Podcast appearances and mentions of Angela Hewitt

Tom Stevenson, CEO of Geneva Holdings, often says, “How can you answer the question if you don't know what to ask?” Knowing the right questions guides strategic growth and ensures you address the root of challenges, not just symptoms. Without asking the right questions you can misdiagnose problems, target the wrong market, or overlook key opportunities. For Geneva Holdings, this meant moving beyond surface-level fixes to find solutions that drove real change. The value of a partner who understands which questions to ask can be the difference between temporary adjustments and lasting transformation—allowing you to adapt, optimize, and make decisions with confidence.In this episode, we share the Client Story of Geneva Holdings and how ProCFO Partners helped bring order and strategic focus to their multi-company operations. Tom and Director of Operations Angela Hewitt join us for a conversation with Stephanie Parker, their Pro CFO, to discuss how asking the right questions brought clarity and alignment to their business. Together, they share insights on issues like how streamlining complex reporting and driving data-based decisions have enabled Geneva Holdings to grow with confidence and strategy. Learn how this partnership transformed their approach, turning strategic insights into a direction for sustainable growth. Featuring Tom Stevenson, Angela Hewitt, and Stephanie Parker.Create The Next is delivered to you from ProCFO Partners. Every week, we explore strategies and ideas for financial management and growth to help today's businesses put their financial picture in context. ProCFO Partners are expert financial officers networked across industries, verticals, specializations and situations. Fulfilling the role of a part-time CFO with all-time commitment, ProCFO Partners utilizes the innovative and exclusive FGC Financial Flywheel as a framework that creates momentum to drive your financial functions for sustainable success. Visit procfopartners.com to explore how we can implement a systematic and scalable financial system to help you achieve your goal.

- Bardzo ważne jest, by dochodzić do muzyki Mozarta poprzez dzieła mistrzów baroku czy wczesnego klasycyzmu. Nigdy dobrze nie robi dziełom Mozarta przejście do nich od romantyków - Chopina czy Liszta - oceniła w rozmowie z Andrzejem Zielińskim pianistka - Angela Hewitt.

Our Favorit Music" 1. J.S. Bach - Wariacje Goldbergowskie - Aria i 16,17,18 wariacja - Angela Hewitt. 2. Eric Satie - Gemnopedie nr. 2 - Philippe Entremont. 3. F. Chopin - Koncert e- moll, cz.2 Rotmance. Largehetto - Bruce Liu. 4. Henry Mancini - Lujon. 5. Henry Mancini - Piano And Strings from Pink Panther. 6. Marcos Valle, Stacey Kent, Jim Tomlinson: - Drift Away - Do Nice 7. Simple Red live in Cuba: - So Beautiful - Smile 8. G. Mahler - Symfonia nr 5, cz.II Adaggietto. Sehr langsam - Wiener Philharmoniker, Pierre Boulez.

Raffaello Morales is the founder and music director of the Fidelio Cafe in London, known and well-loved for their 'classical dinner-concert' series, comprising a one-hour concert by an established musician or ensemble, followed by a three-course menu specially curated for that evening's programme. Within the wider Fidelio project, Raffaello also conducts the Fidelio Orchestra, run as a charity with the intent of providing high-level orchestral experience for young musicians, with the likes of Angela Hewitt and Cedric Tiberghien on its roster of former collaborators.In this episode, Raffaello talks about the role of the concert hall, and why he favours a less formal setting for live music; the adaptations the current classical music model might need to make in order to ride the waves of change; and the desire to bring classical music to as wide a public as possible without undervaluing the intimate live music experience.-------------------Fidelio links:WebsiteInstagramX (formerly Twitter)Facebook-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------This podcast is also available to listen to via The Violin Channel--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

Täna on Eesti Riikliku Sümfooniaorkestri kontsert, külalisdirigent on Pierre Bleuse, soleerib Angela Hewitt.

Roger Waters decided to make a new version of Dark Side of the Moon. It's a mistake. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Dark Side of the Moon Gets Rogered (https://kirkville.com/dark-side-of-the-moon-gets-rogered/) -Episode #235 - 1973 (https://www.thenexttrack.com/239) The Wall: Film (https://en.wikipedia.org/wiki/Roger_Waters:_The_Wall) Rolling Stones: Hackney Diamonds (https://amzn.to/3tULGQQ) Our next tracks: Bach: Art of the Fugue, Angela Hewitt (https://amzn.to/3QuA8Nf) Hot Tuna: Hopkorv (https://amzn.to/3tI65bX) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Now, Tom welcomes Angela Hewitt to the program. The British-Canadian artist is an extraordinary classical pianist who has been praised particularly for her interpretations of the music of Johann Sebastian Bach. Here's Ms. Hewitt performing music from Bach's Well Tempered Clavier. Angela Hewitt joined us Thursday on Zoom from Ottowa. Because our conversation is recorded, we can't take any questions or comments today. Angela Hewitt will be appearing in a concert on the Candlelight Concert Series tomorrow night in the Smith Theatre at Howard Community College. Her program begins at 7:30. It will include music of Scarlatti, Bach and Brahms. For more information and ticketing, click here.See omnystudio.com/listener for privacy information.

Today, it's Midday on the Arts. A little later in the hour, Tom will speak with the internationally acclaimed classical pianist, Angela Hewitt, who is appearing in Columbia tomorrow night. And our theater critic, J Wynn Rousuck, will review the new show at the Everyman Theater. But we begin with the spoken word artist Wordsmith. He has released eight albums, and contributed music to several network and streaming shows, including Russian Doll and The Unbreakable Kimmy Schmidt.  He has performed all over the world in partnership with the US State Department, and in 2020, he was named an artistic partner with the Baltimore Symphony Orchestra. Last year, he premiered a new version of Igor Stravinsky's A Soldier's Tale and a new interpretation of the finale of Beethoven's 9th Symphony. In addition to writing and performing, Wordsmith is also an educator, activist and advocate. He recently started a non-profit organization called Rise with a Purpose. The group plans to launch a music school in Baltimore, and Wordsmith joins us now on Zoom to tell us about it… The event to help fund the new Rise With a Purpose music school will take place tomorrow night at 6:00 at Baltimore Unity Hall. To register for the event, click here. See omnystudio.com/listener for privacy information.

