Podcasts about Sviatoslav Richter

Andrés Amorós comienza un ciclo dedicado al pianista ruso Sviatoslav Richter, considerado uno de los mejores del mundo pero también con más rarezas.

Musik als Lebenselixier: Im Gespräch mit Andreas LucewiczIn dieser Folge von „Gelassen älter werden“ tauchen wir ein in die faszinierende Welt der Musik als Lebensquelle und spiritueller Kraft. Bertram Kasper spricht mit Konzertpianist Andreas Lucewicz (73) über ein Leben zwischen Klaviertasten und Klangräumen – und wie Musik dabei hilft, auch das Älterwerden gelassener und erfüllter zu gestalten.Hauptpunkte:Frühe Leidenschaft: Andreas erzählt, wie er die Liebe zur Musik bereits in der Kindheit mit der „Muttermilch“ aufgesogen hat – und warum er lange ein musikalischer Autodidakt blieb.Mentoren und Vorbilder: Besonders prägend war die Begegnung mit dem legendären Pianisten Sviatoslav Richter – ein Schlüsselmoment in Andreas' Karriere und innerer Entwicklung.Musik als Transformation: Andreas beschreibt eindrucksvoll, wie das Klavierspiel ihn in einen Zustand jenseits von Schmerzen und Alltag versetzt – und welche heilende Wirkung darin liegt.Konzert und Erkenntnis: Zusammen mit seiner Frau, der Psychologin Claudia Lutschewitz, verbindet er Musik, Psychologie und Philosophie in besonderen Konzertvorträgen.Gelassenheit im Alter: Wie sich die eigene Musikalität und das Hören im Laufe des Lebens vertiefen – und warum Bach für Andreas zur „Seelennahrung“ geworden ist.Live gespielte Klavierstücke im Podcast:

durée : 00:19:29 - Disques de légende du lundi 26 mai 2025 - En 1969, EMI réussit un grand coup marketing en réunissant quatre des artistes les plus célèbres de l'époque, pour le triple concerto de Beethoven : David Oistrakh au violon, Mstislav Rostropovitch au violoncelle et Sviatoslav Richter au piano – sans oublier Herbert von Karajan à la baguette.

durée : 00:19:29 - Disques de légende du lundi 26 mai 2025 - En 1969, EMI réussit un grand coup marketing en réunissant quatre des artistes les plus célèbres de l'époque, pour le triple concerto de Beethoven : David Oistrakh au violon, Mstislav Rostropovitch au violoncelle et Sviatoslav Richter au piano – sans oublier Herbert von Karajan à la baguette.

Maurice Ravel (1875 - 1937) - Sonata n. 2 in sol maggiore per violino e pianoforte1.       Allegretto  2.       Blues (Moderato) [10:00]3.       Perpetuum mobile. Allegro [16:42] Oleg Kagan, violinSviatoslav Richter, piano

Jed discusses ten pianists with :cult" followings: Josef Hofmann, Artur Schnabel, Mieczyslaw Horszowski, Vladimir Sofronitsky, Sviatoslav Richter, Rosalyn Tureck, Arturo Benedetti Michelangeli, Grigory Sokolov and Glenn Gould Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

durée : 01:28:46 - Sviatoslav Richter, légende du piano - par : Aurélie Moreau - Pour Sviatoslav Richter, immense pianiste né il y a 110 ans, "La musique, c'est une manière de vivre, de penser, de ressentir. Une présence de tous les instants, une joie profonde". (Diapason). Au programme: Beethoven, Rachmaninov, Brahms, Schubert…

Er gilt als einer der besten Pianisten der Welt. Scheu, eigenwillig - ein Künstlerleben im Kalten Krieg. Am 20.03.1915 wird Sviatoslav Richter in der heutigen Ukraine geboren. Von Christoph Vratz.

