Podcast appearances and mentions of claire edwardes

Geen wegwijzers, geen markeringen, geen waarschuwingen voor gaten in het wegdek of verhulde zijpaden - wie op weg is naar de grens gaat af op eigen intuïtie, op de tast, op het gevoel, zonder kaart of routeplanner, gewoon maar kijken waar je uitkomt... Hoe mooi kan het dan zijn... 23.04 CD Gipps: Piper of dreams (Chandos CHAN 20290) Ruth Gipps: Threnody Juliana Koch [althobo]; Michael McHale [piano] 7'11” 23.12 CD İlâhiyât-ı Ken'an, Vol. 4 (Cenan Eğitim Kültür ve Sağlık Vakfı) trad: Firkatin Nâriyle Yandim, Yâ Habîballah Meded Lâ Edrî; Elif Ömürlü Uyar 2'23”  CD İlâhiyât-ı Ken'an, Vol. 4 (Cenan Eğitim Kültür ve Sağlık Vakfı) trad: Bir Nokta Idim, Kildi Beni Kamet-i Tûbâ Lâ Edrî; Elif Ömürlü Uyar 5'01”  23.20 CD Revolver (Unsounds 72U) Kate Moore: Way of the Dead Herz Ensemble - Anna McMichael [viool]; Rowena Macneish [cello]; Kirsty McCahon [contrabas]; Geneviève Lang [harp]; Claire Edwardes [slagwerk] 10'56”  23.33 CD Carry them with us (TAK:TIL GBCD 139) Brighde Chaimbeul: Pililiù (The Call of the Redshank) Brighde Chaimbeul; Colin Stetson 3'55”  CD Carry them with us (TAK:TIL GBCD 139) Brighde Chaimbeul: Bonn Beinn Eadarra (The Haunting) Brighde Chaimbeul; Colin Stetson 3'56”  23.42 CD Slow Roads (elsewhere 027) Ivan Vukosavljević: The Ladder I Lise Morrison [orgel] 7'33”  CD Slow Roads (elsewhere 027) Ivan Vukosavljević: The Ladder II Tineke Steenbrink [orgel] 3'52”

Het heeft sfeer, het neemt je mee, het zijn de klanken van een gedroomde werkelijkheid. Soms brengt muziek je naar een plek die je misschien niet verwacht had, en die schoonheid en eindeloosheid ademt. Het zit allemaal tussen de oren, die dan ook onmisbaar zijn voor zo'n ervaring. En verder: Martijn Padding en zijn link met Schumann.  23.04 CD Wild Port of Europe (V-Flow 06) Eric Vloeimans: Blote Bunzingbaby's Eric Vloeimans [trompet]; Jörg Brinkmann [cello] 1'57” CD Wild Port of Europe (V-Flow 06) Eric Vloeimans: Kansloos klein Eric Vloeimans [trompet] 1'01” 23.08 CD Bach & Pärt (Pentatone PTC 5187 017) Arvo Pärt: Fratres (versie voor viool, strijkorkest en slagwerk) Arabella Steinbacher [viool]; Stuttgarter Kammerorchester 12'34” 23.22 CD Revolver (Unsounds 72U) Kate Moore: The Boxer Manna McMichal [viool]; Rowena Macneish [cello]; Kirsty McCahon [contrabas]; Geneviève Lang [harp]; Claire Edwardes [slagwerk] 7'01” 23.31 CD Infinity: Choral Works (Naxos 8.573788) Kim André Arnesen: Making or Breaking Kantorei olv Joel Rinsema; John Gunther [saxofoon] 4'35” 23.37 eigen opname November Music Robert Schumann arr. Jörgen van Rijen: Ich grolle nicht Jörgen van Rijen (trombone); Alma Quartet 1'40” CD Mirrored in Time (BIS ) Martijn Padding: Schumann's last procession (version for trombone & string quartet) Jörgen van Rijen (trombone); Alma Quartet 7'40” 23.50 CD Nuït (TRPTK ttk0081) Maya Fridman, Maarten van Veen: VIII + VI Maya Fridman [cello]; Maarten van Veen [piano] 4'50” + 3'41”

Nardi Simpson shares music and stories of Yuwaalaraay Country in concert with Ensemble Offspring, Kevin Hunt and the Barayagal Choir.

