Podcasts about fantaisie impromptu

Works include: Nocturne in E flat, Fantaisie Impromptu, minute Waltz, Grand Valse Brilliante and Etude Op 10 No. 3. Pianists include: Arthur Rubinstein. Alfred Cortot, Claudio Arrau, Margarete Long, Sergi Rachmanioff and William Kapell. 

This Day in Legal History: Civil Rights Act of 1875On March 1, 1875, a significant milestone in the journey toward civil rights in the United States was reached with the enactment of the Civil Rights Act of 1875. This groundbreaking legislation aimed to eliminate racial discrimination in public accommodations, such as inns, public conveyances, theaters, and other places of public amusement, declaring that all persons, regardless of race, color, or previous condition of servitude, were entitled to the full and equal enjoyment of these facilities. The Act represented a bold step towards equality, affirming the rights of African Americans and other minorities to access public services and spaces without discrimination.However, this progressive movement faced a severe setback in 1883 when the Supreme Court, in a series of decisions collectively known as the Civil Rights Cases, declared the Civil Rights Act of 1875 unconstitutional. The Court argued that the Act exceeded the powers granted to Congress by the 13th and 14th Amendments, stating that the federal government could not regulate the conduct of individuals or private businesses. This ruling effectively removed the protections afforded by the 1875 Act, leaving African Americans and other minorities vulnerable to segregation and discrimination in public accommodations for decades to come.The Supreme Court's decision underscored the limitations of the federal government's ability to intervene in matters of racial discrimination in the private sector, a stance that persisted until the civil rights movement of the 20th century. It wasn't until 1957 that Congress would pass another piece of civil rights legislation, marking a long hiatus in the legislative battle against racial discrimination. The 1883 ruling and the ensuing period of legislative inaction highlight the challenges faced in the pursuit of equality and justice, demonstrating the complex interplay between law, society, and the fight for civil rights in America.Elon Musk has initiated legal action against OpenAI and its CEO, Sam Altman, accusing them of deviating from the organization's foundational objective of prioritizing humanity's welfare over profit. Musk, a co-founder of OpenAI who has since divested his stake, asserts that OpenAI's partnership with Microsoft Corp has led the AI startup away from its commitment to open-source technology development, aligning instead with corporate interests. This lawsuit highlights Musk's ongoing concerns about artificial intelligence's potential dangers, especially in the context of the rapid advancements and widespread adoption triggered by OpenAI's ChatGPT. Despite claiming to uphold a charter focused on the broad benefit of humanity, Musk argues that OpenAI has effectively become a "closed-source de facto subsidiary" of Microsoft, betraying its original mission.The legal challenge also scrutinizes the reorganization of OpenAI's leadership, particularly the events surrounding Altman's brief removal and subsequent reinstatement as CEO, which Musk attributes to a collusion between Altman, OpenAI President Greg Brockman, and Microsoft. This shift in governance, according to Musk, replaced a board previously dedicated to AI ethics and governance with individuals more oriented towards profit-making and political connections. The lawsuit emerges amid a context where OpenAI's innovations, like ChatGPT and GPT-4, have propelled AI integration across various industries, with Microsoft leading the charge in leveraging these technologies for its services. Musk's legal action not only spotlights a significant rift within the AI community but also signals potential ramifications for OpenAI's future direction and Microsoft's burgeoning AI ambitions.Musk Sues OpenAI, Altman for Breaching Founding Mission (1)In Georgia, a judge is scheduled to preside over a critical hearing concerning former U.S. President Donald Trump's attempt to disqualify the prosecutor, Fani Willis, in his election interference case. This motion stems from Willis' undisclosed affair with special prosecutor Nathan Wade, which Trump and his co-defendants argue represents a conflict of interest. Trump, leading the race for the 2024 Republican presidential nomination, faces charges of attempting to unlawfully influence Georgia officials to reverse his 2020 election defeat. Despite pleading not guilty alongside 14 others, a potential disqualification of Willis could introduce significant delays into an already complex racketeering case, though it would not necessarily terminate the proceedings.During recent hearings, Willis acknowledged the affair with Wade but disputed allegations regarding its timing