Podcasts about Enchantment

Paul Gessing of the Rio Grande Foundation joins us in studio to discuss Errors of Enchantment, taking a closer look at policy missteps and economic challenges facing New Mexico. The conversation also turns to Santa Fe, where a new tax bill has emerged. While the proposal includes a mix of changes, Gessing argues that it ultimately amounts to a net tax increase for New Mexicans, raising concerns about its potential impact on families, businesses, and the state's economic outlook. Errors of Enchantment – Why is New Mexico not realizing its potential? The post Paul Gessing appeared first on ABQ Connect.

En esta nueva entrega de nuestro podcast estrenamos 'The Upside', el EP de cuatro temas que acaba de lanzar el guitarrista Blake Aaron. Otras novedades de la música Smooth Jazz que repasamos son los recientes trabajos de Marcus Adams, Groove Frequencies, Incognito, JJ Sansaverino y Jackiem Joyner. En el bloque para el recuerdo recuperamos la discografía de un quinteto vocal de Detroit llamado Enchantment, que estuvo en activo en la segunda mitad de la década de los 70.

Eine Kreatur nervt rum, ein Enchantment behindert massiv unseren Boardstate, aber was tun? Natürlich wegräumen, dafür ist Single Target Removal ja da! Marius, Freddy und Jochen haben ihre 10 Favoriten mitgebracht und gleichen in der Folge ihre Listen miteinander ab - Überraschungen garantiert![Werbung] Wir werden von Ultimate Guard gesponsert - an unserer Themenwahl oder Ansichten ändert das nichts, es gibt nur immer mal wieder Shoutouts und Hinweise auf Neuigkeiten und Produkte. http://tinyurl.com/commanderkompass-Discord: https://discord.gg/Mu2EBCUwjKSpotify: https://spoti.fi/3rVEuy5Apple Podcasts: https://apple.co/3bX7fVPTwitter: https://twitter.com/edh_kompassDeezer: https://deezer.page.link/wduneK1DsrUKKVvF9-Editor: https://twitter.com/merlotter & https://archidekt.com/u/Flumpor

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

**Music Mick's Mick's Vibez Show Replay On Trax FM & Rendell Radio. This Week Mick & The Mick's Vibez Show Gave Us 70's & 80's Grooves/Dance Classics From Phreek, Viola Wills, Wild Cherry, Yvonne Elliman, France Joli, Instant Funk, Inner Life, Heatwave, George Duke, Queen Samantha, Game, Firefly, Eugene Wilde, Gloria Estefan & Miami Sound Machine, Enchantment, Debbie Trusty, Dante, Crown Heights Affair, Cindy Mizelle & More. #originalpirates #soulmusic #boogiefunk #disco #danceclassics #boogie Catch The Music Mick's Mixvibez Show Every Saturday From 4PM UK Time On Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

TJ talks about some people that believe we didn't land on the Moon, reminding us all about the old movies and tv shows that had lunar landscapes filmed on Hollywood soundstages. Then deportations under the Obama, Biden and the Trump administrations. Lastly TJ is joined by Ken Peterson to talk about Bands of Enchantment. All on News Radio KKOB.See omnystudio.com/listener for privacy information.

Executive Producer Ken Peterson joins Bob Clark to tell us all about this year's show.See omnystudio.com/listener for privacy information.

This episode explores why bold ideas so often fail not because they're wrong, but because they collide with expert identity, status, and narrative inertia. Drawing on Professor Angus Fletcher's work across literature, neuroscience, and elite military training, the conversation reveals how resistance forms...and how it can be softened without surrendering truth. We learn why timing, framing, and emotional security matter more than raw correctness when challenging entrenched thinkers. It's a practical guide for theorists, researchers, and creators who want their ideas to survive first contact and actually be heard.Part 2: https://youtu.be/_e8PDmutK0wPATREON https://www.patreon.com/c/demystifysciPARADOX LOST PRE-SALE: https://buy.stripe.com/7sY7sKdoN5d29eUdYddEs0bHOMEBREW MUSIC - Check out our new album!Hard Copies (Vinyl): FREE SHIPPING https://demystifysci-shop.fourthwall.com/products/vinyl-lp-secretary-of-nature-everything-is-so-good-hereStreaming:https://secretaryofnature.bandcamp.com/album/everything-is-so-good-herePARADIGM DRIFThttps://demystifysci.com/paradigm-drift-show00:00 Go! Narrative resistance and why new scientific ideas fail00:05:20 Inherited beliefs, status, and emotional security in science00:13:15 Why revolutions in science rarely start rigorously00:18:46 Consensus, utility, and the difference between science and truth00:24:30 Science as story: rationality, beauty, and belief00:32:30 Enchantment, myth, and magical thinking in science00:38:48 Making unsexy truths emotionally compelling00:47:10 Narrative intelligence vs modern science communication00:55:54 Isolation at the edge of expertise00:58:14 From neuroscience to narrative theory01:00:31 Why the military took narrative theory seriously01:05:53 Cranks, outsiders, and how breakthroughs get validated01:10:32 Why optimization fails for humans01:17:14 Narrative imagination vs creativity theory01:21:10 Roleplay as preparation for difficult conversations#consciousness , #humanbehavior, #creativity, #intelligence, #decisionmaking, #psychology, #meaning, #innovation, #learning, #thinking, #history, #philosophy, #communication, #leadership, #physicspodcast, #philosophypodcast MERCH: Rock some DemystifySci gear : https://demystifysci-shop.fourthwall.com/AMAZON: Do your shopping through this link: https://amzn.to/3YyoT98DONATE: https://bit.ly/3wkPqaDSUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysci RSS: https://anchor.fm/s/2be66934/podcast/rssMAILING LIST: https://bit.ly/3v3kz2S SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Pre-order Brian's book The Optimists! It's so good!– Let me know if you'd like a review copy of my forthcoming chapbook The Soft Black Stars: sleerickets [at] gmail [dot] com– A Crown for the Kings by Zina Gomez-Liss– The things you've said and done: Jeremy Wikeley's review of Midlife– Limiting Poetry's Feedback Loop by Steven Searcy– Below the Brightness by Steven Searcy– On Fear by Alice Allan– The Christian Poetry Comeback by Paul J. Pastor– Can Poetry Matter? by Dana Gioia– Poetry as Enchantment by Dana Gioia– When I consider how my light is spent by John Milton– On first looking into Chapman's Homer by John Keats– Decorum by Stephen Dunn– Jabberwocky by Lewis Carroll– The Little ReviewFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena Feder– David Yezzi– Victoria Moul– Katie Dozier & Tim Green– Tristram Fane SaundersOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah Perseus BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

