Podcast appearances and mentions of Jonathan Dove

ECOSYSTEMS & PLANTING This fortnight we are joined by our friend across the ditch, Jonathan Dove. Jonathan both leads Grace City Church in Auckland, in addition to helping to lead the Auckland Church Leaders Network. In this conversation Jonathan shares about the significance of ecosystems, and the WHOLE church in its flourishing. Morover, Jonathan shares about how integral planting is, and the journey Grace City have been on when it comes to envisioning, and working through a Learning Community process, to the place where they are now launching a church!Instagram - www.instagram.com/exponential_australia Facebook - www.facebook.com/exponentialausAvailable now on YOUTUBE | SPOTIFY | APPLE PODCASTS

Tennyson wrote a famous poem for New Year's Day, or any day. Jonathan Dove, a contemporary English composer, set it to music. This episode begins with that piece. There is also a song from the American Revolution, sometimes known as “Chester” (“Let tyrants shake their iron rod”). Jay further includes a little-known composer from Brazil with a flavorful name: Radamés Gnattali. Then you get Brahms and others. A nice, varied menu. Dove, “Ring Out, Wild Bells” Gnattali, Guitar Concerto No. 4 Brahms, Ballade in D, Op. 10, No. 2 Billings, “Chester” (“Let tyrants shake their iron rod”) Martucci, Nocturne, Op. 70, No. 1 Verdi, Ave Maria from Otello

How does one of the most prolific UK composers of our time compose? How can musicians make classical music accessible? We put contemporary British Composer Jonathan Dove CBE and Paul Hughes, former Director of the BBC Symphony Orchestra & Chorus in the hot seat. Speaking to Tanglin Trust School's Head of Co-curricular Michael Holiday, Jonathan and Paul share their journey in developing the world premiere of A Bridge Across the Sea – a Cantata performance based on the Ramayana, commissioned by Tanglin Trust School for its centenary celebration. Contemporary British Composer Jonathan Dove CBE is one of the most performed living opera composers. He has written more than 30 operas including Flight (1998) which has seen more than 30 productions, Mansfield Park (2011) and Marx in London (2018). Paul Hughes is a former Director at the BBC Symphony Orchestra & Chorus and the BBC Singers for more than 20 years. He currently mentors the next generation of young conductors at the Lead! Foundation. This episode was produced in partnership with member company Tanglin Trust School. You can get tickets to the World Premiere of A Bridge Across the Sea, a specially-commissioned Cantata for soloists, Children's Chorus, Adult Chorus and Orchestra by Jonathan Dove CBE here: https://sg.bookmyshow.com/en/e/TTSMUSIC

Today we're thrilled to spotlight Flight, once again, Jonathan Dove's groundbreaking opera. Leading today's conversation is Flight's conductor, and Vancouver Opera's Head of Music/Associate Conductor, Les Dala. Joining him is Flight's acclaimed Director, Morris Panych, whose vision is bringing this unique production to life. Together they dive into the themes, artistry, and creative process behind this stunning work. Read the full article here. Credits Morris Panych - Director of Flight Leslie Dala - Guest Host and Conductor of Flight Ashley Daniel Foot - Host of Inside Vancouver Opera Mack McGillivray - Audio Producer and Editor Illustration by @barryekko

Today we'll explore how composer Jonathan Dove turned an airport terminal into a mythic space of drama, humor, and humanity - transforming the ordinary into the extraordinary. As Vancouver Opera prepares to take Flight from February 8th to 16th at the Queen Elizabeth Theatre, today we're thrilled to talk with the composer himself. Read the full article. Credits: Jonathan Dove - Composer of Flight Ashley Daniel Foot - Host of Inside Vancouver Opera Mack McGillivray - Audio Producer and Editor Jonathan Dove Illustration by @barryekko

The British pianist Charles Owen has made some fine recordings, securing a quartet of Gramophone Editor's Choice accolades for albums of Poulenc, Jonathan Dove, Liszt and, with the violinist Augustin Hadelich, a collection of Czech music. Now, for Avie, he turns his attention to the music of Robert Schumann from the 1830s, including Carnaval, Papillons, the Intermezzi Op 4 and the Abegg Variations. James Jolly caught up with Charles recently in London to talk about the album, how Schumann's fascination with the duality of his character infuses these early works, and also about the luxury of recording in a beautiful restored barn deep in The Cotswolds without having to worry about the strict timetable of a commercial recording studio.