and impact on the case. The controversy surfaced after a defense lawyer for a Trump co-defendant cited the relationship as a conflict of interest that unjustly benefited Wade. Despite the defense's accusation of deceit regarding the affair's onset, Willis and Wade maintain that their relationship commenced post-hiring, asserting its irrelevance to the case's integrity.Moreover, Trump is entangled in three additional criminal cases, including allegations of hush money payments, efforts to contest the 2020 election outcome, and mishandling classified documents. His legal challenges are further complicated by debates over the trial dates and potential presidential immunity. Trump contends that these legal battles are politically motivated attempts to thwart his political aspirations, emphasizing the unique vulnerability of the state court case in Georgia to his potential presidential powers, unlike the federal cases.Judge in Trump Georgia criminal case to hear arguments over bid to disqualify prosecutor | ReutersIn Colorado, a significant sentencing is forthcoming for Peter Cichuniec, a paramedic found guilty in the 2019 death of Elijah McClain. McClain, a young Black man, tragically lost his life after a police encounter involving a chokehold, followed by medics administering a potent sedative. Cichuniec, convicted of criminally negligent homicide, potentially faces up to 16 years in prison, marking a rare instance where paramedics have been held accountable in court for their actions during an emergency response. His colleague, Jeremy Cooper, also guilty of the same charge, awaits sentencing later in April.This case, the last in a series of trials stemming from McClain's death, underlines the legal and societal repercussions following the incident, which initially led to no charges against the involved parties. It was not until the global outcry after George Floyd's murder in 2020 that Colorado's Governor Jared Polis initiated a re-examination of the case, culminating in the 2021 indictment of the officers and paramedics by a state grand jury.McClain's encounter with the police on a warm August night in 2019, flagged for wearing a ski mask and appearing suspicious, quickly escalated to a fatal confrontation. The updated autopsy report in 2021 attributed his death to complications from the administered ketamine, contrary to the initial "undetermined" cause. This legal and moral saga underscores the renewed scrutiny on law enforcement and medical response practices, especially in interactions with Black individuals, reflecting a broader call for justice and accountability in the wake of national protests against racial injustice.Colorado judge to sentence paramedic for Elijah McClain killing | ReutersThis week's closing theme is by Frédéric Chopin.Today marks the birthday of Chopin, the Polish composer and pianist who remains one of the most celebrated figures in classical music, renowned for his emotional depth, technical precision, and revolutionary approach to the piano. Born on March 1, 1810, Chopin has left an indelible mark on the world of music with his romantic compositions that blend technical mastery with lyrical beauty. His works, primarily composed for solo piano, have captivated audiences and performers alike with their expressive intensity and innovative use of the instrument's capabilities.Chopin was not only a composer but also an extraordinary pianist, known for his unique ability to convey emotion through music. His compositions, characterized by their nuanced dynamics and intricate melodies, continue to challenge and inspire pianists worldwide. Despite battling health issues throughout his life, Chopin's output was prolific, contributing vastly to the piano repertoire with nocturnes, polonaises, mazurkas, and ballades that explore the full range of human emotion.As we celebrate Chopin's birthday, it's fitting to highlight one of his most beloved pieces, the "Fantaisie-Impromptu" in C-sharp minor, Op. 66. Composed in 1834 but published posthumously in 1855, this piece exemplifies Chopin's ability to fuse technical brilliance with deep emotional expression. The "Fantaisie-Impromptu" is a whirlwind of passion and virtuosity, its outer sections marked by rapid fingerwork and ardent melodies, surrounding a serene, lyrical middle section that provides a moment of reflective calm.This piece, with its contrasting moods and technical demands, encapsulates the essence of Chopin's musical genius. As we close out the week, let the "Fantaisie-Impromptu" serve as a reminder of Chopin's enduring legacy, a celebration of his life and contributions to the world of music on his birthday. It's a piece that continues to inspire and move listeners, embodying the spirit of one of the greatest composers to have ever graced the art of music.Without further ado, Frédéric Chopin's “Fantaisie-Impromptu” in C-sharp Minor, Op. 66.  Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