The Offcast is a podcast by Sydney's new music group Ensemble Offspring, and hosted by Artistic Director and international percussion powerhouse Claire Edwardes. In these punchy and upbeat interviews, Claire chats to musical pioneers from close to home (Australia) and across the globe to find out what makes them tick, asking them about their roots, their inspiration to change our musical landscape and their innovative plans for the future.Season 1 guests are: Jodie Blackshaw, Nardi Simpson, Jane Sheldon, Daniella Strasfogel, Julian Day, Eliza Shephard, Catherine Haridy, and Kyla Matsuura-Miller.

Saturday 2 October: Mindy Meng Wang's exploratory approach to the ancient Chinese guzheng, and two film loving musicians write a suite of songs based on Hellraiser III, Bring It On Again and Silence of the Lambs.

Welcome back to Declassify Season 2! I am so pleased to welcome you all back to this new season, and most importantly, to begin this following season with a host of international guests and conversations. I am so pleased, not only to have returned, but to welcome Declassify's third guest for the season, pioneering percussionist Claire Edwardes. Claire is a leading percussionist working as a soloist, recording performer and chamber musician and is the current Artistic Director of Ensemble Offspring. She is a forefront figure for the commissioning and performance of contemporary Australian music having premiered works by composers such as Harrison Birtwistle and Elena Kats-Chernin. Claire remains the only Australian to have won the ‘APRA Art Music Award for Excellence' by an individual three times. Across this episode, Victoria and Claire unpack the myth of meritocracy, new programming, educational models and the need to break the cycles of sonic conditioning. --------RESOURCESClaire's Website: https://www.claireedwardes.com/Limelight Claire's article: https://www.limelightmagazine.com.au/features/ensemble-offspring-embracing-the-new-and-unknown/?fbclid=IwAR1DJ91HVCmDLPb5TS0suIDUeBjbamt4wxRW4FCgYJOb01QpJvSScbU12FQ Claire's Resources for Composers: https://www.claireedwardes.com/resourcesforcomposers Claire's Female Composition List: https://www.claireedwardes.com/femalecompositionlist Ensemble Offspring: https://ensembleoffspring.com/ Keychange EU: https://www.keychange.eu/  

In this special fundraiser program, past guests tell us why 3CR and the Think Again program are so important.Amongst the testimonials, Jacques and Jennifer explain what they are intending to do through the program – like ‘joining the dots' amidst all the fragments of information bombarding us, and providing a platform for  views and voices not heard in the mainstream media.Music played on this episode of Think Again was 'Violet's Etude' by Elena Kats-Chernin, performed by Claire Edwardes  

In this instalment of the podcast, Paul Kildea has a lively conversation with percussionist and curator Claire Edwardes. The dialogue starts with Claire Edwardes' kaleidoscopic background and how calling Claire just a ‘percussionist' does her no justice. She talks about her love of music from a very young age and how her love of playing music with other people has led her down the path of music curation.

Old faves and new releases from the personal playlists of 12 outstanding Australian musicians.

Old faves and new releases from the personal playlists of 12 outstanding Australian musicians.

16 artists from the Australian music scene talk about staying creative and connected in these times of physical and social isolation.

Tom Service talks to author Oliver Craske about his new biography, which marks the 100th anniversary of one of the 20th century's most influential musicians, Ravi Shankar. Composer, Erkki Sven Tuur turned 60 last year. He speaks to Tom, from his home on an island in the Baltic Sea, about his Ninth Symphony and how his orchestral piece Sow the Wind is especially relevant during these times. We continue to mine the Music Matters archive and there is another chance to hear Angela Hewitt talk about Beethoven and Bach. And as lockdown continues to impact artists the world over, Tom talks to violinist Tamsin Waley-Cohen, percussionist Claire Edwardes, and the composer Kamala Sankaram whose new opera “All decisions will be made by consensus,” was composed especially for live online performance premieres this week.

This week Tom talks to composer Jonathan Dove as he celebrates six decades of composing. He also speaks to Lilian Hochhauser about her career promoting great Russian artists in the UK, including the composer Shostakovich, pianist Sviatoslav Richter and cellist Mstislav Rostropovich. The percussionist Claire Edwardes and scholar Michael Hooper also join Tom from Sydney to review the Australian music scene and modernism in the 1960s and 1970s; and pianist Philip Thomas shows Tom an app for composing your own version of John Cage's Concert for piano and orchestra.