Send us a textEnchantment Theory is an interesting way to think about our relationship with ourselves and with others. I describe this theory and then view it through a gospel lens. __________________________Do you have questions or comments?Please contact me: rtosguthorpe@gmail.comWant more info about my books and talks?Go to my website: https://www.russelltosguthorpe.com/Want to order a book? Just go to Amazon and type in Russell T. Osguthorpe Want to access my YouTube channel:https://youtube.com/@russellt.osguthorpe497Want know more about the music on this podcast? We are blessed to have M. Diego Gonzalez as a regular contributor of songs he has arranged, performed, and recorded especially for this podcast. My wife and I became acquainted with Diego when he was serving a as missionary in the Puerto Rico San Juan Mission. We were so impressed with his talent, we asked if he would compose and perform songs for Filled With His Love. He thankfully agreed. Hope you enjoy his work!Want to boost your mood and make someone's day?Go to the App store on your iPhone, and download the app—Boonto.Want a good introduction to my book? Morgan Jones Pearson interviewed me on the All-In Podcast, and it was one of the top 10 episodes of 2022. Here's the link:https://www.ldsliving.com/2022-in-review-top-10-all-in-podcast-episod...

In this episode of American Potential, host David From is joined by Elizabeth Patton, Americans for Prosperity–Kansas State Director, and JD Marmion, Americans for Prosperity–New Mexico Deputy State Director, for the next installment of 50 Stars, 50 Stories—spotlighting the states that joined the Union in January through a fast-paced trivia showdown. After the fun, the conversation turns serious: Kansas efforts to lower energy costs, rein in state spending, and a major August constitutional amendment aimed at making the Kansas Supreme Court more transparent and accountable after an eye-opening reversal rate. JD shares what's next in New Mexico after the Protect Prosperity tour, the fight against bad policies, and why restoring opportunity in the Land of Enchantment is a top priority for the year ahead.

Welcome back to The Plant Healer's Path — Episode 24. In this lyrical and deeply reflective episode, Jesse Wolf Hardin offers a meditation on beauty — not as surface aesthetics, but as a lived, relational experience at the heart of healing work. Wolf explores how beauty arises through attention, praise, and personal affection — and why naming what moves us is not exclusionary, but an act of generosity. Drawing on vivid imagery from flowers, music, birds, lovers, landscapes, and community healers, he reminds us that beauty is subjective, contextual, and inseparable from our histories, cultures, wounds, and joys. Rather than treating beauty as something fleeting or rare, this episode frames it as ever-present — revealed through perspective, care, and willingness to be moved. Wolf also acknowledges the reality of ugliness and harm in the world, while affirming that choosing to notice and serve what is lovely is a meaningful, healing act in itself. This episode is an invitation to speak our admiration out loud, to let praise inspire others, and to recognize beauty as a reciprocal gift — between people, plants, place, and time. This audio was extracted from the video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Pre-order Brian's book The Optimists! It's so good!– Let me know if you'd like a review copy of my forthcoming chapbook The Soft Black Stars: sleerickets [at] gmail [dot] com– The Christian Poetry Comeback by Paul J. Pastor– Can Poetry Matter? by Dana Gioia– Poetry as Enchantment by Dana Gioia– The Colosseum Book of Contemporary Narrative Verse by Sunil Iyengar– Bill Hicks– Air Force Academy cancels lecture after discovering speaker disparaged Trump by Mary Shinn– CC hosts speaker whose appearance at USAFA was canceled by Ashley Eberhardt– Intimacy by Paisley Rekdal– To Crawl Under the Earth: The Persistence of Expansive Poetry by Brian BrodeurFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena Feder– David YezziOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah Perseus BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

Zach Fort with the New Mexico Shooting Sports Association joins Cam with details on a new omnibus gun control bill that includes (among other things) a broad ban on semi-automatic rifles and new restrictions on gun sellers in the Land of Enchantment.

Sophie Coryndon learned early that craft is not decoration, but devotion, time, patience, skill, and care. Her work sits confidently outside conventional categories, moving between art and craft, history, and contemporary imagination.  This conversation is about enchantment in a disenchanted world, about beauty as a serious subject, about what it means to make work slowly with your hands, at a time when speed and visibility are rewarded above all else. We also talk openly about Sophie's experience of being part of the artist's mastermind circle, where she felt stuck before joining, and how having a space to think more expansively has shaped her work and decisions. KEY TAKEAWAYS ·      We're not separate from the natural world. We are of it. When we remember that, we start to see the magic in everything and capture it. ·      The art world is far more varied than it first appears. You don't have to conquer it all  ·      Don´t be afraid to make slowly, to create work that needs privacy, darkness, and time before it is ready to be seen. BEST MOMENTS “What's in the way, is you - always. We are all holding ourselves back.” “Craft is a form of language. When someone takes the time to make something carefully that care travels - even across centuries.” RESOURCES https://www.sophiecoryndon.co.uk/contact https://www.instagram.com/sophiecoryndon HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.   ** The Artist Mastermind Circle: Ready to stop second-guessing and start building next level momentum in your art career? Applications are now open for the Artist Mastermind Circle—a six-month coaching programme for 25 mid-career artists serious about growing their income, network, opportunities, and confidence. Register by 6pm Monday 2nd February and take the next bold step - https://docs.google.com/forms/d/e/1FAIpQLSf6hXd1YpO5MvUq2oRqW3qyqte7BBn5CSkgHG76dXzBMbT66Q/viewform Join our free webinar on Wednesday 21st January 6.30pm GMT where we introduce you to the coaching programme, walk you through the online hub, coach live, and answer your questions https://us02web.zoom.us/meeting/register/KVucmw1WRd2bsBWgPEfn1g#/registration   ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/   ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/   ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com   ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

ADY ASHLEY: Witchcrafter of Niagara invites listeners into the hidden spiritual and magickal world thriving in the heart of Niagara. Lady Ashley is a practicing witch, spiritual teacher, and intuitive who works with ancient traditions of herbalism, spellcraft, energy healing, and ancestral wisdom. In this captivating conversation, she shares how witchcraft is not about dark myths or superstition, but about balance, personal empowerment, and working in harmony with the natural and spiritual realms. From protection rituals and manifestation to psychic awareness and sacred practices, Lady Ashley reveals how modern witchcraft blends ancient knowledge with contemporary spirituality, offering listeners a deeper understanding of magick, consciousness, and the unseen forces that shape our lives.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

