Podcast appearances and mentions of Philippa Gregory

Rachel and Simon speak to the novelist and journalist Diana Evans. Born and brought up in London and Lagos, Diana started her career as a journalist. She has written for publications including the Guardian, Harper's Bazaar, the New York Review of Books, Time and Vogue. After she completed an MA in Creative Writing at the University of East Anglia, Diana published her debut novel, “26a”, in 2005; the book won the inaugural Orange Award for New Writers and was shortlisted for the Whitbread First Novel and the Commonwealth Best First Book. “The Wonder”, which drew on Diana's own experience as a dancer, followed in 2009. Diana's third novel, “Ordinary People” (2018), was widely feted: it won the South Bank Sky Arts Award for Literature and was shortlisted for the Women's Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction. Her fourth book, “A House for Alice” (2023), was also shortlisted for the Orwell Prize for Political Fiction. We spoke to Diana about “I Want to Talk to You and Other Conversations”, a collection of her journalism, publishing “26a” and moving between fiction and non-fiction. We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (nine are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak to the novelist and non-fiction writer Andrew O'Hagan. Born in Glasgow, Andrew is the author of seven novels – including "Be Near Me", "Mayflies" and  "Caledonian Road" – and three books of non-fiction: "The Missing", "The Atlantic Ocean" and "The Secret Life". He is editor at large at the London Review of Books and has written over 150 pieces for the publication, starting with a Diary in 1993 about James Bulger's murder and the cruelty of children to other children. Other LRB pieces have covered the sinking of his grandfather's ship, the Grenfell Tower disaster and Prince Harry. Andrew has has been nominated for the Booker Prize, was voted one of Granta's Best of Young British Novelists in 2003, and won the E. M. Forster Prize from the American Academy of Arts and Letters. We spoke to him about coming to London from Scotland and making his way, combining journalism and fiction, and his latest novel, "Caledonian Road". We've also made another update for those ⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠. We've added 40 new pages of material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. This means the whole compendium now runs to a whopping 160 pages. And we're excited to announce that for people who contribute $10/month we're now releasing bonus mini-episodes. If you'd like to know what these will sound like, there's a sample episode with Lee Child that you can listen to for free on our Patreon now. Thanks to the help of our sponsors, Scrivener, the first ten new signs-ups at $10/month will additionally receive a lifelong license to Scrivener worth £55/$59.99. This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. But we only have ten to give out so, if you're interested, please check it out as soon as you can. Other Patreon rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel and Simon speak to the novelist and non-fiction writer Dani Shapiro. Dani is the author of 11 books; her memoirs include "Slow Motion", "Devotion", "Still Writing" and "Hourglass". "Inheritance", about the secret that had been hidden from Dani by her parents for more than 50 years, was a bestseller. Dani has also written novels including "Black & White", "Family History" and "Signal Fires"; the latter was named a best book of 2022 by NPR, Time magazine and the Washington Post, among others. Alongside writing, Dani hosts a podcast, "Family Secrets", and teaches writing workshops around the world. We spoke to Dani about her celebrated early memoir, "Slow Motion", about moving between fiction and writing about her own life, and about "Inheritance", an investigation into her parentage. We've also made another update for those ⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠. We've added 40 new pages of material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. This means the whole compendium now runs to a whopping 160 pages. And we're excited to announce that for people who contribute $10/month we're now releasing bonus mini-episodes. If you'd like to know what these will sound like, there's a sample episode with Lee Child that you can listen to for free on our Patreon now. Thanks to the help of our sponsors, Scrivener, the first ten new signs-ups at $10/month will additionally receive a lifelong license to Scrivener worth £55/$59.99. This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. But we only have ten to give out so, if you're interested, please check it out as soon as you can. Other Patreon rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak with ⁠Joshi Herrmann⁠, the founder of local journalism startup ⁠Mill Media⁠. Joshi founded The Mill, a newsletter covering Greater Manchester, as a one-man band in June 2020. The company now has staff writers and editors across six British cities: Manchester⁠, ⁠Glasgow,⁠ Birmingham, ⁠Liverpool⁠, Sheffield and ⁠London⁠. Mill Media is known for deeply reported long reads and its paid newsletter model; it is read by more than 150,000 email subscribers. The company has received investment from figures including Sir Mark Thompson, chief executive of CNN and a former BBC director-general. Joshi was formerly editor-in-chief of ⁠Tab Media⁠, and he has reported for the Times, the Telegraph, the Guardian and the London Evening Standard. We spoke to Joshi about ⁠working at the Standard⁠, his stints at the Tab, and his current venture, which is looking to reinvent local journalism.We have recently also overhauled our offer for those ⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel and Simon speak with the novelist Nnedi Okorafor. Nnedi is a prolific writer of science fiction and fantasy for adults, young adults and children; her best-known titles include the "Binti" trilogy, "Lagoon", the "Nsibidi Script" series and "Who Fears Death". Nnedi has won the Wole Soyinka Prize for Literature as well as the Hugo, Nebula, World Fantasy, Locus and Lodestar awards. Several of her books are currently being adapted for TV. We spoke to Nnedi about the hospital stay that led her to start writing, breaking into the worlds of science fiction and fantasy, and her latest novel, "Death of the Author". We have recently also overhauled our offer for those ⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak to the novelist Ben Okri. Born in Minna, Nigeria, Ben came to England as a child. He attended school in London before returning to Africa with his parents on the eve of the Nigerian Civil War. He came once more to the UK in 1978 and studied at Essex University. Two years later he published his first novel "Flowers and Shadows". A second, "The Landscapes Within", appeared two years afterwards, before two collections of short stories in 1986 and 1988. In 1991 his novel "The Famished Road" won the Booker Prize, the first time a black writer received that award. Ben's subsequent work includes the novel "Astonishing the Gods" (chosen by the BBC in 2019 as "one of the 100 novels that has shaped our world"), the epic poem "Mental Fight" and the play "The Outsider". We spoke to Ben about his early life in Nigeria and Britain, winning the Booker Prize, and his latest novel, "Madame Sosostris & the Festival for the Broken-Hearted". We have recently also overhauled our offer for those ⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel and Simon speak to the author and academic Clair Wills. She is the Regius Professor of English Literature at the University of Cambridge and the author of several non-fiction books. ⁠"That Neutral Island: A History of Ireland During the Second World War"⁠, published in 2007, won the PEN Hessell-Tiltman History Prize; ⁠"Lovers and Strangers: An Immigrant History of Post-War Britain" ⁠(2017) won the Irish Times International Non-Fiction Book of the Year and was shortlisted for the Orwell Prize. Her latest book, ⁠"⁠⁠Missing Persons, Or My Grandmother's Secrets"⁠ (2024), won Non-Fiction Book of the Year at the Irish Book Awards. We spoke to Clair about combining an academic career with writing for a broad audience, her insider/outsider perspective on Irish culture, and writing about her family and Ireland's Mother and Baby Homes in "Missing Persons". We have recently also overhauled our offer for those ⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak with the novelist Tim Winton. Widely considered one of the greatest living Australian writers, Tim has written 13 novels; his work has been translated into 28 languages. Since his first novel, "An Open Swimmer", won The Australian/Vogel Literary Award in 1981, he has also won the Miles Franklin Literary Award - the most prestigious prize for Australian writing - four times, for "Shallows", "Cloudstreet", "Dirt Music" and "Breath". Tim, who lives in Western Australia, has also twice been shortlisted for the Booker Prize for "The Riders" and "Dirt Music". We spoke to Tim about writing and publishing his debut book in his early 20s, his views on Australian literary culture, and about "Juice", his latest novel, set in a post-apocalyptic future ravaged by climate change. We have recently also overhauled our offer for those who support the podcast on the crowdfunding site Patreon. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

"The Other Boleyn Girl – Sisters, Scandals, and Steve Buscemi?"In this episode of Improvably Bad Books, the team tackles The Other Boleyn Girl by Philippa Gregory—but not before a deep dive into pen names, Henry VIII's lack of appeal, and some questionable Star Wars takes. Andrea skims, Aaron knits, and somehow Steve Buscemi becomes a contender for King Henry himself. Meanwhile, the improv actors attempt to piece together a tale of power, betrayal, and historical inaccuracies with chaotic results. Join Jill, Zoe, Andrea, and Aaron as they fact-check, debate, and occasionally spiral into existential crises over monarchy, love, and pocket sizes.Tune in for history, hilarity, and the hot takes no one asked for!

Rachel and Simon speak with the journalist and author Hannah Barnes. Hannah worked at the BBC for 15 years, specialising in investigative journalism for both television and radio. Prior to joining the "Newsnight" team in 2016, she was a daily editor on the "Today" programme on Radio 4. In 2023 Hannah published "Time to Think: The Inside Story of the Collapse of the Tavistock's Gender Service for Children"; the book was quoted in parliament, became a Sunday Times bestseller and was shortlisted for the Orwell Prize for Political Writing and the Baillie Gifford Prize for Non-Fiction. In 2024 she joined the New Statesman as an associate editor and writer. We spoke to Hannah about "Time to Think", her work at the BBC and her current role. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak with journalist and author Michael Lewis. Michael grew up in New Orleans and in the 1980s he worked on Wall Street. His first book "Liar's Poker" (1989) relates his experience at the investment bank Salomon Brothers. His subsequent books include "Moneyball" (2003), ostensibly about baseball but also about the way markets value people, "The Blind Side" (2006) about a black teenager taken in by a white evangelical family who becomes an American football player, and "Flash Boys" (2014) about the legal - but questionable - practice of high-frequency trading. Michael's writing has also appeared in Vanity Fair, the New Republic, and Bloomberg. We spoke to Michael about moving from finance to writing, his subsequent books, and his most recent project, "Going Infinite", on the rise and fall of crypto entrepreneur Sam Bankman-Fried.  A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

We are continuing our Rainbow Valley discussion and focusing on the Meredith children's impulsive hijinks and the way the adults around them react, or don't react, to their shenanigans.  We take John Meredith to task, break down how the patriarchy has helped enable this situation and learn a little about what parentification is and why the Meredith kids are poster children for it! Inspired by: Kelly is inspired by Normal Women by Philippa Gregory. Ragon is inspired by All The Rage by Darcy Lockman and Fair Play by Eve Rodsky. If you want to get a free logo sticker from us, either leave us a review on Apple Podcasts or share your love for the pod on social media!  Send us a photo of your share or review at either our email: kindredspirits.bookclub@gmail.com or on our KindredSpirits.BookClub Instagram. 