Could music one day be something we experience through augmented reality, responding to the way we move through the world? Sound supplemented with colours and shapes? Mavis Wong/The Conversation NY-BD-CC, CC BY-SAYou probably heard your first strains of music when you were in utero. From then on it’s helped you learn, helped you relax, hyped you up, helped you work, helped you exercise, helped you celebrate and helped you grieve. Music is ingrained in so many aspect of our lives, but it’s also the subject of a significant body of academic work. Today’s episode of Trust Me, I’m An Expert is all about research on music. We’ll be hearing from Dr Ben Swift, a digital artist and computer science lecturer from the Australian National University on how technology is changing the way we interact with music. Could it one day be something we experience through augmented reality, responding to the way we move through the world? Sound supplemented with colours and shapes? And Conversation intern Juliana Yu spoke with Dr Clint Bracknell, a researcher at the Sydney Conservatorium of Music about how he’s investigating the power of song to help address the national and global crisis of Indigenous language-loss. He’s working on this research with Wirlomin Noongar Language and Stories Inc. And we’ll hear from researcher Dr Hollis Taylor, most recently at Macquarie University, who has been studying, recording, and transcribing pied butcherbird song for 12 years. Taylor produces what she calls “re(compositions)” – musical arrangements that mimic and complement pied butcherbird song. Trust Me I’m An Expert is a podcast from The Conversation, where we bring you stories, ideas and insights from the world of academic research. Special thanks today to Shelley Hepworth and Juliana Yu, as well as academics Hollis Taylor, Ben Swift and Clint Bracknell. You can download previous episodes of Trust Me here. And please do check out other podcasts from The Conversation – including The Conversation US’ Heat and Light, about 1968 in the US, and The Anthill from The Conversation UK, as well as Media Files, a brand new podcast all about the media. You can find all our podcasts over here. Additional audio Kindergarten by Unkle Ho, from Elefant Traks Svefn-g-englar by Sigur Ros Green Lake, Victoria for soprano recorder and field recording by Hollis Taylor, Genevieve Lacey, recorder Owen Springs Reserve 2014 for vibraphone and field recording by Hollis Taylor/Jon Rose, Claire Edwardes, vibraphone Field recordings by Hollis Taylor 2 Adagio (Fantasia in C minor K 475 by W. A. Mozart) by NoLogic, from Free Music Archive Procession by The Marian Circle Drum Brigade, from Free Music Archive Svela Tal by Blue Dot Sessions, from Free Music Archive Critters creeping Lee Rosevere Shimmering Still Water – Free Sound Archive Asmodeus Redux by Ben Swift Elder Brother by Ben Swift The Illiac Suite by Hiller and Isaacson Wirlomin members practicing old Noongar songs with the guidance of Henry Dabb, Gaye Roberts and the Wirlomin Elders Reference Group

Violinist, composer and pied butcherbird specialist Hollis Taylor talks about her music and research, and presents new music combining the music-making of these birds with human musicians.

Violinist, composer and pied butcherbird specialist Hollis Taylor talks about her music and research, and presents new music combining the music-making of these birds with human musicians.

Four performances in rural sheds by some of Australia's leading contemporary musicians reflect the voices and history of their place.

Four performances in rural sheds by some of Australia's leading contemporary musicians reflect the voices and history of their place.

What does it mean to be female in classical music? Hosts Kenny and Luke dive headfirst into the many-layered topic of equality in classical music, accompanied by ANAM viola alumnus and all-round great lady Katie Yap. They talk composers, the dark of history of women in classical music, discrimination and oppression, and what might come next, with help from interview guests Claire Edwardes (percussionist and Artistic Director of Ensemble Offspring), Gemma Tomlinson (ANAM cello Fellow), and Rachel Grimwood (ANAM violist). ANAM cello student Vicky Zhang joins the party with some light theremin playing to keep you entertained.

Contemporary chamber music inspired by the aesthetic worlds, musicians and instruments of east Asia.

Contemporary chamber music inspired by the aesthetic worlds, musicians and instruments of east Asia.

An audio journey through music, spaces and voices of the 2016 Mofo festival.

An audio journey through music, spaces and voices of the 2016 Mofo festival.

New music hot off the presses from five composers of the emerging generation, performed by Ensemble Offspring.

New music hot off the presses from five composers of the emerging generation, performed by Ensemble Offspring.

The artistic partnership and a selection of recent works composed for Ensemble Offspring and collaborators.

The artistic partnership and a selection of recent works composed for Ensemble Offspring and collaborators.

From spectralism to open music to instrument building and new tuning systems - the development of Ensemble Offspring.

From spectralism to open music to instrument building and new tuning systems - the development of Ensemble Offspring.

Ensemble Offspring's co-artistic directors Claire Edwardes and Damien Ricketson reflect on the origins of the group.

Ensemble Offspring's co-artistic directors Claire Edwardes and Damien Ricketson reflect on the origins of the group.