Podcasts about arvo p

Gepresenteerd door: Saskia Voorbach In het AVROTROS Vrijdagconcert hoor je wekelijks live de mooiste concerten door het Radio Filharmonisch Orkest, het Groot Omroepkoor en gastensembles. Nationaal Kinderkoor Nationaal Jongenskoor Nationaal Vrouwen Jeugdkoor Nationaal Gemengd Jeugdkoor Ensemble uit het Radio Filharmonisch Orkest Irene Verburg & László Nemes, dirigenten onder meer: * Arvo Pärt - Vater unser, Morning Star, Ests wiegenlied, Spiegel im Spiegel * Arvo Pärt/Tauno Aints - Liedjes uit de kindertijd (2), Onze tuin * Veljo Tormis - Lauliku Lapsepõli, Ests wiegenlied * Peteris Vasks - Skumjas: Mazi zilti svetki * Einojuhani Rautavaara - Lähtö  * traditionals

Minimalist music is not about minimal materials. It's about time. It's a process that puts the experience of time into sound. In discussing Minimalist Music, his new book for 33 1/3's GENRE series, musician and critic George Grella, Jr. (Miles Davis' Bitches Brew) looks at the classical music history that pushed composers like Philip Glass, Steve Reich, Meredith Monk, and Arvo Pärt to pursue a musical approach that shunned early 20th Century academic trends and brought classical music back to the public. He also talks about the ways this music interacts with pop culture, through film scores and soundtracks and appearances on TV shows like The Simpsons and Ted Lasso. Hosted and produced by Justin Remer. Recorded remotely via Zencastr. If you like podcasts, maybe you would enjoy audiobooks too. Please out the Skylight Books Podcast playlist of audiobooks featured in our recent Skylit author interviews, on Libro.fm. Opening music: "Optimism (Instrumental)" by Duck the Piano Wire. Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band.

durée : 00:12:52 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Cet album réunit les œuvres pour piano intemporelles de Pärt ainsi qu'une sélection de ses pièces de musique de chambre, dont les célèbres « Pour Alina », « Fratres » et « Spiegel im Spiegel », sans oublier ses premières compositions. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:52 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Cet album réunit les œuvres pour piano intemporelles de Pärt ainsi qu'une sélection de ses pièces de musique de chambre, dont les célèbres « Pour Alina », « Fratres » et « Spiegel im Spiegel », sans oublier ses premières compositions. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:52 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Cet album réunit les œuvres pour piano intemporelles de Pärt ainsi qu'une sélection de ses pièces de musique de chambre, dont les célèbres « Pour Alina », « Fratres » et « Spiegel im Spiegel », sans oublier ses premières compositions. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In a recent class with three intermediate students (8th-11th grade), we compared the music of Franz Schubert and Max Richter. Schubert was a prolific Austrian composer, writing at the end of the Classical period and the beginning of the Romantic period. During his brief life, he wrote over 1,500 works. He was known for his storytelling abilities: long, singing lines, dramatic mood swings, an improvisatory style that seems to wander at times, and emotional intensity.Max Richter is a contemporary German-born pianist and composer known for blending classical techniques with electronic, ambient, and minimalist styles. He names J.S. Bach as a key influence, and has championed the works of minimalists such as Arvo Pärt and John Cage. He drew inspiration from Schubert's Winterreise when creating his 2010 album Infra.In this episode, I'm taking you behind the scenes of this studio class, sharing the repertoire I introduced to my students, the discussion questions that guided our conversation, and a composition activity that students didn't want to end.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: Some of the links in this episode are affiliate links, which means if you decide to purchase through any of them, I will earn a small commission. This helps support the podcast and allows me to continue creating free content. Thank you for your support!Ep. 083 - Bernstein & Bill Evans: Inside My Recent Intermediate Studio ClassEp. 077 - A New Approach to Teaching Group ClassesSchubert Piano Sonata No. 20 in A Major, D. 959: II. Andantino (Mitsuko Uchida)Richter “Andante” from In a Landscape (Max Richter)Schubert Impromptu No. 3 and Richter Infra 3 (Coversart)Songs Without Words(Felix Mendelssohn)Schubert Moments Musicaux No. 6 in A-flat Major (Alfred Brendel)Vladimir's Blues (Max Richter)Max Richter Piano Works(Max Richter)If you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? In this quick 25-min. call, you'll get focused answers, creative ideas, and personalized advice for one teaching or business topic of your choice. Bring your questions for an ask-me-anything style session, and let's brainstorm strategies together.2️⃣ Have questions about teaching, running your studio, or managing your music career? In this 60-min call, you'll get personalized advice, creative ideas, and step-by-step strategies on up to 3-4 teaching/business topics of your choice. This session gives you the space to talk through your goals, ask questions, and get expert guidance.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses for music educators.