Hein van Eekert in gesprek met Niek Idelenburg: theatermaker en artistiek leider van Holland Opera. Deze wintervakantie brengt Holland Opera samen metdeDuda Paiva Company & New European Ensemble de kerstvoorstelling Reinaert de V. (7+). Koningin Nobel houdt Hofdag. Alle dieren klagen over de kwaadaardige streken van Reinaert de Vos. Bruun de Beer en Tibeert de Kater moeten Reinaert gaan halen, maar hij is ze telkens te slim af. Pas als zijn dochter Rosseline aandringt verschijnt Reinaert aan het gerechtshof. Reinaert wordt veroordeeld... Hij lijkt koningin Nobel met een subliem verhaal te overtuigen van zijn onschuld. Maar Reinaert heeft 1 persoon onderschat: zijn dochter. Niek Idelenburg kruipt in de rol van Reinaert de V. Het aloude verhaal wordt speciaal voor deze voorstelling bewerkt door tweevoudig Gouden Griffelwinnaar Simon van der Geest. Oene van Geel (winnaar VPRO/Boy Edgar Prijs 2013) maakt een veelzijdige muzikale compositie, waarin elk dier een eigen muzikaal idioom krijgt. Reinaert de V. is een multi disciplinaire familievoorstelling met de poppenspelers en dansers van Duda Paiva Company, musici van het New European Ensemble en zangers van Holland Opera. Niek voltooide de dirigentenopleiding aan het Conservatorium van Amsterdam. Aan het conservatorium van Utrecht studeerde hij cum laude af voor klassiek zang. Hij zong in een groot aantal jeugdopera's zoals: Tantes, 4 Musketiers, Ruimtevlucht en Roodhapje. Niek dirigeerde o.a. Jonathan Dove's The Day After, Orfeo Underground en Divorce of Figaro. In de zomer van 2020 componeerde Niek zijn eerste opera: Vliegende Hollander. Hiervoor werd hij genomineerd voor de Matthijs Vermeulenprijs. In 2021 componeerde hij Dwaalhuis, een kameropera om dementie voor kinderen en jongeren bespreekbaar te maken. Voor zijn composities in Mijs met de zwavelstokjes werd hij genomineerd voor de BUMA Music Award 2022.

James Newby's new album, 'Fallen to Dust', for BIS explores English song, and particularly English on the theme of death. Joined by the pianist Joseph Middleton, he offers cycles by Sir Arthur Somerville and Gerald Finzi, as well as songs spanning a century, including contemporary settings by Jonathan Dove and Errollyn Wallen. A former BBC New Generation Artist, a recipient of a 2022 Borletti-Buitoni Trust Award, a Rising Star for the Orchestra of the Age of Enlightenment and an ECHO Rising Star, Newby's career has taken off impressively. James Jolly met up with him earlier this week to talk about the new album. Gramophone Podcasts are given in association with Wigmore Hall. 

Today James Clutton speaks to the cast, Composer, Librettist, Associate Director and producers of Itch, Opera Holland Park's new opera by Jonathan Dove, after the team have heard it played through for the first time.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Ook vandaag laat Ab je weer muziek horen in het thema 'Positiviteit'. En dat is In Beauty May I Walk, oftewel 'In schoonheid mag ik lopen' van Jonathan Dove. Dit muzikale gebed komt van origine van de Navajo, een Indianenvolk uit Noord-Amerika. De oorspronkelijke auteur van het gebed is onbekend. Er wordt gezegd dat het lezen van de woorden vrede en kalmte brengt. De tekst gaat namelijk over de schoonheid waarmee we alles in het leven kunnen doen. Volgens Ab klinkt de combinatie van de melodie met de tekst heel hoopvol en positief. Luister je mee?

Matthew Bannister on Mehran Karimi Nasseri – otherwise known as Sir Alfred (pictured). He was the Iranian migrant who lived for eighteen years in terminal one of the Charles de Gaulle Airport in Paris. Sue Baker, the motoring journalist who presented Top Gear. Ann Savours, the archivist and polar historian who wrote books on the search for the Northwest Passage and Captain Scott's ship the Discovery. Wilko Johnson, the former guitarist with Dr Feelgood who was diagnosed with terminal cancer in 2013 and given ten months to live. He undertook a farewell tour, but then a nine hour operation changed the prognosis. Producer: Neil George Interviewed guest: John Shirley Interviewed guest: Robert Headland Interviewed guest: Michael Palin Interviewed guest: Paul Schroeder Interviewed guest: Martin Gurdon Interviewed guest: Vicki Butler-Henderson Interviewed guest: Andrew Donkin Archive clips used: Clip from the trailer for Terminal Man, Rotten Tomatoes Classic Trailers YouTube Channel, Uploaded 13/12/2017; Clip from the trailer for Jonathan Dove's opera 'Flight', Minnesota Opera YouTube Channel, Uploaded on 24/01/2020; BBC Archive: BBC World News - 13/11/2022: An Iranian man who lived in a Paris airport for 18 years has died; BBC Archive, Top Gear 27/09/1983; BBC Sound Archive, Mastertapes 19/05/2018; BBC Archive, World News 07/08/2013

The Mendelssohn Choir of Pittsburgh presents "Toward the Unknown Region" Saturday April 2, 7:30pm at the Hillman Center for Performing Arts, and Sunday April 3rd, 2:30pm at Westminster Presbyterian Church.  This concert will feature two dynamic works for chorus: Ralph Vaughan Williams' Toward the Unknown Region and Jonathan Dove's blistering song cycle "The Passing of the Year."  Music Director Matthew Mehaffey stopped by WQED-FM to chat with Anna Singer about the concert.  