Jed discusses nine live and unedited performances of Liszt's monumental Piano Sonata in B Minor. Pianists include Simon Barere, Jorge Bolet, Claudio Arrau, Howard Karp, Sviatoslav Richter, Irén Marik, Cyprien Katsaris, Terence Judd and Vladimir Horowitz.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Here are some links to some of the performances mentioned in this episode:Vladimir Horowitz Carnegie Hall Recital March 19th 1978 - https://www.youtube.com/watch?v=AfkAkMoQ6QUHoward Karp Liszt Sonata - https://www.youtube.com/watch?v=96zA4CgJuosSimon Barere Liszt Sonata (excerpt) - https://www.youtube.com/watch?v=WZLn3i-eQi0Cyyprien Katsaris Liszt Sonata - https://www.youtube.com/watch?v=SgNytL777PkTerence Judd Liszt Sonata (excerpt) https://www.youtube.com/watch?v=g8uHB_hO73kIren Marik Liszt Sonata - https://www.amazon.com/Iren-Marik-Mozart-Messiaen/dp/B000PSJCDS

Navigating the discographies of pianists Nikita Magaloff, Sviatoslav Richter and Paul Badura-Skoda can be quite the challenge! But persistence and patience sometimes result in musical rewards.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

durée : 00:23:27 - Disques de légende du jeudi 05 décembre 2024 - En 1981 à Moscou, Sviatoslav Richter consacre un disque au quintette de César Franck pour Philips. Cet enregistrement sera complété par quelques pièces de Liszt en 1984. Richter est alors le grand nom du piano sur la scène mondiale.

durée : 00:23:27 - Disques de légende du jeudi 05 décembre 2024 - En 1981 à Moscou, Sviatoslav Richter consacre un disque au quintette de César Franck pour Philips. Cet enregistrement sera complété par quelques pièces de Liszt en 1984. Richter est alors le grand nom du piano sur la scène mondiale.

durée : 01:58:20 - Sviatoslav Richter (1915-1997) avant 1960 (2/2) - par : Philippe Cassard - Au programme, les concerts avec la soprano Nina Dorliak sa future épouse. La rencontre avec Prokofiev. Le duo avec Rostropovich. - réalisé par : Philippe Petit

durée : 00:08:29 - Disques de légende du jeudi 12 septembre 2024 - Notre disque du jour est légendaire par plusieurs aspects : il réunit trois icônes de la musique du XXe siècle, avec Sergueï Prokofiev, Mstislav Rostropovitch et Sviatoslav Richter. Sa création et son enregistrement, en pleine Union Soviétique des années 1950, participent d'autant plus à sa légende.

durée : 00:08:29 - Disques de légende du jeudi 12 septembre 2024 - Notre disque du jour est légendaire par plusieurs aspects : il réunit trois icônes de la musique du XXe siècle, avec Sergueï Prokofiev, Mstislav Rostropovitch et Sviatoslav Richter. Sa création et son enregistrement, en pleine Union Soviétique des années 1950, participent d'autant plus à sa légende.

durée : 01:58:19 - Sviatoslav Richter (1915-1997) avant 1960 (1) - par : Philippe Cassard - Avant ses premiers concerts, fin 1960, du côté occidental des pays du bloc soviétique, Richter marquait déjà de son empreinte et de son jeu puissant tous les répertoires qu'il abordait. - réalisé par : Philippe Petit

我们都应该听听古典音乐！音乐修养、生活品味和审美趣味，都是可以通过古典音乐来培养的；而且浩如烟海的作品，本身就充满了美的趣味和享受。很多人觉得古典乐的欣赏充满门槛，似乎不懂乐理就很难听懂。但其实不是，不懂乐理，并不妨碍我们欣赏，也不妨碍我们被它的美和独特所感动。今天这期节目，想跟你分享我是如何入门，以及如何去欣赏古典音乐。尽管我算不上骨灰级、学术型的厉害古典乐迷，但我非常愿意和你一起享受古典音乐的美。我将尽量不去说艰深晦涩的东西，并尽可能地播放好的作品与你来听，希望能让你产生一些些接触古典音乐的兴趣，通过这期节目也能入门~

durée : 00:21:00 - Sviatoslav Richter joue Prokofiev : Sonates pour piano n°2 et 9, Concerto pour piano n°1 et 5 - Quatre enregistrements de la musique de Prokofiev par le pianiste virtuose Sviatoslav Richter sont disponibles sur un disque nouvellement remasterisé par Paul Arden-Taylor