人们是什么时候开始在音乐中听见“沉醉”和“感动”的？音乐为什么会变得开始治愈人心了？浪漫主义时期的作曲家们，他们对和声和旋律做了哪些变化？“上帝死了”，那之后呢？本期包含曲目：0:26- Fantaisie-Impromptu in C sharp minor op. posth. 66 B. 87 - I. Allegro agitato (升c小调幻想即兴曲，作品 66)7:50- Liszt: Années de pèlerinage I, S. 160 - II. Au lac de Wallenstadt 17:16- Götterdämmerung: Marcia Funebre (布索尼：诸神的黄昏：葬礼进行曲)

A reporter travels to Miami to investigate the fringes of science and faith. This story appears in THE ASSIMILATED CUBAN'S GUIDE TO QUANTUM SANTERIA.

都说音乐圈有鄙视链，古典音乐始终是所有音乐鄙视链的顶端。那么问题来了，古典音乐圈有鄙视链吗？ 有人说肖邦是古典音乐鄙视链的底层，有道理吗？本期节目咱们一起来聊聊贵圈鄙视链。包含曲目：0:26 - Fantaisie-Impromptu in C sharp minor op. posth. 66 B. 87 - I. Allegro agitato3:34 - 19 Nocturnes - No. 2 in E flat major Op. 9 No. 27:54 - Component 1 - Piano Concerto No. 1 in E Minor, Op. 11: II. Romanza (Larghetto)

Frederic Chopin - Fantaisie-Impromptu Matei Varga, piano More info about today's track: Dorian Sono Luminus DSL-92258 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Released for AFRTS transcription services June 12, 1964. Episode 540 opens with a orchestration of Chopin's Fantaisie Impromptu.

This is a piece given to me by my high school piano teacher when I was 13 years old. For most of it the left hand has triplets while the right hand has sixteenth notes. It was a fun piece for me to play and may be the reason that I was chosen to be the accompanist for the Lake County Philharmonic when I was only 14 years old. However, the very best piano teacher I had, had been a Julliard piano professor but he got sick and was unable to play, so he transferred to DePauw University in Indiana. I was at Eastman School of Music then and a graduate of DePauw was getting her Master's degree at Eastman and told me about him. So I transferred there my junior year. He was super good! He made me count out loud when I played, and if I played louder than I counted he would yell at me - "Count louder! Count louder!" Consequently that loud counting enabled me to play much better. So not long ago I decided to go back to Fantaisie Impromptu and COUNT OUT LOUD. That really helped me play it even better than I had when I was young. So I've been playing it at Mayo and I played it on the new piano that we have at church and many people have appreciated it.The claims are that it was Artur Rubinstein himself who put Chopin's original on the map. Ernst Oster explained that the Fantaisie-Impromptu draws many of its harmonic and tonal elements from Beethoven's Moonlight Sonata, which is also in C♯ minor, and from the third movement in particular. He continues that The Fantaisie-Impromptu is perhaps the only instance where one genius discloses to us—if only by means of a composition of his own—what he actually hears in the work of another genius.

The Polonaise Fantasie in A flat major, Op. 61, is a piece for solo piano written by Frédéric Chopin. It was published in 1846 with dedication to Madame A. Veyret. Its complex form, the fact that it displays characteristics of both a fantasie and a polonaise, its advanced harmonic development and technical level, made it a piece that was slow in gaining favour from pianists.