In this episode of From the Producer's Office, James Clutton is joined by composer Jonathan Dove and broadcaster and bestselling author Simon Mayo to announce a new commission for 2023, the world premiere of an opera for young adults and families, Itch. The opera will be based on Simon Mayo's bestselling novels Itch and Itch Rocks, described as 'Breaking Bad for kids' by NPR in America. Itch explores the real life magic of the elements through an explosive adventure story that sees the young hero trying to outrun a vindictive teacher, a global corporation and a shadowy government agency in his quest to save the world. Simon, Jonathan, and James discuss how the commission came about, talk about the novel's plot and the inspirations behind it, and draw parallels between Itch and some other operas listeners might be familiar with. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.

Co-hosts Carol Anderson and Jeff Counts sit down with John Holiday prior to his Utah Opera debut in his signature role in Jonathan Dove and April de Angelis' Flight. Many, not familiar with the opera world will know John Holiday from season 19 of NBC's The Voice. John is one of the most sought-after countertenors (a cis-male that sings in a mezzo-soprano range) in the opera scene. John shares anecdotes about his career as an artist and educator in a pandemic world. One of the gems of the discussion was around John's TEDx talk, “The Monsters Under My Bed,” that focuses on family dynamics and how you can find your worth, despite the situation. You can find that talk here: https://www.johnholiday.com/media# Does John have a story that he would like to see set as an opera? Find out in this amazing conversation with John Holiday.

Co-hosts Carol Anderson and Jeff Counts discuss the comedy, energy, music, and emotion of a colorful cast living out an unexpected overnight delay. John Holiday from season 19 of NBC's The Voice makes his Utah Opera debut in his signature role in the opera that has entertained audiences around the world and speaks to us of the realities of our shared humanity – Jonathan Dove and April de Angelis' critically acclaimed opera, Flight.

This is the second part of a two part episode on the role of creativity in preaching with Jonathan Dove, Senior pastor of Gracecity Church, and Graham Blaikie, Long Story Short. There's lots of practical stuff here. We hear more examples of creativity in preaching, including first-person monologue, or dramatic preaching, as well as examples from Graham and Jonathan's own preaching. We discuss a variety of ways in which we can foster our own creativity in preaching, including the role that teamwork can play in sermon preparation, and what to do if we're stuck for creative ideas. We also talk about the role and importance of storytelling in preaching, especially the biblical stories; and the power that creativity has to engage and pull people in. Check out Long Story Short here: http://www.longstoryshort.co/ Preachit! S01E08 Check out the Preachit! website or connect at the FaceBook page! http://www.preachit.nz http://www.facebook.com/preachitnz Produced and edited by @RuffianBeats http://www.instagram.com/ruffianbeats Music by @samueljames.music http://www.instagram.com/samueljames.music http://www.samueljames.studio keywords: alan stanley preach preachit christ centred

This 14th SIMM-podcast episode is presenting interviews with British musician-scholar-trainer Jonathan Vaughan (00:22->19:35), American musician-trainer Louise Zeitlin (20:10->33:05), Belgian  organist, composer, conductor and opera director Bernard Foccroulle (33:34->45:53) and conductor, ethnomusicologist, music educator, writer, and human rights activist André de Quadros (45:56->60:44).We hear Lukas Pairon interview them about training and accompanying programmes proposed to musicians and social and community workers engaged or wanting to engage themselves as facilitators in social and community music projects.The short music extracts you will hear are recordings of some of the programmes being discussed and presented during this and previous episodes of the podcast.Referenced during this podcast-episode: Moneim Adwan, Aix-en-Provence Opera Festival, Aix Academy, Aix Passerelles, James S. Bowman, Julia Bullock, Conducting 21C (Musical Leadership for a New Century), Emilie Delorme (Conservatory of Paris), John Dewey, Jonathan Dove ('The Monster in the Maze'), Elliott & Silverman & Bowman ('Artistic Citizenship'), Eric Ericson International Choral Centre, Guildhall School of Music and Drama, Emily Levy, LSO Discovery, Monnaie Opera, Oberlin Community Music School, Frances Stonor Saunders ('Who Paid The Piper?'), Sibelius Academy, Sarah Thery, Thierry Thieû Niang, Ana Vujanoviz ('Art as a Bad Public Good'), Roddy Williams, Paul Woodfordcontact: info@simm-platform.eu / www.simm-platform.eu

This is a pre-concert discussion where we go in depth into the Songs of Meditation program, Sound of Ages first live concert in over a year. We take a look into the nature of meditation and how the program reflects those concepts. The program features a world premiere of a piece by Andrew Maxfield and music from Hildegard, Arvo Pärt, Guillaume Du Fay, John Tavener, Tomás Luis de Victoria, and Jonathan Dove. Audio clips played in this episode were taken directly from YouTube and links to those can be found below: Hildegard - https://www.youtube.com/watch?v=C9K9PfjRjxMPärt - https://www.youtube.com/watch?v=1qml9uO0GLgDu Fay - https://www.youtube.com/watch?v=w7QZsWvw040Tavener - https://www.youtube.com/watch?v=sFqBolM5DkoVictoria - https://www.youtube.com/watch?v=IbEzm4zCraIDove - https://www.youtube.com/watch?v=TujRgMJ3sd0www.soundofageschoir.com/events