Rachel and Simon speak with the literary agent Clare Alexander. For the first portion of her career she worked in publishing, starting out in 1973 in the rights department at Penguin; after stints at Hamish Hamilton and Viking she became editor-in-chief of Macmillan and Picador. Clare published first novels by Helen Dunmore, Alex Garland, Amitav Ghosh, Haruki Murakami and Donna Tartt. In 1995, while at Viking, she was the editor of the winners of the Booker Prize, the Orange Prize (now the Women's Prize) and the Whitbread Award (the erstwhile Costa Book Awards) - the first editor ever to achieve this hat-trick. In 1998 Clare became a literary agent. Her client list includes Diana Evans, Helen Fielding, Armando Iannucci, Nicholas Shakespeare, Rory Stewart and Colin Thubron. We spoke to Clare about her early career as an editor, becoming an agent in the late 1990s, and working with authors including Pat Barker, Mark Haddon and Sebastian Faulks. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak to the author and lawyer Philippe Sands. He is the author of books including "East West Street", which won the Baillie Gifford prize in 2016 and the British Book Awards Non-Fiction Book of the Year in 2017, and "The Ratline" in 2020. His latest book is "The Last Colony" (2022). Philippe's work has been translated into more than 30 languages. In parallel to his writing career, Philippe is Professor of the Public Understanding of Law at University College London and a practising barrister at 11 Kings Bench Walk. He frequently appears as counsel before the International Court of Justice and other international courts and tribunals. We spoke to Philippe about combining international law and writing, blending history and memoir in "East West Street", and about representing - and writing about - the Chagos islanders.  A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel and Simon speak to the journalist and author Reni Eddo-Lodge. She started blogging and writing journalism while a student; one post, published in 2014 and called “Why I'm No Longer Talking to White People about Race” eventually led to a book of the same name in 2017. The book won the Jhalak Prize as well as a British Book Award for Narrative Non-Fiction. In 2020, amid the Black Lives Matter demonstrations, “Why I'm No Longer Talking to White People about Race” topped Britain's bestseller list; Reni became the first black British author to achieve that. Elsewhere she has written for the New York Times and Vogue, among other publications. We spoke to Reni about starting out in journalism, writing “Why I'm No Longer Talking to White People about Race” and the experience of its success.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

For the 200th episode of Always Take Notes Simon and Rachel speak with the novelist Frederick Forsyth. He began his career in the Royal Air Force in 1956, before leaving to pursue journalism. Frederick worked for Reuters, the BBC, and as a freelancer; part of his early career was spent covering French affairs, including the attempted assassination of Charles de Gaulle. That provided the inspiration for "The Day of the Jackal", his first novel, which was published in 1971. Frederick's subsequent thrillers include "The Odessa File", "The Dogs of War," "The Fourth Protocol" and "The Fist of God", and he has sold over 70 million books worldwide. He also had extensive involvement with MI6 - the British overseas intelligence agency - starting in the 1960s. Many of Frederick's works have been adapted for the screen, including a new TV version of "The Day of the Jackal", which premiered in 2024. We spoke to Frederick about his career as a foreign correspondent, turning to fiction with "The Day of the Jackal", and his relationship with the intelligence services.  A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

GJ Williams, AJ Aberford & Alec Marsh chat to Paul Burke about their latest novels. Coming into the Christmas period it's easy for the major players to get publicity but what about Indie authors are they squeezed out at this time of the year. Not on this platform.GJ Williams THE WOLF'S SHADOW Tudor Kardashians, Dr. Dee polymath, Tudor politics and intrigue. Legend Press.AJ Aberford THE CAR HORN REVOLUTION, Malta, conspiracy and corruption, humour. Hobeck Books.Alec Marsh CUT AND RUN, Frank Champion, WWI, blue light/red light, Sharpe Books.Mentions: Dr Nicola Tallis, CJ Sansom, Philippa Gregory, Ian Rankin Midnight and Blue, Devil's Breath Jill Johnson, Alan Clarke, James Wilson The Pieces, Katy Hayes, Robert Graves Goodbye to All That, Jane Thynne Midnight in Vienna, Vaseem Khan City of Destruction, Vera Brittain Testament of Youth.Paul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2024. His first book An Encyclopedia of  Spy Fiction will be out in late 2025.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024 Slaughterfest, National Crime Reading Month, CWA Daggers

Rachel and Simon speak with the novelist Paula Hawkins. Born and brought up in Zimbabwe, Paula moved to London in 1989. She worked as a journalist for 15 years, reporting on business and personal finance. Her first book, "The Money Goddess", a financial guide for women, was released in 2006. She turned to fiction in 2009, publishing "Confessions of a Reluctant Recessionista" under a pseudonym, Amy Silver. Several Silver books followed until Paula published "The Girl on the Train", a thriller, in 2015. The book became a worldwide hit, selling more than 23 million copies, and was adapted into a film starring Emily Blunt. Paula's subsequent thrillers, "Into the Water" and "A Slow Fire Burning", were also instant bestsellers. We spoke to Paula about moving from financial journalism to writing fiction, experiencing huge global success with "The Girl on the Train", and her latest novel, "The Blue Hour". A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Send us a textWelcome to today's episode of Bookish Flights! This is a special one—our second BFF Book Club Meeting! The BFF Book Club is a monthly literary adventure where you read the book, join the club, and meet the author. I am beyond excited to welcome Hazel Prior to the show today to discuss, How the Penguins Saved Veronica. Hazel is the author of Ellie and the Harp Maker and Richard & Judy Book Club number one bestseller How the Penguins Saved Veronica. Her third book in the series, Gone with the Penguins, came out in the UK yesterday (congratulations Hazel!)! As well as writing, Hazel is a freelance harpist. She lives in Exmoor, in England, with her husband and a huge ginger cat. Happy listening!Episode Highlights:Hazel's Writing Journey: Hazel never anticipated becoming a writer. After facing a challenging illness that took her out for years, a transformative surgery made her realize life was too short to delay her dreams. Writing became her way to seize the moment. We also talked about leisuring well—embracing hobbies for their joy without the pressure to be “productive.”Themes from How the Penguins Saved Veronica: We delved into the themes of found family, the ability to change at any age, and forgiveness that run through Hazel's work. Hazel's Book Flight: Hazel curated a selection of character-driven, book club-style novels for her book flight today. They all have the theme of bees or animals as well. Join us for this heartwarming conversation and get ready to add some new favorites to your reading list!Connect with Hazel Prior:InstagramWebsiteBooks and authors mentioned in the episode:Philippa Gregory books Bookish Flights Episodes 19 & 20 with Jacqui Lents - Books that Spark JoyShady Hollow by Juneau Black (discussed in the Anthropomorphic Book Flight episode as well)C.J. Sansom booksRoyal Spyness Mysteries by Rhys BowenBook FlightThe Secret Life of Bees by Sue Monk KiddThe Giver of Stars by Jojo MoyesThe Trouble with Goats and Sheep by Joanna CannonReady for a monthly literary adventure? We now have the BFF Book Club. Join us each month to explore a new book. After reading, connect with fellow book lovers and meet the author in a live interview! Can't make it live? Don't worry—we'll send you the recording. You can find all our upcoming book club selections HERE. Support the showBe sure to join the Bookish Flights community on social media. Happy listening! Instagram Facebook Website