With the right computer program, proteins become pleasant music. There are many surprising analogies between proteins, the basic building blocks of life, and musical notation. These analogies can be used not only to help advance research, but also to make the complexity of proteins accessible to the public. We're computational biologists who believe that hearing the sound of life at the molecular level could help inspire people to learn more about biology and the computational sciences. While creating music based on proteins isn't new, different musical styles and composition algorithms had yet to be explored. So we led a team of high school students and other scholars to figure out how to create classical music from proteins. The Musical Analogies of Proteins Proteins are structured like folded chains. These chains are composed of small units of 20 possible amino acids, each labeled by a letter of the alphabet. A protein chain can be represented as a string of these alphabetic letters, very much like a string of music notes in alphabetical notation. Protein chains can also fold into wavy and curved patterns with ups, downs, turns, and loops. Likewise, music consists of sound waves of higher and lower pitches, with changing tempos and repeating motifs. Protein-to-music algorithms can thus map the structural and physiochemical features of a string of amino acids onto the musical features of a string of notes. Enhancing the Musicality of Protein Mapping Protein-to-music mapping can be fine-tuned by basing it on the features of a specific music style. This enhances musicality, or the melodiousness of the song, when converting amino acid properties, such as sequence patterns and variations, into analogous musical properties, like pitch, note lengths, and chords. For our study, we specifically selected 19th-century Romantic period classical piano music, which includes composers like Chopin and Schubert, as a guide because it typically spans a wide range of notes with more complex features such as chromaticism, like playing both white and black keys on a piano in order of pitch, and chords. Music from this period also tends to have lighter and more graceful and emotive melodies. Songs are usually homophonic, meaning they follow a central melody with accompaniment. These features allowed us to test out a greater range of notes in our protein-to-music mapping algorithm. In this case, we chose to analyze features of Chopin's Fantaisie-Impromptu to guide our development of the program. To test the algorithm, we applied it to 18 proteins that play a key role in various biological functions. Each amino acid in the protein is mapped to a particular note based on how frequently they appear in the protein, and other aspects of their biochemistry correspond with other aspects of the music. A larger-sized amino acid, for instance, would have a shorter note length, and vice versa. The resulting music is complex, with notable variations in pitch, loudness, and rhythm. Because the algorithm was completely based on the amino acid sequence and no two proteins share the same amino acid sequence, each protein will produce a distinct song. This also means that there are variations in musicality across the different pieces, and interesting patterns can emerge. For example, music generated from the receptor protein that binds to the hormone and neurotransmitter oxytocin has some recurring motifs due to the repetition of certain small sequences of amino acids. On the other hand, music generated from tumor antigen p53, a protein that prevents cancer formation, is highly chromatic, producing particularly fascinating phrases where the music sounds almost toccata-like, a style that often features fast and virtuoso technique. By guiding analysis of amino acid properties through specific music styles, protein music can sound much more pleasant to the ear. This can be further developed and applied to a wider variety of music styles, including pop and jazz. P...

I begin the 24th podcast by playing part of Chopin's Fantaisie Impromptu and then we entertain the question, "Can Religion and Science Coexist?"  I don't believe that it's possible to actually answer the question, so I have sunk to the level of mere musings.  But I think you'll find my treatment of the philosophical question to be entertaining.I finish the podcast mentioning that somewhere around September 20-23 of this year, I will be doing a fundraiser at the Performing Arts Center Miossi Auditorium and I will be playing 3 Bach pieces and 1 Purcell.  The Forbes Pipe Organ is a fine instrument and I have chosen four pieces that demonstrate its organic talents.    I am looking to raise money for another chocolate grinding machine for David so he can continue manufacturing chocolate.  And then finally, I finish Chopin's Fantaisie Impromptu.

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

Erik and Logan decide to go old school, talking about a classical piano master. They also switch up the format for a more pleasing audio experience. Fantaisie Impromptu: https://youtu.be/Gus4dnQuiGk Nocturne in E Flat Major: https://youtu.be/p29JUpsOSTE

This Saturday we have a recital of classical favorites from 11-year-old pianist Sami Gershenhorn of Lake Forest. On this holiday program is music by Chopin’s Fantaisie-Impromptu; Bach’s Italian Concerto; Beethoven’s Tempest Sonata; and pieces by Rachmaninoff, Liszt, and Debussy. Sami Gershenhorn is an 11-year-old established classical composer and professional pianist, who attends Deerpath Middle School in Lake Forest, and studies ... The post Sami Gershenhorn, 11, piano appeared first on WFMT.