Música

Dr. Karlo Lizarraga and Dr. Angela Hewitt discuss neurophysiological biomarkers to optimize deep brain stimulation in movement disorders. Show references: https://pubmed.ncbi.nlm.nih.gov/34261338/ This podcast is sponsored by argenx. Visit www.vyvgarthcp.com for more information.

Dr. Jason Crowell talks with Dr. Karlo Lizarraga and Dr. Angela Hewitt about neurophysiological biomarkers to optimize deep brain stimulation in movement disorders.  This podcast is sponsored by argenx. Visit www.vyvgarthcp.com for more information.

Märtsis 2020, mil maailmas elu tardus, täitis pianist Angela Hewitt oma ammuse unistuse ja salvestas albumi armastuslauludest läbi aegade.

Born in 1958 into a musical family (the daughter of the Cathedral organist and choirmaster in Ottawa, Canada), Angela began her piano studies at age three, performed in public at four and a year later won her first scholarship. In her formative years, she also studied classical ballet, violin, and recorder. From 1963-73 she studied at Toronto's Royal Conservatory of Music with Earle Moss and Myrtle Guerrero, after which she completed her Bachelor of Music in Performance at the University of Ottawa in the class of French pianist Jean-Paul Sévilla, graduating at the age of 18. She was a prizewinner in numerous piano competitions in Europe, Canada, and the USA, but it was her triumph in the 1985 Toronto International Bach Piano Competition, held in memory of Glenn Gould, that truly launched her international career.

Märtsis 2020, mil maailmas elu tardus, täitis pianist Angela Hewitt oma ammuse unistuse ja salvestas albumi armastuslauludest läbi aegade.

This week's guest is pianist Angela Hewitt, who tells Editor Martin Cullingford about her beautiful new album 'Love Songs', transcriptions of songs by composers including Schumann, Schubert, Richard Strauss, Gluck, Grieg and De Falla - with arrangements by pianists and composers including Liszt, Godowsky, Grainger and Hewitt herself. The album is out today on the Hyperion label. Gramophone Podcasts are presented in association with Wigmore Hall.

Variation 30. In the last variation of the Goldbergs, Bach returns home, to a tradition of his family: creating mashups.  Interview with and performance by German pianist Lennart Felix, with additional commentary by Kristian Nyquist, Angela Hewitt, Jeremy Denk, and Philip Kennicott. Interview recorded October 24, 2017. Musical recording credits available at: https://open.spotify.com/show/0g4E7bf99tc5L6BGjkY1HG?si=xidMStfoTJWvME8MUYGK_g

Music festivals around the world have had to adapt to new limitations during the COVID pandemic, such as travel restrictions and bans on gatherings. Join us as we survey the organ festival landscape, checking in on 4 different festivals to see how they're adapting. Our guests are: Ed McCall, CEO of the Organ Historical Society in the US; Br. Riccardo Ceriani, General Manager & Superintendent of The Custody of the Holy Land in the Middle East; Sir Andrew Parmley, Chief Executive of the Royal College of Organists in the UK; and Angela Hewitt, Honorary Patron of the Royal Canadian College of Organists in Canada.

Variations 13, 14, and 15. Bach's faith was central to his music-making. This episode explores the spirituality of Bach's music with Angela Hewitt, internationally-renowned interpreter of Bach, who has performed all of Bach's keyboard works across the world. Interviews recorded April 30, 2019 and February 28, 2020. Photo credit: Maiwolf. Musical recording credits available at: https://www.thirtybach.com/podcast-episodes/angela-hewitt-lifted-up-into-a-different-world

We begin where the piece begins: the "aria" on which the rest of the piece is based. This episode introduces the project, including why I embarked on this project, and how the piece inspires people today. Conversation with architect and nanoscientist who listen to the piece every day. Other guests include Simone Dinnerstein, Angela Hewitt, Jeff Scott, and Dan Tepfer. Musical sound recording credits available at https://www.thirtybach.com/podcast-episodes/its-perhaps-the-music-that-travels-best          