[@ 3 min] Maestro Enrico Lopez-Yañez goes ‘Inside the Huddle’ with Weston and Oliver. The Mexican-American conductor is slated to conduct Chicago Opera Theater’s season finale, but is also the star of his own space pirate web series... [@ 30 min] In the ‘Two Minute Drill’, big money lands in L.A., while Jonathan Dove’s opera ‘Flight’ takes off in Seattle... The OBS back with an all-new show next week when baritone Quinn Kelsey goes ‘Inside the Huddle’ to talk Verdi, Hawai’i and other things ending in the letter “i”, plus you get more opera headlines, more hot takes and the return of Ashlee Hardgrave! operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore

Jonathan Dove is the Senior Pastor of Grace City Church in Aukland NZ. Speaking about Jeremiah 29 he says, “I don’t think there is a more significant verse or passage for me at this point in our history.” This is why he is leading his church to seek the welfare of Aukland and seeking to colaborate with other churches to do the same.

The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel, preaches a sermon entitled “Faith in Flesh and Bone.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Magi videntes stellam” by Blasius Amon and “The three kings” by Jonathan Dove, along with service music and hymns.

We welcome Tucker Biddlecombe with the debut of Music In The Listening Place, a collection of choral works performed by the Vanderbilt University Chorale and conducted by Biddlecombe. Biddlecombe demonstrates masterful programming in his ability to curate a modern listening experience based on mostly classical texts. Of particular note is Three Songs of Faith, an elegant collection of settings of e.e. cummings texts by Eric Whitacre. In a similar vein are the delicate Trois Chansons of Maurice Ravel. A particular gem is Three Settings of Ezra Pound, composed by PARMA artist Michael Slayton. Eliza Gilkyson’s “Requiem” is unlike any other. Sweet and nostalgic, this hymn for the departed draws innocence from the youthful voices of the Chorale. Another highlight is David Dickau’s exquisite setting of If Music Be the Food of Love, through which the Chorale expresses remarkable balance and dynamic facility. Also included on the album are several text settings by composer Jonathan Dove; an arrangement of the traditional Indodana, as well as settings by Alf Houkum, Daniel Read, and James Mulholland. Truly, Biddlecombe captures the joy and sophistication of all things choral with this enchanting recording. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p565/Music_in_the_Listening_Place.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This episode is a real smorgasbord—works, mainly short, by Domenico Scarlatti, Rachmaninoff, Duparc, Stravinsky, Jonathan Dove, and Jerome Kern, among others. A tasty, diverse spread. You may well want it all. Scarlatti, D., Sonata in G, K. 14 Rachmaninoff, Andante, Cello Sonata Duparc, Lento, Cello Sonata Lachenmann, “Five Variations on a Theme by Franz Schubert” […]Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/music-for-a-while/bits-and-pieces/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Music For a While in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.

This episode is a real smorgasbord—works, mainly short, by Domenico Scarlatti, Rachmaninoff, Duparc, Stravinsky, Jonathan Dove, and Jerome Kern, among others. A tasty, diverse spread. You may well want it all. Scarlatti, D., Sonata in G, K. 14 Rachmaninoff, Andante, Cello Sonata Duparc, Lento, Cello Sonata Lachenmann, “Five Variations on a Theme by Franz Schubert” Stravinsky, Piece for Solo Clarinet Shostakovich, Impromptu (for viola and piano) Dove, “Fair Ship,” from “Under Alter'd Skies” Kern-Tatum, “The Way You Look Tonight”

From the Producer's Office is a series of informal podcasts with Opera Holland Park’s Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft. In this episode, James is joined by composer, Jonathan Dove. They discuss life in lockdown, community opera, and Jonathan's work, including the opera Flight that was performed at OHP in 2015.

Fr Jeremy Haselock preached on St Thomas for the Fourth Sunday after Trinity. The Choir of the Chapel of Royal Holloway University of London sings Brewer in D, 'Seek him that maketh the seven stars' by Jonathan Dove, and the Gabriel Jackson responses.Support the show (https://www.paypal.me/greatstbarts)