Das Iceland Symphony Orchestra zeichnet Pärts Weg vom schroffen Avantgardisten zum Meister der meditativen Klangwelt nach.

Gepresenteerd door: Saskia Voorbach Vandaag een uitzending met mooie opnamen uit het rijke archief van Het Zondagochtend Concert. Arvo Pärt - Cantus in memory of Benjamin Britten Radio Filharmonisch Orkest James Gaffigan, dirigent (opname 20 september 2015) Benjamin Britten - Symfonie op.4, "Simple symphony" - compleet Nieuw Sinfonietta Amsterdam Lev Markiz, dirigent (opname 26 februari 1995) Johannes Brahms - Sonate voor cello en piano nr.1, op.38 in e kl.t. - compleet Quirine Viersen, cello Silke Avenhaus, piano (opname 22 februari 2004) Igor Stravinsky - Concert voor piano en blaasorkest - compleet Radio Filharmonisch Orkest Mark Elder, dirigent Ronald Brautigam, piano (opname van 29 april 2012)

Dennis Russell Davies on aastakümneid esitanud Arvo Pärdi loomingut ning sel kontserdil kõlab neljas sümfoonia "Los Angeles".

durée : 00:43:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le claviériste Anthony Romaniuk explore les sept modes de la gamme, de John Adams à Arvo Pärt, Radiohead et Björk, en passant par ses propres compositions. A découvrir aussi ce soir, une pièce pour deux flûtes d'Amico Dolci, et une oeuvre pour deux choeur a cappella de James MacMillan. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:43:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le claviériste Anthony Romaniuk explore les sept modes de la gamme, de John Adams à Arvo Pärt, Radiohead et Björk, en passant par ses propres compositions. A découvrir aussi ce soir, une pièce pour deux flûtes d'Amico Dolci, et une oeuvre pour deux choeur a cappella de James MacMillan. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:43:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le claviériste Anthony Romaniuk explore les sept modes de la gamme, de John Adams à Arvo Pärt, Radiohead et Björk, en passant par ses propres compositions. A découvrir aussi ce soir, une pièce pour deux flûtes d'Amico Dolci, et une oeuvre pour deux choeur a cappella de James MacMillan. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Vestlussaates "Vaba sõna" räägivad Riigikogu liikmed Anti ja Evelin Poolamets sellest, miks Riigikogu koalitsioon taas immigratsiooni õhutab, kapo aastaraamatust ja seal sisaldunud korruptsiooniohust ning sellestki, kuidas tänu EKRE tööle pälvis õiguskantsleri teravdatud tähelepanu Isamaa poolt juhitud Rakvere linnavalitsejate  tegevus, samuti sellest, et riikliku tähtsusega kultuuriobjektil, Arvo Pärdile pühendatud muusikamajas Ukuaru juba läbuks läks. 

Pärt Uusberg pälvis Arvo Pärdi Keskuse esimese Eesti muusika stipendiumi.

Aprili alguses ilmus Ondine plaadimärgi all läti pianisti Reinis Zariņši ja trio Palladio album Arvo Pärdi ajatute klaveri- ja kammerteostega.