Donald Macleod introduces personal highlights of his year-long celebration of Beethoven Donald Macleod embarks on the final week of his year-long celebration of the 250th anniversary of the birth of Ludwig van Beethoven, selecting his personal highlights of conversations he's had with special guests over the course of 25 series. Composer of the Week has this year, every alternate week, explored the life and work of Ludwig van Beethoven, in celebration of the 250th anniversary of his birth. In this, the final week of 25 series devoted to the extraordinary composer, Donald Macleod looks back over the year, and presents his personal highlights from the interviews he carried out over the course of 125 programmes. From historian Simon Schama to conductors Marin Alsop and John Eliot Gardiner, and pianists Jonathan Biss and Angela Hewitt, Donald was joined by experts and performers who gave remarkable insights into the unique human being that was Beethoven. This week he brings together some of the conversations that stayed with him, building a picture of Beethoven the man, the composer, the interpretation of his music since his death, the times he lived in, and what he means to us today. Composer of the Week has been returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Mass in C, Op 86 - Sanctus Piano Concerto No 4 in G, Op 58 (Andante con moto & Rondo vivace) Violin Sonata No 5 in F, Op 24 “Spring” (4th movement: Rondo) Piano Sonata No 27, Op 90 Maigesang, Op 52 No 4 Piano Sonata No 4 in E flat, Op 7 (2nd movement: Largo, com gran espressione) Violin Concerto in D, Op 61 (1st movement) String Quartet No 16 in F, Op 135 (4th movement: Grave, ma non troppo tratto) Concerto No 3 in C minor, Op 37 (2nd movement: Largo) Fidelio Act 2 Nr 14 & Nr 15 String Quartet No 16 in F, Op 135 (3rd movement: Lento assai, cantate e tranquillo) Sonata No 26 in E flat, Op 81A “Les adieux” (The Absence & The Reunion) Wind Octet in E flat, Op 103(1st movement: Allegro & 2nd movement: Andante) Die Ehre Gottes aus der Natur, Op 48 No 4 (The Heavens are Telling) Symphony No 3 in E flat, Op 55 “Eroica” (2nd movement: Marcia funebre. Adagio assai) Piano Trio Op 1 No 3 in C minor (4th movement: Prestissimo) 11 Bagatelles, Op 119 No 3 in D major (A l’Allemande) String Quartet Op.130 (I.Adagio ma non troppo – Allegro) Piano Sonata No 30 in E major, Op.109 (1st movement: Vivace ma non troppo – Adagio espressivo) Symphony No 4 in B flat, OP 60 - 4th movement: Allegro ma non troppo Fidelio Act 1 - Finale Presented by Donald Macleod Produced by Luke Whitlock for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: In Perspective https://www.bbc.co.uk/programmes/m000q853 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 01:57:43 - Le Bach du dimanche du dimanche 22 novembre 2020 - par : Corinne Schneider - Au programme de cette 140e émission : on fête la pianiste canadienne Angela Hewitt, première femme à recevoir la Médaille Bach de la Ville de Leipzig (17 novembre 2020) ; avec les Variations Goldberg et un zoom sur les œuvres pour clavecin de Johann Gottlieb Goldberg (1727-1756) - réalisé par : Céline Parfenoff

Nikki Bedi and Richard Coles are joined by Akram Khan. Winning a disco dance competition as a child encouraged Akram to pursue what he saw as his one talent: dance. Today he is one of the UK’s leading choreographers, has an MBE for services to dance, and tells stories through dance on stages as varied as Sadlers Wells to the 2012 London Olympics stadium. Sarah Beeny has graced our TV screens for the past 20 years as one of the nation’s most loved property experts. She estimates that she’s now been in more than 1,000 homes offering advice on all things remodeling, interior design and extensions. Now, the cameras follow her and her family as they build a house from scratch in Somerset. When Dwayne Fields moved to London from Jamaica aged 6 he wondered where all the trees were. He escaped the city after discovering Epping forest and adventures in nature, becoming the first black Briton to reach the North Pole in 2010. The Scout ambassador and Countryfile contributor is now planning to take 20 disadvantaged youngsters to the Antarctic and has his sights on reaching the South Pole within the next two years. Saturday Live listener Bill Murray's father was the bodyguard and painting companion of Winston Churchill - he contacted us to talk about his memories. Writer Sophie Kinsella chooses her inheritance tracks, Five Hundred Miles by The Seekers and F. Couperin "Les Baricades Mysterieuses" played by Angela Hewitt on Hyperion Records and your "thank you". Producer: Corinna Jones

This week, the world-renowned pianist Angela Hewitt chooses five contrasting aspects of the piano sonatas to discuss with Donald Macleod. In 2020, Hewitt reaches the end of her survey of Beethoven’s piano works with the last recording in her acclaimed series of his 32 piano sonatas. Begun in 2005, her Beethoven odyssey has been taken at a deliberately measured pace, to give ample space and time to reflect on each sonata, each recording being a testament to her deep understanding of Beethoven. Well known for her award-winning interpretation of Bach’s music, she brings that special insight to Beethoven’s profound admiration for the composer, after which she explores the humour Beethoven injects into his music, the composer’s ability to write cantabile or singing style and how Beethoven responded to the advancement of the piano. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Piano Sonata No 1 in F minor, Op 2 No 1 (I. Allegro) Piano Sonata No 2 in A major, Op 2 No 2 (IV. Rondo: Grazioso) Piano Sonata No 3 in C major, Op 2 No 3 (II. Adagio) Piano Sonata No 3 in C major, Op 2 No 3 (IV. Allegro assai) Piano Sonata No 7 in D major, Op 10 No 3 (II. Largo e mesto) Piano Sonata No 3 in C major, Op 2 No 3 (III. Scherzo) Bach: Partita No 2 in C minor, BWV 826 (excerpt) Piano Sonata No 8 in C minor, Op 13 (Pathétique) (I. Grave – Allegro di molto e con brio) Piano Sonata No 28 in A major, Op 101 (IV. Allegro Geschwind) Bach: Fugue No 17 in A flat major, BWV 862 (excerpt) Piano Sonata No 31 in A flat major, Op 110 (III. Fuga: Allegro ma non troppo) Piano Sonata No 30 in E major, Op 109 (III. Andante molto cantabile ed expressive) Piano Sonata No 25 in G major, Op 79 (II. Andante) Piano Sonata No 11 in B flat major, Op 22 (II. Adagio con molta espressione) Piano Sonata No 27 in E minor, Op 90 (I. Nicht zu geschwind und sehr singbar vorgetragen) Piano Sonata No 28 in A major, Op 101 (I. Allegretto ma non troppo) Piano Sonata No 16 in G major, Op 31 No 1 (II. Adagio grazioso) Piano Sonata No 8 in C minor, Op 13 (Pathétique) (II. Adagio con espressione) Piano Sonata No 10 in G major, Op 14 No 2 (II. Andante) Piano Sonata No 16 in G major, Op 31 No 1 (I. Allegro vivace) Piano Sonata No 6 in F major, Op 10 No 2 (III. Presto) Piano Sonata No 18 in E flat major, Op 31 No 3 Piano Sonata No 23 in F minor (Appassionata), Op 57 (I. Allegro assai) Piano Sonata No 17 in D minor (Tempest), Op 31 No 2 (II: Adagio) Piano Sonata No 29 in B flat major (Hammerklavier), Op 106 (I. Allegro) Piano Sonata No 26 in E flat major, Op 81a (Les adieux) (II. Abwesenheit & III: Das Wiedersehen) Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Piano Sonatas https://www.bbc.co.uk/programmes/m000nlwr And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Die kanadische Pianistin Angela Hewitt liebt Großprojekte. An einer umfassenden Interpretation von Beethovens Klaviermusik arbeitet sie seit einigen Jahren. Ihr aktuelles Album zum Beethovenjahr 2020 widmet sie Beethoven-Variationen.