durée : 01:27:54 - En pistes ! du mercredi 21 février 2024 - par : Charlotte Landru-Chandès - Ils sont au programme ce matin : le théorbiste Azul Lima, les violoncellistes Anastasia Kobekina et Sol Gabetta, les pianistes Maria Stratigou, Sviatoslav Richter et Bertrand Chamayou, la soprano Diana Damrau, mais également l'Orchestre de la Radio de Munich et l'Orchestre Philharmonique Slovaque

durée : 00:58:50 - La Série musicale - par : Zoé Sfez - Bruno Monsaingeon a été lui-même musicien, mais il est surtout connu pour avoir filmé Nadia Boulanger, Glenn Gould, Sviatoslav Richter et bien d'autres. Portrait d'un documentariste qui a su si bien transcrire des partitions à l'écran.

durée : 01:00:10 - René Martin, directeur artistique de festivals de musique classique - par : Priscille Lafitte - Les quatuors de Bartók représentent le "big bang" de l'univers musical de René Martin, qui découvre son métier aux côtés du pianiste Sviatoslav Richter. Le créateur du Festival de La Roque d'Anthéron et de la Folle Journée raconte ses amitiés avec Michel Corboz, Radu Lupu ou encore Matthias Goerne. - réalisé par : Claire Lagarde

durée : 00:58:50 - La Série musicale - par : Zoé Sfez - Bruno Monsaingeon a été lui-même musicien, mais il est surtout connu pour avoir filmé Nadia Boulanger, Glenn Gould, Sviatoslav Richter et bien d'autres. Portrait d'un documentariste qui a su si bien transcrire des partitions à l'écran.

durée : 01:33:39 - Relax ! du mardi 16 janvier 2024 - par : Lionel Esparza - Ses rencontres avec Sviatoslav Richter qui l'invitait régulièrement à ses festivals en Russie et en France, comptent parmi les expériences les plus marquantes de sa vie musicale

For the first time, four classic Prokofiev recordings by towering virtuoso Sviatoslav Richter are available, newly remastered by Paul Arden-Taylor.TracksPiano Sonata No. 2 in D Minor, Op. 14 I. Allegro ma non troppo (6:13) II. Scherzo: Allegro marcato (1:47) III. Andante (4:58) IV. Vivace – Moderato – Vivace (4:17) Piano Sonata No. 9 in C Major, Op. 103 I. Allegretto (7:38) II. Allegro strepitozo (2:54) III. Andante tranquillo (8:28) IV. Allegro con brio ma non troppo presto (5:19) Piano Concerto No. 1 in D-Flat Major, Op. 10 I. Allegro brioso (6:32) II. Andante assai (3:27) III. Allegro scherzando (4:02) Piano Concerto No. 5 in G Major, Op. 55 I. Allegro con brio (5:03) II. Moderato ben accentuato (4:01) III. Toccata (1:54) IV. Larghetto (6:42) V. Vivo (5:04) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Sviatoslav Richter (1915–97), who several times played all three wartime sonatas during the 1945-6 concert seasons, gave his first public recital in Odessa in 1934 and was taught by Heinrich Neuhaus at the Moscow Conservatory. Having played Prokofiev's Fifth Piano Concerto under the composer's direction, Richter gained a formidable reputation in the USSR and played in the West for the first time in 1960. Subsequent visits were eagerly awaited, however Richter became highly selective in his choice of venue, (always preferring smaller venues) and repertoire and often, as with Visions fugitives, selected a few pieces from a single cycle. Following an extensive tour of the USA in 1970, he chose not to return to that country as Aldeburgh and selected sites in France and Italy became his preferred venues outside Russia. In 1986 Richter gave 91 concerts over a four-month period during a tour by car from Leningrad -Vladivostok - Moscow. In addition to numerous solo concerts, Richter often played alongside friends such as Britten, Kagan, Rostropovich, Fischer-Dieskau, Schreier, Oistrakh, and Fournier.Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com  This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Works include:  Waltzes #3 &6, The Revolutionary Etude, Prelude #17, Scherzo #1, Nocturne #13 and Mazurka # 26. Pianists include: Alfred Cortot, Arthur Rubinstein, Sviatoslav Richter, Claudio Arrau, Dinu Lipatti and Wilhelm Backhaus. 