Welcome back to The Plant Healer's Path — Episode 23. In this thoughtful episode, Jesse Wolf Hardin reflects on what it means to be of service as a plant healer — and why generosity, care, and contribution sit at the heart of folk herbalism. Wolf explores the motivations that draw people to herbal work, alongside the realities of sustainability and livelihood. He shares practical ways herbalists and herbal businesses can serve their communities, including sliding scales, deferred payments, bartering, volunteer work, scholarships, donations, and profit-sharing with aligned causes. This episode offers a clear reminder that service is a conscious, intentional act — one that supports access, strengthens community, and honors the reciprocal relationship between people, plants, and land. This audio was extracted from the video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

Send us a textIn today's episode, I'm chatting with Katie Bernet. Katie is an author living in Dallas, Texas. She's an award-winning creative director, a long-standing member of the DFW Writer's Workshop, and the director of the 2025 DFW Writer's Conference. The oldest of three sisters, she's a diehard fan of Little Women. We are here today to discuss her debut novel, Beth is Dead.Episode Highlights:Writing Beth is Dead while living with her sisters, and how those real-life dynamics quietly found their way onto the page.A simple but powerful writing exercise that helped her move past resistance: making a love/hate list and choosing to write toward what felt hard.What changed for her when she reached the end of revisions and realized she understood Beth March in an entirely new way.She talks about which March sister was the most challenging character to write.A gentle reminder that creativity isn't exclusive or earned - it's something we all carry.Connect with Katie:InstagramWebsiteShow NotesSome links are affiliate links, which are no extra cost to you but do help to support the show.Books and authors mentioned in the episode:The Poisonwood Bible by Barbara KingsolverDemon Copperhead by Barbara KingsolverHarry Potter and the Sorceror's Stone by J.K. Rowling (full-cast audio)Enchantment by Orson Scott CardGirl Dinner by Olivia BlakeThe Scammer by Tiffany D. JacksonBook FlightLittle Women by Louise May AlcottSo Many Beginnings by Bethany C. MorrowLittle Monsters by Máire RocheThe 2026 Bookish Flights Reading Challenge is here - a simple, nostalgic way to be intentional with your reading. One book per month, with options for individuals and families. Download it at https://www.bookishflights.com/read/2026readingchallengeSupport the showBe sure to join the Bookish Flights community on social media. Happy listening! Instagram Facebook Website

Yana Stainova is a sociocultural anthropologist and an Assistant Professor at McMaster University. She is interested in art, urban poverty, social inequality, migration, and the lived experience of violence in Latin America. Her research explores how people summon music practices to pursue visions of social justice in the face of political turmoil and barriers to immigration. Her first book project entitled Sonorous Worlds: Musical Enchantment in Venezuela studies how young people coming of age in the urban barrios of Caracas use music and stories to push back against the forces of everyday violence, social exclusion, and state repression. Her second book project, tentatively titled The Politics of Joy: Collective Art Practices across the US-Mexico Border focuses on Latinx migration and artistic practices in North America.A correction: El Sistema was founded in 1975. Hugo Chávez won the Venezuelan election held in 1998 but officially assumed power in 1999. DONATE TODAYA note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers.  The podcast is now within the top 2% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week.  The podcast is reaching thousands of listeners each month.  The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. Best, Lev A Correction Podcast Episodes RSS

Here is your Daily Disney News for Monday, January 5, 2026 - Disneyland California announces the upcoming release of Disney Animation's "The Wishful Journey" this summer, featuring an epic adventure with a star-studded voice cast. - Walt Disney World Resort in Florida introduces "Dreams of Enchantment," a new nighttime spectacular at Magic Kingdom with dazzling fireworks and a new musical score. - Tokyo Disneyland plans a new themed area dedicated to "Moana," featuring interactive attractions and meeting opportunities with Moana. - Disney+ launches "Disney Dreams: The VR Experience," offering virtual reality adventures in Disney worlds like Arendelle and Pride Rock. Have a magical day and tune in again tomorrow for more updates.