This is Episode #200 with Interview guest, international Opera Singer and long time friend John Brancy! In this episode we talk about the last 100 episodes, the life happenings in between and times of global pandemic. We unpack Johns celebrations for winning a GRAMMY in 2020 for the Fantastic Mr.Fox Opera. And we dive quite a bit deeper into Johns fascination with what he calls the SING SENSE. Our ability to connect with sound, sensing our own voice and the impact of our sound in the vibratory field around us. Grammy Winning Baritone John Brancy‘s intense musicality and communicative power place him among the finest of baritones of his generation. Hailed by the New York Times as “a vibrant, resonant presence,” Brancy won First Prize in the Art Song Division of the 2018 Concours Musical International de Montreal. A win that recognized him as a premiere interpreter of Art Song repertoire in our time. The New Jersey native also won First Prize in the 2018 Lotte Lenya Competition in New York, Second Prize at the 2017 Wigmore Hall Competition in London and prior to that won the media prize in the 2017 Belvedere International Singing Competition in Moscow and first prize in the Jensen Foundation Vocal Competition in 2015. He is also a past winner of the Marilyn Horne Song Competition and the Sullivan Foundation Grand Prize. Brancy recently debuted with the Los Angeles Philharmonic (Meredith Monk’s Atlas) and San Francisco Opera (Billy Budd) and looks forward to premiering a new work by Michael Gandolfi with the Boston Symphony which will also mark Brancy’s debut at Tanglewood. Also on his 19/20 schedule are performances of Messiah for the US Naval Academy and the Florida Orchestra, Jonathan Dove’s Flight for Pacific Opera Victoria, Rameau’s Platee for his Des Moines Metro Opera debut, Brahms’ Deutsches Requiem for Opera National de Bordeaux and Puccini’s Messa di Gloria with the Rundfunkchor of Berlin. He has also been engaged by Semperoper Dresden, Paris’s Théâtre du Chatelet, Florida Grand Opera, The Carmel Bach Festival, San Francisco Symphony, Oper Frankfurt, Opera de Lorraine, Carnegie Hall, the Oratorio Society and Musica Sacra in New York. An alumnus of The Juilliard School in New York, Brancy has toured extensively with his collaborator, pianist Peter Dugan, they will receive their Wigmore Hall recital debut in fall of 2020. --- Support this podcast: https://anchor.fm/julian-guderley/support

"We have to be able to channel the spontaneity that commercial music challenges us to achieve... into our classical music... I would love to hear a classical musician who has as much rhythmic precision as a rapper!" This week on Keep Calm and Choir On, Peruvian-American tenor and voice teacher, Dr. Christopher Sierra, talks with Ryan about classical music elitism and growing up in diversity, the importance of choir when you can't afford lessons, and bridging classical and commercial music pedagogies. Also, get inspired listening to Jonathan Dove's "Seek Him that Maketh the Seven Stars," Frank Ticheli's "There Will Be Rest," and learn about the incredible work of Broadway's Babies and the Shanti Bhavan Children's Project. Listen to this jam packed hour at https://choiron.buzzsprout.com or your favorite podcast platform!To learn more about what you heard, use the links below: Christopher Sierra: www.facebook.com/ChristopherSierraTenor/Broadway's Babies: www.broadwaysbabies.comShanti Bhavan Children's Project: www.shantibhavanchildren.org

Michael Berkeley talks to the writer Ann Wroe about the inspiration and comfort she finds in music. Ann spends the first 36 hours of each week wrestling with the challenge of distilling the life of a person into just 1000 words – because, for nearly two decades, she has written the weekly obituary for The Economist. The rest of Ann’s week is spent wrestling with biography of an altogether different kind - because she finds the subjects for her books in the shadowy territory where history meets myth. She dares to mix intense scholarship with her own imagination to capture the essence of figures as varied as Perkin Warbeck, the pretender to the English throne; Pontius Pilate; and the mythical lyric poet Orpheus. Hilary Mantel has said of her: ‘She is a genius, because she lights up every subject she touches’. Ann tells Michael why she is attracted to such ambiguous subjects for her biographies and why she often chooses the quirky over the famous for her Economist obituaries – she’s written about the lives of firefighters, woodcarvers and even animals. Passionate about the natural world, Ann chooses piano music by Schubert that conjures up walks on the South Downs; Jonathan Dove’s Seek Him that Maketh the Seven Stars; and Frank Bridge’s The Sea, which takes her to her beloved Brighton. She talks movingly about her attitude towards death and what might come after it, and tells Michael why most of her music choices are ‘bittersweet’, including a song by Vaughan Williams to remember her late husband. Producer: Jane Greenwood A Loftus production for BBC Radio 3

One of late twentieth-century opera’s great successes, Flight, with music by Jonathan Dove to a libretto by April DeAngelis, makes a long-awaited Seattle premiere in 2021. This “Marriage of Figaro for the 1990s” is a bold and beautiful opera, with a message more pertinent than ever. Seattle Opera Dramaturg Jonathan Dean introduces Flight, with musical examples from the commercially available recording, available from Chandos records at https://www.chandos.net/products/catalogue/CHAN%2010197. David Parry conducted the Glyndebourne Festival Orchestra in 2003, and the cast includes Christopher Robson as the Refugee, Claron McFadden as the Controller, Richard Coxon and Mary Plazas as Bill and Tiny, Nuala Willis as the Older Woman, Ann Taylor and Garry Magee as the Stewardess and Steward, and Steven Page and Anne Mason as the Minskman and Minskwoman.