durée : 01:25:00 - Les Nuits de France Culture - par : Albane Penaranda - En septembre 1998, le musicien et cinéaste Bruno Monsaingeon est l'invité de l'émission "Opus" sur France Culture. Au micro de Claude Kiejman, il raconte les coulisses de son film documentaire consacré au grand pianiste russe Sviatoslav Richter (1915-1997). Depuis le début des années 1970, Bruno Monsaingeon n'a cessé de filmer la musique et les plus grands interprètes de son temps : Yehudi Menuhin, Glenn Gould, Nadia Boulanger, Rostropovitch, Grigori Sokolov, Paul Tortelier et bien d'autres encore. Mais dans l'imposante filmographie de Bruno Monsaingeon (une centaine de documentaires), Richter l'Insoumis occupe une place particulière. "Richter est un homme sans désir, sans ambition, sans intention. Il joue." Achevé en 1997, récompensé d'un FIPA d'or, ce portrait de deux heures et demie a été le fruit d'un long travail de collaboration avec le légendaire pianiste russe Sviatoslav Richter, durant les dernières années de sa vie. Ce film restera un document d'autant plus exceptionnel que Richter n'aimait ni se montrer ni s'exprimer autrement qu'avec la musique. Un document musical, mais aussi historique sur l'existence d'un citoyen soviétique virtuose, né en 1915 en Ukraine et mort à Moscou en 1997. À écouter "La Nuit rêvée de Caroline Champetier" par Albane Penaranda. Par Claude Kiejman  Réalisation : François Viet Opus - Bruno Monsaingeon ou comment filmer la musique : autour du pianiste Sviatoslav Richter (1ère diffusion : 05/09/1998) Indexation web : Documentation Sonore de Radio France Archive Ina-Radio France

Un día como hoy, 20 de marzo: Nace: 1770: Friedrich Hölderlin, poeta alemán. 1828: Henrik Ibsen, dramaturgo noruego. 1890: Beniamino Gigli, tenor italiano (f. 1957). 1915: Sviatoslav Richter, pianista ucraniano (f. 1997). Fallece: 1727: Isaac Newton, científico británico que dedujo las leyes de la gravitación universal. (n. 1643). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Jess Gillam is joined by the Mumbai-born pianist Shivank Menon, to talk about the records that they love. Their playlist includes Rostropovich playing Bach, Sviatoslav Richter playing Chopin, songs by Ravel, Fanny Mendelssohn and Donny Hathaway, and a recording of Bill Evans duetting with himself. Playlist: MORELENBAUM2 & RYUICHI SAKAMOTO: Sabia J S BACH ARR. KODALY: Vater unser im Himmelrich, BWV 762 (Mstislav Rostropovich, cello; Herbert Tachezi (organ) CHOPIN: Polonaise No 7 in A flat, Op 61 (Sviatoslav Richter, piano) ROBERT DE VISÉE: Sarabande from Suite No 7 in D minor (Thomas Dunford, archlute; Jean Rondeau, harpsichord) FANNY MENDELSSOHN: Schwanenlied, Op 1 No 1 (Dorothea Craxton, soprano & Babette Dorn, piano + Benjamin Appl, baritone & James Baillieu, piano) RAVEL: Soupir from 3 Poèmes de Stéphane Mallarmé (Anne Sofie von Otter, mezzo-soprano) DONNY HATHAWAY: A Song for You BILL EVANS: Emily

In the final episode for 2022, Simon Moore speaks with a man who has been declared by the National Trust to be a National Living Treasure. Roger Woodward has dazzled audiences for over 60 years here and overseas. A champion of Australian composers, he has performed at the invitation of Sviatoslav Richter, Claudio Abbado, Zubin Mehta, Charles Dutoit… the list goes on. Performing from New York to LA, from Beijing to Warsaw, he's also recorded with all the major labels. Based in San Francisco, he's back in Australia to perform with the Ku-ring-gai Philharmonic Orchestra for their 50thAnniversary Concert, at the Concourse in Chatswood, 3pm on Sunday 11th December. In this program, Roger tells some remarkable stories from his long career and what he considers his breakthrough concert, and we hear about his passion for contemporary works, plus the role he played in the 1980s supporting the Solidarity movement in Poland. He also speaks eloquently about the works he shares in this program, and his personal relationships with some of the composers.

