in a week. And watching the polls - 17% approve of his handling of the Epstein issue - actually get worse since just last Thursday (89% want everything, not just the almost-meaningless Grand Jury testimony, released). Oh by the way there IS a Trump Client List inside DOJ/FBI. The only part of Trump's claim that there isn't that's true, is that it may not bear that title. There's literally 40 computers, 70 CDs of video, and 300 gigabytes of data. The Trumpstein story will swamp his presidency. For sheer volume it exceeds almost everything else Trump has ever done. It makes Watergate look like the editing out of four words in a 5,000 word document. IT'S WONDERFUL. Trumpstein, Trumpstein, Trumpstein. ALSO: Trump's unpopularity has now reached 1st Term proportions. Tulsi Gabbard is conflating two Russian stories and claiming the one nobody believed (Russia tampered with voting machines) disproves the one Robert Mueller proved (Russia hacked emails and got them to Trump's campaign). How does that work? I'll explain the psychology of morons who want to please their bosses, with the story of Tennessee Ernie Williams. And if you think Trump isn't brain dead he wrote something that must've come directly from a dream about how the Cleveland Guardians (formed 1901, not named "Indians" until 1915) are one of baseball's "six original teams" (Major League Baseball started 30 years earlier; it's HOCKEY with "the original six" and that's wrong too). B-Block (39:15) POSTSCRIPTS TO THE NEWS: I understand this busts the narrative and reduces our ability to suffer as martyrs, but there is one inarguable and unanswerable fact that disproves the almost-universally accepted premise that CBS cancelled Stephen Colbert solely to appease Trump. It's this: If they are silencing him, why have they decided to keep him on TV for THE NEXT TEN MONTHS? This is the Phil Donahue cancellation all over again. It works to CBS's corporate advantage to make it look like they are sucking up to the psycho. Sorry. This is the least of the reasons. C-Block (1:09:10) MONDAYS WITH THURBER: Haven't done any of his priceless stories lately, and with Trump's new permanent Trumpstein Crisis, it's fitting to do James Thurber's stunningly prophetic saga "The Greatest Man In The World."See omnystudio.com/listener for privacy information.