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 13th November 2024. The winner will be contacted via Twitter. Show references: https://www.cambridgesciencecentre.org/Facebook | Twitter | Instagram | YouTube| LinkedIn https://www.linkedin.com/in/rebecca-porter-8a0b85121/Becca is a seasoned development and business strategist with over five years in the leadership team at Cambridge Science Centre (CSC). She has played a pivotal role in driving CSC's strategic growth, securing transformative results, including a 50% increase in income and establishing key partnerships that help sustain CSC's mission.Her expertise in fundraising, stakeholder engagement, and business development has been integral to CSC's evolution. Representing CSC at external events, Becca engages with stakeholders across academia, industry, and government, fostering impactful relationships that strengthen the organisation's community presence and reach.Before joining CSC, Becca held the position of Licensing Manager at the RSPB, where she led efforts to negotiate intellectual property rights for product-based partnerships. Her strategies resulted in an increase in profit, underscoring her strong commercial acumen and collaborative approach.With a professional background enhanced by six years of international experience with Carnival Corporation in Miami, Florida, Becca brings a global perspective to her work. Her ability to connect and communicate across diverse sectors reflects her adaptability and understanding of complex business landscapes.Becca's approach is marked by her commitment to expanding CSC's impact and access to science engagement, helping inspire the next generation of learners. Her ongoing efforts to cultivate partnerships and innovate within her field underscore her dedication to making science accessible and engaging for all. https://www.linkedin.com/in/andrew-g-farrer-ph-d-25a18976/Andrew Farrer is the Head of Programmes and Delivery at Cambridge Science Centre. A biological anthropologist by background, he started at the Centre as a Science Communicator travelling around communities and schools on the Roadshow programme. In his current position, he makes sure the team has what they need to deliver the very best in science communication. His PhD used ancient DNA to understand how the human microbiota (the bacterial community living on and in the human body – and keeping us alive!) changed in Britain over the last 1,000 years. Alongside this, he used his passion for science and interest in theatre to develop a science communication programme to bring together the interdisciplinary academics at the Australian Centre for Ancient DNA – an effort that resulted in new international collaborations. He has just got back from a cycling tour in the country of Georgia, where he evaded angry guard dogs, navigated roads that were active building sites, and managed to avoid falling off until the last day! The trip was amazing though! https://www.linkedin.com/in/mandy-curtis-688a33111/Mandy Curtis is the Head of Exhibitions at Cambridge Science Centre. She has been with the Cambridge Science Centre since its opening in 2013, beginning as a Science Communicator, then progressing through the Education team and into Product Development. In her current role as Head of Exhibitions, Mandy oversees everything that is in and delivered at the Centre. She is also responsible for the Centre's overall look, building maintenance, and alarm systems, as well as keeping the shop stocked with STEM-related items.Previously, Mandy worked in the pharmaceutical industry and as a school lab technician, where she also ran a STEM club. She was actively involved in Scouting in her village for over 15 years, remaining on the Executive Committee after her own children left and leading sessions for science-related badges, along with serving as the camp cook.Mandy enjoys walks along the beach in Norfolk with her very large dog, visiting as often as she can. She also loves having her children and their partners back home, especially since they return to their own homes afterward!  Transcription: Paul Marden: Welcome to Skip the Queue podcast for people working in and working with visitor attractions. I'm your host, Paul Marden. In July this year, Cambridge Science Centre opened its new building, returning to the real world after having been a science centre without a building for several years. In today's episode, I'm joined by some of their team. Andrew Farrer, Head of Programmes and Delivery, Rebecca Porter, Head of Development, and Mandy Curtis, the Head of Exhibitions. And we'll talk about the trials and tribulations of opening a new building from scratch and the benefits now the site has opened. Paul Marden: Hello, everyone. Welcome to Skip the Queue. Becca, Andrew, Mandy, lovely to see you. Really good to talk to you about the experience that you've had recently at Cambridge Science Centre, returning to the real world and having your own physical building for the Science Centre. Paul Marden: For listeners, I've had a little part to play because Rubber Cheese worked with CSC on the journey building websites. So I know a little bit about what's going on, but there's a whole load of stuff. I'm sure there's loads of anecdotes and stories that you're going to be able to tell us all about the trials and tribulations of building a brand new science centre from scratch. Before we get to that, it would be really nice if we did our icebreaker question. So I'm going to do one for each of you. Okay. So it doesn't matter which order I go in because you're not going to get any benefit from knowing what the question was. All right, so I'm going to start with you, Becca, because you're first. First on my. On my list. Okay. Paul Marden: What one thing would you make a law that isn't one already? Rebecca Porter: Oh, that is very interesting. I'm not sure. the rest of those. Andrew Farrer: The rest of us are feeling a bit nervous at this stage. Yeah, Becca's law is Andrew is no longer allowed in any meeting. Rebecca Porter: Yeah, yeah, that's a good one. I'll go with that. Paul Marden: That's very specific. I think when I come to power, not if I come to power, I don't think I dive that spec. I might go more broad. It might be about abolishing foods that I cannot abide eating or something like that. Not particularly. Take one of my team out of a meeting. Seems a little bit wasteful. Andrew Farrer: You don't know what I'm like in meetings. Paul Marden: Andrew, what is the biggest mistake you've made in your life? Andrew Farrer: Working with Becca, obviously. No, no. I just digest. Biggest mistake I've made in my life. There's a lot of things in the moment are very stressful and you think, oh, my. What? Why am I here? Why did I do this? Why did I not think more or think less or whatever? But everything that was probably, this is a massive mistake in the moment just turned out to be a really good story in hindsight. Paul Marden: Yeah, absolutely. Andrew Farrer: No, I'm happy with all of them. Paul Marden: There's some things that you think, oh, gosh, I really wish I could have deleted that from my memory completely. I spent a year doing a PhD and then dropped out because I realised that I didn't like working in a box on my own. But I don't think I would actually go back and not spend that year doing what I was doing, because it took quite a lot to realise that I don't like sitting in a box on my own and I actually like having other people around me. Yeah. At the time, it didn't, sitting on the bench at Egham Station, deciding, what am I doing with my life? It didn't feel like that was such a great decision that I'd made. Andrew Farrer: No, but they're all part of the sort of fabric that makes up the next decision, aren't they? Paul Marden: So, yeah, the rich tapestry. Andrew Farrer: That's it. That's the rich tapestry of life. Paul Marden: And, Mandy, I'm going to go for one last one, actually. It's not too dissimilar to what were just talking about. What was your dream job when you were growing up? Mandy Curtis: Before I answer that, I just have to give you my answer to Becca's question, because it's something I discussed at a previous job. If I could make one law, it would be that there was only one type of black sock. Rebecca Porter: That's actually a brilliant answer. Paul Marden: Again, hyper specific. Mandy Curtis: No. Trying to pair up all those black socks and none of them are quite the same. That is so annoying. So, yeah, that would be my law. Paul Marden: I don't think I need. I think I could broaden it and just say, there is only one type of sock, because my daughter's sock drawer is not black. There's not a single black sock in there. Mandy Curtis: I couldn't do that to Andrew. Andrew Farrer: You leave my socks out of it. Mandy Curtis: My actual question, when I was small, I had, in my mind, I wanted to be a scientist. Throughout all the jobs I've ever had, that's pretty much what I've been. And the job I had before this, I worked as a school lab technician and my boss came to me one day and said, “I've just got an email from Cambridge Science Centre. Looking for science communicators. I think you'd be really good at it. Why don't you apply? And I did.” And that was when it was, yeah, this is what I should always have done. Paul Marden: So interesting, isn't it? That's not a natural leap, is it, from a lab technician in a school to being a science communicator. But there's so much about teaching which is just telling the story and engaging people and making them want to do stuff, isn't it? Mandy Curtis: Yeah. It's surprising that there are a lot of parallels. Yeah. The thinking on your feet being one of the biggest ones. Rebecca Porter: I actually used to want to be a marine biologist when I was younger, and then I realised growing up that I'm nowhere near the sea where I am now, so that was slightly problematic. And also I saw the movie Jaws for the first time as a child and it terrified me and I quickly changed my mind about that. Paul Marden: Okay, let's segue from Mandy in your science communicator role, because I think it's a good segue. Let's talk a little bit about the journey that you've been on at Cambridge Science Centre over the last few years. Andrew, I'm going to start talking to you, mate, because I remember vividly last year I was at the association of Science and Discovery Centres conference and you were on stage with the guys from We The Curious, and you were talking about what it was to be a science centre without a building. Yeah. And the work that you guys were doing in the community for the listeners that weren't at the conference. Let's just take a step back and talk about the background of Cambridge Science Centre. You had a physical building, didn't you? Paul Marden: And you moved out of there and you spent a period of time being remote, virtual. I don't know what the quite the right term is, but you spent a while on the road. What prompted that to leave the previous centre? Andrew Farrer: Yeah. So that question that was being asked in the conference that what is a science centre without the building? It's really something that's very much in the fabric, the DNA of Cambridge Science Centre. The organisation is 11 years old now and through that time being an organisation that has a science centre and also being an organisation that does the outreach, which is what we would call like going out into the community and into schools and being in the spaces of the people that you're most wanting to engage, both of those things have existed in parallel and that there are strengths to both having a physical centre and being able to do that kind of Outreach and Cambridge Science Centre from the very beginning that brought those two things together and maximised the benefits of both in service of the other, really. Andrew Farrer: So what if you had all of the assets of a full science centre, but you could take them out on the road? What if you have the flexibility of kits that could be taken out the road, that you could do them in a space that you control? So that has always been part of things. We've had, you know. The new Science Centre that has just opened is the third permanent location that the organisation has had in its lifetime. And the decision to leave the previous one was something that was taken by the whole team. We got everyone around the table. This was post COVID. We were still coming out of having been truly remote. We're all about being hands on with science, which is very difficult in the world where you're not allowed touch anything or stand close to anyone, you know. Andrew Farrer: So we had to do a lot of stuff to respond to that. And then we came out of that situation, world came out of that situation and were sort of reconsidering what we wanted to do and how we wanted to do it. And the Science Centre we had up until that point, until 2022, you know, had been a fabulous space. We've done some amazing stuff in it. We were very closed of what we've done there. But were just finding with the goals we had, with what we wanted to move on to, it was no longer a space that could fit that set of targets. So the question, what was Science Centre without a building? Wasn't that question stepping up because we decided to lose the building? Andrew Farrer: It was kind of, it became a bit more of a focus, but really about the fixed space. Taking a step back for a moment while we really thought about what we wanted. And then we got the amazing opportunity that I'm sure we'll be talking about in a sec with the Science park and Trinity College, which brought that having a fixed space back up on par with the Science Centre without a building. And those two are still. They've always been, they were and they are continuing to be in parallel. And we're just about ready to open up one of our new pop up sign centres. That would be a space out in New England which is going to run there for the future as well, which will run in parallel to this fixed space. Andrew Farrer: So it's not a new question for us, it will never be an old question for us. It is what Cambridge Science Homeset is brilliant. Paul Marden: And during that period where you were without a fixed home, what really worked well for you, what was effective about that outreach programme and that was a became the sole focus for a period of time?Andrew Farrer: I mean were building on what was what we've been learning and what had been working well for that point I guess the last nine years. Yeah. So we knew that our exhibits, our hands on exhibits where you can, you don't just see a phenomenon, you can experience that moment, you've been affected, they're all possible. And so we could take them out. And we'd done that before with setting up sort of science engagement zones in banks and leisure centres. The corner of ASDA one time I think and we evolved that during just after Covid into these pop up science into these fully fledged kind of spaces that were on sort of par with the fixed space. Andrew Farrer: And we really lent into that, created these full, effectively full science centres with those exhibits, with the shows, with the activities, with the science communicators who could have the conversations with people and engage with the kids and answer questions and have a bit of fun and have a laugh, all that kind of stuff. In spaces that were underused in the community. We could take over empty shop units. We were in balance of rural museums. We've been all over the place and we are in those communities. We become part of the communities in the spaces. They already know it. Yeah. And that sort of eases that sort of barrier. Oh, I've got to go to the science place. Because suddenly the place part of that is their place. Yeah. And we're all about making the science. Andrew Farrer: It's as open and fun as possible and building up with whatever level anyone walks in with. So that was, it really was really kind of having the opportunity to hone that ability to create the proper full science centre spaces. And in getting that honed that raised our level on well, what is the fixed science centre? If you can have a fixed thing, what can you do bigger and better there? Which in Eintrum Nadia will want to speak to later. Because some of the new exhibits are phenomenal and they come out of the learning we've had from being on the road and being able to engage people in their spaces and give them a reason now to come to this space. Paul Marden: I'm guessing that when you go out into their space rather than making them come to you get to meet and see very different people. You know, the barrier that exists in somebody having to come to your building means there's a lot of people, there's a lot of young people, there's A lot of families for whom a great day out is not automatically thought of, you know, when they're thinking about what they're going to do at the weekend, they might not necessarily think of a science centre because it's just not what they consider to be fun. But if you go out to them, into their spaces where they are familiar, in the corner of Asda, in the Rural Museum or whatever, you're. You're getting closer to the people that don't normally walk into a science centre. Andrew Farrer: Absolutely, yeah. It's all about. Every single person has some form of barrier that they have to deal with. And, you know, many people have many more barriers than others. No matter what we do, there are still barriers to overcome, but it's about dropping those as low as you can and thinking about getting people across them and supporting them and getting them across them. So, I mean, absolutely, if you say if you're in their space, you remove the whole suite of barriers that exist into travelling to a fixed science centre, which is something we're thinking about and trying to then reduce those. For the fixed science centre. There are other barriers that apply. Andrew Farrer: Even though you're in their space and you've still got to do a lot of thinking and a lot of work to make sure it's an inviting space that they feel they're able to come into, that they can then get comfortable in, and then they can start asking questions and playing with things and break that kind of, oh, it's not for me bubble. Because it definitely is for everyone. You want each other play. Paul Marden: Yeah. Even so, making it an inviting space and making them want to take that step over the threshold into wherever the space is that you are. I've watched kids I'm thinking of a year ago, I was at the London Transport Museum and they had a big exhibition all around sustainability in their exhibition space, which is, I don't know, ⅓ or 3/4 of the way around the museum. And you could just see these kids just stood at the edge watching because they didn't feel confident that they could step into the space and immerse themselves into what was happening in that space. And you've just got to. You've got to make it easy for them to take that step over the threshold, haven't you? Andrew Farrer: Absolutely, yeah. And it's the reason that we have so many different ways of engaging, that the exhibits are there with the activities are there, that the shows are there, that the communicators are there, because people will do that in different ways. What they're comfortable starting to approach, you know, is different from the depth you can give them later. And people will do it in very different ways. But one of the early pop up science centres we had a day where we had, we partnered with a group from the University of Cambridge called Chaos with a student science engagement team. Paul Marden: Right. Andrew Farrer: And their name is apt, but they're brilliant. They're brilliant. And they were all around the earth and all of these different activities and it was really interesting because we noted that, you know, almost to a Percy, everyone walked in, every kid, every adult and they went straight to our exhibits. Not because Chaos wasn't inviting, not because they didn't have cool things, not because they were pushing people away in any way. But it was exactly as you say it was that moment to be like, I don't know, this space, here's a thing that's non threatening, it's not going to ask me a question. But the Chaos were asking kind of questions that were going to, you know, they were going to get at someone for. But you don't know that when you're first walking. Andrew Farrer: No, you play with the exhibit, you start to, you know, that's the safe thing, you start to see what it's doing and then you receive. People build up the confidence, exactly as you say, and then they kind of wander over and suddenly they were just doing laps of the space were in. Just like repeat visiting every one of these activities. Brilliant. You know, and that's a mini version of the journey we want to take people on across their lives. Paul Marden: Yeah. Okay, so question for all three of you then. What was the motivation then really behind returning to a fixed building? Was it an aspiration that you always had, that you wanted to return to a fixed centre or what was the driver for that? Rebecca Porter: We've absolutely always had an aspiration to have a fixed venue in Cambridge. Obviously the clue is in the name Cambridge Science Centre. And we knew that we needed that nucleus, that hub that we could operate all of our other engagements from. And certainly from a supporting organisation perspective, it's very useful for us when we're having those conversations with external stakeholders about the opportunities to get involved with a physical space as well as our outreach programme. So certainly from that point of view, we had an objective to find one. Interestingly, we'd done a piece of work with a group, there's a network in the city called Cambridge Ahead and as part of Cambridge Ahead they have a young advisory committee and we'd done a scoping exercise with the young advisory committee Thinking about that positioning, where we wanted to be. Rebecca Porter: And the key takeaway from their research was that we needed a sort of peripheral location, so an edge of city location that was accessible, that could work for, work well for schools, but would also still allow us to have that public engagement. And for us as an organisation, we really wanted to deepen our relationship with some of the communities that were existing a bit on the margins of the city, particularly those in the north that do suffer from varying levels of deprivation. And Cambridge is a very interesting place because despite the fact that it's got this really illustrious heritage and it's seen as being very affluent, actually it's the most unequal city in the uk, or certainly in England. Paul Marden: Oh, is it really? Rebecca Porter: Yeah. And so we wanted to be able to have our physical space closer to those communities that need more access, need more support, more guidance, so that we could bridge a gap between them and between the Cambridge Science park, which is our new home, but not just the science park, the wider ecosystem and the other research and innovation parks. So, yes, absolutely. We always had an objective to get another physical space operating. Paul Marden: Lovely. So, Becca, I'm guessing this doesn't all come for free and that somebody's got to fund the work to get the centre together. And that's your job really, isn't it, to find people to help you do that, say, how'd you go about doing that? Rebecca Porter: So absolutely everything that we do is completely reliant on the support of like minded organisations and individuals. So we go about in lots of different ways. We have a wonderful board of trustees who are very engaged with the work that we do and they help to make introductions to us in their networks. But it really is a case of going out and doing a lot of footwork, understanding what organisations are operating in our space and what their objectives are in terms of community engagement and how do we align with that. So there's a lot of research that goes on in the background to figure out who we should be talking to. Rebecca Porter: It's wonderful being in a city like Cambridge because 9 times out of 10, most of the companies we talk to do have some objective to do something around STEM engagement in particular. And they're also very supportive of our own objective, which is to widen participation and increase diversity. So they understand that the work that we're doing with those children from the most underserved communities is absolutely vital. So that makes it quite an easy story, quite a compelling story to tell. But we are, we're hugely lucky to have the supporters that we do. And I think key supporters for us are obviously the Cambridge Science park team who enabled the transition into our new venue. Because it was, it all seemed to just line up perfectly really that our own internal discussions around where we wanted to position ourselves. Rebecca Porter: We knew we wanted to deepen our own relationships with these various communities. We knew we needed some kind of peripheral centre space. Unbeknownst to us at the time, but happening in parallel, the Science park team were also considering their relationship with their neighbouring communities and how they can enhance that and do more. Because the Science park is actually, it's a very porous space. So not all of the research and innovation parks are quite the same. But Cambridge Science park absolutely wants to be open to its local communities. It wants them to come in, spend time in the green spaces there and understanding a bit about the different companies that are working within the park. And the Science park as well as the main land owner, which is Trinity College University of Cambridge, again are very keen to support STEM engagement where they can. Rebecca Porter: So it felt like they, our objectives at the time as well as the Science Park's objectives just meshed together beautifully and that resulted in us having this transformational opportunity to be inside the heart of the Science park and alongside that in wider discussions with some of the stakeholders of the park. Specifically were introduced to some of the property development companies that are operating in there who again were very supportive of what we're trying to achieve, but also had the vision to understand that not only are we supporting the local communities, but we're offering a conduit for supporting their tenants. So how can we help them to realise their tenants ambitions? And so they've been very supportive as well. Rebecca Porter: And we're also incredibly lucky to have a suite of organisations that we refer to as our Executive Council, who are our corporate partners that are the lifeblood of our organisation. Their funding and their support underpins everything that we do. So I want to just recognise our Executive Council members in particular, but also the key stakeholders for us with the new centre are the Science Park, Trinity College, Brockton Everlast, an organisation called LifeArc and ARM the microprocessing chip company. So yes, they're all major stakeholders and we're very lucky to have them. Paul Marden: That's amazing. So the Executive Council, that's quite