It's ironic that Chopin's most famous work, the Fantaisie-Impromptu, wasn't published during his lifetime. Today we actually have several different versions of it: the first edition by Chopin's friend Julian Fontana in 1855, recent Urtext editions that have removed Fontana's own additions, and one version based on a manuscript acquired by Rubinstein in 1962. Pianist Henrik Kilhamn goes through this fantastic piece of music that fits so well under the fingers, and points out where the versions differ. The stormy agitato sections give way to a lyrical cantabile middle section which posess all the sweetness but none of the melancholy of a Nocturne. Introduction: 0:23 Analysis: 3.16 Performance: 15.52

Pianist Ethan Uslan performs selections for WDAV's 40th Birthday Party. He talks about the origins of ragtime, playing for silent films and what makes ragtime music so appealing. Learn more about Ethan Uslan and The Carolina Shout podcast Heard on this Episode: Mozart : Rondo a la Turka Fisk Jubilee Singers : Oh Them Golden Slippers Harry Carroll : I’m Always Chasing Rainbows from Fantaisie-Impromptu by Frédéric Chopin Holiday Medley  adapted by Ethan Uslan Dance of the Sugar Plum Fairy music from The Nutcracker I’m dreaming of a White Christmas Hark! The Herald Angels Sing Jingle Bells Chopin: C sharp minor waltz

A reporter travels to Miami to investigate the fringes of science and faith. This story appears in THE ASSIMILATED CUBAN'S GUIDE TO QUANTUM SANTERIA. This episode is sponsored by The Great Courses (www.thegreatcoursesplus.com/LEVAR) and Google Play (g.co/play/levar).

durée : 02:00:14 - Pavel Kolesnikov, Elina Buksha et Aurélien Pascal ; Eugénie Lefebvre ; Hélène Boulègue, Anaïs Gaudemard, François Dumont - par : Gaëlle Le Gallic - En direct et en public de 14h à 16h du Studio 106 de la Maison de la Radio Pavel Kolesnikov, piano Avec Elena Buksha, violon * Aurélien Pascal, violoncelle * PROGRAMME Frédéric Chopin : Valses (sélection), Impromptu n° 1 en la bémol majeur op. 29, Fantaisie-Impromptu en ut dièse mineur op. 66 Felix Mendelssohn * : Trio pour piano et cordes n° 2 en ut mineur op. 66 ***** Hélène Boulègue, flûte Avec Anaïs Gaudemard, harpe * François Dumont, piano ** PROGRAMME Astor Piazzolla * : Histoire du tango (extraits) Carl Reinecke ** : Sonate pour flûte et piano en mi mineur op. 167 " Undine " ***** Eugénie Lefebvre, soprano (Premier Prix du Concours Corneille 2017) avec Julie Dessaint, viole de gambe * Clément Geoffroy, clavecin * Fanny Bourrillon, piano ** PROGRAMME Alessandro Scarlatti * : Cantate " La Lucrezia Romana " Robert Schumann ** : Frauenliebe und Leben op. 42 (extraits) Christoph Willibald Gluck ** : L'ai-je bien entendu... Hélas mon coeur (Iphigénie en Aulide) - réalisé par : Jean-Pierre Collard

Breaking Free by Nathaniel Brandenhttp://books.google.com/books/about/Breaking_free.html?id=2U8dAQAAMAAJThe Questions:1. Was it your parents' practice to punish you or discipline you by striking or beating you?2. Did your parents project that they believed in your basic goodness? Or did they project that they saw you as bad or worthless or evil?3. Did your parents project that they believed in your intellectual and creative potentialities? Or did they project that they saw you as mediocre or stupid or inadequate?4. In your parents' expectations concerning your behavior and performance, did they take cognizance of your knowledge, needs, interest and context? Or were you confronted by expectations and demands that were overwhelming and beyond your ability to satisfy?Please download this very helpful 14page PDF about nonviolent communication:http://happinesscounseling.com/NVC_Intro.pdfbumper music "Fantaisie-Impromptu" by Frederic Chopinhttp://en.wikipedia.org/wiki/Fantaisie-Impromptu to comment, please go to http://completeliberty.com/magazine/category/91697

This composition is one of Chopin's most famous, which is why it surprises most people to know it was never published in his lifetime. In fact, he instructed his pupil, Julian Fontana, to destroy the piece. It is not known why, but many speculate that he did not want the piece published for fear that some might say he had plagiarized Beethoven's Moonlight Sonata - this is because a passage in measures 7/8 (and repeated throughout the piece) is identical to a mini cadenza that exists in the third movement of Beethoven's famous work (measure 187). This recording was made at my home on my studio upright piano. I hope you enjoy the recording.