Fluent Fiction - Dutch: Chasing Enchantment: A Winter Adventure in Vondelpark Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-01-03-23-34-02-nl Story Transcript:Nl: Sven trok zijn muts dieper over zijn oren en maakte zich klaar voor avontuur.En: Sven pulled his hat down further over his ears and prepared himself for adventure.Nl: Het was een koude winterdag in Vondelpark, Amsterdam.En: It was a cold winter day in Vondelpark, Amsterdam.Nl: Het sneeuwde zachtjes en een dunne laag sneeuw lag op de grond, als een dikke deken.En: It was snowing lightly, and a thin layer of snow lay on the ground like a thick blanket.Nl: De bomen stonden kaal en een dunne ijslaag bedekte het vijvertje.En: The trees stood bare, and a thin layer of ice covered the pond.Nl: Kinderen renden in felgekleurde jassen rond, en de lucht leek gevuld met hun gelach.En: Children ran around in brightly colored coats, and the air seemed filled with their laughter.Nl: Sven's klas maakte zich klaar voor een nieuwjaarsuitstapje onder leiding van hun enthousiaste meester, Bram.En: Sven's class was getting ready for a New Year's excursion under the guidance of their enthusiastic teacher, Bram.Nl: "Jongens, we blijven bij de groep," riep Bram, zijn ogen glinsterden van enthousiasme.En: "Kids, let's stay with the group," called Bram, his eyes sparkling with enthusiasm.Nl: "Het is een prachtige dag om de natuur te ontdekken."En: "It's a wonderful day to explore nature."Nl: Maar Sven had andere plannen.En: But Sven had other plans.Nl: Hij had gehoord over een zeldzame vogel die in het park zou zijn gesignaleerd.En: He had heard about a rare bird that had been spotted in the park.Nl: Zijn hart klopte snel bij de gedachte om de vogel te fotograferen.En: His heart raced at the thought of photographing the bird.Nl: Maar Anouk, zijn beste vriendin, was sceptisch.En: But Anouk, his best friend, was skeptical.Nl: "Sven, het is alleen maar een gerucht.En: "Sven, it's just a rumor.Nl: En bovendien, Bram houdt van schema's."En: And besides, Bram loves schedules."Nl: Sven keek naar Anouk.En: Sven looked at Anouk.Nl: Ze was zijn steun en toeverlaat.En: She was his rock.Nl: Ook al twijfelde ze soms, hij wist dat ze altijd bij hem zou staan.En: Even though she sometimes doubted, he knew she would always stand by him.Nl: Langzaam begon het plan zich in zijn hoofd te vormen.En: Slowly, a plan began to form in his head.Nl: "Anouk, als we nu even afdwalen, kunnen we de vogel misschien zien voordat we weer aansluiten."En: "Anouk, if we wander off for a bit, maybe we can see the bird before we join back."Nl: Anouk zuchtte, maar een kleine glimlach speelde op haar lippen.En: Anouk sighed, but a small smile played on her lips.Nl: "Oké, laten we dan voorzichtig zijn."En: "Okay, let's be careful then."Nl: Met kloppende harten slopen Sven en Anouk zachtjes weg van de groep.En: With pounding hearts, Sven and Anouk quietly snuck away from the group.Nl: Het park leek ineens stiller, mysterieuzer.En: The park suddenly seemed quieter, more mysterious.Nl: De paden waren rustig, en ze konden hun adem als wolkjes zien in de koude lucht.En: The paths were calm, and they could see their breath as little clouds in the cold air.Nl: Plotseling hoorde Sven een gefluit dat hij niet kende.En: Suddenly, Sven heard a whistle he didn't recognize.Nl: Zijn ogen glinsterden van opwinding.En: His eyes sparkled with excitement.Nl: "Daar!En: "There!Nl: Kijk daar!"En: Look there!"Nl: Sven wees naar een boom waar een bontgekleurde vogel zat.En: Sven pointed to a tree where a colorful bird was sitting.Nl: Het was inderdaad de zeldzame vogel!En: It was indeed the rare bird!Nl: Ze waren net op tijd!En: They were just in time!Nl: Maar op dat moment verscheen Bram in de verte.En: But at that moment, Bram appeared in the distance.Nl: "Sven!En: "Sven!Nl: Anouk!En: Anouk!Nl: Wat doen jullie daar?"En: What are you doing there?"Nl: riep hij streng, maar zijn nieuwsgierigheid won.En: he called out sternly, but his curiosity got the better of him.Nl: Net toen Sven zijn camera uit zijn zak trok, vloog de vogel weg.En: Just as Sven pulled his camera from his pocket, the bird flew away.Nl: Sven liet zijn schouders zakken, maar Bram legde een hand op zijn schouder.En: Sven's shoulders dropped, but Bram placed a hand on his shoulder.Nl: "Je hebt misschien geen foto, maar je hebt een avontuur gehad.En: "You may not have a photo, but you had an adventure.Nl: En dat is net zo waardevol."En: And that's just as valuable."Nl: Anouk kreeg een glimlach op haar gezicht.En: Anouk broke into a smile.Nl: "Het was best spannend," gaf ze toe, haar ogen sprankelend.En: "It was quite exciting," she admitted, her eyes sparkling.Nl: Ze voegden zich weer bij de groep, met nieuwe verhalen en nieuwe avonturen in hun gedachten.En: They rejoined the group with new stories and new adventures in their minds.Nl: Sven voelde zich zelfverzekerder, en Anouk dacht al aan welke avonturen hen nog te wachten stonden in het nieuwe jaar.En: Sven felt more confident, and Anouk was already thinking about the adventures that awaited them in the new year.Nl: De sneeuw bleef vallen en bedekte Vondelpark zoals een schilderij van de natuur zelf.En: The snow continued to fall, covering Vondelpark like a painting by nature itself.Nl: De wereld was vol beloften, precies zoals het nieuwe jaar.En: The world was full of promises, just like the new year.Nl: En hoewel de vogel weg was, wisten Sven en Anouk dat dit nog maar het begin was van vele avonturen.En: And although the bird was gone, Sven and Anouk knew this was just the beginning of many adventures.Nl: En misschien, op een toekomstige winterdag, zouden ze de vogel weer tegenkomen.En: And maybe, on a future winter day, they would encounter the bird again. Vocabulary Words:adventure: avontuursparkling: glinsterdenrumor: geruchtenthusiastic: enthousiastbare: kaalpond: vijvertjelayer: laagwander: afdwalenexcursion: uitstapjeenthusiasm: enthousiasmeskeptical: sceptischrare: zeldzamebreathtaking: adembenemendcuriosity: nieuwsgierigheidsternly: strengexciting: spannendsnuck: slopenpromises: beloftenpainting: schilderijmysterious: mysterieuzerwhistle: gefluitsparkled: sprankelendencounter: tegenkomenphotograph: fotograferenlayer: dikke dekenglistening: glinsterendvaluable: waardevolventure: ondernemingdoubt: twijfelenquietly: zachtjes

Guy Kawasaki learned sales the hard way in the jewelry business, where every deal felt like hand-to-hand combat. With no technical background, he later joined Apple and turned those street-level selling skills into world-class software evangelism. He went on to become Chief Evangelist at Canva, shaping how the world thinks about selling ideas. In this episode, Guy breaks down why selling is the most critical skill for entrepreneurs, the sales strategies that helped him win pitches, and how to identify products or ideas that sell. In this episode, Hala and Guy will discuss: (00:00) Introduction (01:29) From Sales Rookie to Apple Evangelist (07:35) How to Get Your Big Break (11:49) Leadership Lessons From Apple and Beyond (17:51) The Art of Knowing When to Quit (24:53) How Big Career Risks Shape Success (33:22) Mastering the Sales and Pitch Strategy (42:07) Evangelism Strategy: Pitch Everyone, Always (47:43) Building Likability, Trust, and Competence Guy Kawasaki is a bestselling author, keynote speaker, and the Chief Evangelist of Canva. He previously served as the Chief Evangelist at Apple, where he popularized the concept of secular evangelism and helped make the Macintosh a household name. Guy is also the creator and host of the Remarkable People podcast, featuring world-class entrepreneurs and innovators. Sponsored By: Indeed - Get a $75 sponsored job credit to boost your job's visibility at Indeed.com/PROFITING  Shopify - Start your $1/month trial at Shopify.com/profiting.  Spectrum Business - Visit Spectrum.com/FreeForLife to learn how you can get Business Internet Free Forever. Northwest Registered Agent - Build your brand and get your complete business identity in just 10 clicks and 10 minutes at northwestregisteredagent.com/paidyap Framer - Publish beautiful and production-ready websites. Go to Framer.com/profiting and get 30% off their Framer Pro annual plan. Intuit QuickBooks - Start the new year strong and take control of your cash flow at QuickBooks.com/money  Quo - Run your business communications the smart way. Try Quo for free, plus get 20% off your first 6 months when you go to quo.com/profiting   Working Genius - Take the Working Genius assessment and discover your natural gifts and thrive at work. Go to workinggenius.com and get 20% off with code PROFITING Resources Mentioned: Guy's Website: remarkablepeople.com    Guy's Book, Wise Guy: bit.ly/-WiseGuy  Guy's Book, Enchantment: bit.ly/-Enchantment  Guy's Podcast, Remarkable People: bit.ly/RP-apple  Active Deals - youngandprofiting.com/deals  Key YAP Links Reviews - ratethispodcast.com/yap YouTube - youtube.com/c/YoungandProfiting Newsletter - youngandprofiting.co/newsletter  LinkedIn - linkedin.com/in/htaha/ Instagram - instagram.com/yapwithhala/ Social + Podcast Services: yapmedia.com Transcripts - youngandprofiting.com/episodes-new  Entrepreneurship, Entrepreneurship Podcast, Business, Business Podcast, Self Improvement, Self-Improvement, Personal Development, Starting a Business, Strategy, Investing, Sales, Selling, Psychology, Productivity, Entrepreneurs, AI, Artificial Intelligence, Technology, Marketing, Negotiation, Money, Finance, Side Hustle, Startup, Mental Health, Career, Leadership, Mindset, Health, Growth Mindset, Online Selling, Economics, E-commerce, Ecommerce, Prospecting, Persuasion, Inbound, Value Selling, Account Management, Scale, Scaling, Sales Podcast