„Ma näen, et Pärdi mõttemaailm – ja mitte ainult viimase poolsajandi tintinnabuli muusikas, mida me tajume suure harmooniataotlusena, vaid tegelikult üsna algusest peale – on pöördunud tagasi nende kategooriate poole, mis lähtuvad just nimelt sellest, mis tuleb Euroopa keskaega koos Boëthiusega; eelkõige arusaamine arvudest kui suurest universaalsest korrast ja sellesama korra väljendamisest muusikas,“ ütles saate teise poole alguses (65. minut) muusikateadlane ja dirigent Toomas Siitan. Kuivõrd 266. vestlusringi tööpealkiri oli „Boëthius ja Pärt“, siis olime esimese tunni vältel vestelnud peamiselt 6. sajandi Rooma filosoofist, kelle „De institutione musica'st“ sai järgneva tuhatkonna aasta vältel lääne muusikahariduse ja -filosoofia ja alustekst. Boëthius, kes oli kreeka-rooma ja kristliku muusikakultuuri peamine ühenduslüli, toetus omakorda Pythagorasest aluse saanud tuhandeaastasele traditsioonile. Viimane tõi teoloog Tauri Tölpti sõnul muusikasse kosmilis-holistilise vaate: „Kogu meie elu on muusika, universum on muusika, minu elu on muusika“ (45. minut). Seetõttu pidas Pythagoras tähtsaks püüdlemist harmoonilise elu poole. „Boëthius jätkab täpselt samas vaimus,“ võttis sõnajärje üle Toomas. „Tema jaoks on muusika ja üleüldise suure harmoonia vahel võrdusmärk, muusika ongi harmoonia – kooskõla selle sõna kõige abstraktsemas mõttes.“Antiigist Boëthiuse kaudu keskaega jõudnud mõtteviis ilmneb Arvo Pärti loomingus eriti selgelt alates tema 1963. aastal valminud teosest „Perpetuum mobile“, kus muusikaline kord on viidud Tooma sõnul matemaatilise äärmuseni. Helilooja püüab kõrvaldada oma muusikast igasuguse subjektiivse vaatenurga ja tabada sel viisil suurt universaalset korda. „Ma uskusin, et kõiki matemaatilisi valemeid on võimalik panna muusikasse,“ on Pärt ise selle loomeperioodi kohta öelnud. „Kui ma oleksin osanud ilma kaksteisttoontehnikata kirjutada täiesti emotsioonivaba muusikat, siis oma oleksin võib-olla leidnud mõne teise tee.“Tooma sõnul vaevab Pärti 1960. aastatel vastuolu. Ühelt poolt püüdleb ta universaalse korraprintsiibi poole, kuid ei ole samas üldse rahul selle muusikalise teostusega, selline kõlab väga dissonantselt ja lõhkuvalt. „Kõige huvitavam on veel see, et mida kaugemale ta oma korraprintsiibi taotluses läheb, seda lähemal on ta muusika täielikule kaosele. Ühel hetkel kõlab see samamoodi nagu mistahes ettevalmistamata juhuslik helikooslus,“ ütles Toomas (70. minut). 1968. aastal valminud „Credoga“ tõmbab Pärt sellele perioodile joone alla ja hakkab otsima midagi muud. Selle muu leiab ta seitsme-kaheksa aasta pärast oma tintinnabuli tehnikas, mis lähtub küll universaalsest inimülesest korrast, aga kasutab samal ajal Euroopa muusika arhetüüpe: lihtsat helilaadi ja kolmkõla. Boëthiuse terminoloogias õnnestub Pärdil seega ühendada kosmilise musica mundana matemaatiline tasand inimese sisemuusikaga – musica humana'ga. „See on muusika, mis korrastab ja tasakaalustab inimese psüühet ja on ühtlasi ka kõlaliselt kaunis,“ selgitas Toomas.„Pärt on öelnud, et tintinnabuli olemuse võtab kokku lihtne valem 1 + 1 =1,“ lisas talle Tauri (86. minut). See mõte jäi mulle kõrva ja jutuajamise lõpus palusin ma Toomal seda mõtet veelkord selgitada. „Kompositsioonitehniliselt liidab ta siin kaks häält nii, et neid ei saa lahutada. Ta nimetab seda armastuse valemiks,“ selgitas Toomas. „See ongi võib-olla saladus, mis selle asja tuuma kõige paremini puudutab“ (109. minut). Muusika on võimeline meie seesmist konstitutsiooni kas lõhkuma või harmooniliselt üles ehitama. „Pärt on öelnud, et ta tajus oma varast dissonantset muusikat lõhkuvana ja otsis üles ehitavat stiili,“ jätkas Toomas (113. minut). „Mis ei tähenda seda, et tema tintinnabuli muusikas oleks ainult harmoonia. See on kohati vägagi dissonantne, aga sellel on alati lunastav või lahendav korrus. See on lõppkokkuvõttes meie inimliku elu ilus sümbol.“Head uudistamist!Hardo Hosted on Acast. See acast.com/privacy for more information.

这阵子我渐渐意识到，拥有「独处」的能力不只是生活方式的选择，更是我们最根本的生存需求。日常的社交与工作总在不断消耗自我，我们需要像植物行光合作用一样，把向外掏出的能量一点一滴收回来，在独处中反复确认真实的自我。但在现代都市，无孔不入的喧嚣与手机讯息，总让我们很难从「应对外界」的模式中停下脚步。这也是为什麽我认为「音乐」如此重要——它不再只是娱乐，更是我们夺回「独处权」的武器。当戴上耳机的那一刻，我们就能在熙攘的人群中切割出专属的私密空间，抵达精神上的安全孤岛。这集节目，我会和你分享 7 首歌，对应着城市一天中我最常遇到的 7 个「缝隙」。这些歌不全都是安静的，因为我希望在充满干扰的日常里，我们能用音乐营造出愉快、放松的氛围，为自己重新定义空间的边界。希望你会享受这些音乐 :)