Kultūros publikacijų apžvalga.Domanto Razausko muzikinėse naujienose: pianistė Angela Hewitt pasiduoda visuotinei Beethoveno karštinei; Norvegijos gitaristas Terje Rypdalas; britų saksofonininkas Timas Garlandas, flirtuojantis su senais kino filmais; tarp klasikos bei džiazo balansuojantis lenkas Dominikas Wania.Kuo skyrėsi žurnalistų tartis sovietmečiu ir dabar? Ar yra žurnalistų, kurių kalba atitinka tarties standartą? Su rubrika „Kalbos rytas“ – pokalbis su Lietuvių kalbos instituto jaunesniąja mokslo darbuotoja dr. Ramune Čičirkaite.Režisierės Giedrės Žickytės filmo „Šuolis“, pasakojančio unikalią istoriją apie Simą Kudirką, premjera įvyks spalio 9 dieną Tarptautiniame Varšuvos kino festivalyje. Pokalbis su režisiere.„Baranauską giedoti ne taip paprasta. Čia ne šiaip sau giesmelė, – labai sudėtinga instrumentuotė, tai yra barokinė muzika“, – dalijasi mintimis viena iš Anykščių kamerinio choro „Salve cantus“ giesmininkių Violeta Juciuvienė. Almos Valantinienės pokalbis su 30-metį mininčio choro dalyviais ir jų vadovu Anykščių Šv. apaštalo evangelisto Mato bažnyčios vargonininku Rimvydu Griauzde.Šviesaus atminimo režisieriaus Audriaus Mickevičiaus ir filosofo Nerijaus Mileriaus dokumentinis filmas „Pavyzdingas elgesys“ – tai jautri istorija apie vidinę transformaciją ir atleidimą, antros galimybės suteikimą ir nusikaltėlių viltis būti priimtiems visuomenės. Pokalbis su filosofu Nerijumi Mileriumi apie filmą, kurio lietuviškoji premjera įvyks festivalio „Nepatogus kinas“ atidarymo metu.„Negalima palikti vietos tylai“, – sako viena iš šiemetinės „Nepatogaus kino“ programos filmų herojų. Į virtualią kino salę persikėlęs tarptautinis žmogaus teisių dokumentinių filmų festivalis savo žiūrovų tyloje tikrai nepaliks – spalio 7-18 d. keturiose „Nepatogaus kino“ programose bus parodyta daugiau nei 50 filmų. Apie nepatogias temas nepatogiuose filmuose ir būtinybę kalbėti – pašnekesys su festivalio direktoriumi Gediminu Andriukaičiu ir žmogaus teisių portalo manoteisės.lt redaktore Jūrate Juškaite.Ved. Austėja Kuskienė ir Audrius Dabrovolskas

Als kind hield ik van rennen, schijnbaar doelloos, half vijf ’s middags. Geen jas, alleen een trui en maar rennen. De wind, het late licht. Puur plezier, zonder dat ik het zo noemde. Toccata. Johann Sebastian Bach Toccata. BWV.915 Angela Hewitt, piano Hyperion Records CDS44421/35 9’00’’

Wat een kleinood, ‘Je keek te ver’, een boekje door Marjoleine de Vos. “Het denken brengt ons niet tot de zin van de dingen. De zin, of beter nog: de betekenis, die geen diepere betekenis is, moet ons ook vanzelfsprekend toevallen’. Het valt mij in ieder geval toe in de Ouverture uit de Vierde Partita. Johann Sebastian Bach Partita voor klavecimbel nr.4, BWV.828 – deel I, “Ouverture” Angela Hewitt, piano Hyperion CDA68271 6’41’’

Sean Rafferty is joined by conductor Osmo Vänskä, who has a new recording out featuring Mahler’s Seventh Symphony. Soprano Golda Schultz joins Sean from Bavaria, to look forward to the Last Night of the Proms, and Sean also catches up with pianist Angela Hewitt.

Första rad: Du, som av skönheten och behagen Uppläsning: Sofia Berg-Böhm Diktsamling: Samlade skrifter (1796) MUSIK Carl Philipp Emanuel Bach: Andra satsen ur Violinsonat g-moll EXEKUTÖR Andrea Oliva, flöjt, Angela Hewitt, piano

Tom Service talks to author Oliver Craske about his new biography, which marks the 100th anniversary of one of the 20th century's most influential musicians, Ravi Shankar. Composer, Erkki Sven Tuur turned 60 last year. He speaks to Tom, from his home on an island in the Baltic Sea, about his Ninth Symphony and how his orchestral piece Sow the Wind is especially relevant during these times. We continue to mine the Music Matters archive and there is another chance to hear Angela Hewitt talk about Beethoven and Bach. And as lockdown continues to impact artists the world over, Tom talks to violinist Tamsin Waley-Cohen, percussionist Claire Edwardes, and the composer Kamala Sankaram whose new opera “All decisions will be made by consensus,” was composed especially for live online performance premieres this week.