durée : 00:58:29 - Sviatoslav Richter, titan de la musique - par : Aurélie Moreau - Par ses interprétations fascinantes, Sviatoslav Richter est devenu légendaire de son vivant. Son grand collègue Julius Katchen a dit de lui : « un pianiste sans égal dont la puissance titanesque interdisait toutes comparaisons ».

durée : 01:58:17 - Le Bach du dimanche - par : Corinne Schneider - Au programme de cette 224e émission : pianistes légendaires et enregistrements historiques (Claudio Arrau, Clara Haskil, Marcelle Meyer, Sviatoslav Richter et Arthur Rubinstein) ; la fête de la Réforme (31 octobre) ; et la 24e édition du Festival Bach de Lausanne « All Bach ! » (4-25 novembre). - réalisé par : Anne-Lise Assada

Pianists include: Floyd Cramer, Thomas "Fats" Waller, Sviatoslav Richter, Hazel Scott, Nat King Cole, Albert Ammons,, Pete Johnson, Art Tatum, Pinetop Perkins & Henry Cowell. Music includes: Over the Rainbow, In the Wee Small Hours, Fancy Pants, Prelude In C Sharp Minor, Pinetop's Boogie Woogie, April In Paris, The Man I Love and the Banshee.

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here. What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works. Featured Recordings of Schubert's Works: "Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us "Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records "Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan,  Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records "Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space ""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

durée : 01:25:00 - Les Nuits de France Culture - Bruno Monsaingeon ou comment filmer la musique : autour du pianiste Sviatoslav Richter

durée : 00:11:30 - Disques de légende du mercredi 25 mai 2022 - Aujourd'hui dans Disques de légende, nous écoutons Le Premier Livre du Clavier bien tempéré de Bach par Sviatoslav Richter.

durée : 01:58:13 - Relax ! du mercredi 25 mai 2022 - par : Lionel Esparza - Aujourd'hui dans Relax, portrait du chef István Kertész. Puis en disque de légende, nous écouterons Le Premier Livre du Clavier bien tempéré de Bach par Sviatoslav Richter. - réalisé par : Félicie Faugère