Comment le judaïsme et le christianisme interprètent-ils le scandale de la souffrance ? Qui se cache derrière la figure du « serviteur souffrant » décrit dans le Livre d'Isaïe ? Peut-on concilier les interprétations juives et chrétiennes d'un même texte ?Réponse avec Haendel, Leviticus, I Muvrini, Michael Burkhardt et Arvo Pärt !Nota Bene : ceci est un épisode particulier en raison du texte biblique même et du sujet. Ce n'est donc pas spécialement un épisode marrant, mais plutôt grave et profond. Bonne écoute !!!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Režisierė Giedrė Žickytė rašo istoriją kaip iškilių asmenybių gyvenimus. Bet tai nėra paprastos biografijos. Kartais tai dvigubas portretas, kaip filme apie fotografą Vitą Luckų „Meistras ir Tatjana“. Arba beveik trileris, istorijos rekonstrukcija, kaip filme „Šuolis“ apie Simą Kudirką. Naujausias režisierės filmas „Irena“ taip pat nėra tik Irenos Veisaitės gyvenimo drama. Veikiau tai jos sąžiningo gyvenimo pamokos ir dialogas su skirtingų epochų idėjomis: vienas priimant, kitas, fatališkai klaidingas, atmetant. Pokalbis apie filmo „Irena“ pristatymą Arvo Pärto centre ir kinematografinius Giedrės Žickytės žemėlapius.Ved. menotyrininkė Laima Kreivytė

Existe uma composição de Arvo Pärt chamada Tabula Rasa — lousa em branco — cujo segundo movimento se chama simplesmente Silentium. Sem movimento. Sem pressa. E foi ouvindo essa música, tocada por Gidon Kremer e a Kremerata Báltica, que entendi algo que anos de consultório ainda estavam me ensinando: o silêncio não é ausência. É presença de outro tipo.Neste vídeo falo sobre o papel do silêncio na consulta médica — para escutar de verdade, para dar a resposta no momento certo, para criar o espaço onde o paciente finalmente consegue dizer o que veio dizer.

Song: Pray With Our Feet Words by: Paul Vasile, based on a quotation by Rabbi Abraham Joshua Heschel Music by: Paul Vasile   Notes: This is what folk in Minneapolis are doing -- praying with their feet, getting out on the street. They're singing songs to bless each other, the people they're protecting, and the ICE agents who are so misguided. And this is not the only place in the world where people of "middle power" gather -- not super-powers, not uber-wealthy -- just people who care about living in a world where we feed and educate our children, hold jobs with purpose. Paul Vasile describes it as "belonging belovedness -- you are safe, you are seen, you are heard." In this conversation, we dive into the sometimes knotty weeds of faith and how someone who is deeply connected in a faith tradition might want to expand into questions of what world we want to create together. Big trees. "Talk less, sing more." "As a queer person, I experienced a faith that helped me be a bigger, better me."   Songwriter Info: Paul Vasile (he/him) is a church musician, teacher, coach, and composer who finds his greatest joy in collaborative and community-centered work. Committed to modeling expansive, imaginative, and hospitable experiences of music making wherever he goes, Paul's leadership builds trust, invites spaces of creativity, vulnerability, and play, and supports practices of reflection and holistic learning. For the past decade he has offered short- and long-term transitional leadership, consulting services, and creative resources to faith communities in seasons of discernment, challenge, and transformation. From 2016 to 2023, Paul served as the Executive Director of Music that Makes Community, a non-profit that shares "paperless" (oral tradition) leadership practices and songs. He traveled across North America modeling distinctive approaches to communal singing and learning at retreat centers, conferences, denominational gatherings, seminaries, and in congregations of all sizes. Paul also composes music that invites communities to express and explore their connection to sacred stories, their bodies, and the ecosystems that sustain us. His music is represented in Glory to God, All Creation Sings, and Voices Together, as well as The Hymn Society's resource, Songs for the Holy Other: Hymns Affirming The LGBTQIA2S+ Community.   Sharing Info: Please buy sheet music on Paul's website if you plan to share this song as a songleader.   Song Learning Time Stamps: Start time of teaching: 00:04:35 Start time of reprise: 01:15:00   Links:   Paul's website: https://www.paulvasile.com/  Paul's Instagram: https://www.instagram.com/lovedintobeing/  Sheet music for Pray With Our Feet: https://www.paulvasile.com/products/pray-with-our-feet Feb 7th workshop at Lutheran church in Ft. Washington, MD with Maren Marchesini: https://www.sharingthesong.org/ Inspiration for lyrics, including quote by Rabbi Abraham Joshua Heschel: https://www.tbemaine.org/praying-with-hearts-and-feet    Music that Makes Community: https://www.musicthatmakescommunity.org/  Rev. Donald Schnell, a 2012 interview as Music Makes Community was beginning: https://www.conversations.org/story.php?sid=329 Bobby McFerrin: https://bobbymcferrin.com/  Taizé chants: https://www.taize.fr/en/the-songs  Chanda Rule: https://www.chandarule.com/ Hold Me by Nina Wise: https://www.youtube.com/watch?v=yxU_egWayc4&t=16s Nina Wise: https://ninawise.com East Coast songleader trainings: Mila Redwood in Toronto: https://www.milaredwood.ca/song-leader-training Patricia in Burlington, VT: https://www.juneberrymusic.com/songleader-training.html  Alice Parker: https://en.wikipedia.org/wiki/Alice_Parker Liz Rog -- here's a place to find her book on songleading: https://www.centerforbelonging.earth/ Arvo Pärt – Passio: https://en.wikipedia.org/wiki/Passio_(P%C3%A4rt)  Spencer LaJoye: https://www.spencerlajoye.com/  Spencer's song Plowshare Prayer: https://youtu.be/MhOZv5i7CHY?si=S5bbjdBDJP2cU_4I   Nuts & Bolts: 2:2, minor, unison   Join this community of people who love to use song to help navigate life? Absolutely: https://dashboard.mailerlite.com/forms/335811/81227018071442567/share   Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support. https://www.abreathofsong.com/gratitude-jar.html