Toen J.S. wees werd, in 1695, verhuisde hij naar zijn oudere broer in Ohrdruff. Rond 1702 schreef hij als ‘dank’ een kort en tintelend Capriccio. Johann Sebastian Bach Capriccio ‘in honorem Johann Christoph Bachii Ohrdruff’, BWV.993 Angela Hewitt, piano Hyperion CDA67306 5’13’’

In this episode, we talk with the pianist and author Stephen Hough, about how the lockdown is affecting him, how he has "the backside of a rhinoceros," and we discuss how classical concerts could change in the future. Guest: Stephen Hough (http://www.stephenhough.com) Angela Hewitt on Twitter (https://twitter.com/houghhough) Stephen Hough on Hyperion Records (https://www.hyperion-records.co.uk/a.asp?a=A95) The Stephen Hough Piano Playlist (https://music.apple.com/us/album/the-stephen-hough-relaxing-piano-playlist/1296734890) an Apple Music Rough Ideas: Reflections on Music and More (https://amzn.to/39IONLX) Show notes: I miss concerts but solo music-making seems more sublime than ever (https://www.theguardian.com/music/2020/mar/27/stephen-hough-i-miss-concerts-but-solo-music-making-seems-more-sublime-than-ever) (Guardian) MacArthur Fellows (https://www.macfound.org/programs/fellows/) Episode #18 – New Yorker Music Critic Alex Ross Discusses Listening to Classical Music (https://www.thenexttrack.com/19) Piano Day (https://www.pianoday.org) Our next tracks: Nils Frahm: Empty (https://www.nilsfrahm.com/empty/) Fountains Of Wayne: Welcome Interstate Managers (https://amzn.to/2wX3wFO) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Stephen Hough.

In the first of a number of out-of-band episodes that we're planning to release in the coming weeks, we talk with pianist Angela Hewitt, best known for her extraordinary recordings of all of Bach's keyboard works. Guest: Angela Hewitt (https://angelahewitt.com) Angela Hewitt on Twitter (https://twitter.com/HewittJSB) Angela Hewitt on Hyperion Records (https://www.hyperion-records.co.uk/a.asp?a=A542) The Angela Hewitt Bach Playlist (https://music.apple.com/us/album/bach-the-angela-hewitt-bach-playlist/1239803435) an Apple Music The Angela Hewitt Baroque Playlist (https://music.apple.com/us/album/the-angela-hewitt-baroque-playlist/1239804618) on Apple Music Show notes: Led by the hand (https://www.theguardian.com/friday_review/story/0,3605,374438,00.html) (article about Murray Perahia's thumb injury) Virtuoso mourns beloved £150,000 piano smashed by movers (https://www.theguardian.com/music/2020/feb/11/virtuoso-mourns-beloved-150000-piano-smashed-by-movers) Fazioli pianos (https://www.fazioli.com/en) A Late Quartet (https://www.imdb.com/title/tt1226240/) Our next tracks: Bob Dylan: Murder Most Foul (YouTube) (https://www.youtube.com/watch?v=3NbQkyvbw18) Ella Fitzgerald and Oscar Peterson: Ella And Oscar (https://amzn.to/3bFeVsy) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Angela Hewitt.

In the April issue of the BBC Music Magazine Podcast, we discuss the impact of the coronavirus pandemic on music festivals across the globe. We also look at the recently released list of PRS Women Changing Music, which features a number of film composers. Also this month, we flick through the latest issue of BBC Music Magazine, which features pianist Angela Hewitt on the cover. We reflect on the tragic story of her broken Fazioli piano, which hit headlines earlier this year. You’ll also get to hear an extract from our Recording of the Month: Federico Colli performing Domenico Scarlatti’s piano sonatas.As always, we’ve each brought along a new recording we’ve discovered this month, including works by Caroline Shaw, Bernard Hughes and Nikolai Tcherepnin. * PLEASE NOTE: This episode was recorded a couple of weeks ago. Because of the fast-paced nature of the coronavirus outbreak, some of our references to its impact on the music scene may already be out of date.THE MAGAZINE:D Scarlatti: Sonata KK427 in G major D Scarlatti: Piano Sonatas, Vol. 2Federico Colli (piano)Chandos CHAN20134FIRST LISTEN:Michael’s choice:Not Now, Bernard – Part 1Not Now, Bernard and other storiesAlexander Armstrong (narrator), Orchestra of the Swan/Tom HammondOrchid Classics ORC100115Oliver’s choice:Caroline Shaw: SchismaHealing ModesBrooklyn RiderIn A Circle Records IRC014Jeremy’s choice:Nikolai Tcherepnin: Narcisse et Echo, Op. 40Bamberger Symphoniker/Łukasz BorowiczCPO 555250-2This podcast was presented by BBC Music Magazine’s editor Oliver Condy, with deputy editor Jeremy Pound and reviews editor Michael Beek. The jingles were composed by Christopher Maxim and the episode was produced by Jack Bateman and Ben Youatt. See acast.com/privacy for privacy and opt-out information.