Have you ever visited a place that immediately makes you slow down, breathe deeper, and feel completely present? That's exactly what Sedona, Arizona did for us—especially while staying at the stunning Enchantment Resort.In this Destination Day episode, I'm taking you inside one of the most magical red-rock destinations in the U.S. and sharing what it's really like to stay at Enchantment, a luxury resort tucked into Boynton Canyon. From jaw-dropping views to peaceful desert energy, this trip was equal parts rest, adventure, and luxury—and yes, we used points to make it happen.Whether you're planning a romantic getaway, a wellness-focused escape, or a family trip that still feels elevated, this episode will help you decide if Sedona (and Enchantment) belongs on your travel bucket list.In this episode, you'll hear:What makes Enchantment Resort so special (location, vibes, and amenities)Who this resort is best for: couples, families, or solo travelersWhat we did in Sedona beyond the resort (easy adventures + relaxation)This episode is perfect if you love:Luxury resorts with nature viewsUnique U.S. destinations that feel otherworldlyWellness, hiking, and slow travelResources:Travel Points Academy – Learn my full step-by-step system for earning and using pointsBest Credit Card Offers Right Now- Take a look at all the card offers to find your next cardFollow Along on Instagram

Fluent Fiction - Spanish: Enchantment at Alhambra: A History Buff's Unexpected Lesson Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-12-30-08-38-20-es Story Transcript:Es: El sol de invierno brillaba sobre los tejados de la Alhambra, dejando una pálida luz que hacía resplandecer los muros antiguos de este palacio mágico.En: The winter sun shone over the rooftops of la Alhambra, casting a pale light that made the ancient walls of this magical palace glow.Es: Esteban, un apasionado de la historia, caminaba junto a sus amigos, Lourdes y Gerardo.En: Esteban, a history enthusiast, walked alongside his friends, Lourdes and Gerardo.Es: Estaba emocionado.En: He was excited.Es: Toda su vida había soñado con explorar los secretos de la Alhambra.En: His whole life, he had dreamed of exploring the secrets of la Alhambra.Es: Lourdes, su guía, tenía una sonrisa indefinida.En: Lourdes, their guide, had an indeterminate smile.Es: Conocía cada rincón de aquel lugar.En: She knew every corner of that place.Es: Su amor por la historia de Granada era contagioso.En: Her love for the history of Granada was contagious.Es: Gerardo, por otro lado, era más práctico y observaba el reloj, asegurándose de que siguieran el itinerario.En: Gerardo, on the other hand, was more pragmatic and watched the clock, ensuring that they stuck to the itinerary.Es: El grupo paseaba lentamente por los intrincados patios, admirando los azulejos y fuentes.En: The group strolled slowly through the intricate courtyards, admiring the tiles and fountains.Es: Las montañas de Sierra Nevada se alzaban majestuosas con sus cumbres cubiertas de nieve.En: The Sierra Nevada mountains rose majestically with their snow-covered peaks.Es: Sin embargo, mientras Lourdes explicaba un detalle sobre los arcos de la Alhambra, Esteban empezó a sentirse raro.En: However, as Lourdes explained a detail about the arches of la Alhambra, Esteban started to feel strange.Es: Su visión comenzó a nublarse.En: His vision began to blur.Es: El mundo a su alrededor giraba lentamente.En: The world around him spun slowly.Es: Intentó concentrarse, pero el mareo se intensificaba.En: He tried to focus, but the dizziness intensified.Es: Durante un momento crucial de la narración de Lourdes, sobre un pasadizo oculto que pocos conocían, Esteban cayó al suelo, inconsciente.En: During a crucial moment of Lourdes' narration, about a hidden passageway that few knew about, Esteban fell to the ground, unconscious.Es: Gerardo, alarmado, se arrodilló junto a él.En: Gerardo, alarmed, knelt beside him.Es: "¡Lourdes!En: "¡Lourdes!Es: ¡Necesitamos ayuda!"En: We need help!"Es: gritó.En: he shouted.Es: Sin perder la calma, Lourdes movió con cuidado a Esteban bajo la sombra de un ciprés.En: Without losing her composure, Lourdes carefully moved Esteban under the shade of a cypress tree.Es: Premuradamente, avisó a los guardias del lugar para que pidieran una ambulancia.En: She promptly notified the guards to call for an ambulance.Es: La preocupación se reflejaba en su rostro.En: Concern was reflected on her face.Es: Gerardo se mantuvo junto a su amigo, sosteniendo su mano.En: Gerardo stayed by his friend, holding his hand.Es: En el centro médico, Esteban abrió los ojos, su mirada aún turbia pero consciente.En: In the medical center, Esteban opened his eyes, his gaze still blurred but conscious.Es: Sentía el calor de la manta que lo cubría y el alivio en la voz de Lourdes, quien le explicaba lo que había pasado.En: He felt the warmth of the blanket covering him and the relief in Lourdes' voice as she explained what had happened.Es: "Fue solo una baja de tensión," dijo el médico tranquilizadoramente.En: "It was just a drop in blood pressure," the doctor said reassuringly.Es: "Un poco de descanso y estarás bien."En: "A little rest and you'll be okay."Es: Mientras el reloj se acercaba a medianoche, Gerardo sacó su teléfono.En: As the clock neared midnight, Gerardo took out his phone.Es: "¡Mira, Esteban!En: "Look, Esteban!Es: Las luces de la ciudad," dijo, señalando que aún podían ver las celebraciones desde la ventana del hospital.En: The city lights," he said, pointing out that they could still see the celebrations from the hospital window.Es: Uno a uno, brillantes fuegos artificiales estallaban sobre los cielos de Granada, saludando el Año Nuevo.En: One by one, bright fireworks exploded over the skies of Granada, greeting the New Year.Es: Esteban suspiró, agradecido.En: Esteban sighed, grateful.Es: Había aprendido algo vital aquel día: la curiosidad no debía poner en peligro su salud.En: He had learned something vital that day: curiosity should not endanger his health.Es: Era un recordatorio de que tenía amigos que se preocupaban por él.En: It was a reminder that he had friends who cared about him.Es: "Lo descubriremos todo la próxima vez, con calma," dijo Lourdes sonriendo, y Esteban asintió, sintiendo una nueva seguridad.En: "We'll discover everything next time, at a relaxed pace," said Lourdes with a smile, and Esteban nodded, feeling a new sense of security.Es: Así, en el calor del momento, aprendió a valorar su bienestar junto con su pasión por la historia, mientras las estrellas fugaces iluminaban la mágica noche de Granada.En: Thus, in the warmth of the moment, he learned to value his well-being along with his passion for history, as shooting stars illuminated the magical night of Granada. Vocabulary Words:the cypress: el ciprésthe roof: el tejadothe arch: el arcothe courtyard: el patiothe corner: el rincónthe thickness: el grosorthe fountain: la fuentethe tile: el azulejothe dizziness: el mareothe passageway: el pasadizothe mural: el muralunconscious: inconscientehidden: ocultothe peak: la cumbrepragmatic: prácticothe guard: el guardiablood pressure: la tensiónthe blanket: la mantathe itinerary: el itinerariothe history enthusiast: el apasionado de la historiato blur: nublarsereassuringly: tranquilizadoramentealarm: la alarmathe fireworks: los fuegos artificialesthe shade: la sombrato stick to (an itinerary): seguir (el itinerario)the warmth: el calorthe celebration: la celebraciónthe snowfall: la nevadamajestic: majestuoso