Met vandaag: Laatste ontwikkelingen in Davos | Hoe keken de Groenlanders naar de speech van Trump? | Duurzaamheidskunstenaar Thijs Biersteker in Davos | Krijgt filmregisseur Marnie Blok morgen een Oscarnominatie? | Twan Geurts schreef biografie over componist Arvo Pärt | Presentatie: Pieter van der Wielen

Er is weer een nieuwe aflevering van Europa Draait Door en we kunnen nu al zeggen: het jaar is pas twee weken oud, maar Trump heeft de wereld alweer op z'n kop gezet. Amerika-kenner Laila Frank schuift aan. Stel dat Trump zijn dreigementen over Groenland serieus meent: wat betekent dat dan voor Europa en de NAVO? En Laila vertelt hoe figuren als JD Vance en Stephen Miller met veel succes hun eigen agenda in Trumps oor weten te fluisteren. Stephen Miller bij CNN (https://www.youtube.com/watch?v=kLFkQbPWWDI) Forecasting the world in 2026 (https://www.ft.com/content/8ed9aed7-18cc-41f3-bdcc-5a04c856fe5b) Arvo Pärt- Spiegel im Spiegel (https://www.youtube.com/watch?v=TJ6Mzvh3XCc&list=RDTJ6Mzvh3XCc&start_radio=1)

Wie unterwandert Kunst die Diktatur in Belarus? Dazu forscht Iryna Herasimovich am Slavischen Seminar in Zürich. Als sie in die Schweiz kam, wollte sie nur einige Monate bleiben, um Literatur zu übersetzen. Doch die gewaltsame Niederschlagung der Protestbewegung verunmöglichte eine Rückkehr. «Hier habe ich das Gefühl, endlich angekommen zu sein», sagt Iryna Herasimovich, wenn sie von ihrer Arbeit am Slavischen Seminar in Zürich erzählt. Sie habe das Glück, dass ihr Umfeld sensibel auf ihre Situation reagiere. Hinter ihr liegen Jahre voller Entscheidungen, die sie nie treffen wollte: Sie musste ihre Wohnung in Minsk per Video auflösen, ihr altes Leben und vor allem geliebte Menschen für unbestimmte Zeit zurücklassen. Heute kann sie sagen: «Exil ist nicht nur Verlust, sondern auch eine Bereicherung.» In «Musik für einen Gast» erzählt Iryna Herasimovich davon, weshalb ihr ein Lied von Mani Matter während der Revolutionswirren geholfen hat. Und sie erklärt, weshalb übersetzen für sie auch eine politische Bedeutung hat: «Es geht um die Haltung, sich auf andere einzulassen und sich zu bemühen, sie zu verstehen.» Die Musiktitel: 1. Belarussisches Volkslied: «Lito» (Ivan Kirchuk / Siarhei Douhushau / Margarita Levchuk) 2. Uladzimier Teraŭski - «Kupalinka» (Singfrauen Winterthur / Albin Brun Quartett) 3. Erstes Wiener Heimorgelorchester (EWHO) – «Die Letten werden die ersten sein» 4. Edvard Grieg - Peer-Gynt-Suite: «Åses Tod» (Zürcher Kammerorchester / Howard Griffiths) 5. Arvo Pärt - «Salve Regina» (Estonian Philharmonic Chamber Choir / Paul Hillier)