Sales has finally been to see Hamilton. Annabel richly enjoys the Leighsplaining about why it's so amazing but then turns the tables with her own surprising anecdote about the recording of Keith Jarrett's Koln Concert.2.10 Parasite movie Trailer6.45 Bong Joo Ho’s Best Moments from the Oscars 20207.50 Brad Pitt Bafta Win - Best Supporting Actor speech by Margot Robbie 7.50 Brad Pitt SAG Win - Best Supporting Actor speech with tinder reference8.10 Joaquin Phoenix Oscar Win - Best Actor10.10 Can a Burger Help Solve Climate Change - The New Yorker by Tad Friend13.10 Otis Deli in Kiama - opened by former head chef in London’s Ottolenghi14.10 The Seven Best Hair Salons in Melbourne - Harpers Bizarre by Susannah Guthrie15.10 Succession Season 2 Trailer16.10 Sarah Snook IMDB Profile16.20 Kieran Culkin’s best lines from succession by decider.com17.50 How to Pronounce Scotch Names - in Video! By Brian Cox18.20 Lost in Translation Whiskey ‘More intensity’ scene with Bill Murray20.20 Angela Hewitt piano smashed - The Guardian by Matthew Weaver22.10 Cautionary Tales Podcast Episode 7 - Bowie, Jazz and the Unplayable Piano, by Tim Harford27.20 “Is the Pain Worth the Gain? The Advantages and Liabilities of Agreeing With Socially Distinct Newcomers.” By Katherine W. Philips, Katie A. Liljenquist and Margaret A. Neale Personality and Social Psychology Bulletin Vol 35 No 3 March 2009 p. 336-35029.20 Hamilton the Musical By Lin-Manuel Miranda35.10 Shrek the musical

In our February 2020 podcast, we discuss cellist Sheku Kanneh-Mason’s entry into the Official UK Album Chart, the first cellist in history to do so. We also analyse the nominees for Best Original Score at this year’s Oscars, BAFTAs and Golden Globes, and look at who from the classical music was named on the New Year’s Honours list this year.Also this episode, we listen to extracts from both our cover CD and our Recording of the Month, the latter of which is pianist Angela Hewitt performing Bach’s Partitas. Plus, we bring you the nominees for this year’s BBC Music Magazine Awards!As usual, we each bring along a recording we’ve discovered and have been enjoying this month, from piccolo music by Thea Musgrave to Spanish piano music by Granados.This episode is presented by editor Oliver Condy, who is joined by editorial assistant Freya Parr and reviews editor Michael Beek. It was produced by Ben Youatt and Jack Bateman.News:Judith Bingham: The Drowned LoversMaria Forsström (mezzo-soprano), Swedish Chamber Choir/Simon PhippsChandos CHSA5255Elgar: Enigma Variations – NimrodSheku Kanneh-Mason (cello), Ben Davies (cello), Hannah Roberts (cello), Josephine Knight (cello), Caroline Dearnley (cello), Ashok Khluda (cello)Decca 4850241The Magazine:Beethoven: Symphony No. 5: I. Allegro con brioBBC Philharmonic/Gianandrea NosedaJS Bach: Partita No. 1 in B flat: VI. GigueAngela Hewitt (piano)Hyperion CDA68271/2First Listen:Phantasm: Clavierubung IIIThe Well-Tempered ConsortPhantasmLinn CKD618Granados: Oriental (Danza Espanola)SaudadesRomain Nosbaum (piano)ARS Produktion ARS38287Thea Musgrave: Piccolo Play: IV. Les PapillonsMighty MetamorphosesPeter Verhoyen (piccolo), Stefan De Schepper (piano)Etcetera Records KTC1668 See acast.com/privacy for privacy and opt-out information.

Angela Hewitt plays Couperin. Fieri Consort transport us to a 17th Century Roman Christmas, while Alice Coote and Julius Drake perform songs from Schubert's Winterreise.

durée : 00:08:28 - Classique info du mardi 19 novembre 2019 - par : Sofia Anastasio - Le festival de Salzbourg célébrera son 100e anniversaire l’été prochain ; à Venise, un trésor musical sauvé des eaux ; la ville de Leipzig décerne sa médaille Bach à la pianiste Angela Hewitt ; Kanye West se met à l’opéra ; Monica Bellucci « hantée par la Callas » au théâtre.

Avui sentirem una interessant tria musical i coneixerem els gustos musicals d'aquesta pianista canadenca, considerada una de les int

durée : 01:57:51 - En pistes ! du vendredi 31 mai 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La suite de l’intégrale Beethoven d’Angela Hewitt et notre disque du jour : le trio Smetana joue Zemlinsky et Arensky - réalisé par : Gilles Blanchard

PODCAST: Backstage: Episode #16 Going Solo Angela Hewitt, Matthew Halsall, Sinead Morrisey and Amy Thatcher are our guests appearing in this “Going Solo” themed episode. Working collaboratively is all well and good, but sometimes we do our best work on our own, unhindered by conflicting viewpoints, unencumbered by compromise. So on this podcast episode, we hear from folk artist Amy Thatcher on what it’s like to leave the comforts of a big band to launch a first solo album. We get advice from Matthew Halsall on how to build a stirring jazz trumpet solo. Concert pianist Angela Hewitt describes how she handles the sole responsibility of holding an audience’s attention for an hour and more. And award-winning poet Sinead Morrissey gives us her tips for making listeners hang on your every word. *Backstage is a regular podcast where we go behind the scenes for exclusive interviews and insights from leading and emerging artists who’ll be taking to the stage at Sage Gateshead, and discover some of the activities that take place, and the communities that meet there.

Soprano Renee Fleming, pianist and conductor Vladimir Ashkenazy, and agent Jasper Parrott pay tribute to Andre Previn who passed away on 28th February. Also on the podcast, live music from supreme Bach master Angela Hewitt, baritone Roderick Williams on shifting perspectives in Schumann’s songs, plus cellist Jamal Aliyev and pianist Jâms Coleman debate the perfect driving soundtrack.

Tom Service discusses Beethoven at the keyboard with pianist Angela Hewitt, who is currently touring Beethoven's Emperor Concerto. He also considers animal and human brain responses to music with Henkjan Honing (editor of a new book The Origins of Musicality) and with Felix Stroeckens (who has been putting crocodiles in an MRI scanner and playing Bach to them). He also investigates a new opera being toured round Scotland's whisky distilleries by NOISE, and meets Ewan Campbell to discuss musical maps in the context of radical scores from the Middle Ages to the present day.