Ecc 3:11. There are many who doubt the existence of God. Although intelligent design is everywhere in our universe, the secular world fails to see God. The Bible points out things that should enchant us. In this study, Evangelist Tim Copeland examines some things that should enchant us about God.

Hey there, and Merry Christmas! This is your Disney News for Thursday, December 25th, 2025. I hope you're cozy and ready for some festive Disney cheer! - Disneyland debuts a new Christmas parade featuring Santa, Mickey, and Minnie with holiday floats and snow flurries. - Walt Disney World's "Frozen Ever After" attraction opens, offering a magical journey through Arendelle with beloved characters. - Disney+ launches "The Muppets Christmas Carol Reimagined," a fun and heartwarming holiday special for family viewing. - Disney Dreamlight Valley releases "Winter's Enchantment," an expansion with new characters, quests, and a snowy game landscape. Thanks for joining me, and I hope your Christmas is filled with joy and a sprinkle of Disney magic. Remember to check in tomorrow for more updates. Catch you tomorrow!

Welcome back to The Plant Healer's Path — Episode 22. In this powerful and wide-ranging episode, Jesse Wolf Hardin speaks directly to the moment we're living in — a time of immense challenge, ecological strain, cultural pressure, and profound possibility. Wolf reflects on the crossroads facing herbalists, healers, and culture-shifters of all kinds, exploring how fear, grief, and uncertainty can become sources of clarity, motivation, and purposeful action. Rather than retreating into resignation or victimhood, we're invited to deepen our awareness, sharpen our senses, and remember our place within the living world. This episode weaves together themes of herbal access, plant protection, self-worth, intuition, responsibility, and celebration — reminding us that even in difficult times, it remains possible to cultivate meaning, connection, and joy. Herbalism is framed not only as medicine, but as a vital skill for self-care, community resilience, and cultural renewal. A stirring reflection on empowered folk herbalism, embodied awareness, and the wild responsibility of living fully — even when the stakes are high. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

We FELL IN LOVE with the Letters of Enchantment series. What do you all think about it?Today, we discuss the enchanted typewritten romance between Iris Winnow and Roman Kitt. Do we ship it? Listen to find out!

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 13, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Paul Gessing, President of the Rio Grande Foundation, joins us to share the latest insights featured on The Error of Enchantment, the Foundation's policy-focused platform. He discusses recent developments impacting New Mexico, including key issues surrounding the upcoming mayoral election, local governance challenges, and broader policy trends shaping the state's economic and political landscape. Home – Rio Grande Foundation The post Paul Gessing appeared first on ABQ Connect.

Welcome back to The Plant Healer's Path — Episode 21. In this reflective episode, Jesse Wolf Hardin explores the idea that among all the plants we cherish, there may be one green ally whose presence, timing, symbolism, or healing effect plays a uniquely meaningful role in our lives. Wolf shares how a personal plant may appear during transition, heartbreak, celebration, or illness — offering medicine, emotional clarity, inspiration, or companionship. A plant ally might be one we've known for years but only now truly hear, or an unexpected species that arrives precisely when needed. We're invited to slow down, notice the plants around us, feel their resonance, and recognize the qualities, stories, and teachings they bring. Once we identify our plant, we can turn to it for grounding, guidance, and everyday support. A beautiful meditation on intuition, plant relationship, and the lifelong path of learning from nature. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

Do you believe in the miraculous? In this sermon, Dave reminds us of the enchanted reality in which we live and how we can experience God as we remain aware of his spiritual presence and work in our world. This sermon is part of our “Experience God” sermon series. How do you experience God? God has given us many ways to step into his transformational presence, but too few take advantage of these gifts. Join The Crossing as we explore and experiment with ancient Christian practices to help us encounter God in new ways this fall. Want to get the most out of each week's sermon? Download “Experience God: Experiments for November”. This free workbook will help you apply what you learn on Sunday morning with daily devotionals and exercises. Download your free copy Interested in more content like this? Sign up for our weekly email newsletter. Every Friday, you'll get new resources to help you grow in your faith and a first look at what to expect on Sunday, delivered right to your inbox. Get connected at The Crossing! When you sign up for Crossing Update, you'll get a text message every Sunday morning with the new ways to get involved at the church. You can also find the latest information about events on The Crossing's website. 