interesting. What do they have some influence over the work that you do and the direction that you take? It's more than just them handing over sponsorship money, it's actually an engagement in what you do. Rebecca Porter: Absolutely. Nothing that we do is transactional, so we don't ever take anyone's money and run. We always try to offer reciprocal programme opportunities, staff engagement opportunities, and with our executive council members, they really do help shape and influence the trajectory of the organisation. So we have regular meetings with them, we talk to them about what our plans are, where they think there may be opportunities that we aren't perhaps looking at, that we could be exploring or should be exploring. And they certainly do have that. That level of influence over the direction of the organisation in general. Paul Marden: And then I suppose the choice of the location is partly driven by those relationships that you built with Trinity College and the Science park. And I guess it was collaborative, the choice of the location itself. Yeah, you didn't go looking for a building with some shortlist. There was. You built a partnership with these people and together you found the space that worked for all of you. Rebecca Porter: Yeah, absolutely. In fact, the space that we're currently occupying is a pre existing building, so it's called the Trinity Centre and it actually was a conferencing space with a catering facility on site as well as the park barbers, interestingly. And so through the relationship with Trinity College and through the discussions with the team in the park, we recognise that actually the space could be working a bit harder, not just for the science park, but for the wider community. And so we essentially repurposed one half of the ground floor of that existing building and Mandy's done a fabulous job turning that space into what is now our new Science Centre. So, yes, I mean, personally, I think having been in that space a lot, if you didn't know it was a conference centre before we took it over, I don't think you'd ever guess that. Rebecca Porter: So, yeah, it's been really wonderful. Paul Marden: You just cued me up perfectly to turn to Mandy. How do you go about filling a space with all the amazing exhibits to make it from a conference venue into this exciting and inviting science centre? How did you even go about doing that? Did somebody give you a blank sheet of paper and tell you off you go, just do whatever you like? Mandy Curtis: Well, pretty much it was a blank slate to work with. But then of course, we've got all our experience from the years leading up to this. So we've got a suite of exhibits that we know work and we know which ones we wanted to take forward, which ones we wanted to build on and expand on. So although in some ways it was a blank slate, it was very much a guided blank slate. So it's still a. For a Science centre. It's still a relatively small space, so we made the decision early on that we wouldn't have themed areas. So we're not big enough to have a space corner and a biology corner. So we've gone for an experiential centre. So you come in for the experience, you come in for one of the most. The thing for me is intergenerational play and learning. Mandy Curtis: So families coming in together, there's something for everyone. So that led the thinking and the decision making with exhibits and I reached out to lots of different people, existing standing exhibit makers, and some people have never made anything like this before. So we've got a real mix here. But what was important was that it's not somewhere where you walk, where the kids walk in, press a button and walk away. It was about prolonged active engagement. So each exhibit has layers of interaction. So you can come in, do one thing, come back another time and do something different or within the same visit, you can build on what you're doing. So, yeah, it's very much about the experience. Paul Marden: So is there an aspiration for the kids and the families to revisit to you? Do you want to create this space where they want to return several times over the space of a year or even as they grow up? You're supporting them through different things that interest them? Mandy Curtis: Absolutely. That's. That's very much what it's about. We have a membership where you want to create the feeling of belonging, of being. This is a place to come with annual membership, you can come as many times as you like. Lots of the exhibits will be the same, but because of the way we've made them and we've prepared them, there's always something different to do with them. And also we have a programme of shows and lab activities that constantly change, so there's always something different and new to do in the space. Paul Marden: Have you got particular audiences in mind that you want to appeal, make the space appealing to? Mandy Curtis: Yeah, we have a very specific audience and I call that everybody. That everything here can be reached by anybody. That's. Yeah, I don't exclude or include anybody. That's why. That's part of the layering. So younger kids, less able kids, older people, there's something here for everyone. I mean, obviously we have an age range for children that is most suitable, but there are also things for younger kids. There's. I mean, quite often we get families coming in and the adults are saying, well, this is way too good for just kids. And that's exactly how I feel about it as well. It's. It's a family place, it's for pretty much any age group, any. Any abilities. Yeah. Paul Marden: So how do you make that. If you're appealing to everyone, how do you make it more inclusive to kids with challenges? Kids with send difficulties, for example? How do you provide something that can enrich everybody's understanding of science? Mandy Curtis: It's really about having some familiar things here in two different ways. So there's familiarity in that. We've got some of our classic exhibits on site, so if people have ever been to one of our previous sites, there'll be things that they recognise from there, but also bringing in things from the outside world, from their world at home. So one of the exhibits is a paper plane launcher. I mean, who hasn't made a paper plane? So it's stuff that they're familiar with, but come here and do it and it just brings out a whole new level. So we talk about ways you can build a better paper plane, ways you can adjust your paper plane, and then, of course, just putting it through the launcher is just incredible fun. So it's taking stuff that people know about and can relate to and that's really important. Mandy Curtis: So some of the, some concepts that we want to get across are potentially outside of people's experiences completely. But if we can present it in a way that starts at level that they're familiar with, they can relate to and engage with, then there's a progression through and we're able to get concepts across that you might, if you went straight in at the top level, you just, it just wouldn't engage them in the same way. Rebecca Porter: To add to that, I just wanted to say that our magic pixie dust, if you will, that brings everything to life, really are our team of science communicators. So that also, you know, that's what, you know, brings every experience in the Science Centre to life is our wonderful team. Paul Marden: Yeah, I mean, that's this, that. That's like every good attraction, isn't it? It's never about the physical space, it's about the feelings that you get and it's the people that are there that help you build that feeling, isn't it? That's why it's a magical place that makes people want to come back, isn't it? How do you also serve that very local community? Have you found that by locating yourselves on the science park, where you are close to those areas of multiple deprivation within the city? Have you found that just mere locality is enough to encourage people in or are you actively doing things to bring that local audience to you? Rebecca Porter: Absolutely both. So we're already doing a lot with one particular community. There's a part of the city called King's Hedges and we see a group of children there once a week for an after school club and have just started transitioning that club from their own space. We've been operating it in their community centre but now they are coming to us, which is fabulous. And one thing that I've really loved since we've opened the new venue is our proximity to those particular communities. An example of how much more accessible we are is that we did a soft launch before we did our major public opening in the summer with some local schools, one of which was King's Hedges Primary School, and the teachers were able to just walk the children to us and that's never been possible before. Rebecca Porter: And we've got much bigger plans to expand the community focused piece to other parts of the city because we would really love to have at least four days a week where we're running an after school club of some description for groups around the city that face additional barriers. So, yeah, we are all over that. Paul Marden: That's amazing. It sounds so exciting. I run a coding club for kids at my daughter's school. A lot of it is about the engagement that the kids have. They don't get that enrichment outside in those STEM technology. So for you guys to be reaching out to that local community and offering that after school provision for them to be engaged in science, then there's a group of kids that just must lap that up. They must love it. Rebecca Porter: Absolutely. And I think Andrew's always said that for us, we obviously there's lots of extracurricular clubs. You've got drama clubs and dance clubs and acting clubs, but very rarely do you come across anything science focused. And what we would love to see moving forward is that's normalised that actually you can go to an after school club, that it's all about science and it's just part of the everyday offering that's available to children, particularly those local to us. Paul Marden: And have you found, I mean, it's probably too early to tell, but have you found that it's beginning to blur the lines of the science park into the community? Because there's something about Cambridge, isn't there? And the whole he's a world leading hub of science and driving science forward and making science commercially valuable happens at that point where the university meets the rest of the community around it. Are you seeing that you bringing the kids into the space is beginning to open their eyes to what is possible for them on their own doorstep. In terms of science. Andrew Farrer: Yeah, I think we are seeing the first steps of that, you know, in your previous questions and what Mandy and Becca have said, I think they've, you know, referenced and alluded to the layers. We're talking about the new centre as if, you know, it's open and therefore it's done. It's not done, we're not done, you know, and yes, getting those exhibits in there and all of the work that Mandy put into making them so generalist enough in the sense that, you know, these age ranges, these ability ranges, these, you know, whatever range you want to talk about can access them. But then it is, what's the programming? We only really launched, the soft launch was end of June. The big launch was, you know, end of July. Really. Andrew Farrer: That only covers 2 of the audiences that we're on, which is the schools and the sort of public inverted commas. There's the everyone this half term we've started that work with the North Cambridge Community Partnership Club that has been moved in that Becca was talking about. But that is very much step one next year is all about filling those four afternoon slots with such a variety that work in such a different way. It's about bringing in the schools throughout the days, throughout the week. It's about flexing those weekends. As Mandy said, it's about finding what all of these different organises, local and more further afield want, need, what their questions are, things like that. Andrew Farrer: We're here to respond so we can create sessions that the generalist concept of the centre might support those in the send community, but we can create a session where it's okay. This will be the quieter session. This will be where we'll have timings on the exhibits that allow will change the lighting. And we're still sort of exploring and thinking about how we do that. Right. So that the experiences is just as good, just as strong, just as inspiring and isn't affected by the fact that something might have been slightly altered. And there's a flip side to that. There are people who are much better at engaging when there's a lot going on. It's almost like there's a hyper sensitivity. There's things to think about on that side as well. Andrew Farrer: So this is a project that 2025 will see a lot of work on, but really is a never ending process. As long as there are people and as long as there are individuals which can help deliverance, then we are there to make sure. That everyone gets the access and that means using all of the physical kit, we've got all of these physical spaces and our team to respond as, you know, as much as we can. So. Paul Marden: So is there much for you? Did your team of science communicators have to do much to get themselves ready to return to the physical space? Or did they walk in the door and it just felt like home straight away? And they were delivering what they've been delivering for 11 good years? Andrew Farrer: Yeah, there was an element of coming home and there's an element of this is what we do. Because as I said, the outreach and the permeable space are singing in harmony, as it were. But this new space does have. It's new and it's bigger and better and more accessible than anything we've been able to do for. And that has brought things that we haven't experienced before. So we, you know, we made ourselves as kind of theoretically ready as we could. There have been challenges both from a practical running an event venue to how do we. How do we do silent science communication when we are constantly learning? We've changed things already, you know, we're flexing and responding and they affect the things that we wanted to bring in the future that I was referencing before they change each plan. Andrew Farrer: And we have a lovely timeline, it's very exciting, very big map, lots of post its that shows where we want things to start happening, but each of those responds to that. So there's no one single ready. And again, even when you are as close to ready as might exist, just like the programmes that we offer, that readiness evolves as well. You keep learning. Paul Marden: Of course. So what were those challenges then? What can we share with listeners? What were some of the things that if you had another swing at it, you'd do differently through this process that you've gone through this transition? Andrew Farrer: That links back to your, what was your biggest mistake? We only knew we learned because we tried something that didn't in theory worked, you know. Yeah, I mean, there's just some sort of like general practical thinking. You implement a system and then only when it's actually put through its paces you realise, oh, hang on, there's this like scenario tangent that we haven't thought about. There's, you know, there's a few things on that front about practically running the. Running the space. As Becca said, that the science park is porous, but we are one of the big things that is now bringing the public in. So there's, you know, murmuring is in that as well because that porosity has been used in the way it hasn't been previously. And we've been thinking about when are people coming during the day, when are they. Andrew Farrer: Their repeat visits happening? Which means when do we cycle the lab activities in the show? Talking about, you know, we can do a different show every day but you know, that's probably overkill because people aren't going to come quite every day. But actually what cycle are they coming on so that we can make sure that we, you know, we're providing sort of an awe inspiring moment and a set of curiosity experiences on a wide variety of different topics so that we can find that thing that sparks everyone. Mandy Curtis: Just to add to what Andrew said, I think it would be hard to label anything we've done as a mistake because we wouldn't be where we are now if we hadn't gone through the process we did. So even stuff, very few things that didn't quite work out well, we've learned from and we've moved on and we've built on. So everything has, I feel everything we've done and has been a positive experience. It's all been, you know, it's all been good. Paul Marden: It's a very philosophical approach to it, isn't it? The idea that it's never done, the project isn't over, it just continually, you know, it needs continual tweaking and continual improvement. Andrew Farrer: It's a scientific approach, if anything.Mandy Curtis: Much as I promised I would be laying down in a dark room by now, I'm not and I won't be. And we're still, you know, there's, we're planning, we're moving forward and looking to next year at the programmes and what we can offer. So yeah, there's always something more to do. Paul Marden: Once again, you're queuing me up for my next question, which was really what do the goals look like for the future? You've done this massive project, returning to a physical space and getting it ready and opening it up and welcoming people in. Where do you go now? What are the aspirations for the next couple of years? Mandy Curtis: It's more of the same, better, more different, looking at different approaches at different audiences. We're going to be. I'm already planning and writing the STEM Tots programme for next year. So that's the younger kids, the preschoolers, so there's new audiences all the time to move into. There's school holidays, you know, kids have been over here over the summer for the next school holiday, they're going to want something different. So we're thinking about that, how we can encourage people to come back, what we can offer, what different things, different collaborations. However many companies on the science park. I don't know, Becca probably does. There's people we haven't even spoken to yet. So there's just opportunities everywhere still. Rebecca Porter: For us, I would say that we are, it's definitely a programmes expansion piece next year. So we need to really solidify what we've got now with our new venue and start building out those different audiences and what the different programmes for each audience will look like. And then it's also making sure that our Popup science centre in Wisbeach continues to go from strength to strength. And so certainly, although we've got this fabulous new venue, we don't lose focus on the outreach work that we're doing as well as building up, building momentum around our support. And Andrew's doing a really wonderful job putting some work into our logic model and our theory of change. And so again it's mapping that out and then how we can link that to, to our, to the work that we're doing. Rebecca Porter: The supporting organisations, what role can they play in pushing forward our logic model? In particular, we talk a lot about emotions, skills and actions as being what underpins our logic model and it's how can our different partners lean into those things? Are there organisations that want to support the emotions piece? Can we do a skills focused programme with another organisation? So there's still lots of mapping to be done, but hugely exciting stuff. Andrew Farrer: Opening the doors to the centre was really only the beginning. Now it's making the absolute amount, squeezing every bit of juice out of this amazing fruit that we've been lucky enough to be supported to build for ourselves. Paul Marden: Stretching your analogy just a little bit there, but it's a very good point. Andrew Farrer: What analogy if you can't stretch it to its unfathomable limits? Paul Marden: Andrew, one last question because I think a couple of you have mentioned the Popup Science Centre. Tell me a little bit about what is that and what's the plan for the future? Andrew Farrer: Yeah, so our Popup science centres are fully fledged science centres. They appear in community spaces. So the ones that I mentioned earlier and they feature our hands on exhibits, they feature our shows, they feature our activities and we are in November moving into a empty well, it's currently empty, but we're about to fill it chalk unit right in the heart of Wisbeach in the Fenland area. So the Fenland region which is on the north of Cambridge, one of these areas that if transport around the area is difficult, sort of deprivation in that area. But there are some great pieces of science, technology, engineering and maths, you know, organisations working in those areas as well. Andrew Farrer: But it's one of those places where for all of the efforts we put into breaking down the barriers to come into the fixed space, that's one of the areas that we're really struggling. So we're going to that there'll be a fully fledged science centre which will be open to schools and the public on those points through the year to go in, to explore, to have these workshops, to have these shows, to engage, to chat. We are kind of, this is coming off the back of, one of these 18 months long project where we've had these pop up science centres sort of around Fenland. This is kind of where we're settling in and really sort of digging our heels in a little bit. So sort of phase two will start to become much more co development with the community. Andrew Farrer: We've been able to spend 18 months getting to know the people of this area and then importantly getting to know us. It's now exactly back to what I was talking about earlier. It's been sort of equivalent of the kids walking in and seeing the exhibits and having a play. Now we're ready, both of us and them to have this conversation about well what should a time centre be for you specifically? And honestly we don't know what that will be. But next summer Cambridge Centre and Wis beach will become this whole new thing where there might be forensic escape rooms happening. There could be some giant chain reactions going on with balls and bean bags flying everywhere. People could be building cardboard cities. Andrew Farrer: I've got no idea because it's actually not down to us, it's down to the people who want to answer the questions that are part of their lives. Paul Marden: Wowzers. It's just amazing. I'm so excited for you. I'm so pleased because it's been a project that I've been watching from the sidelines growing. I'm so pleased that the project's not over and that there's an aspiration to really push this thing and squeeze it for all it's worth. Andrew Farrer: Just like my analogies. Paul Marden: Absolutely. Lastly, we always ask for a book recommendation and you're going to bankrupt me because I've invited three of you on here. So I'm going to get three book recommendations. So what are your recommendations, Becca? Rebecca Porter:  First, first for you, I would say I'm actually a huge fan of an author called Philippa Gregory. And so my favourite book would be The White Queen by Philippa, which is all about Elizabeth Woodville. And Shima was married to I believe Edward IV during the Plantagenet era. So I love a bit of historical fiction. So that's my one. Paul Marden: Aha. Okay. So my colleague and co host Oz, big into historical reenactment. I'm sure that would be a book that would appeal to him. Andrew, what about you mate? What's your recommendation? Andrew Farrer: I have a book this is about I've had for years. I mean it's a kid's book really. It's a book called Aquila by someone called Andrew Norris and it's one of these books that it's about a short book. I keep revisiting it every now and again. It's just a story I've always engaged with. But it's funny, looking at it now, it almost seems very relevant. So it's about two young high school lads who on a school field trip get passed away from the rest of their class and end up falling into a cave and discovering a Roman centurion skeleton and by him what turns out to be an alien spaceship. So the navy spaceship have been on earth for some 2,000 years. Andrew Farrer: And the rest of the book is they don't want to just tell everyone else that the spaceship is here and it's them figuring out okay, well we can't take it home now because we're on a feeder trip so we've got to figure out a way to come back and get it home without anyone seeing it. And then they've got to learn how it works. And it turns out that it's kind of got AI function I guess and it can talk but because it was previously used by Roman, it taught in Latin. So they have to learn Latin. It turns out it's run by water. They figure out how much water. And it's a really brilliant story about these kids solving all of these problems around having quite that fun Canadian spaceship. Andrew Farrer: But at the same time their teachers are aware that these two kids who've classically not engaged at school at all are suddenly asking all of these really weird non class related questions. And yeah, they figure out the whole spaceship thing but think it's story they've made up for themselves. And so I give them the actual support and engagement they need in school to learn better than they were. But everyone misses that the spaceship is totally real, that these kids are flying off like Mount Everest on the weekend. So I love that. Paul Marden: Excellent. That sounds really good. That sounds like one I need to read to my daughter. Mandy, last but not least, what's your recommendation? Mandy Curtis: Just to say Andrew's book was made into a kids' TV series that I remember watching. Yeah, I've just. The most recent book I've read was one from way back. Not fiction. It was Life on Earth, David Attenborough and I reread read it often. It was the series that really sent me on my way to where I am now when I. I was doing unusually a zoology A level and my teacher played us the videos of Life on Earth and yeah, I've never got, never moved away from it. So yeah, that's the book I've read most recently and would recommend. Paul Marden: What, what a recommendation as well. That's a lovely one. So, dear listeners, as you know, if you go over to X and retweet the show, tweet and say I want Becca or Andrew or Mandy's book and the first person that does that will get that book sent to them. And I think as we got through recommendations, three of you could choose any one of those and we'll make an exception and bankrupt the marketing budget. Guys, it has been absolutely lovely talking to you and finding out a little bit more about the story of the journey that you've been on recently. And I think we should get back together again soon and find out how the pop up is going and what's actually filling that vacant shop because I think that's a really exciting proposition. But thank you for joining me today. Paul Marden: It's been absolutely marvellous. Mandy Curtis: Thank you. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