TESTO DELL'ARTICOLO ➜ www.bastabugie.it/it/articoli.php?id=6992IL TURISMO PUO' SALVARE IL BEL PAESE di Antonio SocciDopo due anni di pandemia, due anni da incubo, l'Italia del turismo sta ripartendo. Per il 2022 infatti le stime parlano di più di 92 milioni di arrivi e circa 343 milioni di presenze fra stranieri e italiani (un aumento - rispettivamente - del 43 per cento e del 35 per cento rispetto all'anno scorso).Non siamo ancora tornati ai dati del 2019, ma la ripresa è forte. Sperando che i venti di guerra che soffiano impetuosi non gelino questa fioritura...Con l'inizio di maggio sciameranno verso la Penisola milioni di persone che cercano nella nostra terra una Bellezza sognata e ignota, che tante volte hanno sentito raccontare o che hanno già assaporato e vogliono tornare a gustare.La bellezza è - fin dall'antichità - il principale connotato dell'identità italiana. Già Marco Terenzio Varrone (116 a.C. - 27 a.C.), nella più antica delle 'laudes Italiae' che conosciamo, il 'De re rustica', del 37 a.C., celebra l'Italia come il giardino del mondo: "Voi che avete peregrinato per molte e diverse terre, ne avete vista una più coltivata dell'Italia? Io, per conto mio, non credo che ce ne sia".Anche la nostra letteratura, ai suoi esordi, canterà questa caratteristica della Penisola. L'Italia è in Dante il "bel paese là dove 'l sì suona" o "l giardin de lo 'mperio". In Petrarca è "il bel paese / ch'Appennin parte, e 'l mar circonda et l'Alpe".In una enciclopedia medievale l'Italia è la "terra pulcherrima, soli fertilitate pabulique ubertati gratissima", la bellissima terra, piacevole per la fertilità del suolo e l'ubertosità dei suoi pascoli.BELLEZZA NATURALISTICA E PAESAGGISTICAInsomma da secoli dire Italia significa dire bellezza naturalistica e paesaggistica. La quale è sì dovuta - anzitutto - a una fortunata collocazione geografica e a una felice situazione climatica, ma i tanti doni del Creatore si sono combinati con la straordinaria opera degli uominiche fin dall'antichità hanno arricchito la natura con il lavoro e l'ingegno.Infatti è grazie agli agricoltori romani che furono introdotte da noi tantissime delle piante che oggi vediamo e coltiviamo e che provengono da altre aree del mondo. Così oggi l'Italia è un paradiso di biodiversità e questo è anche alla base della ricchezza della nostra alimentazione e della nostra cucina, parte non secondaria dell'attrattiva turistica.Del resto non c'è solo la bellezza naturale. Il patrimonio culturale italiano non ha eguali nel mondo: più di 4 mila musei, 6 mila aree archeologiche, 85 mila chiese soggette a tutela e 40 mila dimore storiche censite.Ma qui cominciano anche le dolenti note: l'incuria, gli scempi, gli abusi sono storia nota. Leonardo Sciascia scriveva nel lontano 1969: "L'Italia è il paese dell'arte ma le opere d'arte che vadano in malora".Lo stesso assalto turistico a questo patrimonio e alle città d'arte se - per un verso - è positivo, per altro verso ha qualcosa di angosciante, pare un consumo "mordi e fuggi" che di quella bellezza non comprende nulla, scivola sulla superficie alla velocità di un selfie. E lascia una distesa di cartacce e lattine.D'altronde l'Italia è un'unica, immensa, opera d'arte plasmata insieme dalla natura e da generazioni e generazioni di italiani, che sono stati il grande artista collettivo.MILLENARIA BELLEZZASe i più geniali figli del nostro popolo - come Michelangelo - seppero dare forma prodigiosa al marmo o alle basiliche, i nostri umili contadini - imparando inizialmente dai monaci medievali che dissodarono un'Italia distrutta dalle invasioni barbariche - hanno dato forma al nostro paesaggio esprimendo in esso il loro sentimento della vita, la spiritualità che come popolo vivevano.Franco Rodano, nelle sue "Lettere dalla Valnerina", descriveva incantato la bellezza che vedeva "in questa mia valle [dell'Umbria] e nei suoi poveri campi ancora amorosamente coltivati [...] nella netta geometria di questi poderi, che sono prodotto antico, di una lunghissima storia, di una millenaria capacità contadina (conservata dalla Controriforma) di vivere il lavoro non solo come duro travaglio disseminato di 'spine e triboli', ma anche come accurata e paziente ricerca, al tempo stesso, e del necessario e del bello".Noi, italiani del XXI secolo, sembriamo perlopiù estranei a questa storia, viviamo immersi nella nostra millenaria bellezza con una distrazione che ferisce.Possediamo un patrimonio ereditato, senza meriti, ma non sembriamo consapevoli della fortuna che abbiamo avuto, né delle nostre responsabilità.Albert Einstein, che con l'Italia ebbe un legame profondo (ci visse per anni e anche una parte importante della sua famiglia ci ha abitato a lungo) un giorno disse: "Se io potessi liberamente scegliere il mio domicilio a libero piacere, vorrei vivere in Italia per il resto della mia vita".Essere nati in un Paese così è una fortuna e un privilegio. Dovremmo avvertire il dovere di custodire, valorizzare e proteggere questa immensa opera d'arte per tutta l'umanità. In fondo la bellezza italiana è per tutti. Perché, come diceva Sviatoslav Richter, "ogni persona al mondo ha due patrie: la propria e l'Italia".