Learn Lead Listen is about showcasing teacher leadership in our district. On the second episode, we talk to Angela Hewitt, current NHCS Teacher of the year, about bridging community support and schools, making time for personal relationships with your colleagues, and identifying needs in your school.

Leading pianist Angela Hewitt talks to Gramophone's Editor Martin Cullingford about the importance of Bach in her life, recording Beethoven Sonatas, and performing Messiaen at the Proms.

I programmet diskuteras Mendelssohns symfonier med Nézet-Séguin på pulten, klaversonater av Scarlatti framförda av Angela Hewitt samt stråkkvartetter med Dover-kvartetten. Magnus väljer Gilgamesh. I panelen Bengt Forsberg, Evabritt Selén och Evert van Berkel som tillsammans med programledaren Magnus Lindman betygsätter följande skivor:  FELIX MENDELSSOHN Symfonierna 1 - 5 Karina Gauvin, Regula Mühlemann, sopraner Daniele Behle, tenor, RIAS Kammarkör Chamber Orchestra of Europé Yannick Nézet-Séguin, dirigent DGG 479 7337 (3 CD) DOMENICO SCARLATTI Klaversonater Angela Hewitt, piano Hyperion CDA 68184 VOICES OF DEFIANCE Musik av Ullmann, Sjostakovitj och Szymon Laks Dover-kvartetten Cedille CDR 90000 173 Referensen - Scarlatti Magnus refererar till och jämför med en historisk inspelning där Marcelle Meyer spelar Sonat Kk 492 ur albumet Scarlatti 32 sonatas, inspelat i slutet av 40-talet, återutgiven på References/EMI. Magnus val Magnus väljer och spelar valda delar ur ett album där Manfred Honeck dirigerar Bohuslav Martinus oratorium The Epic of Gilgamesh, komponerat 1955, för recitatör, solister, blandad kör och orkester. Vi hör sopranen Lucy Crowe, tenoren Andrew Staples, barytonen Derek Welton och basen Jan Martinik. Recitatören heter Simon Callow. Vidare framträder Prags filharmoniska kör samt Tjeckiska filharmonin hemmahörande i Prag. Inspelningen gjordes 2017 på skivmärket Supraphon.  Andra i programmet nämnda eller rekommenderade inspelningar: Szymon Laks stråkkvartetter med Messages-kvartetten på Dux (nr 3) samt med ARC-ensemblen på skivmärket Chandos (nr 4). Domenico Scarlattis klaversonater med Marcelle Meyer på EMI/References (Referensen); Angela Hewitt i tidigare utgåva på Hyperion; Vladimir Horowitz på Columbia/Sony samt med Ralph Kirkpatrick (cembalo) på DGG. Mendelssohns symfonier med San Fransiscos symfoniorkester ledd av Herbert Blomstedt på skivmärket Decca; Londons symfoniorkester under Claudio Abbado på DGG samt med Wiens filharmoniker dirigerad av Christoph von Dohnayi på Decca. Svepet Magnus sveper över och spelar valda delar ur ett album med Trio Zimmermann som innehåller stråktrior nr 1 och 2 av Hindemith samt Trio op 45 i en sats av Schönberg. Inspelad på skivmärket Bis.

Angela Hewitt ja Bach

Angela Hewitt ja Bach

Picks from across the week on In Tune. Sean Rafferty talks to Stephen Fry about penning an opera libretto for the composer Louis Mander; Angela Hewitt discusses Bach and Scarlatti; and Alice Sara Ott explains the childlike essence of Grieg's music.

Sean Rice and Alexander Shelley talk about the "Soul Stirring Music" coming up in the 2017-2018 season of the NAC Orchestra. "I am full of anticipation for the NAC Orchestra season ahead and the glorious music that awaits us. We will host some of the finest performers in the world - artists like Itzhak Perlman, Emanuel Ax, Lang Lang, Angela Hewitt, Stephen Hough, Pinchas Zukerman and John Storgards." - Alexander Shelley

Hvorfor begyndte Gould med Goldberg-variationerne? Hvad er det for et stykke musik? Hvilke gemte koder er det, vi finder i det? Hvad havde Bach egentlig selv tænkt, det skulle bruges til? Og hvad betød Goulds indspilninger for vores forståelse af det? Pianisten Simone Dinnerstein måtte holde op med at lytte på Gould for at kunne høre selve musikken. Medvirkende: Simone Dinnerstein, Angela Hewitt, Ruth Tatlow, Paolo Pietropaolo.

Angela Hewitt chats with Sara Mohr-Pietsch about her choral passions.

TSO Associate Principal Flute speaks with Kathleen Kajioka and Camille Watts about her time in the TSO. Plus, Music Director Peter Oundjian discusses Angela Hewitt and Shostakovich.

  Masterpiece’s Downton Abbey came to an end last night after six seasons. In this tell-all exposé, Scottish composer John Lunn talks about his years with the Crawley family, what Lord Grantham really thought of Branson, and his thoughts on Thomas Barrow’s perpetual bad attitude. Okay, okay — not exactly. But Lunn does talk about how he got into writing for TV, how it’s different than writing operas and violin concertos, and about being part of the Downton team for six seasons. Past (and future!) secrets are revealed. All in a lovely Scottish accent.     All music in this episode (except for the Bach) from the CD, Downton Abbey: The Ultimate Collection: Prelude & Fugue No. 24 in B Minor BWV 893. JS Bach. Angela Hewitt.   The Suite Such Good Luck Escapades End of An Era Audio production for this episode by Todd “Lord of Toddington” Hulslander with pregnant pauses by Dacia Clay and assistance from Mark DiClaudio. Learn more about John Lunn here. For more about Downton Abbey, go here. 