This is the second instalment of a three-part discussion. Philippa Gregory and Tracy Chevalier have defined the genre of historical fiction for decades. Both renowned for bringing to life women's stories from the past and making them relevant to today's reader, between them they've produced a multitude of global bestsellers including The Other Boleyn Girl and Girl with a Pearl Earring. In September 2024 they joined Reeta Chakrabarti on the Intelligence Squared stage to transport us through time and place. They explored the art of weaving history into compelling narratives, delving into the research that underpins their work and the challenges of crafting authentic voices from the past for those who have had no voice. This was one of the first events at which Tracy discussed her spellbinding new novel The Glassmaker, a richly-drawn tale of artisan craftsmanship, female perseverance, and the beauty of Venice. Philippa talked about her ground-breaking study, Normal Women, which takes women out of the footnotes and reassembles the history of women in England showing how their lives have changed over 900 years from 1066 to the present. This is the second instalment of a three-part episode. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey and be in with the chance of winning a £50 Amazon gift card. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the first instalment of a three-part discussion. Philippa Gregory and Tracy Chevalier have defined the genre of historical fiction for decades. Both renowned for bringing to life women's stories from the past and making them relevant to today's reader, between them they've produced a multitude of global bestsellers including The Other Boleyn Girl and Girl with a Pearl Earring. In September 2024 they joined Reeta Chakrabarti on the Intelligence Squared stage to transport us through time and place. They explored the art of weaving history into compelling narratives, delving into the research that underpins their work and the challenges of crafting authentic voices from the past for those who have had no voice. This was one of the first events at which Tracy discussed her spellbinding new novel The Glassmaker, a richly-drawn tale of artisan craftsmanship, female perseverance, and the beauty of Venice. Philippa talked about her ground-breaking study, Normal Women, which takes women out of the footnotes and reassembles the history of women in England showing how their lives have changed over 900 years from 1066 to the present. This is the first instalment of a three-part episode. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey and be in with the chance of winning a £50 Amazon gift card. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A bonus episode to celebrate Philippa's best book of the year.“The Betrayal of Thomas True” by A J West,A J West recommends 3 books:A London Spy by Ned WardThree Sisters Three Queens by Philippa Gregory. Diary of a Nobody. By George and Weedon GrossmithThe Quick Book Reviews Podcast Facebook Group: https://www.facebook.com/groups/533022350711635/Instagram: https://www.instagram.com/quick_book_reviewsThreads: @quick_book_reviewsTikTok: https://www.tiktok.com/@quickbookreviewsTwitter: https://x.com/quickbookrevie3 Hosted on Acast. See acast.com/privacy for more information.