Opgegroeid met twee pianisten als ouders, een huis vol bevriende componisten en andere musici heeft de in Rusland geboren Helena Basilova haar hele leven geluisterd naar muziek. Nu woont ze in Amsterdam, geeft concerten, componeert en is hoofdvakdocent aan het Conservatorium in Zwolle. Ze heeft 3 pianisten gekozen die ze aan ons (en aan cellist Leonard Besseling) wil laten horen. We proberen met haar oren te luisteren. Besproken pianisten: Moriz Rosenthal  https://youtu.be/MStF_PeC-k0 Sviatoslav Richter  https://youtu.be/f4agGHvYljU Eroll Garner https://youtu.be/3VHUpGxFJJ8 Muziek podcast: Akim Moiseenkov Opname en montage: Bart Geeraedts, TXTproducties 24classics is een classical music discovery service. We maken podcasts, organiseren de serie 24chambers en andere concerten  en produceren films. Ook kleine vriend van 24classics worden? Dat kan hier: https://24classics.com/word-vriend/  

蹦藝術 S4 EP4｜拉赫曼尼諾夫第二號鋼琴協奏曲-第三樂章完整賞析 用耳朵閱讀古典音樂 - 蹦藝術 | BONART

蹦藝術 S4 EP3｜拉赫曼尼諾夫第二號鋼琴協奏曲-第二樂章完整賞析 用耳朵閱讀古典音樂 - 蹦藝術 | BONART

Leif Ove Andsnes returns to Heinz Hall to play the Benjamin Britten Piano Concerto No. 1 in its first time out in Pittsburgh. He talks about the concerto, playing it at the BBC Proms in 2019, the Britten record Sviatoslav Richter made with the composer conducting, Richter's eccentricities, the new Mozart recording he's just released, and his switch to the Sony label after 35 CDs for EMI. He discusses the music of Ukrainian composer Valentin Silvestrov, which he will play on Saturday night in a special benefit concert at Heinz Hall.  Leif shares with Jim Cunningham his feelings about the conflict in Ukraine and he discusses his recent all Grieg songs recording with Lise Davidsen including a meditation on Spring at the end as especially evocative of the Nordic soul.  

蹦藝術 S4 EP2｜拉赫曼尼諾夫第二號鋼琴協奏曲-第一樂章完整賞析 用耳朵閱讀古典音樂 - 蹦藝術 | BONART

蹦藝術 S4 EP1｜從韓劇《39》聊拉赫曼尼諾夫第二號鋼琴協奏曲 用耳朵閱讀古典音樂 - 蹦藝術 | BONART 

Synopsis In a creative life that spanned over 60 years, the American composer Howard Hanson never wavered in his belief that music should be tonal in nature and fundamentally Romantic in style, with strong and clear melodic lines. By the mid-1950s, many other European and American composers were espousing a far different approach to music, favoring an abstract and often densely complex style, more in harmony with the non-representational canvases of the painter Jackson Pollack than the meticulous realism of, say, Norman Rockwell. On today's date in 1955, this music, Hanson's Symphony No. 5, had its premiere performance by the Philadelphia Orchestra under Eugene Ormandy. It's the most compact of Hanson's seven symphonies, a single-movement work in three sections lasting just 15 minutes. Hanson titled the work “Sinfonia Sacra” or “A Sacred Symphony,” and suggested it was inspired by the account of Christ's resurrection in the Gospel of St. John. “The Sinfonia Sacra does not attempt programmatically to tell the story of the first Easter,” wrote Hanson, “but does attempt to invoke some of the atmosphere of tragedy and triumph, mysticism and affirmation of this story, which is the essential symbol of the Christian faith.” Music Played in Today's Program Howard Hanson (1896 - 1981) — Symphony No. 5 (Sinfonia Sacra) (Seattle Symphony; Gerard Schwarz, cond.) Delos 3130 On This Day Births 1632 - Italian composer Giovanni Battista Vitali, in Bologna; 1864 - American music publisher Gustave Schirmer, Jr., in New York City, son of the German-born music publisher Gustave Schirmer, Sr. 1915 - French composer Marcel Landowski in Prêt L'Abbé (Finistère); 1939 - Brazilian composer, conductor and pianist Marlos Nobre, in Recife; Deaths 1956 - French composer French composer Gustave Charpentier, age 95, in Paris; Premieres 1743 - Handel: oratorio “Samson,” at Covent Garden Theatre in London, and possibly the premiere of Handel's recently-completed Organ Concerto Op. 7, no. 2 at the same concert (Gregorian date: Mar. 1); 1874 - Rimsky-Korsakov: Symphony No. 3, in St. Petersburg (Gregorian date: Mar. 2); 1893 - Berlioz: "La Damnation de Faust" (as a staged opera), in Monte Carlo with a cast headed by tenor Jean de Reske; Berlioz conducted the first concert performance of this work (as an oratorio) at the Opéra-Comique in Paris on Dec. 6, 1946; 1893 - Brahms: Intermezzo No. 1, for piano, from Op. 117, in Vienna; 1895 - Loeffler: Quintet for three violins, viola and cello, at Boston's Union Hall by the Kneisel Quartet joined by violinist William Kraft; 1916 - Daniel Mason: First Symphony (first version), by the Philadelphia Orchestra, Leopold Stokowski conducting; 1919 - Deems Taylor: chamber suite "Through The Looking Glass," by the New York Chamber Music Society; 1947 - Menotti: one-act opera "The Telephone," in New York City at the Heckscher Theater; 1952 - Prokofiev: Sinfonia Concertante, Op. 125 (as "Cello Concerto" No. 2), in Moscow, with Sviatoslav Richter conducting and Mstislav Rostropovich the soloist; 1955 - Hanson: Symphony No. 5 ("Sinfonia Sacra"), the Philadelphia Orchestra, Eugene Ormandy conducting; 1965 - Ginastera: Harp Concerto, by harpist Nicanor Zabaleta , with the Philadelphia Orchestra, Eugene Ormandy conducting; 1998 - Thea Musgrave: "Phoenix Rising," at the Royal Festival Hall in London, by the BBC Symphony, Andrew Davis conducting. Links and Resources On Howard Hanson