This week Tom talks to composer Jonathan Dove as he celebrates six decades of composing. He also speaks to Lilian Hochhauser about her career promoting great Russian artists in the UK, including the composer Shostakovich, pianist Sviatoslav Richter and cellist Mstislav Rostropovich. The percussionist Claire Edwardes and scholar Michael Hooper also join Tom from Sydney to review the Australian music scene and modernism in the 1960s and 1970s; and pianist Philip Thomas shows Tom an app for composing your own version of John Cage's Concert for piano and orchestra.

As the OzAsia Festival kicks off in Adelaide, we meet the creators of a new work that interrogates the oft-overlooked Asian heritage of South Australia's first Surveyor-General William Light, the sweeping vineyards and pastures of the Yarra Valley in regional Victoria become the backdrop for the grand drama of opera at this year's Yarra Valley Opera Festival, and Natives Go Wild examines the darker side of the employment of First Peoples in circuses and sideshows at the turn of the last century.

As the OzAsia Festival kicks off in Adelaide, we meet the creators of a new work that interrogates the oft-overlooked Asian heritage of South Australia's first Surveyor-General William Light, the sweeping vineyards and pastures of the Yarra Valley in regional Victoria become the backdrop for the grand drama of opera at this year's Yarra Valley Opera Festival, and Natives Go Wild examines the darker side of the employment of First Peoples in circuses and sideshows at the turn of the last century.

Pastor Jonathan Dove (Greenlane Christian Centre) joins us and preaches on 2 Kings 6:8-23.

durée : 01:57:54 - En pistes ! du vendredi 14 juin 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Jean-Efflam Bavouzet poursuit son intégrale des concertos pour piano de Mozart, la découverte de la musique de Jonathan Dove et quelques pages orchestrales de Vincent d’Indy dans l’actualité du disque classique. - réalisé par : Olivier Guérin

This week Sam reveals what links the Spice Girls with W. A. Mozart, whilst Tim discusses early Schoenberg with members of the Southbank Sinfonia PLUS a closer look at the new disc from British composer Jonathan Dove. Music Credits: Cole Porter, ‘Anything Goes' arranged by Sascha Peres performed by Pizzkiraldo Outkast, ‘Sorry Miss Jackson' arranged by Timmy Fisher William Himes, ‘Procession to Covenant' performed by The London Central Fellowship Band of the Salvation Army W. A. Spice Girls ‘2 Become 1', arranged by Timmy Fisher Mozart, String Quartet No. 19 in C Major, K. 465 (Haydn Quartet No. 6, ‘Dissonance'), performed by NYO Canada Jonathan Dove, ‘Run to the Edge', performed by the BBC Philharmonic Jean Sibelius, Symphony No. 5, Mov. 1, arranged by Timmy FisherFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ Find out more about the Southbank Sinfonia here: https://www.southbanksinfonia.co.uk/

Jon Jacob speaks to composer Jonathan Dove at the Salisbury International Arts Festival about the compositional language he uses in some of his works. An album of orchestral music by Jonathan with the BBC Philharmonic and Timothy Redmond is available on Spotify (https://open.spotify.com/album/0hAp7x316nO4kbjO5lFUnl?si=yeYZx1bjQUOGH7gDE7JmJQ) . 

It's the fourth anniversary of The Portfolio Composer! And every anniversary I take a look back at the previous year's most popular episodes. These episodes are the most downloaded episodes of the previous year.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.dorico.com/tpc for a free 30-day trial version.   Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   Most Popular Episodes: #10–Ep 194-Michel van der Aa on Starting Small #9—Ep 185-Peter Nashel on Turning on Your Business Head #8—Ep 192-Jonathan Dove on Being Your Own Boss #7—Ep 177-Jennifer Jolley on Nurturing Confidence #6—Ep 180-Liz Lawson on Being a Music Supervisor #5—Ep 183-Robert W. Smith on Teaching Business Skills #4—Ep 186-Tony Manfredonia on Building a Balanced Career #3—Ep 178-Should You Go To Graduate School? #2—Ep 189-Bruce Broughton on It's All About Sales #1—Ep 182-Michael Hall on Not Playing it Safe   Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by E.J. Sadler at Studio184.

  This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.dorico.com/tpc for a free 30-day trial version. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!  Composer Jonathan Dove shares his journey of learning how to become his own boss, realizing people want or need his music, and engaging with communities. Website: jonathandove.com Help composers find the podcast by giving The Portfolio Composer a review on iTunes! This episode was edited by E.J. Sadler at Studio184.

Episode 14 of the Thoroughly Good Classical Music Podcast was recorded behind the scenes at the inaugural Waterperry Opera Festival in the idyllic setting of Waterperry Gardens in Oxfordshire. This podcast features a tour of the site with Festival Director Guy Withers, and an interview with baritone Nick Morton and Musical Director Bertie Baigent plus excerpts from the final dress rehearsal for one of the operas in production - Jonathan Dove's sparkling setting of Jane Austen's Mansfield Park. The Waterperry Opera Festival runs until 19th August 2018. Next year's dates are 25th-28th July 2019. Find out more at waterperryoperafestival.co.uk

Composer Jonathan Dove talks to Kate McLoughlin about commemorating through music and music’s power to make us remember in the wake of individual and mass loss.