So I've been reading Philippa Gregory's new book Normal Women, and decided to devote an entire episode to one section of her book: how normal women coped during the Reformation.Let's discuss! Hosted on Acast. See acast.com/privacy for more information.

These novels transport readers to different eras, from the elegant ballrooms of Regency England in Jane Austen's "Pride and Prejudice" to the tumultuous American Civil War in Margaret Mitchell's "Gone with the Wind." Authors like Diana Gabaldon, with her "Outlander" series, blend historical accuracy with compelling characters and time-traveling adventures, while Philippa Gregory's Tudor novels delve into the intrigue and romance of royal courts. These books often feature strong, complex heroines and dashing heroes, navigating societal constraints and personal dilemmas to find love. Through evocative prose and meticulous research, historical romance novels offer a lush, immersive escape into the past, exploring themes of love, honor, and destiny amidst the backdrop of history's most captivating periods.

Could Anne Boleyn really have been guilty of murder?  Dive into the intriguing story of this Tudor queen as we explore claims made by Philippa Gregory and delve into historical events like the deaths of Bennett Curwen and Alice Tryppytt. Did Anne poison them, or is it all just a wild rumour? Join me as I uncover the truth behind these accusations and discuss the complexities of Anne's life and legacy. Don't miss this fascinating exploration of Tudor history! #AnneBoleyn #TudorMystery #HistoricalIntrigue #PhilippaGregory #TudorHistory #MurderMystery #HistoryUncovered #InnocentOrGuilty

Philippa Gregory and Briony Hanson join Tom Sutcliffe to discuss the National Portrait Gallery's Six Lives: The Stories of Henry VIII's Queens, award winning film Green Border and Federer: Twelve Final Days co-directed by Asif Kapadia and Joe Sabia.Tom is also joined by the Children's Laureate Joseph Coelho who's just been announced winner of the Yoto Carnegie Medal for Writing for his book The Boy Lost in the Maze. Presenter: Tom Sutcliffe Producer: Claire Bartleet

The Normal Women of England: 900 Years of Making History: INTERVIEW WITH SMITHSONIAN ASSOCIATE PHILIPPA GREGORY The Not Old Better Show, Smithsonian Associates Interview Series Welcome to The Not Old Better Show, Smithsonian Associates interview series on radio and podcast. I'm your host, Paul Vogelzang, and today we have a truly remarkable episode lined up for you. Get ready to embark on a journey through nine centuries of history, reimagined through the eyes of the women who lived it, shaped it, and often, redefined it. Our guest today is none other than the bestselling author Smithsonian Associate Philippa Gregory. Smithsonian Associate Philippa Gregory will be appearing at Smithsonian Associates coming up, so please check out our show notes for more information, but we have Philippa Gregory today here with us.  Philippa Gregory's works like The Other Boleyn Girl and The White Queen have captivated readers worldwide. But today, Philippa brings us something entirely different and profoundly impactful. Her latest book, Normal Women, is a groundbreaking exploration of the lives of women in England from 1066 to the present day. Imagine women who rode in jousts, flew Spitfires during World War II, issued their own currency, and built ships and corn mills. Picture female soldiers, highwaywomen, pirates, miners, and even theater impresarios. These are not the stories of queens and noblewomen we often hear, but of the ordinary, yet extraordinary, women who have been the true backbone of English society. In today's episode, Philippa Gregory will share with us how she unearthed these incredible stories from the annals of history, revealing a tapestry of lives that are as diverse and varied as the women themselves. We'll delve into the challenges these women faced, the prejudices they overcame, and the indelible marks they left on history. That of course is out guest today, Smithsonian Associate Phiippa Gregory, reading a brief passage from her new book. Philippa's new book, Normal Women, offers a radical reframing of England's history, highlighting the persistence, ingenuity, and contributions of women throughout the centuries. It's a narrative that not only celebrates the past but also inspires the present and future. So, sit back and get ready to be enlightened, entertained, and moved by the stories of women who, though often overlooked, played a pivotal role in shaping the world as we know it. This is an episode you won't want to miss. Welcome to The Not Old Better Show Smithsonian Associates Interview Series on radio and podcast, where today, history comes alive through the voices of Normal Women. My thanks to  Smithsonian Associate Philippa Gregory will be appearing at Smithsonian Associates coming up, so please check out our show notes for more information,   Her latest book, Normal Women, is a groundbreaking exploration of the lives of women in England from 1066 to the present day. My thanks to the Smithsonian team for all they do to support the show.  My thanks always to Executive Producer Sam Heninger for all his work on the show and my thanks to you our wonderful audience here on radio and podcast.  Be well, be safe and Let's Talk About Better™ The Not Old Better on radio and podcast.  Thanks, everybody, and we'll see you next week. For more information about Smithsonian Associates, please click here:   https://smithsonianassociates.org/ticketing/tickets/normal-women-of-england

Henry VIII's is infamous for his relationships with women. The domineering King took 6 wives during his 36 years on the throne. And he disposed of them with as much scandal as he wooed them – Divorced, Beheaded, Died, Divorced, Beheaded, Survived. But three other women had an important impact on his childhood, his mother Elizabeth of York and his two Grandmothers Elizabeth Woodville and Margaret Beaufort. They have been dubbed by popular historical fiction author Philippa Gregory as the White Princess, the White Queen and the Red Queen. These women were caught in the brambles of the wars of the roses and fought tooth and nail for their children and for themselves. And it was these three women who brought an end to three decades of bloody battle and restored peace to England. Join me every Tuesday when I'm Spilling the Tea on History! Check out my Youtube Channel: https://www.youtube.com/c/lindsayholiday Follow me on Facebook: https://www.facebook.com/profile.php?id=100091781568503 Instagram: https://www.instagram.com/historyteatimelindsayholiday/ Tik Tok: https://www.tiktok.com/@historyteatime Please consider supporting me at https://www.patreon.com/LindsayHoliday and help me make more fascinating episodes! Intro Music: Baroque Coffee House by Doug Maxwell Music: "Yonder Hill and Dale" by Aaron Kenny #HistoryTeaTime #LindsayHoliday Please contact advertising@airwavemedia.com if you would like to advertise on this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being evicted from your home is an incredibly distressing time for anyone. Something 56-year-old Heidi Dodson is about to experience, she's being evicted by her private landlord from her home. She approached her local council for priority housing but was declined. In a letter from Thurrock Council, she was told she should be able to function 'reasonably well' if she ends up on the streets. Thurrock Council say they are 'truly sorry for the language used in this letter and the distress it has caused. Heidi speaks to Clare McDonnell along with Polly Neate, Chief Executive of housing charity Shelter. What is it really like to be a co-parent? Hayley Allen's son spends the weekdays with his dad and she takes care of him at the weekends. Carly Harris' two children spend 80% of their time with her and are looked after by their dad every other weekend. Clare talks to Hayley and Carly about the difficulties and benefits of co-parenting.Dr Jessica Taylor is a best-selling author and chartered psychologist who runs the research consultancy VictimFocus. Her new book, Underclass, is a memoir, detailing her childhood on a council estate in Stoke, the trauma and abuse she suffered and her journey to becoming a professional campaigning on behalf of other victims. Jessica joins Clare to talk about why she wanted to write it.As the second wife of Henry VIII Anne Boleyn's life and death have been well-documented but what about her sister Mary? A new play, The Other Boleyn Girl, has opened at Chichester Festival Theatre based on Philippa Gregory's best-selling novel. Lucy Phelps plays Mary and Freya Mavor is Anne – they join Philippa Gregory in a conversation with Clare. Presenter: Clare McDonnell Producer: Emma Pearce

I am joined by internationally best-selling author Dr Philippa Gregory, author of the new play "Richard, My Richard" and two of its stars, Richard III (Kyle Rowe) and Margaret Beaufort (Laura Smithers), for an exclusive interview about the new royal play garnering rave reviews in England.

A l'occasion de la sortie du film “Le Jeu de la Reine” au cinéma, découvrez la relation entre Catherine Parr et le roi Henri VIII, un roi d'Angleterre qui s'est montré si cruel avec ses épouses, qu'il a inspiré le personnage de Barbe Bleue. En plein chaos religieux au 16e siècle, la jeune femme a agi en véritable stratège pour gagner la confiance de son époux tyrannique… et surtout, pour sauver sa peau. Celle qui a survécu à Barbe bleue Henri est plus malade que jamais. Les médecins se demandent même comment il a réussi à tenir jusque-là. La reine est toujours auprès de lui, et l'assiste dans les affaires quotidiennes comme dans le gouvernement du royaume. Catherine se fait discrète, et tente surtout d'apaiser le roi pour le guider vers des décisions plus raisonnables que celles dictées par la douleur et la mauvaise humeur. Mais une ombre plane au-dessus d'elle... celle de Henri VIII et de la mort tragique de ses précédentes épouses... Ecoutez la saison précédente : Joey Starr & Kool Shen, de banlieusards à super stars Un podcast Bababam Originals Production : Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Réalisation : Matthew Roques Suivez-nous sur Flipboard SOURCES : La Dernière Reine, Philippa Gregory, Éditions Hauteville. Catherine Parr, Elisabeth Norton, Amberley Publishing. L'article "Sous-estimée, la sixième et dernière femme d'Henri VIII façonna l'Angleterre", paru dans National Geographic le 28 septembre 2023. L'article "Les craintes cachées de Henri VIII révélées après cinq siècles grâce à des annotations inédites", paru dans Geo le 17 octobre 2023. L'article "Henri VIII, liaisons dangereuses à la cour des Tudors", paru dans National Geographic. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think about women in the Middle Ages, we know about Eleanor of Aquitaine or Hildegard of Bingen, but we are a lot less likely to think about the alewives plying their trade in cities, or the noble ladies quietly running their estates, or even the nuns falling in love with each other and praising God. In this episode of Gone Medieval, Dr. Eleanor Jannega is joined by the best-selling novelist and historian Philippa Gregory, whose new book, Normal Women: 900 Years of Making History, sets the record straight.This episode with edited by Ella Blaxill and produced by Rob Weinberg.**WARNING: This episode contains some explicit sexual discussion**Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code MEDIEVAL - sign up here.You can take part in our listener survey here.