EPISODE 645 - Anthony Dyer - Moon Child - Roots and Wings of a USAF Combat Special MissionsANTHONY DYER grew up in the heart of the Appalachian Mountains, where adventure and resilience were woven into his very being. That same spirit of fearlessness carried him into a life of service, leading to an extraordinary career in Special Operations Aviation as a USAF Combat Special Missions Aviator. Over the course of more than a decade, Anthony flew into some of the most dangerous and unpredictable environments on the planet, executing high-risk missions that demanded precision, courage, and an unbreakable will.His exceptional skill and unwavering commitment to his team earned him numerous accolades, including the Air Force's Jolly Green Rescue Mission of the Year award in 2018 for his role in a daring, life-saving operation. Throughout his career, he witnessed both the triumphs and the burdens of combat, experiencing firsthand the weight that warriors carry long after the missions end.When he's not writing or speaking on behalf of those who have walked a similar path, Anthony finds solace in fishing, basketball, and the simple joys of family life. Above all, he is a devoted father and husband, embracing the adventure of parenthood with the same passion and intensity that defined his military career. Now residing in New Mexico, the Land of Enchantment, Anthony continues his journey—one that is no longer defined by combatBook - Moon Child: The Roots and Wings of a USAF Combat Special Missions AviatorBorn in the rugged Appalachian town of Sylva, North Carolina, Anthony Dyer was raised in a world of untamed adventure, where resilience was a way of life. That same fearless spirit propelled him into the elite realm of Special Operations Aviation, where he spent over a decade as a USAF Combat Special Missions Aviator, flying into the world's most volatile war zones. Tasked with executing high-risk missions under relentless pressure, Anthony's career was defined by precision, courage, and sacrifice. But what happens when the mission ends?In Moon Child, Anthony delivers a raw, unfiltered account of his life in combat-the triumphs, burdens, and unseen wounds that follow Warriors home. He shares the harrowing details of his most dangerous operations, including the 2018 Jolly Green Rescue Mission of the Year, where split-second decisions meant the difference between life and death. Yet, beyond the battlefield, Anthony faced a far deadlier enemy: the silent battles of addiction, trauma, and the search for purpose beyond war.For those who have known war, for those who have battled addiction, and for those still finding their way-Moon Child is your story, too.https://www.traitmarkermedia.com/moonchildSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Welcome back to The Plant Healer's Path — Episode 20. In this episode, Jesse Wolf Hardin explores one of the deepest inner tensions faced by healers, activists, caregivers, and culture-shapers alike: the longing to create real, visible change — and the emotional weight of what we cannot control. Through poetic reflection and grounded wisdom, Wolf speaks to the outcome-oriented heart that lives inside so many of us — especially herbalists, healthcare providers, parents, justice workers, and environmental advocates. He explores our shared desire to relieve suffering, to fix what is broken, to bring about lasting cures and total solutions — and the quiet harm that can arise when we measure our worth solely by what we can "successfully" change. You'll hear why it's both beautiful and perilous to carry the world's pain on our shoulders, how unrealistic expectations can quietly drain our vitality, and why a truly sustainable healing practice depends on learning the difference between what we can influence and what we must release. Wolf offers a compassionate framework for shifting from impossible cures toward meaningful, tangible, day-to-day impact — without abandoning our deeper ideals. If you've ever felt discouraged by outcomes you couldn't control, burned out by constant striving, or torn between big visions and personal limits, this episode offers a powerful reminder: your small, steady, real-world efforts matter more than you may realize. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

Welcome back to The Plant Healer's Path. In this episode, Jesse Wolf Hardin invites you into a soulful, provocative, and deeply clarifying journey through 20 essential life questions — prompts designed to reorient you toward meaning, vitality, purpose, and the truth of who you are. Through story, metaphor, and grounded self-inquiry, Wolf explores what it really means to live deliberately: What would you do if this were your final year? What is worth your precious time, energy, devotion, and attention? What habits, obligations, or environments drain you — and which nourish your joy, creativity, and calling? Who matters most? What matters most? And what would it take to craft a life that feels wholly, unapologetically your own? If you've been craving reflection, renewal, direction, or simply a deeper connection to your authentic self, this episode serves as a powerful inner compass — a yardstick for living a life aligned with your values, your purpose, and your heart. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence. October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

Welcome back to The Plant Healer's Path. In this episode, Jesse Wolf Hardin explores one of the most essential — yet often misunderstood — aspects of the plant healer's journey: finding and defining your true niche. Through poetic reflection, grounded teaching, and decades of lived experience, Wolf unpacks what it really means to discover your unique role within the larger healing field. From folk herbalists and family practitioners to growers, medicine makers, teachers, clinicians, and culture builders, he illuminates how each healer carries a distinct "individual medicine" — a signature blend of talents, interests, aesthetics, convictions, and calling. You'll hear why purpose needs form to fully manifest, how specialization isn't limitation but clarification, and why a well-defined niche becomes both your home base and your vantage point for serving the world. Wolf traces the word "niche" back to its Latin root meaning "nest," inviting you to consider how your own healing work is woven from the land, the people you serve, the methods you love, and the story you tell. If you've ever felt scattered, unsure where you truly fit, or called to refine your focus without losing your heart, this episode offers a powerful framework for aligning your gifts, your audience, your role, and your deeper purpose into a coherent, living practice. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence. October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100 classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

In this episode I sit down with writer, author, film producer and a man with what I feel has the best handle ever (Herd Bull), Mike Mitten. Mike is a bowhunter who has been bowhunting for over 50 years. Mikes shares his passionate bowhunting adventures through his books, his magazine articles, and his YouTube channel. From his 3-week solo trips in Alaska, to hunting big mature whitetail bucks on his home farm in the Midwest. This podcast has everything! and trust me when I say, we only begun to scratch the surface. This is one you don't want to miss.  

Let's talk about giving up your iPhone for days, Decluttering, Naked Doritos, the Mar-a-Lago Face and finding Enchantment!

Welcome back to The Plant Healer's Path. In this episode, Jesse Wolf Hardin offers a deeply heartfelt teaching on the essential — yet often overlooked — practice of tending to ourselves as healers, caregivers, herbalists, and helpers of all kinds. Through story, reflection, and grounded wisdom, Wolf explores the emotional, physical, and spiritual costs of caring for others, and why our own vitality, rest, creativity, nourishment, and joy must remain at the center of our work. If you've ever felt depleted, overstretched, compassion-fatigued, or burdened by the weight of wanting to "fix the whole damn world," this one is a powerful reminder to come home to yourself. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by The Good Medicine Confluence. October 12–15, 2026 Ghost Ranch, New Mexico Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four unforgettable days of learning, celebration, connection, ritual, and more than 100+ classes with over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the Land of Enchantment.