In repertoire encompassing George Frideric Handel’s Giulio Cesare in Egitto to Jonathan Dove’s Flight and beyond, countertenor John Holiday’s expressive and richly beautiful voice has made him an increasingly sought after artist, possessing a “vocal instrument that threatens to equal the name artists in his range.” (Herald Times) Mr. Holiday is the recipient of the Marian Anderson Award from The John F. Kennedy Center for the Performing Arts and Washington National Opera. As an advocate of new works, John Holiday will make his debut with Opera Philadelphia singing the role of John Blue in a world-premiere of Daniel Roumain's We Shall Not Be Moved, a production directed by the award-winning Bill T. Jones that will also be seen at the Apollo Theater in New York and Hackney Empire in London. Also in the 2017-2018 season, Mr. Holiday will debut at Florida Grand Opera as Orfeo in Gluck’s Orfeo ed Euridice and his debut in Flight as the Refugee at Des Moines Metro Opera. 

Tom Klaassen presenteert zijn wekelijkse zoektocht langs de grenzen van klassieke muziek met regelmatige en welkome verkenningen daarbuiten. Met deze week een paar zomerse concerttips èn een nieuwe CD met kamermuziek van de Engelse componist Jonathan Dove.

“I take things out of boxes, but need boxes to put them back in” A light dabble with a search engine on the subject of “tear bottles” will lead you to a world of assertions, often by online shops, about the historical use of “tear bottles” in the mourning rituals of Romans, Greeks and Victorians with stories of how tears were collected in small, stoppered, glass bottles as a sign of respect and grief. They’ve featured in opera designs and art installations and there are at least a couple of references to collected or collecting tears in the Bible including Psalm 56:8 where God is being addressed: Thou tellest my wanderings: put thou my tears into thy bottle: are they not in thy book? John Gill’s mid eighteenth century Exposition of Whole Bible unpicks this with another assertion about the “tear bottle” in the psalm being an allusion “to “lachrymatories”, or tear bottles, in which surviving relatives dropped their tears for their deceased friends, and buried them with their ashes, or in their urns; some of which tear bottles are still to be seen in the cabinets of the curious.” In other translations and versions it’s not a bottle into which God’s collecting tears but a wineskin. In others he’s just writing them down on his scroll. Nevertheless, the idea of the tear bottle remains a powerful one and a way of thinking about tears and emotion. One aspect of Clare Whistler’s residency was her interviews with academics and others at QMUL about tear-bottles. She asked people to imagine a receptacle for their tears and also to collect their tears in a small book. She created poems from their answers and I have used some of these poems in the podcast. I wanted to show how Clare’s project mixed the professional investigation with the more personal reflection. We also hear Jennifer Wallis, Chris Millard and Thomas Dixon, from the Centre for the History of Emotions talk about tears in their research: the internally liquefying inmates of a 19th Century Asylum; Neil Kessel’s social experiments in the 1960’s with sales of large quantities of aspirin to weeping women and Hogarth’s Enthusiasm Delineated. Alongside this, Paul Roberts, Head of the Roman Collections at the British Museum, shows me some beautiful, tear-shaped glass bottles from the British Museum’s stores and there are some specially commissioned musical tears created by the composer Jonathan Dove. Produced by Natalie Steed

Die angelsächsische Oper hat es hierzulande traditionell schwer, insbesondere die komische. Woran das liegen mag, darüber kann man nur spekulieren. So wurde auch die komische Oper "Flight" des britischen Komponisten Jonathan Dove trotz großen Erfolgs erst einmal in Deutschland aufgeführt. Und nicht einmal in der Originalfassung. Daran will nun das Münchner Rundfunkorchester in Zusammenarbeit mit der Bayerischen Theaterakademie etwas ändern. Am 17. Februar 2017 hat "Flight" auf der Bühne des Münchner Prinzregententheaters Premiere.

In der jährlichen Kooperation zwischen dem Münchner Rundfunkorchester und der Theaterakademie August Everding steht in diesem Jahr Jonthan Doves Oper "Flight" auf dem Programm. Im Interview erzählt der Komponist vorab, was sich hinter der Oper verbirgt und mit welchen musikalischen Mitteln er arbeitet. Am 17. Februar 2017 feiert die aktuelle Produktion im Münchner Prinzregententheater Premiere.

Actor Ed Harris, star of The Right Stuff, The Truman Show and Westworld, on making his West End debut in Buried Child, Sam Shepard's play which won the Pulitzer Prize in 1979, at a time of economic decline in the US when rural people felt forgotten. As choirs of children and young people around the world sing today to mark Benjamin Britten's birthday, Jonathan Dove on the 12 new songs he's written for the annual event, Friday Afternoons.Jan Patience, arts writer for The Herald, and Christopher Baker, Director of the Scottish National Portrait Gallery discuss Sir Edwin Landseer's 1851 painting The Monarch of the Glen. Its owners, the drink giant Diageo, had planned to put the painting up for auction but has agreed to gift half the value of the painting, provided the National Galleries of Scotland can raise £4m in four months. Gavin Turk discusses his first major solo exhibition since 2002, showcasing works from throughout his career, from the life-sized wax figure of Gavin as Sid Vicious to the dirty sleeping bags which he cast to draw attention to the plight of the homeless.Presenter: John Wilson Producer: Rachel Simpson.