Historical novelist Philippa Gregory talks to Nick Ahad about writing her first stage play, Richard, My Richard, for Shakespeare North Playhouse in Prescot. Unlike Shakespeare's, Gregory's play is a tender, passionate, portrait of man in his time, surrounded by the women who influence his fate.With Marvel, DC and Sony superhero films boring fans and the box office, Nick speaks with Comic Crush editor Paul Dunne and film journalist Feyi Adebanjo about what's gone wrong and if these billion dollar blockbusters can get their mojo back.Showtown, Blackpool's new museum of fun and entertainment opens on Friday. Liz Moss, the museum's Chief Executive and journalist and former circus elephant girl Dea Birkett reflect on the museum's ambitions.Presenter: Nick Ahad Producer: Ekene Akalawu

Rachel and Simon speak with the novelist and historian Philippa Gregory. She began her career in journalism and worked at BBC Radio before publishing her first historical novel, "Wideacre", in 1987 while she was completing a PhD in 18th-century literature. Other bestselling novels followed, including "The Other Boleyn Girl" - which was adapted into a film starring Scarlett Johansson and Natalie Portman in 2008 - and "The White Queen". To date, Philippa's books have sold more than 10m copies worldwide; in 2018 she was awarded an Honorary Platinum Award by Nielsen to mark significant sales across her career. "Normal Women", her latest book, looks at 900 years of British history and tells stories of "female soldiers, guild widows, highwaywomen, pirates, miners and ship owners, international traders, theatre impresarios, runaway enslaved women, ‘female husbands', social campaigners and rebels". We spoke to Philippa about her early career in academia, finding huge success as a historical novelist, and writing "Normal Women". “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is published by Ithaka Press. You can order it via ⁠⁠⁠Amazon⁠⁠⁠, ⁠⁠⁠Bookshop.org⁠⁠⁠, ⁠⁠⁠Hatchards⁠⁠⁠ or ⁠⁠⁠Waterstones⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

The marriage of Queen Victoria to Prince Albert set the template for how we imagine a wedding should be but it wasn't always about big white frocks. Philippa Gregory explores how married women became the property of their husbands - along with everything they owned and produced. She considers the hidden history of wife sales and female husbands and shines a light on the difficulty women had accessing divorce.Joining Philippa to consider the institutions of marriage, divorce and single life through time are:Laura Bates, writer, activist and founder of the Everyday Sexism projectRachael Lennon, writer, social history curator and author of Wedded Wife: A Feminist History of MarriageNormal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates.Music: When Adam Was First Created - performed by Andy Turner. Hosted on Acast. See acast.com/privacy for more information.

Men have always claimed that there is such a thing as “female nature” and described it with great authority – but throughout history, women have refused to conform to the strict view of what is masculine and feminine - from fierce jousting medieval ladies to 18th Century French aristocrats who seamlessly slip in and out of male and female roles.Joining Philippa to discuss whether women have ever fitted the mould are:Professor Cordelia Fine, philosopher of science and psychologist and author of Testosterone Rex and Delusions of Gender andDr Ronx Ikharia, A&E doctor and presenter of Operation Ouch and The Gender Diagnosis podcastNormal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates. Hosted on Acast. See acast.com/privacy for more information.

For centuries, the experiences of women have been overlooked in history books exclusively written, edited and published by men, says best-selling British writer Phillipa Gregory. “[Recorded history] has not really looked at women's lives, which often are full of events, often full of heroism, often full effect - their lives make a huge difference to the national story but they're just not recorded.” While researching Anne Boleyn's lesser-known sister Mary for her 2011 novel The Other Boleyn Girl, Gregory had the idea of writing a book that celebrated the invisible women at the centre of history. She tells Nine to Noon that Normal Women: 900 Years of Making History is a culmination of her life's work.

Bitten, spat on, denounced - in the 1990s newly-ordained women were met with fury by a vocal minority. But women have always played an important role in the Church, as mystics, the heads of religious houses, saints or simply as normal women seeking salvation. Joining Philippa to tell the story of women's changing place in the Church of England - from 'weaker vessels' in the sixteenth century to women bishops in the twenty-first:Rev Richard Coles, writer, broadcaster and clergymanDr Grace Heaton, historian, University of OxfordNormal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates. Hosted on Acast. See acast.com/privacy for more information.

Throughout history women have faced the threat of sexual violence and, sadly, it's no different today. Philippa explores how rape was viewed as a crime against a man's property, how courtly love gave way to brutal desire and the difficulties women face in bringing their attackers to justice.Joining Philippa to discuss rape - how it has changed through history and how we see it now are:Joanna Bourke, Professor of History at Birkbeck, University of London and author ‘Rape: A history 'Soma Sara anti-rape activist and founder of ‘Everyone's Invited' website and charityNormal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates.If you or someone you know has been affected by rape or sexual violence or needs to talk to someone, support can be found via the NHS website or via the following organisations:The Rape & Sexual Abuse Support Line run by Rape Crisis England & Wales 0808 500 2222Rape Crisis Scotland 0808 801 0302Domestic and Sexual Abuse Helpline – Northern Ireland 0808 802 1414Clips: Gone With The Wind - director Victor Fleming - Metro Goldwyn Mayer Hey, trolly lolly lo! - The King's Singers Royal Rhymes and Rounds ℗ 2012 Signum Records Hosted on Acast. See acast.com/privacy for more information.

The count down is on in this episode (I'm not joking)! As Fi's timer ticks away, they discuss celebrity toilet encounters, upgraded train seats and advent. Plus, they're joined by historical novelist Philippa Gregory discusses her latest non-fiction work 'Normal Women: 900 Years of Women Making History". And if you want to get a taste of Philippa's book, you can also check out her new podcast, also called Normal Women. It's available wherever you get your podcasts. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Eve Salusbury Times Radio Producer: Kate Lee Hosted on Acast. See acast.com/privacy for more information.

This Sunday we're bringing you a bonus episode from a new podcast: Normal Women, from celebrated novelist and historian Philippa Gregory.Normal Women is a radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women, from 1066 to modern times. This is not a podcast about three or four well-known heroines. It is a story about millions of women: those who left records and those who were ‘hidden from history.'Find the rest of the series here. Hosted on Acast. See acast.com/privacy for more information.

Whether you are on the Board or in the kitchen, a medieval peasant or modern day medic, a Victorian street-sweeper or eighteenth century hand-spinner - if you are a woman, there's every chance you are underpaid. So why is that? Explanations vary across the centuries from women's lack of upper-body strength to the demands of motherhood and patriarchal oppression, but one thing is certain - the pay gap never closes.Joining Philippa to discuss the history of women's work are:Professor Jane Humphries, economic historian at the University of Oxford and London School of Economics anddata scientist Edwina Dunn, founder of the educational charity The Female Lead, which empowers and listens to women.Normal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates. Hosted on Acast. See acast.com/privacy for more information.

Sapphism, the Cult of the Clitoris, coded diaries and a bower of bliss - Philippa Gregory tells the story of women who love women, and those who tried to stop them. We hear from famous lesbians including Queen Anne and Gentleman Jack and less famous lovers rescued from the footnotes of history.Joining Philippa to discuss the history of women who love women are:TikTok stars Caitlin and Leah and Professor Laura Gowing, who teaches women's history and queer history at King's College London. Normal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates. Hosted on Acast. See acast.com/privacy for more information.

Just how should women behave? Throughout History, they have so often been expected to act as genteel ladies and confined to the home - often described as the 'angel in the house'. But far from remaining passive, many used their influence to put themselves at the heart of radical social change. In this episode we hear about the anti slavery campaigners - and Philippa introduces us to the hundreds of women who absolutely, under no circumstances wanted the vote.Joining Philippa to discuss the push and pull of homely responsibilities throughout history are:Geri Halliwell-Horner former Spice Girl and children's author and Kate Mosse, best-selling novelist and the founder of the Women In History campaignNormal Women: 900 Years of Making History is Philippa Gregory's radical retelling of our nation's story – not of the rise and fall of kings and the occasional queen, but a history of the millions of women missing from the record: wives and workers, viragoes and angels, female husbands, priests and pirates. Hosted on Acast. See acast.com/privacy for more information.

If you're feeling adventurous this weekend, we have just the guest to inspire you. The world's greatest living explorer, Sir Ranulph Fiennes joins us – but who inspires him? Multi-award-winning author of The Other Boleyn Girl - Philippa Gregory is here to cast a light on the unsung women of history. The Man....The Voice....The Ostrich-farmer. Opera-singer Russell Watson has ditched his bow-tie to tell us why he's now just as happy in his overalls. Plus...we have the Inheritance Tracks of rock and roll reverend...Kate Bottley. Presenters: Jon Kay and Dawn O'Porter Producer: Ben Mitchell

Did women really do nothing to shape England's culture and traditions through centuries of turmoil, plague, famine and religious reform? In her new non-fiction book, best-selling author Philippa Gregory questions the male version of history by recounting the stories of normal women: those who left records and those who were ‘hidden from history.' By spotlighting their presence, she puts women where they belong – centre stage.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Philippa Gregory about women's integral role in social and cultural change in the early modern era.This episode was produced by Rob Weinberg.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here > Hosted on Acast. See acast.com/privacy for more information.