#HerkeseSanat

Die Sekretärin von C.G. Jung: So wurde Aniela Jaffé häufig wahrgenommen. Dabei war sie selbst Psychoanalytikerin, Autorin und sogar Verfasserin eines der bekanntesten Werke, das Jung zugeordnet wird. Wer war diese kluge, einfühlsame Frau, die ihren Beruf «aus Menschenliebe» ausübte? Anfang der 30er-Jahre lebte Aniela Jaffé in Hamburg und stand kurz davor, ihren Doktortitel in Psychologie zu erlangen. Doch als Tochter jüdischer Eltern sah sie sich gezwungen, vor den Nationalsozialisten zu flüchten und sich ohne universitären Abschluss in der Schweiz ein neues Leben aufzubauen. Und dennoch sollte es ihr gelingen, auf dem Gebiet der Psychologie wichtige Beiträge zu leisten: Sie lernte C.G. Jung kennen, ging zu ihm in die Analyse und begann schliesslich mit ihm zusammenzuarbeiten. Jung hielt derart hohe Stücke auf sie, dass er sie mit dem Verfassen seiner Biografie betraute – die jedoch bis heute häufig als seine Autobiografie wahrgenommen wird. Jaffé war auch selbst bis ins hohe Alter als Psychoanalytikerin tätig und hat so das Leben vieler Menschen geprägt. 1975 wurde Aniela Jaffé von Roswitha Schmalenbach für «Musik für einen Gast» interviewt. Wir hören eine gekürzte Fassung dieser historischen Sendung, kombiniert mit einem Gespräch mit Robert Hinshaw: Der am C.G. Jung Institut ausgebildete Psychoanalytiker war ein enger Freund Aniela Jaffés und verwaltet heute ihren Nachlass. Die Musiktitel: 1. Wolfgang Amadeus Mozart – Quintett für Klarinette, KV 581: Allegro Gervase de Peyer, Klarinette / Mitglieder des Melos Ensemble 2. Richard Strauss – Vier Letzte Lieder für Sopran und Orchester: Beim Schlafengehen Lisa Della Casa, Sopran / Wiener Philharmoniker / Karl Böhm, Dirigent 3. Kapelle Heirassa - Im schönen Schwyzerland, Schottisch 4. Mani Matter – Bim Coiffeur Musiktitel von Robert Hinshaw: 5. Arvo Pärt: «Spiegel im Spiegel» für Viola und Klavier Benjamon Hudson, Viola / Jürgen Kruse, Klavier Das besprochene Buch: Streiflichter - Zu Leben und Denken C.G. Jungs Aniela Jaffé nach Gesprächen mit C.G. Jung Mit einem historischen Kommentar von Elena Fischli Daimon Verlag: ISBN 9783856307783

Youth leaders meet in Munich for the One Young World Summit, the EU resleases its annual Enlargement Report, and Serbia marks a year since the Novi Sad Railway Station disaster. Also: Italy's controversial Messina Bridge project, Spanish paternity leave and Estonian composer Arvo Pärt at 90.

Numa viagem até à Estónia conhecemos melhor Arvo Pärt, o compositor vivo mais tocado do mundo. Um músico que fez do silêncio uma linguagem única e que aos 90 anos ainda nos ensina a parar e a ouvir. See omnystudio.com/listener for privacy information.

On the latest episode of ‘New Classical Tracks,' conductor Paavo Järvi leads the Estonian Festival Orchestra in music by Arvo Pärt in honor of the Estonian composer's 90th birthday. Listen now with host Julie Amacher!

Will & Grace star Eric McCormack tells us about his latest screen role – in the new BBC One thriller series Nine Bodies in a Mexican Morgue. McCormack plays one of nine people who survive a plane crash in the Mexican jungle, and aren't aware that a murderer might be lurking in their midst. We hear the true story of a bear who was adopted from a Highland wildlife park in the 70s and became a star of stage and screen, caddying for Bob Hope on the golf course and playing a cameo role in a Bond film. The much-loved Hercules the Bear is brought back to life in a theatre production which is touring Scotland this month. Countertenor David James and music journalist Andrew Mellor discuss the music of one of the most popular of contemporary composers, Arvo Pärt, who has just turned 90 and whose birthday celebrations include the release of a number of CDs and concerts in London and Oxford. And we pay tribute to Italian cinema legend Claudia Cardinale, who has died at the age of 87. Presenter: Kate Molleson Producer: Mark Crossan

Am 11. September feierte Arvo Pärt seinen 90. Geburtstag. Seine "Berliner Messe" entstand, wie der Name verrät, im Exil in der deutschen Hauptstadt. BR-KLASSIK hat mit dem Chordirigenten Michael Gläser über dieses Starke Stück gesprochen.