Synopsis On today's date in 1853, expectations both on stage and off must have been pretty high when a 20-year-old German pianist and composer named Johannes Brahms made his public debut in Leipzig. Just two months earlier, the older composer Robert Schumann had published a glowing prediction that young Mr. Brahms was going to turn out to be the bright hope for the future of German music. Brahms played his big Piano Sonata in C, his Opus 1, no. 1, at the Leipzig Gewandhaus. Brahms also met the great French composer Hector Berlioz, who wrote: “Brahms has had a great success here and made a deep impression on me... this diffident, audacious young man who has taken into his head to make a new music.” When his Piano Sonata No. 1 was first published by Breitkopf & Haertel, along with some early songs, Brahms immediately sent copies off to Schumann, with this note: “I take the liberty of sending you your first foster children (who owe to you their citizenship of the world). In their new garb they seem to me too prim and embarrassed – I still cannot accustom myself to seeing these guileless children of nature in their smart new clothes!” Music Played in Today's Program Johannes Brahms (1833–1897) — Piano Sonata No. 1, Op. 1 (Sviatoslav Richter, piano) Philips 438 477

durée : 00:19:34 - Disques de légende - Aujourd'hui dans Disques de légende, la Fantaisie en fa mineur de Schubert par Benjamin Britten et Sviatoslav Richter.

Synopsis Two famous pieces of chamber music had their premieres on today's date, both at private readings prior to their first public performances. On today's date in 1842, the German Romantic composer Robert Schumann arranged for a trial reading of his new Piano Quintet in E-flat at the Leipzig home of some of his friends. Schumann's wife, Clara, was supposed to be the pianist on that occasion, but she took ill, and Schumann's friend and fellow-composer Felix Mendelssohn stepped in at the last moment for the informal performance, reading the work at sight. After this preliminary reading, Mendelssohn praised the work, but offered some friendly suggestions concerning part of the trio section in the new work's Scherzo movement, which prompted Schumann to write a livelier replacement movement for the work's first public performance. About 100 years later, on today's date in 1949, a cello sonata by the Soviet composer Sergei Prokofiev received a similar private performance in Moscow, for an invited audience at the House of the Union of Composers. Two of the leading Soviet performers of the day, cellist Mstislav Rostropovich and pianist Sviatoslav Richter, gave the work its first performance. The following spring, it was again Rostropovich and Richter who gave the Sonata its public debut at the Moscow Conservatory. Music Played in Today's Program Robert Schumann (1810–1856) — Piano Quintet in Eb, Op. 44 (Menahem Pressler, piano; Emerson String Quartet) DG 445 848 Sergei Prokofiev (1891–1953) — Cello Sonata, Op. 119 (David Finckel, cello; Wu Han, piano) Artist Led 19901