Both Queen Elizabeth I and Queen Victoria set their stamp firmly on their era but which was the greater monarch? In this event, recorded in 2017, we welcomed Philippa Gregory, bestselling author of the Tudor Court series of novels to make the case for Queen Elizabeth I, and in the other corner was Daisy Goodwin, writer of the hit ITV series Victoria, arguing the case for that the show's namesake. Actors Fiona Shaw and Greta Scacchi were onstage to bring the personas of these historical icons to life and our host for the evening was historian and television presenter Dan Jones. We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be.  Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us @intelligence2.  And if you'd like to get ad-free access to all Intelligence Squared podcasts, including exclusive bonus content, early access to new episodes and much more, become a supporter of Intelligence Squared today for just £4.99, or the equivalent in your local currency .  Just visit intelligencesquared.com/membership to find out more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Divorced, beheaded, subjected to an extremely long and boring work of historical fiction. Ann Foster from Vulgar History joined us to discuss The Other Boleyn Girl by Philippa Gregory. We were glad for Ann's expertise, because now we now that … Continue reading →

This is Garrison Hardie with your CrossPolitic Daily News Brief for Wednesday, April 5th, 2023. Alps Precious Metals Group THE PAST WEEK HAS BROUGHT SOME “EXCITEMENT” TO THE MARKETS. BANK RUNS. STOCK COLLAPSES. WHAT WAS THOUGHT TO BE STABLE SUDDENLY APPEARS UNSTABLE. AND YET, GOLD’S PRICE *WENT UP* AS THE HEADLINES BECAME MORE OMINOUS. ALPS PRECIOUS METALS WAS ESTABLISHED BECAUSE WE BELIEVE THE BEST WAY TO PROTECT ONE’S HARD-EARNED WEALTH FROM THE SERIOUS FINANCIAL PROBLEMS THAT ARE UPON US IS BY OWNING PHYSICAL GOLD AND SILVER. CALL JAMES HUNTER OF ALPS AT 251-377-2197, AND VISIT OUR WEBSITE AT WWW.ALPSPMG.COM TO DISCOVER HOW YOU CAN BUY PHYSICAL PRECIOUS METALS FOR YOUR INVESTMENT AND IRA PORTFOLIOS. OWN THE ASSET GOD SPECIFICALLY MENTIONED AS “GOOD” IN THE 2ND CHAPTER OF GENESIS, AND OBTAIN A PEACE OF MIND THAT CAN BE HAD WITH FEW OTHER INVESTMENTS. AGAIN, CALL JAMES HUNTER OF ALPS PRECIOUS METALS AT 251-377-2197, AND VISIT WWW.ALPSPMG.COM TO LEARN HOW TO OWN THE BEDROCK ASSET OF THE AGES.   https://www.newsweek.com/donald-trump-could-sentenced-more-100-years-prison-1792487 Donald Trump Could be Sentenced to More Than 100 Years in Prison Donald Trump could be sentenced to more than 100 years in prison if found guilty of the over 30 charges of business fraud in the indictment from a Manhattan grand jury for which he'll be arraigned on Tuesday in New York, according to attorney Lisa Bloom. According to an exclusive report by Yahoo News correspondent Michael Isikoff on Monday, the former president will face 34 class E felonies for falsification of business records in the case which revolves around the $130,000 payment of hush money to adult film star Stormy Daniels by Trump's then-lawyer Michael Cohen ahead of the 2016 presidential election. Trump has consistently denied any wrongdoing and called the probe a political "witch hunt." "If this report is correct, Trump will be arraigned tomorrow on 34 FELONIES. Each carries a possible prison term of 4 years. Bragg would not bring this case without strong evidence," she wrote about the Manhattan District Attorney leading the grand jury investigation, Alvin Bragg. "Remember, this is the same DA's office that recently convicted the Trump Org for criminal fraud." Bloom, who since 2015 has been a vocal critic of Trump and in 2016 represented pro-bono four women accusing him of sexual harassment or sexual assault, said she's convinced that the case against Trump is strong, going to the point of calling it "a prosecutor's dream" because there's a record of the former president giving conflicting versions of the story. Based on these premises, Bloom expects the 34 felony charges to be about Trump's attempts to "cover up evidence of an underlying crime, in this case the campaign nondisclosures." Most experts looking at the case against Trump expect the chance of Trump actually serving prison time if found guilty close to zero. The charges against him would also not disqualify him from running for the presidency in 2024. It's also uncertain whether Bragg would actually recommend Trump serve time in prison. The sentence will be eventually decided by the judge. https://www.cnbc.com/2023/04/04/jolts-february-2023-.html Job openings tumbled below 10 million in February for the first time in nearly two years Job openings fell below 10 million in February for the first time in nearly two years, in a sign that the Federal Reserve’s efforts to slow the labor market may be having some impact. Available positions totaled 9.93 million, a drop of 632,000 from January’s downwardly revised number, the Labor Department reported Tuesday in its monthly Job Openings and Labor Turnover Survey. Wall Street had been looking for 10.4 million, according to FactSet. It was the first time vacancies fell below 10 million since May 2021. The Fed has targeted the red-hot labor market in its quest to bring down inflation, which had been running at a 41-year high in the summer of 2022. The central bank has raised benchmark interest rates nine times since March 2022, but those moves had been appearing to have little impact on the jobs situation. Prior to the February data, job openings had been outnumbering available workers by nearly 2 to 1. The latest figures bring that ratio down to less than 1.7 to 1. Treasury yields fell following the release as the data could help dissuade the Fed from further rate hikes. Stocks moved lower. “The labor market is starting to loosen as the number of job openings declined in most sectors. As the economy slows, firms will likely cut openings and workers will be less likely to quit in search of better hours and higher pay,” said Jeffrey Roach, chief economist at LPL Financial. “The Fed could consider pausing rate hikes at the next meeting but only if the upcoming employment report shows signs of material weakness and the March [consumer price index] report reveals lower inflation.” Though the numbers run a month behind, the Fed watches the JOLTS data closely for signs of labor slack. Along with the decline in job openings, hires and separations also decreased slightly. Quits, a sign of labor confidence in the ability to switch jobs, rose by 146,000 to just over 4 million. Professional and business services saw a slide of 278,000 job openings on the month, while trade, transportation and utilities decreased 210,000. Accommodation and food services, an important sector to gauge consumer demand, dropped 125,000. On the positive side, there were 129,000 new construction jobs available, though that was the only category that saw a noticeable bump. The JOLTS release comes three days ahead of fresh nonfarm payroll numbers for March. The Friday Labor Department count is expected to show a gain of 238,000, with the unemployment rate holding steady at 3.6%. https://www.dailywire.com/news/wisconsin-voters-head-to-the-polls-to-decide-balance-of-state-supreme-court Wisconsin Voters Head To The Polls To Decide Balance Of State Supreme Court Voters in Wisconsin head to the polls on Tuesday to decide the balance of the state Supreme Court in one of the most expensive court races in history. Neither candidate running for the open seat belongs to a political party. Conservative candidate and former Justice Dan Kelly, backed by most Republicans, is facing off against liberal candidate Judge Janet Protasiewicz (Pro-Tuh-Say-Witz), the preferred candidate of most Democrats, with the winner determining the ideological slant of the divided court and earning a 10-year term on the court. Protasiewicz has reportedly been backed by donations from left-wing billionaire George Soros and Gov. J.B Pritzker (D-IL), while Kelly has received support from groups like Fair Courts America, a conservative judicial organization. Total spending has exceeded $40 million, an astronomical amount compared to previous years when total spending was only around $10 million. Hollywood has even thrown its weight behind Protasiewicz, with director Steven Speilberg contributing to her campaign and actor Mark Ruffalo encouraging voters to “change the future of Wisconsin by electing Janet Protasiewicz & flipping the state supreme court.” Both candidates have suggested that the other is unfit to serve, with Kelly pointing to Protasiewicz’s left-wing ties and claiming she has a soft-on-crime sentencing history, while Protasiewicz linked Kelly to attempts to challenge the 2020 presidential election in the Badger State. During a debate earlier this year, Protasiewicz claimed that she was “running against probably one of the most extreme partisan characters in the history of the state.” Though officially non-partisan, the candidates have nearly polar opposite views, with Protasiewicz openly championing her support for abortion and Kelly receiving the endorsements of key pro-life groups in the state. Protasiewicz had an ad featuring a woman celebrating an abortion because the child could have been born with disabilities. The election could be a deciding factor in a case over Wisconsin’s 1849 abortion ban, which became relevant after Roe v. Wade was overturned last summer. The candidates could also play a key role in deciding the fate of other laws in the state, including election integrity measures, election maps, and gun laws. Last year, the state made a bombshell ruling, saying that Wisconsin voters could not turn their ballots into unmanned drop boxes and that voters would not be allowed to give them to others to drop off for them. This case, decided 4-3, would likely have been different with a different balance on the court. Republicans currently control the state’s general assembly, but Democrat Gov. Tony Evers won re-election in November, meaning lawmakers are limited in what laws they can get passed. https://www.washingtonexaminer.com/restoring-america/fairness-justice/los-angeles-decarceration-release-inmates Los Angeles floats 'decarceration' policy to release large number of inmates The Los Angeles County Board of Supervisors is floating a "decarceration" policy that would drastically reduce the number of people in jails, releasing many current inmates. The agenda item , added to Tuesday's meeting, is titled "Los Angeles County to Take Actionable Next Steps to Depopulate and Decarcerate the Los Angeles County Jails: Granting Local Authority, Advocating for Court and State Support, and Legislative Changes." The proposal, to be discussed during the meeting, would "declare the State of mental health services and overcrowding in the Los Angeles County jails a humanitarian crisis, requiring the County to move with all deliberate speed on meaningful solutions; and prioritize decreasing the number of individuals entering the Los Angeles County Jails" through a number of measures. In order to "reaffirm the Board’s commitment to depopulate and decarcerate," the proposal would require law enforcement to "cite and release individuals with aggregate bail amounts set at $50,000 or below" and "adopt a zero-bail schedule for individuals accused of low-level offenses, infractions, misdemeanors, and some felony offenses." The push comes as crime, including violent crime, has risen in the past few years, particularly since the start of the COVID-19 pandemic . An analysis found that crime increased 11% in 2022, with 60 reported crimes per 1,000 residents, compared to 2021, which saw 54 crimes per 1,000 residents. In some areas, crime has skyrocketed; downtown experienced 372 crimes per 1,000 residents in 2022. The vice president of the Los Angeles Association of Deputy District Attorneys, Eric Siddall, denounced the proposal, speaking with Fox News, arguing that it would make crime in the city even worse. "The Los Angeles County Board of Supervisors’ motion to gut parts of the criminal justice system without input from stakeholders is dangerous and recklessness," he told the outlet. "The authors sought no advice from those who know and understand public safety issues. They seek to lower the jail population without addressing the root causes of crime or protecting the public." He condemned the "catch-and-release" part of the proposal. Now this! https://www.theblaze.com/news/gone-with-the-wind-to-include-trigger-warning-intro-that-addresses-white-supremacy-in-latest-print 'Gone with the Wind' to include trigger warning, intro that addresses 'white supremacy' in latest print The publishers of the classic American novel "Gone with the Wind" will include a "harmful" trigger warning and an introduction that addresses "white supremacy," the Telegraph reported. Pan Macmillan, a publishing house based in London, has decided to affix a trigger warning to Margaret Mitchell's 1936 novel. The book, which takes place in 1861, follows the story of Scarlett O'Hara, the daughter of a southern plantation owner, and her romance with Captain Rhett Butler during the Civil War. The cautionary note at the front of the new edition of the book will warn readers that it contains "racist" themes that could be "hurtful or indeed harmful." "Gone with the Wind is a novel which includes problematic elements including the romanticisation of a shocking era in our history and the horrors of slavery," the trigger warning states. "The novel includes the representation of unacceptable practices, racist and stereotypical depictions and troubling themes, characterisation, language and imagery." Pan Macmillan noted that the new edition of Mitchell's novel would remain original. New editions of works from Agatha Christie and Ian Fleming were recently altered to remove potentially offensive passages with racial references. "The text of this book remains true to the original in every way and is reflective of the language and period in which it was originally written," the cautionary note continued. "We want to alert readers that there may be hurtful or indeed harmful phrases and terminology that were prevalent at the time this novel was written and which are true to the context of the historical setting of this novel." "Pan Macmillan believes changing the text to reflect today’s world would undermine the authenticity of the original, so has chosen to leave the text in its entirety." Pan Macmillan added, "This does not, however, constitute an endorsement of the characterisation, content or language used." The cautionary note affixed to the start of the novel was written by Philippa Gregory, the author of "The Other Boleyn Girl." According to the publisher, Gregory was chosen to pen the introduction because "we believed it was important that no author from a minority background should be asked to undertake the emotional labour of being responsible for educating the majority." Gregory argued that Mitchell's novel "effectively promoted the racist planter view of the history of the South." She claimed it "defends racism" and "glamorizes and preaches white supremacy." According to Gregory, "It tells us, unequivocally, that African people are not of the same species as white people." "This is the lie that spoils the novel," Gregory adds. All I can say to the publisher is, Frankly my dear… I don’t give a damn.