Angela Hewitt - October 14, 2015

Listen to the interesting story behind Domenico Scarlatti's keyboard sonatas, which will be performed by renowned pianist Angela Hewitt at the Queen's Hall on Thursday 13 August.

Angela Hewitt drops in to the In Tune studio to play Bach as well as her new venture, Scarlatti. She talks to Suzy Klein about her upcoming Masterclasses as part of the 'It's All About Piano' festival and looks back on 20 years of Bach recordings for Hyperion.

David Perlman talks with Angela Hewitt about her upcoming performances, programming her annual festival and her vision of years to come.

Elijah Wood talks to Kirsty Lang about his role in Set Fire to the Stars, a biopic about Dylan Thomas's turbulent time in 1950s New York. Pianist Angela Hewitt discusses her new recording of Bach's The Art of Fugue. Writers Paul Kingsnorth and Julian Gough explain how important crowd-funding was to help them write their novels. And film-maker Molly Dineen reviews The Overnighters, a documentary about a pastor in North Dakota who came to the aid of the flood of men who travelled from all over the USA to seek work in the area's booming oil industry. Presenter: Kirsty Lang Producer: Olivia Skinner.

Virtuoso is a term applied to many of the world's top pianists of today. With its roots in the Italian usage of the 16th and 17th centuries, a virtuoso is an individual who possesses outstanding technical ability in any intellectual or artistic field. But it takes much more than just playing demi-semi quavers on a keyboard to dazzle an audience. So what are the true qualities of virtuosity and which particular composers are regarded as virtuosi, writing music to show off their own technical prowess at the keyboard? Featuring Lang Lang, Angela Hewitt and Stephen Hough.

The issue of tuning has been a live one ever since Greek mathematician and philosopher Pythagoras was pinching strings and scratching his head over harmonic discrepancies 2,500 years ago. For a keyboard instrument such as the piano with its multiple strings, until the system of Well Temperament was popularised in the early 18th century, instruments would only really sound good tuned to a certain key. Thanks to the Well-Tempered method of tuning though, and yes, Bach knew what he was doing when he wrote that collection of pieces in all 24 keys to be played on the same instrument, the pianist now has freedom to transpose freely across the keyboard. Yet, piano tuning is a highly nuanced art, affecting the tone and colour of an instrument. With razor-sharp hearing and an ability to creatively play with the compromises necessary to tune a piano, the piano tuner still plays a key role in preparing an instrument for performance. Featuring Marcus du Sautoy, Angela Hewitt and Richard Foster.

Which great pianists would be worth queuing for? Piano fans queued around the block in 1965, to see the return of Vladimir Horowitz, one of the century's most celebrated pianists, after a twelve year break from live performance. And in the age of internet booking, piano audiences are no less passionate, dedicated and sometimes frenzied. Richard Sisson, Erica Worth, Eddy Smith, Jonathan Biss, Stephen Hough, Pierre-Laurent Aimard and Angela Hewitt discuss the role of a good audience in creating a great performance.

There's an art to choosing and performing an encore, even for the world's top pianists. Being invited to return to the stage calls for a choice that complements but doesn't upstage the programme the audience have just heard. And it mustn't keep the orchestra sitting too long with nothing to do. It must be prepared and yet feel like a spontaneous treat. Above all, it's a pleasure. Featuring Lucy Parham, Stephen Hough, Lang Lang and Angela Hewitt.

Competitions are a vital part of many classical pianists' careers. They are a testing ground, and a way to get noticed in a crowded field. But are they an exciting way to make a name as a young musician, a necessary evil, or are they in fact not necessary at all? Featuring Stephen Hough, Lucy Parham, Angela Hewitt and Pierre Laurent Aimard.

Series exploring famous pieces of music and their emotional appeal. Bach wrote his Goldberg Variations for harpsichord in the 1740s, but today it's performed by pianists all over the world. People describe the place these pieces have in their lives, including a neuroscientist from New York, pianist Angela Hewitt, a father driving his family through the night in the Australian Outback, and a woman from Oregon whose life was transformed, perhaps even saved, by this music.

WPAS speaks with pianist Angela Hewitt about her performance at The Music Center at Strathmore on Thursday, December 3 at 8pm. Her program features a single work - Bach's graceful Goldberg Variations. Hewitt has been called "the pre-eminent Bach pianist of our time" (The Guardian). Reserve your seats to this special performance at WPAS.org or 202-785-WPAS.

The National Arts Centre Orchestra has, from its conception, had a mandate beyond Ottawa, a mandate to serve all Canadians from coast to coast to coast. The key national stages for the NAC Orchestra have been broadcasting, recording and touring, to which has now been added a significant presence on the internet. As part of the national mandate the NAC Orchestra has always been committed to nurturing and presenting great Canadian performers. We hear from Angela Hewitt, Jon Kimura Parker and Anton Kuerti. The national mandate has also meant commissioning and playing works by Canadian composers; R Murray Shafer, Alexina Louie and Gary Kulesha are heard from, their voices and their music.

This episode of the NAC Orchestra’s podcast series exploring the Romantic Concerto looks at Beethoven’s spellbinding Piano Concerto No. 4 performed by Angela Hewitt and the National Arts Centre Orchestra on May 20 and 21, 2009. The podcast is hosted by the NAC Orchestra’s assistant principal double bass Marjolaine Fournier and features one of Canada’s foremost music journalists, Jean-Jacques van Vlasselaer.

Hewitt discusses playing Bach’s much-beloved masterpiece, Goldberg Variations.

WPAS speaks with cellist Daniel Müller-Schott about Bach, Beethoven and Bananas - and about his December 15th Washington recital with pianist Angela Hewitt at the Harman Center for the Arts, performing Bach Gamba Sonatas and Cello Sonatas by Beethoven.