durée : 00:30:33 - Les Nuits de France Culture - par : Albane Penaranda - À l'occasion du premier concert consacré en France à la musique d'Arvo Pärt, Daniel Caux avait consacré une émission en deux parties au compositeur estonien. Le second volet propose d'entendre la dernière partie de l'enregistrement de ce concert qui se terminait par "Tabula Rasa". - réalisation : Virginie Mourthé - invités : Arvo Pärt Compositeur estonien (Paide, 1935-); Gavin Bryars Compositeur

durée : 00:15:18 - Les Midis de Culture - par : Marie Labory - Avec son Estonian Festival Orchestra, Paavo Järvi rend hommage à Arvo Pärt, dont on fête le 90ème anniversaire le 11 septembre 2025. Le compositeur estonien fait partie de la vie de Paavo Järvi depuis son enfance. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de La Série musicale sur France Culture; Emmanuelle Giuliani Journaliste à La Croix; Marie Labory Journaliste, productrice des "Midis de Culture" sur France Culture

durée : 00:27:30 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, des CD, avec "Credo Arvo Pärt" de l'Estonian Festival Orchestra sous la direction de Paavo Järvi & "Gipsy Melodies" par le Quatuor Talich - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de La Série musicale sur France Culture; Emmanuelle Giuliani Journaliste à La Croix

durée : 01:00:50 - Les Nuits de France Culture - par : Albane Penaranda - Aujourd'hui le nom, et pour une part la musique d'Arvo Pärt sont beaucoup plus connus du grand public qu'ils ne l'étaient en 1987. Daniel Caux consacrait alors une émission au compositeur estonien, à l'occasion d'un concert qui pour la première fois en France en proposait des œuvres. - réalisation : Virginie Mourthé - invités : Arvo Pärt Compositeur estonien (Paide, 1935-); Steve Reich Compositeur américain; Gavin Bryars Compositeur

durée : 01:59:16 - Le Bach du dimanche du dimanche 07 septembre 2025 - par : Corinne Schneider - Pour ouvrir la Saison 9 de l'émission : les 90 ans du compositeur estonien Arvo Pärt ; l'orgue flambant neuf de la Cathédrale Notre-Dame à l'écoute du nouveau CD de Vincent Dubois ; les débuts parisiens de Jan Čmejla (lauréat du Concours Bach de Leipzig 2025) et une nouvelle rubrique : « Blue Bach » - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:59:21 - La Série musicale - par : Zoé Sfez - Arvo Pärt, le compositeur vivant le plus joué au monde, fête ses 90 ans. L'occasion de revenir sur une oeuvre mystérieuse, mystique et bouleversante. - réalisation : Thomas Jost

„So wenige Noten“, staunt der Geiger Gidon Kremer bei der Uraufführung von „Tabula rasa“. Arvo Pärt hat vor allem eines komponiert: Stille. Im Saal herrscht eine seltene Ruhe – kein Husten, kein Atmen ist zu hören ... Von Christoph Vratz.

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.陈致逸,HOYO-MiX - Fragile Fantasy 银白的希望；2.Daniel Hope,Simon Mulligan,Arvo Pärt - Spiegel im Spiegel；3.饭碗的彼岸 - 风居住的街道（Piano ver） (翻自 磯村由紀子）；4.髙見優 - アメンボの住む町(guitar version)；5.방과후 - 우리 다시 만날까；6.音乐治疗 - Floating in the City；7.麗美 - My Star... ~ Steady As A Star。

    I've been listening to the ECM record label since the 1970s. You can always count on ECM to put out interesting and sometimes great records. My favorite ECM release is Steve Reich's "Music for 18 Musicians." It's not only my favorite ECM album, it's one of my top albums of all-time. A real desert island record for me. A few of my other favorite regular ECM artists are Steve Tibbetts, Eberhard Weber & Pat Metheny.  We had a discussion about our favorite ECM recordings over on Mixcloud. You can read or join in the thread here - https://www.mixcloud.com/lowlight/posts/favorite-ecm-albums/ I decided it wouyld be cool to make a mix of my top ten favorite ECM albums. I put it together in chronological order, starting with Ralph Towner & a fantastic version of Icarus. And ending with a 2017 album from Björn Meyer. Please leave a comment with some of your favorites in the comments and enjoy this little journey through ECM. Cheers!   T R A C K L I S T : 00:00   Ralph Towner - Icarus (Diary 1974) 06:08   Pat Metheny - Sirabhorn (Bright Size Life 1976) 11:28   Eberhard Weber - Moana I (The Following Morning 1976) 19:54   Steve Reich - Pulses (Music For 18 Musicians 1978) 25:08   Pat Metheny & Lyle Mays - As Falls Wichita, So Falls Wichita Falls (As Falls Wichita, So Falls Wichita Falls 1980) 32:45   Steve Tibbetts - Ur (Yr 1988) 40:15   Jan Gabarek - Parce Mihi Domine(de Morales) (Officium 1993) 45:40   Arvo Pärt - Spiegel Im Spiegel (Alina 2000) 54:30   Jon Hassell - Blue Period (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 61:20   Björn Meyer - Pulse (Provenance 2017) 64:05   end