The final Proms Composer of this season is British composer Jonathan Dove

Libby Purves meets illustrator and author Liz Pichon; pianist Melvyn Tan; travel writer Dan Richards and food writer Meera Sodha. Dan Richards is a travel writer. In his book Climbing Days, he is on the trail of his great-great aunt, Dorothy Pilley, a pioneering mountaineer of the early twentieth century. Using Dorothy's 1935 memoir Climbing Days as a guide, Dan begins to travel and climb across Europe, ending up at the serrate pinnacle of his aunt's climbing life, the mighty Dent Blanche in the high Alps of Valais. Climbing Days is published by Faber. Meera Sodha is a food writer and cook. In her book Fresh India she celebrates Indian vegetarian dishes. Many of the recipes were passed down through her family, her mother in particular who was brought up in Uganda but came to the UK after Idi Amin ordered the expulsion of the Asian minority in 1972. The recipes in Fresh India are inspired by Meera's childhood in Lincolnshire: by the rainbow chard that her aunt and uncle used to grow on their allotment, the cabbage that grew in fields behind her house and the mushrooms that were plentiful in her garden. Fresh India is published by Penguin. Melvyn Tan is British Singaporean-born pianist. To celebrate his 60th birthday this year he is exploring a new spectrum of compositions including a new score written for him by Jonathan Dove which he is including in his Cheltenham Music Festival recital. Born in Singapore, Melvyn came to study at the Yehudi Menuhin School at 12. In 1980 he made the decision to specialise in fortepiano and more recently began exploring works on the modern concert grand piano. Melvyn is performing at the Cheltenham Music Festival. Liz Pichon is an illustrator and author. Her 10th book in the Tom Gates series, Super Good Skills (Almost...), is a colourful doodle-your-own extravaganza. After studying graphic design Liz started her career in the music industry, working as an art director before turning her hand to the world of children's books. She later went on to create the bestselling Tom Gates series which has sold over 2m books in the UK alone and has been translated into more than 40 languages. Super Good Skills (Almost...) is published by Scholastic Children's Books. Producer: Paula McGinley.

In 2014 Indianapolis' own Anila Agha won the people's choice award and tied to win the juried award - the first time that the same artist took both the top prizes, making art world history. And now, her winning piece, Intersections, is finally going to be shown in Indianapolis, with an exhibit opening on March 19th at the Indiana State Museum. The Indianapolis Opera is producing the US premiere of Jonathan Dove's opera based on Jane Austen's Mansfield Park. Sharon Gamble invited General Director Kevin Patterson to our studios to learn about this accessible and romantic work.

The first of Rob's composer-guests this week is Jonathan Dove.

Alfie Moore is a policeman who is also a stand-up comedian. In his radio series, It's A Fair Cop, he swears his audience in and takes them through a real life scenario to see what sort of officers they'd have made. Alfie began telling jokes about life in the force as a hobby when he was working as a detective for Humberside Police in Scunthorpe. He is currently on sabbatical from the force and is about to embark on a national tour. It's A Fair Cop is broadcast on BBC Radio 4. Lucy Saxon writes fantasy adventure novels. Her new book, The Almost King, is the first in a series of six novels set in the world of Tellus. Lucy began writing at 12 after she was diagnosed with chronic fatigue syndrome, also known as myalgic encephalomyelitis or ME. She found herself missing long periods of school which gave her the opportunity to indulge in creative writing. She wrote her first novel, Take Back The Skies, when she was 16 and signed a publishing deal at 17. The Almost King by Lucy Saxon is published by Bloomsbury. Michael Volpe is the general manager and founder of Opera Holland Park. His autobiography, Noisy At the Wrong Times (Battles with myself), tells how he was brought up in difficult family circumstances by his Italian mother in London. In the book he acknowledges his youthful misdemeanours and credits Woolverstone Hall - the prestigious state boarding school he attended - with turning his life around. Noisy At the Wrong Times (Battles with myself) by Michael Volpe is published by Troubador Publishing. Flight by Jonathan Dove is at Opera Holland Park, London. Richard Hudson is an artist and sculptor. His sculptures Adam and Eve are on display for the first time at Masterpiece London - the collecting fair for art, antiques and design - at the Royal Hospital Chelsea. Richard was brought up in a farming family and turned his hand to acting, property development and a stint as a nude muse before finding his vocation as a sculptor in 1995. Masterpiece London at the Royal Hospital Chelsea, London. Producer: Paula McGinley.

Jonathan Dove talks to Sara Mohr-Pietsch about writing for choirs, and the choral music that most inspires him.

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