Welcome back to The Plant Healer's Path — teachings, stories, and earth-honoring reflections from author, teacher, and visionary Jesse Wolf Hardin. In this episode, Wolf explores Gaia consciousness — the ancient, animistic understanding of Earth as a living, breathing, feeling being. Through poetic teaching and grounded reflection, he invites us to consider our place within the greater planetary whole, and how our healing work becomes an act of healing the larger self of Gaia. This audio was extracted from the beautiful video version available on the HerbRally YouTube channel. This episode is brought to you by the Good Medicine Confluence October 12–15, 2026 Ghost Ranch, New Mexico. Join herbalists, healers, wildcrafters, visionaries, misfits, and medicine makers for four days of learning, celebration, connection, and over 100+ classes from over 40 teachers. You're warmly invited to gather, study, celebrate, and dance under the stars in the unforgettable Land of Enchantment. Learn more and register: GoodMedicineConfluence.com

 Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about a new fund for literary arts organizations, James Patterson's podcast, and how to read a book and feed a neighbor. Then, stick around for a chat with Orson Scott Card!Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors), the fantasy Mithermages series (Lost Gate, Gate Thief, Gatefather) and the Side Step series (Wakers, Reawakening) are taking readers in new directions.Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Sarah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his "freshened" Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew, and The Merchant of Venice.Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode we look at The Fate of the Children of Lír and explore how Ireland's most famous myth is not a myth at all. In fact, it's a Christian parable in a shape of myth. A bit like a child who's been turned into a swan.The artwork for this episode is THE CHILDREN OF LIR. THE ENCHANTMENT by Jim FitzPatrick. Hosted on Acast. See acast.com/privacy for more information.

January 1692. Two girls wake up screaming with unexplained burns on their skin. Their bodies contort unnaturally. Doctors reach a chilling conclusion: they're "under an evil hand." What unfolds over the next nine months doesn't just claim 23 lives—it murders something far more profound: the Western world's faith in the supernatural itself.PhD candidate Brian Dedmon has discovered why Salem—out of hundreds of witch trials that killed far more people—became the one everyone remembers. The answer is chilling: Salem happened at the precise moment Western civilization was poised to abandon God. The timing was devastating. Nineteen souls hanged. One man crushed slowly beneath stacking stones, gasping his final words: "More weight."But here's the twist that changes everything: the guilty walked free while the innocent died. "Spectral evidence" allowed convictions based on dreams alone—no physical proof required. Wealthy families weaponized the hysteria to eliminate rivals. A minister quoted the Lord's Prayer perfectly at the gallows (something witches supposedly couldn't do) and was hanged anyway.By 1700, historians across every ideological spectrum agree: Western culture abandoned belief in the supernatural almost overnight. Salem became exhibit A that Christian faith breeds dangerous superstition. SThe real question facing us now: How do we reclaim biblical supernatural faith without triggering new witch hunts? How do we acknowledge spiritual warfare when most Christians treat it like embarrassing folklore? Salem's message echoes across three centuries: The church must remember what it lost after 1692—before what's coming makes us wish we had. This episode is sponsored by:https://brooklynbedding.com — Get 30% off site wide when you use code BLURRY at checkout!https://uncommongoods.com/blurry — Shop early to get 15% off your next gift!https://livemomentous.com — Get up to 35% off your first order with promo code BLURRY at checkout! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about a new fund for literary arts organizations, James Patterson's podcast, and how to read a book and feed a neighbor. Then, stick around for a chat with Orson Scott Card!Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors), the fantasy Mithermages series (Lost Gate, Gate Thief, Gatefather) and the Side Step series (Wakers, Reawakening) are taking readers in new directions.Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Sarah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his "freshened" Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew, and The Merchant of Venice.Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card.

Flute 360 | Episode 347: "Inside the Musical Instrument Museum — Dr. Eddie Hsu on Global Flutes & Cultural Storytelling" In this Flute 360 episode, Dr. Heidi Kay Begay sits down with Dr. Eddie Hsu, Curator for Asia & Oceania at the Musical Instrument Museum (MIM) in Phoenix, Arizona. Together, they explore MIM's new exhibition, "The Magical Flute: Beauty, Enchantment & Power," and talk about the global story of the flute — from 8,000-year-old bone flutes to modern instruments. Dr. Hsu shares how flutes carry cultural storytelling, spiritual meaning, ceremony, identity, and breath across continents. You'll also hear live demonstrations of the Chinese bamboo flute (dizi), the Arabic ney, and the Indigenous Taiwanese nose flute. If you're curious about global flutes, ethnomusicology, and how museums preserve musical voice and tradition, this conversation is for you. What You'll Learn: How the Musical Instrument Museum curates a global flute exhibition and tells the story of the flute across cultures and time. Why so many cultures see the flute as a spiritual or magical voice — not just an instrument. How breath, ritual, mourning, prayer, love, and identity are expressed through flutes around the world. What makes instruments like the dizi, ney, and traditional nose flute unique in sound and purpose. How visitors can experience "The Magical Flute: Beauty, Enchantment & Power" at MIM through sound, video, story, and live performance. Guest Bio: Dr. Eddie Chia-Hao Hsu is the Curator for Asia & Oceania at the Musical Instrument Museum (MIM) in Phoenix, Arizona. An ethnomusicologist and flutist from Taiwan, he holds a Ph.D. from the University of Texas at Austin. His work explores global flute traditions, Indigenous Taiwanese music, and cultural storytelling through sound, connecting instruments as living expressions of community and identity. Resources: Musical Instrument Museum (MIM), Phoenix, Arizona Exhibit: "The Magical Flute: Beauty, Enchantment & Power" Opening weekend: November 7–9, 2025, including curator talks and featured performances Visitor info & tickets: mim.org Featured instruments discussed: Chinese bamboo flute (dizi), Arabic ney, Indigenous Taiwanese double-pipe nose flute Themes mentioned: ritual, ceremony, longing, storytelling, preservation, conservation MIM's FB Business Page – click here! Grab Your Seats: Build your music career with support! Grow your music studio with Dr. Katherine Emeneth's Music Teacher's Playbook. The next cohort closes on November 15, 2025. Schedule your call with her using the link in today's show notes. CLICK HERE to schedule your call! Join the Flute 360 Accelerator for live community, accountability, and creative support. Our next live session meets Saturday, November 22, 2025 from 11 a.m.–1 p.m. Central Time. We meet once a month, so don't wait to grab your seat. CLICK HERE to grab your 360 seat!! You are capable of more than you realize. Let's move the needle forward together!! Follow Heidi! Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Subscribe to the Flute 360's YouTube Channel! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group! Join the Flute 360's Accelerator Program Here! TIER 1 for $37 TIER 2 for $67 TIER 3 for $97