We update our list of the year's best songs with new obsessions from The Antlers, polymath Keaton Henson, pianist Julia Hamos, Estonian composer Arvo Pärt and more.Featured artists and songs:1. Julia Hamos: “Ellis Island,” from Ellis Island 2. The Antlers: “Carnage,” from Blight 3. Gabriela Ortiz: “El olo del Jaguar,” from Yanga 4. Keaton Henson: “Lazy Magician (feat. Julia Steiner)” (single) 5. Arvo Pärt: “Nunc dimittis,” from And I heard a voice'All Songs Considered' 25th anniversary segment: Our No. 1 songs from 2023 Weekly reset: Crows in a D.C. suburb on a summer afternoon. Enjoy the show? Share it with a friend and leave us a review on Apple or Spotify or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Composer of the Week celebrates the 90th birthday of Arvo Pärt, one of the world's most-performed and recognisable living composers. A composer who had the courage to defy Soviet edicts, to spend years searching for answers, to invent a personal language that pivots on past and present, on sound, silence and clarity. This week, Kate Molleson explores Pärt's landmark works and extraordinary story in conversation with his son Michael. Music Featured: The Deer's Cry Songs from Childhood (I Am Already Big) Symphony No 1 (“Polyphonic” Sonatina No 1 Nekrolog Collage über BACH Ukuaru Waltz Festina Lente Credo Quintettino Symphony No 3 When Sarah Was Ninety Years Old (excerpt) Magnificat Arbos Für Alina Summa Fratres Tabula Rasa Missa Syllabica Hymn to a Great City De Profundis Cantus in Memoriam Benjamin Britten Spiegel im Spiegel Passio Berlin Mass Estonian Lullaby Vater Unser Orient and Occident Which Was the Son Of… Littlemore Tractus And I Heard a VoicePresented by Kate Molleson Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Arvo Pärt https://www.bbc.co.uk/programmes/m002g1r7And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

“Start with the way that you structure your rehearsal, your classroom, your feedback. In terms of feedback, we talk about not giving people more than three pieces of information to work on. Working memory is affected by ADHD in particular. ‘Here's what you're doing well, here's what you can improve on, here's how you can improve it.' That structure helps with their ability to anticipate what you're going to say and quickly implement that into their own music making.”Dr. Peter Haley serves as Director of Choral Activities and Assistant Professor of Music at Ohio University, where he conducts the Ohio University Singers and Singing Men of Ohio and teaches undergraduate and graduate courses in conducting, choral literature, and music education. He previously spent seven years as a high school choir director in North Carolina where his students were consistently chosen for honor choirs on the local, state, and regional level, while being immersed in a program that stressed collaborative music-making and artistic excellence.Dr. Haley's research interests include pedagogy for neurodivergent learners in the choral rehearsal, and Arvo Pärt's sacred choral music. He has been invited to present at state and regional ACDA and MEA conferences and served as a clinician or adjudicator in Alabama, North Carolina, Ohio, and South Carolina. He has served as a pastoral musician for Baptist, Presbyterian, Reformed Jewish, and United Methodist congregations and held leadership roles on the Executive Board of the Presbyterian Association of Musicians and the Southern Region Conference of the American Choral Directors Association.Dr. Haley holds the Doctor of Musical Arts in Conducting from the University of South Carolina, as well as a B.A. in Music from Wingate University and an M.M. in Church Music from Samford University. He has the honor of being the second-best teacher in his house, behind his wife, Ashley, and is a proud parent to Patrick and Libby Kay.To get in touch with Peter, you can e-mail him at pahaley@ohio.edu or find him on Instagram: (@peterallenhaley).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

浴室限定歌单！每一次洗澡都是特别值得珍惜的独处时间，把精神上的疲惫揉一揉、泡一泡、冲冲干净，给高速运转的脑子按一下暂停，让我们重新找回一点点的自我掌控感。每次洗完澡，整个人都很轻快，感觉面对生活，好像自己又能行了！当然，作为一个音乐节目的主播，这么好的私人庇护所一定要要有音乐。因此今天在这期节目，我想把我内心中能和这个场景的过程配在一起、让难得的抚慰感加倍的音乐，分享给你。希望在这期节目分享的这些体验感受和音乐，也能为你开启自己的沐浴仪式的时候，增添更多的心流感与治愈的感受 :)

Dr. Rossi reflects on angels through sharing with us the music and wisdom of Arvo Pärt.

Dr. Rossi reflects on angels through sharing with us the music and wisdom of Arvo Pärt.